173 Ezine 173 Edited

6/8/2016 Englishzine Juillet.
173 Ezine Excellere 173
April 2016.CHILE.
Edited by Alfred Juillet F.
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Contents:
CONTENTS:
I. FLYING SAUCER HISTORY 413
II. WORLD OPINION 1427
III. SPACE TRAVEL AND THE UFO 2839
IV. SPACE COMMUNICATION AND DETECTION 4051
file:///C:/Juillet/cfajf/Ezine/173%20Ezine%20%20Excellere%20173.htm 1/17
V. MARSTHE MYSTERY PLANET 5261
VI THE WORLDWIDE ENIGMA 6287
VII. CONTACT STORIES 88111
VIII. NEW LIGHT ON THE UFO 112117
IX. THE PROBLEMS TODAY 118127
GLOSSARY OF UFO TERMINOLOGY 128
About the Author (from the back cover):
"Although a comparatively young man Max B. Miller has put in a world of objective flying saucer research since he first
became interested in the phenomena in 1947. He founded Flying Saucers International in 1952 and still operates it as a non
profit investigative unit, delving into all facets of Unidentified Flying Objects. Exhaustive research findings are dispensed to
the public through the quarterly publication "Saucers" which is believed to have one of the largest circulations of its kind in
the world. Currently Miller holds memberships in many local and overseas UFO and space groups including: The British
Interplanetary Society, Association of Lunar and Planetary Observers, The Meteoritical Society, Civilian Saucer Intelligence
of New Zealand and associate member of the American Rocket Society."
About the Author:
Max Briant Miller (February 23, 1937 – January 17, 2011) was an American journalist, photographer and film producer. His
1976 film Youthquake! won the Golden Globe Award for Best Documentary Film at the 33rd Golden Globe Awards.
His father was producer and inventor Max O. Miller. He attended Los Angeles Valley College, UCLA, and Sherwood Oaks
College.
He became interested in UFOs as a boy and in 1952, at the age of 15, founded the UFO research group Flying Saucers
International and served as the editor of its quarterly magazine Saucers. He was the author of two books on UFOs: Flying
Saucers: Fact Or Fiction? (1957) and Flying Saucers Pictorial (1967).
Miller wrote about cinema for American Cinematographer and other publications, and since 1976 he owned and managed the
LA based celebrity photo syndication agency Fotos International. Since 1974 his images had been represented by Rex
Features in London and Keystone Press Agency in Canada. Also with Pictorial Parade, Archive Photos, and Image Bank
which are now part of Getty Images.
A longtime Hollywood Foreign Press Association member, Miller served on their board from 1974 to 1982, and became
chairman of the HFPA board in 1976 as well as a second term.
Miller committed suicide by gun the day after the 68th Golden Globe Awards. According to TV Guide, "Miller was
depressed over his divorce and financial problems." Several obituaries noted that Miller's photography company was denied
a place on the red carpet at that year's Golden Globes, where he had been a member for 44 years.
From an online obituary by Brad Elterman – Buzz Foto: “I met Max Miller around 1975 I when I was a teenager just getting
into the photo industry. This was a magical period to be photographer covering Hollywood and pop culture. Max was full of
stories about real movie stars and I was all ears. He was a pioneer in photo syndication who traveled the globe and knew the
industry well. Fotos International and his wonderful number one photographer Frank Edwards covered every inch of
Hollywood. Max was on the guest list for everything and magazines published volumes of his photos every week. With
many of the great publicists and fellow celebrity photographer now gone, I assume that the business had changed for Max
during the last few years. He came from an era where the talent, the publicist and the magazines would treat the photographer
with great respect. Not only has the photo industry lost Max, but also the end of a great era.”
Playboy's Gahan Wilson is a collection of Gahan Wilson's cartoons from Playboy magazine. It was first published in an
oversized trade paperback format in 1973 by Playboy Press with a cover price of $2.50.
From the front cover:
"More Than 220 Cartoons 120 In Full Color. From Playboy's Mirthful Master Of The Macabre."
About The Author:
Gahan Wilson (born February 18, 1930) is an American author, cartoonist and illustrator known for his cartoons depicting
horrorfantasy situations.
