14A SECONDARY LEADING _ TONE TRIADS, SEVENTHS, AND INVERSIONS regular resolution W.A1 ‘“O CESSATE DI PIAGARMI” Meas. 1-7 ALESSANDRO SCARLATTISecondary Leading Tone Triads, Sevenths, and Inversions Regular Resolution qi 14.4.2. ‘“COME RAGGIO DI SOL” meas. 1-27 ANTONIO CALDARA tre del_ma = re nel pro = fon fe + sa le tem Sostenuto J_.46 5 Co. me mg-gio di Finite ll. a tempo emer — col canto petempo Like a ray of a mild and serene sun which rests on calm seas, while in the depth of the sea the tempest is hidden . 14.4.3 “BRICH AN, O SCHONES MORGENLICHT” from Weinachts-Oratorium, BWV 248, II:3 JOHANN SEBASTIAN BACH poco poco» fret Hn - el En gt m0 RE = a Mor= gan tht, andl Mie sen + wok, she = de nichi, well dir ls dedi Mie di pw men = te del oma - re, men 33a | 28383Regular Resolution 173 SSS ; 4.44 “Surety HE HATH BORNE Our GRrIEFS” oF from Messiah: 21, HWV 56, t > Meas. 1-19 GEORGE FRIDERIC HANDEL £ s Largo © Staccato Oh come, most beauteous morning light, Let the heavens glow. Ye shepherds fear not, For the angels tell you ‘That this weak little babe Shall be our consolation and joy, Shall defeat Satan, ‘And finally bring us peace.174 Secondary Leading Tone Triads, Sevenths, and Inversions (git = 6° i Be| 176 Secondary Leading Tone Triads, Sevenths, and Inversions bruis ed, = he was bras = ed for our he war bruised for our ini guit-iess by od, he was bruised for our in i= quie-es ee | 14.4.5 “GLORIA” from Nelsonmesse, Hob. XXII:11, meas. 1-9 FRANZ JosEPH HayDN Allegro Solo ee Tutt a Soprano ust Glo - Regular Resolution 177 Tuna) Glory be to God on high. 14.A.6 “WIE UNGLUCKLICH BIN ICH NIT” KV 147 Wo .rcanc AMADEUS Mozart Wie un glick-lich bin ich nit, wie schmach-tend sind mei178 Secondary Leading Tone Triads, Sevenths, and bnoersions Regular Resolution 179 E = be ee | SSeS =I + le Schmerzen haw = fen sich, wenn SSS SSS SS =——= Ac - ca der non pod di peg glo ah, 20, oh SSS == SS u a : Coa ___s Sere = ae 2 te Re ee mee oe ae a SSS Sa SSS Ss oo — Ly —s = SS == = How unhappy Iam, How languishing are my steps, When Iturn them towards you. fia = ti Dei, che mat Only my sighs console me, All my pains multiply When I think of you. 14.4.7. COSA SENTO! TOSTO ANDATE” from Le nozze di Figaro: 7, meas. 175-90 Wo rcanc Amapeus Mozart 175 Allogro assai moo oo: pi ooo me val Susanna SS — EE = Basie Basilie: Ah, what [said of the page ‘was only a suspicion of mine. Alll the beautiful ones do so; this isn’t news to anyone! Sa pm ae ade le Count Susanna: It cannotbe worse, ah, no, ah, no! Just gods, never let it be! Count: Most honest lady, ‘Now understand how itis!150 Secondary Leading Tone Triads, Sevenths, and Inversions 14.4.8 PIANO SONATA Op. 7, 1, meas. 41-59 Allegro molto e eon brio - wf : wf = = z Epo tak 14.4.9 “GARDINER” from Sacred Melodies, 1815 With stately veo Regular Resolution 181 ‘ sbi = ee Lupwic VAN BEETHOVEN [sare tell r ay = ; === a Y . . od od 2 jl Bi 5 | i = = ase 4.4.10 “KyYRIE” from Mass in Ab, D. 678, meas. 9-24 FRANZ SCHUBERT 9 Andante con moto ial Tenore a = = == = WILLIAM GARDINER : os — ee eee - <=Secondary Leailing Tone Triads, Sevenths, and Inversions Regular Resolution A111 ‘Die ROSE, DIE LILIE” m Dichterliebe, Op. 48/3 ROBERT SCHUMANN Munter w, ¥ 1b sie nicht mehr, feb eee = a ¥ Riera ae are =F oF SSeS nteatatale = Ro-se.die Li-lie, ie Tau-bele Somnedic ich ich eintt able in Lie -beswonne, ich F = Lord have mercy upon us. be al-lei - ne die Kiei~ node Fei ne, die Rel-nedie Fi - ne:sie sel - ber, al ~ ler Ro se und Li- lie und Taube und Son-ne,ich lic ~ be al-lel = ne die Klel- ne,die Fei-ne, die Rel-ne,die Ei~ ne, die iter, wee (ge agile The rose, the lily, the dove, and the sun, those all were once encompassed in my love. love them no more, Iove only the little one, the fine one, the pure one, the only one; she alone, source of all love, is rose and lily and dove and sun, Tove only the little one, the fine one, the pure one, the only one!184 Secondary Leading Tone Triads, Sevenths, and Inversions pee 185 14.412. “NorpiscHEs LIED” 4.4.13 ‘SEMPRE LIBERA” from 43 Piano Pieces for the Young, ‘om La traviata: 6, meas. 8-16 GrusEpPE VERDI Op. 68/41 Im Votkston Rosert SCHUMANN Allegro brillante case brilante = S Sem-pre i - be-m—— deg + lee so jain suing | 2 Ever free, I want to have a good time, full of joy and delight; want my life to run on the paths of pleasure,