Test File 1: Articulation Stacking (Before)

       

 
  
 
         



        
 
 
 
 
 
 
        
Score

    

      
1


Cello

 
  
       
 
 
 
 
   

              

  
2


 
   

Vc.

    
 
        

 

 

 

   

     
 
 
 
 
 
     
                           
  
   
5
Vc.

          


   
       
             
             
7

    
Vc.


  
 
 

   

      
   
 
 
 
  

               

10

 
Vc.

   
    
                     
   
     
12
Vc.

(c) Elbsound.studio 2018

 Test File 1: Articulation Stacking (After)
 
             

       

                     
         
   

     
Score

    

        
1


Cello

   
 


 
 
 

  
      

   
   
         

2

 
   

Vc.

    

         

      
  
                           
  
5

   
Vc.


            
 
 
 
      
              
             
7

    
Vc.


        
 
  
   

  
 
 
 
 
 
  

               

10

 
Vc.

        
 
             
                 
     
12
Vc.

(c) Elbsound.studio 2018

Perfect Layout Measure Counting Expressions (Before)

         

C D F G

              

9 C D F

               
18 G D F

          

33 G C

                
43 G C

         

51 C

 

             
59

          
69

        
78

  
1. 2.

       
85

Copyright (c) Elbsound.studio 2019

Perfect Layout Measure Counting Expressions (After)

         

C D F G

(1-5)

              

9 C D F

(5)  (1-3) (2) (3)

                
18 G D F

(1-5) (2) (3) (4) (5) (1-6) (2) (3) (4) (5) (6) (1-3) (2) (3)

          

33 G C

(1-4) (4) (1-4) (2) (3) (4)

          

43 G C

         

51 C (1-8) (4) (8)

 

             
59 (1-5) (2) (3) (4) (5) (1-5) (2) (3) (4) (5)

          
69 (1-5) (2) (3) (4) (5) (1-7) (2) (3) (4)

        
78 (5) (6) (7) (1-4) (2) (3) (4)

  
1. 2.

       
85 (1-5) (2) (3) (4) (5) (1-3) (2) (3)

Copyright (c) Elbsound.studio 2019

 Test File 2: Note Spacing (Before)
  
      
 
                          


       
           

       
             

    
        
  
  
              
 
7

                 

                    
                       
10

   
V 
                 
   
   
        
15

   
  
   
                 
25

 
 

         

                      
29




  
            
34

      

        
  
38


  

(C) Elbsound.studio 2018
 Test File 2: Note Spacing (After)
 
     
 
                         


       
           

       
             

 
                     
 
      
                     
7

                     
                            
10

V 
                

   
    
         
15

  
   
   
25
                

     
       
    
                          
29



  
               
34

  

       
     
38

 

(C) Elbsound.studio 2018
 Test File 5: Split and Merge Rests (Before)

            
                 

            

   
      
8

                                 
13

  
18

      
                     


                              
24

      
                                       
29

                        
34

   

         
                 
38

              
   
 
            
43

   
(C) Elbsound.studio 2018
 Test File 5: Split and Merge Rests (After)

       

                         
 

               

    
  
8

                     
13

 
18

     
                        


                        
24

      
                                         
29

                    
34

   

        
                 
38

                
   
 
            
43

   
(C) Elbsound.studio 2018
 Test File 4: Chord and Slash Style Spacing (Before)
A

 
                
C min7
C m7 C 7 D maj7 C min7 D min7 C min

   

         
C min7

         
C min7

                    

6 C min7 C min7 D min7
G7

                   

12 C m7 G C m7 G D7 A sus7G G m7 C 7 G min7G C m7F E7 G7

C C  dim7 C  dim7 C C  dim7 C  dim7

       
18 F7 C F7 F7 C F7

C C  dim7

         
25 F7 G add9D
/C

C 7 F min7

           
34 G7 C 7D m7
F7

42 C C  dim7
F7 C C  dim7
F7 C C  dim7
F7 C C  dim7
F7

                

