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Raising the
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from jackie
There are few events more exciting for a cake maker
(or any cake enthusiast!) than going to a competitive
decorating show. Cake shows are full of people
who think just like we do, and it’s always a great
opportunity to exchange tips and tricks and make
some new caking friends along the way. Oh—and did I
mention the cakes? Competition cakes are a spectacle;
they represent laborious hours of love and dedication
put forth to make the best design possible. A few of
our staff members were lucky enough to attend the
Oklahoma State Sugar Art Show, and although some
of our readers were there in person, we thought it would
only be fair to share with you some of the incredible
cakes from the show. Some of these decorators were
new to the competitive scene, some were veterans, but
either way I’d like to send along a big Cake Central
congratulations to everyone who participated—you are
all an inspiration!
Sincerely,
in this issue
28 CAKES ACROSS AMERICA
New Mexico
34 feature
Revival: Rescuing a Desperate World
111
International Desserts
Tembleque
112
112 Now & then
114
Ever wonder…
Top Tier
34
115 feature
Pink Cake Box
the cakes
54 oklahoma state sugar
art show
16
27
in every issue
6 letters from our readers
13 13 leftovers
Cake Scraps
16 Trendsetting
46 Modern Asian Inspired Cakes
41 tutorial
Buttercream Orchids
45 Web browsing
46 tutorial
Icing Images
109 Spotlight
Branka Jovanovic
124 122
Business of Cake
Building Effective Websites
CEO
Jackie Shaffer
COO
Heath Shaffer
President
Leanne Winslow
Design
Garit Reuble, CCS Printing
Photography
Misty Winesberry
Debi Brim Summer Stone Connie Riggio
MANAGING EDITOR
Debi Brim is a self-taught cake Summer Stone has a Masters in
Robyn Broker
designer and caterer who has Biochemistry and Biophysics from
been making and designing cakes Oregon State University and is CONTRIBUTING COPY EDITOR
Katie Shuy
for over 30 years. She recently a self-taught cake maker. As a
retired from her wedding cake and stay-at-home mom, she contin- Letters to the Editor
catering business to devote more ues to grow as a cake decorator, editor@cakecentral.com
time to her writing, consulting, combining her love of science Subscription Orders
and speaking. and cake art. www.cakecentral.com/magazine
businessofcake@cakecentral.com
Advertising Inquiries
advertise@cakecentral.com
Wholesale Applications
wholesale@cakecentral.com
Printed by CCS Printing, Bellevue, WA
www.ccsprinting.net
To make submissions:
submissions@cakecentral.com
Anonymous Husband
This husband of a cake maker
prefers to remain anonymous to
keep his macho image intact and
to keep all his fingers and toes in
case his wife reads this. She can Cake Central Magazine is not responsible for errors in advertisements,
wield a cake knife with the best articles, photographs or illustrations. While an effort is made to ensure
of them. the quality of the content and credibility of sources listed in the
livingwith@cakecentral.com magazine, Cake Central Magazine provides no warranty - expressed or
implied - and assumes no legal liability for the accuracy, complete-
ness, or usefulness of any information, product or process published
in the magazine. Cake Central Magazine is not responsible for readers’
misinterpretation of images in the magazine in such way that might
cause injury or damage. Examples of such misinterpretation might in-
clude the use of items that appear edible but are not, such as natural
flowers that might be poisonous, modeled sugar flowers that contain
wires, etc. The views and opinions of the authors or originators
expressed in the magazine do not necessarily state or reflect those
of Cake Central Magazine, its principals, executives, Board members,
advisors or affiliates.
Thank you to all of you who have sent messages this month.
We love hearing what our readers have to say, and we encourage
you to keep sending us your feedback and impressions.
Send your letters to the Editor to editor@cakecentral.com.
Lucks Food
LUCKS FOOD Decorating
DECORATINGCompany
COMPANY
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he leading commercial producer of rolled
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Mercedes Strachwksy. A collaboration of Strachwky’s
talent and the commercial success of Satin Fine
Foods, this book both highlights Strachwksy’s world-
class talent with sugar art and provides numerous
techniques, recommended tools, and inspirational
photos. The directions and corresponding photos
that appear throughout the book are concise and
allow each cake designer the creative freedom to
apply the listed techniques to their own unique style.
Additionally, the book (and particularly the section
devoted to wedding cake design) provides helpful
and creative ideas for displaying cakes. Satin Fine
Foods’ practical color mixing guide is also featured in
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back, instructs the decorator how to mix colors using
the pre-colored Satin Ice Rolled Fondant. This book is
not designed in a typical tutorial format, and if you’re
looking for detailed written instructions it may not be
for you. However, Satin Ice Sugar Craft is inspirational
and sure to please any experienced cake enthusiast
wanting to expand their knowledge of fondant icing.
Visit satinfinefoods.com for more information.
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cake central >>>11
magazine
So what is the Wedding Cake of the Year Contest?
Cake Central Magazine is proud to announce the first annual Wedding Cake of the Year Contest! The winning cake maker will receive $2,000 worth of
prizes, and their cake will be on the cover of the 2011 Wedding Cake Issue. Additionally, all the finalists will receive certificates and will be featured
in the 2011 Wedding Cake Issue. Because the winning cakes will be included in the magazine, we ask that all submissions are photographed print-
quality, and all criteria are met. We truly hope you take this opportunity to put your best into a wedding creation that is both beautiful and original.
See below for all official rules. Good luck, and we look forward to seeing the designs you create!
HOW TO ENTER: the photo for reproduction. The copyright in any submis- or in any way reflects negatively upon Cake Central, the
sion shall remain the property of the entrant, but entry in contest, or any other person or entity, or does not comply
Mail in a completed entry form from cakecentral.com/
this contest constitutes entrant’s irrevocable, perpetual with these requirements or these Official Cake Central
weddingcakeoftheyear and photo CD to:
permission and consent, without further compensation Magazine Wedding Cake Contest Rules Rules. Entries must
Cake Central Media Corp. or attribution, to use the entry and the entrant’s name be suitable for publication in the sole determination of
and city and state for editorial, advertising, commercial, judges and/or Cake Central. The prize is not transferable.
1145 Broadway STE 1010
and publicity purposes by Cake Central and/or others No substitution or transfer of prize by the winner is per-
Tacoma, WA 98402 authorized by Cake Central, in any and all media now in mitted. All taxes and/or duties, if applicable, are the sole
existence or hereinafter created, throughout the world, for responsibility of winner. Cake Central reserves the right
Entries by mail must be postmarked by 12/31/2010.
the duration of the copyright in the entry. to substitute prize of equal or greater value. By accepting
Entries submitted by any other method will not be prize, winner agrees to hold Cake Central, its respective
JUDGING: Eligible entries received during the entry period
accepted or considered. Entries will be accepted from shareholders, directors, officers, employees, and assigns
will be judged by a panel of judges comprised of profes-
9:00am (PST) 08/01/2010 until 11:59pm (PST) 12/31/2010. harmless against any and all claims and liability arising out
sional decorators selected by Cake Central. The panel will
Entries that are lost, late, misdirected, garbled, or incom- of use of prize. Winners assume all liability for any injury or
determine the finalists, and from among the finalists the
pletely received, for any reason, including by reason of damage caused, or claimed to be caused, by participation
panel shall select one (1) grand prize winner. Judging
hardware, software, browser, or network failure, malfunc- in this promotion or use or redemption of any prize. Ac-
criteria shall be within the sole discretion of the judges,
tion, congestion, or incompatibility at the web site or ceptance of prize constitutes permission for Cake Central
but may include such criteria as overall appearance of the
elsewhere, will not be eligible. and its affiliates and assigns to use winner’s name and/
cake, creativity of cake design, and difficulty or complexity
or likeness for purposes of advertising, trade, and edito-
WHO MAY ENTER: Contest is open to individual legal of cake decoration. The panel’s decisions are final.
