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Improvisation:
MU:Cr1.1.3b Generate musical ideas (such as rhythms and melodies) within a given tonality an
d/or meter.
Song/Arrangement/BP:
MU:Pr5.1.3b Rehearse to refine technical accuracy, expressive qualities, and identified perform
ance challenges. MU:Pr6.1.3a Perform music with expression and technical accuracy
Materials of Instruction:
Bass Accompaniment:
Alternate Accompaniment:
-Mallet Instruments
Lesson Sequence (lessons may have more or less activities as appropriate):
Entry Activity/Transition:
Activity #1 Objective: (This is where you teach the students to sing the song. Use the
“whole/part/whole” teaching process.)
1. Step 1- Rhtyhm
T: “Who here thinks music class is fun?!”
S: “We Do!”
T: Can you repeat after me… “Mu-sic class is so much fun”
S: Repeat word in rhythm (but not pitch)
T: “We love Mi-ster Ti-mmy” (Breath and point to cue student entrance
S: Repeat words in rhythm (but not pitch
T: Put the first two together and have students repeat
- Repeat anything as needed
2. Step 2- Singing the first phrase
T: “Now lets sing!”
- Sing the whole first phrase
T: “Think you got it? Lets listen one more time.”
-Sing first phrase again
-Cue in students to sing by saying “Your-turn!”
S: Sing first phrase
T: Lets sing it together now
TS: Sing first phrase
-Repeat as needed
3. Second Phrase
T: “This time we are going to sing something slightly different! Pay attention”
-Sing Through the second phrase 2 times
T: Do you guys like to sing and dance?
S: “Yesss!”
T: This time, I am going to sing the whole song, but I was you to show me your bet dance
move when say “Sing and dance”.
-Sing through both verses
T: “This time I am going to sing through the song, but leave some words out. Can you
say the correct words when I stop?
S: Yeah!
-Sing through and point to the students when leaving words out
-Repeat as needed
Assessment:
Students will be able to sing through both phrases of the rendition of “Great Big House
in New Orleans” Without teacher assistance.
Transition: Great! Now can we all sing this song together while we get out our mallet
instruments?
-Sing (on repeat) the song while slowly getting up to grab instruments
Activity #2 Objective: (This is where you teach the students the harmonic accompaniment,
either a vocal, recorder, xylo or uke accompaniment. Be sure to go from “simple to
complex” and use body percussion to teach the parts, singing the song over the top at
each step.)
1. Bass accompaniment
T: Now let’s learn a new accompaniment! Can you find that note C again?
T: This time I was you to find the note E with your right hand mallet.
- “Do you notice how there is one note between the two? They are skipping over a
note!”
T: Model the rhythm of the accompaniment on C and E
- Say either the lyrics that fall on the beats or count to ensure students are thinking
“off” beat rhythms in their head
T: “Now we are going to move to E and G”
- Perform each set 4 times and then switch to the next
T: Now lets do F and A!
- Repeat the same process as E and G
T: Now G and B!
- Repeat the same Process as before
T: Model for students the full accompaniment
- Say the root note for each chord while playing it
- Have students join when they are ready
T: If you want to try something harder, try singing with it!
- Model singing and playing at the same time
T: “Now I want you to pick your favorite accompaniment and we will perform it together!”
- Play/sing the melody while students do this
Assessment:
Students will be able to successfully perform combined accompaniment parts on their
mallet instruments
Transition:
T: Great! Now who here remembers the very last word of our song?
S: “Create!”
T: Yes! What do you think that means?
Activity #3 Objective: (This is where you have the students improvise through modeling.
Be sure the harmonic accompaniment is being played—by you, by a small group of
students, or some other way---model the improvisation, and ask “What did I do
differently?” Then help the students move safely into improvisation, culminating in each
student doing some sort of improvisation).