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Review: Pentax K1 Mk II (A Camera That was Born to be Wild) Page 2 of 40
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The Pentax K1 Mk II is a solid camera, but does it offer enough to make it a viable
choice in 2019?
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launched in 2016 and made much more of an impact due to the fact
that it was Pentax’s first Full Frame DSLR. The camera introduced
features that had never been seen before in a DSLR, and the 36
Megapixel sensor was capable of producing beautiful images. So why
was there so little excitement in regards to the K1 Mk II? The Pentax
K1 Mk II is almost the exact same camera as the K1. The body is the
same, the sensor is the same, the main image processing unit is the
same; the only changes are an additional processing unit which works
in tandem with the main processor, a slightly faster autofocusing
system, higher ISO output, and a new handheld pixel shift mode. Are
these updates really enough to make it a worthwhile buy over the now
cheaper, Pentax K1?
It has taken a long time to get a Pentax K1 Mk II into our hands. It has
been almost a full year since the camera’s launch, and much has
changed in that short amount of time in regards to technology and the
overall direction of the camera market place, but here we are with a
K1 Mk II finally in our possession. After spending a couple of weeks
with the Pentax K1 Mk II we’re ready to let you know if the camera is a
good option for those that want to buy a Full Frame DSLR in 2019.
Hold on. We’re in for a bumpy ride.
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Pros
Cons
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• No touchscreen
Gear Used
We tested the Pentax K1 Mk II with the Pentax 24-70mm F2.8, and the
Pentax 50mm f1.4.
Tech Specs
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Ergonomics
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If you’ve ever used a Pentax camera before, you’ll feel right at home
with the K1 Mk II. If you’re coming from any other camera brand,
brace yourselves for button and control overload. The Pentax K1 Mk II
is a really nicely designed DSLR. From the front the camera looks
quite plain, and is clearly dominated by the deep hand grip and large
lens mount.
Aside from the lens release and the shutter dial, there is a small light
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The top of the camera is a stark contrast from the front of the camera.
Here you will find the main mode selection dial, a small LCD display
which displays shutter speed, fstop, ISO, battery life, which memory
card slots are active, and exposure compensation.
The two dials that surround the LCD work together in a quite unique
way. The top mode dial allows you to choose a parameter, and the dial
to the right of the LCD lets you change the settings on the mode you
have selected. It’s really quite a nice feature that I came to love quite
quickly. You’ll also see a Wi-Fi indicator light, the power toggle, a light
control, ISO control, and the exposure compensation button. Next to
the viewfinder you’ll also find the GPS on/off switch.
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The left hand side of the camera is full of controls too. Here you’re
going to find the af/mf switch, an autofocus mode selection button, a
RAW/Fx button which allows you to switch between file formats or
assign a custom control, and a lock button.
In the above images, you can also see the where the inputs are for
HDMI, microphone, headphones, micro USB, and a DC connector all
live. The rubber flap is incredibly meaty and seals against the body
very tightly. You can also see the overly engineered tilt and swivel
mechanism that the 3.2 LCD is attached to. It does a wonderful job of
articulating the screen, but it adds so much bulk to the back of the
camera. You cannot see them here but there are lights on the back of
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The right hand side of the camera is quite sparse compared to the left
side. Here you’ll find the access door to the dual SD card slots, and
underneath that is the connector for a remote cable release. A really
nice feature that I tried to capture in this image is the light that sits in
SD card bay. Look closely at the SD card in slot two and you’ll see the
light. It does a great job of lighting up the compartment in low light
scenarios; perfect for when you need to switch out cards while out on
an astrophotography shoot.
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The back is dominated by the easy to read 3.2-inch LCD. It’s not a
touchscreen which is a shame, but it does what it needs to do, and
does it well. The screen is easy to pull away from the body, and the
tilt/swivel function is incredibly unique. The screen rotates and pivots
on metal arms that extend from the back of the body, and the screen
also flips up 45 degrees. Quirky? Yes, but it works well.
The top left of the camera is home to the live view and metering
controls, while the top right has the aperture selection dial, a back-
button focus button and the AE-L control button. On the right hand
side of the screen you’ll find an auto exposure button, the image
playback button, shooting mode, self timer buttons, white balance,
scene profile button, an in-body image stabilization button, which is
also programmable to any function, and the menu and info buttons.
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Overall the camera’s ports and controls are laid out nicely. I had no
real issues with the design, but was disappointed to not see a thumb
stick for focus point selection. I’ve got large hands and had no issues
with the camera and its layout. A friend of mine with smaller hands
was also comfortable while handling the camera too, so you really
should have no issues here. It’s a great feeling camera.
Build Quality
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Let’s talk about the obvious thing here. The Pentax K1 Mk II is huge.
