Documente Academic
Documente Profesional
Documente Cultură
AMERICAN
STUDIES
RELIGION 11
The Costs of Connection This Atom Bomb in Me Good Pictures
How Data Is Colonizing Lindsey A. Freeman A History of Popular Photography
Human Life and Appropriating Kim Beil
It for Capitalism This Atom Bomb in Me traces what
it felt like to grow up suffused with What makes a “good picture”? From
Nick Couldry and American nuclear culture in and portraits to products, landscapes
Ulises A. Mejias around the atomic city of Oak to food pics, Good Pictures proves
Just about any social need is now Ridge, Tennessee. As a secret city that the history of photography is a
met with an opportunity to “connect” during the Manhattan Project, Oak history of changing styles. In a
digitally. But this convenience is Ridge enriched the uranium that series of short, engaging essays,
not free—it is purchased with vast powered Little Boy, the bomb that Kim Beil uncovers the origins of fifty
amounts of personal data transferred destroyed Hiroshima. Today, Oak photographic trends and investigates
through shadowy back channels to Ridge contains the world’s largest their original appeal, their decline,
corporations using it to generate supply of fissionable uranium. and sometimes their reuse by later
profit. The Costs of Connection The granddaughter of an atomic generations of photographers.
uncovers this process, called “data courier, Lindsey A. Freeman turns a Drawing on a wealth of visual
colonialism,” and its designs for critical yet nostalgic eye to the place material, from vintage how-to
controlling our lives—our ways of where her family was sent as part of manuals to magazine articles
knowing; our means of production; a covert government plan. Through for working photographers, this
our political participation. This book memories, mysterious photographs, full-color book illustrates the
provides by far the most detailed and and uncanny childhood toys, she evolution of trends with hundreds of
historically rich exploration to date shows how Reagan-era politics and pictures made by amateurs, artists,
of the colonial dimensions of what is nuclear culture irradiated the late and commercial photographers alike.
happening with data and capitalism, twentieth century. Whether selfies or sepia tones, the
pushing current debates in a radical “A gorgeously crafted memoir rules for good pictures are always
new direction and offering a about the atomic sensorium of shifting, reflecting new ways of
genuinely global perspective on Oak Ridge, Tennessee. Funny, thinking about ourselves and our
today’s struggles for human freedom. wrenching, erudite. Gulp it down place in the visual world.
in a single sitting.”
“Challenging, urgent, and 304 pages, May 2020
—Gabrielle Hecht, 9781503608665 Paper $35.00 $28.00 sale
bracingly original.” author of Being Nuclear
—Naomi Klein, Rutgers University
REDWOOD PRESS
CULTURE AND ECONOMIC LIFE
352 pages, 2019 136 pages, 2019
9781503609747 Paper $30.00 $24.00 sale 9781503606890 Paper $18.00 $14.40 sale
12 CULTURAL STUDIES
Whisper Tapes The Chinese and the The Peculiar Afterlife
Kate Millett in Iran Iron Road of Slavery
Negar Mottahedeh Building the The Chinese Worker and the
Transcontinental Railroad Minstrel Form
Kate Millet was already an icon
of American feminism when she Edited by Gordon H. Chang Caroline H. Yang
went to Iran in 1979 to join Iranian and Shelley Fisher Fishkin The Peculiar Afterlife of Slavery
women in marking International The completion of the explores how antiblack racism
Women’s Day. Intended as a day of transcontinental railroad in May lived on through the figure of the
celebration, the event turned into a 1869 is usually told as a story of Chinese worker in US literature after
week of protests. Millet, armed with national triumph and a key moment emancipation. Drawing out the
film equipment and a cassette deck for American Manifest Destiny. But connections between this liminal
to record everything around her, while the transcontinental has often figure and the formal aesthetics
found herself in the middle of been celebrated in national memory, of blackface minstrelsy in literature
demonstrations for women’s rights the Chinese workers who made up of the Reconstruction and
and against the mandatory veil. 90 percent of the workforce on the post-Reconstruction eras, Caroline H.