Wilson was born in Evanston, Illinois. He has been married to author Nancy Winters (née Nancy Dee Midyette) since 1966.
Wilson's cartoons and illustrations are drawn in a playfully grotesque style and have a dark humor that is often compared to
the work of The New Yorker cartoonist and Addams Family creator Charles Addams. But while both feature vampires,
cemeteries and other traditional horror elements in their work, Addams' cartoons are gothic, reserved and oldfashioned,
while Wilson's work is more contemporary, gross and confrontational, featuring atomic mutants, subway monsters and serial
killers. It could be argued that Addams' work was probably meant to be funny without a lot of satirical intent, while Wilson
often has a very specific point to make.
Wilson was inspired by the irreverent work of the various satiric Mad and Punch cartoonists, as well as the science fiction
monster films of the 1950s. His cartoons and prose fiction have appeared regularly in magazines such as Playboy, Collier's,
and The New Yorker for almost 50 years. In addition to his cartoons for The Magazine Of Fantasy & Science Fiction, he also
wrote movie and book reviews for that publication. From 1992 through end of publication, he prepared all the front covers
for the annual book Passport To World Band Radio. He has been a movie review columnist for The Twilight Zone Magazine
and a book critic for Realms Of Fantasy magazine.
His comic strip Nuts, which appeared in National Lampoon, was a reaction against what he saw as the saccharine view of
childhood in strips like Peanuts. His hero, The Kid, sees the world as dark, dangerous and unfair—but also occasionally a fun
place.
Wilson wrote and illustrated a short story for Harlan Ellison's anthology Again, Dangerous Visions (1972). The "title" is a
black blob, and the story is about an ominous black blob that appears on the page, growing at an alarming rate. He has
contributed short stories to other publications as well; "M1" and "The Zombie Butler" both appeared in The Magazine Of
Fantasy & Science Fiction and were reprinted in Gahan Wilson's Cracked Cosmos (1975).
Wilson created a computer game, Gahan Wilson's The Ultimate Haunted House, with Byron Preiss. The goal is to collect 13
keys in 13 hours from the 13 rooms of a house by interacting in various ways with characters (twoheaded monster, mad
scientist, vampiress), objects and the house itself.
Wilson wrote the 1992 animated short Diner.
In 2009, Fantagraphics Books released Gahan Wilson: 50 Years Of Playboy Cartoons, a slipcased, threevolume collection of
Wilson's cartoons and short stories for that magazine. A collection of his work, Fifty Years Of Gahan Wilson, was published
in 2010. Fantagraphics published a "complete" edition of Nuts in October 2011.
In 2005, Wilson was recognized with Lifetime Achievement from the World Fantasy Awards. He received the World Fantasy
Convention Award in 1981 and the National Cartoonists Society's Milton Caniff Lifetime Achievement Award in 2005.
Wilson is the subject of a featurelength documentary film, Gahan Wilson: Born Dead, Still Weird, directed by Steven
Charles Jaffe.
He was an influence on later alternative cartoonists, including Gary Larson, John Callahan and Bill Plympton.
Playboy's Gahan Wilson is a collection of Gahan Wilson's cartoons from Playboy magazine. It was first published in an
oversized trade paperback format in 1973 by Playboy Press with a cover price of $2.50.
"More Than 220 Cartoons 120 In Full Color. From Playboy's Mirthful Master Of The Macabre."
About The Author:
Gahan Wilson (born February 18, 1930) is an American author, cartoonist and illustrator known for his cartoons depicting
horrorfantasy situations.
Wilson was born in Evanston, Illinois. He has been married to author Nancy Winters (née Nancy Dee Midyette) since 1966.
Wilson's cartoons and illustrations are drawn in a playfully grotesque style and have a dark humor that is often compared to
the work of The New Yorker cartoonist and Addams Family creator Charles Addams. But while both feature vampires,
cemeteries and other traditional horror elements in their work, Addams' cartoons are gothic, reserved and oldfashioned,
while Wilson's work is more contemporary, gross and confrontational, featuring atomic mutants, subway monsters and serial
killers. It could be argued that Addams' work was probably meant to be funny without a lot of satirical intent, while Wilson
often has a very specific point to make.