49 C C  dim7
F7

        

57 C7 F min7
G7 C 7 D m7
F7

                         
(C) Elbsound.studio 2018
 Test File 4: Chord and Slash Style Spacing (Before)
A

 
                
C min7 C m7 C 7 D maj7 C min7 D min7 C min

   

         
C min7

         
C min7

                      

C min7 C min7 D min7 G 7
6

                   

C m7 G C m7 G D7 A sus7 G G m7 C 7 G min7 G C m7 F E 7 G 7
12

C  dim7 F 7 C  dim7 F 7 C  dim7 F 7 C  dim7 F 7

       
C C C C
18

C C  dim7 F 7

         
G add9/C D
25

C 7 F min7 G 7

           
C 7 D m7 F 7
34

C C  dim7 F 7 C C  dim7 F 7 C C  dim7 F 7 C C  dim7 F 7

               

42

C C  dim7 F 7

           

49

C7 F min7 G 7 C 7 D m7 F 7

             

57

(C) Elbsound.studio 2018

 Test File 6: Measure Number Placement (Before)

  
A
1

   
7


  
B
9

   
15


  
C
17

23
   


  
D
25

   
31


 
E


33

   
39


  
F
41

   
47


  
G
49

   

55


  
H
57
 Test File 6: Measure Number Placement (After)

  
A
1

   
7

B

  
9

   
15



C

 
17


23
  


D

  
25

   
31

E

  
33

   
39

F

  
41

   
47


G

  
49

   
55


H

  
57
 Test File 7:
Rehearsal Marks with Note and Key Sig Collision (Before)

     A                  
 
        
W X Y


   W        X       W         
            
6

   W           X   
              
W

10

                    
  
Y W X Y

            
14

   Z   BBB
       AAA
     
 
CCC


19


   
 
DDD EEE FFF

   
24

             

GGG HHH III JJJ KKK LLL

 
28
 Test File 7:
Rehearsal Marks with Note and Key Sig Collision (After)

     A                  
     
W
    
X Y



    W        X       W        
            
6

    W 
        
W
    X
 

     
     
10

                    
  
Y W X Y

            
14

  
      
AAA
    
CCC

 
BBB

  
Z


19


   
DDD


EEE FFF

    
24

   
HHH

 
JJJ

     
GGG KKK

 
III LLL

 
28
Test File 3: Repeat Brackets Automatic Horizontal Length
(No Vertical Adjustment) - Before

      

            
4 1.

             
8 2.

       
13 1.


            
16 2.

[18-19]

               
21 1. 2.

              
28 2.

  
    
34 1. 2.

[35-36] [38-39] [40-41]


     
44 1.

(C) Elbsound.studio 2018

Test File 3: Repeat Brackets Automatic Horizontal Length
(No Vertical Adjustment) - After

      

            
1.
4

             
2.
8

       
1.
13


           
2.
16

                  
1. 2.
21

              
2.
28

  
          
1. 2.
34


     
1.
44

(C) Elbsound.studio 2018

 Perfect Layout:
Niente and Exponential Hairpin Support (Before)

      
 o  o
 

    
5

  
niente 

     
9

 
quasi niente 
13
  
  
quasi niente 

   
  
16


quasi niente 
 
Exponential hairpins supported with symbols from November 2 and the DSE Music Symbols fonts.
    
20

    
   = >
(C) 2019 Elbsound.studio
 Perfect Layout:
Niente and Exponential Hairpin Support (After)

      
 o  o  

       
5

niente 

       
9

quasi niente 

  
  
13

quasi niente 

   
   
16

quasi niente 

 
Exponential hairpins supported with symbols from November 2 and the DSE Music Symbols fonts.

         
20

   = >
(C) 2019 Elbsound.studio
Score
Articulations on Steep Slurs
Are Automatically Set To "Inside Slurs" (Before)



   
  
    

     
     
 

Score
Articulations on Steep Slurs
Are Automatically Set To "Inside Slurs" (After)


  
 
             
   
  
