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THE RSCM GUIDE FOR ALL WHO PLAN AND LEAD WORSHIP
Feature writers
THE REVD DR GORDON GILES DAVID OGDEN JONATHAN ROBINSON JAMES WOODWARD
is Vicar of St Mary Magdalene, is much in demand as a conductor is a former Resident Musician of became Principal of Sarum College
Enfield and Director of Post- and director of choral and church Iona Abbey and spent 11 years as in 2015 after seven years as Canon
Ordination Training for the music workshops, courses and full-time Director of Music at Steward of St George’s Chapel,
Edmonton Area of the Diocese of festivals in the UK and abroad. He is Lindfield Parish Church. A graduate Windsor Castle. As a practical
London. He has written various Director of Music at Westbury-on- of the Theology, Music and Worship theologian James has focused on
books on church music and Trym Parish Church in Bristol and degree course at London School of health and healing, old age and
hymnody published by BRF and has worked extensively with the Theology, he is presently working in end-of-life care. In 30 years of
SPCK, and was on the editorial team RSCM and the BBC, including the Education Department at the ministry James has worked in
of the new Ancient & Modern. conducting, arranging and advising RSCM. He enjoys planning creative health-care chaplaincy and rural
on Songs of Praise and Call the and alternative worship with music contexts. He has published (with
Midwife. As a busy composer, David from different traditions. Paula Gooder and Mark Pryce) four
writes music for churches and books on each of the Gospels
schools. (SPCK).
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© 2 0 1 9 T H E R O YA L S C H O O L O F C H U R C H M U S I C 5
light of God re vealed in Je sus, to the day star scat ter ing our
bear the cross of Christ with glad ness and pro claim the dawn ing of the
sign of hope where all seemed hope less, as a sign of peace in place of
Refrain
night.
day. For the light is strong er than the dark ness and the
strife.
day will o ver come the night, though the sha dows ling er all a
6 © 2019 T H E R O YA L S C H O O L O F C H U R C H M U S I C
Hymn Workshop
In a world where people appears in lines by Desmond Tutu, sometimes sung to
walk in darkness a setting by John Bell: ‘Goodness is stronger than evil.
Love is stronger than hate. Light is stronger than
Words: Robert A. Willis (born 1947)
darkness. Life is stronger than death. Victory is ours
Tune: (Let Us Light a Candle) Richard Shephard (born
through him who loved us.’
1949)
For Willis there was a particular desire to lift up the
Hymn book sources: AM 677, CP 476
plight of hostages and offer hope as light in darkness
in a lyrical song; its movement and pace is intended to
follow speech rhythm. Furthermore, the theme of light
The author of this increasingly popular hymn is overcoming darkness is fundamental to the Christian
Robert Willis, currently Dean of Canterbury Cathedral. faith and punctuates so much scripture with rays of
Educated at Warwick University and Worcester hope. John 1.4–5 is the obvious one: ‘…in him was life,
College, Oxford he trained for the Anglican priesthood and the life was the light of all people. The light shines
at Ripon College, Cuddesdon. He was ordained in 1972 in the darkness, and the darkness did not overcome it.’
and served as curate in St Chad’s, Shrewsbury, and in The opening of John’s Gospel stands as an exposition
1975 went to be Vicar Choral of Salisbury Cathedral of the idea of Christ as Light of the World, coming into
and Chaplain of the Cathedral School. In 1978 he a world of darkness to overcome, transform and inspire
became Rector of Tisbury in Wiltshire, and in 1987 us all. Meanwhile, in John 3.19–21 we read: ‘And this is
moved on to become Vicar of Sherborne Abbey. In the judgement, that the light has come into the world,
1992 he was appointed Dean of Hereford and in 2001, and people loved darkness rather than light because
Dean of Canterbury. their deeds were evil. For all who do evil hate the light
He tells me that this hymn was written for a and do not come to the light, so that their deeds may
Mothers’ Union Festival in Salisbury Cathedral not be exposed. But those who do what is true come to
during his time at Sherborne Abbey. Knowing Richard the light, so that it may be clearly seen that their deeds
Shephard to be someone who could compose exactly have been done in God.’ Jesus described himself in this
the right kind of tune for something that needed to way: ‘I am the light of the world. Whoever follows me
be instantly singable, Willis asked him to set the text. will never walk in darkness but will have the light of
Accordingly, it has a refrain (which is unusual for this life’ (John 8.12), and St Paul echoed this when he wrote
hymnwriter), making it even easier for a gathered to the Corinthians: ‘For it is the God who said, “Let
congregation for a one-off event to pick up and enjoy light shine out of darkness”, who has shone in our
singing. As he himself says, hymns bind people hearts to give the light of the knowledge of the glory
together, and something as instantly accessible as of God in the face of Jesus Christ’ (2 Corinthians 4.6).
this proves that modern hymns as well as ancient In John’s first letter we find: ‘If we say that we have
ones can do this. The refrain was written first, and fellowship with him while we are walking in darkness,
the initial ideas came to him during a meeting of the we lie and do not do what is true; but if we walk in the
General Synod of the Church of England, inspired, light as he himself is in the light, we have fellowship
apparently, by a story related by Terry Waite after his with one another, and the blood of Jesus his Son
brutal imprisonment as a hostage in Beirut, in which cleanses us from all sin’ (1 John 1.6–8).
he tells of being sent a postcard of the Bunyan Window In the verse of the hymn, there is a threefold
in the Bunyan Meeting Church in Bedford, and of how intention to present a problem and to balance it with
the phrase ‘light is stronger than darkness’ sustained a hope-filled response. Rather as a Collect will present
him through the very dark 1,763 days of captivity. John the gracious acts of God and then offer a petition,
Bunyan served his two prison sentences in Bedford’s each of the three verses of the hymn makes a gloomy
County Gaol in 1660–72 and 1676–77, during the first statement of the way of the world followed by an
of which he wrote Pilgrim’s Progress. The phrase also entreaty to be faithful and hopeful and loving. So,
© 2019 T H E R O YA L S C H O O L O F C H U R C H M U S I C 7
in verse 1, the walking in darkness (itself a reference and wide as we picture the strength of the spreading
to Isaiah 9.2: ‘The people who walked in darkness have light, although the highest point melodically is
seen a great light; those who lived in a land of deep reserved for a phrase describing the ranging of the
darkness – on them light has shined’) is balanced by shadows that will inevitably remain. We conclude,
‘let us turn our faces to the light’. In verse 2 the shadow appropriately perhaps, an octave higher than we began.
of suffering is countered by bearing the cross and When preparing to teach a tune to a congregation,
witnessing to the Dayspring who shall dawn from on or a choir containing singers who don’t read music,
high. Verse 3 reverses the order, beginning with ‘let us’, look out for phrases that begin as a repeat but end
a proactive move to counter death, hopelessness and differently. Just such a moment occurs in the chorus
strife with the life and peace of Christ. And each verse as the setting of ‘For the light is stronger’ reoccurs
is punctuated by the refrain which commits to light in at ‘though the shadows linger’. A difficulty may only
the face of darkness, casting away the shadows of night. become evident as the singers wrongly attempt to repeat
Gordon Giles a dotted crotchet B against the C on ‘-round’, but will
actually need correcting from the end of the previous
THE COMPOSER bar on ‘all a-’ where incorrectly repeated shorter notes
Born in Gloucester in 1949, Shephard read music at against similar harmony may have only caused minimal
Corpus Christi College, Cambridge. A career in education discomfort. It is often better to point out this kind of
followed, with posts at Salisbury’s Cathedral and issue in advance, before the learning process takes
Godolphin schools, and latterly as Headmaster of York a wrong turn that is more difficult to reroute later.
