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Shannon Dowd
Revista de Estudios Hispánicos, Tomo 52, Número 2, Junio 2018, pp. 551-574
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Shortened Title 551
SHANNON DOWD
This article analyzes the key terms in the ongoing sovereignty debate over the
Falklands/Malvinas Islands through a reading of Rodolfo Enrique Fogwill’s clas-
sic novel Los pichiciegos: Visiones de una batalla subterránea. I argue against
critical interpretations of the novel as anti-war and counter-foundational,
finding that the novel reproduces sovereignty underground instead of resisting
it. I examine this thesis through competing, seemingly irreconcilable claims to
sovereignty: Argentina’s arguments for decolonization and Britain’s arguments for
self-determination. In fiction, Fogwill miniaturizes and allegorizes these concepts,
borrowing from Argentine dictatorship and Thatcherite discourses. He exposes the
concept of sovereignty as the link between the internal Dirty War and external
Malvinas War and between dictatorship and post-dictatorship politics and eco-
nomics. I argue that Fogwill also provides a way to begin considering the legacy
of sovereignty after globalization’s move away from the nation-state. Re-visiting
the novel makes the reader question the key terms of debate—decolonization
and self-determination—and look beyond sovereign territory and the nation,
suggesting a renewal of democracy.
˙˙˙˙˙
Since the brief but bloody 1982 war between Argentina and
the United Kingdom, the Falklands/Malvinas debate has continued to
stir international headlines.1 A few years ago, Prince William, the em-
bodiment of British sovereign succession, was stationed on the islands’
military base for training. A few years later, the islanders held a vote
affirming their status as an Overseas Territory of the United Kingdom.
Meanwhile, Argentina began issuing commemorative currency recalling
key episodes in the fight to keep hold of the islands. A new fifty-peso
note printed with an image of “El Gaucho” Rivero, “primer defensor
de la soberanía nacional en las Islas Malvinas,” recently joined a com-
memorative two-peso coin issued in 2012, so that the sovereignty claim
Revista de Estudios Hispánicos 52 (2018)
552 Shannon Dowd
has literally become common currency. This defense of sovereignty by
the common man recalls a primal theft of Argentina’s national wealth,
fittingly, at a time of economic crisis and as oil deposits surrounding the
island seem larger than initially thought. Unsurprisingly, then, the dis-
pute over the islands remains one of the most intransigent sovereignty
conflicts in the world.
The problem has been brewing for hundreds of years, dating
back to colonial legal arguments about who discovered the islands, how
long they belonged to whom, how far the islands are from the UK or
how close to Argentina, and who lives there. Two core principles have
governed the debate since large-scale European withdrawal from Global
Southern colonies: decolonization for Argentina and self-determination
for Britain. These principles came into conflict in the lead-up to the
war, and remain unresolved and subject to interpretation and debate in
international law.2 Yet, the war had immediate and concrete effects on
politics on both sides of the Atlantic, helping to topple the Argentine
military dictatorship known as the Proceso de Reorganización Nacional
and consolidating Conservative power under British Prime Minister
Margaret Thatcher.
In what follows, I examine the political impasse between
decolonization and self-determination in the Falklands/Malvinas
through the first and most famous novel about the war, Los pichiciegos:
Visiones de una batalla subterránea by Rodolfo Enrique Fogwill. I read
the novel alongside cultural criticism and political discourse in order
to challenge canonical interpretations that see Fogwill’s novel as em-
blematic of the Argentine anti-epic or a counter-foundational novel in
the wake of the war. While these interpretations fit Fogwill’s polemical
personality, they gloss over the ways Los pichiciegos uses fiction to distill
political process and engage social and political context. I argue that,
instead of a narrative against war and toward life or against epic and
toward ethics, the novel presents a fictional sovereignty that reconfigures
but does not fundamentally alter the questions of decolonization and
self-determination under debate. Los pichiciegos depicts a redoubling of
these terms in a fictional, nationless sovereignty. It enacts a paradoxical
movement away from the nation and toward the state, away from tra-
ditional warfare and toward war’s extension in other diffuse forms. The
novel exhausts the foundational principles of sovereignty and leads to
Los pichiciegos on Sovereignty, Decolonization, and Democracy 553
one of the most politically pressing issues of our time, namely, the ero-
sion of nation-state sovereignty under globalization. As the relationship
between sovereignty, territory, and people shifts, Los pichiciegos offers
an experimental site to test both the intensification and dissolution of
sovereignty in ways that resonate with our contemporary situation.