rial (print, online, and broadcast media) without further
residents of the United States who are 18 years of age or
WINN ERS: Grand Prize Winner will be notified by email by compensation, unless prohibited by law. Cake Central
older. One entry per person. Entries must be created and
May 2, 2011. Winner’s name and entry will be published and its affiliates and assigns are not responsible for any
submitted by individuals only. No teams or group work is
in the Spring 2011 wedding cake special edition of Cake typographical or other error in the printing, the offering,
permitted. SUBMISSION REQUIREMENTS. Each entry must
Central Magazine and will be available at www.cakecen- or announcement of any prize or in the administration
be of a wedding cake with a minimum of 18 inches in
tral.com after May 2, 2011. To obtain the winner’s name of the promotion. In the event there is a discrepancy or
height. Everything visible must be edible. Wires, supports
via regular mail, send a separate, stamped, self-addressed inconsistency between disclosures or other statements
or any other non-edible material may not be visible in
envelope to Cake Central Media Corp. 1145 Broadway contained in any promotional materials and the terms
the submission photographs. Entries must consist of the
Plaza, Suite 1010 Tacoma, WA 98402, (253) 353-2504 to be and conditions of the Official Rules, the Official Rules shall
completed contest entry form, required photographs,
received by 11/30/2010. prevail, govern, and control. In no event will more than
and a 150-200 word description of tools, ingredients, and
the stated number of prizes be awarded.
techniques used in the creation and production of the PRIZES & APPROXIMATE RETAIL VALUES: (1) Grand Prize
cake. Entries that do not meet the prescribed qualifica- Package – valued at $2,000. Details to be posted online NOTICE TO ALL ENTRANTS: ANY ATTEMPT TO DELIBER-
tions will be immediately disqualified. at www.CakeCentral.com as details become available. ATELY DAMAGE ANY WEB SITE OR UNDERMINE THE LEGITI-
All prizes valued in U.S. Dollars. Prizes consist of only the MATE OPERATION OF THIS PROMOTION IS A VIOLATION
PHOTOGRAPH REQUIREMENTS: Each entry must include
items specifically listed as part of the prize. Prize package OF CRIMINAL AND CIVIL LAWS, AND SHOULD SUCH AN
all of the following:
is not redeemable for cash. ATTEMPT BE MADE, CAKE CENTRAL RESERVES THE RIGHT
• 1 straight-on photo of entire completed cake entry TO SEEK DAMAGES TO THE FULLEST EXTENT PERMITTED
GENERAL RULES: Open only to legal residents of the 50
suitable for presentation in Cake Central Magazine. BY LAW.
United States and the District of Columbia who are 18
• 3 in-progress photos. Cake maker must be recogniz- years of age or older as of date of entry. Contest is subject Cake Central is not responsible for faulty, incorrect, or
able in all three photos. to all federal, state, and local laws and regulations and is mis-transcribed transmissions, incorrect announcements
void where prohibited by law. Employees of Cake Central of any kind, technical hardware, or software failures of
• 25% completed cake
Media Corp, its affiliates, advertising, promotion, and any kind including any injury or damage to any person’s
• 50% completed cake internet agencies and their immediate family members computer related to or resulting from participating in or
and/or those living in the same household of each are not experiencing any materials in connection with the pro-
• 75% completed cake
eligible. Participation constitutes full and unconditional motion, lost or unavailable network connections, or failed,
• Minimum of 2 close-up photographs of detailed work agreement to these Official Rules and Cake Central’s and incomplete, garbled, or delayed computer transmission
on cake such as sugar flowers, piping, and detail work. judges’ decisions, which are final and binding in all mat- that may limit a user’s ability to participate in the promo-
• 1 photograph of completed cake entry with cake ters related to this contest. All entries submitted become tion. Cake Central reserves the right to cancel or modify
maker holding a yard stick beside the cake to prove the sole property of Cake Central and none will be re- the promotion if in Cake Central’s sole determination
size requirements. turned. Potential finalists will be required to complete an the contest is not capable of completion as planned, or
Affidavit of Eligibility certifying that the submission was if fraud, misconduct, or technical failures destroy the in-
The photographs must be in color. Professional or studio completed by the entrant, the entry submitted is entrant’s tegrity of the contest, or if a computer virus, bug, or other
photographs are eligible. Photographs submitted must own original work, the entrant holds all rights to the entry, technical problem corrupts the administration or security
be in JPEG format, 300 dpi, and a minimum of 8.5” x 11” entry does not violate the rights of any other person or of the contest as determined by Cake Central. In the event
photo size. Photographs may not display any commer- entity, the entry has not been previously published, entry the contest is terminated, a notice will be posted online.
cial/corporate advertising (including but not limited to has not won a previous prize or award, and that entrant Any damage made to Cake Central’s website will be the
corporate logos, brand names, slogans, political, personal, has followed the Official Rules of the Contest. Additionally, responsibility of the authorized email account holder of
and religious statements) as determined by Cake Central potential finalists will be required to complete a release of the email address submitted at the time of entry. Proof of
in its sole discretion. Each entry/photograph must be the liability, prize acceptance form, and, if legally permissible, submitting entries will not be deemed to be proof of re-
entrant’s original work that has not previously been pub- publicity release. Grand prize winner will be required to ceipt by Cake Central. Any use of robotic, automatic, pro-
lished nor won a prize or award. Entries become the sole complete an IRS form W-9 as appropriate. All documents grammed, or the like methods of participation will void
property of Cake Central and none will be returned. must be completed and returned within ten (10) days all such entries by such methods. Cake Central reserves
RIGHTS REGARDING ENTRIES: Cake Central reserves the of attempted delivery of same. Noncompliance within the right to prohibit the participation of an individual if
right to: (a) use entrants’ names and likenesses and pub- this time period or return of any prize/prize notification fraud or tampering is suspected or if the individual fails to
lish all entries submitted, (b) alter, amend, edit, or change as undeliverable will result in disqualification and an comply with any requirement of participation as stated
entries prior to publication, and (c) use, publish, repro- alternate will be selected. Entries may not contain profani- herein or with any provision in these Official Rules. To the
duce, alter, and amend for purposes of advertising and ties or obscenities and may not in any way disparage any maximum extent permitted by law, Cake Central reserves
trade without further compensation, unless prohibited persons or organizations. Cake Central and judges reserve the right to change these Official Rules at any time.
by law. Cake Central reserves the right, at its discretion, to the right in their sole discretion to disqualify any entry
SPONSOR: Cake Central Media Corp. 1145 Broadway,
modify, adapt, or reproduce the photo in full, or to crop for any reason, including without limitation that, in Cake
Central’s or the judges’ opinion, an entry refers, depicts, Suite 1010 Tacoma, WA 98402, (866) 878-3133.
cake scraps
Once a cake has been shaped and cut to its design perfection,
you are left with a beautifully decorated cake…and a random
assortment of scraps and crumbs of cake that have been sliced
and diced along the way. Besides the obvious solution (picking at
the scraps with your fingers until all are devoured), we’ve come up
with some ideas of how you can put those pieces to creative use!