Wilson was inspired by the irreverent work of the various satiric Mad and Punch cartoonists, as well as the science fiction
monster films of the 1950s. His cartoons and prose fiction have appeared regularly in magazines such as Playboy, Collier's,
and The New Yorker for almost 50 years. In addition to his cartoons for The Magazine Of Fantasy & Science Fiction, he also
wrote movie and book reviews for that publication. From 1992 through end of publication, he prepared all the front covers
for the annual book Passport To World Band Radio. He has been a movie review columnist for The Twilight Zone Magazine
and a book critic for Realms Of Fantasy magazine.
His comic strip Nuts, which appeared in National Lampoon, was a reaction against what he saw as the saccharine view of
childhood in strips like Peanuts. His hero, The Kid, sees the world as dark, dangerous and unfair—but also occasionally a fun
place.
Wilson wrote and illustrated a short story for Harlan Ellison's anthology Again, Dangerous Visions (1972). The "title" is a
black blob, and the story is about an ominous black blob that appears on the page, growing at an alarming rate. He has
contributed short stories to other publications as well; "M1" and "The Zombie Butler" both appeared in The Magazine Of
Fantasy & Science Fiction and were reprinted in Gahan Wilson's Cracked Cosmos (1975).
Wilson created a computer game, Gahan Wilson's The Ultimate Haunted House, with Byron Preiss. The goal is to collect 13
keys in 13 hours from the 13 rooms of a house by interacting in various ways with characters (twoheaded monster, mad
scientist, vampiress), objects and the house itself.
Wilson wrote the 1992 animated short Diner.
In 2009, Fantagraphics Books released Gahan Wilson: 50 Years Of Playboy Cartoons, a slipcased, threevolume collection of
Wilson's cartoons and short stories for that magazine. A collection of his work, Fifty Years Of Gahan Wilson, was published
in 2010. Fantagraphics published a "complete" edition of Nuts in October 2011.
In 2005, Wilson was recognized with Lifetime Achievement from the World Fantasy Awards. He received the World Fantasy
Convention Award in 1981 and the National Cartoonists Society's Milton Caniff Lifetime Achievement Award in 2005.
Wilson is the subject of a featurelength documentary film, Gahan Wilson: Born Dead, Still Weird, directed by Steven
Charles Jaffe.
He was an influence on later alternative cartoonists, including Gary Larson, John Callahan and Bill Plympton.
New Worlds SF [v50, #163, June 1966] (3/6, 160pp+, pb, cover by Keith Roberts)
2 · Here’s Your Chance... · Michael Moorcock · ed
4 · The God Killers [Part 1 of 2] · John Baxter · n.
66 · You: Coma: Marilyn Monroe · J. G. Ballard · ss Ambit #27 1966
72 · The Gloom Pattern · Peter Tate · nv
102 · The Subliminal · Ernest Hill · ss
114 · What Passing Bells? · R. M. Bennett · nv
137 · World Of Shadows · Sydney J. Bounds · ss
New Worlds [#189, April 1969] (5/, 64pp+, large s/s, cover by Mervyn Peake)
4 · A Boy And His Dog [Vic & Blood] · Harlan Ellison · nv
17 · The Ash Circus [Jerry Cornelius] · M. John Harrison · ss
23 · How The Sponsors Helped Out · Anthony HadenGuest · pm; given as by Anthony HaydenGuest in the Table of
Contents.
24 · Labyrinth · D. M. Thomas · pm
27 · The Beach Murders · J. G. Ballard · ss Rogue Feb/Mar 1966, as “Confetti Royale”
32 · Inside · J. J. Mundis · ss
34 · For Czechoslovakia · George MacBeth · pm
37 · A Cure For Cancer [Part 2 of 4; Jerry Cornelius] · Michael Moorcock · n.
New Worlds [#190, May 1969] (5/, 64pp+, large s/s, cover by Gabi Nasemann)
4 · The Moment Of Eclipse · Brian W. Aldiss · ss
13 · The Negotiators · Harvey Jacobs · ss Esquire Apr 1969; revised
19 · The Responsive Environment · Charles Platt · ar
24 · A Cure For Cancer [Part 3 of 4; Jerry Cornelius] · Michael Moorcock · n.
