from

A BIBLIOGRAPHY OF LITERARY THEORY, CRITICISM AND PHILOLOGY

http://www.unizar.es/departamentos/filologia_inglesa/garciala/bibliography.html
by José Ángel GARCÍA LANDA
(University of Zaragoza, Spain)

HAROLD BLOOM (1930-)

(Jewish-American humanist/psychoanalytic critic, Yale U and New York U)

Works

Bloom, Harold. The Flight to Lucifer. Novel.

_____. The Visionary Company. Garden City (NJ): Doubleday-Anchor
Books, 1961.
_____. The Visionary Company. London, 1962.
_____. Los poetas visionarios del romanticismo inglés. Trans. M.
Antolín. Barcelona: Barral, 1974.
_____. Afterword to Frankenstein. By Mary Shelley. New York:
Signet, 1965.
_____. "Frankenstein, or the New Prometheus." Partisan Review 32
(1965): 611-18.
_____. Yeats. New York: Oxford UP, 1970.
_____. Ringers in the Tower: Studies in the Romantic Tradition.
Chicago: Chicago UP, 1971.
_____. Kabbalah and Criticism.
_____. The Anxiety of Influence: A Theory of Poetry. 1973. London:
Oxford UP, 1975.
_____. From The Anxiety of Influence. In Modern Literary Theory: A
Reader. Ed. Philip Rice and Patricia Waugh. 3rd ed. London:
Arnold, 1996. 95-97.*
_____. From The Anxiety of Influence (Introduction; Interchapter "A
Manifesto for Antithetical Criticism"). In The Norton Anthology
of Theory and Criticism. Ed. Vincent B. Leitch et al. New York:
Norton, 2001.*
_____. "Blake's Apocalypse: 'Jerusalem'." In English Romantic Poets:
Modern Essays in Criticism. 2nd ed. Ed. M. H. Abrams. New
York: Oxford UP, 1975. 98-111.*
_____. "Emerson and Influence." In Bloom, A Map of Misreading.
New York: Oxford UP, 1975. 1980. 160-76.*
_____. "In the Shadow of Emerson." (Whitman, Dickinson, Stevens).
In Bloom, A Map of Misreading. New York: Oxford UP, 1975.
1980. 177-92.*
_____. "The Primal Scene of Instruction." In Bloom, A Map of
Misreading. New York: Oxford UP, 1975. 1980. 41-62.*
_____. "In the Shadow of Milton." (Shelley, Keats, Tennyson). In
Bloom, A Map of Misreading. New York: Oxford UP, 1975.
1980.
_____. "In the Shadow of Shadows: For Now." (Warren, Ammons,
Ashbery). In Bloom, A Map of Misreading. New York: Oxford
UP, 1975. 1980. 193-206.*
_____. "Milton and His Precursors." In Bloom, A Map of Misreading.
New York: Oxford UP, 1975. 1980. 125-43.*
_____. "Milton and His Precursors" from Bloom, A Map of Misreading.
1975. 125-43. Rpt. in The Critical Perspective: Volume 3:
Elizabethan-Caroline. Ed. Harold Bloom. (The Chelsea House
Library of Literary Criticism). New York: Chelsea House, 1986.
1729-35.*
_____. "Poetic origins and final phases." In Bloom, A Map of
Misreading. New York: Oxford UP, 1975. 1980. 9-26.*
_____. "Poetic Origins and Final Phases." In Modern Criticism and
Theory: A Reader. Ed. David Lodge. London: Longman, 1988.
240-52.*
_____. "Testing the Map: Browning's Childe Roland." In Bloom, A
Map of Misreading. New York: Oxford UP, 1975. 1980. 106-
22.*
_____. "The Belatedness of Strong Poetry." In Bloom, A Map of
Misreading. New York: Oxford UP, 1975. 1980. 63-80.*
_____. "The Dialectics of Poetic Tradition." In Bloom, A Map of
Misreading. New York: Oxford UP, 1975. 1980. 27-40.*
_____. "The Dialectics of Poetic Tradition." In Twentieth Century
Literary Theory. Ed. Vassilis Lambropoulos and David Neal
Miller. Albany: State U of New York P, 1987. 163-74.*
_____. "The Map of Misprision." (Poetic structure). In Bloom, A Map
of Misreading. New York: Oxford UP, 1975. 1980. 83-105.*
_____. "The Primal Scene of Instruction." In Bloom, A Map of
Misreading. New York: Oxford UP, 1975. 1980. 41-62.*
_____. A Map of Misreading. New York: Oxford UP, 1975. 1980.*
_____. A Map of Misreading. With a New Preface. Oxford: Oxford UP,
2003.
_____. Figures of Capable Imagination. New York: Seabury, 1976.
_____. Poetry and Repression: Revisionism from Blake to Stevens. New
Haven: Yale UP, 1976.
_____. "Poetry, Revisionism, Repression." In Critical Theory since
1965. Ed.. Hazard Adams and Leroy Searle. Tallahasse: UPs of
Florida / Florida State UP, 1986. 1990. 331-44.*
_____. "Poetry, Revisionism, and Repression." Select. in Twentieth-
Century Literary Theory. Ed. K. M. Newton. London:
Macmillan, 1988. 209-12.
_____. Wallace Stevens: The Poems of Our Climate. Ithaca: Cornell
UP, 1977.
_____. "Freud's Concepts of Defense and the Poetic Will." In The
Literary Freud: Mechanisms of Defense and the Poetic Will. Ed.
Joseph H. Smith. New Haven: Yale UP, 1980.
_____. Agon: Towards a Theory of Revisionism. New York: Oxford
UP, 1982.
_____. The Breaking of the Vessels. Chicago: U of Chicago P, 1982.
_____. "Auras: The Sublime Crossing and the Death of Love." Oxford
Literary Review 4.3 (1984).
_____. "The Central Man." (Homosexuality). New York Review of
Books 19 July 1984: 5.
_____. Twentieth-century American literature. New York: Chelsea
House Publishers, 1985-1988.
_____. Commentary in The Complete Poetry and Prose. By William
Blake. Ed. David Erdman. Commentary by Harold Bloom. Rev.
ed. New York: Anchor, 1988.
_____. Ruin the Sacred Truths: Poetry and Belief from the Bible to the
Present. (The Charles Eliot Norton Lectures 1987-1988).
Cambridge (MA): Harvard UP, 1989.*
_____. Poesía y creencia. Trans. Luis Cremades. Madrid: Cátedra,
1991.
_____. "Chaucer: The Wife of Bath, the Pardoner, and Shakespearean
Character." In Bloom, The Western Canon. 1994. London:
Macmillan, 1995. 105-26.*
_____. "Montaigne and Molière: The Canonical Elusiveness of the
Truth." In Bloom, The Western Canon. 1994. London:
Macmillan, 1995. 146-68.*
_____. "Milton's Satan and Shakespeare." In Bloom, The Western
Canon. 1994. London: Macmillan, 1995. 169-82.*
_____. "Dr. Samuel Johnson, the Canonical Critic." In Bloom, The
Western Canon. 1994. London: Macmillan, 1995. 183-202.*
_____. "Canonical Memory in Early Wordsworth and Jane Austen's
Persuasion." In Bloom, The Western Canon. 1994. London:
Macmillan, 1995. 239-63.*
_____. "Walt Whitman as Center of the American Canon." In Bloom,
The Western Canon. 1994. London: Macmillan, 1995. 264-90.*
_____. "Emily Dickinson: Blanks, Transports, the Dark." In Bloom,
The Western Canon. 1994. London: Macmillan, 1995. 291-309.*
_____. "Freud: A Shakespearean Reading." In Bloom, The Western
Canon. 1994. Basingstoke: Macmillan, 1995. 371-94.*
_____. "Proust: The True Persuasion of Sexual Jealousy." In Bloom,
The Western Canon. 1994. London: Macmillan, 1995. 395-412.*
_____. "Borges, Neruda, and Pessoa: Hispanic-Portuguese Whitman."
In Bloom, The Western Canon. 1994. London: Macmillan, 1995.
