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You have 60 minutes to answer all the questions, including the time to transfer your
answers to the answer sheet.
Line You are going to read an article about the Carnegie Hall in New York.
One of the most famous concert halls in America is the Carnegie Hall in
New York. Initially, it was called simply the ‘Music Hall’, but three years
after its opening it was renamed in honour of Andrew Carnegie, the man
who had provided much of the finance for its building.
5 The Hall officially opened on May 5, 1891. Since then the Hall has
played host to the giants of classical music, as well as those of jazz, pop,
folk and rock music, and has also been used for political rallies, religious
services and lectures. A
One of the most dramatic lectures given in the Hall took place during
1 its first year. This began simply as a talk accompanied by slides of
0 paintings of sunsets and landscapes, which was what the audience had been
expecting. However, as the lecture progressed, the effects became more
dramatic, with thunder, rolling clouds and steam billowing over the
audience’s head while mechanical volcanoes exploded on stage -. B
In 1927 the violinist Yehudi Menuhin made his appearance at the
1 Carnegie Hall for the first time - he was aged ten. In the afternoon before
5 the performance, he was wandering around the Hall instead of practising
and was fascinated by an axe which he saw on the wall. The axe was for
use in a fire but the boy, not knowing this, asked a security guard what it
was for. The guard made an impression with his reply: “That’s for
chopping the heads off soloists who don’t play well enough. Quite a few
2 have already been chopped off.” Yehudi went rushing back to practise.
0 On one occasion another famous violinist and a pianist were giving a
performance together when the violinist got lost in the music. He anxiously
looked to the pianist for help and whispered “Where are we?”. He received
the less than helpful reply “In the Carnegie Hall”. C
Rock and roll made its first appearance at the Carnegie Hall in 1955 with
2 Bill Haley and his Comets. In 1964 the British invasion arrived when the
5 Beatles played their first concert here. On the day of the concert, cars came
to a halt all over the city and the crowds surrounding the building were
enormous. Fortunately, in all the chaos nobody was seriously injured and
the Hall escaped with only minor damage.
In the 1950s the building was threatened with demolition but a vigorous
3 campaign to save it was led by the conductor, Isaac Stern. In 1960 the Hall
0 was purchased by the City of New York and a few years later it was named
a national landmark. Over the years the most famous musicians, singers
and entertainers in the world have appeared there - no doubt they will
continue to do so for many years to come. D
3
5
Line
After 1785, the production of children's books in the United States increased
but remained largely reprints of British books, often those published by
John Newbery. A Ultimately, however, it was not the cheerful, commercial-
minded Newbery, but Anglo-Irish author Maria Edgeworth who had the
5 strongest influence on this period of American children's literature. The
eighteenth century had seen a gradual shift away from the spiritual intensity
of earlier American religious writings for children, toward a more
generalized moralism. Newbery notwithstanding, Americans still looked
on children's books as vehicles for instruction, not amusement, though they
10 would accept a moderate amount of fictional entertainment for the sake of
more successful instruction. B As the children's book market expanded,
then, what both public and publishers wanted was the kind of fiction Maria
Edgeworth wrote: stories interesting enough to attract children and morally
instructive enough to allay adult distrust of fiction.
15 American reaction against imported books for children set in after the
War of 1812 with the British. A wave of nationalism permeated everything,
and the self-conscious new nation found foreign writings (particularly those
from the British monarchy) unsuitable for the children of a democratic
republic, a slate of self-governing, equal citizens. Publishers of children's
20 books began to encourage American writers to write for American children.
When they responded, the pattern established by Maria Edgeworth was at
hand, attractive to most of them for both its rationalism and its high moral
tone. C Early in the 1820's, stories of willful children learning to obey, of
careless children learning to take care, of selfish children learning to "tire
25 for others," started to flow from American presses, successfully achieving
Edgeworth's tone, though rarely her lively style. Imitative as they were,
these early American stories were quite distinguishable from their British
counterparts. Few servants appeared in them, and if class distinctions had by
no means disappeared, there was much democratic insistence on the
30 worthiness of every level of birth and work. The characters of children in
this fiction were serious, conscientious, self-reflective, and independent-
testimony to the continuing influence of the earlier American moralistic
tradition in children's books. D