Bibliography On Sound in Film PDF

Bibliography on Sound in Film
Author(s): Claudia Gorbman

Source: Yale French Studies, No. 60, Cinema/Sound (1980), pp. 269-286
Published by: Yale University Press
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Claudia Gorbman
Bibliographyon Sound in Film
The bibliography
is organized
in thefollowing
sections:
I. GeneralTheory andAesthetics
II. Technology
A. General
B. History-TheComingofSound
III. Music
Althoughthesecategories are by no meansmutually exclusive,it is hoped
thattheywillprovidethe readerwiththe clearestaccessto information.
Theoretical andtechnologicalessayspertaining primarilytofilm musicwillbe
foundin SectionIII, whilethosetreating thesoundtrack in generalwillbe
foundin SectionsI and II respectively. Mixed-category essayswhichplace
filmsoundpracticein theoretical contexts-such as theexchange in Screen
Writer(1945)betweenRanaldMacDougallandArchOboler,as wellas Jean-
Louis Comolli'sworkin Cahiersdu cinima-are locatedin the Theory
section;essayswhoseemphasis on thetechnical or pragmatic outweigh their
theoretical are in SectionII.
interest
The entrieson theoryand aesthetics are as completeas possible.The
bibliography on technological
and historicaltopicsis necessarily
moreselec-
tive.The bibliography providessomereferences to interviewswithsound
technicians, directors,
and composers,as well as soundtrack analysesof
particularfilms;hereI have triedto choosearticleswhosemethods, em-
phases,and implications transcend theirprofessed specificsubjectmatter.
Likewise,SectionsI and IIB containa number ofsampletimoignages from
theearlysoundperiod,thoughI haveexcludeditemswhichdeal solelywith
musicforsilentfilms.
I thankRick Altman,David Bordwell,and Doug Gomeryfortheir
helpfulcontributions.
269

Yale FrenchStudies
I. GeneralTheoryand Aesthetics
Arnheim,Rudolf. "A New Laocoon: ArtisticCompositesand the Talking

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Avron, Dominique. "Remarques sur le travaildu son dans la production
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of Revue d'Esthitique). Paris: Klincksieck,1973,207-218.
Bailbld, Claude. "Le Son: Programmationde l'ecoute." (In four parts)
Cahiers du Cinejmano. 292 (Sept. 1978): 53-59; no. 293 (Oct. 1978):
5-12; no. 297 (Feb. 1979): 45-54; no. 298 (Apr. 1979): 18-27.
Bakshy, Alexander. "The Movie Scene: Notes on Sound and Silence." The-
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. "The Talkies." The Nation,Feb. 20, 1929.
Baldzs, Bela. Theoryof theFilm: Characterand Growthof a New Art.New
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Baronnet, Jean. "Eloge de la phonie." Cahiers du Cinefmano. 152 (Feb.
1964): 37-41.
Baudrier, Yves. Les Signesdu visibleet de l'audible. 1ere partie:Le Monde
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Bonitzer, Pascal. "Les Silences de la voix." Cahiers du Cinema no. 256
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Borneman, Ernest, "Sound Rhythmand the Film." Sightand Sound 3, 10
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Brakhage, Stan. "The SilentSound Sense." Film Culture21 (1960): 65-67.
Bresson, Robert. Noteson Cinematography. New York: UrizenBooks, 1977.
Burch, Noel. Theoryof Film Practice.("On the StructuralUse of Sound":
90-101). Trans. Helen R. Lane. New York: Praeger,1973.
Cahiers du Cinema no. 152 (Feb. 1964). Special issue on Le Film Sonore.
Incl. Michel Fano, JeanBaronnet(articles)and PierreBoulez (interview).
Cameron, Ken. Sound and the DocumentaryFilm. London: Pitman,1947.
Carey, Gary. "The Music of Sound." SeventhArt 1, 2 (Spring1963): 6-7.
On Antonioni'suse of musicand sound.
Carroll, Noel. "Lang, Pabst, and Sound." Cinj-Tracts2, 1 (Fall 1978):
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Cavalcanti, Alberto. "Sound in Films." Films 1, 1 (Nov. 1939): 25-39.
Chaplin. (Stockholm)4, (139) 1975: 180-206. 6, (141), 1975:312-318. Two-
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270

Claudia Gorbman
Chateau, Dominique. "Projetpourune semiologiedes relationsaudio-visuelles

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Comolli, Jean-Louis. "Technique et iddologie." "Effacementde la profon-
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Doane, MaryAnn. "Ideologyand thePracticesofSound Editingand Mixing."
Paper deliveredat Milwaukee Conferenceon the CinematicApparatus,
Feb. 1978.
Eisenstein, Sergei. "Synchronizationof Senses." In The Film Sense. New
York: HarcourtBrace and World, 1975, 69-109.
, Pudovkin,and Alexandrov."The Sound Film." In Eisenstein,Film
Form. New York: Harcourt,Brace and World, 1949,257-260.
Erens, Patricia. "Patternsof Sound (Citizen Kane)." Film Reader, no. 1
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Fano, Michel. "Vers une dialectique du filmsonore." Cahiersdu Cine'ma,
no. 152 (Feb. 1964): 30-36.
Fischer, Lucy. "Beyond Freedom and Dignity." Sight and Sound 45, 4
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. "Enthusiasm:From Kino-Eye to Radio-Eye." Film Quarterly31, 2
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. "Rend Clair, Le Million,and the Comingof Sound." CinemaJour-
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Gill, R. "The SoundtrackofMme. Bovary:Flaubert'sOrchestration ofAural
Imagery." Literature/Film Quarterly1, 3 (1973): 206-217.
Goldfarb, Phyllis. "Orson Welles's Use of Sound." Take One 3, 6 (July-
Aug. 1971): 10-14.
Gorbman, Claudia. "Clair's Sound Hierarchyand the Creationof Auditory
Space." Purdue Film StudiesAnnual 1976: 113-123. On Sous les toitsde
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. "Teaching the Soundtrack."QuarterlyReviewof Film Studies1, 4
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Grierson,John."Introduction to a New Art." Sightand Sound 3, 11 (Autumn
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271

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. "Talk and Speech." Close Up 6, 5 (May 1930): 394-397.
Huntley,John. "Sound Effectsand Music." Sightand Sound 19 (1951).
Image et Son. Special issue, "Le son au cin6ma," no. 215 (Mar. 1968).
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Manvell, Roger. "Essentials of Film Art: Sound." Film. London: Penguin,
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Monaco, James. "Sight and Sound." MovietoneNews no. 42 (July1975):
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Oboler, Arch. "Look-Then Listen!" Screen Writer1 (Dec. 1945): 26-30.

Odin, Roger. "A Propos d'un couple de concepts 'son in' vs 'son off."
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Pudovkin,Vsevolod. "Asynchronism as a Principleof Sound Film." "Rhyth-
mic Problems in my First Sound Film." "Dual Rhythmof Sound and
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On India Song and Son nom de Venisedans Calcuttadesert.
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