By the end of the novel, I argue, Fogwill shifts focus to the pueblo—
the demos—in order to re-frame the islands away from the sovereign
territory and toward democracy.
anti-war sentiment. Against the masses that filled the streets of Buenos
Aires in support of the military campaign in April 1982, the pichis give
voice to the horrors of war. Their disdain for official power fit into the
quickly developing narrative in which the Argentine surrender in June
1982 handed the military junta its marching orders. The people rose
up and disavowed a previous reliance on the military to impose and
maintain order. The pichis seemed to be one step ahead of those on the
mainland in abandoning the military.
Understanding the pichis as anti-authoritarian aligns with Fog-
will’s reputation for controversy. Los pichiciegos was his first novel, and
marked a forceful entrance to the literary scene for an outsider. Trained
as a sociologist, he later worked in advertising before dedicating himself
to journalism and fiction. He became known for his unabashed expres-
sion of polemical stances (Fogwill: Literatura de provocación). Conse-
quently, criticism tends to see his first novel feeding into the rebellious
post-war political climate on the one hand, and Fogwill’s reputation as
a kind of picaresque character in his own right on the other.
Perhaps as a result of Fogwill’s outsider status in Argentine
letters, critics tended to see the novel as inherently anti-authoritarian.
For instance, Martín Kohan’s article “El fin de una épica” describes Los
pichiciegos marking the end of the heroic war epic. Kohan explains that
the novel’s anti-epic style paved the way for farce rather than drama
in later Malvinas fiction, especially Carlos Gamerro’s celebrated 1998
novel Las Islas (Kohan, “El fin” 6). Drawing on Kohan, Julieta Vitullo’s
comprehensive Islas imaginadas. La guerra de Malvinas en la literatura
y el cine argentinos traces a genealogy of Malvinas narrative, beginning
with Los pichiciegos as the inaugural anti-epic of Malvinas (19; 72–78).
Vitullo describes how the novel transforms the war’s dire conditions to
solidify an anti-epic model for subsequent cultural production about
Malvinas. In the wake of the war, fiction, testimony, and film became
the instruments to describe the soldiers’ lack of preparation, official
abuse, and generalized disappointment with the supposedly heroic
mission. Beginning with Fogwill, this interplay between social and lit-
erary texts ensured the hero’s disappearance from cultural production,
replaced by reluctant conscripts and would-be deserters.4
The novel’s challenge to the traditional war story reflects a
change legible across different registers of Argentine culture. For in-
stance, in Paola Ehrmantraut’s Masculinidades en guerra. Malvinas
en la literatura y el cine, Los pichiciegos stages a textual negotiation
Los pichiciegos on Sovereignty, Decolonization, and Democracy 555
Sovereignty, Anti-Sovereignty
The pichis have ample reason to retreat from the battlefield and
hide underground. Poorly equipped and facing bitter cold, the soldiers
realize that the campaign has become little more than mutual slaughter.
Far from home and understandably terrified, they abandon the state.
Thomas Hobbes’s famous formulation explains that “it proceeds from
fear of mutual slaughter, that one man submits himself to the domin-
ion of another” (39). Protection from the state of nature, “a mere war
of all against all,” is the promise made to citizens in return for obedi-
ence (Hobbes 13). Carl Schmitt condenses Hobbes’s observation into
a simple formula: “The protego ergo obligo is the cogito ergo sum of the
state” (52). Through this promise, the state aims to maintain power. On
the islands, state sovereignty—its power over the body politic—reaches
crisis. The state extends its dominion into Malvinas, claiming the right
to territory in order to expand its protection and obligation onto the
islands. As it does so, its promise of protection fails and so the obliga-
tion likewise disintegrates.