Cake Balls
Cake Balls
Bread Pudding
Bread Pudding
Cake Central Magazine is not responsible for the outcome of any attempt
to create or replicate any of the Cake Central techniques, cakes, projects
or recipes. Desired results may not be achieved due to variations in
ingredients, cooking temperatures, tools, techniques, typographical errors
or omissions, or personal skill level.
modern Asian
inspired cakes
© 2010 Autism Speaks Inc. "Autism Speaks" and "It's Time To Listen" & design are trademarks owned by Autism Speaks Inc. All rights reserved.
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Reducing is a process that prevents waste from occurring in the first place.
According to the Environmental Protection Agency, in the past 50 years the
amount of waste created by each individual has nearly doubled from 2.7 to 4.5
pounds every day, which is approximately 1,600 pounds per year. The goal of
reducing is to manufacture, purchase, and use goods that help limit how much
trash is created.
Garden Friendly Bleeding Heart Bakery. This practice reduces the amount of energy used
Teresa from Pearl Bakery says that one of the easiest ways to reduce the in electricity. In turn, less coal is used- preserving a natural resource and
amount of trash you create is by composting. “Yard trimmings and food eliminating excess pollution. Another means of saving on energy costs
residuals make up 26 percent of landfills that we could otherwise use in in a bakery is by baking several batches of goods at once to cut down
our own gardens. Vegetable and fruit peels, eggshells, and coffee grinds excess oven time.
create growth enhancing natural fertilizer for your garden and patio
plants.” Furthermore, composting not only reduces the amount of trash Get in Gear
you accumulate, but it is also beneficial to your own soil. If you don’t In terms of reducing pollution, Pearl Bakery employees have put their
have a garden, Bleeding Heart Bakery recommends, “Take your com- business practices (and their feet) into gear by switching from driving to
postable debris to a friend or local community garden.” bicycling. “Many of our employees bike to work, even through the long,
rainy winters. The bakery also offers a biker commuter benefit, in which
Turn ‘Em Off bikers receive a bonus of up to $20 a month in bike related repairs and
Reducing waste doesn’t just mean cutting down on trash. If you minimize purchases.” Offering incentives to your customers who bike instead of
the amount of energy you use, you won’t only be saving natural resourc- drive is a great way to encourage people to stop by on their ride through
es that generate electricity, but you’ll save cash as well. “We keep a lot of town. Biking reduces air pollution otherwise caused by driving, and it’s a
our lights off, so we save a ton of money on energy consumption,” quotes great way to stay active.
reuse
The principle of reusing goods goes hand-in-hand with recycling. Consider
the amount of times you throw away a jam jar that could be used to store
another product, a scrap of paper that could become a shopping list, or an old
microwave that could be taken to a thrift store.
“What encourages me to
to participate is so practical, there is no excuse to not do so. Teresa
explains, “So many systems are set up for recycling ease now that it’s
We live in a world that is being swallowed by the excess debris and trash
produced every day. There is a way to slow down this devastation and help
save our natural resources; it starts with easy acts such as buying a reusable
grocery bag, unplugging your appliances, and buying produce from a local
farmer’s market. These simple changes will ultimately help sustain the sources
from which our energy and goods originate.
d
espite the convenience of using polystyrene foam rounds, Non-Biodegradable: Polystyrene foam is nearly indestructible, and it takes
commonly known as Styrofoam, for making cake dum- hundreds of years for the polymer to break down. It is resistant to photoly-
mies, there are now more than enough reasons to rid sis, or the breakdown of protons by a light source, meaning that the sun
ourselves of the product all together. Yes, Styrofoam is one cannot even break it down. Also, because it is so lightweight, incalculable
of the least sustainable products around, and below are just Styrofoam products end up in the build-ups of debris in the ocean.
a few reasons why it is so harmful.
Environmental Hazard: Styrofoam manufacturing initially included
Non-Recyclable: Because Styrofoam is virtually weightless, it is incredibly chlorofluorocarbons (CFCs), highly volatile compounds which have been
difficult to collect or reuse. It fills landfills because it is so difficult to break banned due to their harsh effect on the ozone layer. CFCs were replaced
down, and therefore many public recycling programs don’t even accept by more ozone –friendly substitutes, hydrofluorocarbons (HFCs), which
Styrofoam as a recyclable good. are types of organofluorine compounds. However, HFCs are still powerful
greenhouses gases, now thought to have a big impact on climate change.
Styrofoam Alternatives
Sugar Round
Not only can you help protect the environment by Sugar is a crucial ingredient in all things cake,
and now it can be used for your non-edible
swapping out your Styrofoam cake dummies, you cake creations as well. By using a biodegradable
could also end up saving a few bucks as well! If you sticky substance, rice glue, as the molding agent
for sugar rounds, you can create very tough,
are currently stocked with Styrofoam dummies, be sustainable dummies. These sugar rounds,
sure to reuse, reuse, reuse. But if you’re ready for though heavy, are designed for multiple uses, and
once you make them they can be broken down
an alternative, here are a few ideas: and cleaned again and again for your various
faux-cake creations.
buttercream
orchids Tired of using gumpaste to create your
decorative flowers? Sure, gumpaste makes for
some beautiful floral décor, but what happens
if you’re short on time, or you have a “no
gumpaste” request?
Have no fear, because Lucinda Larson, “The Icing Diva,” has created a lovely substi-
tute: Buttercream orchids. Her step-by-step method of creating these delicate blooms
proves how buttercream can provide an impressive amount of lifelike detail.
Photography: connieriggiophotography.com
cake central magazine 41
Tutorial Buttercream Orchids
TOOLS: MATERIALS:
PIPING BAGS OR PARCHMENT DECORATOR’S BUTTERCREAM,
TRIANGLES SEE RECIPE BELOW
PIPING TIPS #127 and #3 VIOLET GEL COLOR
ELECTRIC PINK GEL COLOR
AVOCADO GEL COLOR
YELLOW GEL COLOR
PINK GEL COLOR
PURPLE GEL COLOR
Decorator’s Buttercream
2 3
Piping Orchids
Step 1
In a piping bag, fitted with a #127
piping tip, fill by striping with
purple buttercream at the skinny
end of the tip, and then filling the
rest with white buttercream.
4 Step 2
Pipe three pillows as the base for
dorsal sepal and the lateral sepals
spaced at 6:00, 10:00, and 2:00.
Step 3
Starting at the center, pipe a leaf-
shaped petal over each pillow with
the fat end toward the center.
Step 4
Pipe 2 additional pillows for the
5 ruffled petals at 4:00 and 8:00.
Step 5
Beginning in the center, use a
zigzag motion with your wrist to
pipe a ruffled petal on the 2 pillows.
The fat end of the piping tip should
be in the center.
Step 6
At 12:00, pipe a large pillow to support the lip of
the orchid.
Step 7
Begin with the fat end of the piping tip in the
center, and use a zigzag motion to pipe a ruffled
petal (the lip) that sits high on the pillow. 7
Step 8
Pipe 2 straight, vertical petals at the center of
the lip.
Step 9
Heat a skewer in boiling water, and then dry it off.
Step 10
Between the 2 vertical petals on the lip, sculpt
the buttercream by rolling the skewer side-to- 8
side. This will form the throat.
Step 11
Using a #3 piping tip with yellow/orange
buttercream, pipe a column in the throat of the
orchid so it sticks out of the throat.
