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Salt Print with descriptions of orotone, opalotype,

varnishes...: Historical and Alternative


Photography
Peter Mrhar

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Salt Print with descriptions of orotone, opalotype,
varnishes...: Historical and Alternative Photography
Peter Mrhar

Salt Print with descriptions of orotone, opalotype, varnishes...: Historical and Alternative
Photography Peter Mrhar
The book Salt print is the third book in a series of books about historical and alternative photography. In it,
the reader will learn the basic techniques of salted, albumenized, arrowroot, and matte paper. The author
presents not only basic knowledge, as in all of his books, but further extends it with descriptions of other old,
wonderful processes that are hard to find in other contemporary texts on this topic. Thus, he takes us into the
forgotten world of printing on glass, where the reader will learn through very understandable descriptions
the manufacturing process of once extremely popular opalotypes (printing on translucent white glass), and
as a finale, the author explains one of the most beautiful of these almost forgotten techniques, the art of
manufacturing orotones (photos printed on gilded glass), which, at the time of publication of this book, is
mastered by only a few people in the world. The author also describes other salt print techniques, such as
how to produce photos with the once very popular technique of printing on colored paper; how to manually
color photos; or even how to develop salted prints with the help of both the earliest and most modern
developers. Toning of salted prints is, of course, quite extensively described in this Salt print book, with
descriptions of the once most commonly used toners. The author has also not forgotten to include a short
description of the use of modern digital negatives. After the whole process of making the many kinds of salt
prints has been described, the book closes with a description of the last step: the production and use of
varnishes and waxes, which are used to preserve a photograph in time and to give to it a final, refined
appearance.

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