themes and composed of 18th century icons and images created by local artisans under the tutelage of the friars. The devotional pieces of the collection are of outstanding significance.
Coronation of the Virgin
Retalbo
During the late Spanish colonial period, the
school of Academism or “salon” painting 1900s emerged and produced the likes of Juan N. Luna and Felix Resurreccion Hidalgo, who are In the succeeding American period, Fernando now considered as 19th century masters. C. Amorsolo, who was later declared as the First National Artist, rose into fame and Spolarium established his own style or “school” which was Mother’s Revenge largely characterized by countryside scenery Governor Dasmarinas with golden sunlight. La Descencion de Jesus Association of the Philippines (AAP) was 1920s established in 1948.
The period is represented by the proliferation Burning of Sto. Domingo
of genre themes, landscapes and still lifes as well as the emergence of pre-modernism.
Bust. of Mons. G. Aglipay
1950s
The Philippine Art Gallery (PAG) was founded
with young modernists as the leading figures. Emergence of different schools of thought (e.g. 1930s: Pre-modernism school of Botong Francisco, school of Manansala, emergence of the “Mabini” art Artists represented in the collection: Victorio group. Edades, Diosdado Lorenzo, Galo Ocampo, Carlos Francisco, Gabriel Custodio, Vicente Christmas Card Series Manansala, Ricarte Purruganan, Romeo Harana in Manila Tabuena, and others.
1942-1945
A suspension on artistic activity was prevalent
during the Japanese occupation. However, some visual artists still managed to produce artworks based on the atrocities brought by the war. Artists represented in the collection: Dominador Castañeda, Demetrio Diego, Diosdado Lorenzo, Romeo Tabuena, Gene Cabrera and others
1946-1949
After the Japanese occupation, the art
community sprang back to life. Various themes and styles were explored and pioneered by Filipino artists who gained experience abroad. Mural painting emerged, spearheaded by Carlos Francisco. Art 1970s
Most of the artists in the 1960’s continued to
produce important works in this period. Emergence of different movements such as People’s Art or Art for the Masses, Protest Art, Social Realism, and the institutionalization of 1960s the National Artist Award (1972). 11 National Artists whose works are represented in the Modern art reached its peak. collection:
Ink Fish Fernando C. Amorsolo-1972
First Mass in Limasawa (Painting) Carlos V. Francisco-1973 Planting of the first Cross (Painting) Guillermo E. Tolentino-1973 Mother and Child (Sculpture) Victorio C. Edades-1974 (Painting) Napoleon V. Abueva-1976 (Sculpture) Vicente S. Manansala-1981 (Painting) Cesar T. Legaspi-1990 (Painting) Hernando R. Ocampo-1991 (Painting) Arturo V. Luz-1997 (Painting) Jerry E. Navarro-1999 (Painting/Sculpture) Ang Kiukok-2001 (Painting) Hills of Nikko 1980s
The period is characterized by a revival of
traditional art and ethnic art. Contemporary sculpture became an integral part of buildings and parks. Artists in the collection: Eduardo Castrillo, Ramon Orlina, Solomon Saprid, Raul Isidro, Red Mansueto, Charito Bitanga, Phillip Victor, Emilio Aguilar Cruz, Federico Alcuaz, Al Perez, Virginia T. Navarro, Abdul Mari Imao, Rey Paz Contreras, Jerusalino Araos, Norris Castillo, and others.
1990s
New generation of painters, sculptors and
printmakers expressing their personal feelings and expressions emerged. Great art movement in Europe and the Americas gained entry to the local scene such as installation art and experimental art. Galleries and museums were institutionalized spearheading activities in the cultural scene. Artists represented in the collection: Ibarra dela Rosa, Prudencio Lamarroza, Elizabeth Chan, Eduardo Castrillo, Pacita Abad, Fil dela Cruz, Romulo Galicano, Symfronio Y. Mendoza, Godofredo Y. Mendoza, Rafael Pacheco, and others.
2000 to present
Philippine art has come a long way, from the
primitive ingenuity of the Filipinos to the present avante-garde artists exploring all possible techniques and schools ranging from the traditionalists, representationalists, abstractionists, abstract expressionists, semi- abstractionists, figurative expressionists, non- objectivists and other forms of -isms. Art today is an open forum of visual statements.