Minster school. He was awarded the Lambeth degree of If you have a choir or ad hoc group of singers then
Doctor of Music in 2001 ‘in recognition of his outstanding a very effective way for the congregation to learn,
contribution to church music, especially as a composer or indeed continue to use this setting, is for a soloist
who has enriched not only the cathedral repertoire to take verse 1. The choir could be added at the first
but also the parish scene in providing singable and refrain and then the congregation from verse 2
playable music in the traditional mould’. A Fellowship onwards. The three-quarter-bar ‘Optional introduction’
of the RSCM followed in 2003. given in Ancient & Modern and Common Praise will work
Among his compositional output are operas, oratorios, well in this scenario, but if the congregation are also
musicals and orchestral works, but it is as a composer of starting from verse 1 I would recommend you devise
church music that he is best known, much of it having something longer that also gives a clue as to how the
become standards of the Anglican repertoire. Discussing tune begins. If you enjoy an interlude between a
his hymn tunes, G. W. E. Brightwell notes in The Canterbury chorus and a verse, then don’t waste it, just recycle!
Dictionary of Hymnology that: With no slackening of tempo, add descending quavers
E then D on the missing fourth beat of the final bar
Like Stanford and Buck, Shephard establishes a
and then Da capo immediately.
sense of forward motion in his hymn tunes through
The composer subsequently made an SATB anthem
the build up and release of tension by a liberal
arrangement for the Choir of Canterbury Cathedral
exploitation of suspensions. […] It is Shephard’s
who recorded it on their Evensong album, but the piece
idiosyncratic harmonic language, however, that
can also be heard in full on YouTube at www.youtube.
makes his idiom truly distinctive: the consonance
com/watch?v=VDTO6RgrZj0. The setting is published
provided by an unadulterated root-position chord
by the RSCM and is available from www.rscmshop.com,
is a rare occurrence; rather, his preference for a
where you’ll find you can also preview the first seven
succession of well-articulated bluesy dissonances
pages (search for A2028).
propels both listener and performer alike to the
A very good congregational recording from Songs
tonic resolution at the final cadence.
of Praise at Romsey Abbey can be heard (and seen) at
Let Us Light a Candle is no exception. www.bbc.co.uk/programmes/p05w1bk5. As has been
mentioned in previous Hymn Workshops, printing a
THE TUNE link in a church newsletter several weeks before first
Shephard paints Willis’ text well, expressing the rising use can be an effective aid to learning, or an easy
mood of each verse; retaining a sense of searching, way of setting the choir some really very enjoyable
but then pausing on the optimism and promise of the homework which then saves time at choir practice.
dominant chord. The chorus roams confidently far Jonathan Robinson
8 © 2019 T H E R O YA L S C H O O L O F C H U R C H M U S I C
The festival associated with 2 February (and often now spirits. Like so many Christian festivals, Candlemas
transferred to a nearby Sunday) has various names. The takes its place as a christianizing fixture supplanting
Presentation of Christ in the Temple, the Purification a pagan tradition or superstition, alongside
of the Blessed Virgin Mary and the more colloquial Christmas, Easter and even St Valentine’s Day.
Candlemas all refer to what was known in 4th-century The emphasis on light and the related themes of
Jerusalem as the hypapante, the meeting of the 40-day- salvation, hope and renewal provides a rich vein to
old Jesus with Simeon and Anna in the Temple explore. In the northern hemisphere a dark season
recorded in Luke 2.22–39. The 4th-century pilgrim craves light and the visual impact of a crescendo of
Egeria recorded that the celebration of this festival candles is spiritually satisfying and inspiring. The day
was marked with equivalent solemnity to Easter, with lends itself especially well to some form of procession,
the relevant Bible readings, preaching and Eucharist. either during a Eucharist, before the service or towards
Candlemas is an ancient feast day that has remained the end, fittingly involving the saying or singing of the
almost unchanged save for the actual date, which was Nunc Dimittis (The Song of Simeon). Other possibilities
originally located in relation to Epiphany. However, include an evening service of light, perhaps along the
once 25 December had been accepted as the feast of lines of the one suggested overleaf. Common Worship:
the Nativity it was moved from 13 to 2 February, where Times and Seasons (2006) provides eucharistic and
it remains to this day, except in the Armenian Church processional material on pages 194–207. The Promise
where it is still celebrated 40 days after Epiphany. of His Glory (1990) contains similar material with
In Western tradition, Candlemas is a mariological the addition of a Vigil Service (pages 259–286).
feast, being the date of Mary’s purification: according There is a sense of the festival being not only a
to the Law, the day when she was able to reappear in final look back at Christmas, but a culmination of it:
public after having given birth. Yet it is also a feast a refined, tinsel-free, authentic celebration of the true
of the Saviour, in which, according to the Law, the meaning of a season that has been pre-empted in early
firstborn is redeemed by the sacrifice of two doves or December and forgotten by January. Christmas points
pigeons – the traditional offering made by those who to Candlemas, and, coming at the end of the Epiphany
could not afford a lamb. Mary and Joseph are richly season when the three great ‘revealings’ of magi,
blessed in their son Jesus, who needs no purification baptism and Cana transformation are rehearsed,
himself, but they are a family of limited means. Thus the encounter with Simeon and Anna affirms the
there are two strands in the modern Candlemas: the meaning of Christ as Saviour not just for the chosen
purification of Mary and the presentation of Jesus, Jews, but for Gentiles, who, as Isaiah put it, ‘shall
both prescribed in Jewish Law. come to your light’ (Isaiah 60.3).
Thirdly there is the association with light, literal Candlemas is also a day when we look forwards.
and metaphorical. Simeon’s hailing of Jesus as ‘a light Some liturgies suggest processing to the font and
to lighten the Gentiles’ resonates with John’s Prologue, ‘turning’ from Christmas to Lent: from crib to cross.
and Luke’s story prefigures Jesus’s own description of In a moment that resonates with the bittersweet
himself as the ‘light of the world’ (John 8.12, 9.5). Not prophecy of Simeon to Mary that ‘a sword will
surprisingly, the day has become associated with the piece your heart too’, we turn from Christ’s birth
blessing of candles. More prosaic traditions observed to anticipate his Passion and resurrection.
that 2 February is midway between the shortest day Candlemas sits spiritually between the worlds
and the spring equinox, and Roman superstitions of Christmas and Easter as the final piece in the
held that the lighting of candles warded off evil winter liturgical jigsaw.
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Let us give thanks to the Lord our God The Paschal Candle is lit at the font.
he is worthy of all thanksgiving and praise.
Hymn (such as Hail to the Lord who comes or
Blessed are you, Lord our God, king of the universe: Light of the World)
To you be glory and praise for ever!
Second Meditation
For you are our light and our salvation
and we your children wait for your loving kindness Procession back through the nave.
in the midst of your temple.
Hymn or Anthem (such as In a world where people
In your Christ, born of the Virgin Mary,
walk in darkness)
there has sprung up a light for the righteous
and joyful gladness for those who are faithful. Confession and Absolution
As we, like Simeon and Anna, welcome him
Jesus says, ‘I am the light of the world. He who
with joy,
follows me shall not walk in darkness, but will
presented before us as light of all the world,
have the light of life.’
may we be filled with his Spirit and made
a living temple Let us then bring our secret sins into his light and
to the praise and glory of your holy name. confess them in penitence and faith.
