V.A. - Austropop Hits (Chords)

PLEASE NOTE
Some of the songs were taken from olga, alt.guitar.tab and other web-sources. The songs in
german language, which are real old austrian goodies, were transcribed mainly by myself.
Here's a standard disclaimer:
This file is the author's own work and represents their interpretation of the song.
You may only use this file for private study, scholarship, or research.
Visit my homepage at:

http://members.aon.at/kri
and check the songbook page

http://members.aon.at/kri/music/songbook.htm
for updates
Enjoy the music
Andy Kriechhammer, andy.kriechhammer@aon.at
Notation:
Guitar:
uppercase letters are major chords, lowercase letters are minor chords
e.g. A play an A-major chord
e.g. a play an A-minor chord
Harp:
(from Phil H. (eholm@sprynet.com))
a number alone means blow through that hole

e.g. 6 blow through hole 6
a number with a - in front of it indicates a draw note

e.g. -3 draw through that hole
brackets (4) = play it or not: as you feel it
numbers like this: 4 indicate a chord (here blow 4 and play

(5) 5 if you want, just emphasze 4)
Songbook.doc (21.06.00) 2
Contents
Against The Wind (Bob Seger)....................................103 My My, Hey Hey (Neil Young) ....................................85
All I want is You (U2) ...................................................76 Oben Ohne (Rainhard Fendrich) ...................................51
All Together Now (Beatles)...........................................63 Oide I hoit auf Di (Georg Danzer).................................15
Allan wia a Stan (Wolfgang Ambros)............................31 Old Man (Neil Young) ..................................................81
Angie (Rolling Stones) ..................................................89 One (U2) .......................................................................74
Blowin’ in the wind (Bob Dylan) ..................................95 Patience (Guns n’ Roses) ............................................116
Bye Bye Love (Everly Brothers)..................................136 Redemption Song (Bob Marley) .................................146
City of New Orleans (Arlo Guthrie) ............................128 Ruaf mi net an (Georg Danzer) .....................................13
Comes A Time (Neil Young).........................................84 Ruby Tuesday (Rolling Stones).....................................91
Corrina, Corrina (Wolfgang Ambros)............................30 Running to Stand Still (U2)...........................................72
Da Berg (Wolfgang Ambros).........................................39 Sailing (Rod Steward) ...................................................99
Da Hofer (Wolfgang Ambros) .......................................24 Schaffnerlos (Wolfgang Ambros)..................................41
De Kinett’n wo i schlof (Wolfgang Ambros).................28 Schau Schatzi (Georg Danzer) ........................................6
Der Frauenmörder Wurm (Georg Danzer).......................8 Schifoan (Wolfgang Ambros) .......................................36
Des Sandlers Flucht (Wolfgang Ambros) ......................40 Soldier of Fortune (Deep Purple) ................................143
Elfi (Georg Danzer) .......................................................17 Southern Cross (CSN)...................................................67
Es lebe der Zentralfriedhof (Wolfgang Ambros) ...........26 Stau auf der Tangenten (Georg Danzer) ........................22
Father And Son (Cat Stevens) .....................................108 Strada del Sole (Rainhard Fendrich) .............................49
Feia am Doch (Kurt O.) .................................................46 Streets of London (Ralph McTell) ..............................126
First Cut Is The Deepest (Rod Steward) ......................101 Suzanne (Leonhard Cohen)...........................................60
Für immer jung (Wolfgang Ambros, André. Heller) .....45 Tagwache (Wolfgang Ambros) .....................................43
Happy Birthday............................................................119 Take me home, Country Roads (John Denver)............145
Happy Xmas (John Lennon) ..........................................55 Teach Your Children (CSN)..........................................69
Heart of Gold (Neil Young)...........................................78 Tequila Sunrise (Eagles) ...............................................56
Help me make it through the night (K. Kristofferson) .114 The L+N Don’t Stop Here Anymore (M. Shocked) ......65
Helplessly Hoping, (CSN) .............................................71 The Needle and the Damage Done (Neil Young)..........83
Hilflose Hoffnung (STS) ...............................................48 The Night, They Drove Old Dixie Down (Joan Baez) ..92
Hotel California (Eagles) ...............................................57 The Times They Are A-Changin' (Bob Dylan)..............97
House Of The Rising Sun (Animals) .............................62 This Land is Your Land (Woody Guthrie) ..................140
I Don't Want To Talk About It (Rod Stewart) .............100 Wake Up Little Susie (Everly Brothers)......................138
I'd love you to want me (Lobo)....................................124 Wem heit ned schlecht is (Wolfgang Ambros)..............37
Jö schau (Georg Danzer)................................................11 What Shall We Do With The Drunken Sailor .............133
Knockin’ On Heavens Door (Bob Dylan)......................94 What's Up? (4 Non Blondes).......................................122
Lady In Black (Uriah Heep) ..........................................77 Whiskey In The Jar......................................................134
Lang is her (Georg Danzer) ...........................................19 Wia wird des weitergehn (Wolfgang Ambros) ..............34
Laß mi amoi no d’Sun aufgeh segn (Georg Danzer)......16 Wild Horses (Rolling Stones)........................................87
Loch amoi (Georg Danzer) ..............................................4 Wild World (Cat Stevens) ...........................................106
Me and Bobby McGee (Kris Kristofferson) ................112 Wind Of Change (Scorpions) ......................................130
Morning has broken (Cat Stevens) ..............................110 Wish You Were Here (Pink Floyd) ...............................53
Mull Of Kintyre (Paul McCartney)..............................141 Wonderful Tonight (Eric Clapton) ..............................120
Loch amoi (Georg Danzer)
C G
I wü kane augfressanen Gsichta mehr segn
d E7
I wü die gaunzen Wickeln nimma hean
a C D
Des zaht mi so owe, des mocht mi so kraunk
G F
Vergessts mi doch und hobts mi olle gern
C G
I wü in kane bledn Lokale mehr geh
d E7
Wo jeda umanaundasitzt und fäult
a C
Waunst wüst das si wos ändert
D
Faung amoi bei dir au
G F
Bessa di, daun bessert si die Wöt
Chorus:
C G a
Loch amoi, loch amoi, loch amoi
F G
und wan mi bitte nimma au
a C D
Loch amoi, loch amoi, loch amoi
G F
Weu mitn Raunzen ist doch a ned dau
I wü kane augsoffenen Gespräche mehr fian,
weu mi des so unhamlich niachtan mocht
Des druckt ma es Herz o, des schlog si aufd Sö
Do geh i liaba und sog guate Nocht
I wü a kane gscheitn Diskussionen mehr hean,
wo jeder immer nur von Freiheit red.
Waunst frei sei wüst, daun tua wos,
nur paß hoit auf dabei,

