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Vinyl rip in 24-bit/192kHz (presented in 24/96) | FLAC | m3u, cue & Tech Log
Artwork | DR Analysis | 745 / 215 mb incl. recovery | Jazz | 1964
Mastered by Bernie Grundman from the original analog Mastertapes
Rhino 180g LP / Cat.#: Atlantic SD-1419 (8122798050)
Track listing
Side one
1. "The Night Has A Thousand Eyes" Buddy Bernier, Jerry Brainin 6:42
2. "Central Park West" John Coltrane 4:12
3. "Liberia" John Coltrane 6:45
Side two
1. "Body and Soul" Edward Heyman, Robert Sour, Frank Eyton, Johnny Green 5:35
2. "Equinox" John Coltrane 8:33
3. "Satellite" John Coltrane 5:48
Personnel
Production personnel
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Analyzed: John Coltrane / Coltrane's Sound [Rhino 180g LP]
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Number of tracks: 6
Maximum peak difference (-1.04 dB - -6.08 dB): 5.04 dB
Official DR value (Song Mode): DR13
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Technical Log
Vacuum cleaning > TT > Brocksieper Phonomax > E-MU 0404 > WaveLab 6 (24/192) >
manual click removal >
analyze (no clipping, no DC Bias offset) > resampling and dithering with iZotope RX
Advanced 2.00
> split into individual Tracks > FLAC encoded (Vers. 1.21)
Personal Note
With my vinyl transfers, I try to catch the whole beauty of vinyl records;
therefore I don't use any post-processing or any sound improvement.
What you get is a clear and flat transfer. For getting a clear sound, I'll do
an extended washing of each record with my RCM, which can take up to
30 minutes brushing on each side. Resistant ticks and clicks I try to remove
as good as possible, but the priority is not to lose any musical information in
the process. Surface noises, as long they are not too high, are left in place.
Only on bad pressings or on records recorded at extremely low levels do I use
a fade in-/-out. As John Peel said, "Life is full of surface noises." In some
cases this means that I have to make a compromise.... The result has to pass
my personal quality criteria, which is IMO quite high.