And, as we join our praises with theirs,
Father eternal, giver of light and grace,
grant us a quiet night and a perfect end
we have sinned against you and against our
now and for ever.
neighbour,
Amen.
in what we have thought, in what we have said
and done,
through ignorance, through weakness, through
our own deliberate fault.
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Common Worship Lectionary/Revised Common Lectionary In the later Old Testament writings there
Isaiah 60.1–6 Arise, shine, for the light has come; gold and frankincense shall come from Sheba is a turning of the eyes to the outside
Psalm 72.[1–9] 10–15 The kings of Sheba and Seba bring gifts; all nations give him service world and a growing sense of the place
Ephesians 3.1–12 Paul, the least of the saints, is called to bring the Gentiles the good news of Christ of other nations in God’s purposes and
Matthew 2.1–12 Magi from the east come with gifts of gold, frankincense and myrrh for the newborn Israel’s benevolent role towards them.
Jesus Paul sees Christ as God’s gift for all, Jews
Roman Lectionary and Gentiles alike, and both on the same
Isaiah 60.1–6 Arise, shine, for the light has come; gold and frankincense shall come from Sheba footing. The visit of the Magi in Jesus’s
Psalm 71.1–2, 7–8, 10–13 [Psalm 72 in CW/RCL] The kings of Sheba and Seba bring gifts; all nations infancy foreshadows beautifully the
give him service future boundless scope of his sway over
Ephesians 3.2–3, 5–6 Paul, the least of the saints, is called to bring the Gentiles the good news of Christ the hearts and minds of humanity. It is
Matthew 2.1–12 Magi from the east come bringing gifts of gold, frankincense and myrrh for the hard to be truly universal in spirit and in
newborn Jesus welcome – pray for openness of heart.
12 © 2019 T H E R O YA L S C H O O L O F C H U R C H M U S I C
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Psalm 147.13–21 CRP, SP, CWP, MPCW, PAME, MCW1, SC1, CFES, manual s o nly
LHON Brahms Es ist ein’ ros’
Polyblank Praise the Lord PS3 In Eleven Chorale Preludes Op. 122 (many editions)
Bell Sing to God with joy PPP, MCW1 Walther Vom Himmel Hoch or Lobt Gott, ihr Christen
Foster The Lord was made flesh VE In Seasonal Chorale Preludes for Manuals Bk 1 (OUP)
Wisdom of Solomon 10.15–21 PAME, SP
eas y wi th pedal s
Bennett Prelude on ‘Es ist ein’ Ros’
IONA, WORLD SONGS AND SHORT SONGS
In Oxford Hymn Settings: Advent and Christmas (OUP)
Word of the Father WGIR, CAYP Rawsthorne What child is this?
God to enfold you LAA, IAMB In The Holly and the Ivy: 48 Carol Improvisations (Mayhew)
Send out your light CAYP
He came down IECS1, MAG i ntermedi ate
J. S. Bach Vom Himmel hoch BWV 700
In Novello Vol. 19, Bärenreiter Vol. 3, Peters Vol. 7
ALL-AGE WORSHIP
Karg-Elert Wie schön leuchtet der Morgenstern
Angels from the realms of glory AM59, AMNS39, CH4 324, CP44, In Choral-Improvisationen Op. 65 Vol. 6 (Breitkopf)
HON36, HTC77, L131, MP35, R&S163, SOF23, STF190, TS631
Fill your hearts with joy and gladness AM283, CH4 103, HON172, advanced
HTC30, L703, MP147, SOF717 J. S. Bach Vom Himmel hoch BWV 606
Into the darkness of this world AM40, SOF821, STF173 From the Orgelbüchlein (many editions)
Love came down at Christmas AM76, CFE397, CH4 316, CP59, Buxtehude Fantasia: Gelobet seist du, Jesu Christ BuXWV 188
HON427, HTC62, MP451, R&S614, SOF376, STF210 In Complete Works Vol. 4 (Bärenreiter)
Silent night, holy night AM84, CFE643, CP69, HON597, HTC95, L136,
MP597, NEH35, R&S147, SOF498, STF217, TS455
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Common Worship Lectionary/Revised Common Lectionary Perhaps the passage in Isaiah might
Isaiah 42.1–9 Here is my servant, who will bring justice to the nations be read as a picture of the ministry of
Psalm 29 God’s voice is heard from a great storm; he is to be worshipped in holy splendour Jesus – marked by both gentleness and
Acts 10.34–43 Jesus of Nazareth went about doing good and healing, for God was with him power, by feeling and the establishment
Matthew 3.13–17 The baptism of Jesus of liberty and justice. This is echoed in
Roman Lectionary Matthew and the account of the baptism
Isaiah 42.1–4, 6–7 Here is my servant, who will bring justice to the nations of Christ. In an act of humility, the
Psalm 28.1–4, 9–10 [Psalm 29 in CW/RCL] ‘The God of glory thunders – in his temple they all cry: baptism of Jesus makes clear who he is
“Glory!”’ – the chosen one of God who will fulfil
Acts 10.34–38 Jesus of Nazareth went about doing good and healing, for God was with him his purposes. We pray that our faith
Matthew 3.13–17 The baptism of Jesus may include people of all kinds.
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Psalm 29 PAME, PFE3, CRP, SP, VE, CWP, NPCW, NEP, LHON manual s o nly
Boulton Smith Give strength to your peoples, Lord PS1 Gigault Fugue à 3 sur L’Agnus p. 48, in Organ Book Vol. 1 (Kalmus)
Feeley The Lord will bless his people VE Groves The Rosy Sequence, No. 2 of Six Plainsong Preludes (Novello)
Haugen The Lord will bless his people with peace TLP#
Rees The Lord will bless his people with peace PCMG
eas y wi th pedal s
Tambling Postlude on ‘Was lebet’
In Oxford Hymn Settings: Epiphany (OUP)
IONA, WORLD SONGS AND SHORT SONGS
Thalben-Ball Herongate
He came singing love IECS1, SFLS1 In 113 Variations on Hymn Tunes (Novello)
Jesu redemptor omnium CLM Walther Mach’s mit mir (‘Eisenach’)
Mayenziwe IECS1, TIOAU In 120 Chorale Preludes of the 17C & 18C (Peters)
Tu sei sorgente viva (Lord, you are living water) T1, SPT
Veni lumen TSFP i ntermedi ate
Wash me in the water WWHW Tambling Intrada or Postlude on ‘Diademata’
In Oxford Hymn Settings: Easter and Ascension (OUP)
Vann Blaenwern
ALL-AGE WORSHIP
In 100 Hymn Preludes and 150 Hymn Preludes Bk 1 (both Mayhew)
Be still and know that I am God CFE70-1, CH4 755, HON66, L909,
MP48, R&S347, SOF41, STF18, TS48 advanced
On Jordan’s bank AM46, AMNS27, CFE575, CH4 334, CP34, HON527, Lang Voluntary on ‘Winchester New’
HTC601, L94, MP538, NEH12, R&S134, STF182 In Festal Voluntaries: Advent (Novello)
Spirit of God, unseen as the wind AM389, CH4 600, MP1351, NEH612,
STF394
We have a gospel to proclaim AM507, AMNS431, CFE778, CH4 363,
CP612, HON716, HTC519, L852, MP728, NEH486, SOF1583, STF418
When Jesus came to Jordan AM108, AMNS526, CP93, STF233
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Psalm 40.1–12 PAME, SP, CRP, FGP, C, CWP, NPCW manual s o nly
Alonso Here am I TLP# J. S. Bach O Lamm Gottes unschuldig BWV 1085
