Breitkopf and Härtel Urtext – Verlag Bärenreiter Güetter

1881 2006 2003 ~1934

 Orchestral score –  Piano reduction based  Piano reduction based  Bassoon part – edited
based off parts from off parts from off parts from by J. Walter Güetter.
publisher A. Offenbach publisher A. Offenbach publisher A. Offenbach  Vorschlag
~1800  Orchestration notes in  Vorschlag (appogiaturas) not
 Vorschlag the keyboard (appogiaturas) not written with Mozarts
(appogiaturas) not  Vorschlag written with Mozarts notation.
written with Mozarts (appogiaturas) not notation.  Very short preface
notation. written with Mozarts  Preface centers centering around
 No preface notation. around performance performance practice
 Cadenzas and Eingänge  Preface centers practice and background on
not written or even around history of  Cadenzas and Eingänge this edition.
expressed Mozart and his music written AND expressed  Extreme edits – but
 Tutti sections include with little on notes.  Tutti sections include they are well
soloist  Cadenzas and Eingänge soloist informed.
 Some integral not written but  Some integral  Tutti sections do not
accidentals omitted expressed accidentals omitted include soloist.
(mm. 10 mvt. II is  Tutti sections include (mm. 10 mvt. II is  All cadenzas and
performed with a B soloist performed with a B Eingägne are written
natural in the turn)  Some integral natural in the turn)  Many of the omitted
 No excessive accidentals omitted  Edited sections accidentals from other
ornamentations or (mm. 10 mvt. II is marked with a editions are correct
changes in tempi. performed with a B different font but with performance
natural in the turn) only in tutti sections practice
 No errata
 Edited sections  Pagination in solo part
marked with is well thought out.
parenthesis.
 Includes errata