42 · Star · Libby Houston · pm
42 · Alien Pomp... · Libby Houston · pm
43 · The Old Woman And The Sandwiches · Libby Houston · pm
43 · At the Sign Of The Times · Libby Houston · pm
44 · Manoeuvres · Libby Houston · pm
44 · Out Of · Libby Houston · pm
45 · The Hurt · Marek Obtulowicz · ss
53 · The Dreams Of The Computer · Dr. Christopher Evans & Jackie Wilson · ms
donate to ; alfjuillet@yahoo.com In paypal.
"Over 350 Cartoons More Than 100 In Color"
From the first page:
"Among the wellknown contributors to Click's Cartoon Annual:
F. O. Alexander, Harry Algus, Peter Arno, Joe Ash, C. W. Anderson, Fred Balk, M. K. Barlow, Ken Barker, Frank Beaven,
M. Berry, Jess Benton, Henry Boltinoff, Bo Brown, Bru, Gene Carr, Bill Champe, Roland Coe, Lloyd Coe, "Margot" Cook,
Jimmy Caborn, ''Arlan'' Crandall, B. Currie, Abner Dean, Gregory d'Alessio, R. C. Dell, Rodney deSarro, Frank Dobias,
Coutney Dunkel, Eric Ericson, R. L. Epstein, Herc Ficklen, Francois, Martin Garrity, Thurston Gentry, Dave Gerard, Ken
Gunall, Irv Hagglund, Ned Hilton, D. Humne, Ed Hunter, Art Jackson, Louis Jamme, Harvey Johnson, Will Johnson, Kay
Kararra, Jette Keate, Reamer Keller, George Kerr, L. Lartar, Bandel Linn, "Medill" Loebner, George Mabie, Gregor
Macgregor, Ty Mahon, Paul McCarthy, Dorothy McKay,
Robinson McKee, Gene McNerney, John Miller, Jack Morley, Wade Monroe, Ed Nofziger, Ted O'Loughlin, J. A. Patterson,
Mal Pearlman, Ted Petok, Louis Priscilla, William V. Porcelli, Bernard Potter, Robinson, Henry Roesler, The Four Roth
Bros. (I. Rior, Ben Roth, Al Ross, and Salo Roth), G. Phil Rosa, John Rosol, Barbara Shermund, Adolph Schus, George
Shellhase, Hal Shennan, Mel Soderlund, William Spaar, Stan Stamaty, Jack Starr, Chas. Strauss, Kirk Stiles, George
Swanson, Lee Thomas, B. F. Thompson, Merrylen Townsend, James Trembath, Trent, Buford Tune, Ans Turner, Don Ulsh,
W. Von Riegen,
Harry Weinert, Wenzel, Ed Wheelan, Fritz Wilkinson, Rod Willard, G. Wolfe, Alex Young, C. K. Weil, E. Zlatos."
About Click magazine:
Click was a tabloid magazine which was owned and operated by Moses ["Moe"] Louis Annenberg (18771942), owner of
Triangle Publications and publisher of the The Philadelphia Inquirer newspaper. The name "Triangle" referred to his three
most lucrative holdings, Nationwide Racing News Service, The Daily Racing Form, and The Philadelphia Inquirer. Triangle
Publications also produced Detective & Murder Mysteries, Official Detective, Quick, The Radio Guide, and Screen Guide.
When Triangle first published Screen Guide, Moses Annenberg sought to boost circulation by featuring sensational nude
photographs of pinup models, for which the magazine was banned in several States and Canada.
In 1937 Triangle published Click Magazine, which was fashioned after Look and Life, but unlike those magazines also
featured occasional nude pinups along with sensationally gruesome photographs of sex crime scenes. The editor Emile
Gauvreau (18911956) later recalled, "I was part of that strange race of people aptly described as spending their lives doing
things they detest to make money they don't want to buy things they don't need to impress people they don't like."
On August 11, 1939 the same District Attorney and Federal Judge who had historically convicted Al Capone of tax evasion,
brought similar charges against Moses Annenberg.