Ogden Here I am PS3# WLP In Bärenreiter Vol. 3, Breitkopf Vol. 5, Mayhew Vol. 2, Neumeister
Farrell I waited for the Lord LGO# Chorale Preludes (Bärenreiter) and Oxford Bach Book Manuals Vol. 2
Dean I waited, I waited for the Lord C (OUP)
Bell I waited patiently for God PPP, CH4, CG Telemann O Lamm Gottes unschuldig
In Organ Music for Manuals Bk 3 (OUP) and another in Seasonal
IONA, WORLD SONGS AND SHORT SONGS Chorale Preludes for Manuals Bk 1 (OUP)
Behold the Lamb of God CAYP (2 versions), IAMB eas y wi th pedal s
Behold the Lamb of God EOA Jordan Elegy
Come, Holy Spirit (various) CAYP, EOA In A Second Organ Miscellany and Communion Interludes (Mayhew)
When God Almighty came to earth HSNW Willan Southwell, in 36 Short Preludes and Postludes Set III (Peters)
ALL-AGE WORSHIP
i ntermedi ate
Buxtehude Ein feste Burg ist unser Gott BuxWV 184
Behold the lamb who bears our sins away AM427, MP1157, SOF1724, In Peters Vol. 2 and Bärenreiter Vol. 4
TS1742 Sumsion Prelude on ‘Liebster Immanuel’ (RSCM)
There is a Redeemer AM805, CH4 559, HON658, MP673, SOF544,
STF338, TS492 advanced
Through all the changing scenes of life AM812, AMNS209, CFE740, J. S. Bach Agnus Dei, from Mass in B minor BWV232
CP604, HON686, HTC46, MP702, NEH467, R&S685, SOF1566, In Organ Music for Communion (Bärenreiter)
STF638, TS1561 Parry Prelude on ‘Croft 136’, in Seven Chorale Preludes Set 2
When I was lost MP1127, SOF1607, STF367, TS1615 (Novello) or in Preludes and Postludes (Mayhew)
When Jesus came to Jordan AM108, AMNS526, CP93, STF233
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Common Worship Lectionary/Revised Common Lectionary Isaiah sees the shining of God’s joyful
Isaiah 9.1–4 The righteous reign of the coming King light, bringing an end to oppression.
Psalm 27.1, 4–12* ‘The Lord is my light and my help – whom shall I fear?’ Hero worship and squabbles in the
1 Corinthians 1.10–18 Avoid divisions in the church; the message of the cross is foolishness to some congregation enfeeble Christian life, and
but power to us Paul hates it. His remedy rests on Jesus’s
Matthew 4.12–23 Jesus begins his Galilean ministry, calls disciples and ministers to crowds death as the sole source of power and
Roman Lectionary alone worthy of loyalty. Matthew picks
Isaiah 8.23–9.3 The righteous reign of the coming King up the passage from Isaiah as he looks to
Psalm 26.1, 4, 13–14 [Psalm 27 in CW/RCL] ‘The Lord is my light and my help – whom shall I fear?’ the spread of the good news – as the story
1 Corinthians 1.10–13, 17 Avoid divisions in the church; the message of the cross is foolishness to some of Jesus’s ministry begins he summons
but power to us disciples and relieves distress. Let us
Matthew 4.12–23 Jesus begins his Galilean ministry, calls disciples and ministers to crowds reflect on the simplicity of the call of
Jesus, and, we trust, our response.
20 © 2019 T H E R O YA L S C H O O L O F C H U R C H M U S I C
advanced
ALL-AGE WORSHIP Moore Variations: Noël nouvelet
Dear Lord and Father of mankind AM621, AMNS115, CFE143, CH4 In Lent and Easter Organ Music (OUP)
485, CP411, HON144, HTC356, L934, MP111, NEH353, R&S492,
SOF79, STF495, TS79
Jesus Christ is waiting AM563, CFE323, CH4 360, HON349, L889,
SOF1381, STF251, TS1360
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Common Worship Lectionary/Revised Common Lectionary Religious observance always runs the
Proper 1 risk of being complacent and superficial:
Isaiah 58.1–9a[b–12] False and true worship but true relationship with God is made
Psalm 112.1–9[10] The just have no fear of evil news – with a firm heart they trust in the Lord of sterner stuff. Paul strives to get his
1 Corinthians 2.1–12 [13–16] Proclaiming Christ crucified: true wisdom and spirituality converts to see the true depth of what
Matthew 5.13–20 Salt and light, the city on a hill; let your light shine; the law and the prophets he tries to bring them: no human theory-
Roman Lectionary making, but the reality of God’s truth.
Isaiah 58.7–10 Share bread with the hungry and your light will break forth like the dawn We are called to the highest possible level
Psalm 111.4–9 [Psalm 112 in CW/RCL] The just have no fear of evil news – with a firm heart they of service to God. Only then can we hope
trust in the Lord to affect the life of society at large. May
1 Corinthians 2.1–5 Proclaiming Christ crucified we always seek the depth of God’s love
Matthew 5.13–16 Salt and light, the city on a hill; let your light shine and trust in God’s enabling power in
our discipleship.
24 © 2019 T H E R O YA L S C H O O L O F C H U R C H M U S I C
Psalm 112.1–9 PAME, PFE2, CRP, CWP, NPCW, LHON manual s o nly
Leftley Good people are a light PS3# Bonighton Song 1, in Preludes on Favourite Hymns (both 2- and
Alonso The just man is a light in darkness TLP# 3-stave editions available) (Mayhew)
Telemann Nun danket alle Gott
IONA, WORLD SONGS AND SHORT SONGS In 120 Chorale Preludes of the 17C & 18C (Peters)
God the Creator LFB eas y wi th pedal s
He came singing love IECS1 Fletcher St Bernard
Humbly in your sight IECS1, IAMB In Hymn Preludes for the Church Year Bk 1, 150 Hymn Preludes Bk 2 and
I am the Vine LFB, IWNSA, CAYP 100 Hymn Preludes (all Mayhew)
Jesus Christ is waiting EOA Reger Nun Danket alle Gott Op. 135/18, in Organ Music for Services
The Lord is my light IECS1, MAG of Thanksgiving (OUP) and in Complete Works Bk 7 (Breitkopf)
The Lord is my light IWNSA
i ntermedi ate
Nixon Fanfare on ‘Nun danket’, in Preludes Amazing (Mayhew)
ALL-AGE WORSHIP
Willan Prelude on ‘Bangor’
Beauty for brokenness AM557, CH4 259, HON60, MP806, SOF664, In 36 Short Preludes and Postludes Set II (Peters)
STF693, TS37
Brother, sister, let me serve you AM604, CFE813, CH4 694, CP393, advanced
HON88, L924, MP1261, R&S474, SOF54, STF611 Buxtehude Es ist das Heil uns Kommen her BuxWV 186
Christ is the world’s light AM609, AMNS440, CFE111, CP213, HON99, In Complete Works Vol. 4 (Bärenreiter)
HTC321, L744, R&S600, STF346 Schneider Chorale Prelude ‘Mein Gott, das Herze bring ich dir’
Forth in the peace of Christ AM475, AMNS458, CFE183, CH4 646, In Orgelmusik um J. S. Bach Vol. 1 (Breitkopf)
CP429, HON187, HTC542, L853, NEH361, R&S602
I am a city on a hill SOF2848
Jesus Christ is waiting AM563, CFE323, CH4 360, HON349, L889,
SOF1381, STF251, TS1360
*Longing for light, we wait in darkness AM42, CFE891, CH4 543, L883,
MP1201, SOF2417, STF706, TS1409 See page 47 for Coding and abbreviations
We are a shining light TS1574
*For a hymn workshop on ‘Longing for light (Christ, be our light)’, see Issue
81, pages 6–8.