daß ned auf Kostn von wem aundan geht
Chorus ...
I wü in derer unsöligen Stodt nimma leben,
wost jeden Tog fünf Kilo schwerer wirst,
Wo da die Woaheit aufgeht wia schwindsüchtiger Mond
Und wost Di aun die Leukämie verlierst.
Schau Schatzi (Georg Danzer)
Intro:
G a C D7 G
G a
Schau Schatzi, i waß doch eh
C D7 G
daß i bei Dir auf da Saf steh
a
Owa Schatzi, mir macht des nix aus
C D7 G
weu auf da Saf bin i zhaus
a
Schau Schatzi, mir is doch eh kloa
C D7 G
daß des von Dir a bleda Schmäh woa
a
Owa Schatzi, und jetzt bisd baff
C D7 G
bei mir stehst a auf da Saf
a
Danzer: Du glaubst vielleicht, Du kannst mi rolln
D7
Danzer: Des ham scho andre vor Dir wolln
G C G
Danzer: wirst scho no merk’n das i ned so teppert bin
a
Du glaubst Du spüst Di do mit mir
D7
Dabei spü i mi do mit Dir
G a C D7
Was wett ma Schatzi, um was wett ma, daß i gwinn
G a
Schau Schatzi, tua da nix au
C D7 G
Du hasd halt glaubt Du bist so schlau
a
Oba Schatzi, Gott sei Lob und Dank
C D7 G
So schlau wia Du bin i no lang
a
Schau Schatzi täusch di ned mit mir
C D7 G
Sonst bin i draußen bei da Tür.
a
Weu Schatzi, und jetzt bist baff
C D7 G
Bei mir stehst a auf da Saf
a
Ambros: Du glaubst Du bist unhamlich gscheid
D7
Ambros: und rollst den ganzen Tog die Leit
G C G
Ambros: nur grad bei mir hot sowas leider hoit kan Sinn
a
Du glaubst Du spüst di do mit mir
D7
Dabei spü i mi do mit dir
G a C D7
Was wett ma Schatzi, um was wett ma, daß i gwinn
G a
Schau Schatzi, i waß doch eh
C D7 G
daß i bei Dir auf da Saf steh
a
Owa Schatzi, und jetzt bist baff
C D7 G
Bei mir stehst a auf da Saf
Der Frauenmörder Wurm (Georg Danzer)
Intro:
G D A7 D (2x)
E
A oide Frau geht einsam und verlassen
A7 D
Um Mitternacht durch die Schönbrunner Straß'n.
E
Es geht ka Tramway mehr um diese Zeit,
A7 D
Und auch kein Taxi siecht ma weit und breit.
G D
Vor einem Zeitungsstandl fallt sie nieder
E A
Und lest: "Der Mörder Wurm, der mordet wieder!"
D E
Sie stolpert weiter heimwärts vor sich hin,
A D
Doch dieser Satz geht ihr nicht aus dem Sinn.
Chorus:
G
Wer schleicht herum
D
Bei Nacht und Sturm?
A D
Des is der Frauenmörder Wurm!
G
Wer schleicht herum
D
Bei Nacht und Sturm?
A D
Des is der Frauenmörder Wurm!
E
Die oide Frau kommt endlich bis zum Gürtel,
A7 D
Sie waaß genau, das is ein böses Viertel!
E
Doch jetzt hat sie es nicht mehr weit nach Haus.
A7 D
Sie rast' sich bei der Stadtbahnhaltstell' aus.
G D
Doch wie sie weitergeht um d'nächste Ecken
E
Muß sie entdecken
A
Zu ihrem Schrecken:
D E
Da steht so a Figur im Lampenschein,
A D
Und ihr fall'n wieder diese Worte ein:
Chorus ...
E
Die Oide geht mit Trippelschritten weiter,
A7 D
Doch plötzlich wird ihr Antlitz wieder heiter!
E
Denn da steht nur a Madl mit sei'n Tascherl,
A7 D
Das hat um seinen Hals ein rosa Mascherl.
G D
Auf amoi lacht die Oide wiara Irre (hahaha)
E A
Und ziagt ein langes Kuchlmesser fire,
D E
Und sie sagt nur: "Gestatten Sie, ich bin
A D
Hermine Wurm, die Frauenmörderin!
G
Ich schleich' herum
D
Bei Nacht und Sturm,
A D
Verkleidet als der Mörder Wurm!
G
Ich schleich' herum
D
Bei Nacht und Sturm,
A D
Verkleidet als der Mörder Wurm!
G D
I bin vüi schlauer als die Polizei!
E A
De Deppen fangen mi nie ei'!"
D E
Und nach getaner Tat verschwindet sie.
A D
Den Mörder Wurm, den find't man nie!
Chorus ...
Jö schau (Georg Danzer)
Intro:
D E/D C7/D D E/D C7/D G(III) G#(IV) A(V) D
D E/D
Neulich sitz i uma hoiba zwa im Hawelka,
C7/D D
bei a poa Wuchtln und bei an Bier
E/D
Auf amoi gibt’s beim Eingang vurn an Murds Trara,
C7/D D
weu a Nackerter kummt eine bei der Tür
E/D
Da oide Hawelka sogt, suach ma an Plotz
C7/D D
oba sie mocht an potzn Paheu
E/D
Weu sie mant das sowas do ned geht
C7/D G G G# A
und er soi si schleichn, oba schnö
Chorus:
D A e
Jö schau, so a Sau, jössas na
A D G G# A
Wos mocht a Nockerter im Hawelka
D A e
Geh wui, osio pfui, meiner Sö
A D D7
heast i genierert mi, aun seiner Stell
G f# G f#
Ana ruaft a Wahnsinn!, gebts ihm wos zum anziehn
G f# E A
doch sei Freundin mant geh fesch, endlich ana ohne Wäsch
D A e
A D
E/D
Der Ober Fritz sagt: Wir sind hier ein Stadtkaffee
C7/D D
und wos sie do mochn is a Schweinerei.
E/D
Ein oider Schauspieler meint wiederum: aber geh,
C7/D D
oiso i find do gor nix dabei
E/D
Drauf sogt der Nockerte: Moment, Moment,
C7/D D
Sie wissen wohl nicht wer ich bin
E
A waun mi kana kennt, i bin sehr prominent,
C7/D G G G# A
als elegantester Flitzer von Wien
Chorus:
D A e
A D G G# A
D A e
Geh wui, osio pfui, andrerseits
A D D7
a so a Nockerter, hot a sein Reiz
G f# G f#
Moch ma hoit a Ausnahm, sama heit ned grausaum,
G f# E A
Weil ein Bohem-Jeu Lokal, pfeift auf Spießbürgermoral
Chorus:
D A e
A7 D
Outro:
D E/D C7/D D D E/D G D
Chords:
D xx0232
E/D xx0454
C7/D xx0353
Ruaf mi net an (Georg Danzer)
Intro:
D A e G A D
D A e
Ruaf mi net an weu du wast doch genau das i nimmer mehr wü
G A D
und a nimmer mehr kau, bitte ruaf net an.
A e
Ruaf mi net an weu i hea nua dei Stimm und dann schlof i net ei
G A D
bis i wieder die bledn Tabletten nimm.
G f#
Weit host mi brocht,i steh auf in da Nocht
e D
und dann geh i spazieren.
G f#
Ganz ohne Grund,i hob ned a moi an Hund
A
zum äußerln fian.
D A e
Und wann i ham kum is ollas wias woa,und mei Polster riacht
G A D
immer no noch deine Hoa heast i wia a Noa.
A e
I was du host jetzt an Freind mit an Porsche,sog eam doch
G A D
er soi in Orsch geh,und kumm wida ham zu mir.
D A e
Er geht mit dir jeden Abend fein essen,sog host schon vergessen
G A D
wia a Leberkas schmeckt aus’n Zeitungspapier.
G f# e
Er fiat di aus ins Theater,des brennt eahm sei Vater
D G f#
der Dillo dabei is’a schmähstaht und schiach und blad
A
mit seine hundert Kilo.
D A e
Ruaf mi net an weu du wast doch genau wo i wohn, wannst wos
G A D
wüst trau di her wannst ned z’feig dazu bist.
D A e
Ruaf mi net an weu du wast doch genau wo i wohn, wannst wos
G A D
wüst trau di her wannst ned z’feig dazu bist.
Oide I hoit auf Di (Georg Danzer)
Intro:
A D (4x)
A E
Oide - i hoid auf di,
f# D
weu du bist a Oide die unhamlich hoid auf mi.
h c# D
Ganz egal wiast ausschaust du bist sche für mi
h c# D
und i kann nix anders duan ois afoch steh auf di.
A E
Oide - i hoid zu dir,
f# D
weu du bist der Teu der mir am besten gfoit an mir
h c# D
und du bist da anzige Hoid für mi.
h c# D
Ohne di do treibat i was Gott wohin,
Chorus:
A D A D
Oide - i hoid auf di, Oide - i hoid auf di,
A D A D
Oide - i hoid auf di, Oide - i hoid auf di,
Solo (harp):
A E f# D h c# D h c# D
Oide - i hoid auf di,
ohne di do wa die Welt so furchtbar koit für mi,
ollas wos i bin verdank i dir,
weu i hob di so unhamlich im Gspir
Oide - heast, i hoid auf di,
weu du bist a Oide, die unhamlich hoid auf mi.
Ganz egal wiast ausschaust du bist sche für mi
und i kann nix anders tuan ois steh auf di,
Chorus:
Laß mi amoi no d’Sun aufgeh segn (Georg Danzer)
Intro:
D A7 h G D A7 D
A7 D
Madl hoid mi fest und hoid mi warm,
h E A7
hoid mi tiaf versteckt in deine Oam.
D F# h G
Früher sama stundenlang so glegn,
Chorus:
D A7 h G
laß mi amoi no d’Sun aufgeh segn,
D A7 D
laß mi amoi no d’Sun aufgeh segn.
I waß ned warum mi heut so gfriat,
und warums so finster in mir wird.
Ja i glaub jetzt kummt a schwerer Regen,
Chorus:
I hab oft auf´s Lebń gschimpf und wia,
oba glaub mia, tot sei is a ka Mäzie,
weu in so an Grob, do is ma zéng,
Chorus:
Jetzt wo ollas wochst und ollas bliaht,
daß ma im Herzń drin ganz damisch wird.
Will i mi net in´d Gruabn eine legń,
Chorus:
I geb zua, i hob vü Fehler gmocht,
i hob viel zu oft g’want und viel zu selten g’locht.
Oba loßts mi do ned sterbn deswegen na na na,
Chorus:
Loßts mi ...
Loßts mi ...
Elfi (Georg Danzer)
Intro:
Guitar : D G D G
Harp(D) : 6 -5 5 4 -6
Guitar : D G
Harp : 6 -5 5 4
Guitar : D G
D G
Du bist g’standen in der Dunkler Gass’n
D G
und du hast’ di dort aufreißen ‘lassen
e A7
du bist g’lant dort an der Mauer
e A7 G
beim ‘Hotel Bauer’
D G
Jeden Tag, wann i von da Schul’ ham’gangan bin
D G
bist dort g’standn in an Klad’l, des war blau oder grün
e A7
und deine Hoar woa’n so schee auftoupiert
e A7 G
und immer, wann i die g’sehn hab, hab i so was komisches
g’spürt
Chorus:
D A
Elfi, Elfi,
a G
i woar 13 Joahr,
g D
du warst 21 und wunderschee für mi
G A7 D
und du warst mei erste Liebe, wann a nur in meiner Fantasie
Bridge:
D, G, D, G (mit Harmonika)
D G
Und du warst so hilflos und so klan
D G
und deine Augen war’n so miad wir die Tauben auf’m staubigen
Trottoir
e A7
an am haß’n Tog, im August an da Wien,
e A e
wann da Sommer riacht nach Kinderfreibad, nach Teer und Benzin
Chorus:
Bridge:
Harp : 6 | 7 -6 6 5 | 4 -4 4 -4 4
Guitar : D | D/C | D/H D/B
D A7 D
jo, du warst mei erste Liebe, wann a nur in meiner Fantasie
Outro:
D G D G D (mit Harmonika Intro Riff)
Lang is her (Georg Danzer)
Intro:
A
A D A
Er zünd‘ si a Zigaretten au, schalt’s Radio auf Verkehr
c# D h
Im Rückspiegel die Autobahn is unbefahren und leer
f#
A triaba Sundochvormittag,
D A
es tuat si nix, ka Blattl fliagt im Wind
c# D
Er gibt a bissl Gas, doch ned zu vüh
A
er waß, er wüh zu Frau und Kind
D A
Der Frühling laßt si Zeit, die Sun hat überhaupt ka Kraft
c# D
Im Schattn is no Schnee, der See liegt stüh,
h
als ob er schlaft.
f# D A
Er denkt an nix bestimmtes, die Gedanken ziagn flügellahm dahin
c#
Doch ganz tiaf drinnen fragt er si
D A
wia bin i nur der wurd’n, der i heut‘ bin
c# D A
Er fahrt vorbei an aner großen neuchen Raststation
c# D A
Vor zwölf Joa war da nur a Tankstöh mit an Telefon
e
Da hat er immer angruafn
G D
wann er si hamlich troffen hat mit ihr
c# D
da war er no verheirat, aber nur
A
wia’s so scheh haßt, auf’n Papier.
Chorus:
E D E D
Lang is‘ her, lang is‘ her,
E D d A
lang is‘ her, lang is‘ her
D A
Er stellt si vor, wi’s sei wird, wann erst alles wieder bliaht
c# D h
Draht voll des Heizgebläse auf, weu eam in d‘ Zechn g’friat
f#
Er denkt, i sollt zum Rauchn aufhörn
D A
in mein Alter war’s jetzt langsam Zeit
c# D
Doch gleichzeitig da g’spiat er, dass des Rauchen
A
eam als anziges no g’freut
D A
Er zünd’t si wieder ane au und kurbelts Fenster auf
c#
Da Fahrtwind blast eam kalt ins Gsicht,
D h
doch des nimmt er in Kauf.
f#
Die Luft vertreibt den G’ruchn
D A
und die Nacht in dem Hotöh war ned sehr lang
c#
Er kann si ned an vüh erinnern,
D A
aber sie war halbwegs hübsch und schlank.
c# D A
Der Frühling laßt si Zeit, die Sunn hat überhaupt ka Kraft
c# D A
Und plötzlich fragt er si‘, wia er des bis daham no schafft.
e
So sehr er si bemüht,
G D
er find‘t auf amoi in sein ganz’n Leben kann Sinn.
c#
Und immer öfter fragt er si‘,
D A
wia bin i nur der wurd’n, der i heut‘ bin.
Chorus:
Stau auf der Tangenten (Georg Danzer)
Intro:
C a/H a
C
Manchmal denkt er no an sie,
a
es muaß jetzt fünf Jahr her sei.
C
Woa a haßa Sommertag,
a
der Himmel war ganz blass vor lauter Hitz.
F
Es war oben auf’n Laaerberg,
C a
beim Kreisverkehr, wos geht auf die Tangenten
C
Und es war wie üblich Stau,
a
sei Fenster war weit offen.
C
Und auf amoi steht sie da
a
mit an Schüd am Rucksack, d’rauf is g’standen: Linz
F
und er hat si denkt,
C
nimmst’as a Stückl mit,
a
weu er hat miassn nach St.Pölten.
C
Sie is eig’stiegn, sie war jung,
a
es war’n Semesterferien
C
hat dazöhd, dass da studiert,
a
ihre Achselhöhlen war’n ned ausrasiert.
F
Um die 19 hat er g’schätzt,
C a
so ungefähr im söbn Alter wie sei Tochter.
Chorus:
G F
Und auf amoi hat er so a Sehnsucht kriagt
G F
und die Sehnsucht hat si‘ g’färbt mit Traurigkeit
G F
über all die Jahre der verlor’nen Zeit
Bridge (harp):
C a C a F C a
C
Wiara z’ruckg’fahrn is nach Wien,
a
im Auto no ihr G’ruchn.
C
Is eam eing’falln, dass ihr Jean
a
übern linken Knia an klanan Riß g’habt hat.
F
Und daham sei Frau hat g’fragt:
C a
„Wos war?“ und er hat g’sagt: „A Stau auf der Tangenten“
Chorus:
Bridge (harp):
C a
C
Manchmal denkt er no an sie,
a
es muaß jetzt fünf Jahr her sei.
Da Hofer (Wolfgang Ambros)
D Dsus4 D Dsus4
G F
Schau, da liegt a Leich im Rinnsal,
C D
's Bluat rinnt in' Kanal!
G F
Heast, des is makaber:
C D
Da liegt ja a Kadaver!
G F
Wer is denn des, kennst du den?
C D G
Bei dem zerschnittnen Gsicht kann i des net sehn.
Bridge:
F C D
G F
Der Hofer war's, vom Zwanzgerhaus!
C D
Der schaut mir so verdächtig aus!
G F
Der Hofer hat an Anfall kriagt
C D G
und hat die Leich da massakriert!
Bridge:
F C D (2x)
Da geht a Raunen durch die Leut,
und a jeder hat sei Freud.
Der Hofer war's, der Sündenbock!
Der Hofer, den was kaner mog.
Und der Haufen bewegt si viere
hin zum Hofer seiner Türe.
Da schrein die Leut: Kumm außer, Mörder!
D
Aus is' heut!
C
Geh, mach auf die Tür!
F
Heut is' aus mit dir!
D
Weil für dei Verbrechen muß jetzt zahln!
C
Geh, kumm außer da!
F
Mir drahn dir d'Gurgel a!
D
Weu Du hast kane Freund, die da d'Stangen halten!
G F
Meuchelmörder, Leitschinder!
C D
De Justiz war heute g'schwinder!
G F C
Als was d'glaubst!
D G
Also, Hofer, kommen's raus!
Bridge:
F C D
Und sie pumpern an die Tür
und sie machen an Krawall alswia,
und sie tretatn's aa glatt ei,
tät die Hausmeisterin net sei.
Die sagt: Was is denn, meine Herrn?
Tun S' mir doch den Hausfrieden nicht stör'n!
Denn eines weiß ich ganz gewiß,
daß die Leich
der Hofer is!
Es lebe der Zentralfriedhof (Wolfgang Ambros)
Intro:
e e e e
G h C G
Es lebe der Zentralfriedhof und alle seine Toten!
e a D G
Der Eintritt ist für Lebende heut' ausnahmslos verboten.
e a D G
Weil der Tod a Fest heut gibt, die ganze lange Nacht.
C h a e
und von die Gäst' ka einziger a Eintrittskarten braucht.
G h C G
Wann's Nacht wird über Simmering, kummt Leben in die Toten,
e a D G
und drüben beim Krematorium tan s' Knochenmark obraten.
e a D G
Dort hinten bei der Marmorgruft, dort stengan zwei Skelete,
C h a e
die stessen mit zwei Urnen an und saufen um die Wette.
Chorus:
G D F C
am Zentralfriedhof is Stimmung, wia seit Lebtag no net woa,
a G D e
weil alle Toten feiern heut seine ersten hundert Jahr.
G h C G
Es lebe der Zentralfriedhof und seine Jubilare.
e a D G
Sie liegen und verfaul'n scho durt seit über hundert Jahre.
e a D G
Draußt is kalt und drunt is warm, nur manchmal a bissel feucht,
C h a e
wau ma so drunt liegt, freut ma si, wann Grablaternderl leucht.
G h C G
Es lebe der Zentralfriedhof, die Szene wird makaber;
e a D G
die Pfarrer tanzen mit die Huren, und de Juden mit d' Araber.
e a D G
Heut san alle wieder lustig, heut' lebt alles auf.
C h a e
Im Mausoleum spielt a Band, die hat an Wahnsinnshammer drauf.
Chorus ...
G h C G
Es lebe der Zentralfriedhof! Auf amoi macht's a Schnalzer,
e a D G
der Moser singt's Fiakerlied, die Schrammeln spüln an Walzer.
e a D G
Auf amoi is die Musi still, und alle Aug'n glänzen
C h a e
weu dort drübn steht der Knochnmau und winkt mit seiner Sensen.
Chorus ...
De Kinett’n wo i schlof (Wolfgang Ambros)
Intro:
D G D G e A D G e A
D G
Wann in der Fruah die Nocht gengan Tog den Kürzern ziagt
D G
Und waun da erste Sonnenstrahl die letzte Dämmerung dawiagt
e A D G e A
Dann woch i auf in der Kinettn wo i schlof
D G
Die Tschuschn1 kommen und i muaß mi schleichn sonst zagns mi an
D G
So kreul i hoit ausse und putz ma in Dreck ab, so guat i kann.
e A D G e A
2
So steh i auf, in der Kinettn wo i schlof, so steh i auf
D G
I hob mi scho seit zehn Tog nimmer rasiert und nimmer gwoschn,
D G
Und i hob nix als wia a Flaschl Rum in der Manteltaschen
e A D G e
Den gib i ma zum Frühstück und dann schnorri an um a Zigaretten
an
e A
Und um an Schilling
D G
Und de Leut kommen ma entgeg’n wia a Mauer kommens auf mi zua.
D G
I bin der einzige der ihr entgeg’n geht, kummt ma vur
e A D G e
Oba i reiß mi zaum und moch beim ersten Schritt die Augn zua
Bridge:
Asus A D G D G e A D G e A
Es is do ganz egal ob i was arbeit oder net, wie fia die dünne
Klostersuppn genügts doch a waun i bet.
Laßts mi in Rua, weu heit schüttns mei Kinettn zua.
Laßt’s mi in Ruah
1
Tschusch: [Herkunft unsicher] der; -en, -en: (österr. ugs. abwertend) Ausländer (bes. als Angehöriger
eines südosteuropäischen od. oriental. Volkes).
2
Künette: die; -, -n <franz.> (Abflussgraben)
Corrina, Corrina (Wolfgang Ambros)
F B F
Corrina, Corrina, sag, wo bleibst so lang?
B F
Corrina, Corrina, sag, wo bleibst so lang?
C
I moch ma solche Sorgen,
B F
bitte kumm boid ham!
A Vogl singt im Gartn und de Blumen blühn.
A Vogl singt im Gartn und de Blumen blühn.
Aber ohne mei Corrina
kann mi des net berührn.
Corrina, Corrina, Madl, i denk an di.
Corrina, Corrina, Madl, i denk an di.
Und wanns’d net boid zu mir kummst
is ollas aus fia mi.

