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MUSC-191 Rudiments Review PRACTICE Quiz#z

This test is marked out of 100 (a deduction of 1 mark for every error
Name

1) a. Name the followittg intervals (5 marks).

6
b. Invert the above intervals in treble clef (5 marks). Name the inversions (5 marks).

tL5

2) For each of the following chords, name:


a. the root
b. the type of triad (major, minor, diminished, augmented or M, m, d, A)
c. the position/inversion (root, first, second or R, 1st, 2dd)

() () ()
*JI ()
()
ho €} €>
tt
() r
ll
TIf )
TI

a.

b.
trc c.

3) Write the following triads, using ACCIDENTALS (not a key signature) for each one:
a. Mediant triad of C Sharp MaJor in first inversion;
b. Dominant triad of F Minor in root position (raise LN);
c. Subdominant triad of A Major in second inversion;
d. Tonic triad of D Sharp Minor in first inversion.
e. Submediant triad of E Flat Major in second inversion.

b.

tL5
MUSC- 1 91 Rudiments Review Practice Quiz#2- Page 2

4a) Write the following one octave scales, ascending and descending, usin g a KEY SIGNATURE.
Use Whole notes.
a. B Major, from supertonic to supertonic;
b. F Minor Melodic, from subdominant to subdominant;
c. C Sharp Minor Harmonic, from leading note to leading note;

A.aA

ift
ffr* Write the following one octave scales, ascending only, using ACCIDEI\ITALS.
Use quater notes.
d. Chromatic Scale starting on D Sharp;
e. Natural minor scale starting on G Sharp.

d.
t\Ftt
J,
fi ,\-e- '1" {*

t25

s) For each of the following dominant seventh chords, name:

a. The TWO keys to which it belongs:


b. the position/inversion (Root, first, second, third or R, 1st, Znd,,3rd).

trc
a.

b. ffi
MUSC-191 Rudiments Review Practice Quiz#2-Page 3

6) a. Name the key of this melody.


b. Write a cadence at the end of each phrase, below the bracketed melody notes.
Use keyboard voicing by adding two notes below the melody in the Ri{ and one bqs4otg pe1gsr*,
'
c. Name the cadence as Authentic,
Authentic. Plagal
Plasal or Half. ,/ &;t u*("r! ffi
fa v-l(# W :I
{

) al-l
r-t )lt
a
-l a
a - -
d e a
E'
t]
It6 \ \>
i{'

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rf.*
J
Gt

Key, ft{ g v
#^{
O
)a tt-l -1 tF
ttt
It
,1

a)
ry!-.
t

II
TL ir
i -> -
\- I () #

na YI'.
7) The key of the following melodic fragment is provided.
lranspose it up a minor third, using the correct key signature.
Name the new key.

key:

key'
f*
trc

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