463-92.*
_____. "Beckett . . . Joyce . . . Proust . . .Shakespeare." In Bloom, The
Western Canon. 1994. Basingstoke: Macmillan, 1995. 493-514.*
_____. The Western Canon: The Books and School of the Ages. New
York: Harcourt Brace, 1994.
_____. The Western Canon: The Books and School of the Ages.
London: Macmillan, 1994.*
_____. El canon occidental. Trans. Damián Alou. Barcelona:
Anagrama, 1995.
_____. Shakespeare: The Invention of the Human. New York:
Riverhead, 1998.
_____. Shakespeare: The Invention of the Human. London: Fourth
Estate, 1999.*
_____. T. S. Eliot. (Bloom's Major Poets). Pennsylvania: Chelsea
House, 1999.
_____. "How to Read and Why." Interview by Brian Lamb. Booknotes
3 Sept. 2000. Online:
http://www.booknotes.org/Watch/157968-1/Harold+Bloom.aspx
2013
_____. "Can 35 Million Book Buyers Be Wrong? Yes." Wall Street
Journal 7-11-2000.
http://1xn.org/softspeakers/PDFs/bloom.pdf
2012
_____. Shakespeare: La invención de lo humano. Barcelona:
Anagrama, 2002.
_____. Foreword to Selected Poems. By Conrad Aiken. New York:
Oxford UP, 2003.
_____. "Don Quijote después de cuatro siglos." In Don Quijote
alrededor del mundo. Barcelona: Instituto Cervantes / Galaxia
Gutenberg – Círculo de Lectores, 2005. 9-16.*
_____. How to Read and Why. London: Fourth Estate, 2000.*
_____. Introd. to Bloom’s How to Write about Gabriel Garcia
Marquez. By Eric L. Reinholtz. New York: Infobase Publishing.
2010
_____. The God Problem. c. 2013.
_____. "Walt Whitman: Improving Opinion into Knowledge." ("Harold
Bloom lecture on Walt Whitman.") (City U of New York).
YouTube (Electric Cereal) 13 March 2014.*
https://youtu.be/Io5mFFArsX4
2017
_____, ed. The Literary Criticism of John Ruskin. New York:
Doubleday, 1965.
_____, ed. Romanticism and Consciousness. New York: Norton, 1970.
_____, ed. Selected Writings of Walter Pater. New York: Signet, 1974.
_____, ed. The Selected Poetry and Prose of Shelley. New York, 1978.
_____, ed. Browning. Englewood Cliffs: Prentice, 1979.
_____, ed. Homer. New York: Chelsea House, 1981.
_____, ed. Emily Dickinson: Modern Critical Views. New York:
Chelsea House, 1985.
_____, ed. Mary Shelley. New York: Chelsea House, 1985.
_____, ed. Ernest Hemingway. (Modern Critical Views). New York:
Chelsea House, 1985.
_____, ed. F. Scott Fitzgerald's THE GREAT GATSBY. New York:
Chelsea House, 1986.
_____, ed. Flannery O'Connor. (Modern Critical Views). New York:
Chelsea House, 1986.*
_____, ed. Gerard Manley Hopkins: Modern Critical Views. New
York: Chelsea House, 1986.
_____, ed. Wallace Stevens: Modern Critical Views. New York:
Chelsea House, 1985.
_____, ed. Walter Pater: Modern Critical Views. New York: Chelsea
House, 1985.
_____, ed. The Critical Perspective. Vol 2: Spenser and Shakespeare.
New York: Chelsea House, 1985.
_____, ed. The Critical Perspective: Volume 3: Elizabethan-Caroline.
(The Chelsea House Library of Literary Criticism). New York:
Chelsea House, 1986.*
_____, ed. The Art of the Critic: Literary Theory and Criticism from the
Greeks to the Present, Volume 2: Early Renaissance. New York:
Chelsea House, 1986.
_____, ed. Modern Critical Interpretations: Johnson and Boswell. New
York: Chelsea House, 1986.
_____, ed. Jorge Luis Borges. New York: Chelsea House, 1986.
_____, ed. Charles Baudelaire: Modern Critical Views. New York,
1987.
_____, ed. Charles Dickens: Modern Critical Views. New York:
Chelsea House, 1987.
_____, ed. John Dryden: Modern Critical Views. New York: Chelsea
House, 1987.
_____, ed. E. M. Forster: Modern Critical Views. New York: Chelsea
House, 1987.
_____, ed. Mary Shelley's FRANKENSTEIN. New York: Chelsea House,
1987.
_____, ed. The Tales of Poe. New York: Chelsea House, 1987.
_____, ed. Oliver Goldsmith. New York: Chelsea, 1987.
_____, ed. Thomas Gray's "Elegy Written in a Country Churchyard".
New York: Chelsea, 1987. (Critical collection).
_____, ed. Vladimir Nabokov. (Modern Critical Views). New York:
Chelsea House, 1987.
_____, ed. Vladimir Nabokov's Lolita. (Modern Critical
Interpretations). New York: chelsea House, 1987.
_____, ed. Shakespeare's Sonnets: Modern Critical Interpretations. Ed.
Harold Bloom. New York: Chelsea House, 1987.
_____, ed. William Shakespeare's Henry V: Modern Critical
Interpretations. New York: Chelsea House, 1988.
_____, ed. Langston Hughes. 1989.
_____, ed. Northrop Frye. 1992.
_____, ed. The Best of the Best American Poetry 1988-1997. (Scribner
Poetry). New York: Simon and Schuster, 1998.*
_____, ed. Philip Roth. Rev. in BELL ns 2 (2004).
_____, ed. The Eighteenth-Century English Novel. (Bloom's Period
Studies). New York: Chelsea House, 2004.
http://www.amazon.com/Eighteenth-Century-English-Blooms-
Period-
Studies/dp/0791078965/ref=sr_1_22?s=books&ie=UTF8&qid=1
296331878&sr=1-22
_____, ed. William Shakespeare's MACBETH. (Bloom's Guides:
Comprehensive Research and Study Guides). Broomall (PA):
Chelsea House, 2004.
_____, ed. Stephen Crane. (Bloom's Modern Critical Views). New
York: Infobase, 2007. Online at Baidu.*
http://wenku.baidu.com/view/ee8b990bf78a6529647d5374.html
2010
_____, ed. Bloom's Guides: THE CATCHER IN THE RYE. New York:
Infobase Publishing, 2007.
_____, series ed. (Bloom's Major Poets). Pennsylvania: Chelsea House,
c. 1999.
_____, series ed. (Bloom's Guides: Comprehensive Research and Study
Guides). Broomall (PA): Chelsea House, c. 2004.
Bloom, Harold, and Lionel Trilling, eds. Romantic Poetry and Prose.
(Oxford Anthology of English Literature 4). New York: Oxford
UP, 1973.
Bloom, Harold, Jacques Derrida, Geoffrey H. Hartman and J. Hillis
Miller. Deconstruction and Criticism. London: Routledge, 1979.
_____. Deconstruction and Criticism. Ed. Harold Bloom. New York:
Seabury Press, 1979.
Hilles, Frederick W., and Harold Bloom, eds. From Sensibility to
Romanticism: Essays Presented to Frederick A. Pottle. 1965.
Trilling, Lionel, and Harold Bloom, eds. Victorian Prose and Poetry.
(Oxford Anthology of English Literature 5). New York: Oxford
UP, 1973.
Bloom, Harold, et al. Don Quijote alrededor del mundo. By Margaret
Atwood, Tahar ben Jelloun, Péter Esterházy, Ismail Kadare, J.
M. G. Le Clézio, Claudio Magris, Nélida Piñón, Michel
Tournier, Abraham B. Yehoshúa. Preface by Harold Bloom.
Barcelona: Instituto Cervantes / Galaxia Gutenberg – Círculo de
Lectores, 2005.*
"Harold Bloom: 'Si fuera catalán, me gustaría que mi país se
independizara de España'." 20 minutos
http://www.20minutos.es/noticia/89905/0/harold/bloom/cataluna/
2006-02-15

