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The plot
Washington DC: Harvard symbologist Robert Langdon is
summoned at the last minute to deliver an evening lecture
in the Capitol building. Within moments of his arrival,
however, a disturbing object – gruesomely encoded with
five symbols – is discovered at the epicentre of the
Rotunda. It is, he recognizes, an ancient invitation, meant
to beckon its recipient towards long-lost world hidden
esoteric wisdom.
When Langdon’s revered mentor, Peter Solomon –
philanthropist and prominent mason – is brutally
kidnapped, Langdon realizes that his only hope of saving
his friend’s life is to accept this mysterious summons and
follow wherever it leads him…
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VISUAL GUIDE
This visual guide proposed by SolvedCases aims at accompanying you through your reading of The
Lost Symbol from bestseller author Dan Brown.
Paintings, sculptures, places cited in the novel are displayed with the corresponding original text.
It is highly advised not to read a page of this guide before you have reached the corresponding
chapter in the book. For this purpose, the chapter illustrated at the next page of the guide is allways
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Robert Langdon jolted upright in his soft leather seat, startling out of the
semiconscious dream. He was sitting all alone in the enormous cabin of a
Falcon 2000EX corporate jet as it bounced its way through turbulence. In the
background, the dual Prat & Whitney engines hummed evenly.
…/…
Outside the window the sun had set, but Langdon could still make out the
slender silhouette of the world’s largest obelisk, rising on the horizon like a
spire of an ancient gnomon. The 555-foot marble faced obelisk marked this
nation’s heart. All around the spire, the meticulous geometry of streets and
monuments radiated outward.
The slide was a famous mural depicting George Washington dressed in full Masonic regalia standing
before an odd looking contraption – a giant wooden tripod that supported a ropen and pulley system from
which was suspended a massive block of stone. A group of well dressed onlookers stood around him.
This pointing-hand gesture – with its index finger and thumb extended upward – is a well-known symbol of
the Ancient Mysteries, and it appears all over the world in ancient art. This same gesture appears in three of
Leonardo da Vinci’s most famous encoded masterpieces – The Last Supper, Adoration of the Magi, and Saint
John the Baptist. It’s a symbol of man’s mystical connection to God. As above, so below…
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Chapter 21 George Washington Sculpture > Chapter 22 1
He suspected America’s « thirteen » conspiracy theorists would have a field day if they knew there were
exactly thirteen storage rooms buried under the U.S. Capitol. Some found it suspicious that the Great Seal
of the United States had thirteen stars, thirteen arrows, thirteen pyramid steps, thirteen shield stripes,
thirteen olive leaves, thirteen olives, thirteen letters in annuit coeptis, thirteen letters in e pluribus unum,
and on and on.
This room is Masonic? Sato demanded, turning from the skull and staring at Langdon in the darkness.
Langdon nodded calmy. « It’s called a Chamber of Reflection. These rooms are designed as cold, austere places
in which a Mason can reflect on his own mortality. By meditating on the inevitability of death, a Mason gains a
valuable perspective on the fleeting nature of life. »
Moreover, Langdon knew, this little pyramid – with its flat top – was not even a true pyramid. Without its
tip, this was another symbol entirely. Known as the Unfinished Pyramid, it was a symbolic reminder that
man’s ascent to his full human potential was always a work in progress. Though few realized it, this
symbol was the most widely published symbol on earth. Over twenty billion in print. Adorning every one-
dollar bill in circulation, the Unfinished Pyramid waited patiently for its shining capstone, which
hovered above it as a reminder of America’s yet-unfulfilled destiny and the work yet to be done, both as
a country and as individuals.
Langdon had to admit that after his experiences in Rome and Paris, he’d received a steady flow of
requests asking for his help deciphering some of history’s great unsolved codes – the Phaistos Disk, the
Dorabella Cipher, the mysterious Voynich Manuscript.
The Greek Islands were like heaven. The light. The water. The women (…)
He began life anew – exploring never-before-imagined sensual pleasures. The serenity of sailing alone
on the ink-blue Aegean Sea became his new heroin trance; the sensuality of sucking moist arni souvlakia
right off the skewer became his new Ecstasy; and the rush of cliff diving into the foam-filled ravines of
Mykonos became his new cocaine.
Located at the corner of Pennsylvania Avenue and Thirteenth Street, the plaza’s vast surface of inlaid
stone depicts the streets of Washington as they were originally envisionned by Pierre L’Enfant.
The George Washington Masonic Memorial stands atop Shuter’s Hill in Alexandria, Virginia. Built in
three distinct tiers of increasing architectural complexity from bottom to top – Doric, Ionic, and
Corinthian – the structure stands as a physical symbol of man’s intellectual ascent. Inspired by the
ancient Pharos lighthouse of Alexandria, Egypt, this soaring tower is capped by an Egyptian pyramid
with a flamelike finial.
On their right was a medieval-style garden, famous for its ancient rosebushes and Shadow House
gazebo. They moved past the garden, directly toward the magnificent building to which they had been
summoned. A refuge containing ten stones from Mount Sinaï, one from heaven itself, and one with the
visage of Luke’s dark father.
Nowhere was the church’s mystical past more evident than at her epicenter. In Vatican City, at the
heart of St Peter’s Square, stood the great Egyptian obelisk. Carved thirteen hundred years before
Jesus took his first breath – this numinous monolith had no relevance there, no link to modern
Christianity. And yet there it was. At the core of Christ’s church. A stone beacon, screaming to be
heard. A reminder to those few sages who remembered where it all began. This church, born of the
womb of the Ancient Mysteries, still bore her rites and symbols.
A slide projector flashed to life, revealing a faded sepia photograph – a dramatic castle with red
sandstone facade, high square towers, and Gothic embellishments.
The House of the Temple (…) had always been the crown jewel of the Masonic
Scottish Rite in America. With its steeply sloped, pyramidical roof, the building
was named for an imaginary Scottish mountain.
Mal’akh had spent a fortune locating and obtaining this artifact. Known
as the Akedah knife, it had been crafted over three thousand years ago
from an iron meteorite that had fallen to earth. Iron from heaven, as the
early mystics called it. It was believed to be the exact knife used by
Abraham at the Akedah – the near sacrifice of his son Isaac on Mount
Moriah – as depicted in Genesis.
In an agency that boasted over five hundred pieces of original art, this sculpture –
titled Kryptos – was by far the most famous. Greek for « hidden, » Kryptos was the
work of American artist James Sanborn and had become something of a legend
here at the CIA.