On April 20, 1940 Moses Annenberg was convicted to serve three years in Federal prison and to pay a fine of $8,000,000,
which was the largest such penalty in U.S. history.
Before incarceration he installed his son Walter Annenberg (19082002) as business successor to assure smooth continuity to
the operation of his vast empire.
On December 7, 1941 the Japanese attacked Pearl Harbor an America went to war. Joseph Ottenstein spearheaded a public
relations campaign to demand the release of Moses Annenberg on patriotic grounds, "In this war period he would be serving
the country better at his desk as publisher of his big Philadelphia newspaper than in prison."
Moses Annenberg's health declined to an extreme extent, while serving his threeyear sentence in Lewisburg Pennsylvania
State Prison, until doctors urged his early release for medical treatment on June 3, 1942. He traveled to the Mayo Clinic in
Minneapolis for an emergency brain operation.
Moses Annenberg died at the age of sixtyfive on July 20, 1942.
His son Walter Annenberg lead Triangle Publications to even greater prosperity and became one of America's most
outstanding charitable and political donors, by which leverage he forged advantageous connections to Republican Presidents
Richard Nixon, Ronald Reagan, and George Bush.
Enjoy!
8/17
This was the third in a series of "Evergreen Review" readers that covers the span of the magazine's existence. This volume
anthologizes its final years and features contributions by J. G. Ballard, Samuel Beckett, William S. Burroughs, Pablo Neruda,
Susan Sontag, Allen Ginsberg, Octavio Paz, and many others.
Evergreen Review was a U.S.based literary magazine, known for its experimental fiction, which was founded by Barney
Rosset, publisher of Grove Press. It existed in print from 1957 through 1973, and was relaunched online in 1998. It began as
a quarterly in a trade paperback format (not unlike so many other literary quarterlies of the day), later changing into a full
sized, glossy magazine, and finally to a massmarket paperback format.
From the back cover:
"INSIDE THIS ISSUE:
THE LOST ONES, the first work of longer fiction by Samuel Beckett to be published since he was awarded the Nobel Prize
for Literature in 1969. Writes Joseph McElroy in The New York Times Book Review: "Beckett's work continues to be one of
the signal modern ventures in concentrated attention. THE LOST ONES suggests even more warmly what a great writer
Beckett is."
Is Yevgeny Yevtushenko really the knight in shining armor of Soviet Liberalism, or does he serve some other, more devious
purpose? Dotson Rader punctures the myth of the latest darling of American Liberalism.
Writing about black artists and entertainers has become big businessfor white writers, that is. But they all miss the point,
says Cecil Brown, in an interview with Aretha Franklin.
'Dear Hef: That's a pretty spastic operation you got going at Bunny Heaven in Great Gorge, where you pay guys to water the
plastic bushes and a Playmate might even let you buy her a chocolate milk.' An eyewitness report from admirer Peter Tauber
of Hefner's newest Playboy Club Hotel in New Jersey.
PLUS: fiction by J.G. Ballard and articles by Jerome Tarshis and Parker Tyler."
CONTENTS:
In This Issue 4
Letters to the Editor 6
Notes From The Underground Dotson Rader 16
Report From Bunny Hollow / article Peter Tauber 29
The Lost Ones / fiction Samuel Beckett 41
Lafayette Park Place / poem Andrew Hoyem 65
God's Spies / story David Kleinbard 67
Some Recent Fiction / poem Al Young 83
Photographs Dudley Gray 89
Is Man A Clown? Is Fellini? And What's A Clown? / article Parker Tyler 98
Yevgeny Yevtushenko: The Cold Warrior As Poet / article Dotson Rader 125
Poem Ellen Cooney 135
KrafftEbing Visits Dealey Plaza: The Recent Fiction Of J.G. Ballard / article Jerome Tarshis 137
Facing South / poem Paul Blackburn 143
The Assassination Of John Fitzgerald Kennedy Considered As A Downhill Motor Race / fiction J. G. Ballard 149
(Originally published in New Worlds And SF Impulse, March 1967)
The Philosophy Of Jive / article Cecil Brown154
Cover painting by Susan Wainer
About Evergreen Review:
Evergreen Review debuted pivotal works by Samuel Beckett, Jorge Luis Borges, Charles Bukowski, William Burroughs,
Marguerite Duras, Jean Genet, Allen Ginsberg, Gunter Grass, Jack Kerouac, Norman Mailer, Henry Miller, Pablo Neruda,
Vladimir Nabokov, Frank O’Hara, Kenzaburo Oe, Octavio Paz, Harold Pinter, Susan Sontag, Tom Stoppard, Derek Walcott
and Malcolm X. United States Supreme Court Justice William O. Douglas wrote a controversial piece for the magazine in