On Harold Bloom

Biography

"Harold Bloom." In Wikipedia: The Free Encyclopedia

http://en.wikipedia.org/wiki/Harold_Bloom
2008

Criticism
Ackroyd, Peter. Rev. of The Western Canon. By Harold Bloom. The
Times 26 Jan. 1995. Rpt. in Ackroyd, The Collection. Ed.
Thomas Wright. London: Chatto & Windus, 2001. 269-72.*
Adams, Robert M. "Bloom's All-Time Greatest Hits." Rev. of The
Western Canon: The Books and School of the Ages. By Harold
Bloom. New York: Harcourt, 1994. New York Review of Books
17 nov. 1994: 4, 6.*
Allen, Graham. Harold Bloom: A Poetics of Conflict. Hemel
Hempstead: Harvester Wheatsheaf, 1994.
_____. "4. Situated Readers: Bloom, Feminism, Postcolonialism." In
Allen, Intertextuality. (The New Critical Idiom). London:
Routledge, 2000. 133-73.*
Castanedo, Fernando. "Harold Bloom: La agonía del lector fuerte."
Revista de Occidente 148 (1993): 128-39.
de Bolla, Peter. Harold Bloom: Towards Historical Rhetorics. (Critics
of the Twentieth Century). London and New York: Routledge.
de Graef, Ortwin. "The Yale Critics? J. Hillis Miller (1928-), Geoffrey
Hartman (1929-), Harold Bloom (1929-), Paul. de Man (1919-
1983)." In The Edinburgh Encyclopaedia of Modern Criticism
and Theory. Ed. Julian Wolfreys et al. Edinburgh: Edinburgh UP,
2002. 472-81.*
de Man, Paul. "Review of Harold Bloom's Anxiety of Influence." 1974.
In de Man, Blindness and Insight. 2nd. ed. Minneapolis: U of
Minnesota P, 1983. 267-766.
Desmet, Christy, and Robert Sawyer, eds. Harold Bloom's
Shakespeare. Basingstoke: Palgrave Macmillan, 2002.
Edmundson, Mark. Literature against Philosophy, Plato to Derrida: A
Defense of Poetry. Cambridge: Cambridge UP, 1996.
Donoghue, Denis. "The Book of Genius: Harold Bloom's Agon and the
Uses of Great Literature." Rev. of The Western Canon: The
Books and School of the Ages. By Harold Bloom. TLS 6 Jan.
1995: 3-4.*
_____. "A Dialogue of One: The Obsession with Self-Creation in
Harold Bloom's Shakespeare." Review. TLS 12 March 1999: 3-
4.*
Fite, David. "Kenner/Bloom: Canonmaking and the Resources of
Rhetoric." Boundary 2 15.3 (Spring/Fall 1988).
García Landa, José Angel. "Understanding Misreading: Hermenéutica
de la relectura retrospectiva." Paper presented at the IX Susanne
Hübner Seminar, "Pragmatics of Understanding and
Misunderstanding" (Universidad de Zaragoza, Departamento de
Filología Inglesa y Alemana, Nov. 1996. Electronic edition URL:
 http://www.unizar.es/departamentos/filologia_inglesa/garciala/pu
blicaciones/understanding.html
_____. "Understanding Misreading: A Hermeneutic / Deconstructive
Approach." In The Pragmatics of Understanding and
Misunderstanding. Ed. Beatriz Penas. Zaragoza: Universidad de
Zaragoza, 1998. 57-72.*
Gurpegui, José Antonio. "An Interview with Harold Bloom." Revista
Alicantina de Estudios Ingleses 9 (November 1996): 165-83.*
Handelman, Susan A. The Slayers of Moses: The Emergence of
Rabbinic Interpretation in Modern Literary Theory. (Freud,
Lacan, Derrida, Bloom). Albany: State U of New York P, 1982.
Hartman, Geoffrey. "War in Heaven." Rev. of Bloom's The Anxiety of
Influence. Diacritics 3.1 (1973): 26-32.
Hidalgo, Pilar. "On Reading Harold Bloom's Shakespeare: The
Invention of the Human." SEDERI Yearbook (c. 2001). Online at
Academia.*
https://www.academia.edu/19574901/
2017
Lennon, Patrick. Rev. of Philip Roth. Ed. Harold Bloom. BELL ns 2
(2004).
Lentricchia, Frank. "Harold Bloom: The Spirit of Revenge." In
Lentricchia, After the New Criticism. 1980. London: Methuen,
1983. 318-47.
López García, Dámaso. Rev. of The Western Canon. By Harold Bloom.
Estudios Ingleses de la Universidad Complutense 3 (1995): 227-
33.*
Martínez Lorente, Joaquín. "Studying the Canon and Harold Bloom's
The Western Canon: Differences, Contradictions, and Missing
Distinctions." Proceedings of the XIXth International Conference
of AEDEAN. Ed. Javier Pérez Guerra et al. Vigo: Departamento
de Filoloxía Inglesa e Alemana da Universidade de Vigo, 1996.
391-96.*
Miller, J. Hillis. "English Romanticism, American Romanticism:
What's the Difference?" (Bloom). Rpt. in Miller, Theory Now
and Then. Hemel Hempstead: Harvester Wheatsheaf, 1991. 217-
26.*
Moynihan, R. A Recent Imagining: Interviews with Harold Bloom,
Geoffrey Hartman, J. Hillis Miller and Paul de Man. Hamden
(CT): Archon Books, 1986.
O'Hara, Daniel T. "The Genius of Irony: Nietzsche in Bloom." In
O'Hara, The Romance of Interpretation: Visionary Criticism
from Pater to de Man. New York: Columbia UP, 1985. 55-92.*
Pérez Montaner, Jaume. "Una aproximació al cànon de Harold Bloom."
In Cànon literari: Ordre i subversió. Ed. Jaume Pont and Josep
M. Sala-Valldaura. Lleida: Diputació de Lleida-Institut d'Estudis
Ilerdencs, 1998. 197-204.*
Santiáñez-Tió, Nil. "El canon y sus disidencias." In Cànon literari:
Ordre i subversió. Ed. Jaume Pont and Josep M. Sala-Valldaura.
Lleida: Diputació de Lleida-Institut d'Estudis Ilerdencs, 1998.
205-16.*
Santos Fernández, L. Rev. of El canon occidental. By Harold Bloom.
Analecta Malacitana 19.1 (1996): 288-90.*
Sauerberg, Lars Ole. Versions of the Past:—Visions of the Future: The
Canonical in the Criticism of T. S. Eliot, F. R. Leavis, Northrop
Frye and Harold Bloom. Basingstoke: Macmillan, 1996.
Sellars, Roy, ed. Salt. Australian literary journal. Special issue on
Harold Bloom, forthcoming 1999.
Schultz, Susan M. "'Returning to Bloom': John Ashbery's Critique of
Harold Bloom." Contemporary Literature 37.1 (1996): 24-48.*
Shapiro, James. "Soul of the Age." Rev. of Shakespeare: The Invention
of the Human. By Harold Bloom. New York Times 1 Nov.
1998.*
https://www.nytimes.com/books/98/11/01/reviews/981101.01sha
pirt.html
2015
Valente, José Ángel. "Del canon arbitrario a la incierta profecía." In
Valente, La experiencia abisal. Barcelona: Galaxia Gutenberg /
Círculo de Lectores, 2004. 156-59.* (Bloom).
_____. "Del canon arbitrario a la incierta profecía." From La
experiencia abisal. In Valente, Obras completas, II: Ensayos.
Barcelona: Círculo de Lectores / Galaxia Gutenberg, cop. 2008.
716-19.* (Bloom).
Wordsworth, Ann. "Psyche and Text: The Antithetical Criticism of
Harold Bloom." Oxford Literary Review 2.2 (1977): 6-8.
_____. Review of Figures of Capable Imagination. Georgia Review
31.2 (1977): 528-33.
_____. "An Art that will not Abandon the Self to Language: Bloom,
Tennyson, and the Blind World of the Wish." In Untying the
Text: A Post-Structuralist Reader. Ed. Robert Young. London:
Routledge, 1981. 207-22.*
Wright, Elizabeth. Psychoanalytic Criticism. London: Methuen, 1987.
(Bloom, 150-7).
Bibliography

García Landa, José Ángel. "Harold Bloom." From A Bibliography…

iPaper at Scribd.com (Reema AlJabr).
http://es.scribd.com/doc/64693241/Bloom-H
2011

Video

Bloom, Harold. "How to Read and Why." Interview by Brian Lamb.

