Violin I

QUARTETTO


Allegro espressivo I Jacob Dont

                        5   

Op.42

   
p p
  
cresc. f

                  10 
    
   
f dim. p

              15
        
    

f p f dim. p

     
           
20

      
f
 p

dim.

     25                         
 
   

                     
30 35

 
f p smorz.

         
40
        
45

    
dolce f

                    
50

    
dim. p

           55     

        
f ff

        
                    
60 65

 
rfz p

        
70

              

f
mm 4001
10 Violin I Violin I 3

    
                               
75

 
265

      
          
        

p f
p
                
mf
  
80

         280            
85

         
 
275

              

p mf
p cresc.
                  
    
f 90

                   290      
1. GP 2.

285

          p p

ff
p cresc.
               
    295         
95

     
   
    
 
                



     

ff p
         
                   
ff 100

    310  
       
         
300 305

    f p f

       
                   
 
p pp mf p 105 110

                

315

        dim. p f

      
mf p pp
                
115

   
dim. p morendo pp sempre


120
     125

                    

             
 
130

          
  
f

                  

140

  
135

 
dim. p

                        
145

  
f
4 Violin I Violin I 9

     

   
                 
135 140

       
   
150
              

ff
150 
               
        
145

ff poco a poco dim     

f

            
155
          
160

        
165
     
155
  
p
ff p

                
                     
175
 
170 180

          
160

  
         190
cresc. f

dim. p
      185        
  
                170 
165

         
 f dim.

               200  

        
195
 
p
  
dim.

    
                       
175


p

f
 
                     
205

        
cresc. f p f

          
         
p
 
180
       
dim.

     
 215  
   220

                         
210

dim. p
  
           
ff
           
185

            225
            
         
f p f dim. smorz.

  
p f p

                      

230 235

         
190

        
p cresc.

ff
     245
dolce

                 
240

                   
    f rfz

         
255

in tempo
       
260

f

dimin. 250

  
riten. p
8 Violin I Violin I 5

    
Finale

IV 5
                    
Vivace

              

p

            
195
   
          
10 

    
            15
     
      p

      
                                           
200 205
 
20

25

       

  
ff f f ff
 
p

             35   
                
30

             
    
210
       
p ff p cresc.

      
  
rfz
 
p
         
40 45
        
50

       
215

                
    
f

  
rfz riten.

  
55
    
60

        
f

    

220
      
      
   
p
    
p

        
    
70

75

        
                
p

                       
225
    85  
mf


    
                            
 
80

                f p
 p f p
     
cresc.
 
                                  
230
  
95
      
90

     
  
f
  
cresc. ff

                      
            
100 105
  
235

             
 
 
 

p pp mf p

 110    115            


120
   
    
             
240
  
245

       

p
        
mf p pp ff
 
           
pp
 
f p

          
125 130

 
p
6 Violin I Violin I 7


                         
II
 10 
15 in tempo
    
Scherzo Allegro assai
        
   
  
            
5

     p dim. e poco riten. p

p

                               

f
  
25


20

 
   
        15   A      20   
           
  f dim. pp f
f
      25            
30
30 
  
               
                
    p
p p
      35   
f

  35          
       GP       
40
                
                 
 
p

      45          
pp cresc. ff p f f sempre dim.


       50            
 
 
 

40
            
      
                

60 
p

cresc. p
 
f riten.
        
 
      
55
   
  
  
  
          

       
45
            
                
     
 

f
65    70
p
                
Trio più moderato
                 
   
            
50
           
   
   
p legato sempre mf sfz


p
          
fp

cresc. f

  
80

                                     

55 in tempo
    
dim.       
 
f

       dim. e poco riten. p f

   

90
     
85

                 

      
60 65

p Scherzo da Capo   
dim. pp f p

III
  5                           
          
Larghetto
     
70
 
            

f sempre.

      75      
p
       
 
                            
10

           
 
cresc. f dim. p cresc. f dim. p sfz smorz.
Violin II
QUARTETTO
Jacob Dont

  
Allegro espressivo
   I Op.42

       
         
5

 
p cresc. f p f

    10             
       

 
dim. p f p

   15    20
                          
f
 dim.
 
p f


        
25

    
          
dim. p

    
   
           
30 35

     f     
p

     
           
40

   
   
smorz. dolce

 45         
                 
50

p
    
f dim.

     

55
 
60
      
           

f ff rfz

         65   
              
     
p f
    75
          
70

             
p f

80               
 85

        
1. GP 2.
     
  p
p mf

  90        
   95 
  
             

ff p ff p
mm 4001
 Violin II 3

                  
             
100


p

                                
105


f p f dim. p

      110
        
115

             
f dim. p morendo

     120  125
                       
pp sempre

           
135

       
130

         
 f dim. p

 
       
               
145

140

f
   

          150                  

ff poco a poco dim

                    160         
155

   
p ff

    
       
170

             
165

p
dim.

                       
175

       

cresc. f p f dim. p

     180                
  
185

     
f p f dim. smorz.

 190 
          
      
4 Violin II Violin II 9

           

270

          
260

 
       205       
              
200 p p
  
            275   
 
         

f ff

 
     210

                  
mf

  p              

285
280

            

rfz

          
 
215

           
p

f
   
cresc.
 