1969. Kerouac and Ginsberg regularly had their writing published in the magazine.
Although primarily a literary magazine, Evergreen Review always contained numerous illustrations. In its early years, these
included a small number of cartoons. By the mid1960s, many illustrations and photographs were of an erotic nature,
including a serialized graphic novel, The Adventures Of Phoebe ZeitGeist by writer Michael O'Donoghue and artist Frank
Springer. It was later published as a Grove Press hardcover in 1968 and trade paperback in 1969.
The first issue in 1957 featured an essay by JeanPaul Sartre and an interview with the great New Orleans jazz drummer
Baby Dodds. It also included a story of Samuel Beckett's Dante And The Lobster, the first of his many appearances in
Evergreen's pages; these continued through the last issue published.
The second issue was a landmark. A banner across the cover declared "San Francisco Scene," and inside held the first
collection of work by the new Beat writers including Lawrence Ferlinghetti, Gary Snyder, Michael McClure, Philip
Whalen, Jack Kerouac (before the publication of On The Road and Allen Ginsberg, whose HOWL had already been
published as a pamphlet by Ferlinghetti's press, City Lights, and was confiscated by customs officials and faced trial for
obscenity in San Francisco. The issue brought the Beats and Evergreen Review to the forefront of the American stage.
Subsequent issues presented some of the best and most provocative literary writing of the time; William S. Burroughs' Naked
Lunch was excerpted side by side with C. Wright Mills and a section from Paul Goodman's Growing Up Absurd; Edward
Albee's first play, Zoo Story, appeared next to Camus' appeal against capital punishment; a portion of Jean Genet's Our Lady
Of The Flowers ran in the same number as an essay by Octavio Paz. LeRoi Jones (Amirari Baraka), John Rechy, Robert
Coover, Frank O' Hara, Richard Brautigan, Hubert Selby, Jr., Kenneth Koch, and Terry Southern were among those who
appeared regularly.
As the fifties turned into the sixties, and the Beat Scene grew into the counterculture, Evergreen grew as well, always one
step ahead of the pack. Timothy Leary, Abbie Hoffman, and the Fugs shared pages with Jack Kerouac, Mailer, Beckett, and
Burroughs, and essays propounding psychedelic and Black Power appeared between cartoons by Tomi Ungerer, Kliban, and
Sine. Michael O'Donoghue (later of National Lampoon and Saturday Night Live fame) became a regular contributor and
created the classic commix satire Phoebe ZeitGeist. Politics, sex, and art always went together. Then Hon. Gerald R. Ford
denounced the magazine on the floor of Congress for printing a lampoon of Richard Nixon beside the photo of a nude. In
1968 Evergreen Review #51, featuring "The Spirit Of Che" and with a Paul Davis portrait of Che Guevera on the cover so
inflamed antiCastro Cubans that they bombed Evergreen offices.
Evergreen published writing that was literally counter to the culture, and if it was sexy, so much the better. In the context of
the time, sex was politics, and the powersthatbe made the suppression of sexuality a political issue. The court battles that
Grove Press fought for the legal publication of Lady Chatterly's Lover, Tropic Of Cancer, and Naked Lunch, and for the legal
distribution of the film I Am Curious: Yellow, spilled onto the pages of Evergreen Review, and in 1964, an issue of
Evergreen itself was confiscated in New York State by the Nassau County District Attorney on obscenity charges.