Booknotes 3 Sept. 2000. Online:
http://www.booknotes.org/Watch/157968-1/Harold+Bloom.aspx
2013

Edited works

Deconstruction and Criticism:

Derrida, Jacques. "Living On/Border Lines." Trans. James Hulbert. In

Deconstruction and Criticism. By Harold Bloom et al. New
York, 1979. 83-4. Trans. of Survivre: Journal de bord.
_____. "The Critic as Host." In Deconstruction and Criticism. Ed.
Harold Bloom. New York: Seabury Press, 1979. 217–253.

Homer:

Austin, N. "The Function of Digressions in the Iliad." In Homer. Ed.

Harold Bloom. New York: Chelsea House, 1981. 151-161.
Ernest Hemingway

Hollander, John. "Hemingway's Extraordinary Reality." 1984. In Ernest

Hemingway. (Modern Critical Views). Ed. Harold Bloom. New
York: Chelsea House, 1985. 211-16.

Flannery O'Connor

Oates, Joyce Carol. "The Visionary Art of Flannery O'Connor." In

Flannery O'Connor. Ed. Harold Bloom. (Modern Critical
Views). Chelsea House, 1986. 43-53.
Asals, Frederick. "The Double." In Modern Critical Views: Flannery
O'Connor. Ed. Harold Bloom. New York: Chelsea House, 1986.
93-109.

Mary Shelley

Franci, Giovanna. "A Mirror of the Future: Vision and Apocalypse in

Mary Shelley's The Last Man." In Mary Shelley. Ed. Harold
Bloom. New York: Chelsea House, 1985. 181-91.

Walter Pater:

Miller, J. Hillis. "Walter Pater: A Partial Portrait." Daedalus 105.1

(1976): 97-113. Rpt. in Walter Pater. Ed. Harold Bloom. New
York: Chelsea House, 1985. 75- 95.

The Critical Perspective: Volume 3: Elizabethan-Caroline:

Berlin, Normand. "The Duchess of Malfi: Act V and Genre." Genre

(Dec. 1970): 351-63. Rpt. in The Critical Perspective: Volume 3:
Elizabethan-Caroline. Ed. Harold Bloom. (The Chelsea House
 Library of Literary Criticism). New York: Chelsea House, 1986.
93.*
Danby, John Francis. From "Beaumont and Fletcher: Jacobean
Absolutists," from Poets on Fortune's Hill: Studies in Sidney,
Shakespeare, Beaumont and Fletcher. 1952. 160-83. In The
Critical Perspective: Volume 3: Elizabethan-Caroline. Ed.
Harold Bloom. (The Chelsea House Library of Literary
Criticism). New York: Chelsea House, 1986.1263-68.*
Waith, Eugene M. "The Rhetoric of Tragicomedy: The Poet as Orator."
From The Pattern of Tragicomedy in Beaumont and Fletcher.
1952. 174-201. In The Critical Perspective: Volume 3:
Elizabethan-Caroline. Ed. Harold Bloom. (The Chelsea House
Library of Literary Criticism). New York: Chelsea House, 1986.
1268-74.*
Appleton, William W. From "The Collaboration." From Beaumont and
Fletcher: A Critical Study. 1956. 29-41. In The Critical
Perspective: Volume 3: Elizabethan-Caroline. Ed. Harold
Bloom. (The Chelsea House Library of Literary Criticism). New
York: Chelsea House, 1986. 1274-77.*
Bliss, Lee. From "Defending Fletcher's Shepherds." Studies in English
Literature (Spring 1983): 297-310. In The Critical Perspective:
Volume 3: Elizabethan-Caroline. Ed. Harold Bloom. (The
Chelsea House Library of Literary Criticism). New York:
Chelsea House, 1986. 1277-80.*
Blissett, William. (Huron College, U of Western Ontario). From
"Samuel Daniel's Sense of the Past." English Studies (April
1957): 50-58. Rpt. in The Critical Perspective: Volume 3:
Elizabethan-Caroline. Ed. Harold Bloom. (The Chelsea House
Library of Literary Criticism). New York: Chelsea House, 1986.
1290-93.*
Hollander, John. From "What Passions Cannot Music Raise and
Quell?" from The Untuning of the Sky: Ideas of Music in English
Poetry, 1500-1700. 1961. 201-6. Rpt. in The Critical
Perspective: Volume 3: Elizabethan-Caroline. Ed. Harold
Bloom. (The Chelsea House Library of Literary Criticism). New
York: Chelsea House, 1986. 1298-99.*
Broad, C. D. "The Philosophy of Francis Bacon." 1926, from Ethics
and the History of Philosophy. 1952. 127-43. Rpt. in The Critical
Perspective: Volume 3: Elizabethan-Caroline. Ed. Harold
Bloom. (The Chelsea House Library of Literary Criticism). New
York: Chelsea House, 1986. 1301-06.*
Tillotson, Geoffrey. From "Words for Princes: Bacon's Essays." 1930,
from Essays in Criticism and Research. 1942. 31-37. Rpt. in The
 Critical Perspective: Volume 3: Elizabethan-Caroline. Ed.
Harold Bloom. (The Chelsea House Library of Literary
Criticism). New York: Chelsea House, 1986. 1306-8.*
Dean, Leonard F. From "Sir Francis Bacon's Theory of Civil History-
Writing." ELH (Sept. 1941): 161-83. Rpt. in The Critical
Perspective: Volume 3: Elizabethan-Caroline. Ed. Harold
Bloom. (The Chelsea House Library of Literary Criticism). New
York: Chelsea House, 1986. 1308-13.*
Salingar, Leo G. From "The Revenger's Tragedy and the Morality
Tradition." In The Critical Perspective: Volume 3: Elizabethan-
Caroline. Ed. Harold Bloom. (The Chelsea House Library of
Literary Criticism). New York: Chelsea House, 1986. 1323-26.*
Eliot, T. S. From "Thomas Middleton." 1927, from Selected Essays.
1950. 140-48. Rpt. in The Critical Perspective: Volume 3:
Elizabethan-Caroline. Ed. Harold Bloom. (The Chelsea House
Library of Literary Criticism). New York: Chelsea House, 1986.
1329-30.*
Barker, Richard Hindry. "A Game at Chess and Conclusion," from
Barker, Thomas Middleton. 1958. 146-53. Rpt. in The Critical
Perspective: Volume 3: Elizabethan-Caroline. Ed. Harold
Bloom. (The Chelsea House Library of Literary Criticism). New
York: Chelsea House, 1986. 1330-32.*
Bush, D. From "Drayton: Giles and Phineas Fletcher: William
Browne," from Mythology and the Renaissance Tradition in
English Poetry. 1963. 156-65. Rpt. in The Critical Perspective:
Volume 3: Elizabethan-Caroline. Ed. Harold Bloom. (The
Chelsea House Library of Literary Criticism). New York:
Chelsea House, 1986. 1340-44.*
Praz, Mario. "Donne's Relation to the Poetry of His Time." From A
Garland for John Donne 1631-1931. Ed. Theodore Spencer.
1931. 54-72. Rpt. in The Critical Perspective: Volume 3:
Elizabethan-Caroline. Ed. Harold Bloom. (The Chelsea House
Library of Literary Criticism). New York: Chelsea House, 1986.
1345-49.*
Lewis, C. S. "Donne and Love Poetry in the Seventeenth Century,"
from Seventeenth Century Studies Presented to Sir Herbert
Grierson. 1938. 64-84. Rpt. in The Critical Perspective: Volume
3: Elizabethan-Caroline. Ed. Harold Bloom. (The Chelsea House
Library of Literary Criticism). New York: Chelsea House, 1986.
1363-69.*
Leishman, J. Blair. "The Songs and Sonets as Love Poetry," from
Leishman, The Monarch of Wit. 1951. 1965. 208-26. Rpt. in The
Critical Perspective: Volume 3: Elizabethan-Caroline. Ed.
 Harold Bloom. (The Chelsea House Library of Literary
Criticism). New York: Chelsea House, 1986. 1369-74.*
Sanders, Wilbur. "'Analitick Attempts': Songs and Sonets III," from
John Donne's Poetry. 1971. 96-110. Rpt. in The Critical
Perspective: Volume 3: Elizabethan-Caroline. Ed. Harold
Bloom. (The Chelsea House Library of Literary Criticism). New