Listening to the revolutionary Western portion of the line have Yang reveals the ways antiblackness
soundscape of Millet’s audio tapes, remained largely invisible and little structured US cultural production
Negar Mottahdeh offers a new understood. This landmark volume during a crucial moment of
interpretive guide to Revolutionary shines new light on these workers reconstructing and re-narrating
Iran, its slogans, habits, and women’s and their enduring importance, US empire after the Civil War.
movement—a movement that, illuminating more fully than ever Examining texts by major American
many claim, Millet never came to before how immigration across the writers in the late nineteenth and
understand. Whisper Tapes Pacific changed both China and the early twentieth centuries—Harriet
re-introduce Millet’s historic visit US, the dynamics of the racism the Beecher Stowe, Bret Harte, Mark
to Iran and lays out the nature of workers encountered, the conditions Twain, Ambrose Bierce, Sui Sin Far,
her encounter with the Iranian under which they labored, and their and Charles Chesnutt—Yang traces
women’s movement. role in shaping the history of the the intertwined histories of blackface
“Lyrical, intelligent, and passionately railroad and the development of the minstrelsy and Chinese labor. Her
written, Whisper Tapes reignites a American West. bold re-reading of these authors’
long dormant conversation about the contradictory positions on race
urgency of global feminism.” “Destined to become the go-to
resource about Chinese railroad and labor sees the figure of the
—Shilyh Warren, workers in the American West.” Chinese worker as both hiding
University of Texas at Dallas and making visible the legacy of
—Madeline Hsu,
University of Texas at Austin slavery and antiblackness.
560 pages, 2019 304 pages, April 2020
224 pages, 2019 9781503612051 Paper $28.00 $22.40 sale
9781503609242 Paper $30.00 $24.00 sale
9781503609860 Paper $14.00 $11.20 sale
16 HISTORY
The American Yawp Categorically Famous Provisional Avant-Gardes
A Massively Collaborative Literary Celebrity and Sexual Little Magazine Communities
Open U.S. History Textbook Liberation in 1960s America from Dada to Digital
Edited by Joseph L. Locke Guy Davidson Sophie Seita
and Ben Wright The first sustained study of the Arguing against the notion that the
The American Yawp is a free, online, relations between literary celebrity avant-garde is dead or confined to
collaboratively built American and queer sexuality, Categorically historically “failed” movements, this
history textbook now also available Famous looks at the careers of three book offers a more dynamic theory
in two print volumes from SUP. celebrity writers—James Baldwin, of avant-gardes. Provisional
Over 300 historians joined together Susan Sontag, and Gore Vidal—in Avant-Gardes focuses on the
to create the book they wanted for relation to the gay and lesbian medium of the little magazine—
their own students—an accessible, liberation movement of the 1960s. from early Dada experiments to
synthetic narrative that reflects the Challenging scholarly orthodoxies, feminist, queer, and digital
best of recent historical scholarship Guy Davidson urges us to rethink publishing networks—to understand
and provides a jumping-off point the usual opposition to liberation avant-gardes as provisional,
for discussions in the U.S. history and to gay and lesbian visibility heterogeneous communities. Sophie
classroom and beyond. within queer studies as well as Seita models a new methodology for
standard definitions of celebrity. writing about avant-garde practice
Without losing sight of politics He shows that careers of these across time, one that is applicable
and power, The American Yawp “semi-visible” gay celebrities mark to other artistic and non-artistic
incorporates transnational a crucial halfway point between communities and that speaks to
perspectives, integrates diverse the era of the open secret and contemporary practitioners and
voices, recovers narratives of present-day post-liberation. scholars alike. In the process, she
resistance, and explores the complex addresses fundamental questions
process of cultural creation. “In his incisive account, Davidson
finds genuinely new and important about form and politics, and what
Learn more at americanyawp.com. things to say not only about such we consider to be literature and art.
iconic figures but about making and “Sophie Seita’s marvelously detailed
“A thorough, compelling introduction unmaking queer politics in a time of
to American history that can be used examination of avant-garde and
turmoil not unlike our own.” contemporary little magazines lays
in virtually any course.”
—Michael Moon, Emory University bare the infrastructures of innovative
—Dan Cohen,
Northeastern University poetry. Her case studies are as
248 pages, 2019
9781503609198 Paper $30.00 $24.00 sale
exemplary as they are illuminating.”