Allan wia a Stan (Wolfgang Ambros)
Intro:
C F G G C F G G C F G G C F G G
C d
A vua langer Zeit woast so elegant und
e F Gsus
host no glaubt, du bist wos Besser’s, is net woa?
G C d
Und wann wer gsagt hod, paß bitte auf,
e F Gsus G
dann host nua g’locht, weu des fia di so lustig woa.
F Gsus G
Du host di lustig g’mocht,
F Gsus G
olle andern host laut ausglocht,
F e d C
oba jetzt schau wo hin hod di des brocht.
F e d C
Jetzt lochst nimma, und i hob di im Verdocht,
d F Gsus
daß de aufreiß’n loßt auf da Stroß’n fia an Opfe und a Ei,
Chorus:
G C F
wia fühlst di dabei?
G C F
Jo, wia fühlst di dabei?
G C F
So zwisch’n ans und zwa,
G C F
so ganz und gar allan,
G C F G G
so allan wia a Stan.
C d
Du woast auf de feinst’n Schul’n, host ma gsogt,
e F G
oba durt hob’ns da immer nua des Hirn varruaßt.
C d
Du hoßt nie g’lernt, wia ma überlebt,
e F G
oba jetzt siechst ein, daß d’es doch amoi lernen muaßt.
F G
Du sogst, du mochst kann Kompromiss,
F G
du waßt wos foisch und wos richtig is.
F e d
Oba du suachst nur Alibis
F e d C
fia wos, wos net zum entschuidig’n is.
D F G
Du loßt di auf an g’fährlich’n Hand’l ein.
Chorus ...
Du host du nie kümmert um de Leit,
die gezwungenermoß’n aus da Reihe foin.
Und de davon leb’n. daß di unterhoit’n, oba du
wolltest nie de Rechnung zoin.
Du wolltast sein de Superfrau,
von dein Karrieremann.
Is net oag, wia ma si täusch’n kann,
es woa scho aus, do host du g’laubt, es fangt erst an
und des Leb’n is fia di jetzt nur a anzige Schinderei.
Chorus ...
Du woast a Prinzessin fia de Leit,
de nix außa Sauf’n und teppert Schmäh fian tan.
De sich beschenk’n mit wervolle Dinge,
oba dir schenk’ns jetzt nix mehr, weus bes auf di san.
Du host imma glaubt, du muaßt di scheniern,
fia de Leit, des’d kennst und de si anders aufführn.
Jetzt brauchst ihre Hilfe, um net zu krepiern.
Wann ma nix hod, hod ma nix zu verliern.
Und trotzdem glaubst immer no, es geht amoi vorbei -
doch
Chorus: ...
Wia wird des weitergehn (Wolfgang Ambros)
Intro:
d d d
d
Da junge Mensch sitzt gottergeben und
g
fiacht si vua die Bam vurm Fenster
A d
Er hot si an die Agonie verkauft
g A
De schenan Zeiten san vurbei, er is gelähmt vua Angst,
d d/C b
er was er is allan und krank und kana hüft eam
F g C d
Und er wü fuat, nur fuat. Er wü weg, nix wia weg
g
Er g’spiat das des wos ernstes is,
A
er fiacht si in der Fruah vurm Aufsteh
d d/C
und ollas wos er denken kau is
Chorus:
b F g C d
Wia heat des auf, wia wird des weidagehn
De gaunze Kroft hot eam verloss’n, wo san die Toge wo da Wind

den Koda in der Fruah verblos’n hot.
Er hot die Spiele imma g’wuna, er hot zu leichte Gegener

g’hobt, er hot net glaubt, daß er amoi valiern könnt.
De is vorbei, ollas vorbei, er is allan, gaunz allan.
Er söba is jetzt sei größter Gegner und söba toat si neamt gern
weh, oba jetzt muaß er, weu er was net
Chorus ...
Er gibt si Mühe, daß er ruhig bleibt, red net vü und grobt si

ein. Er wü vermeid’n, daß er unguat auffoit.
Er flüchtet in die Selbstzerstörung, vü Schnops, vü Rauch und

vü Kaffe, bis eam amoi die Luft wegbleibt
Chorus ...
h F g C d
So heat des auf, so wird des weidagehn
Outro:
h F g C d g A d
Schifoan (Wolfgang Ambros)
Intro:
G e C D (2x)
G e C D
Am Freitag auf'd Nocht montier i die Schi
G e C D
auf mei Auto und dann begib i mi
G e C D
ins Stubaital oda noch Zell am See,
G e C D G e C D
Weu durt auf de Berg ob'n hams imma an leiwand'n Schnee.
Chorus:
G e
Weu i wü schi-foan (foan, foan, foan)
C a
schi-foan (wou-ou-ou-ou)
G e
schi-foan (foan, foan, foan)
C e a C G
schifoan is des leiwandste wos ma si nur vurstö'n kaun.
G e C D (3x)
In der Frua bin i da Erste der wos aufefoahrt

damit i net so laung aufs aufefoarn wort.
Ob'n auf da Hütt'n kauf i ma an Jagertee,
Woi so a Tee mocht den Schnee erst so richtig sche.
Chorus ...
und wann da Schnee staubt und wann de Sun scheint

dann hob i olles Glück in mir vereint.
I steh am Gipfel schau owe ins Tal;
a jeda is glücklich a jeda fühlt se wohl und wü nur
Chorus ...
Am Suntog auf'd Nocht montier i de Schi