556 Shannon Dowd
Agamben calls “bare life,” reduced to basic survival.7 Under this read-
ing, Los pichiciegos becomes a text that refuses war as politics—a text of
the interregnum.
In the wake of the defeat and subsequent toppling of the mili-
tary government, the pichis’ desertion of the regime, though fictional,
seems prescient. However, it does not take a central role in the plot,
which begins when the soldiers are already underground. The novel’s
scribe, Quique, only briefly mentions that the process of desertion was
planned and methodical. Before abandoning their regiments, a core
group of pichis surreptitiously persuaded other soldiers to help dig the
tunnels that would form their burrow. By the time Fogwill drops his
reader in the pichicera on the first page of the novel, this core group
is already known as los Reyes Magos (referred to below as the Kings).
In other words, before it has even begun, the interregnum has already
come to an end; having dropped out of the ranks of the Argentine state,
the Kings create their own protego ergo obligo.
Like many of those that read the novel through its anti-sover-
eignty currents, Sarlo’s analysis of Los pichiciegos functions in the sus-
pension between one protego and the next, in the interval between one
type of sovereignty and another. The pichis, freed from the obligation
to kill or be killed, enter an amorphous, subterranean space in which
they can escape the nationalism that brought them to Malvinas. At
first, it seems uncertain whether this new arrangement is horizontal or
hierarchical, but uncertainty gradually gives way to new rules imposed
and habits defined. Fogwill describes one of the earliest rules: the men
are strictly forbidden from drinking potentially contaminated water and
from defecating in the burrow. They must boil all water or drink mate,
tea, or coffee to avoid getting uncontrollable diarrhea on pain of death.
Having described the rule, Fogwill writes: “y aunque nadie sabía si los
Magos eran capaces de matar o no a un pichi o a uno que había sido
pichi, por las dudas no lo iban a probar: obedecían” (34–35).
Later, the Kings collectively decide which are the weakest of
the bunch, and those select few never come back from a mission to
the British encampment. When the leader in charge of getting rid of
them returns, he feels compelled to invent an explanation: “Como
nadie nombró a los pichis que faltaban, el Turco sacó el tema y les dijo
que habían quedado con los ingleses, en garantía, y todos creyeron, o
quisieron creer o hacer creer que creían . . .” (64). This disappearance
558 Shannon Dowd
bears the hallmarks of the arbitrary violence and utilitarian logic toward
the populace that the Argentine dictatorship used to justify its actions
between 1976 and 1983.
The key difference between the junta militar and the Kings is
that the violence is on a much smaller scale and stripped of ideological
justifications like nationalism, anti-communism, or anti-terrorism. In
a brief analysis, Sergio Villalobos-Ruminott presents Los pichiciegos as
a work that “discloses the post-hegemonic articulation of power in the
sense that it is not necessarily configured (and never was) through clas-
sical ideological interpellation” (201). At the moment they desert, the
pichis refuse the state’s interpellation. However, this moment is already
eclipsed in the text. Denuded of ideology under the guises of nation
and army, Fogwill shows the pichis’ new sovereign protego, including a
set of norms, central storage system for food and supplies, and, most
ominously, an organizing junta with the power to determine which of
them lives or dies. The pichis forego the dictatorship’s territorial claims
and ideological instruments in order to articulate a non-national—but
not quite post-sovereign—state. They use the material conditions of the
battlefield as instruments of force. Like one of the pichis, who spends
his time retelling the plots of films he has seen, we already know this
story. Fogwill merely recounts it, and like the pichis listening to el Tur-
co, we believe or want to believe or make others believe that we believe.
The question becomes whether the pichis can value survival without
valuing protection, in other words, whether they can preserve life with-
out instantiating a new sovereignty.