If you choose to pipe leaves, you may want to use
avocado green buttercream.
lucinda’s 10
tips
Buy a botanical book to see the flowers and their colors.
For more buttercream piping and basic buttercream
decorating, visit theicingdiva.com and check out her
DVD, Borders, Basics of Baking and Decorating.
25 32
Cake Central Magazine is not responsible for the outcome of any attempt to create or
Cake Central Magazine is not responsible for the outcome of any replicate any of the Cake Central techniques, cakes, projects or recipes. Desired results
attempt to create or replicate any of the Cake Central techniques, may not be achieved due to variations in ingredients, cooking temperatures, tools,
cakes, projects or recipes. Desired results may not be achieved due 11
techniques, typographical errors or omissions, or personal skill level.
to variations in ingredients, cooking temperatures, tools, techniques,
typographical errors or omissions, or personal skill level.
icing images
We've combined the innovative ideas of Icing Images and Sugar Veil products to dem-
onstrate the possibilities they can bring to cake design. This Eiffel Tower cake, fit for
a Parisian-themed wedding, is just one example of how Icing Images can transform a
simple cake into an elegant, professional design.
2
MATERIALS: RULER
ICING IMAGES ICING SHEETS (AP- 3 SKEWERS
PROXIMATELY 12) SMALL PAINTBRUSH
FONDANT GUM GLUE, OR WATER
SUGAR VEIL®CONFECTIONARY PIZZA CUTTER
ICING
SUGAR VEIL® LACE MAT
CONFECTIONARY SPREADER
TOOLS: SHORTENING
3a ICING IMAGES GOLD LABEL
CIRCLE CUTTER (1 INCH)
PRINTING SYSTEM
SCOTCH TAPE
SCISSORS
Step 1
Prepare sugar veil according to the packaged directions.
Step 2
Grease your sugar veil lace mat, and using a confectionary spread-
3b er, spread the sugar veil over the lace mat from top to bottom, left
to right, and then diagonally. Let sit overnight. Repeat this step for
desired amount of lace.
Step 3
Once the lace is dry, remove from the mat and cut into desired
shapes.
Step 4
Using graphic design software, create the images you would like to
impress on your cake with Icing Images. We used a toile patterned
Eiffel Tower, 10 inches high by 6 inches wide, and 2 sheets of toile
6 pattern used for swags, and 1 sheet of a fleur de lis pattern to be
used for medallions and dressing the board. You can use stock
images to find the image you’d like to use, as they are license free
and high resolution.
Step 5
Print your Icing Images.
Step 6
Rub a sparse amount of shortening to the cake where you will be
applying the Eiffel Tower.
7
Step 7
Cut the Eiffel Tower image into 3 equal sections.
Step 8
Trim the Eiffel Tower so the cutout is clean and free of excess paper.
Step 9
Apply the Eiffel Tower cutout onto the cake over
the shortening.
Step 10
Mark your cake every 3 inches where you will
attach the swags. 11
Step 11
Apply your sugar veil lace pieces onto the cake on
the markings. Repeat around all 3 tiers.
Step 12
Roll a piece of fondant 1/8 inch thick, and rub
a small amount of shortening on it to cover the
whole surface. Apply the toile pattern to the
fondant
12
Step 13
Using a very sharp artist’s knife or pizza cutter,
cut the imaged fondant into strips 3 inches long
by 2 inches wide.
Step 14
Lay a strip over skewers or dowels, and use your
fingers to smooth over the dowels to create
ridges. Make sure to smooth lightly so as not to
smudge the image.
13
14
48 cake central magazine
15
Step 15
Pinch both ends, and using piping gel apply
the swag onto the cake, laying over a lace swag.
Trim the excess with a palate knife.
Repeat steps 14 and 15 until every tier is com-
plete with swags.
Step 16
16 Using scissors cut out each fleur de lis
individually.
Step 17
Apply a thin layer of shortening on a cake
board, then apply the fleur de lis around the
cake board in desired pattern.
Step 18
Roll fondant 1/4 inch thick, apply a thin layer
of shortening, and using a circle or oval cutter,
18 cut out circles. Repeat until you have enough to
cover the meeting points of each swag.
Step 19
Apply a cut out fleur de lis to each medallion.
Using piping gel, attach the medallions to cover
the meeting points of each swag.
notes
Store your Icing Images in air tight contain-
ers away from sunlight, until ready to use.
If necessary, trim your Icing Images using
scissors.
19a Store Sugar Veil between 2 sheets of parch-
ment paper in a food storage bag out of
sunlight.
19b Use the highest quality inks and icing sheets
which will ensure minimal tearing and/or
smudging.
days of competition, the named the Grand Prize Winner of the Oklahoma
State Sugar Art Show. Flora’s design, “Visions
crowds and hype are finally of Heaven,” inspired by the Ettal Monastery in
Bavaria, Germany, was worthy to be showcased
dying down. As hundreds of in the Monastery itself. The four ornate tiers,
the hand painted domed centerpiece, and the
tables are wheeled away and immaculate attention to detail, all put together
in perfect symmetry, showcased the prestige of
crates are being stacked, Flora’s talent as a cake enthusiast and an artist.
of competition weekend is
practice. Flora spoke to Cake Central about
her journey as a decorator and how her win in
brunette, who continues her creative side was not yet in cake— but in
dance. “I have been a dancer since I was six
glowing throughout all the years old, and I danced in all different styles for
probably 15 years,” says Flora. She was also an
disassembly and packing. avid drawer and painter, taking art classes all
throughout her schooling. “I loved and still love
Do-It-Yourself
Flora first began her cake career by working at the famous Bel-
lagio Hotel, and she gave herself a steep learning curve right
from the beginning. “I was presented with a photo of a cake and
asked if I could make it. I responded, ‘Yes of course,’ even though
it was something I’d never done before.” Though most would be
daunted by the pressure of taking on something they’d never
practiced (for one of the country’s most renowned hotels, no
less), Flora used this assignment as a learning tool, and through
her own methods she was able to replicate the cake.
This system of self-teaching continued as she began taking
orders from clients. “I started looking at pictures that customers
would give me, and I would copy the pictures to build my skills.
Once I learned all the techniques, I was able to do everything
based on my own knowledge and creativity.” Consequentially,
Flora is an entirely self-taught decorator who forced herself to
adapt and learn the necessary skills.
Viva La Cake
Working for both the Bellagio and Wynn Hotels has refined
Flora’s skills, and she is continually faced with new orders and
design requests. Flora’s staff of six, herself included, has
become a top-notch team of collaborative skill. Although
Flora used to do the majority of the harder work, each of her
decorators has adapted to her learn-by-doing mentality, and
now each of them can perform all the techniques. “Everyone
is getting better every day, and out of all the kitchens at the
hotel we have the most fun. My decorators are the happiest
staff because we always have something new and exciting
coming in,” praises Flora.
A good deal of these exciting orders includes several celebrity
cake requests, which are typically novelty cakes. “We will do 4 to
5 celebrity cakes a week, and they are for all types of occasions
in just about every shape and style possible! Typically these
are people who don’t care how much money they are spending
because they just want a beautiful cake.” The celebrity cakes,
however, only make up a small fraction of the orders coming
into the Wynn. “We do 80 to 100 small cakes every week, as
well as 7 to 10 wedding cakes at a time. Las Vegas is a funny
place—people will decide to have a wedding with only one
day’s notice.”