auf mei Auto oba dann überkummts mi
und i schau no amoi aufe und denk ma, oba wo,
i foa no net z'haus i bleib am Montag a no do
Chorus ...
Wem heit ned schlecht is (Wolfgang Ambros)
Intro:
G e a D G e C a G e C D G D G
G e
Wem heit ned schlecht is, des kann ka Guata sein,
a D
wer no ned g’spieb’n hat trinkt no a Glaserl Wein
G e C a
Weu ma alle Weana san und weu ma so vü saufn tan
G e C D G
Drum san ma so beinand; dafür san mia bekannt
e
A so a Rausch is a so was schenes
a D
is a so was gemütliches, so was bequemes.
G e C a
Mir san so voi Glückseligkeit, mia saufn weus uns gor so gfreut
G e C D G
So is bei uns in Wien, ja da liegt wos drinn
e
Weu noch siebn Viertln, wird erst das Leben schön
a D
und nach an Doppler, wenn ma alles doppelt seh’n
G e C a
Da fahr ma dann von Grinzing ham und manchmal fahr ma an an Bam
G e C D G
aber des is uns wurscht, weu mir ham so an Durscht
Bridge:
G e a D G e C a G e C D G D G
e
Und wanns dann aus wird sein dann pack ma’s mit’n Schmäh,
a D
mia sauf’n uns ins Grab, weu mia san kane Weh!
G e C a
Da mach’ ma d’Augen zua und die Musi spüt dazua
G e C D G
Und wenn der Herrgott wü, dann sing ma voller G’füh:
Chorus:
G e
Wem heit ned schlecht is, des kann ka Guata sein,
a D
wer no ned g’spieb’n hat trinkt no a Glaserl Wein
G e C a
Weu ma alle Weana san und weu ma so vü saufn tan
G e C D G
Drum san ma so beinand; dafür san mia bekannt
D G
ha-lo
Da Berg (Wolfgang Ambros)
a d
Groß und mächtig, schicksalsträchtig,
a d
um seinen Gipfel jagen, Nebelschwaden
e
A Donnern schickt er oft ins Tal
a h
und dann schauderts alle auf amal
G D A D
wann er donnert, Gott behüt, der Berg der kennt ka Einsegn nit
Chorus:
G D
Watzmann, Watzmann, Schicksalsberg,
A e
du bist so groß und i nur a Zwerg
Bridge:
a d a d
Solo:
a d a d (6 x)
a d
Vü hats scho pockt, am Berg aufiglockt
a d
g’folgt sinds im tapfer, oba der Berg, der wüll sei Opfer
e
Der Berg der loßt hoit niemand aus,
a h
drumm steigts ned auffe, bleibts liaba z’Haus
G D A D
alle san se lange tot, weu hoit der Berg ka Einsegn hot
Chorus ...(2x)
Outro:
G D A D (8x)
Des Sandlers Flucht (Wolfgang Ambros)
Intro:
A A A D A (3x)
A
„Helfts ma bitte, helfts ma!“,
D A
hot da Sandler gschrian, „I wü net das mi ausetrogn
D A
und in Hefn umefian;
D A
i hob scho so vü duachgmocht und mei Zeit is praktisch um!
D A
I was net wos i foisch gmocht hob, i was net warum!“
Bridge:
A A A D A (2x)
Der Richter schaut eam an und sogt mit Tränen
in die Augen: „Des wirst du nie versteh’ Oida;
wos soll i dir no sogn.“
Die G’schworenen hobn no imma net gnua,
sie woin das man eam hängt.
Und draußn steht a Menschenmenge, die zum Eingang drängt.
Bridge:
A A A D A (2x)
„Jetzt heats endlich auf mit der Quälerei!“,
hot die Krankenschwester gschrian, der hoit des doch nie aus;
der wird uns noch krepirn.“
Auf amoi hot der Blitz eigschlogn und olle sand glegn im Dreck,
und wias zum beten aufgheat hobn, da woa der Sandler weg.
Outro:
A A A D A
Schaffnerlos (Wolfgang Ambros)
Picking:
e:--------0---------|
B:------0---0---0---|
G:----0-------0---0-|
D:------------------|
A:------------------|
E:--3---------------|
Intro:
G e C G e C G (mit harp)
G e C G
Schaffner und Schaffner, is zweierlei,
e C G D
man kann nur ein Schaffner, oder auch ein Herr Schaffner sei.
e C G
Man kann Stationen ausrufen, Fahrscheine verkaufen
e
und sunst nur parieren,
C G
man kann der Knecht sei von den Fahrgäst
D G
oder den Wagon regieren.
C G D G
Schaffner sei, des war amoi wos,
C G D G
die Zeit ist vorbei, des is des Schaffnerlos.
Chorus:
C G D G G7
C G D G
die Zeit ist vorbei, heut fahrt ma Schaffnerlos.
e C G
Die Schaffner sterben aus, überall,
e C G D
der Mensch wird ersetzt, durch a Kastl aus Metall.
e C G
Wenn man do an Fahrschein einesteckt sogt kana: „Danke“
e
oder "Bitte vorgehen".
C G
Die sogn überhaupt nichts, die rian sich ned amoi
D G
wenn die Leut auf der hinteren Plattform stehn.
Chorus:
C G D G G7
Schaffner sei des war amoi wos,
C G D G
so wird´s nie wieder, des is des Schaffnerlos.
C G D G G7
Schaffner sei des war amoi wos,
C G D G
es kummt nie wieder, des is des Schaffnerlos.
e C G
Wenn man heut zu an sogt: "Hean´s steigns aus",
e C
dann sogt der höchstens: "Gusch",
G D
und der ganze Wagon klatscht Applaus.
e C G e
Vor einer Schaffneruniform hot ma früher fost salutiert,
C G
heut wird ma nur verächtlich angschaut
D G
das ma sich direkt geniert.
Chorus:
C G D G G7
C G D G
so wird´s nie wieder sei, des is des Schaffnerlos,
C G D G G7
C G D G
so wird´s nie wieder sei, des is des Schaffnerlos.
Outro:
C G D G
Tagwache (Wolfgang Ambros)
TAGWACHE !
Intro:
E A B E
E E A B
Links um, rechts um schallt es schroff
E A c# D
über den Kasernenhof,
E E A B
grau in grau wohin i schau.
E A E
Und ana a ganz a klana,
E A
der schreit und wird immer länger
E A
und er schreit und er schreit und er schreit und schreit
E E A B B7
bis eam de Aug'n wia Topf'nnockerln ausse hängan
Chorus:
E B c# A
Jo, Jo in Zivü do woa er net vü
E B7 c# A E
oba beim Militär do is er wea
E B c# A
Jo, Jo in Zivü do woa er net vü
E B7 c#
oba beim Militär do is er hoid wea,
A E
jo do is er hoid wea!
F# A
Im Gleichschritt muasst sogar zum Ess'n geh
B F#
a hoibe Stund' laung Schlangen steh',
D E F#
es is so wia im Häfen1
F# A
Drum hebt's de Hand zum Kappenrand,
1
Häfen: Strafanstalt
B B9 F#
mia leb'n in an schenen, in an schenen freien Land
D E F# D B F#
Jo und do gibts so Weh de leb'n a no von dem Schmäh
D E F# D B F#
Jo und do gibts so Weh de leb'n a no von dem Schmäh
Chorus:
E B c# A
Naujo in Zivü do woan’s ned vü
E
do woan’s ned vü
E B7 c#
oba beim Militär do san’s jetzt wea
A E
jo do san’s jetzt wea!
E E A B
Mit'n G'wehr und mit'n Sturmgepäck
E A c# D
liegst an hoibn Tag im Dreck,
E E A B
weils da "Lü" halt so wü
E A E
DECKEN ! Platsch, und scho wieda liegst im Gatsch,
E A E
oba wos, wos is der Herr Minister jo wos is a scho
A E A E
und wos kann er no werd'n gegan völlig fett'n Obrüsta
E E A B
i sog:"Auf wiederschau'n meine Herrn, und jetzt hobts mi gern"
Chorus: (2x)
E B c# A
Jo, jo in Zivü, des is s G'füh
E B7 c# A
und nimma mehr beim Militär, beim Militär
Chords:
B9 x2122(2)
Für immer jung (Wolfgang Ambros, André. Heller)
Intro:
???
E g#
Di soll's geb'n solangs die Welt gibt und die Welt soll's immer
geb'n
A f# E
ohne Angst und ohne Dummheit ohne Hochmut sollst du leb'n
g#
zu die Wunder und zur Seeligkeit ist dann nur a Katzensprung
A B E
und waun du wüst bleibst immer jung
Chorus:
E B c#
Für immer jung, für immer jung
E B
waun du wüst, waun du wirklich wirklich wüst
E
bleibst immer jung
E g#
Du sollst wochsen bis in Himmel, wo du bist soll Himmel sein
A f# E
du sollst Wahrheit reden und Wahrheit tun, du sollst verzeihen
g#
Waun'st Vertraun host in di selber daun brauchst ka
Versicherung
A B E
weu daun bleibst für immer jung
Chorus ...
E g#
Du sollst nie aufhören zu lernen, arbeit mit der Phantasie
A f# E
waun'st dei Glück gerecht behandelst, daun valosst's di nie
g#
und du solllst vor Liebe brennen und vor Begeisterung
A B E
weu daun bleibst, weu daun bleibst für immer jung
Chorus ...
Feia am Doch (Kurt O.)
Intro:
e G A C e G A C
e G
Wiagst ois obe, schluckst die Krot
A C
Loßt es guat sei a wanns oasch is
e G A
Weu es is halt so Und so bist es gwöhnt
e G
Biagst de Täg o Joa fia Joa
A C
Nur ka Wossa bis ois morsch is
e G A
Und daun stehst an. Weus auf amoi brennt
Chorus:
e A
Uuuh - jetzt stehst schee daneben
e G A
Uuuh - jetzt miaßat wos gschehn
e A
FEIA AM DOCH / JETZT IS FEIA AM DOCH
e A
G C A C e
Uuuh Uuuh Uuuh FEIA AM DOCH
Bridge (instrumental):
e G A C e G A C e
Nix geht weida wann ma steht
und augschrauft wart auf bessre Zeiten
De kumman ned, wann ma ses ned mocht
De andern warten ned so lang
De zündeln gern und spün mitn Feia
Und dann is z’spät Wann mas mochn loßt
Chorus:
Uuuh - do hüft ka schee redn
Uuuh - do muaß wos gschehn
Bridge (instrumental)
Chorus:
Uuuh - do hüft ka schee redn (Na)
Uuuh - do muaß wos gschehn
Hilflose Hoffnung (STS)
This is a very nice german version of Crosby,
Hilflose Hoffnung hetzt hamlich und Stills & Nash’s Helplessly Hoping. For the
hastig vorbei, chords see page 71 !
und wehe Du woatst.
Gehst und vergisst auf die Stunden und auf amoi rennst,
suachst die große Frei-heit.
Eigentlich möchst liaba irgendwo blei-b’n.
Wertloses Warten, a Witz nur zum weinen und wundern,
na die Zeit is no ned reif.
Komisches, kosmisches Kichern tanzt blind durch die Wolken,
bist Du des der da schreit ? Is kana mehr do ?
Chorus:
Irgenwer is kana, irgendwann kummt nie,
irgendwie is gor ned, irgendwo is nirgends
Stehst wie verstanert und siechst so vü seltsames furtgehen,
konfus und wia derschlogn.
Langsam wirst leiser, Dei Lochn mecht liaber verlurn gehen,
suacht an stillen Plo-otz. Und kana is mehr do
Chorus:
Strada del Sole (Rainhard Fendrich)
Intro:
Gsus4 G Dsus4 D C G D C
G D C G
I steh in da Hitz an da Strada del Sole,
D C G
die Fiaß dama weh in de neichn Sandale.
D C G
Mei Freindin is oposcht mit an Italiano,
D
des Geld hams ma gstessn, jetzt steh i alla da
Chorus:
C G D
und hab kane Lire und hab kane Lire
C G D
und kane Papiere, so was haut di net vire.
h e C D h e
Auf amoi wars peule mit dem Papagalle und mi laßt's da anglahnt
C D G
in meine neichn Sandale, des is a Skandale.
Chorus:
D
I hab kane Lire
C G D
G D C G
Er wollte Amore mit bella ragazza
D C G
auf sentimentale und auf da Matratza.
D - G
Dann is ana antanzt mit'n Alfa Romeo,
D
zerscht hab i eam na ausglocht und jetzt steh i sche da
Chorus:
C G D
und hab kane Lire und hab kane Lire
C G D
h e C D
Er hat's mitn Schmäh packt auf dolce far niente,
h e C D
net sehr vü im Hirn, aber molto potente,
G
dem hau i die Zähnt ei.
Chorus:
D
I hab kane Lire
C G D
G D C G
I wollt nach Firenze, nach Rom und nach Pisa,
D C G
doch jetzt hab i endgültig gnua von die Gfriesa.
D - G
Total abgebrannt steh i da ganz allani,
D C G
war i nua daham bliebn bei meine Kumpani.
h e C D
I wünschat des alles am liebsten zum Teufel,
h e C D
was brauch i den Bledsinn, i steh aufs Gänsehäufl,
G
auf Italien pfeif i.
Oben Ohne (Rainhard Fendrich)
G D7 G
Die Hitze der Stadt ist im Sommer brutal.
C D
Weil man fürchterlich matt ist, wird das Leben zur Qual.
G D7 G
Darum strömen die Massen zu den städtischen Kassen,
D7 G
weil die Frische die hat man nur in einem Bad.
C D G
Leider Gottes, die Sitten sind vollkommen entglitten;
C G D
jeder geht, wie man sagt, schon beinah splitternackt.
G D7 G
Sogar Damen befreiten ihre oberen Weiten
D7 G G7 C
und die Sonne versengt, was man nicht mehr verhängt.
Am Familienbecken sitzt a älterer Herr,
der zuckt auf seiner Deckn ganz nervös hin und her.
Seine Blicke san statisch und sein Pulsschlag fanatisch;
er hat etwas entdeckt, was ihn furchtbar erregt.
Ja es ist dieses Wippen an den weiblichen Rippen,
das er ständig fixiert weil es ihn fasziniert.
Plötzlich macht es an Kracher - es is sei Herzschrittmacher
leider entgültig hin; schuld daran ist nur sie, sie is
Chorus:
G D G D
O----ben ohne (so a haaßer Summer), (4x)
Wenn sie sich so entblößen, ohne jede Moral,
in verschiedenen Größen, ist das fast ein Skandal.
Schaut man in Liegestühle springt die weibliche Fülle
einen förmlich ins Gsicht; sowas g'hört sich doch nicht!
"Ja man muß sich entrüsten wenn sie sich so erbrüsten
in der schönen Lobau." schreit a reifere Frau,
die durch die Zellulitis leider nicht mehr so fit ist.
Und der Grund warums schreit ist nur der blanke Neid.
Niemals ...
Chorus:
Ein sehr sportlicher Langer schmiert sich vorsichtig ein.
Er paßt in seinen Tanga beinah' nicht mehr hinein.
Er bemüht sich beim Schmieren, Mädchen zu imponieren,
doch bei so aner Hitz nimmt man kaane Notiz.
Do gibt er sich an Stesser und zieht einfach den Gösser-
muskel vorsichtig ei und geht flockig vorbei.
Da bekommt er Gefühle, er braucht dringend a Kühle;
Schwimmen kann er net geh mit seim neichn Toupet.
Er is ...
Chorus:
Wish You Were Here (Pink Floyd)
Intro:
e G e G e A7 e A7 G e G e G e A7 e A7 G
Tab Intro 1
e:----------------|--3---3-3-3--|-------------|--3---3-3-3----|
B:----------------|--3---3-3-3--|-------------|--3---3-3-3----|
G:----------------|--0---0-0-0--|-----0-------|--0---0-0-0----|
D:----------0--2--|--2---2-2-2--|--2-----2--0-|--0---0-0-0----|
A:-----0/2--------|-------------|-------------|---------------|
E:--3-------------|-------------|-------------|---------------|
e:----------------|--3---3-3-3--|--------------|--3--3-3-3----|
B:----------------|--3---3-3-3--|--------------|--3--3-3-3----|
G:----------------|--0---0-0-0--|--------------|--0--0-0-0----|
D:----------0--2--|--2---2-2-2--|--2--0--------|--0--0-0-0----|
A:-----0/2--------|-------------|--------2--0--|--------------|
E:--3-------------|-------------|--------------|--3--3-3-3----|
e:---------------3--3-3-3-3--3-3-3-3-3--|
B:---------------3--3-3-3-3--3-3-3-3-3--|
G:---------------0--0-0-0-0--0-0-0-0-0--|
D:-------0-------0--0-0-0-0--0-0-0-0-0--|
A:--0/2----------2--2-2-2-2--2-2-2-2-2--|
E:----------3----3--3-3-3-3--3-3-3-3-3--|
This part is done with two guitars. One plays Intro 1 line and the lead part tabbed below
comes in after the first bar. (Intro1 is done consecutively four times.)
Tab Lead 1:
e:-------------------------------------------|
B:--------3---5-----3------------------------|
G:---2/4---------4------4/2/0----------------|
D:-----------------------------0-------0--0--|
A:--------------------------------0/2--------|
E:-------------------------------------------|
Tab Lead 2:
e:---3/5--3--------------------------|
B:---3/5--3--3/5--3-----3/5--5\3--0--|
G:-----------2/4--2--0--2/4--4\2--0--|
D:-----------------------------------|
A:-----------------------------------|
E:-----------------------------------|
Tab Lead 3:
e:----------------------------------------------------|
B:--------3-----5--5b(7)-----3----------3--5----------|
G:---2/4-----4------------4-----2--4/6--------4/6--2--|
D:----------------------------------------------------|
A:----------------------------------------------------|
E:----------------------------------------------------|
Tab Lead 4:
e:-----------------------------------------------|
B:-------3-----5--5b(7)--3-----3-----------------|
G:--2/4-----4---------------4-----2--4/6---2--0--|
D:-----------------------------------------------|
A:-----------------------------------------------|
E:-----------------------------------------------|
C D a
So, so you think you can tell Heaven from Hell,
G
blue skies from pain.
D C
Can you tell a green field from a cold steel rail?
a
A smile from a veil?
G
Do you think you can tell?
C D
And did they get you to trade your heroes for ghosts?
a
Hot ashes for trees?
G D
Hot air for a cool breeze? Cold comfort for change?
C a
And did you exchange a walk on part in the war
G
for a lead role in a cage?
Bridge:
e G e G e A7 e A7 G
C D
How I wish, how I wish you were here.
a
We're just two lost souls swimming in a fish bowl,
G
year after year,
D C
Running over the same old ground. What have we found?
a
The same old fears.
G
Wish you were here.
Outro:
e G e G e A7 e A7 G e G e G e A7 e A7
Happy Xmas (John Lennon)
A
So this is Xmas Let’s stop all the fight
h
And what have you done A very merry Xmas
E
Another year over And a happy new year
A
And a new one just begun Let’s hope it’s a good one
D
And so this is Xmas Without any fear
e
I hope you have fun And so this is Xmas
A
The near and the dear one And what have we done
D
The old and the young Another year over
G
A very merry Xmas And a new one just begun
A
And a happy new year And so this is Xmas
e
Let’s hope it’s a good one We hope you have fun
Without any fear The near and the dear one
And so this is Xmas The old and the young
For weak and for strong A very merry Xmas
For rich and the poor ones And a happy new year
The world is so wrong Let’s hope it’s a good one
And so happy Xmas Without any fear
For black and for white
For yellow and red ones
Tequila Sunrise (Eagles)
Intro:
G Gsus G Gsus G Gsus a D7 G
G
It's another tequila sunrise
D a D7 G
Starin' slowly 'cross the sky, said good bye
G
He was just a hired hand
D a D7 G
Workin on the dreams he planned to try, the days go by
e C
Every night when the sun goes down
e C e
Just another lonely boy in town
a D7
And she's out runnin' round
G
She wasn't just another woman
D a D7 G
And I couldn't keep from comin' on, it's been so long
G
Oh and it's a hollow feelin'
D a D7 G
When it comes down to dealin' friends, it never ends
Solo
G D a D7 G
a D7
Take another shot of courage
h E a H e7 A
Wonder why the right words never come, you just get numb
G
It's another tequila sunrise
D a D7 G
This old world still looks the same, another frame
Hotel California (Eagles)
Intro:
h F# A E G D e F# (2x)
h F#
On a dark desert highway, cool wind in my hair
A E
Warm smell of colitas, rising up through the air
G D
Up ahead in a distance, I saw a shimmering light
e F#
My head grew heavy and my sight grew dimm, I had to stop for
the night
h F#
There she stood in the doorway; I heard the mission bell
A E
And I was thinking to myself, ‘This could be heaven or this
could be hell’
G D
Then she lit up a candle and she showed me the way
e F#
There were voices down the corridor, thought I heard them say..
Chorus:
G D
Welcome to the Hotel California
F# h
Such a lovely place (such a lovely place), such a lovely
face
G D
Plenty of room at the Hotel California
e F#
Any time of year (any time of year), you can find it here
h F#
Her mind is Tiffany-twisted, she got the Mercedes Benz
A E
She got a lot of pretty, pretty boys, that she calls friends
G D
How they dance in the courtyard, sweet summer sweat
e F#
Some dance to remember, some dance to forget
h F#
So I called up the Captain, Please bring me my wine
A E
He said, We haven’t had that spirit here since 1969
G D
And still those voices are calling from far away,
e F#
Wake you up in the middle of the night, just to hear them say..
Chorus:
G D
Welcome to the Hotel California
F# h
Such a lovely place (such a lovely place), such a lovely
face
G D
They're livin' it up at the Hotel California
e F#
What a nice surprise (what a nice surprise) bring your
alibies
h F#
Mirrors on the ceiling, the pink champagne on ice, and she said
A E
We are all just prisoners here, of our own device
G D
And in the master’s chambers, they gathered for the feast
e F#
They stab it with their steely knives, but they just can’t kill
the beast
h F#
Last thing I remember, I was running for the door
A E
I had to find the passage back to the place I was before
G D
‘Relax’, said the night man, We are programmed to receive.
E F#
You can check out any time you like, but you can never leave.
Outro:
h F# A E G D e F# (5x)
Suzanne (Leonhard Cohen)
E
Suzanne takes you down to her place near the river
f#
You can hear the boats go by
You can spend the night beside her
E
And you know that she's half crazy
But that's why you want to be there
g#
And she feeds you tea and oranges
A
That come all the way from China
E
And just when you mean to tell her
f#
That you have no love to give her
E
Then she gets you on her wavelength
f#
And she lets the river answer
E
That you've always been her lover
g#
And you want to travel with her
A
And you want to travel blind
E
And you know that she will trust you
f# E
For you've touched her perfect body with your mind.
And Jesus was a sailor when he walked upon the water
And he spent a long time watching
From his lonely wooden tower
And when he knew for certain
Only drowning men could see him
He said "All men will be sailors then
Until the sea shall free them"
But he himself was broken
Long before the sky would open
Forsaken, almost human
He sank beneath your wisdom like a stone
And you want to travel with him
And you think maybe you'll trust him
For he's touched your perfect body with his mind.
Now Suzanne takes your hand and she leads you to the river
She is wearing rags and feathers
From Salvation Army counters
And the sun pours down like honey
On our lady of the harbour
And she shows you where to look
Among the garbage and the flowers
There are heroes in the seaweed
There are children in the morning
They are leaning out for love
And they will lean that way forever
While Suzanne holds the mirror
And you want to travel with her
And you know that you can trust her
For she's touched your perfect body with her mind.
House Of The Rising Sun (Animals)
Intro:
a C D F a E7 a
a C D F a C E7
There is a house in New Orleans, They call the rising sun
a C D F
and its been the ruin of many a poor boy
a E7 a
and God, I know I'm one
Bridge:
a C D F a E7 a
My mother was a tailor
She sewed my new blue jeans
My father was a gamblin' man
Down in New Orleans
Now the only things a gambler needs
is a suitcase and a trunk
and the only time he's feeling satisfied
is when he's on a drunk
Now mothers
Tell your children
Not to do what I have done
And spend your life in sincere misery
in the House of the Rising Sun
All Together Now (Beatles)
Intro:
(F) G G G G ...
G D7
One, two, three, four can I have a little more?
G D7 G
five, six, seven eight nine ten I love you
D7
„A, B, C, D“ can I bring my friend to tea?
G D7 G
„E, F, G H I J“ I love you
C G
Sail the ship, Jump the tree
C D
Skip the rope, Look at me
G
All together now (Background: alltogether now)
All together now
D7
All together now
All together now
Black, white, green, red can I take my friend to bed?
Pink, brown, yellow orange and blue - I love you
G
All together now
All together now
D7
All together now
G
All together now
All together now
All together now
D7
All together now
G
All together now
Sail the ship, Jump the tree
Skip the rope, Look at me
G
All together now
All together now
D7
All together now
G
All together now
All together now
All together now
D7
All together now
G
All together now
All together now
All together now
D7
All together now
G C D7 C G
All together now
The L+N Don’t Stop Here Anymore (Michelle Shocked)
Intro:
e D e C D e D e C D e C D e
e D e
When I was a curly headed baby
D e
My daddy set me down on his knee
D
Saying son you go to school
e
You learn your letters
C D e
Don’t you be no dusty miner, boy, like me
Chorus:
D e
I was born and raised at the mouth of the Hazzard Holler
D e
Where the coal cars rolled and rumbled past my door
D e
But now they stand in a rusty row of all empties
C D e
Because the L+N don’t stop here any more
I used to think my daddy was a black man
With scrip enough to buy the company store
But now he goes to town with empty pockets
And, Lord, his face was white, as the February snow
Chorus ...
Never thought I’d have to learn to love the coaldust
Never thought I’d pray to hear those temples roar
But, God, I wish the grass would turn to money
And then them greenbacks
Would fill my pockets once more
Chorus ...
Bridge:
?
Last night I dreamed I went down to the office
To get my payday like I done before
But them old kudzu vines was covering the doorway
And there was leaves and grass
Growing right up thru the floor
Southern Cross (CSN)
Intro:
A G D A (2x)
A G D
Got out of town on a boat, going to southern islands
A G D A
Sailing a reach, before the following sea
G D
She was making for the trades, on the outside
A G D
And the downhill run, to Papeete
G D
Off the wind on this heading, lie the Marquesas
A G D h A
We got eighty feet of waterline, nicely making way
A G D
In a noisy town in Avalon, I tried to call you
A G D h A
But on a midnight watch I realized, why twice you ran away
Chorus:
G D G A
Think about how many times I have fallen
G D G A
Spirits are using me, larger voices callin’
G D G A
What heaven brought you and me cannot be forgotten
D G A
I have been around the world
D G A
Looking for that woman/girl
D A
Who knows love can endure
A A G D A A G D A
and you know it will
A G D
When you see the Southern Cross for the first time
A G D A
You understand now, why you came this way
A G D
‘Cause the truth you might be running from is so small
A G D h A
But it’s as big as the promise, the promise of a comin’ day
A G D
So I’m sailing for tomorrow, my dreams are a’dying
A G D h A
And my love is an anchor tied to you, tied with a silver chain
A G D
I have my ship, and all her flags are a’flying
A G D h A
She is all that I have left, and music is her name
Chorus:
Bridge:
A G D A (2x)
A G D
So we cheated and we lied and we tested
A G D h A
And we never failed to fail, it was the easiest thing to do
A G A
You will survive being bested, somebody fine
G
Will come along
G D h A
Make me forget about loving you
A
In the Southern Cross
Outro:
A G D (2x)
Teach Your Children (CSN)
Intro:
D G D A
D G
You who are on the road
D A
Must have a code that you can live by
D G
And so become yourself
D A
Because the past is just a good-bye.
Chorus:
D G
Teach your children well,
D A
Their father's hell did slowly go by,
D G
And feed them on your dreams
D A
The one they picks, the one you'll know by.
D G D
Don't you ever ask them why, if they told you, you will
cry,
h G A
So just look at them and sigh
D G D A
and know they love you.
And you, of tender years,
Can't know the fears that your elders grew by,
And so please help them with your youth,
They seek the truth before they can die.
Chorus:
Teach your parents well,
Their children's hell will slowly go by,
And feed them on your dreams
The one they picks, the one you'll know by.
Don't you ever ask them why, if they told you, you will
cry,
So just look at them and sigh and know they love you.
Helplessly Hoping, (CSN)
Intro: See also the nice STS’s german version of this