Fogwill writes that the pichis’ instinct to survive drives them to
create an underground economy. El Turco, gathers the raw materials
needed for survival. He channels his fear toward commerce, including
full control of the underground market:
Es que el miedo suelta el instinto que cada uno lleva dentro, y así como
algunos con el miedo se vuelven más forros que antes, porque les sale
el dormido de adentro, a él le despertó el árabe de adentro: ese instinto
de amontonar las cosas y de cambiar y de mandar. . . . Y el que lo veía
mandando, cambiando y almacenando cosas ni pensaba que atrás de
todo eso estaba el miedo. Pero es el miedo el que está atrás mandándote,
cambiándote. (103–04)
The economy functions in line with the value placed on survival that
drove the pichis underground in the first place. The fear that permeates
the war marks an intensification of the death drive, and it makes el
Turco, described through the racist stereotype of the Arab businessman,
focus on acquiring and marketing material goods.
Gradually, however, the underground market gets channeled
toward accumulation, as el Turco shrewdly manipulates resources for
the group’s needs:
Si a él le sobraba querosén, hacía correr la bola de que precisaba quero-
sén, que se acababa el querosén, que todos daban cualquier cosa por el
querosén. Después mandaba un pichi desconocido a la Intendencia o al
pueblo, o a los ingleses, a ofrecer querosén y volvía lleno de montones
de cosas a cambio de un bidón aguado que a él le venía sobrando. (136)
Decolonization
pot and increased power through accumulation. The pichis are primed
to test the discourses of sovereignty and decolonization that preceded
and accompanied the war.
Self-Determination
the historical vector of imperial claims and focus only on the present,
the problem remains. If the Malvinas belong to Argentina, then the
self could include the whole of Argentina, in addition to the relatively
small group of people living on the islands. A vote would surely support
Argentine sovereignty. If the self includes only the Falkland Islanders, as
in the current attempt at devolving power to local government, then the
result of any vote would confirm association with the UK.16 According
to Argentina, however, such a vote represents “a serious distortion of
the spirit of self-determination” because the islanders are an implanted
population (UN General Assembly 4). The distortion of self-determina-
tion, in turn, resonates with Fallaci’s questions, recalling the specter of
European settler colonialism in Argentina. The delimitation of the self
and Other in the islands depends on drawing another border around
the political unit, even as the first one remains disputed.
Consistent with the consolidation of a self against an enemy,
Néstor Perlongher wrote in his essay “Todo el poder a Lady Di,” con-
temporaneous with the war, that the Argentine invasion had whipped
up “un delirio xenofóbico” (177). On both sides of the Atlantic, the
immediate reaction to war was to distinguish between the two peoples
in terms of essential identities. Unsurprisingly, in a speech before the
House of Commons at the start of the war, Thatcher cultivated a com-
bined British-Falklander selfhood through qualitative and genealogical
proximity, confirming that the people are of “British stock” and alle-
giance, explaining their geographical and racial affinities:
The people of the Falkland Islands, like the people of the United King-
dom, are an island race. Their way of life is British; their allegiance is
to the Crown. They are few in number, but they have the right to live
in peace, to choose their own way of life and to determine their own
allegiance. Their way of life is British; their allegiance is to the Crown.
(“3 April 1982”)
growth from a common core. Yet it also describes valuation: items held
in reserve, portions of assets bought and sold, and futures contracts
gambled on the market. In Thatcher’s case, taking stock of the islands
covers up the islanders’ impossible autochthony with a filial proxim-
ity. Consequently, in her view the stocks of the colonial era—as much
accumulated territories and resources bought and sold—can be linked
to specific identities.
In Los pichiciegos, stock takes on a slightly different, though re-
lated, character. Most of the novel takes place in or near the pichi stock
room, which forms the basis for Sarlo’s emphasis on materiality and sur-
vival. The pichis are among the few soldiers not starving to death, and
since most of them were presumed dead, the other conscripts “soñaban
que los pichis eran muertos que habían engordado comiendo tierra
abajo de la tierra” (80). The pichis seem to be autochthonous ghosts
springing from, belonging to, and feeding on the earth.
