THE DIAGRAMATIC CONSTRUCTION OF OVER.75 “"""" ‘ STANDARD & EX FROM provide excellent material for tecinial improvement. composition. improvisaitvil sale tall levels, For consistency all scales begin on the root or note of (C), & may be transposed to any key or tonal center. 1 © MAIOR SCALE 7 C WHOLE TONE SCALE bez = oe | & =o ote j 1234 5 67 (8) 12 3% 5 57 (oy 2 _C NATURAL MINOR SCALE & _C DIMINISHED WHOLE-TONE SCALE & Sa ] K& Sa ]: 1 203 4 5 be b7 (8) 1:2 3 3 b5. bo 7 (0) 3 _.C MELODIC MINOR SCALE 9 _C OVERTONE SCALE . ne ] a ie S|, 12 54 5 6 b7 (8) - Soe 1 265 4 5 6 7 (a) 4 _.C HARMONIC MINOR SCALE 10 C AUGMENTED SCALE 6 = —— = - = 1°23 4 5.b6 7 (6) 1425 445 6 7 (2) 5 _.C CHROMATIC SCALE (ASCENDING) 11, C AUGMENTED (SIX-TONE) SCALE : we 1 292 3 4 44 5 ts 6H 7 (0) Tass 7e at 6 —_C CHROMATIC SCALE (DESCENDING) 12 C DORIAN AUGMENTED SCALE —— = eo 77 6b she 4 343 2m F 1 254 5 6 br (8) Published by Paul Dominic Costello « Eated by andy Masters: Sun Jose State Univesity Music Dept. © 1983 All rights reserved IONS - Po.B013 C DOUBLE AUGMENTED SCALE 21 C AEOLIAN MODE = 1 2 5#4% © 7 (8) 14 C DIMINISHED SCALE = 1 203 4 5 be b7 (a) 22 C LOCRIAN MODE ph oe 1 253 45545 6 7 (e) 15 C AUXILLARY DIMINISHED = 23 4 b5 be b7 (8) 23 C LOCRIAN (SHARP 9) MODE Shoe 123 3 5 6 br (8) 16 | C IONIAN MODE ot 1 23 4 b5 be ¥7 (8) 24 _ C ARABIAN MAJOR SCALE ig = = 123 45 6 7 (8) 17 C DORIAN MODE S| S—== 12 3 455 ¥6 W7 (8) 25 _ C ARABIAN MINOR SCALE = = 1243 4 5 6 b7 18 C PHRYGIAN MODE = 1 25 465 be & 7 (0) 96 _C NEOPOLITAN MAJOR SCALE = e 1b2 bs 4 5 be ¥7 (8) 19 C LYDIAN MODE mao ig 97 _ C NEOPOLITAN MINOR SCALE to2b3 4 5 © 7 (e) eo 123% § 6 7 (6) 20 | C MIXOLYDIAN MODE Ig 28 C BALINESE SCALE = 125 4 5 be b7 (6) SS 125 4 5 667 (8) == 14263 4 Sho 7 (8) + © 1983 All rights reserved - PRD. COSTELLO PUBLICATIONS - P0. BOX 1760, SANTA CRUZ “CA 9506137 C ETHIOPIAN SCALE 162 3 4 5 be 7 (8) 30 C HAWAIIAN PENTATONIC SCALE 1 5 38 Se 1 2bs 4 5 96 b7 (8) C 8-TONE SPANISH SCALE SS | & Se ] 125 5 6 (e) 192 "3 5 4 5 be br (8) 31 | C HUNGARIAN GYPSY MINOR SCALE 39 C ALGERIAN SCALE . TDs 5% 7a Yate sh 7 2 shen 2 C HINDU SCALE 40 C SPANISH GYPSY SCALE = SSS 12 3 4 5 be tT OB) 33 C AHAVOH RABBOH (HEBREW) SCALE 1 3 4 5 be by () 41 | C EAST INDIAN (RAGA TODI) RAGA. & — obo 162 3 4 § bo br (8) 34 | C PERSIAN SCALE Sj a 1 bn bs te 5 be 7 (e) 42 C EAST INDIAN (BHAIRAVA) RAGA ote 12 3 405 be 7 (8) =] Es SSS 12 3 4 56 7 (8) 43 C EAST INDIAN (BHAIRAVI) RAGA, 123% 5 6 b7 (a) MOHAMMEDAN SCALE Se ote =m 1245 4 5 be 7 (6) 36 “=. “2, COSTELLO PUBLICATIONS SSS==— =| 1 bz bs 4 5 