Documente Academic
Documente Profesional
Documente Cultură
Arjun Desai
29 September 2019
The basis for this research paper is to explore staple harmonic and rhythmic
knowledge through a different lens. This will allow for exploring new avenues in devel-
For example:
A major 9 (no fifth) chord voiced as follows : Root, Major Third, Major 7th, Major 9th.
In order to expand our knowledge of these 4 set of notes, they can be viewed in rela-
C Root 3 7 9 Maj9
Db b9 11 Root b3 Phrygian
D 9 #11 b9 3 N/A
Eb b3 5 9 11 Min 11
F 11 13 3 5 Sus
Ab b13 R 5 b7 Aeolian
A 13 b9 b13 7 N/A
Bb b7 9 13 R Sus
B 7 m3 b7 b9 N/A
From the table we can observe how a few of these are not applicable in a useable
One such deduction from this table after analysis would be:
In order to achieve a minor 7th b5 sound, a maj9 structure a tritone away would be
employed.
It is important to note that these sounds might not provide all the information to the
harmony. For example an altered sound obtained using this method doesn’t contain the
b7 which is an important guide tone. This does obscure the harmony at times and
The above material has been derived from various sources and the aim is to re-
fine and develop a sort of system/ guide to formalise this knowledge. The sources
cited are : Romain Pilon, Mark Turner and Lage Lund for the above information.
The final paper will be organised and displayed more systematically for ease of
reading.