講義概要／Course description

科目基礎情報／Course information
開講元学部／Faculty 国際教養学部／FACULTY OF LIBERAL ARTS
開講元学科／Department
登録コード／Registration Code AART3510
期間／Period 2019年度／Academic Year 秋学期／AUTUMN
学期／Semester 秋学期／AUTUMN
曜限／Period 月／Mon 4, 木／Thu 4
科目名／Course title STUDIES IN ART HISTORY*／STUDIES IN ART HISTORY
授業形態／Course Type 講義 ／Lecture
科目ナンバリング／Course
ART351
Numbering
レベル／Level 300
教員表示名 HAYASHI Michio
主担当教員名／Instructor 林 道郎／HAYASHI MICHIO
単位数／Credits 4
更新日／Date of renewal Mar 8, 2019

講義概要情報／Course description
ART
キーワード Art history
／Keywords modern art
art criticism
科目サブタイトル
Art and Art Criticism
／Subtitle of this course
The course focuses on the interactive relationship between art criticism
and art praxis since the mid-nineteenth century to the end of the 1960s
(from Impressionism to Minimalism). The intent is to reevaluate the role
講義概要 that art criticism played in directing the course of the development of
／Course description “modern” art in various ways. While special attention is given to the close
reading of significant texts of successive periods, the course also
investigates the relevant works in terms of their formal qualities and
historical contexts.
1. Develop abilities to understand and analyze art criticism in terms of its
textual and contextual elements.
2. Acquire a firm knowledge of significant concepts in the history of
到達目標（授業の目標）
modern art to establish a command of the vocabulary required to identify
／Course objectives
and analyze various styles and movements.
3. Develop an understanding of how the works of art and society interact
with each other through the mediation of criticism and media.
授業時間外（予習・復習等）の
学習 Reading of relevant materials and museum visits.
／Expected work outside of class
 可／Yes
他学部・他研究科受講可否
※要覧記載の履修対象とする年次を確認すること。
／Other departments' students
Please make sure to confirm the student year listed in the bulletin.

学期末試験（定期試験期間中）／Final exam(during exam period)

（50.0％）
中間試験／Mid-term exam （50.0％）
評価基準・割合
／Evaluation その他／Others(in detail) ：Your attendance is your own
responsibility. If an unavoidable absence is anticipated, the instructor
should be notified. Three unexcused absences will result in a reduction of
one grade level. Five unexcused absences will automatically result in a F.
Promptness for class is expected as well.
必要外国語
English
／Required foreign languages

講義スケジュール／Schedule
授業計画／Class schedule
1.Introduction
2.Charles Baudelaire, “The Salon of 1846: On the Heroism of Modern
Life” (1846)
3.Charles Baudelaire, “The Painter of Modern Life” (1863)
4.Louis Leroy, “The Exhibition of the Impressionists” (1874)
5.Roger Fry, “The French Post-Impressionists” (1912)
6.Paul Cézanne, Letters to Emile Bernard 1904-6
7.Oscar Wilde, The Decay of Lying (1889)
8.Henri Matisse, “Notes of a Painter” (1908)
9.Daniel-Henri Kahnweiler, The Rise of Cubism (1920, complete version)
10.Filippo Tommaso Marinetti, “The Foundation and Manifesto of
Futurism” (1909)
11.Marcel Duchamp “The Richard Mutt Case” (1917)
12.Piet Mondrian, “Dialogue on the New Plastic” (1919)
13.André Breton, “First Manifesto of Surrealism” (1924)
14.Walter Benjamin, “The Work of Art in the Age of Mechanical
Reproduction” (1936)
15.Meyer Schapiro, “The Social Bases of Art” (1936)
16.Clement Greenberg, “Avant-Garde and Kitch” (1939)
17.Michel Tapié, “An Other Art” (1952)
18.Harold Rosenberg, “American Action Painters” (1952)
19.Clement Greenberg, “Modernist Painting” (1963)
20.Pierre Restany, “The New Realists,” (1960)
21.Donald Judd, “Specific Objects,” (1965)
22.Allan Kaprow, “Untitled Guidelines for Happenings” (c. 1965)
23.Josef Kosuth, “Art after Philosophy,” (1969)
24.Presentations
25.Presentations
26.Presentations
27.Presentations
28.Presentations