York: Chelsea House, 1986. 1374-79.*
Andreasen, N. J. C. "Theme and Structure in Donne's Satyres." Studies
in Englsih Literature (Winter 1963): 59-75. Rpt. in The Critical
Perspective: Volume 3: Elizabethan-Caroline. Ed. Harold
Bloom. (The Chelsea House Library of Literary Criticism). New
York: Chelsea House, 1986. 1379-84.*
Gardner, Helen. From "General Introduction" to Gardner, John Donne:
The Divine Poems. 1952. 1978. xv-xxxvii. Rpt. in The Critical
Perspective: Volume 3: Elizabethan-Caroline. Ed. Harold
Bloom. (The Chelsea House Library of Literary Criticism). New
York: Chelsea House, 1986. 1391-97.*
Bellette, Anthony F. "'Little Worlds Made Cunningly': Significant
Form in Donne's Holy Sonnets and 'Goodfriday, 1613'." Studies
in Philology (July 1975): 322-47. Rpt. in The Critical
Perspective: Volume 3: Elizabethan-Caroline. Ed. Harold
Bloom. (The Chelsea House Library of Literary Criticism). New
York: Chelsea House, 1986. 1402-9.*
Ure, Peter. "Patient Madman and Honest Whore: The Middleton-
Dekker Oxymoron." Essays and Studies (1966): 18-40. Rpt. in
The Critical Perspective: Volume 3: Elizabethan-Caroline. Ed.
Harold Bloom. (The Chelsea House Library of Literary
Criticism). New York: Chelsea House, 1986. 1410-16.*
Kinney, Arthur F. "Thomas Dekker's Twelfth Night." University of
Toronto Quarterly (Autumn 1971): 63-73. Rpt. in The Critical
Perspective: Volume 3: Elizabethan-Caroline. Ed. Harold
Bloom. (The Chelsea House Library of Literary Criticism). New
York: Chelsea House, 1986. 1416-20.*
Taylor, Mark C. From "Poetry and Silence: Herbert's Art of Poetry."
From Taylor, The Soul in Paraphrase: George Herbert's Poetics.
1974. 9-30. Rpt. in The Critical Perspective: Volume 3:
Elizabethan-Caroline. Ed. Harold Bloom. (The Chelsea House
Library of Literary Criticism). New York: Chelsea House, 1986.
1445-53.*
MacLure, Millar. From "Homer." From MacLure, George Chapman: A
Critical Study. 1966. 192-200. Rpt. in The Critical Perspective:
Volume 3: Elizabethan-Caroline. Ed. Harold Bloom. (The
 Chelsea House Library of Literary Criticism). New York:
Chelsea House, 1986. 1468-70.*
Archer, William. "The Duchess of Malfi." Nineteenth Century (Jan.
1920): 126-32. Rpt. in The Critical Perspective: Volume 3:
Elizabethan-Caroline. Ed. Harold Bloom. (The Chelsea House
Library of Literary Criticism). New York: Chelsea House, 1986.
1474-76.*
Jack, Ian. "The Case of John Webster." Scrutiny (March 1949): 38-43.
Rpt. in The Critical Perspective: Volume 3: Elizabethan-
Caroline. Ed. Harold Bloom. (The Chelsea House Library of
Literary Criticism). New York: Chelsea House, 1986. 1478-80.*
Bogard, Travis. "The Satiric Panorama." From Bogard, The Tragic
Satire of John Webster. 1955. 117-45. Rpt. in The Critical
Perspective: Volume 3: Elizabethan-Caroline. Ed. Harold
Bloom. (The Chelsea House Library of Literary Criticism). New
York: Chelsea House, 1986. 1480-88.*
Jackson, Holbrook. From "Introduction" to The Anatomy of
Melancholy. 1932. viii-xvii. Rpt. in The Critical Perspective:
Volume 3: Elizabethan-Caroline. Ed. Harold Bloom. (The
Chelsea House Library of Literary Criticism). New York:
Chelsea House, 1986. 1525-33.*
Webber, Joan Malory. From "Robert Burton: The Anatomy of
Democritus, Jr." From Webber, The Eloquent "I": Style and Self
in Seventeenth-Century Prose. 1968. 80-105. Rpt. in The Critical
Perspective: Volume 3: Elizabethan-Caroline. Ed. Harold
Bloom. (The Chelsea House Library of Literary Criticism). New
York: Chelsea House, 1986. 1533-42.*
Enright, D. J. From "Poetic Satire and Satire in Verse: A Consideration
of Jonson and Massinger." Scrutiny (Winter 1951-52): 211-23.
Rpt. in The Critical Perspective: Volume 3: Elizabethan-
Caroline. Ed. Harold Bloom. (The Chelsea House Library of
Literary Criticism). New York: Chelsea House, 1986. 1542-44.*
Kaufmann, R. J. From "Ford's Tragic Perspective." Texas Studies in
Literature and Language (Winter 1960): 523-37. Rpt. in The
Critical Perspective: Volume 3: Elizabethan-Caroline. Ed.
Harold Bloom. (The Chelsea House Library of Literary
Criticism). New York: Chelsea House, 1986. 1550-51.*
Muir, Kenneth. "The Case of John Ford." Sewanee Review (Fall 1976):
618-29. Rpt. in The Critical Perspective: Volume 3: Elizabethan-
Caroline. Ed. Harold Bloom. (The Chelsea House Library of
Literary Criticism). New York: Chelsea House, 1986. 1551-54.*
Blanshard, Rufus A. "Thomas Carew and the Cavalier Poets."
Transactions of the Winsconsin Academy of Sciences, Arts and
 Letters (1954): 97-102. Rpt. in The Critical Perspective: Volume
3: Elizabethan-Caroline. Ed. Harold Bloom. (The Chelsea House
Library of Literary Criticism). New York: Chelsea House, 1986.
1555-57.*
Skelton, Robin. "Thomas Carew." From Skelton, Cavalier Poets. 1960.
10-18. Rpt. in The Critical Perspective: Volume 3: Elizabethan-
Caroline. Ed. Harold Bloom. (The Chelsea House Library of
Literary Criticism). New York: Chelsea House, 1986. 1557-59.*
Rabkin, Norman. From "Dramatic Deception in Heywood's The
English Traveller." Studies in English Literature (Spring 1961):
1-16. Rpt. in The Critical Perspective: Volume 3: Elizabethan-
Caroline. Ed. Harold Bloom. (The Chelsea House Library of
Literary Criticism). New York: Chelsea House, 1986. 1562-64.