a7 C G D fantastic song on page 1 !
a7 C G
Helplessly hoping her harlequin hovers nearby,
D
awaiting a word.
a7 C G
Gasping at glimpses of gentle true spirit he runs
D
wishing he could fly
a7 C G D
only to trip at the sound of good-bye
a7 C G
Wordlessly watching he waits by the window and wonders
D
at the empty place in-side
a7 C G
Heartlessly helping him-self to her bad dreams he worries
D a7 C G C/G
did he hear a goodbye or even... hel-lo?
Chorus:
G C/G G C/G
They are one person, they are two a-lone,
G C/G G d/F C G
they are three to-gether, they are for... each other
a7 C G
Stand by the starway you'll see something certain to tell you
D
confusion has its cost.
a7 C G
Love isn't lying it's loose in a lady who lingers,
D a7 C C/G
saying she is lost and choking... on hel-lo.
Chorus:
Running to Stand Still (U2)
Intro:
D G D
D G
And so she woke up, woke up from where she was lying still
D G
Said I got to do something about where we're going
D G
Step on a steam train, step out of the driving train
D G
Maybe run from the darkness in the night
Chorus:
A C G A
Singing Ha La La La De Day
C G D
Ha La La La De Day, Ha La La La De Day
Bridge:
D G D
Sweet the sin, but the bitter taste in my mouth
I see seven towers, but I only see one way out
You got to cry without weeping, talk without speaking
Scream without raising your voice, you know
I took the poison, from the poison stream,
then I floated out of here
Chorus ...
Bridge:
D G D
She runs through the streets, with her eyes painted red
Under black belly of cloud in the rain
In through a doorway she brings me
White gold and pearls stolen from the sea
She is raging
She is raging and the storm blows up in her eyes
A C G A
She will suffer the needle chill
C G D
She is running to stand still
Outro:
Harp(D) : -6 6 -5 5 -5 5 4
Guitar : D G (4x)
One (U2)
Intro:
a d F G
a d
Is it getting better?
F G
Or do you feel the same?
a d
Will it make it easier on you, now,
F G
you' ve got someone to blame.
C a
You say one love, one life,
F C
when it's one need in the night.
a
one love, we've got to share it.
F C
It leaves you baby, if you don't care for it.
Bridge:
a d F G a
a d
Did I disappoint you?
F G
Or leave a bad taste in your mouth?
a d
You act like you never had love,
F G
and you want me to go without.
C a
Well, it's too late, tonight,
F C
to drag the past out, into the light.
a
We're one, but we're not the same,
F C a
we've got to carry each other, carry each other. ONE
Bridge:
a d F G a
a d
Have you come here for forgiveness,
F G
have you come to raise the dead?
a d
Have you come here to play Jesus?
F G
To the leapers in your head ?
C a
Did I ask too much, more than a lot,
F C
you gave me nothing, now it's all I got.
a
We're one, but we're not the same,
F C
well we hurt each other, then we do it again.
C a
You say love is a temple, love a higher law,
C a
love is a temple, love a higher law,
C G
you ask me to enter, but than you make me crawl
F
and I can't be holding on to what you got,
C
when all you got is hurt.
C a F C
One love, one blood, one life you got to do what you should,
C a F C
One life, with each other, sisters, brothers.
C a
One life, but we're not the same,
F C a F C
we've got to carry each other, carry each other. ONE. ONE
Outro:
C a F C (repeat...)
All I want is You (U2)
Intro: I think U2 plays this in A, tuned down half a step. (you can
A D (2x) capo the 1st fret and play it in ‘G C e’ as well)
A D A D
You say you want a diamond on a ring of gold
A D A D
You say you want your story to remain untold
Chorus:
f# D f# D
All the promises we've made, from the cradle to the grave
A D A (into riff)
When all I want is you
You say you'll give me a highway with no one on it
Treasure just to look upon it, all the riches in the night
You say you'll give me eyes on a moon of blindness
A river in a time of dryness, a harbor in the tempest
Chorus ...
You say you want our love to work out right
To last with me through the night
And you say you want a diamond on a ring of gold
Your story to remain untold, your love not to grow cold
Chorus:
f# D f# D
All the promises we break, from the cradle to the grave
A D A (into riff)
When all I want is you
Lady In Black (Uriah Heep)
a
She came to me one morning, one lonlely sunday morning
G a
her long hair flowing down in the mid-winter wind!
And I know not how she found me, for in darkness I was walking,
G a
and destruction lay around me for a fight I could not win.
Chorus:
a G a G a
She asked me name my foe then! I said the need within same men
to fight and kill her brothers without thought of love or god.
I regged her give me horses to trample down my enemy so eager
was my passion to be your this way of life.
Chorus:
a G a G a
But she would not think of battle that reduces men to animals
so easy to begin yet impossible to end, for she the mother of
all men did counsel me so wisely then I feared to walk alone
again and asked if she would stay.
Chorus:
a G a G a
Oh Lady lend your hand I cried or let me rest here at your

side, have faith and trust in me she said and filled my heart
with life. There is no strenght in numbers have no such
misconseption but when you need me be assured I won't be far
away.
Chorus:
a G a G a
Thus having spoke she turn away and tho' I found no words to
say I stood and watched until I saw her black cloak disappear.
My labour is no easier but now know I'm not alone I find new
heart each time I think up on that windy day.
And if one day she comes to you drink deeply from her words so
wise take courage from her as your prize and say hello for me.
Chorus:
a G a G a
Heart of Gold (Neil Young)
Intro:
e e e e e e D D e [Riff1](2x)
Riff1:
e---------------
h---------------
g---------------
D-------2-------
A--0-h2---2-----
E-----------0---
Harp Intro:
5 | 6 -5 5 | -4 4 | 3
| |(3)(2)|
e | C | D | G
6 | 7 -6 6 | -6 6 | 5
| (4)|
e | C | D | G
4 4 4 | 5 5 5 6 6 6 | -5 5 | 4
e | C | D | e
e e e e e e D D e
e C D G
I want to live, I want to give
e C D G
I've been a miner for a heart of gold
e C D G
It's these expressions I never give
e G
That keep me searching for a heart of gold
C [Riff2] G
And I'm getting old
e G
Keep me searching for a heart of gold
C [Riff2] G
And I'm getting old
Harp solo:
5 |6 6 -5 5 | -4 4 | 3
(4) | | -3 | (4)
e | C | D | G
7 | 7 -7 7 | -6 6 -6 6 | 5
(8)| (8)(-6)(6)| |
e | C | D | G
**7 7 6 6 5 5 4 4 -3 4 -4 4 -4 5 5 -4 4
(6)(6)(5)(5)(4)(4)(3)(3)(-4)3 (4)4
e | C | D | G
Bridge: ** The brackets around the first 9 chords are less

e e e e e e D D e important so play both notes for a truer and deeper
sound
I've been to Hollywood, I've been to Redwood
I've crossed the ocean for a heart of gold
I've been in my mind, it's such a fine line
That keeps me searching for a heart of gold
That keeps me searching for a heart of gold
And I'm getting old
Harp solo:
e C D G (3x)
7 7 7 -6 6 7 -6 6 -6 -6 6 4
(6)(6)
5 6 4 6 6 4 6 4 5 -5 5 -5 5 4 4 4
(6) (-4)(4)(-4)(4)(5)5 5
7 6* 7 6 -6 6 -6 6 5 -4 4
* Neil does something weird here like a trill or maybe he coughs or something, anyway i can't
figure it out, but it sounds like he plays the note almost 7 times really quickly
e D e
e D e
You keep me searching and I'm growin old
e D e
e G
I've been a miner for a heart of gold
End:
C G
Riff2:
e-----------3--
h-----------0--
g-----------0--
D-----------0--
A--3--2--0--2--
E-----------3--
Old Man (Neil Young)
Intro:
F D F D
F D
Old man look at my life, I'm a lot like you were
F D
Bridge:
C G D F C F
D F C G
Old man look at my life, twenty four and there's so much more
D F C F
Live alone in a paradise that makes me think of two
D F C G
Love lost, such a cost,give me things that don't get lost
D C F G
Like a coin that won't get tossed, rolling home to you
Bridge:
D a7 e
D a7 e7
Old man take a look at my life, I'm a lot like you
D a7 e7
I need someone to love me the whole day through
D a7 e7
Oh, one look in my eyes and you can tell that's true
Bridge:
D F C G D F C F
D F C G
Lullabys, look in your eyes, run around the same old town
D F C F
doesn't mean that much to me - to mean that much to you
D F C G
I've been first and last, look at how the time goes past
D C F G
But I'm all alone at last, rolling home to you
Bridge:
D a7 e
D a7 e7
Old man take a look at my life, I'm a lot like you
D a7 e7
I need someone to love me the whole day through
D a7 e7
Oh, one look in my eyes and you can tell that's true
Bridge:
D F C G D F
F D
F D
Outro:
F C G D
The Needle and the Damage Done (Neil Young)
Intro:
D D/C D/H D/B C Esus4 E
D D/C
I caught you knocking at my cellar door
D/H D/B
I love you baby, can I have some more
C F Esus4 E
Ooo ooo the damage done
D D/C
I hit the city and I lost my band
D/H D/B
I watched the needle take another man
C F Esus4 E
Gone, gone, the damage done
Bridge:
D D/C D/H D/B C Esus4 E
D D/C
I sing the song because I loved the man
D/H D/B
I know that some of you won't understand
C F Esus4 E
Milk, blood to keep from running out
D D/C
I've seen the needle and the damage done
D/H D/B
A little part of it in everyone
C F Esus4 E
But every junkie's like a setting sun
Outro:
D D/C D/H D/B
Comes A Time (Neil Young)
Intro:
G
G h
Comes a time, when you're driftin
D a7 C
Comes a time when you settle down
G h
Comes a light, feelin's liftin'
D a7 C
Lift that baby right up off the ground
Chorus:
G
O - Oh
F C G
This old world keeps spinnin round
F C G
It's a wonder tall trees ain't laying down
d7 G
There comes a time.
You and I, we were captured
We took our souls and we flew away
We were right we were giving
That's how we kept what we gave away
Chorus:
Bridge:
(Verse Chords)
Chorus:
Outro: (repeat and fade)

d7 G
comes a time.
Chords:
d7 xx0211
My My, Hey Hey [Out of the blue] (Neil Young)
Neil played this with his guitar tuned down two

halfsteps !!!
Riff1:
a G Fmaj7/A
e---------------------------
B---------------------------
G---------------------------
D------------0--------------
A--0---0-2-3-----2-0---0----
E--------------------3------
Riff2a: (this riff is only played once in the intro)

a G Fmaj7/A
e----------------------------
B----------------------------
G-----------------0----------
D-----------0-0h2-----0------
A-0---0-2-3---------3---0----
E----------------------------
Riff2:
a G Fmaj7/A
e----------------------------
B----------------------------
G----------------------------
D-----------0-0-2-0---0------
A-0---0-2-3---------3---0----
E----------------------------
Intro:
Riff1
Riff2a
Riff1
Riff2
a G Fmaj7/A
My my, hey hey
a G Fmaj7/A
Rock and roll is here to stay
C G a Fmaj7/A
It's better to burn out, than to fade away
a G Fmaj7/A
My my, hey hey
Riff1
It's out of the blue and into the black