Wynn-ing Creations
So what happens when you order a cake from this Grand Prize
winning artist? Despite her extensive creative background, Flora
likes to pay respects to a client’s particular preferences when
designing their cake. She will ask what interests you, the cus-
tomer, and she will inquire about the wedding or party’s theme.
“I do research to see what would be a good fit for the theme,
and I always like the complicated stuff and to ‘do the impos-
sible.’” Furthermore, customers are encouraged to push even
No Comfort Zone
For a decorator who welcomes a challenge with
open arms, it’s no surprise that Flora thrives in the
competitive cake arena. “Every year, competitions
want to see new things, new techniques. So each
time I compete I try to do something different, and
not what I do every day.” Even before the winners
were announced at OSSAS, Flora told us that she’s
not interested in repeating the ideas she used in
“Visions of Heaven” because she thrives on change
and novelty (Perhaps after winning her mind may
have changed a bit…). Coming out on top, how-
ever, isn’t her motive behind competing. “I love
competing because it’s what makes you better; if
I didn’t do it I would always stay at the same level
and wouldn’t be growing, winning will always
come second.” Because of her hectic work sched-
ule, Flora is unable to compete too often, but as
she says, “When I know it’s my time, competing is
always what I want to do, and I never do anything
too comfortable.”
Despite her accelerating fame and industry rec-
ognition, Flora’s greatest hope is that she will be
able to use her knowledge and skills to teach new
decorators. “My goal is to teach, train, and pass
on everything I’m learning every day to younger
generations.” Ultimately, Flora would like to teach
classes, but with her learning attitude she is still in
the process of improving upon her already excep-
tional talent. She would not only like to expand
on her technical skills, but also to incorporate all
different sugar mediums into her repertoire. “You
need to try every product out there so you can be
good at everything,” Flora says.
And we have no doubt she is well on her way to
such a goal; with a fiery work ethic and endless
perseverance, this Las Vegas cake starlet is sure to
break through the industry’s limits. “I know if I push
myself and tell myself that I have to do it, and I
want to do it—I can do it.”
“visions of heaven”
“I was very interested in the concept of this cake, but it was definitely complicated. The most
difficult part was getting the sketch down on paper; sometimes I look deep into myself to find
inspiration and I get lost because there are so many possibilities. I found the Ettal Monastery
online, and I really loved the beautiful paintings, and the gold rococo shape of the picture frames. I
did a lot of hand modeling on most of the cake as well as hand painting.”
which I really
loved; everything
incorporated in
those buildings is so
incredibly detailed,
so I wanted to use as
much design in my
cake as possible. The
larger string work
was very difficult,
especially since it’s
actually floating in
eight different spots
around the cake.”
—Hall
“I’m a structural
engineer, so all the
arches and gothic
stylizing went really
well. I used an engineer
scale to press down and
make the molding, and
I carved my own tile.
The cake required a
good deal of woodshop
work as well, and I used
CAD drawings while
developing the concept
for my project, similar
to what I do when
engineering a building
structure—only applied
to cake.”
—Parker
“I do 80 to 90 percent
of my cakes with some
form of influence from
architecture, so I really
took to this idea. Mont
Saint-Michel, a tidal
island in Normandy,
France, was my primary
inspiration for this
design. I hand made a
good deal of the cake,
including the crown on
top which is a pastillage.
I like the bevel tiers
with the hanging fleur-
de-lis, which of course
reflected the French
theme, and I hope to
incorporate that idea
again in another cake.”
—Parrott
Branka Jovanovic
an inspiring cake story from Serbia
now
&then
By Jene Nato (Rylan Ty)
then: Kathy and Rod, the bride and groom in the photograph, certainly tied several
aspects of their wedding into the design of their cake. The color coordination between the
light blue and the white mimicked the look of both Kathy’s dress and the Rod’s ruffled shirt.
Additionally, carnations were used to decorate the base of the cake and the stand, in addition
to being the flower on Rod’s boutonniere and the crown of flowers on Kathy’s veil. The ornate
features of the cake, including the swan pillars, the tulle, and the arrangement of the topper
compliments the detail used on the dress, as well as the intricate lace lining of the veil.
why do couples
save the top tier?
O
f all the elaborate design put into creating a custom cake for a wedding, few elements are quite as particular to
the couple as their top tier. The top tier is the peak of the cake creation, and as many people know, the tier is
often frozen after the wedding and saved for the couple’s first anniversary. Aside from the obvious sentimental
value of this tradition, have you ever considered how the custom was started?
Saving the top tier dates back to the latter part of the nineteenth century. During this time, large cakes similar to wed-
ding cakes were baked for christening ceremonies, and because it was assumed that a christening would shortly follow
the wedding, the celebrations were often connected. Because the wedding was typically a larger celebration than the
christening, the leftovers of the wedding cake (namely, the cake topper) were subsequently used for the christening. This
provided a convenient opportunity to use the remainder of the wedding cake and also to celebrate the christening.
Naturally as time wore on, the wedding and christening events became more separate, and the reasoning of saving the
top tier became disassociated from christening celebrations. However, the tradition of saving the top tier remained, and it
now serves as a reminder for couples of their special day one year later.
114W Pico
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blushing inspiration
New Jersey's Anne Heap
Baker-in-the-Making
From the time she was five, Anne began learning
the tricks of flour and sugar through baking with
her mother and grandmother. “I remember baking
cookies and cakes…and soon I was baking on
my own!” she says. Luckily, this new-found hobby
came at the same time her creative side began
to develop. For Anne, art came naturally, and she
found all different outlets to use her budding
imagination, which continued throughout her
childhood. “I had always loved to draw, paint,
and doodle on just about anything that could be
doodled on. I used to make jewelry for fun, and I
even sculpted animals out of ivory soap. In high
school, I loved art class and it helped my creative
side continue to flourish.”
Anne used her creativity in different arenas before
finding her way to the kitchens of culinary school.
After attending Boston College, she spent four
years working in advertising, which was a great
intermediary between being an undergraduate
and a culinary student. “My creative juices were
flowing at that point, and it was the perfect time
for me to marry my love of baking with my artistic
side.” The opportune time had come, drawing
Anne away from the professional world to the
French Culinary Institute.
School Days
Although Anne already had natural baking skills,
attending the Institute allowed her to master the
fundamentals of the craft. “I learned the science
of baking, which helped me develop recipes and
become a better baker.” This was also when Anne’s
attention was turned toward cake decorating, and
as she enthusiastically remembers, “I was in love
instantly!” Cake infatuation led Anne to an intern-
ship with industry master Ron Ben-Israel in New
York City, which helped refine her decorating skills
and develop a new repertoire of techniques. “I
learned so much with Ron about gumpaste sugar
work and cake decoration, and I knew my career
path was set.”
Linked In
One of the valuable attributes of Pink Cake Box is
their online accessibility. The shop has used the
digital world to their advantage; their website is
regularly updated with new cakes and news, they
maintain a frequent presence on Facebook and
Twitter, and their blog posts are just as exciting
and enthusiastic as the shop itself. “We decided
that social media was going to be a central part
of our strategy back in 2005 when we launched
our blog and started posting our cakes on Flickr.”
The advantage of this publicity? As opposed to
many bakeries that don’t even have a web page,
Pink Cake Box is able to attract customers over a
network as highly accessed as the internet, and
they are also able to connect with clients at any
time of day, any day of the week. “Social media
gives us another avenue to engage with the com-
munity. It has also helped us get closer to our fans
and customers, and it has helped increase brand
awareness.” In a digital age, it is no wonder that
utilizing social media to such a degree has helped
Pink Cake Box, and they are certainly thankful
to have such a tech-savvy audience. Anne adds,
“We are very fortunate to have very engaged and
passionate fans and customers who enjoy and
appreciate our work.”