© 2019 T H E R O YA L S C H O O L O F C H U R C H M U S I C 25
26 © 2019 T H E R O YA L S C H O O L O F C H U R C H M U S I C
Common Worship Lectionary/Revised Common Lectionary In Exodus we note a key episode in the
Exodus 24.12–18 Moses spends forty days and nights on the mountain in the presence of God Old Testament story – God makes his
Psalm 2 Why do the nations conspire and the peoples plot in vain? solemn bond of faith with his people, and
or Psalm 99 God is king; be afraid, for he saves his own and avenges wrongdoing the vision of his glory seals it. In Matthew
2 Peter 1.16–21 As eyewitnesses of glory, men and women moved by the Holy Spirit spoke from God the story of the Transfiguration points
Matthew 17.1–9 The Transfiguration ahead to Jesus’s resurrection glory but
Roman Lectionary also endorses him as the successor to
Leviticus 19.1–2, 17–18 Ritual and moral holiness expressed as commandments Israel’s two greatest spokesman for God,
Psalm 102.1–4, 8, 10, 12–13 ‘My soul, give thanks to the Lord, all my being, bless his holy name’ Moses and Elijah. As we prepare for the
1 Corinthians 3.16–23 You are God’s temple where the Spirit dwells; the wise should become fools season of Lent we reflect on the unbreakable
Matthew 5.38–48 Turn the other cheek, go the extra mile; love your enemies, strive to be perfect bond between God and ourselves, his
beloved creation and his people. We
give thanks to God for giving himself
so unstintingly in the person of Jesus.
HYMNS AND SONGS
pos rdg AM AMNS CFE CH4 CP HON HTC L MP NEH R&S SOF STF TS
All things bright and beautiful ga g 533 116 27 137 251 25 283 685 23 264 14 100 14
Christ is the world’s true light ga/se e 610 346 456 396 100 323 494 601 2246
Christ, whose glory fills the skies ga e 2 4 578 2 105 266 670 79 234 380 1200 134
Come down, O love divine (RL) e 238 156 125 489 175 114 231 303 89 137 294 1202 372 71
Come, Holy Ghost, our hearts inspire gr e 239 448 598 177 117 348 155
For the fruits of his/all creation (RL) o 284 457 178 231 254 185 286 731 153 621 42 1234 124 685
He is exalted, the king is exalted on high 2ps 437 273 217 164 52 156
Holy is God, holy and strong 2ps 660 699
*In a world where people walk gr e 677 476
in darkness
Jesus on/Christ upon the mountain peak gr g 279 441 357 115 177 259
Jesus shall take the highest honour g 360 378 302 356 296
Jesus, restore to us again gr/se g 280 873 876 295
Lord Jesus Christ, your light shines gr/cm 840 917 360
within us
Lord, make me an instrument of g 385 899
thy peace (RL)
O day of God draw near/nigh cm e 405 33 632
O Lord our God, how majestic 1ps 507 426 398
O Lord, who gave the dawn its glow gr g 622
O raise your eyes on high and see cm e 502 551 544 208
Open the eyes of my heart s 1100 1490 451 926
Shepherd divine, our wants relieve cm g 228 566
Sometimes a light surprises ga g 519 108 572 595
The church’s one foundation (RL) e 506 170 688 739 585 636 501 830 640 484 566 525 690 477
The kingdom of God is justice and joy ga e 569 701 591 646 333 821 651 200 255
The Lord will come and not be slow gr e 51 29 37 655 15 128
Tis/how good, Lord, to be here gr g 281 318 248 209 178 203
Transfigured Christ, none comprehends e,g 261
We behold the splendour of God g 210
We declare your majesty 1ps 726 577 544
We shall stand with our feet on the rock se e,g 737 589 556
We stand and lift up our hands s 1232 2114 1594
When God of old came down from heaven ga/se o 90 199
When I look into your holiness cm g 735 754 595 571
Ye servants of the Lord cm e 57 150 40 757 18
You shall cross the barren desert o 830 964
*For a hymn workshop on ‘In a world where people walk in darkness’, see pages 6–8.
28 © 2019 T H E R O YA L S C H O O L O F C H U R C H M U S I C
Brother, sister, let me serve you AM604, CFE813, CH4 694, CP393, advanced
HON88, L924, MP1261, R&S474, SOF54, STF611 J. S. Bach Partita ‘Christ, der du bist der helle Tag’ BWV 766
Lord, the light of your love is shining AM719, CFE388, CH4 448, CP513, In Novello Vol. 19, Bärenreiter Vol. 1, Peters Vol. 5 (N.B. some
HON419, L770, MP445, SOF362, STF59, TS335 movements are for manuals only)
Meekness and majesty AM728, CFE487, CH4 356, HON448, L751, Peeters O Nata Lux de Lumine
MP465, SOF390, STF362, TS353 No. 10 in Ten Chorale Preludes on Gregorian Themes Op. 76 (Peters)
Spirit of God, unseen as the wind AM389, CH4 600, MP1351, NEH612,
STF39
© 2019 T H E R O YA L S C H O O L O F C H U R C H M U S I C 29
30 © 2019 T H E R O YA L S C H O O L O F C H U R C H M U S I C
© 2019 T H E R O YA L S C H O O L O F C H U R C H M U S I C 31
Common Worship Lectionary/Revised Common Lectionary Religious observance can be done for
Joel 2.1–2, 12–17 Blow the trumpet in Zion; return to the Lord, sanctify a fast, call a solemn assembly absurd reasons, even to win the approval
or Isaiah 58.1–12 True fasting is to let the oppressed go free, to share bread and promote justice of other people. Purity of motive is
Psalm 51.1–18 David’s psalm of repentance after sin with Bathsheba: ‘in sin was I conceived’ required to truly love God. As Lent begins,
2 Corinthians 5.20b–6.10 We are ambassadors for Christ; we commend ourselves in every way let us pray for purity in our love of God
Matthew 6.1–6, 16–21 Do not vaunt your piety; do not store up treasure on earth as we deepen our true service and take
or John 8.1–11 [CW only] The woman caught in adultery goes free because no one dares to cast the this opportunity to grow in love.
first stone
Roman Lectionary
Joel 2.12–18 Blow the trumpet in Zion; return to the Lord, sanctify a fast, call a solemn assembly
Psalm 50.3–6 [Psalm 51 in CW/RCL] ‘Have mercy on me, God, in your kindness – in your compassion
blot out my offence’
2 Corinthians 5.20–6.2 We are ambassadors for Christ; we commend ourselves in every way
Matthew 6.1–6, 16–18 Do not vaunt your piety; do not store up treasure on earth
32 © 2019 T H E R O YA L S C H O O L O F C H U R C H M U S I C
Psalm 51.1–13 PFE1, CRP, PAME, RE, MCW1, FGP, SP, PFSI, CWP, manual s o nly
NPCW, L, NEH, NEP, CH4, RE, C, SPR De Grigny Dialogue ‘Qui tollis peccata’, p. 23 in Livre d’Orgue
Haugen Be merciful, O Lord C#, MHS, TLP# (Kalmus/Schott) [Pedal ad lib.]
