V. Prose Tales
Perhaps more than any other genre of Egyptian literature, these few
surviving prose tales speak to the modem reader, for they are creations
of the universal storytelling impulse, and of an imagination that roamed
find played upon experience, unfettered by the functional orientation of
‘most Egyptian literary works. It would be a mistake, however, to think of
these tales as being folklore, as being simply and artessly told. Like all
Egyptian writings, the tales come from the sphere of the educated scribes
‘and from the ambience of the court. It is true that the style of the Skip
‘arecked Sailor is considerably simpler than that of Simuhe Its nevertheless
‘written in a literary style that is quite distinct from the colloquial language
one finds in the private letters.
‘The Tale of the Shipeorecked Sailor, and the Tales from Papyrus Westcar
share the quality of fairy tales. They are tales of wonder, of miraculous
events in which human beings encounter the supernatural. ‘The Story
of Simuhe, on the other hand, is the story of a life as it could have been
lived, In fact it may be a true story. Itis told in the form of the autobio-
‘graphy composed for the tomb, and at least one scholar has voiced the hope
that the original tomb-text may yet be found. Whether or not it relates,
the actual experience of an individual, the story reflects a true historical
‘situation—the death of Amenembet I and the reign of Sesostrs I. But to the
Egyptians it was above all a tale magnificently told, which, using all the
‘modes of a rich and refined literary art, created a character whose actions,
‘sorrows, and joys enthralled the listeners. It became a classic, endlessly
recopied, and it can still fascinate today.
‘THE TALE OF THE SHIPWRECKED SAILOR
‘The only preserved papyrus copy of the tale was discovered by
Golenischef in the Imperial Museum of St, Petersburg. Nothing is known,
about its original provenience. ‘The papyrus, called P. Leningrad 1115,
is now in Moscow. The work, and the papyrus copy, date from the Middle
Kingdom.
‘The tale is set in a narrative frame. A high official is retuming from an
‘expedition that apparently failed in its objective, for he is despondent
‘and fearful of the reception awaiting him at court. One of his attendants,
‘exhorts him to take courage, and as an example of how a disaster may
‘tum into a success, tells him a marvelous adventure that happened to
him year ago. At the end of his tale, however, the officials still despondent.
Publication: W. Golenischef®, Papyrus higratiques,pls.1-8. A. Erman,
ZAS, 43 (1906), 1-26. W. Goleniacheff, Le conte die naufragé, Biblio-
thique étude, 2 (Cairo, 1912). A. M. Blackman, Middle Egyptian
‘Stories, Bibliotheca Aegypuiaca, II (Brussels, 1932), pp. 41-48.ANCIENT EGYPTIAN LITERATURE
‘Translation: Erman, Literate, pp. 25-35. Lefebvre, Romans,
pp. 29-40, Brunner-Traut, Marcher, pp. 5-10. For additional refer
ences see Leftbvre, op. ct, p32.
(x) The worthy attendant said: Take heart, my lord! We have
reached home. The mallet has been seized, the mooring-post staked,
the prow-rope placed (5) on land. Praise is given, god is thanked,
everyone embraces his fellow. Our crew has returned safely ; our troops
have had no loss. We have left Wawat behind, we have passed (10)
Senmut; we have retumed in safety, we have reached our land, Now
listen to me, my lordl I am not exaggerating. Wash yourself, pour water
over your fingers. You must answer (15) when questioned. You must
speak to the king with presence of mind. You must answer without
stammering! A man’s mouth ean save him, His speech makes one
forgive him. (20) But do as you like! It is tiresome to talk to you.
But I shall tell you something like it that happened to me. I had set
out to the king’s mines, and had gone (25) to sea in a ship of a hundred.
and twenty cubits in length and forty cubits in width. One hundred
and twenty sailors were in it of the pick of Egypt. Looked they at sky,
looked they at land, their hearts were stouter (30) than lions. They
could foretell a storm before it came, a tempest before it broke.
Acstorm came up while we were at se, before we could reach land.
‘As we sailed (35) it made a Tswell?, and in it a wave eight cubits tall.
‘The mast—it (the wave) struck (it) Then the ship died. Of those in
it not one remained. I was cast (40) on an island by a wave of the sea.
T spent three days alone, with my heart as companion. Lying in the
shelter of trees I hugged (43) the shade.
‘Then I stretched my legs to discover what I might put in my mouth.
T found figs and grapes there, all sorts of fine vegetables, sycamore figs,
‘unnotched and notched,® (50) and cucumbers that were as if tended.
Fish were there and fowl; there is nothing that was not there. I
stuffed myself and put some down, because I had too much in my arms.
‘Then I cut a fre drill, (55) madea fire and gave a burnt offering to the
ds,
P rThen T heard a thundering noise and thought, “Te is a wave of the
sea.” Trees splintered, (60) the ground trembled. Uncovering my
face, I found it was a snake that was coming. He was of thirty cubits;
his beard was over two cubits long. His body was overlaid (65) with
gold; his eyebrows were of real lapis lazuli. He was bent up in front.
‘Thea he opened his mouth to me, while I was on my belly before
him. He said to me: “Who brought you, who brought you, fellow, (70)‘THE MIDDLE KINGDOM 213
who brought you? If you delay telling me who brought you to this
island, I shall make you find yourself reduced to ashes, becoming like
a thing unseen.”