15 Minute Warm Up Routine

by Michael Davis
1 - Long Tones (CD track 1 or 13)

count off : 1 bar

           
(a)


   
(b)
        
 


(c)

           

2 - Tonguing (CD track 2 or 14)

        

count off : 1 bar



         



       



        



   
   


       


       


                          

© 2009 by everaldo.trombone@gmail.com
 3 - Embouchere Wake-Up Call (CD track 3 or 15)
               
  
count off : 1 bar
 
  
 gliss.

4 - Lip Slurs (CD track 4 or 16)

count off : 1 bar

          
(a)
      

     
        
 
    
  
(b)
 
         
 
      
 

   
      
   
 
    
   
    
 
5 - Flexibility (CD track 5 or 17)
count off : 1 bar

                              
(a)
   

  
            
      
   

                    
(b)

                 


                    
                  
 
                
           
2
 6 - Triad Flexibility (CD track 6 or 18)
            
count off : 1 bar
 
       
  
 



              
         
  



                    
                    


7 - Arpeggiated Flexibility (CD track 7 or 19)

     
 
count off : 1 bar
         
   

                          
 
             


                  
       
              
 

    
                                        
  

    
                          
 
3
 8 - Open 5ths (CD track 8 or 20)
count off : 1 bar

  

3 3 3 3 3 3

           
3 3 3 3 3 3
 
(a)
          

             
3 3 3 3 3 3

  

3 3 3 3 3 3

          

               
3 3 3 3 3 3

  

3 3 3 3 3 3

          

  
3 3 3 3 3 3
(b)
      
          
3 3 3 3 3 3

    
    

        
3 3 3 3 3 3 3 3 3 3 3 3

             
           

             
3 3 3 3 3 3 3 3 3 3 3 3

         
        

  
3 3 3 3 3 3
    
3 3 3 3 3 3
             
         

9 - Chromatic Flexibility (CD track 9 or 21)


count off :
   
2 bars    
          
       
   
  
 
     
 
          
     
       

    
       
   
         
  
4
 10 - Major Scales (CD track 10 or 22)
    
     
          

              
count off : 1 bar

        
     
      
 
            
           
                 
        
                    

             
           
              
     

   
  
              
             
    
      
       

        
      
  
              
              
 

     
11 - Upper Register (CD track 11 or 23)
  
  
 
            
count off : 1 bar
     

           
            

     
   
         

12 - Relaxation (One Down - No F key) (CD track 12 or 24)
count off : 1 bar
      
                
          
        
    
     
               
5