Ogden Create in me a clean heart WLP# Zachau Aus tiefer Not, in 80 Chorale Preludes (Peters)
Norton Create in me a pure heart PIW
Walker Give me a new heart, O God OOD, L# OCP#
eas y wi th pedal s
M. Archer Aus der Tiefe (Heinlein), in 25 Hymn Preludes: A Year of
Farrell Give us, Lord, a new heart SLG, RITH# OCP#
Praise and 150 Hymn Preludes Bk 1 (bothMayhew)
Gelineau Have mercy on me, O God FGP
J. S. Bach Jesu, meines Lebens Leben BWV 1107
Wellicome I will leave this place PS2#
In Neumeister Choral Preludes (Bärenreiter)
Browning Lord Jesus Christ C
Rizza Miserere nobis AIL# i ntermedi ate
Rees O Lord, you love sincerity of heart PS2 C. P. E. Bach Aus der Tiefe, in Lent and Easter Organ Music (OUP)
J. S. Bach Wo soll ich fliehen hin BWV 694
IONA, WORLD SONGS AND SHORT SONGS In Novello Vol. 19, Bärenreiter Vol. 3, Peters Vol. 9
Be still and know EOA Krebs Ach Gott! erhör mein Seufzen, in Choralvorspiele alter Meister
Come and find rest in Christ TSUF (Peters) and C. H. Trevor Organ Book No. 5 (OUP)
Create within me a clean heart OITB advanced
In God alone TSFP J. S. Bach Chorale Prelude ‘Aus tiefer Noth’ BWV 687 (manualiter)
Khudaya (Lord, have mercy) IECS1, LAA From Clavierübungen III (many editions)
Lord, forgive me IECS2
On God alone I wait silently PPP, TIOAU
Out of the direst depths PPP
Silent, surrendered FOL
Take this moment LFB, IAMB, OITB
Ya hamalalah (Lamb of God) IECS2
© 2019 T H E R O YA L S C H O O L O F C H U R C H M U S I C 33
Common Worship Lectionary/Revised Common Lectionary The story of the fall is a picture of the
Genesis 2.15–17; 3.1–7 Adam and Eve in the garden commit the first sin and are punished flawed character of human nature. It
Psalm 32 ‘Happy are those whose transgression is forgiven, whose sin is covered’ is a sad truth, but not the whole truth.
Romans 5.12–19 Adam and Christ – sin and redemption In Romans we note that God does not
Matthew 4.1–11 Jesus tempted by Satan in the wilderness abandon us to our selfishness. With
Roman Lectionary Christ to stir us and Christ for us, we are
Genesis 2.7–9, 3.1–7 Adam and Eve in the garden commit the first sin and are punished taken out of ourselves to a quite different
Psalm 50.3–6, 12–14, 17 ‘A pure heart create for me, O God – put a steadfast spirit within me’ level of life. It is God’s supreme, free gift.
Romans 5.12–19 Adam and Christ – sin and redemption The fact that we are flawed must be
Matthew 4.1–11 Jesus tempted by Satan in the wilderness humbly accepted if we are ever to be
healed. This healing comes from God –
the question to us is, can we grasp
it gladly?
34 © 2019 T H E R O YA L S C H O O L O F C H U R C H M U S I C
SINGING THE PSALM Father, hear the prayer we offer AM629, AMNS113, CFE158, CH4 255,
CP416, HON161, HTC360, L933, MP132, NEH357, R&S495, SOF1229,
Psalm 32 PFE3, PAME, SP, CWP, NPCW
STF518
Lindsay May your love be upon us CG
O Jesus, I have promised AM748, AMNS235, CFE536, CH4 644, CP538,
Ward May your love be upon us, O Lord CFES#
HON503, HTC531, L875, MP501, NEH420, R&S509, SOF418, STF563,
Psalm 50.3–6, 12–14 PFE1, CRP, PAME, RE, MCW1, FGP, SP, PFSI,
TS391
CWP, NPCW, L, NEH, NEP, CH4, RE, C, SPR
Restore, O Lord AM502, CH4 469, HON582, MP579, SOF483, TS439
Haugen Be merciful, O Lord C#, MHS
Seek ye first the kingdom of God AM775, CFE633, CH4 641, HON590,
Ogden Create in me a clean heart WLP#
L820, MP590, R&S512, SOF493, STF254, TS447
Norton Create in me a pure heart PIW
Walker Give me a new heart, O God OOD, L# OCP#
ORGAN MUSIC
Farrell Give us, Lord, a new heart SLG, RITH# OCP#
Gelineau Have mercy on me, O God FGP manual s o nly
Wellicome I will leave this place PS2# Lang Prelude on ‘Aus der Tiefe’
Browning Lord Jesus Christ C In Lent and Easter Organ Music for Manuals (OUP)
Rizza Miserere nobis AIL# Palmer Study on ‘Abridge’
Rees O Lord, you love sincerity of heart PS2 In Lent and Easter Organ Music for Manuals (OUP)
Common Worship Lectionary/Revised Common Lectionary For comment on Matthew 17.1–9 (RCL/RL) and
Genesis 12.1–4a God calls Abram away from his home at the age of 75 associated music suggestions, see Sunday 23
Psalm 121 I lift up my eyes to the hills – from where will my help come? February (pages 28 and 29).
Romans 4.1–5, 13–17 ‘Abraham believed God, and it was reckoned to him as righteousness’
John 3.1–17 Nicodemus comes to Jesus by night: ‘For God so loved the world…’ In Abraham, the focus of the Old
or Matthew 17.1–9 [RCL only] The Transfiguration Testament narrows from humanity as a
Roman Lectionary whole to one man with a huge destiny.
Genesis 12.1–4 God calls Abram away from his home at the age of 75 Paul knew Abraham as the seed of God’s
Psalm 32.4–5, 18–20, 22 The Lord loves justice and right – he is our help and shield goodwill to us, and seized on Abraham’s
1 Timothy 1.8–10 Bear hardships for the sake of the Good News, relying on God who has saved faith and trust in God as the key. It is all
and called us that God requires of us. John reminds us
Matthew 17.1–9 The Transfiguration that we trust, but first God gives, without
stint or reserve, out of sheer love. Can our
natural pride can accept that God needs
only trust, and not our rather threadbare
virtue? Remember that being accepted by
God is the heart of our great good.