They give you this, but you pay for that
And once you're gone you can never come back
When you're out of the blue, and into the black
Bridge:
Riff1 (a G Fmaj7/A)
Riff2(a G Fmaj7/A)
Harpsolo C G/H a Fmaj7/A
Riff1(a G Fmaj7/A)
The king is gone but he's not forgotten

This is a story of a Johnny Rotten
It's better to burn out than it is to rust
The king is gone but he's not forgotten
Riff1
Hey hey, my my
Rock and roll can never die
There's more to the picture, than meets the eye
Hey hey, my my
Outro:
Riff1 (a G Fmaj7/A)
Riff2(a G Fmaj7/A)
Harpsolo C G/H a Fmaj7/A
Riff1(a G Fmaj7/A)
Chords:
Fmaj7/A x03210
Wild Horses (Rolling Stones)
Intro:
G a7 G Gsus a7 G
h G Gsus h G Gsus
Childhood living is easy to do
a C DG Gsus G D Dsus2 DC
The things you wanted I brought them for you
h G Gsus h G Gsus
Graceless lady you know who I am
a C DG Gsus D Dsus2 D
You know I can't let you slide through my hands
Chorus:
a C DG F C h
Wild horses couldn't drag me a- way
a C DG F C
Wild wild horses couldn't drag me a- way
I watched you suffer a dull aching pain, now you've decided to

show me the same
No sweeping exits or off-stage lines, could make me feel bitter

or treat you unkind
Chorus ...
Bridge
Fsus2(VIII) C(VIII) x 3, G
I know I've dreamed you a sin and a lie, I have my freedom but
I don't have much time
Faith has been broken, tears must be cried Let's do some

living, after we'll die
Chorus:
a C DG F C h
a C DG F C
Wild wild horses we'll ride them some day
Bridge:
b G b G a C DG D
Chorus:
a C DG F C h
a C DG F C
Wild wild horses we'll ride them some day
Angie (Rolling Stones)
Intro:
a E7 G A#F FC
a E7
Angie,Angie
G F A#F GC
When will those clouds all disappear?
a E
Angie, Angie
G F A#FGC
Where will it lead us from here?
G
With no loving in our souls and no
d a
money in our coats
C F G
You can't say we're satisfied
a E
Angie, Angie
G F A#FGC
You can't say we never tried
Angie you're beautiful but ain't it time we said goodbye
Angie I still love you, remember all those nights we cried
All the dreams we held so close seemed to all go up in smoke
Let me whisper in your ear,
Angie, Angie where will it lead us from here
_Instrumental_
Oh Angie don't you weep all your kisses still taste sweet
I hate that sadness in your eyes but
Angie, Angie ain't it time we said goodbye
_Instrumental_
With no loving in our souls and no money in our coats
You can't say we're satisfied, but
d a
Angie, I still love you baby
d a
Ev'ry where I look I see your eyes
d a
There ain't a woman that comes close to you
C F G
Come on baby dry your eyes But
a E7
Angie, Angie
G F
Ain't it good to be alive
a E
Angie, Angie
G F A#FGC
You can't say we never tried
---------------------------
Instrumental (Zwischenstücke) ????
1.
A# F G C E7
2.
A# F G C (held)
Ruby Tuesday (Rolling Stones)
a C F G C
She would never say where she came from
a G F C G
Yesterday don't matter if it's gone
a D7 G a D7 G
While the sun is bright or in the darkest night
C G
Noone knows, she comes and goes
Chorus:
C G C G C
Good - bye Ruby Tuesday, who could hang a name on you
C G A# F
When you change with every new day
G C G
Still I'm gonna miss you
Don't question why she needs to be so free
Tell you it's the only way to be
She just can't be chained to a life where nothings gained
And nothings lost, at such a cost
Chorus ...
There's no time to lose I heard her say
She'll cash your dreams before they slip away
Dying all the time, lose your dreams and you'll lose your mind
Aint life unkind
Chorus ...(2x)
The Night, They Drove Old Dixie Down (Jaime Robbie Robertson
/Joan Baez)
a C F e d
Virgil Caine is my name, and I served on the Danville train,
a C F e d
Till (Stoneman's) Cavalry came and tore up the tracks again
a F C d
In the winter of '65, we were hungry, just barely alive
a F C d
By May the tenth, Richmond had fell; it's a time I remember
D
oh, so well.
Chorus:
C F C
The night they drove Old Dixie down,
F
And the bells were ringin',
C F C
The night they drove Old Dixie down.
F
And the people were singin'.
C a G F C
They went, La la la la la la la la la la la la la la
Back with my wife in Tennesee when one day she called to me
"Virgil, quick, come see: there goes Robert E. Lee!"
(Now,) I don't mind choppin' wood
And I don't care if the money's no good
Ya take what ya need and ya leave the rest
But they should never have taken the very best.
Chorus ...
Like my father before me, I will work the land.
And like my brother above me, I took a rebel stand.
He was just eighteen, proud and brave,
But a Yankee laid him in his grave.
I swear by the mud below my feet,
You can't raise a Caine back up when he's in defeat.
Chorus ...(2x)
Knockin’ On Heavens Door (Bob Dylan)
Intro:
G D a G D C G
G D a
Ma, take this badge off of me.
G D C
I can't use it any more.
G D a
It's getting dark, too dark to see.
G D C
Feel like I'm knockin' on heaven's door.
Chorus:
G D a
Knock, knock, knockin' on heavens door.
G D C
G D a
G D C
Ma, take these guns away from me.
I can't shoot them any more.
There's a long black cloud following me.
Feel like I'm knockin' on heaven's door.
Chorus ...
First Verse
Chorus ...
Blowin’ in the wind (Bob Dylan)
C F C a
How many roads must a man walk down
C F G7
Before you call him a man
C F C a
Yes, 'n' how many seas must a white dove sail
C F G7
Before she sleeps in the sand?
C F C a
Yes, 'n' how many times must the cannonballs fly
C F G7
Before they are forever banned?
Chorus:
F G7 C a
The answer my friend, is blowin' in the wind
F G C
The answer is blowin' in the wind.
Harp solo (C):

-5 5 | -4 | 5 -5 | 4 | -5 5 | -4 4 -4 | 4
F | G7 | C | a | F | G7 | a
How many times must a man look up
Before he can see the sky?
Yes, 'n' how many ears must one man have
Before he can hear people cry?
Yes, 'n' how many deaths will it take till he knows
That too many people have died?
Chorus ...
How many years can a mountain exist
Before it is washed to the sea?
Yes, 'n' how many years can some people exist
Before they're allowed to be free?
Yes, 'n' how many times can a man turn his head
Pretending he just doesn't see?
Chorus ...
The Times They Are A-Changin' (Bob Dylan)
G e D G
Come gather 'round people wherever you roam
G e a D
And admit that the waters around you have grown
G e D G
And accept it that soon you'll be drenched to the bone
G a D
If your time to you is worth savin'
Gmaj7 D
Then you better start swimmin' or you'll sink like a stone,
G C D G
For the times, they are a chang - in'
Come writers and critics who prophecies with your pen
And keep your eyes wide the chance won't come again
And don't speak too soon for the wheel's still in spin
And there's no tellin' who that it's namin'
For the loser now will be later to win
For the times they are a-changin'
Come mothers and fathers throughout the land
And don't criticize what you don't understand
Your sons and your daughters are beyond your command
Your old road is rapidly agin'
Please get out of the new one if you can't lend a hand
Come senators, congressmen please heed the call
Don't stand in the doorway, don't block up the hall
For he that gets hurt will be he who has stalled
There's a battle outside and it's ragin'
It'll soon shake your windows and rattle your walls
The line it is drawn the curse it is cast
The slow one now will later be fast
As the present now will later be past
The order is rapidly fadin'
And the first one now will later be last
Chords:
Gmaj7 x20032
Sailing (Rod Steward)
Intro:
F C F C G
C a F C
I am sailing, I am sailing home again 'cross the sea.
D7 a d7 C G7
I am sailing stormy waters, to be near you, to be free.
I am flying, I am flying like a bird 'cross the sea.
I am flying passing high clouds, to be near you, to be free.
Can you hear me, can you hear me, thru the dark night far away?
I am dying, forever trying to be with you; who can say?
Can you hear me, can you hear me, thru the dark night far away?
I am dying, forever trying to be with you; who can say?
We are sailing, we are sailing 'cross the sea.
We are sailing stormy waters, to be near you, to be free.
G7 d C
Oh Lord, to be near you, to be free.
G7 d C
Oh Lord, to be near you, to be free.
Chords:
d7 xx0211
I Don't Want To Talk About It (Rod Stewart)
CAPO THE THIRD FRET !
a7
I can tell by your eyes that you've
D7 G
probably been crying forever,
a7
and the stars in the sky don't mean
D7 G
nothing to you, they're a mirror.
Chorus:
C D7 G h e
I don't want to talk about it, how you broke my heart.
C D7 C
If I stay here just a little bit longer,
D7 a7 D11 G
if I stay here, won't you listen to my heart, whoa, heart?
a7
If I stand all alone, will the
D7 G
shadow hide the color of my heart;
blue for the tears, black for the night fears,
a7
the stars in the sky don't mean
D7 G
nothing to you, they're a mirror
Chorus ...
Solo:
a7 D7 G (2x)
Chorus ...

First Cut Is The Deepest (Cat Stevens / Rod Steward)
this song was originally done by Cat Stevens,

but I learned the song from Rod Stewart off of
the "night on the town" album. It is a very easy
three chord progression.
The beginning is just "C" but adding the "F" note
every second strum.
Play the intro four times over then start singing
on the "G"
Intro:
C G (4x)
e--0-0-0-0-0-1-1-1-1-
h--1-1-1-1-1-0-0-0-0-
g--0-0-0-0-0-0-0-0-0-
D--2-2-3-2-3-0-0-0-0-
A--3-3-3-3-3-2-2-2-2-
E------------3-3-3-3-
G C G F G
I would have given you all of my heart
C G F G
But there’s someone who has torn it apart
C G F G
and she’s taken just all that I have
C G F G
but if you want I'll try and love again
C F G
babe I'll try to love again but I know
Chorus:
C G F G C
The first cut is the deepest cause baby I know
C G F G
The first cut is the deepest
C G F G
When it comes to being lucky she's cursed
C F G
When it comes to loving me she’s worse
C G F G
Yes I want you by my side
C G F G
Just to help me dry the tears that I cry

C G F G
And I'm sure going to give you a try
C G F G
Cause if you want I'll try to love again
C F G
Baby I'll try to love again but I know
Chorus ...
Solo:
C F G (like Intro, 4x)
repeat verse 2
Chorus ...
Outro:
C F G (3x, fade)

Against The Wind (Bob Seger)
Intro:
G
G
It seems like yesterday,
h
but it was long ago.
C G
Janey was lovely; she was the queen of my nights,
D C
There in the darkness with the radio playing low.
G
And the secrets that we shared
h
the mountains that we moved,
C G
Caught like wildfire out of control.
C D
Till there was nothing left to burn and nothin left to prove.
e D G
And I remember what she said to me.
e C G
How she swore that it never would end.
e D C
I remember how she held me, oh so tight.
D
Wish I didn't know now what I didn't know then.
Chorus:
G h C G
Against the wind. We were runnin against the wind.
C cmaj9 a7 C G
We were young and strong, we were runnin against the wind.
And the years rolled slowly past.
And I found myself alone.
Surrounded by strangers I thought were my friends.
I found myself further and further from my home.
And I guess I lost my way.

There were oh, so many roads.
I was livin' to run, and runnin' to live,
Never worryin' about payin', or even how much I owed.
Runnin' 8 miles a minute for months at a time.
Breakin' all of the rules that would bend.
I begin to find myself just searchin'
Searchin' for shelter again and again.
Chorus:
Against the wind. A little somethin' against the wind.
I found myself seeking shelter against the wind.
(Solo for 1st 2 stanzas of verse)
Well those drifter's days are past me now.
I've got so much more to think about.
Deadlines and commitments.
What to leave in, What to leave out.
Chorus:
Against the wind. I'm still runnin' against the wind.
I'm older now but still runnin' against the wind.
Outro:
C cmaj9 a7 C G
Well I'm older now and still runnin' against the wind.
Against the wind. Against the wind. Against the wind -- still
running.
Against the wind -- I'm still running against the wind.
Against the wind -- I'm still running.
Against the wind -- I'm still running against the wind.
Against the wind -- still running.
Against the wind -- running against the wind -- running against

the wind
Against the wind -- see the young man run.
Against the wind -- watch the young man run.