Volume 1, To 1877: 9781503606715
—Charles Bernstein,
Volume 2, Since 1877: 9781503606883 author of Pitch of Poetry
2019
Paper $25.00 $20.00 sale 272 pages, 2019
9781503609570 Paper $30.00 $24.00 sale
HISTORY POST*45 17
A SERIES EDITED BY LOREN GLASS AND KATE MARSHALL
Vicious Circuits A Violent Peace Narrowcast
Korea’s IMF Cinema and the End Race, Militarism, and Cultures Poetry and Audio Research
of the American Century of Democratization in Cold War Lytle Shaw
Joseph Jonghyun Jeon Asia and the Pacific
Narrowcast explores how
In December of 1997, the Christine Hong mid-century American poets
International Monetary Fund This book offers a radical cultural mobilized tape recording as a new
announced the largest bailout account of the midcentury form of sonic field research even
package in its history, aimed at transformation of the United States as they themselves were subject
stabilizing the South Korean into a total-war state. As the Cold to tape-based surveillance. Allen
economy in response to a major War turned hot, writers—including Ginsberg, Charles Olson, Larry
credit and currency crisis. Vicious James Baldwin, Ralph Ellison, and Eigner, and Amiri Baraka all used
Circuits examines what it terms W.E.B. Du Bois—discerned in U.S. recording to contest models of time
“Korea’s IMF Cinema,” the decade domestic strategies to quell racial put forward by dominant media
of cinema following that crisis, to protests and urban riots the same and the state. Arguing that CIA
consider the transformations of logic of racial counterintelligence and FBI “researchers” shared
global political economy at the end structuring America’s devastating unexpected terrain with poets
of the American century. It argues hot wars in Asia. Hong examines the as well as famous theorists such
that the cinema that emerged centrality of U.S. militarism to the as Fredric Jameson and Hayden
after South Korea’s worst ever Cold War cultural imagination. She White, Lytle Shaw reframes the
economic crisis was preoccupied assembles a transpacific archive— status of tape recordings in postwar
with economic phenomena. As including war writings, Japanese poetics and challenges notions of
the quintessentially corporate art accounts of the U.S. atomic bombing how tape might be understood as a
form, film in this context became of Hiroshima, black radical human mode of evidence.
an ideal site for thinking through rights petitions, Korean War-era “Each page of this book contains
the global political economy in the GI photographs, Filipino novels on some new insight. Narrowcast
transitional moment of American guerrilla resistance, and Marshallese challenges us not only to reconceive
decline and Chinese ascension. critiques of U.S. human radiation the relationships between poetry,
experiments—and places these technology, and state surveillance;
“A major contribution to our it ignites new thinking about the
understanding of the complex materials alongside U.S. government
intersections of politics and poetics
relationship between aesthetics documents to theorize these in the 1960s.”
and economics.” works as homologous responses to
—Anthony Reed, Yale University
—Min Hyoung Song, Boston College unchecked U.S. war and police power.
328 pages, July 2020 272 pages, 2018
248 pages, 2019 9781503606562 Paper $30.00 $24.00 sale
9781503608450 Paper $30.00 $24.00 sale 9781503612914 Paper $30.00 $24.00 sale
18 POST*45
A SERIES EDITED BY LOREN GLASS AND KATE MARSHALL
Digital Publishing Initiative
Stanford University Press, with generous support from the Andrew W. Mellon Foundation, is
developing a groundbreaking publishing program in the digital humanities and social sciences.
Visit sup.org/digital for more information and a list of forthcoming publications.
Black Quotidian
Everyday History in African-American Newspapers
Matthew F. Delmont
Black Quotidian explores everyday lives of African
Americans in the twentieth century. Drawing on an
archive of digitized African-American newspapers,
Matthew F. Delmont guides readers through a wealth
of primary resources that reveal how the Black press
popularized African-American history and valued
the lives of both famous and ordinary Black people. Claiming the right of Black people to
experience and enjoy the mundane aspects of daily life has taken on a renewed resonance in
the era of Black Lives Matter, an era marked by quotidian violence, fear, and mourning.
Framed by introductory chapters on the history of Black newspapers, a trove of short posts on
individual newspaper stories brings the rich archive of African-American newspapers to life,
giving readers access to a variety of media objects, including videos, photographs, and music. By
presenting this layer as a blog with 365 daily entries, the author offers a critique of Black History
Month as a limiting initiative and emphasizes the need to explore beyond the iconic figures and
moments that have come to stand in for the complexity of African-American history.
Start exploring at blackquotidian.org.
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