By the end of the novel, however, they go from consuming the
earth to being consumed by the earth. Quique returns to the burrow
to discover one by one that Pipo, el Turco, the embedded British radio
operators, and all of the other pichis are dead, suffocated by trapped
carbon monoxide. As Sarlo points out, by the end of the novel, the
pichis become objects themselves, melding with the objects in the store-
room (13–14). The narrator describes them gradually blending into the
ground: “los dos ingleses, los veintitrés pichis y todo lo que abajo estu-
vieron guardando van a formar una sola cosa, una nueva piedra metida
dentro de la piedra vieja del cerro” (155). Fogwill inscribes them into
the landscape, where they finally, lifelessly belong.
In the end, Quique admits that the pichis will not be remem-
bered beyond their fictional inscription. Their story is familiar: having
harnessed the fear of death, they abandon the state. They attempt to
re-colonize the space of decolonization, implement a survival-based
value system, but it then turns toward accumulation, resembling a
proto-neo-liberal war economy. Their story also exposes decolonization
as historically dependent on imperial territories and self-determination
as an identity-based war between self and other that easily slips into its
own dirty war. In short, their story binds two of the core elements of
territorial sovereignty—decolonization and self-determination—to the
point of suffocation.
Los pichiciegos on Sovereignty, Decolonization, and Democracy 567
Democracy
University of Michigan
NOTES
1
Out of respect for the sovereignty implications of naming conventions, I refer to
the islands as Falklands/Malvinas in general, the forward slash preserving the split
rather than the supplement of a hyphen. I use Falklands when referring to the British
perspective and Malvinas when referring to the Argentine.
2
For a recent discussion of international law in the Falklands/Malvinas case, espe-
cially regarding jus gentium, see Alexis Chommeloux, “The Falklands Conflict: The
Uncertainties of International Law Examined 30 Years On,” in 30 Years After: Issues
and Representations of the Falklands War.
570 Shannon Dowd
3
For more, see Alejandro Losada’s reflections on literature as a social institution, which
argues that “el único modo de entender la especificidad . . . del hecho literario como
un fenómeno social, es articulando de manera inmediata los conjuntos literarios con la
praxis social de los sujetos productores y . . . con la situación de la estructura social” (57).
4
For more on the dialogue between literary text and social context in Argentina, see
Andrés Avellaneda’s classic El habla de la ideología, especially the first chapter “Tiempo
de vivir y tiempo de escribir.”
5
Minefields remain on the islands since the war, including in the vicinity of the capital,
Stanley. They are marked but have not yet been cleared.
6
Note that, even though Sarlo claims that language unites the soldiers, Fogwill also
marks language as a point of division. In the scene in which they name themselves
pichiciegos, the soldiers have different names for armadillos, which they work around
by describing the animal’s behavior and appearance. Later, when two British soldiers
move into the burrow, they have entirely different languages again and struggle to
understand each other—with the exception of one of the pichis whose hushed intimate
relationship with a British officer is referred to obliquely.
7
Drawing on Sarlo, María Pia López describes the passage into bare life as the pre-
political foundation of a new community: “Fogwill va hacia ese momento prepolítico
de la fundación de comunidad, del encuentro de los hombres y de la constitución
de una lengua y de la construcción de cierto tipo de afectividad” (López, in Fogwill,
Literatura de provocación 69). As we will see, this pre-political moment is already
eclipsed in the text of the novel.
8
In an interview with Martín Kohan, Fogwill accounts for Sarlo’s 1994 materialist
analysis of Los pichiciegos as a response to neoliberal menemismo, in which one was
free to choose as long as that choice was to stay in the market (Kohan, “Fogwill”).
9
The committee still regularly considers the issue. For more detail on historical claims
and issues in international law, see Gustafson.
10
The question is whether or not there exists a way of approaching territory beyond
sovereignty while still accounting for the relationship between land and people. For
more historical background, see Stuart Elden’s The Birth of Territory, which provides a
conceptual history of territory in the Western tradition. His book Terror and Territory
examines the concept of territory during the so-called War on Terror.