All of this was done on a shoestring budget by a tiny staff. Barney Rosset started the magazine with editor Don Allen and
Fred Jordan, who was nominally the business manager in its early days. Richard Seaver joined the editorial team with the
ninth issue, and Don Allen stepped back to become a contributing editor. Publication increased from quarterly to bimonthly
to, in the late sixties, monthly, and the format changed from trade paperback to a fullsized, glossy magazine attaining a
subscription base of some 40, 000 copies and a newsstand circulation of 1000,000. The final issue, number 96, came out in
1973. Evergreen was more than another literary magazine. It was the voice of a movement that helped to change the attitudes
and prejudices of the culture at large through the language of art and succeeded. It was always damn the torpedoes and full
speed ahead.
The original Evergreen Review ceased publication in 1973, but the magazine was revived in 1998 in an online edition edited
by founder Barney Rosset and Astrid Rosset. The online edition features flashbacks to previous Evergreen Review editions,
as well as debuts by contemporary writers such as Dennis Nurkse, Giannina Braschi, and Regina Dereiva.
Sata Illustrated was a science fiction fanzine by Bill Pearson and Dan Adkins. It was published first by Dan Adkins (when he
was in the Air Force and was base illustrator and was bored…) and then by Bill Pearson and Dan Adkins and later by Bill
Pearson alone.
The first issue appeared in 1956. It was reproduced using a ditto machine. Sata featured weird fiction, comics, and
illustrations, with an emphasis on lots of Illustrations, since both editors were artists. After 6 issues had been released Adkins
left the zine and Pearson carried on without him. 15 issues were released, the last in February 1964.
Contributors included Richard Bassford, Roger Benson, Roger Brand, Ray Capella, Tom Conroy, Alan Dodd, Claude Hall,
Roy Krenkel, and others.
Fiction was by Bob Leman, Charles L. Morris, and Bob Warner, among others. Articles were by Larry Shaw among others.
Artwork was contributed by Esmond Adams, George Barr, Robert E. Gilbert, Larry Ivie, Ken Kellard, Bill Pearson, Andy
Reiss, and others.
Letters came from Harvey Kurtzman, among others.
On his website, Steve Stiles writes; "Perhaps few people remember Dan's activities in s.f. fanzine fandom, but in the late
fifties he and Bill Pearson were producing the most attractive dittoed fanzine, Sata Illustrated, that I've ever seen a fanzine
that was instrumental in getting me into fandom."
CONTENTS (Compiled from the magazine):
Sata Illustrated [v01n12, May, 1960] (William E. Pearson; Phoenix, AZ, 28pp)
1 • The Temple • George Barr • poem Illus. by George Barr
4 • Troublesome Guatocat On Boondock Planet • Clod Hall [pseudonym of Claude Hall] • ss Illus. by Dan Adkins
9 • The Painting • Bob Warner • ss
13 • Fantasia • Illustration by Dave Prosser
14 • The Editorial: A Legion Of Sterile Women Cry...Help! •
15 • Book 4: The Witches' Sabbath, Chapters VII and VIII • anonymous • serial
18 • Particularly Meticulously • Raymond Wallace • column Illustrated by George Barr
18 • More Mouldy Mush? • Esmond Adams • column Illustrated by George Barr & Dan Adkins
Enjoy!
'''''''''''''''
The Wild Shore was Kim Stanley Robinson's first novel and the first volume in his "Orange County" postapocalyptic
trilogy. It was originally published in paperback in March 1984 by Ace Books as the inaugural volume in its new series of
Ace Science Fiction Specials, edited by Terry Carr.
From Locus:
"The Wild Shore (Ace 0441888704, Mar ’84 [Feb ’84], $2.95, 371pp, pb) [Orange County] Sf novel, first of the revived
Ace Science Fiction Specials edited by Terry Carr. A first novel. Slow but excellently written postholocaust California coast
novel. (EAL)"
From the back cover:
"Seventeenyearold Henry wanted to help make America great again [Gee that sounds familiar now where have I heard
that line before?], like it had been sixty years ago, before all the bombs went off: But for the people of Onofre Valley just
surviving was challenge enough. Then one day the world came to Henry in the shape of two men who said they represented
the American Resistance ..."
"For several years now I've been calling Robinson one of the most promising young writers in our field or any other. When
The Wild Shore appears, I'll have to drop those patronizing words young and promising; it will be evident then to everyone
who has the pleasure of reading it that he is simply one of our best writers." —Gene Wolfe.