Pink Cake Box’s presence on the internet has
certainly bolstered their fame and customers;
however, the real strength of their operation
is rooted in Anne’s talent and aspirations for
success. “I can attribute my success to extreme
perseverance, dedication, and finding talented
t
he average wedding couple today is in their mid-20s, and they were born in a techno world. In their minds,
the words “yellow pages” always ends with “dot com.” Having a website for your business is as necessary today
as having a phone in the 50's and having a fax machine in the 80's. But don’t confuse this viable piece of ad-
vertising as just an oversized phone book advertisement. A website can include your price list, your screening
system, your photo album, and your business card. It’s how you communicate with your customers and con-
nect with other businesses. It’s an ever-changing, interactive tool to keep customers coming back to see what’s new in
your business. In other words…. it’s your salesman!
h
customer to want you to be the creator of their ave a web- The People’s Cake
wedding cake. site. You need a in Seattle, WA
website, and you
Photos
should know this. There are so
Not surprisingly, the most frequently visited
many consumers that preview
pages on cake maker’s websites are the photo
services online before even con-
pages. Brides are window shopping and getting
tacting a provider. If you’re unable
ideas, and one of the first things they want to
to design your own site, and don’t
see is the quality of a baker’s work.
have a lot of money to spend on it,
check into local universities. Most
Make sure to adjust the size of the photos you are full of ambitious, bright minds
post, so as to ensure all different levels of the in- willing to design your site for a
ternet may display your cakes at an appropriate fraction of the cost. Your domain
size. While most people have high-speed inter- name needs to be easy to find;
net, you don’t want to alienate people whose when you say the name of your Make sure it’s good. In
downloading capabilities may be a bit slower. website out loud, you should truth, a bad website is better
not say the word “slash.” than no website at all, but often
Add-Ons Make it simple. your website is a potential client’s
Today’s internet shoppers tend to like being first impression of you. If your website
able to interact with the website. Consider is disorganized, clients will think you are
putting a survey on your site asking questions disorganized. Conversely, if your website is
about the viewer’s wedding or their planning thorough and professional, clients will think
process. Posting the survey results prompts the same about you. Double, triple check
couples to come back to see additional results. every click a viewer could make, and
This is just one example of how to engage the proof read everything.
potential client further with your business. Showcase your cakes
through photos. It’s true, a
Accommodating the viewer and lending them
picture is in fact worth a thou-
a hand in specific tasks can really improve your
sand words. Showcasing your cakes
customer service status. An example would be
through photos is more effective than
to set up a link that enables a couple to down-
just telling people what you can
load a free copy of a budget spreadsheet, which
do. Make sure your photos are
would help them figure the cost of their catered
professional quality or
reception right down to the dime, in addition to
close to it, and take Each page should offer
switching around their pricing in separate areas
detail shots. something valuable. Your web-
so that it all may fit their budget. The potential
customer will feel they had received something site can have as many pages as you
free, and they will be able to determine how need; contact information, photo galleries,
your pricing will fit into their overall budget. pricing guidelines, and frequently asked ques-
tions are all fine, just ensure that each page is
relevant. If you attach a link to your blog, make
Buddy System
sure to write about topics potential customers will
One of the best advantages you can put to use
care about. Tell us about the cake you made this
on your site is exchanging links with other wed-
weekend, how you came up with the concept,
ding vendors. This is an excellent way in which
and how you made it work. We don’t want
your site can be reached by a wide range of
to know what you ate for breakfast or
searches. When a client is researching a venue Play up your strengths.
that your dog has a new sweater-
to begin their wedding plans, and they see your When deciding on photos to
save that for Twitter.
site on the venue’s page, they will feel as if they include on your website, make sure
are getting free advice and will more than likely you play to your strengths. If you’re great
click on your link next. If you, in turn, put other with buttercream, but not so fantastic with
vendors on your site, it becomes an advanta- sculpted cakes, stick with the buttercream
geous promotion method for both of you. photos. Additionally, I highly recommend
having no more than 10 photos per gallery.
Finally, do not let your website become dormant You can do it. Your cakes are
Pick your best 10, and go with it. Let people
or stale. It is the technological version of a great, and the world needs to
know anything that helps you to stand out
storefront window, so be diligent about keeping know this. A website is the
from the competition. Free deliveries, free
the information fresh, current, and interesting! first step. Good luck.
consultations, etc. need to be highlighted
on your website.
Guinness®
molasses cake
Photo By: connieriggiophotography.com
orange
cranberry cake
Photo By: connieriggiophotography.com
126 cake central magazine
Cake Central Recipe Orange Cranberry Cake
pumpkin
cheesecake
everyday
inspiration
As a cake maker, nothing is more exciting or enticing than being inspired for a new cake idea. Unfortunately, some-
times inspiration can be hard to come by. Instead of sketching or creating an idea for an original design, it’s easier to
look at cakes others have made and use those as models for your cake. However, with a little imagination it’s not hard
to find inspiration from all different objects in your day-to-day life. Specialty cake creator Jessica Harris shows how
most anything can be turned into a cake design, just by using a bit of creativity.
In the Bathroom
Jessica used this tasteful and simple design on a small bottle of lotion in her vision for a modern cake. As shown, the top
and bottom tiers have a matching pattern, mimicking the look on the bottle. The color scheme used throughout the cake,
white, black, and purple are consistent in Jessica’s design. The “Love Faith Joy” inscription on the middle tier makes the
design entirely suitable for a wedding, or even an evening party.
On Your
Desk
This small clock, though seemingly
nondescript, inspired an incredibly
ornate and beautiful cake design. Jes-
sica used both the shapes incorporated
in the clock design as well as the color
of the clock in the sketch of her cake.
By varying the use of black and silver,
her design is able to contrast bold and
delicate details, specifically the vertical
strips and the delicate pattern lining
the top and bottom tiers. The pattern
reflects the lining of pearls surrounding
the clock. Jessica, furthermore, used the
idea of pearls themselves in the borders
on the top and bottom tiers.
In a Bedroom
Patterning on different fabrics can be a go-to for inspiring an idea
for a new cake design. Blankets, curtains, and carpets can all be an
excellent source of new ideas, as there are several designs and colors
to choose from. The only hitch to using fabric can be that some-
times there is too much to choose from, and the designs may be a bit
excessive for one cake. However, in the fabric that Jessica used, she
is able to use only one part of the detailing in an entire cake sketch.
The geometric black-and-white patterning was tweaked in color and
applied to the entire bottom of her two-tier design, and she added
some flair by including an enlarged flower.
On the
Fridge
Many times, cake decorators will ask for
the invitation for a wedding or shower
when asked to create a cake for the
event. This is partially for the sake of
continuing a theme or color arrange-
ment, but invitations are also a great
source of decorative inspiration. Jessica’s
use of this baby shower invitation is a
prime example of how a simple card can
become a sensational cake design. The
border on the card created the idea for
damask on the bottom tier, and the light
pink color is used throughout differ-
ent elements on the sketch. The square
tiers are unique as well, and they add a
certain sophistication to the cake. After
using several elements from the card
in the design, Jessica included her own
touch by incorporating white and pink
roses to be used “randomly” once the
cake is complete.