11
Another of the lessons of empire is vividly portrayed in the film This Is England (dir.
Shane Meadows). The Falklands War, which claimed the life of the protagonist’s father,
shows the effects of large-scale decolonization on mainland Britain. As waves of im-
migrants from former colonies move to the UK during the already fraught time of the
miners’ strikes, white British workers perceive the so-called greatness of England to be
Los pichiciegos on Sovereignty, Decolonization, and Democracy 571
under threat. Immigrant presence stokes a strong xenophobic reaction, from which the
film shows conservative currents splitting, some into Thatcher’s economically-focused
neoliberal policies, others into white supremacist nationalism.
12
Rozitchner does not declare himself a pacifist, keeping his arguments contextualized
within the 1982 war. More far-reaching arguments against warfare from a decolo-
nial perspective appear in the more recent Against War: Views from the Underside of
Modernity, but as with most anti-war treatises, the title Against War reproduces the
binary to which it is so firmly opposed. Here I suggest that the Falkland/Malvinas War
exposes certain contradictory points in arguments for political and epistemological
decolonization that still need to be examined. Rozitchner’s book serves as a tool to
begin looking at this problem by creating an explicit connection between different
types of violence, thus avoiding blanket pacifism as well as the oft-repeated argument
that the Malvinas War was the just campaign of an unjustified government. Rozitch-
ner’s tempered view serves as an important counterweight to an uncritical nationalist
reclamation of sovereignty still common today.
13
Rozitchner writes of desire as part of the intellectual’s political position more broadly:
“como buenos intelectuales que nos movemos tratando de justificar nuestros deseos
en papel, reconozcamos que no estamos haciendo otra cosa que justificarlos y a veces
hasta alienarnos al deseo ajeno” (45).
14
In a further irony of history, democratic Argentina now claims that the islanders
do not have the right to self-determination because they are an implanted settler
population. The United Nations Special Committee on Decolonization agrees with
this position, as explained below.
15
Galtieri was forced to confront the issue of democracy in his interview with Fallaci.
Using the dictatorship’s official rhetoric, he defended the impossibility of the vote as
preparation for future electoral democracy; once the pressing issues of the present had
been satisfactorily resolved, democratic elections would return to Argentina. Galtieri
fully expected to win the election and legitimize his government on the strength of
the recovery of Malvinas.
16
The 2013 vote on political association, mentioned above, returned nearly unanimous
support of the islands’ relationship with the UK, an impressive but unsurprising confir-
mation of the status quo. Perhaps the true surprise was that two people had voted no.
17
A similar idea appears as part of the xenophobic British National Front rally in This
Is England, in which one of the leaders quotes Shakespeare’s Henry V without mention-
ing that the play is his source: “An English king on the battlefield once said, ‘From
this day to the end of the world, only we in it shall be remembered, we few, we happy
few, we band of brothers.’ Gentlemen, it is the time to stand up and be counted. It is
the time for action.” The call is to eject those migrating from former colonies to the
UK in the name of a vigilante defense of the British way of life.
572 Shannon Dowd
18
Although Wendy Brown and Giacomo Marramao have different perspectives on
the contradictory nature of globalization, their work helps explain the resurgence of
sovereignty claims and identity politics, especially in times of crisis, in spite of macro-
level political and economic fusion in globalization. For a different perspective that
focuses on the disappearance of the enemy to update Schmitt’s thought in times of
globalization, see Galli.
19
The most explicit example is the 1994 Argentine constitution, foundational docu-
ment of post-dictatorship electoral democracy, which includes a provision for the
recovery of Malvinas.
Vitullo collaborated on a recent documentary, La forma exacta de las islas (dir. Daniel
20
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Palabras clave: Fogwill, Los pichiciegos, Islas Malvinas, guerra, soberanía, democracia.
574 Shannon Dowd
Date of Receipt: April 24, 2016
Date of Acceptance: January 28, 2017