Anselment, Raymond A. From "Men Most of All Enjoy, When Least
They Do: The Love Poetry of John Suckling." Texas Studies in
Literature and Language (Spring 1972): 17-21. Rpt. in The
Critical Perspective: Volume 3: Elizabethan-Caroline. Ed.
Harold Bloom. (The Chelsea House Library of Literary
Criticism). New York: Chelsea House, 1986. 1570-72.*
Bertonasco, Marc F. "Crashaw and the Emblem." English Studies (Dec.
1968): 530-34. Rpt. in The Critical Perspective: Volume 3:
Elizabethan-Caroline. Ed. Harold Bloom. (The Chelsea House
Library of Literary Criticism). New York: Chelsea House, 1986.
1587-88.*
Levin, Richard A. From "The Triple Plot of Hyde Park." (Shirley).
Modern Language Review (Jan. 1967): 17-27. Rpt. in The
Critical Perspective: Volume 3: Elizabethan-Caroline. Ed.
Harold Bloom. (The Chelsea House Library of Literary
Criticism). New York: Chelsea House, 1986. 1611-13.*
Taafe, James G. From "'The Great Methusalem of Love'." from Taaffe,
Abraham Cowley. 1972. 55-59. Rpt. in The Critical Perspective:
Volume 3: Elizabethan-Caroline. Ed. Harold Bloom. (The
Chelsea House Library of Literary Criticism). New York:
Chelsea House, 1986. 1615-17.*
Richardson, Robert D., Jr. From "The Puritan Poety of Anne
Bradstreet." Texas Studies in Literature and Language (Fall
1967): 317-31. Rpt. in The Critical Perspective: Volume 3:
Elizabethan-Caroline. Ed. Harold Bloom. (The Chelsea House
Library of Literary Criticism). New York: Chelsea House, 1986.
1625-30.*
Whitaker, Thomas R. "Herrick and the Fruits of the Garden." ELH 22
(March 1955): 16-33. Rpt. in The Critical Perspective: Volume
3: Elizabethan-Caroline. Ed. Harold Bloom. (The Chelsea House
 Library of Literary Criticism). New York: Chelsea House, 1986.
1637-42.*
Jenkins, Paul R. "Rethinking What Moderation Means to Robert
Herrick." ELH (March 1972): 49-65. Rpt. in The Critical
Perspective: Volume 3: Elizabethan-Caroline. Ed. Harold
Bloom. (The Chelsea House Library of Literary Criticism). New
York: Chelsea House, 1986. 1647-52.*
Fletcher, Angus. From "The Transcendental Masque." From The
Transcendental Masque. (Comus). 1971. 161-94. Rpt. in The
Critical Perspective: Volume 3: Elizabethan-Caroline. Ed.
Harold Bloom. (The Chelsea House Library of Literary
Criticism). New York: Chelsea House, 1986. 1672-75.*
Rajan, B. "'Lycidas': The Shattering of the Leaves." Studies in
Philology (Jan. 1967): 51-64. Rpt. in The Critical Perspective:
Volume 3: Elizabethan-Caroline. Ed. Harold Bloom. (The
Chelsea House Library of Literary Criticism). New York:
Chelsea House, 1986. 1677-82.*
Webber, Joan Malory. From "John Milton: The Prose Style of God's
English Poet." From Webber, The Eloquent "I": Style and Self in
Seventeenth-Century Prose. 1968. 193-218. Rpt. in The Critical
Perspective: Volume 3: Elizabethan-Caroline. Ed. Harold
Bloom. (The Chelsea House Library of Literary Criticism). New
York: Chelsea House, 1986. 1689-95.*
Bush, Douglas. From "Modern Reaction against Milton." From Bush,
Paradise Lost in Our Time. 1945. 9-26. Rpt. in The Critical
Perspective: Volume 3: Elizabethan-Caroline. Ed. Harold
Bloom. (The Chelsea House Library of Literary Criticism). New
York: Chelsea House, 1986. 1701-5.*
Hartman, Geoffrey H. "Milton's Counterplot." 1958. From Beyond
Formalism. 1970. 113-23. Rpt. in The Critical Perspective:
Volume 3: Elizabethan-Caroline. Ed. Harold Bloom. (The
Chelsea House Library of Literary Criticism). New York:
Chelsea House, 1986. 1708-11.*
Webber, Joan Malory. From "Thomas Traherne: The Fountain of
Love." From Webber, The Eloquent "I": Style and Self in
Seventeenth-Century Prose. 1968. 226-41. Rpt. in The Critical
Perspective: Volume 3: Elizabethan-Caroline. Ed. Harold
Bloom. (The Chelsea House Library of Literary Criticism). New
York: Chelsea House, 1986. 1786-91.*
Legouis, Pierre. "Marvell and the New Critics." Review of English
Studies (November 1957): 382-89. Rpt. in The Critical
Perspective: Volume 3: Elizabethan-Caroline. Ed. Harold
 Bloom. (The Chelsea House Library of Literary Criticism). New
York: Chelsea House, 1986. 1805-8.*
Oakeshott, Michael. From "Introduction to Leviathan." 1946. From
Oakeshott, Hobbes on Civil Association. 1975. 56-74. Rpt. in The
Critical Perspective: Volume 3: Elizabethan-Caroline. Ed.
Harold Bloom. (The Chelsea House Library of Literary
Criticism). New York: Chelsea House, 1986. 1839-44.*
Seidel, Michael. From "The Internecine Romance." From Seidel,
Satiric Inheritance: Rabelais to Sterne. 1979. 101-22. Rpt. in The
Critical Perspective: Volume 3: Elizabethan-Caroline. Ed.
Harold Bloom. (The Chelsea House Library of Literary
Criticism). New York: Chelsea House, 1986. 1862-67.*
Warren, Austin. "The Style of Sir Thomas Browne." Kenyon Review
(Autumn 1951): 674-87. Rpt. in The Critical Perspective:
Volume 3: Elizabethan-Caroline. Ed. Harold Bloom. (The
Chelsea House Library of Literary Criticism). New York:
Chelsea House, 1986. 1889-92.*
Huntley, Frank L. From "Sir Thomas Browne: The Relationship Urn
Burial and The Garden of Cyrus." Studies in Philology (Jan.
1956): 424-29. Rpt. in The Critical Perspective: Volume 3:
Elizabethan-Caroline. Ed. Harold Bloom. (The Chelsea House
Library of Literary Criticism). New York: Chelsea House, 1986.
1892-96.*

