Somewhere In My Memory


Music by John Williams

   
from the motion picture Arranged by ?

 
 = 76Gently and with simplicity
Revised by David Charlier
Home Alone

                            
           
 
 
                                    
with sus. pedal

 


  
     
           
     
   
 
6

      
                
 


      
       
    

9

  





         
  


 
            
       
 
12


    
           
   
  

David Charlier 2017


          
   
         


16

      
 
  
             
  
   


 
                    
 

20

   

                


  
   
        
 


      
       
       
25

     
  
     


 
                   
        
28

 
 


           
                 
rit.


                
      
  
a tempo

 
33



 
   
          
   

2 David Charlier 2017


  
   
  
37

   
    




       
       
      
      
38

                     
     
 


                      
   
            
42


   
                
      
   


           
    
   
       

46

                  


    
  
   

        


                
       
         
50


  

              
        

David Charlier 2017 3


               
              

        
    
54

  

      
  
a tempo

      
rit.


         
  

 = 74

            
    
58

  


                                
rit.

  


   
   
       
62



              
 

4 David Charlier 2017