be b7 (8) 44 C EAST INDIAN (BILAVAL) RAGA__ = 3 ==} 5 123456 7 (8) © 1985 All rights reserved PO: BOX 1768, SANTA CRUZ CA - 9506145, 46 a7 48 49 50 51 52 a eS - PD. COSTELLO PUBLICATIONS - C EAST INDIAN (MALKOS) RAGA 53 C LAOTIAN SCALE — ig 13 4% ¥7 (8) C EAST INDIAN (ASAVARI) RAGA Se 1245576 54 cue | = oe. 124 566967% 5 4 32) C EAST INDIAN (KAFI) RAGA le ie C LAOTIAN SCALE an 55 = aoe TT eserhe C EAST INDIAN (KHARMAJ) RAGA 4 Tos 4 Ye 7 (8) 56 _ C JAPANESE (RYO) SCALE = Ta 45 br ebrese zt C EAST INDIAN (KALYAN) RAGA Ie SS v2 oer 5 6 [7] (8) C JAPANESE (RITSO) SCALE 37 ie = 123% 8 6 7 (8) & T 2tel4 5 of71@) C EAST INDIAN (MARVA) RAGA 58 _ C JAPANESE (HIRAJOSHD SCALE == = S| t bz 3 444 6 7 (8) 1245 546 C EAST INDIAN PURVI) RAGA 59 _ C JAPANESE (KUMOUOSHI) SCALE == le C LAOTIAN SCALE = 1b2 3 4% 5% 7 (8) = 12 4 8 66 @) 60 _ C JAPANESE (WATO) SCALE SS 1 24 5 6 (6) | —— Sie 1 b2 4 bs b7 (6) is © 1985 All rights reserved P.O. BOX 1768, SANTA CRUZ «CA 9°"61 C JAPANESE (INSEMPO) SCALE 69 — C SOUTH VIETNAMESE SCALE es J Ss = = 1 oz 4 5 b7 (ep be 5 4 be Tos 45 by ame u C SOUTH VIETNAMESE SCALE ete s 195 4 5 be (em wn 62 C JAPANESE (YOSEMPO) SCALE 70 = e 124 shr (pe 5 421 63 C JAPANESE SCALE 71 C MONGOLIAN SCALE i a ff = 12 4 5 be 1234 5 6 7 (9 ‘_——_= —— abe = = = = 7 125 5 6 18) 142-3 5 be (p)%9 to 2 by 65. .C CHINESE SCALE 73 C JAVANESE SCALB oe s = = 15% 5 7 (8) 12 bs 4 5 © 7 (8) 66 C VIETNAMESE SCALE 174 C ORIENTAL SCALE ay 'Y = 1245579 Uh 5 45 bb 07 (8) 67 C VIETNAMESE (BAC) SCALE 75 C ORIENTAL SCALE a> bo = i 1245 6 (99 0 12 3 465 © 7 (B) 68 C VIETNAMESE (NAM) SCALE 76 C VERDI'S (“ENIGMATIC") SCALE | == 1[2]4 5 Le]? (8) 9 0 12 5% # % 7 (0) © 1985 All rights reserved ~ SC COSTELLO PUBLICATIONS = Po nox i76a, atta cxUz. ch. 06177 C COMPOSIT “BLUES” SCALE 83 _ C MAJOR PENTATONIC!srd “BLUES” = pa | i SS == | 122 3 4% 5 © brine) 1 7s 5 6 (6) 78 _ C SIX-TONE MINOR “BLUES” SCALE 84 C RELATIVE MINOR PENTATONIC $e be ee 1 = 4 13 4 #4 5 b7 (By 1s 4 5 br (e) 79 C MINOR®S PENTATONIC “BLUES” SCALE 85 C MAJOR BE-BOP SCALE ("BLUES") = meee eae , aS 1 bs 4 bs b7 (8) 1242 3 4 585 6 7 (8) 80 _C DOMINANT 7th ADD 4th “BLUES” 86 C MAJOR 6-TONE BE-BOP (“BLUES”) i= ze z= ——= | Sea 5] 13 4 8 b7 (8) 124% 5 5 #5 & (8) 81, C MAJOR “BLUES” SCALE 87 C LEADING-TONE DOMINANT 2 SSeS 13 3 4 #4 5 b7 (8) 12345 6b7 7 82 _ C MAJOR PENTATONIC SCALE 88 C DORIAN “BLUES = = fe oo 4 =. | 123s 5 6 13 4% 5 6 b7 (8) 99 _ C FLAMENCO SCALE | & ee | =e 1 bz bs 3 #4 57 (8) a: : 5 © 1983 All rights reserved - PD. COSTELLO PUBLICATIONS - Po Box 1768, SANTA CRUZ- CA. 9506!