My daily shooter is a Fujifilm X-T3, so to say it was a shock to go back
to a camera like the Pentax K1 Mk II is an understatement.
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This camera is designed to be used out in the wild where the elements
can get in its face. I took this camera out into the pouring rain, heavy
snow, dense fog, 45 mph winds, and into temperatures that dropped
to -3 Fahrenheit and it never missed a beat thanks to the 87 weather
sealing points found around the body.
The weight is a negative for sure, and if you like to travel light, this is
not the camera for you. If you don’t mind a little heft though, and
want to have the most ripped upper body out of all of your
photography friends, you’ll get along with the Pentax K1 Mk II just
fine.
Ease of Use
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was surprised I even got as many stars as I did in the above below. I
have no doubt that in the right conditions this feature will prove to be
invaluable to astrophotographers.
-22%
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429 € 1 349 €
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The battery life is decent too. I shot around 500 images with the
camera with a mixture of live view and viewfinder shooting. I flipped
through the images frequently on the LCD, transferred multiple
images to my phone, had GPS turned on, and put the camera’s Pixel
Shift technology to good use too, and there was still 25% of the battery
remaining.
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Autofocus
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focus points. If you take the camera for what it is, and look at who it’s
marketed towards (landscape photographers and portrait
photographers), the amount of focus points is fine, but in a day and
age where focus points in the hundreds is the norm, it seems like the
camera is lagging behind severely, and anyone looking at a spec sheet
will be put off instantly.
As you can see in the image above, the focus points are grouped into
the center of the sensor, so just know that there will be a lot of focus
and recomposing going on, which isn’t a big deal if it’s something you
have lived with before.
You’ll find that the focusing system is somewhat slower than the
competition too. Don’t get me wrong, it’s not so slow that you’re going
to miss a ton of shots, but by today’s standards, it’s quite slow. The
extra image processing chip in the Pentax K1 Mk II does mean that the
auto focus is faster then the original K1, but honestly not by a whole
lot. What the Pentax K1 Mk II doesn’t have in speed though, it makes
up for in focus accuracy. Pick your focus point, half press the shutter,
and the focus will be nailed for your selected point every single time
without fail. The same applies when using the camera in live view
mode too.
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Image Quality
The images the Pentax K1 Mk II can produce are exceptional. The 36.4
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The RAW files that are produced by the Pentax K1 Mk II are very
versatile. Perhaps not as versatile as the Fujifilm X-T3 that I use daily,
but there’s more than enough wiggle room in the RAW files to create
truly stunning results. I used Lightroom to edit the RAW files here as
Capture One 12 does not support the Pentax K1 Mk II. You can pull a
ton of detail out of the shadows and highlights thanks to the cameras
great dynamic range, and the colors that are produced are nice and
natural; which is exactly what landscape and portrait photographers
need.
The images that this camera can produce will be more than enough
for almost every photographer out there. In terms of resolution the
only cameras that will really produce images better than this will be
Medium Format cameras, and even then, when you use the pixel shift
mode on a tripod and get those images combined, I wouldn’t be
surprised if detail levels weren’t far off of what some Medium Format
cameras can produce.
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JPEG Quality
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JPEG’s right out of the camera are pretty good. The colors look nice
and are true to how things were in person. If you plan on using the
Wi-Fi feature to beam images to your phone or tablet so you can post
to social media sites you’ll be quite happy. You can make any
adjustments needed to the files with editing apps on your phone. I am
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really quite pleased with the results though. The above image was shot
at ISO 3200 in a dimly lit coffee shop. The JPEGS are perfectly fine,
and are more than usable.
ISO 3200
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ISO 6400
ISO 12,800
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Jump up to ISO 12,800 and the image continues it’s downward slide.
The picture is still usable and will be fine for an image that’s going to
be used online, but I would say at this point printing at any
meaningful size would be a bad idea. Go past ISO 12,800 and things
turn from okay to disastrous pretty quickly. The last image in this
series was shot at the max ISO of 819,200. You just have to ask yourself
why this option was even included to begin with.
ISO 25,600
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ISO 51,200
ISO 102,400
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ISO 819,200
Conclusions
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Likes
Dislikes
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If however you know how to get the best out of a camera, and don’t
mind slowing down to take in the whole experience that photography
has to offer, then the Pentax K1 Mk II is a camera you’ll enjoy. It’s not
just point, shoot and be done, you have to work to get the best out of
it. It’s incredibly satisfying when it all of your efforts come together
and you see the amazing images it can capture.
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pbizarro pbizarro
6d 6d
(https://dynamic-
cdn.spot.im/yad/optout.html)
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Brett Day
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day/)
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