Vladimir Nabokov:

Anderson, Quentin. "Nabokov in Time." In Vladimir Nabokov. Ed.

Harold Bloom. New York: Chelsea House, 1987.
Seidel, Michael. "Stereoscopic: Nabokov's Ada and Pale Fire." In
Vladimir Nabokov. Ed. Harold Bloom. New York: Chelsea
House, 1987.

Mary Shelley's FRANKENSTEIN:

Homans, Margaret. "Bearing Demons: Frankenstein's Circumvention
of the Maternal." In Mary Shelley's FRANKENSTEIN. Ed. Harold
Bloom. New York: Chelsea, 1987. 131-53.

Shakespeare's Sonnets:

Barber, C. L. "An Essay on Shakespeare's Sonnets." In The Sonnets of

Shakespeare. New York: Dell, 1960. Rpt. in Shakespeare's
Sonnets: Modern Critical Interpretations. Ed. Harold Bloom.
New York: Chelsea House, 1987. 5-27.

William Shakespeare's HENRY V: Modern Critical Interpretations

Rabkin, Norman. "Either/or: Responding to Henry V." In William

Shakespeare's HENRY V: Modern Critical Interpretations. Ed.
Harold Bloom. New York: Chelsea House, 1988.

Bloom's Guides: THE CATCHER IN THE RYE:

Miller, Edwin Haviland. "Edwin Haviland Miller on Mourning." In In

Bloom's Guides: THE CATCHER IN THE RYE. Ed. Harold Bloom.
New York: Infobase Publishing, 2007.

Series

(Bloom's Modern Critical Views). New York: Infobase, c. 2007.

(Bloom's Guides: Comprehensive Research and Study Guides).

Broomall (PA): Chelsea House, c. 2004.