HYMNS AND SONGS
pos rdg AM AMNS CFE CH4 CP HON HTC L MP NEH R&S SOF STF TS
All my hope on God is founded ga 584 336 21 192 368 19 451 959 16 333 586 455 620
All ye who seek a comfort sure 140 64 31 101 212 63
Behold the servant of the Lord o,e 668 546
Blessed assurance gr 601 84 561 390 74 59 44 548 52
Born by the Holy Spirit’s breath g 225 61
By faith we see the hand of God o,e 1262 2240
Day is done, but Love unfailing ps 142 678
Fill thou my life ga/gr 632 200 424 171 146 406 108 73 683
For the healing of the nations 635 361 179 706 427 186 886 620 1235 696
God it was who said to Abraham o,e 464
God so loved the world g 1796
God so loved, that he gave his Son g 1275 2302
God whose love is everywhere ga e 91 79 1177
I lift my eyes to the quiet hills ps 312 281 64 804
I lift my eyes up to the mountains ps 277-8 1294 221 631 211
I to the hills will lift mine eyes gr ps 81 471 726
Immortal love, for ever full of 675 133 475 315 105 328 378 267
Jesu(s), lover of my soul of 128 123 319 490 96 343 438 797 372 383 332 297 355 838
Leave your country o 354 867
My help comes from the Lord gr ps 684 725
Name of all majesty se e 736 525 465 218 481 939
New every morning is the love ga 4 2 214 6 467 270 480 238 536 137
O praise ye the Lord se 753 203 547 543 534 406 518 427 445
O raise your eyes on high and see (RCL/RL) g 502 551 544 208
Oft in danger, oft in woe ga/se 755 210 547 487 533 434
Oh, how could it be of g 1344 2471
Purify my heart gr/cm 373 574 921 475 508 436
Spirit divine, attend/inspire our prayers cm 260 583 195 240 614 303
Spirit of God within me g 665 196 612 243 310 304
The God of Abraham praise ga o 791 331 162 586 642 9 712 645 148 121 530 91 975
The great Creator of the worlds ga/gr e 511 588
Thy hand, O God, has guided se 814 171 741 606 689 876 705 485 567 1065
Tis/how good, Lord, to be here (RCL/RL) g 281 318 248 209 178 203
We give immortal praise gr/cm e 278 520 206 713 11 37 16
36 © 2019 T H E R O YA L S C H O O L O F C H U R C H M U S I C
© 2019 T H E R O YA L S C H O O L O F C H U R C H M U S I C 37
Common Worship Lectionary/Revised Common Lectionary Trusting in God through thick and thin
Exodus 17.1–7 Moses strikes the rock and water flows from it at Rephidim is often an ideal, but faith is the better for
Psalm 95 ‘O come, let us sing to the Lord; let us make a joyful noise to the rock of our salvation!’ being tested. In Romans we note that Paul
Romans 5.1–11 ‘Since we are justified by faith, we have peace with God through our Lord Jesus Christ’ never ceases to be amazed at God’s love
John 4.5–42 Jesus meets the Samaritan woman by the well at Sychar for us – creatures who, in sober fact, merit
Roman Lectionary nothing from him at all. John presents
Exodus 17.3–7 Moses strikes the rock and water flows from it at Rephidim teasers under two images and he plays
Psalm 94.1–2 [Psalm 95 in CW/RCL] ‘Come, ring out our joy to the Lord; hail the rock who saves us’ with both. Jesus is the giver of the water
Romans 5.1–2, 5–8 ‘Since we are justified by faith, we have peace with God through our Lord Jesus that alone can slake our real thirst, and
Christ’ he is the place where God is most truly
John 4.5–42 Jesus meets the Samaritan woman by the well at Sychar worshipped, our bond with God. Jesus
fulfils all our good and godly hopes,
whatever shape we give them.
38 © 2019 T H E R O YA L S C H O O L O F C H U R C H M U S I C
Psalm 95 PFE2, CRP, PAME, MCW1, FGP, SP, CWP, NPCW, CH4, L, manual s o nly
LHON Krebs Erbarm dich mein, o Herre Gott
Haugen Come, let us sing for joy GIA# No. 10 in Complete works Vol. 4: Clavierübung (Breitkopf) and Oxford
Foster Come, ring out your joy C Service Music Bk 2 [Manuals] (OUP)
Farrell If today you hear God’s voice GBU# R. Groves Martyrdom, in 12 Hymn-Tune Preludes Set 2 (Novello)
Haas If today you hear his voice CFES#
Haugen If today you hear his voice TLP#
eas y wi th pedal s
Moore St Francis Xavier, in 50 Hymn Preludes (Mayhew)
Geary Listen to the voice of the Lord PS2#
Nixon Kingsfold, in 150 Hymn Preludes Bk 1 (Mayhew)
Moore O that today you would listen to his voice LHON#
Thiman Reverie on ‘St Peter’
In Preludes and Voluntaries Bk 3 (Curwen)
IONA, WORLD SONGS AND SHORT SONGS
advanced
ALL-AGE WORSHIP J. S. Bach Sinfonia from Cantata 29
As the deer pants for the water AM592, CFE54, CH4 550, HON45, In Bach Transcriptions for Organ (OUP)
L965, MP37, SOF27, STF544, TS27
As water to the thirsty AM534, CP252, HTC470, MP803, SOF659,
STF441
Father, hear the prayer we offer AM629, AMNS113, CFE158, CH4 255,
CP416, HON161, HTC360, L933, MP132, NEH357, R&S495, SOF1229,
STF518
O food to pilgrims given AM459, CP317, NEH300
Rock of ages, cleft for me AM772, AMNS135, CFE624, CH4 554, CP565,
HON584, HTC593, MP582, NEH445, R&S365, SOF488, STF434,
See page 47 for Coding and abbreviations
TS950-1
© 2019 T H E R O YA L S C H O O L O F C H U R C H M U S I C 39
Common Worship Lectionary/Revised Common Lectionary Light is a frequent image for God’s gift
1 Samuel 16.1–13 Samuel anoints David king after rejecting his brothers – and it stands for truth, moral purity
Psalm 23 ‘The Lord is my shepherd; there is nothing I shall want’ of heart and singleness of purpose. In
Ephesians 5.8–14 Live as children of light: awake and rise, for Christ will shine on you! John’s Gospel we learn that despite all
John 9.1–41 The man born blind receives sight and the Pharisees investigate discouragement, the man born blind
Roman Lectionary wins through not only to physical sight,
1 Samuel 16.1, 6–7, 10–13 Samuel anoints David king after rejecting his brothers but to recognition of Jesus as God’s gift.
Psalm 22 (Psalm 23 in CW/RCL] ‘The Lord is my shepherd; there is nothing I shall want’ It is the revolution of his life. May we pray
Ephesians 5.8–14 Live as children of light: awake and rise, for Christ will shine on you! for patience to discern God’s real purpose
John 9.1–41 The man born blind receives sight and the Pharisees investigate and thank God for the gift of sight –
perception of the true and the real. In
this we confess how blind we can be,
even to obvious good.
40 © 2019 T H E R O YA L S C H O O L O F C H U R C H M U S I C
Amazing grace (how sweet the sound) AM587, CFE40, CH4 555, CP375, advanced
HON29, HTC28, L846, MP31, NEH626, R&S92, SOF19, STF440, TS18 J. S. Bach Schmücke dich BWV 654
Christ is the world’s light AM609, AMNS440, CFE111, CP213, HON99, In Novello Vol. 17, Bärenreiter Vol. 2, Peters Vol. 7
HTC321, L744, R&S600, STF346 Peeters Audi, benigne Conditor
Open the eyes of my heart MP1100, SOF1490, STF451, TS926 No. 3 of Thirty Chorale Preludes on Gregorian Themes Op. 75 (Peters)
The king of love my shepherd is AM794, AMNS126, CFE699, CH4 462,
CP589, HON649, HTC44, L804, MP649, NEH457, R&S552, SOF533,
STF479, TS984
© 2019 T H E R O YA L S C H O O L O F C H U R C H M U S I C 41
42 © 2019 T H E R O YA L S C H O O L O F C H U R C H M U S I C
Common Worship Lectionary/Revised Common Lectionary The dry bones represent the people of
Ezekiel 37.1–14 The valley of dry bones: ‘I will put my spirit within you, and you shall live’ Israel, and Ezekiel’s vision brings assurance
Psalm 130 ‘Out of the depths I cry to you, O Lord – hear my voice!’ of their restoration. God’s Spirit is his
Romans 8.6–11 ‘You are not in the flesh; you are in the Spirit, since the Spirit of God dwells in you’ life-giving power, exemplifying his all-
John 11.1–45 Lazarus dies; Jesus is summoned and calls him to life from his tomb embracing character, and those who
Roman Lectionary receive him will have true life like the dry
Ezekiel 37.12–14 The valley of dry bones: ‘I will put my spirit within you, and you shall live’ bones. The raising of Lazarus is Jesus’s
Psalm 129 [Psalm 130 in CW/RCL] ‘Out of the depths I cry to you, O Lord – hear my voice!’ greater sign, showing us his power over
Romans 8.8–11 ‘You are not in the flesh; you are in the Spirit, since the Spirit of God dwells in you’ all enemies. Life out of death is the gift at
John 11.1–45 Lazarus dies; Jesus is summoned and calls him to life from his tomb its most dramatic. What might it mean to
us, even now? If your life is like dry bones
look for the signs of newness. We should
believe that such life is God’s gift to us all.