Against the wind -- watch the young man running.
Against the wind -- he'll be running against the wind.
Against the wind -- let the cowboys ride.
Against the wind -- Oooh
Against the wind -- let the cowboys ride.
Against the wind -- they'll be riding again the wind.
Against the wind -- against the wind.
Against the wind -- riding against the wind.
Against the wind -- against the wind.
Ride, ride, ride, ride, ride -- against the wind.
Chords:
cmaj9 X20010

Wild World (Cat Stevens)
Intro:
a D7 G Cmaj7 F d E E7
a D7 G
Now that i've lost every thing to you
Cmaj7 F
You say you wanna start something new
d E
And it's breaking my heart you're leaving
E7
Baby I'm grievin'
a D7 G
But if you want to leave take good care
Cmaj7 F
Hope you have a lot of nice things to wear
d E G7
But then a lot of nice things turn bad out there
Chorus:
C G F G
Oh baby baby it's a wild world
F C [Riff1]
It's hard to get by just upon a smile
C G F
Oh baby baby it's a wild world and
G F C d E a
I'll always remember youlike a child, girl
a D7 G
You know i've seen a lot of what the world can do
Cmaj7 F
And it's breaking my heart in two
d E
Because I never want ot see you sad girl
E7
Don't be a bad girl
a D7 G
Cmaj7 F
Hope you make a lot of nice friends out there

d E G7
But just remember theres a lot of bad out there
Chorus ...
Bridge:
a D7 G Cmaj7 F d7
E a
Baby I love you
D7 G
C F
Hope you make a lot of nice friends out there
F d E G7
But just remember theres a lot of bad out there
Chorus ...(2x)
Riff 1:
e:------------------
B:------------------
G:------------------
D:------------------
A:------0-3-3-3-0---
E:--3-3-----------3-
Chords:
Cmaj7 x32000
d7 xx0211

Father And Son (Cat Stevens)
Intro:
G C [Riff1] (3x)
Tab1:
e---3-5
h------
g-—5-5-
G D C a7
It's not time to make a change, just relax and take it easy
G e
You're still young that's your fault,
a D
there's so much you have to know
G D C a7
Find a girl, settle down, if you want to, you can marry
G e a D
Look at me, I am old, but I'm happy
G h7 C a7
I was once like you are now, and I know that its not easy
G e a D
to be calm, when you've found something going on.
G h7 C a7
But take your time, think a lot, think of everything you've got
G e D G
For you will still be here tomorrow, but your dreams may not
G-C [Riff1] (2x)

Chorus:
G h C a7
How can I try to explain? when I do he turns away again
G e a D
it's always been the same, same old story
G h C a7
From the moment I could talk I was ordered to listen
G e D G
now there's a way and I know I have to go away
D C G G-C riff G-C riff

and I know I have to go
Break:
G D C a7 G e a D G D C a7 G e D G D C G
G-C [Riff1] (2x)
(away) (away)
It's not time to make a change, just sit down and take it
slowly
(I) (know) (I
have)
You're still young, that's your fault, there's so much you have
(to make this)

to go through
(decision) (alone)
Find a girl, settle down, if you want to you can marry
(know) [no?]
Look at me, I am old, but I'm happy
(stay) (stay, stay)

All the times that I cried, keeping all the things I knew
inside
(why?) (must) (you go and make this

de-
It's hard, but it's harder to ignore it.
cision) (alone?)
If they were right, I'd agree, but it's them they know, not me
Now there's a way, and I know that I have to go away.
I know I have to go. (ends on single strum of G)

Morning has broken (Cat Stevens)
Intro:
D G A F# h G7 C F C
C d G F C
Morning has broken, like the first morning
e a D7sus D G
Blackbird has spoken, like the first bird
C F C a D
Praise for the singing, praise for the morning
G C F G7 C
Praise for them springing fresh from the world
Bridge:
F G E a G7 C G7sus
C d G F C
Sweet the rain's new fall, sunlit from heaven
e a D7sus G
Like the first dewfall, on the first grass
C F C a D
Praise for the sweetness of the wet garden
G C F G7 C
Sprung in completeness where his feet pass
Bridge:
C F G E a F# h G D A7 D
D e A G D
Mine is the sunlight, mine is the morning
f# h E A
Born of the one light, Eden saw play
D G D h E
Praise with elation, praise every morning
A D G A7 D
God's recreation of the new day
Bridge:
G A F# h G7 C F C
REPEAT FIRST VERSE
Outro:
C F E a F# h G D A7 D

Chords:
D7sus xx0213
G7sus xx0011

Me and Bobby McGee (Kris Kristofferson)
Intro:
A D A D A D A
A
Busted flat in Baton Rouge, waitin' for a train
E7 E
When I's feelin' near as faded as my jeans
E7
Bobby thumbed a diesel down just before it rained
A
And rode us all the way into New Orleans
A
I pulled my harpoon out of my dirty red bandana
A7 D
I's playin' soft while Bobby sang the blues
A
Windshield wipers slappin' time, I was holdin' Bobby's hand in
mine
E7 A
We sang every song that driver knew
Chorus:
D A
Freedom's just another word for nothin' left to lose
E7 A
Nothin', it ain't nothin' honey, if it ain't free
D A
And feelin' good was easy, lord, oh, when he sang the blues
E7 E
You know feelin' good was good enough for me
E7 A A H
Good enough for me and my Bobby McGee
H
From the Kentucky coal mines to the California sun
F# F
Yeah Bobby shared the secrets of my soul
F#7
Through all kinds of weather, through everything we done

H
Yeah Bobby baby kept me from the cold
H
One day up near Salinas, lo-ord, I let him slip away
H7 E
He's lookin' for that home and I hope he finds it
H
Well I'd trade all my tomorrows for one single yesterday
F#7 H
To be holdin' Bobby's body next to mine
Chorus:
E H
Freedom's just another word for nothin' left to lose
F#7 H
Nothin', it ain't nothin' honey, if it ain't free
E H
And feelin' good was easy, lord, oh, when he sang the blues
F#7 F#
You know feelin' good was good enough for me
F#7 H
Good enough for me and my Bobby McGee
H
La da da, la da daa, la da daa da daa da daa
F#7
La da da da daa dadada Bobby McGee-ah
Laa li daa da daa daa, la da daa da daa
H
Laa la laa la daada Bobby McGee-ah yeah
H
La di da, ladida LA dida LA di daa, ladida LA dida LA di daa
F#7 F#
Hey now Bobby now now Bobby McGee yeah
F#7
Lo lo LO lolo LO lo laa, lololo LO lolo LO lolo LO lolo la laa
F#7 H
Hey now Bobby now now Bobby McGee yeah

Help me make it through the night (Kris Kristofferson)
C Csus
Take the ribbon from your hair
F
shake it loose and let it fall
d G
layin' soft against my skin
C
like the shadows on the wall
C Csus
Come and lay down by my side
F
till the early morning light
d G
all I'm taking is your time
C
help me make it through the night
C F
I don't care who's right or wrong
C
I don't try to understand
D7
let the devil take tomorrow
G
Lord, tonight I need a friend
G C
Yesterday is dead and gone
C F
and tomorrow's out of sight
d G
and it's sad to be alone
C
help me make it through the night
Bridge:
C F d

d G7
Lord, it's sad to be alone,
C
help me make it through the night.
Outro:
C F d

Patience (Guns n’ Roses)
Intro:
C G A D C G A D C G C e C G D
C
Should a tear cause I'm missing you
G
I'm still allright to smile
A D
Girl I think about you every day now
C
Was a time when I wasn't sure
G
But you set my mind at ease
A D
There is no doubt, you're in my heart now
Chorus:
C G
Sad woman take it slow
C e
It will work itself out fine
C G D
All we need is just a little patience
C G
Sad sugar make it slow and
C e
It comes together fine
C G D
All we need is just a little patience
Bridge:
D D D D
C
Sit here on the stairs
G
Cause I'd rather be alone

A D
If I can't have you right now I'll wait dear
C
Sometimes I get so candescent
G
But I can't speed up the time
A D
You know love, there's one more thing to consider
Chorus:
C G
Sad woman take it slow
C e
And things will be just fine
C G D
You and I just use a little patience
C G
Sad sugar take the time
C e
Cause the lights are shining bright
C G D
You and I got what it takes to make it
D
We don't fake it
D
Ahh and never break it
D
Cause I can't take it
Bridge:
C G C e C G D (2x)
D D
D G D G D G
G D G
A little patience Mhh Yeah (3 x)
D
I've been walking the streets tonight

G
Just trying to get it right
D
It's hard to see with so many around
G
You know I don't like being stuck in a crowd
D
And the streets don't change but maybe the name
G
I ain't got time for the game
D
Cause I need you
G
Yeah Yeah cause I need you
D
Uh I need you
C
Uh I need you
D G D
Uhh this time

Happy Birthday
G
e|--------------------------|-----------------3-------|
B|------------------3-----3-|-5-------3---------------|
G|--------------------------|-------------------------|
D|--------------------------|-------------------------|
A|--------------------------|-------------------------|
E|--------------------------|-------------------------|
1 . 2 . 3 . 1 . 2 . 3 .
Ha - ppy Birth - day to
D7
e|--2-------x---------------|-----------------5-------|
B|--1-------x-------3-----3-|-5-------3---------------|
G|--2-------x---------------|-------------------------|
D|--0-------x---------------|-------------------------|
A|--0-------x---------------|-------------------------|
E|--------------------------|-------------------------|
1 . 2 . 3 . 1 . 2 . 3 .
You. Ha - ppy Birth - day to
G
e|--3-------x---------------|-10------7---------------|
B|--0-------x---------------|-----------------8-------|
G|--0-------x-------7-----7-|-------------------------|
D|--0-------x---------------|-------------------------|
A|--2-------x---------------|-------------------------|
E|--3-----------------------|-------------------------|
1 . 2 . 3 . 1 . 2 . 3 .
You. Ha - ppy Birth - day dear
D C G D7 G
e|--2-------0-------8-----8-|-7-------3-------5-------|-3---------
B|--3-------1---------------|-----------------7-------|-0---------
G|--2-------0---------------|-----------------5-------|-0---------
D|----------2---------------|-------------------------|-0---------
A|--------------------------|-------------------------|-2---------
E|--------------------------|-------------------------|-3---------
1 . 2 . 3 . 1 . 2 . 3 . 1 . 2
Some - one. Ha - ppy Birth - day to you

Wonderful Tonight (Eric Clapton)
Intro:
G D C D (2x)
G D
It's late in the evening
C D
She's wondering what clothes to wear
G D
She puts on her makeup
C D
And brushes her long blonde hair
C D
And then she asks me
G h e
Do I look alright
C D G D C D
And I say yes, you look wonderful tonight
G D
We go a party
C D
And everyone turns to see
G D
This beautiful lady
C D
That's walking around with me
C D
And then she asks me
G h e
Do you feel alright
C D G
And I say yes, I feel wonderful tonight
C
I feel wonderful
D G h e
Because I see the love light in your eyes

C D
And the wonder of it all
C D
Is that you just don't realize
G D C D G D C D
How much I love you
G D
It's time to go home now
C D
And I've got an aching head
G D
So I give her the car keys
C D
She helps me to bed
C D
And then I tell her
G h e
As I turn out the light
C D G h e e
I say my darling, you were wonderful tonight
C D G
Oh my darling, you were wonderful tonight
Outro:
D C D G (2x)

What's Up? (4 Non Blondes)
Intro:
A h D A (2x) [A h D a = G a C G]
A
25 years of my life and still
h
Tryin' to to get up that great big hill of
D A
Hope, for a destination.
A
I realized quickly when I knew I should
h
That the world was made up of this brotherhood of
D A
Man, for whatever that means.
Chorus:
A
And so I cry sometimes, when I'm lying in bed
h
just to get all out, what's in my head, then
D A
I, I am feeling, a little peculiar.
And so I wake in the morning, and I step outside
h
And I take a deep breath, and I get real high, and
D A
I, scream from the top of my lungs, "What's going on?"
h
And I say, "Hey yeah yeah hey, hey yeah yeah."
D A
I said, "Hey, what's going on?"
h
And I say, "Hey yeah yeah hey, hey yeah yeah."
D A
I said, "Hey, what's going on?"
Bridge:
A h D A (2x)

A h
And I try, oh my god, do I try
D A
I try all the time, in this institution.
A h
And I pray, oh my god, do I pray
D A
I pray every single day, for a revolution.
Chorus and last four lines of the it are repeated 2x more
Bridge:
A h D A (2x)
(slow down:)
A
25 years of my life and still
h
Tryin' to get up that great big hill of
D A
Hope, for a destination

I'd love you to want me (Lobo)
(Lobo capo’d the 4th fret in his original version)
G
When I saw you standing there
a
I about fell off my chair
C D
When you moved your mouth to speak
G
I felt the blood go to my feet
G
Now it took time for me to know
a
What you tried so not to show
C D
Something in my soul just cried
G
I see the want in your blue eyes
Chorus:
G a
Baby, I'd love you to want me
C
The way that I want you
G
The way that it should be
G a
Baby, you'd love me to want you
C
The way that I want to
D G
If you'd only let it be
G
You told yourself years ago
a
You'd never let your feelings show
C D
The obligation that you made

G
For the title that they gave
Chorus ...
Bridge:
G a C D
Repeat verse 2
Chorus ...(2x)
Outro:
G a C D (2x)

Streets of London (Ralph McTell)
Picking:
e:--0---------0---|
B:--------1-------|
G:------0-------0-|
D:----------------|
A:--3-------------|
E:----------3-----|
DM D Z D M Z
C G a e
Have you seen the old man, in the closed-down market
F C D7 G7
picking up the papers, with his worn-out shoes?
C G a e
In his eyes you see no pride, and held loosely by his side
F C G7 C
yesterday's papers, telling yesterday's news
Chorus:
C F e C a
So how can you tell me, you're lo - ne - ly
D7 G G7
and say for you that the sun don't shine?
C G
Let me take you by the hand,
a e
and lead you through the streets of London
F C G7 C
I'll show you something, to make you change your mind
Have you seen the old gal, who walks the streets of London
dirt in her hair, and her clothes in rags?
She's no time for talking, she just keeps right on walking
Carrying her home, in two carrier bags
Chorus ...
And in the all-night cafe, at a quarter past eleven
some old man sitting there, all on his own
Looking at the world, over the rim of his tea-cup
Each day lasts an hour, then he wanders home alone

Chorus ...
And have you seen the old man, outside the seaman's mission?
His memory's fading, with those medal ribbons that he wears
And in our winter city, the rain cries little pity
For one more forgotten hero, and a world that doesn't care
Chorus ...

City of New Orleans (Arlo Guthrie)
Intro:
C
C G C
Riding on the City of New Orleans
a F C G7
Illinois Central Monday morning rail
C G C
Fifteen cars and fifteen restless riders
F G C
Three conductors and twenty-five sacks of mail.
a e
All along the south bound odyssey, the train pulls out of
Kenkakee
G D
Rolls along past houses farms and fields
a e
Passing trains that have no name, freight yards of old black
men
G F C
And graveyards of rusted automobiles.
Chorus:
G G7 C
Good morning America, how are you?
a F C G7
Say, don't you know me, I'm your native son.
C G a a7
I'm the train they call the City of New Orleans
F G C
I'll be gone five hundred miles when the day is done.
Dealing card games with the old men in the club car
Penny a point ain't noone keeping score
Pass the paper bag but hold the bottle
Feel the wheels rumbling 'neath the floor
And the sons of Pullman porters and the sons of engineers
Ride their father's magic carpets made of steel

Mother with her babes asleep rocking to the gentle beat
And the rhythm of the rails is all they feel.
Chorus ...
Nightime on the City of New Orleans
Changing cars in Memphis Tennessee
Half way home we'll be there by morning
through the Mississippi darkness rolling down to the sea.
But all the towns and people seem to fade into a dark dream
And the steel rail still ain't heard the news
The conductor sings his songs again, the passagers will please
refrain
This train got the disappearing railroad blues.
Chorus ...