PASTRY TOOLS
CHOCOLATE SUPPLIES
144- 15th
6103 cake centralAve.
magazine Brooklyn, NY • Tel: 718.232.7044 • Toll Free: 800-525-5556
Bonus Tutorial Fondant Embroidery
Mercedes Strachwsky’s
freehand fondant embroidery
Step 1
Using your hand, roll up a small piece
of pea-size fondant into a tear drop.
You may use a larger piece of fondant
if desired.
Step 2
Roll the fondant until it becomes
thinner and longer.
Step 3
Once rolled to the proper thinness,
moisten the back with a small
paintbrush dipped in water. Apply
the teardrop on the cake and curve
as desired. 1
3
146 cake central magazine
Bonus Tutorial Fondant Embroidery
Step 4
Once the fondant has been placed
on the cake, curve it to desired
upside-down shape and repeat as
necessary. Use both hands to hold
up the teardrops until secured
and fastened. Continue doing this
throughout the cake.
Step 5
Once the pattern is complete, you
can use a small amount of royal icing
to add elegant dots to the design.
Cake Central Magazine is not responsible for the outcome of any attempt to create or replicate any of the
Cake Central techniques, cakes, projects or recipes. Desired results may not be achieved due to variations in
ingredients, cooking temperatures, tools, techniques, typographical errors or omissions, or personal skill level.
cocoa madness
Moist, rich, fudgy chocolate cake, in my
opinion, is one of life’s greatest simple
pleasures. There is something mystical and
wonderful about the depth and complexity of
chocolate that is satisfying to the body and the
soul. Chocolate, in cake form, is often achieved
by the addition of cocoa powder, melted block
chocolate, or a combination of the two to
standard butter cake batter. Solid chocolate
alone can make for a tasty, mild chocolate
cake, but cocoa powder can transform a
cake into a dark, aromatic masterpiece.
This said, cocoa powders can vary greatly in
color, texture, acidity, and flavor resulting in
profound differences in a final cake product.
I wanted to explore the reasons for these
differences in cocoas, examine how these
differences affected the final cake product, and
determine which cocoas resulted in the most
flavorful, best textured cakes.
What is Cocoa?
Cocoa powder is produced from the beans of the cacao tree which grows in tropical,
equatorial regions of the world, predominately in South America, Africa, and Southeast
Asia. The cacao “beans” are actually the seeds of a fibrous fruit pod that grow on the
cacao tree. There are three botanical varieties of cacao trees which yield beans that
differ in production and flavor characteristics.
~ The Forastero variety is high-yielding and resistant to many of the diseases that
can affect cacao trees; these trees produce at least 90 percent of the world’s cocoa
beans, and are characterized by a dark, full chocolate flavor.
~ Criollos, which compose less than five percent of the world’s cocoa bean produc-
tion, are light in color and they provide a fine, fruity aromatic top note that is
missing in the Forastero variety. Their low-volume production and susceptibility to
disease limit their availability.
~ The Trinatarios, hybrids of Criollos and Foraseteros, make up less than five percent
of cocoa bean production and have the fruity qualities of Criollos and the earthy
flavors as well as the heartiness of Forastero beans. Most cocoas are blends of bulk
amounts of Forastero beans, which provide full base notes and small amounts of
flavor beans for fruity top notes.
3/4 CUP COCOA POWDER OF CHOICE 1) The first step is fermentation, after harvest, of the broken-up pods, either under
banana leaves or in fermentation boxes. During this stage, the pulp of the fruit
3 TEASPOONS ESPRESSO POWDER ferments and the resulting acetic acid leaches into the seeds and transforms the
1 1/2 CUPS BOILING WATER internal contents. This prepares the seed’s internal chemistry for flavor develop-
ment that occurs in the roasting process.
1 1/2 STICKS (3/4 CUP) UNSALTED
2) The beans are spread out on a flat surface in the sun to dry for several days. This
BUTTER, SOFTENED
step reduces their moisture level to about seven percent and makes them resis-
2 1/2 CUPS SUGAR tant to spoilage. The beans are then packaged and shipped to manufacturers for
roasting.
3 EGGS
3) Before roasting, the flavor of the beans is quite acidic and underdeveloped; the
1 1/4 CUPS LESS 2 CUPS ALL PURPOSE roasting process eliminates many volatile acids and alters various flavor precur-
FLOUR sors, transforming them into characteristic chocolate flavors.
1 TEASPOON BAKING SODA 4) Once the cocoa beans are roasted and the outer shells are removed, the cocoa
nibs can be ground into cocoa liquor.
3/4 TEASPOON SALT
5) Cocoa powder is made when the cocoa liquor is pressed to remove some of the
3/4 CUP BUTTERMILK
liquor’s fat, cocoa butter. The cake that remains when the desired amount of cocoa
1 TABLESPOON VANILLA EXTRACT butter is removed is then ground into cocoa powder.
Preheat oven to 350°F. Cocoa powder at this stage is in its natural state and remains quite acidic (around pH
5), pungent, bitter, and light in color. Cocoa powder may also be “dutched” in which
Grease and flour three, 8 inch round an alkali solution, such as potassium carbonate, is applied to the cocoa either as a nib,
cake pans. liquor, or to the final powder itself. The alkalization of the cocoa raises the pH of the
solution to neutral or alkaline (pH 8); this dutch processed cocoa is darker due to the
Whisk together cocoa, espresso pow-
conversion of bitter phenolic compounds into flavorless dark pigments. What’s more,
der, and boiling water, and set aside to
when some of the harsher notes are removed from the natural cocoa through alkaliza-
cool to room temperature.
tion, some claim the resulting cocoa is more distinctly chocolatey.
In a mixing bowl, beat butter and sugar
at medium-high speed for 4 minutes Cocoa Experiment
until light colored and fluffy. I decided to take a look at eight super market and gourmet cocoa powders in order
Meanwhile, add the flour, baking soda, to determine whether or not the acidity of natural cocoa or the alkalinity of dutched
and salt in a separate bowl. cocoa affected the flavor and texture of a cocoa-based chocolate cake and if there was
a distinguishable preference of one over the other. I also wanted to examine whether
In another bowl, stir together butter- it made a difference if I used high-quality expensive cocoa powders or their less costly
milk and vanilla. counterparts. The natural cocoa powders that I chose were Hershey’s® Unsweetened
Add eggs one at a time to butter mix- Natural Cocoa, Dagoba®, Holy Kakow™, and Sharffen Berger™. The dutch processed
ture, and beat for 30 seconds after each cocoas were Frontier™, Valrhona®, and Pernigotti™, as well as SaCo® which is a blend of
addition; scrape down and beat for an dutched and natural cocoa powders.
additional 30 seconds. The first difference that I noticed among the cocoas was their appearance; the natural
cocoas were generally a pale golden brown color, whereas the alkalized cocoa pow-
Add flour mixture, and stir to combine.
ders varied from dark brown to a rich reddish brown color. The texture of the cocoa
Add buttermilk mixture, and stir to
powders was quite different as well. Many of the cocoas were dry and chalky in ap-
blend.
pearance with clumpy aggregates, but the Valrhona® and Pernigotti™ cocoa powders
Fold in cocoa mixture, and stir until were velvety, almost silky textured. This may be testament to the fine grind of the
well combined. cocoa, as well as the fact that these cocoas contain a greater percentage of fat than
many cocoa powders.