44 © 2019 T H E R O YA L S C H O O L O F C H U R C H M U S I C
Psalm 130 PFE3, CRP, SP, MCW1, FGP, CWP, NPCW, C, PIW, PAME, manual s o nly
L, LHON, CH4, SPR Ritter O Welt, ich muß dich lassen
Donnelly Come to me CFES, CG, LHON# In The Organ Funeral Album (Bärenreiter)
Berthier Domine Deus T2# Vann Cross of Jesus
Wellicome De profundis blues PS3# WLP In Preludes on Favourite Hymns (also a 3-stave edition) (Mayhew)
Smith From the depths PS2# WLP
Bell In deep distress OITB
eas y wi th pedal s
Brahms Herzliebster Jesu, in Eleven Chorale Preludes Op. 122
Farrell Listen, Lord and answer me LGO#
(Many editions) and Lent and Easter Organ Music (OUP)
Berthier O Christe Domine Jesu T2#
Oldroyd Prie-Dieu
Dean Out of the depths C#
In A Book of Simple Organ Voluntaries (OUP)
Walker Out of the depths C
Bell Out of the direst depths PPP, L, WOTC i ntermedi ate
Haugen With the Lord there is mercy TLP# Brahms Herzlich thut mich verlangen (two settings)
In Eleven Chorale Preludes Op. 122 (many editions)
IONA, WORLD SONGS AND SHORT SONGS Fletcher Cross of Jesus, in Fifty Hymn Preludes and Hymn Preludes
Down the valley IECS1 for the Church Year Bk 1 (both Mayhew)
Lord, you can turn all mourning into dancing TIOAU advanced
Salwalqulaba (You can console) IECS2 Anon Nun ruhen alle Wälder
When trouble strikes HSNW In Orgelmusik um J. S. Bach Vol. 2 (Breitkopf)
J. S. Bach Christus, der uns selig macht BWV 747
ALL-AGE WORSHIP In Chorals from Misc. Sources (Bärenreiter)
Christ is the world’s light AM609, AMNS440, CFE111, CP213, HON99,
HTC321, L744, R&S600, STF346
It is a thing most wonderful AM145, AMNS70, CP109, HON333,
HTC131, MP346, NEH84, R&S503, SOF252, TS801
Lift high the cross AM707, AMNS72, CFE363, CP499, HON394,
See page 47 for Coding and abbreviations
HTC508, L389, MP417, NEH641, R&S422, SOF1418, STF276
Stand up, stand up for Jesus AM784, AMNS221, CP578, HON617,
HTC535, MP617, NEH453, SOF513, TS151
© 2019 T H E R O YA L S C H O O L O F C H U R C H M U S I C 45
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48 © 2019 T H E R O YA L S C H O O L O F C H U R C H M U S I C
© 2019 T H E R O YA L S C H O O L O F C H U R C H M U S I C 49
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INSPIRING MUSIC
I N WO R S H I P
We are delighted that Inspiring Music in Worship has
been receiving lots of positive feedback from local
parishes across the UK.
Inspiring Music in Worship encourages parishes to make
the best use of music to enhance worship, even when there
are very little resources available.
on Thursday”
kind of response. Worship
and make some will be
the Holy Spirit, every act of worship m with
discipleship. At its best, guided by compare the
of God. further and
unique and mysterious, giving us
fresh glimpses discoveries
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ISBN: 9780854022717
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In a new series of articles, David Ogden selects music a soprano or tenor soloist with support from the
suitable for parish choirs by some of the world’s lower voices and organ. If you have a keen soprano in
leading contemporary composers. your ranks these antiphons would provide an effective
opening to a service, as a response to a reading or
There can be no doubt that James MacMillan is one of during the lighting of the Advent wreath.
the leading composers of our age. For over 30 years his
music has been performed by ensembles from small AVE MARIS STELLA
church choirs to symphony orchestras in churches, A calm and meditative setting for unaccompanied
cathedrals and concert halls across the world. Like voices in praise of the Virgin Mary. MacMillan creates
Benjamin Britten, each piece of his vast output of a slow-moving texture of repeated notes and chords
choral music is tailored to the particular group for (e.g. until the last eight bars the soprano part only
whom he is writing. His experience as a church uses two notes, D and A) but invites singers to create
musician ‘at the coal face’ for many years has led him contrast through instructions such as warm and
to compose many short choral pieces, which, although misterioso. Good tuning is needed throughout. The
challenging at times, always draw the singer and final sequence of five Amens is decorated by the
listener to the heart and meaning of the words sopranos soaring up to top A. Suitable for Marian
they are performing. feasts, Sea Sunday, Vespers.
MacMillan has explored new vocal techniques
and textures while remaining firmly rooted in the AVE VERUM
traditions and musical heritage of the past. His deep- A trebles-only anthem that suspends expressive legato
rooted Catholic faith, along with his love of ancient lines over isolated organ cluster chords, representing
liturgical music and forms, poetry, texts and liturgy, the contrasting aspects of Christ’s Passion indicated
provide a focus for many of his pieces. The writing, by the text. The vocal line has many possibilities for
influenced by chant and Scottish folk traditions, is expression, dynamic contrast and rhythmic interest,
characterized by embellishment and ornamentation with a range from B below the stave to top F. A few bars
that increases the intensity and beauty of a melodic are optional divisi and the organ part needs pedals.
line. MacMillan’s works also explore the contrast Suitable for Communion, Passiontide.
between different vocal textures in order to
illuminate and communicate texts more vividly. GIVE ME JUSTICE
If you are new to MacMillan’s music, here is The verse/refrain structure is a familiar form in
a selection of pieces that I’m sure you would liturgical music. MacMillan adapts this to create an
enjoy learning with your choir. introit that juxtaposes words from Psalm 42 in English
and Latin. The solemn SATB unaccompanied refrain
has the sopranos and tenors singing the same notes
ANTHEMS an octave apart and the altos and basses likewise on
ADVENT ANTIPHONS a repeated C. The Latin plainsong verses could be sung
A set of antiphons and verses for the four weeks of unaccompanied in four-part harmony or in unison
Advent. As the upper voices and congregation sing unaccompanied or with the organ. The result is a
a simple unison hymn-tune antiphon in English, the sonorous piece clearly reflecting the Lenten mood.
lower voices and organ provide a drone. The verse, It is published by the RSCM in the Thy Kingdom Come,
in Latin, is an ornamented florid melody sung by Thy Will Be Done festival service book.
52 © 2019 T H E R O YA L S C H O O L O F C H U R C H M U S I C
© 2019 T H E R O YA L S C H O O L O F C H U R C H M U S I C 53
The RSCM Legacy Society: Psallam Spiritu et Mente, honours legacy donors
during their lives and celebrates them in words and music upon their deaths.
The RSCM cannot give legal advice. Please speak to a solicitor about how to include the RSCM in your estate plans.