Wind Of Change (Scorpions)
Picking: Picking for G(III)

e:----0------| -----------|
B:------1----| --3--------|
G:--------0--| ----4------|
D:-----------| ------5----|
A:--3--------| -----------|
E:-----------| 3----------|
D M R Z D M R Z
Intro:
F d F d a7 d a7 G(III)
C d C
I follow the Moskva, Down to Gorky Park
d a7 G
Listening to the wind of change
C d C
An August summer night, Soldiers passing by
d a7 G
Interlude:
F d F d a7 d a7 G
C d C
The world is closing in, did you ever think
d a7 G
That we could be so close, like brothers
C d C
The future's in the air, I can feel it everywhere
d a7 G
Blowing with the wind of change
Chorus:
C G d G
Take me to the magic of the moment
C G
On a glory night
d G a
Where the children of tomorrow dream away
a/F G
In the wind of change
C d C
Walking down the street, distant memories
d a7 G
Are buried in the past forever
C d C
I follow the Moskva, Down to Gorky Park
d a7 G
Chorus:
C G d G
C G
On a glory night
d G a
Where the children of tomorrow share their dreams
a/F G
With you and me
C G d G
C G
On a glory night
d G a
a/F G
a G
The wind of change blows straight
a
Into the face of time
G
Like a stormwind that will ring
C
The freedom bell for peace of mind
d
Let your balalaika sing
E
What my guitar wants to say
Solo:
F G E a F G a
F G E7 a d E

Chorus:
C G d G
C G
On a glory night
d G a
Where the children of tomorrow share their dreams
a/F G
With you and me
C G d G
C G
On a glory night
d G a
a/F G
Outro:
F d F d a7 d
Chords
a7 002010
a/F 003210

What Shall We Do With The Drunken Sailor
d
What shall we do with a drunken sailor
C
d
C d
Early in the morning!
Chorus:
d
Hooray and up she rises
C
d
C d
Early in the morning
Put him in a long-boat till he's sober
Keep him there and make 'im bale 'er.
Trice him up in a runnin' bowline.
Tie him to the tasffrail when she's yard-arm under.
Put him in the scuppers with a hose-pipe on him.
Take 'im and shake 'im and try an' wake 'im.
Give 'im a dose of salt and water.
Give 'im a taste of the bosun's rope-end.
Stick on 'is back a mustard plaster.
Soak 'im in oil till he sprouts a flipper.
Shave his belly with a rusty razor.
Put him in the guard room till he gets sober.

Whiskey In The Jar
Picking:
e:----3-----3--|
B:----0-----0--|
G:----0-----0--|
D:-------------|
A:------0h2----|
E:--3----------|
G e
As I was going over the far famed mountain
C G
I met with captain Farrell and his money he was counting.
e
I first produced my pistol, and then produced my rapier.
C G
Said stand and deliver, for you are my bold deceiver,
Chorus:
D
mush-a riggedum, diggedum da
G
whack fol the daddy 'o
C
whack fol the daddy 'o
G D G
there's whiskey in the jar
He counted out his money, and it made a pretty penny.
I put it in my pocket and I gave it to my Jenny.
She sighed and she swore, that she never would deceive me,
but the devil take the women, for they never can be easy
Chorus:
I went into my chamber, for to take a slumber,
I dreamt of gold and jewels and for sure it was no wonder.
But Jenny took my charges and she filled them up with water,
and send for captain Farrel to be ready for the slaughter.
Chorus:
It was early in the morning, before I rose to travel,
the guards were all around me and likewise captain Farrel.

I first produced my pistol, for she stole away my rapier,
but I couldn't shoot the water so a prisoner I was taken.
Chorus:
If anyone can aid me, it's my brother in the army,
if I can find his station in Cork or in Killarney.
And if he'll come and save me, we'll go roving near Kilkenny,
and I swear he'll treat me better than me darling sportling

Jenny
Chorus:
Now some men take delight in the drinking and the roving,
but others take delight in the gambling and the smoking.
But I take delight in the juice of the barley,
and courting pretty Jenny in the morning bright and early
Chorus:

Bye Bye Love (Everly Brothers/Simon & Garfunkel)
Intro: Simon and Garfunkle played it in G with the

D C G G C D second fret capo’d
Chorus:
G D
Bye bye, love.
G D
Bye bye, happiness.
G D
Hello, loneliness.
A7 D
I think I'm gonna cry.
G D
Bye bye, love.
G D
Bye bye, sweet caress.
G D
Hello, emptiness.
A7 D
I feel like I could die.
A7 D
Bye bye, my love, goodbye.
D A7
There goes my baby
D
With someone new.
A7
She sure looks happy;
D
I sure am blue.
G
She was my baby
A7
'till he stepped in.
Goodbye, to romance

D
That might have been.
Chorus:
D A7
I'm through with romance.
D
I'm through with love.
A7
I'm through with counting
D
The stars above,
G
And here's the reason
A7
That I'm so free:
My lovin' baby
D
Is through with me.
Chorus:
Outro:
(repeat and fade) Goodbye, my love goodbye.

Wake Up Little Susie (Everly Brothers)
Intro:
D F G F D F G F D F G F D F G F
D F G F
Wake up little Susie, wake up
D F G F
Wake up little Susie, wake up
G D G G D G
The movie wasn't so hot, it didn't have much of a plot
G D G D G D G
We fell asleep, our goose is cooked, our reputation is shot
A G A
Wake up little Susie, wake up little Susie
Chorus:
A G A
What are you gonna tell your mamma?
A G A
What are you gonna tell your pa?
A G A N.C.
What are we gonna tell our friends when they say "oh lala"?
D A D
D
Well I told your momma that you'd be home by ten
G
Well now Susie baby looks like we goofed again
A G A (N.C.) D FGF
Wake up little Susie, wake up little Susie, we gotta go home
D F G F D FGF
Wake up little Susie, wake up, wake up little Susie, wake up
G D G G D G
We both fell sound asleep, wake up little Susie and weep
G D G D G D G
The movie's over, it's four o'clock and we're in trouble deep
A G A

Chorus

This Land is Your Land (Woody Guthrie)
Chorus:
D G D
This land is your land, this land is my land,
A7 D
From California to the New York Island,
G D
From the Redwood Forests to the Gulf Stream waters;
A7 D
This land was made for you and me.
As I was walking that ribbon of highway,
I looked above me, there in the skyway,
I saw below me, the Golden Valley;
Chorus:
I roamed and rambled, and followed my footsteps
Through the sparkling sands of her diamond deserts,
And all around me this voice kept saying,
"This land was made for you and me."
Chorus:
As the Sun was shining, and I was strolling
Through the wheat fields waving and the dust clouds rolling,
I could feel inside me and see all around me,
Chorus:

Mull Of Kintyre (Paul McCartney)
Intro:
A A A A
A A D D A
Mull of Kintyre Oh mist rolling in from he sea,
A D D A A A A
My desire is always to be here oh Mull of Kintyre.
A A A A
Far have I travelled and much have I seen
D D A A
Dark distant mountains with valleys of green.
A A A A
Past painted deserts the sunset's on fire
D D E A (A)
As he carries me home to the Mull of Kintyre.
A A D D A
Mull of Kintyre Oh mist rolling in from the sea,
A D D A A A A A A
Bridge:
D D G G D D G G D D
D D D D
Sweep through the heather like deer in the glen
G G D D
Carry me back to the days I knew then.
D D D (D)
Nights when we sang like a heavenly choir
G G A D (D)
Of the life and the time of the Mull of Kintyre.
D D G G D

D G G D D
Bridge:
D D A A D D A A
A A A A
Smiles in the sunshine and tears in the rain
D D A A
Still take me back where my memories remain
A A A A
Flickering embers grow higher and higher
D D E A (A)
As they carry me back to the Mull of Kintyre.
A A D D A
A D D A A A A
D D G G D
D G G D D D D
Outro:
D D A A D D A A ...

Soldier of Fortune (Deep Purple)
Intro:
a G F
a
I have often told you stories
G
about the way
a
I lived the life of a drifter
e
waiting for the day
a
When I'd take your hand and sing you songs
G
Then maybe you would say
a
Come lay with me and love me
e e/E e/D e/C

And I would surely stay
Chorus:
C D a a/A a/G a/F

But I feel I'm growing older
F G C
And the songs that I have sung
E a
Echo in the distance
G
Like the sound
C F F F/E
Of a windmill going round
d e
Guess I'll always be
a
A soldier of fortune.
Solo:
a D a D
a C D a

a
Many times I've been a traveller
G
I looked for something new
a
In days of old when nights were cold
e
I wandered without you
a
But those days I thought my eyes
G
Had seen you standing near
a
Though blindness is confusing
e e/E e/D e/C

It shows that you're not here.
Chorus:
Now I feel I'm going older ...
F G
Yes, I can hear the sound
C F F/F F/E
of a windmill going round
d e
I guess I'll always be
a
a soldier of fortune.
F G
I guess I'll always be
A
a soldier of fortune.

Take me home, Country Roads (John Denver)
G e D
Almost heaven West Virginia, blue ridge mountains,
C G e
shenadoah river. Life is old there older than the trees,
D C G
younger than the mountains, growing like a breeze.
Chorus:
G D e C
Country roads, take me home to the place, I belong
G D C G
West Virginia, mountain momma, take me home, country roads.
G e D
All my memories gather round her, miner's lady,
C G e
Stranger to blue water. dark and dusty painted on the sky
D C G
Misty taste of moonshine tear drop in my eye.
Chorus:
e D G
i hear her voice in the mornin' hours she calls me
C G D e
the radio reminds me of my home far away, and drivin' down
F C G
the road i get the feelin' that i should have been home
D D7
yesterday, yesterday.
Chorus:
...
D G
take me home country roads.

Redemption Song (Bob Marley)
Intro (2x):
+ + + + | + + + + | + + + + | + + + + |
-----------------|-----------------|-----------------|-----------------|
-----------------|-----------------|-----------------|-----------------|
-----------------|-----------------|-----------------|-----------------|
-----------------|-----2---O-------|-----------O-----|-----------------|
-------O-2-------|-2h3---------2---|-------O-2-----2-|-3-2-O-----------|
-3-----------3---|-----------------|-3---------------|---------3-------|
G e7
Old Pirates, yes, they rob I.
C G/B a
Sold I to the merchant ships
G e
minutes after they took I
C G/B a
from the bottomless pit.
G e7
But my ha-and was made strong
C G/B a
By the hand of the Almighty.
G e
We forward in this generation
C D
triumphantly.
Chorus:
G
Won't you help to sing
C D G
these songs of freedom?
C D e
'Cause all I ever had,
C D G
redemption songs,
C D G C
redemption songs.
D G e7
Emancipate yourselves from mental slavery,
C G/B a
None but ourselves can free our minds.

G e
Have no fear for atomic energy,
C G/B a
'Cause none of them can stop the time.
G e7
How long shall they kill our prophets
C G/B a
While we stand aside and look?
G e
Yes, some say it's just a part of it.
C D
We've got to fulfill the book.
Chorus ...
repeat 2nd verse
Bridge:
e e C D (4x)
Chorus:
G
Won't you help to sing
C D G
C D e
'Cause all I ever had,
C D G
redemption songs,
C D e
all I ever had,
C D e
redemption songs,
C D G
C D G
songs of freedom?
Outro:
C G/B a a6

V.A. - Austropop Hits (Chords)

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PLEASE NOTE

Here's a standard disclaimer:

Visit my homepage at:

and check the songbook page

Enjoy the music

Andy Kriechhammer, andy.kriechhammer@aon.at

a number alone means blow through that hole

a number with a - in front of it indicates a draw note

brackets (4) = play it or not: as you feel it

numbers like this: 4 indicate a chord (here blow 4 and play

I wü kane augsoffenen Gespräche mehr fian,

weu mi des so unhamlich niachtan mocht

Des druckt ma es Herz o, des schlog si aufd Sö

Do geh i liaba und sog guate Nocht

I wü a kane gscheitn Diskussionen mehr hean,

wo jeder immer nur von Freiheit red.

Waunst frei sei wüst, daun tua wos,

nur paß hoit auf dabei,

I wü in derer unsöligen Stodt nimma leben,

wost jeden Tog fünf Kilo schwerer wirst,

Wo da die Woaheit aufgeht wia schwindsüchtiger Mond

Und wost Di aun die Leukämie verlierst.

Oide - i hoid auf di,

ohne di do wa die Welt so furchtbar koit für mi,

ollas wos i bin verdank i dir,

weu i hob di so unhamlich im Gspir

Oide - heast, i hoid auf di,

weu du bist a Oide, die unhamlich hoid auf mi.

Ganz egal wiast ausschaust du bist sche für mi

und i kann nix anders tuan ois steh auf di,

I waß ned warum mi heut so gfriat,

und warums so finster in mir wird.

Ja i glaub jetzt kummt a schwerer Regen,

I hab oft auf´s Leb´n gschimpf und wia,

oba glaub mia, tot sei is a ka Mäzie,

weu in so an Grob, do is ma z´eng,

Jetzt wo ollas wochst und ollas bliaht,

daß ma im Herz´n drin ganz damisch wird.

Will i mi net in´d Gruabn eine leg´n,

I geb zua, i hob vü Fehler gmocht,

i hob viel zu oft g’want und viel zu selten g’locht.

Oba loßts mi do ned sterbn deswegen na na na,

Da geht a Raunen durch die Leut,

und a jeder hat sei Freud.

Der Hofer war's, der Sündenbock!

Der Hofer, den was kaner mog.

Und der Haufen bewegt si viere

hin zum Hofer seiner Türe.

Da schrein die Leut: Kumm außer, Mörder!

Und sie pumpern an die Tür

und sie machen an Krawall alswia,

und sie tretatn's aa glatt ei,

tät die Hausmeisterin net sei.

Die sagt: Was is denn, meine Herrn?

Tun S' mir doch den Hausfrieden nicht stör'n!

Denn eines weiß ich ganz gewiß,

daß die Leich

der Hofer is!

Laßts mi in Rua, weu heit schüttns mei Kinettn zua.

A Vogl singt im Gartn und de Blumen blühn.

A Vogl singt im Gartn und de Blumen blühn.

Aber ohne mei Corrina

kann mi des net berührn.