Pour into pans and bake for 25 min-
utes or until a toothpick inserted into The aroma of the powders varied as well. The natural cocoas had a sharp, acidic smell
the middle comes out with a moist in general; this smell was mellower and more rounded out in the Sharffen Berger™
crumb or 2. than the other natural powders, but was more pronounced than in the dutched
cocoas. The dutch processed cocoas varied more amongst each other. The Saco®
Cool 10 minutes in pan, and then powder had an unpleasant chemical odor and was lacking a true chocolate smell.
turn out to a cooling rack to cool The Frontier™ powder strangely reminded me of chocolate mint. The Valrhona® cocoa
completely. powder had a lovely, fruity dark chocolate smell, while the Pernigotti™ had a rich
chocolate aroma with wonderful vanilla notes.
Cake Central Magazine is not responsible
for the outcome of any attempt to create or In cake batter form, the natural cocoas paled in both color and flavor to the dutched
replicate any of the Cake Central techniques, powders. It seemed that if I had my eyes closed, the cake batters made with natural
cakes, projects or recipes. Desired results cocoa would almost entirely be lacking chocolate essence. In contrast, the batters
may not be achieved due to variations in
ingredients, cooking temperatures, tools,
made with the alkalized powders were decidedly fragrant with chocolate and dark
techniques, typographical errors or omissions, in color. As the cakes baked, they generally were consistent in baking pattern and
or personal skill level.
structure, except the Holy Kakow™ cake bubbled from the outer edge toward the
middle as the baking soda reacted with this, apparently, strongly acidic cocoa. The
cakes all finished baking at a similar time, which was surprising to me since acidic
batters are known to “set” faster than alkaline cake batters. The recipe I used called
for natural cocoa powder, and I expected there to be vast differences amongst the
cakes since the two types of cocoas are not generally considered interchangeable in
baking. In fact, the cakes were generally similar in structure and texture, only the Holy
Kakow™ being slightly more open and spongy. A natural cocoa powder, such as this,
would work well in a red velvet cake in which an acidic profile is necessary for the
cake’s chemical balance.
It was the taste of the chocolate cakes that truly distinguished one cocoa powder
from the other. In my opinion, the Pernigotti™ cocoa powder was the clear winner. The
cake made with this powder had a rich, rounded chocolate flavor that filled the entire
mouth. Not only was the flavor lovely, but this cake had a beautiful dark chocolate
color and moist, fudgy quality to it.
In second place was the Sharffen Berger™ cocoa powder cake. This was a distinctly
different cake, but it was still quite pleasant. The cake made from this cocoa reminded
me of milk chocolate or hot cocoa; the kind of cake a child would adore. At nearly $27
per pound (the most expensive of the cocoa powders), I don’t know that I would make
my three-year-old a cake with this cocoa powder, but if someone else were paying for
it this would be my choice for a mild chocolate cake.
At less than one-quarter the price of the Scharffen Berger™, the Hershey’s® Natural
Cocoa yielded a cake with a similarly nice mild flavor, yet it lacked some of the depth
of the Scharffen Berger™ cocoa powder.
The Valrhona® cocoa, highly touted by some, resulted in a cake that seemed very
fruity and one-dimensional to me, hitting the high notes but not the fullness of the
chocolate bouquet.
The cakes made from the Holy Kakow™ and Dagoba® cocoas were entirely flat and
bland, while the Frontier™ tasted of baking soda, and the Saco®powder cake had an
awful chemical taste to it.
I was surprised by the dramatic differences among the cocoa powders and what varia-
tion in flavor they produced in the resulting cakes. It was also interesting to observe
that a recipe developed for one type of cocoa (natural in this case) could also produce
a wonderful cake using another style of cocoa. Both natural and dutched cocoas re-
sulted in cakes that were well structured, textured, and delicious. It seems that it was
the quality of the cocoa, be it natural or ditched, that resulted in a cake that was both
flavorful and aromatic, and it’s interesting that you can vary the chocolate profile of a
cake by switching cocoa styles. With great versatility in chemistry and flavor available
in cocoa powders, there is an entire world of chocolate wonderfulness to be explored.
May you too be inspired to evaluate new brands and styles of cocoa in order to find
the ones that are right for you.
By an anonymous husband
W
e took a wedding cake to Los panic stricken for an hour or two on the day when a sample of the cake, and they didn’t make us eat a
Angeles this month. It was our first a wedding cake is delivered, but with a destina- slice of it to see if it was poison.
destination cake, the first time flying tion cake, it’s a full day of ridiculousness.
We got to the gate, and people everywhere were
with a cake, and the first time I’ve ever been panic
Fishing the cake out of my wife’s kitchen was a watching my wife and me with our suspicious,
stricken at 10,000 feet. Flying is flat out scary these
breeze, and the cake looked great. She had two unmarked boxes. Our flight was called over the
days, and for some reason, every time I go into an loud speaker, and we waited with our boxes as
boxes set up for the cake to be transported, and
airport I’m all but strip searched for something the first class flyers took their seats. We walked
luckily it was a smooth ride all the way to the air-
illegal. Needless to say, I was worried when we onto the plane and strolled past the first class
port. When we checked in at the ticket counter, the
rolled into an airport with a three-tiered cake and flyers. The first class flyers’ faces were priceless;
attendant didn’t ask about the cake, and we didn’t
decorations in two unmarked cardboard boxes. they looked very disappointed because they paid
draw any attention to it. It was almost too easy. We
We’d known about the cake for over a year, and checked our bags, and then I saw the army men, an extra $100 to have a relaxing flight and not
I’d been dreading this day because my wife had in green uniforms, holding assault rifles. “What’s in a flight where they would be looking over their
no intention of making the cake in Los Angeles. I the boxes?” asked the officer checking the identifi- shoulders the entire time, wondering what was
pleaded with her to make this occasion easier on cation cards. My wife told him it was cake, and we in the mysterious boxes. I started to relax after we
got into the air and took a peek at the cakes, and
us and bake the cake there a day or two before slipped passed the second checkpoint no problem.
the cakes and decorations were in one piece.
the wedding. I tried bribing her with new tools The army men started to stare at us as we neared
and offered to give her a fancy, cake maker’s the x-ray machines and the metal detectors. We got the cakes off the plane and to the wedding,
shopping spree. She didn’t budge, because she’s We took off our shoes, and as I properly walked and everything went better than expected. The
an artist and her kitchen is where she is most through the metal detector, I was pulled aside wedding was a blast, it was Mexican-themed and
comfortable. My wife was completely set on with the cake. My wife tried to step in and speak the festivities and food were some of the finest
making the cake in our hometown, and then we for me because I was basically inaudible from fear. we’ve experienced as wedding attending connois-
were going to fly with the cake as our carry on. I opened up the box, they saw it was cake, and seurs. We danced a little, we played a little, and
Usually, the husband of a cake maker would be they let us through no problem. They didn’t need everyone at the wedding loved the cake.
CakeBoss www.cakeboss.com
® West Babylon, NY
pg. 69
Ron Ben - Israel Cakes
Alice Cosani
Sugar Land, TX
pg. 68
New York, NY Cakes by Gina
weddingcakes.com Houston, TX
pg. 131 cakesbyginahouston.com
pg. 64, 65, 106
OKLAHOMA Cake Craft Shoppe
Gypsy Cakes Edible Art Boutique Sugar Land, TX
Are you charging Edmond, OK cakecraftshoppe.com
pg. 66, 67
gypsycakes.net
enough for your cakes? pg. 101 Dawn Parrot
Houston, TX
Richard Parker
Edmond, OK iceddreamscakes.com
pg. 94 pg. 96, 97
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