"We are witnessing the emergence of a powerful new talent." —Damon Knight.
The Ace Science Fiction Specials are a fifteenyearold tradition with us; under the brilliant editorship of Terry Carr, the line
is dedicated to publishing the best in Science Fiction. The original Specials included The Left Hand Of Darkness and Isle Of
The Dead—now meet the superstars of the future, in the New Ace Science Fiction Specials."
About The Author:
Kim Stanley Robinson (born March 23, 1952) is an American writer of speculative sciencefiction. He has published
nineteen novels and numerous short stories but is best known for his Mars trilogy. Many of his novels and stories have
ecological, cultural and political themes running through them and often feature scientists as heroes. Robinson has won
numerous awards including the Hugo Award for Best Novel, the Nebula Award for Best Novel and the World Fantasy
Award. Robinson's work has been labeled by the Atlantic as "the goldstandard of realistic, and highly literary, science
fiction writing". According to an article in the New Yorker, Robinson is "generally acknowledged as one of the greatest
living sciencefiction writers."
Enjoy!
Great ScienceFiction Stories About The Moon is an anthology of seven science fiction short stories edited by T. E. Dikty
and published in hardcover in 1967 by Fredrick Fell. It has never been reprinted. The stories had originally appeared in the
magazines Analog Science Fiction And Fact, Galaxy Science Fiction, Fantasy and Science Fiction, Thrilling Wonder Stories,
and Astounding.
Note: Great ScienceFiction Stories About The Moon is the title as it reads on the title page (and in WorldCat). The dust
jacket title is Great Science Fiction Stories About The Moon, without the hyphen, but going by bibliographic rules, we
should always go by the title page's version.
CONTENTS:
Great ScienceFiction Stories About The Moon ed. T. E. Dikty (Fredrick Fell, 1967, hc)
Earth’s Natural Satellite · T. E. Dikty · in
Table of Comparisons: Earth And Moon · [Misc.] · ms
Significant Events In Lunar Exploration · [Misc.] · ms
Moon Prospector [Lensmen] · William B. Ellern · nv Analog April 1966
The Reluctant Heroes · Frank M. Robinson · nv Galaxy January 1951
Glimpses Of The Moon · Wallace West · nv Analog June 1965
The Pro · Edmond Hamilton · ss F&SF October 1964
Honeymoon In Hell · Fredric Brown · nv Galaxy November 1950
Via Death [Via] · Eando Binder · ss Thrilling Wonder Stories August 1938, as by Gordon A. Giles
Trends · Isaac Asimov · ss Astounding July 1939
Glossary · [Misc.] · ms
About The Editor:
Thaddeus Maxim Eugene (Ted) Dikty (June 16, 1920 – October 11, 1991) was an editor who also played a role as one of the
earliest science fiction anthologists, and as a publisher.
In 1947, Dikty joined Shasta Publishers as managing editor. With E. F. Bleiler he started the first "Best of the Year" science
fiction anthologies, called The Best Science Fiction, which ran from 1949 until 1957.
In 1953, he married writer Julian May, whom he had met at a science fiction convention in Ohio. Both of them worked for
Chicagoarea publishers; in 1957 the two started Publication Associates, an editorial service which created books (from
writing to completion of bound copies) for specialty children's publishers who sold primarily to the school and library
markets: May did the writing, and Dikty served as designer and producer. In the early 1970s Dikty and partners started a
small press, FAX Collector's Editions, which reprinted selected pulpera (and earlier) SF stories and novels, and had some
commercial success with reprints of work by Robert E. Howard (creator of Conan the Barbarian).
In 1976, after the family had moved to West Linn, Oregon, Dikty founded the specialty publisher Starmont House, which
published nonfiction about the science fiction field. At the time of his death in 1991 at the age of 71, Dikty and May had
moved in Mercer Island, Washington; his daughter, Barbara Dikty, had already been made President of Starmont House, Inc.
by then.
In September 2013, he was posthumously named to the First Fandom Hall of Fame in a ceremony at the 71st World Science
Fiction Convention.
Enjoy!
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