               
290

  
f p

     225   
                         
cresc. ff

  p     
295
       
300
    
     
f
  
        
230 235

     
  
p

 
          
310

       
p 305

      
f

     
               
240

    
pp
mf
p mf

         
            
f p pp 315

   
p f pp
8 Violin II Violin II 5

                

130 135 140 II
       5      
  
Scherzo Allegro assai
  
         
10
       
ff
  
150
 
        
145

         f
p

                  
      
20
 
15


f

       
155 160

         
f

  
      
25

   
30
     
GP

p
   

  
170
   
165 175

        
p f p

        
        
35 40
cresc. f dim.
       
   
                 
180 185

      
pp cresc. ff p f
    
             
45
50
p
    
   
            

190 195

         
p

     
55
 
    60 
f dim. p f
      
           
       205
       
200

        
  
Trio più moderato
   
   
65


        
  220  
dim.
 
   
          
215 p legato sempre

  
               
  
75

         
p ff

       225   230

            
sfz mf sfz f
  
     80  

       
85
 

p f p     
 
                   
  
235 240 dim. p

     

  
90
95

ff p cresc. f         
          
255

        
245

250 mf Scherzo da capo

  
rfz riten. p
6 Violin II Violin II 7

IV
 
III
  Finale Vivace
    5    15 
            
Larghetto
               
5

          
   
     
p p

 
                                           
  
10 20 25

   
cresc. f dim. p f p ff p

    35
cresc.

     
     
in tempo
  
15

            
30

            
           


dim. e poco riten. p f p ff p

               
20 25
 
40 45

                                    

pp p cresc. f
f f
 
55

      
             
in tempo

                        
30 35
         
50 60

     

f sempre dim. p rfz p

riten.

  40    

               
                        
70

           
  

p p p
riten.

f

                               80
       
45 50
       
75

                    
  fp cresc. p

f p mf cresc. f

          
 
               85     
55 90

                           

 
p dim. e poco riten. p cresc.


f

                                           

                
 
in tempo 60 100
 
95

        
    p
p pp f ff
f

                      105        

65 70 110 115

                               
p f sempre. pp mf p mf p

                            120        125 

  
75

      
                
p
  pp
dim. sfz smorz. f
ff
Violin III

QUARTETTO

I Jacob Dont
Op.42
 
Allegro espressivo 5

                    

p cresc. f p f

    
                  
10

     
p f
dim.

      
  
15
   
               
    
p f p dim.


20 25

       
     
          
f dim. p


     
30
 
  
           
f

 
       
35 40

            
p smorz. dolce

 45 
       
      
    

  
   
f

   
                   
55

      
f ff

     
60
 
            
rfz   
mm 4001
 Violin III 3

  
65
 70

                       
   
 p  f

          
   
75

           
p

  
                  
80

         
f     p
  85 90
     
1. GP 2.
             
mf p
ff  
     95

      
               
p  
ff p

    100       
                 
f

       
105

                    
p f dim. p


110 115

                      
f 
dim. p morendo

  120
  
125

                  
pp sempre

 130
   

                   
f


135   140 
              
 
4 Violin III Violin III 9

           150

155

          

ff poco a poco dim
       
             
245 250 255

  160
 165

             
               rfz riten. p

              265
p ff
      
170 260

                    
         
dim. p
p cresc.
  
dim.
 
175
     
                                 
270 280

           
f p f dim. p
 
              
f
 
180

     
185

                         
  
285

  
290 295

     
f p f dim. smorz.    

p

                          
190 cresc. ff
 
   


 300
   305
 
dimin.
f   
                 
  
195

      
200

      
p pp
    
mf

   f       
     
          
 310

     
p

     
     

         
205

           f pp
    rfz
ff
 215 
210

    
              
  
         

p
f
     
                   
220

 

p
  
 225        
230
 
               
f   p
 
  
235 
     
          
    p
   
f
  
       
240

           
p
f
 p pp
8 Violin III Violin III 5

        
II
     
  
Scherzo Allegro assai
 
130 135 140

                          
         
5 10

  
p ff
 
   p


 
f
   
145 150

     
 
                
15

    
20

          
f f
155 160 165
 
 
25 30

                                
 p  
p p
f

   
   
170 175 180 35 40

                 
GP
            
cresc.
  dim. p
 pp cresc. ff p 

f f
   
45
        
            
50
           
185 190

          
   

   p

f dim.

 
  
   60
 

55
                     
     
195

       
                    
p f

         

Trio più moderato
  
     
200 205

     
65

              
         
p legato sempre p

dim.

210
215
   220  
   

70 75

     
                  
          

ff sfz

mf sfz

  225           80  85


              


230

                        
 f p
p p

f
   
      
90 95
235
     
240
              
              
mf Scherzo da capo
ff p cresc. f
6 Violin III Violin III 7


III Finale Vivace IV
          
Larghetto
 
5 5

                               

           

p p

          
  
10
  
15 20
                                            
cresc. f dim. p
 cresc. f
   
ff

        
15

                          

in tempo
 
25 30

          
              
p dim. e poco riten. p p


f p ff
20

                               
     35
                 
40
       
f
 
pp f
25 p cresc. f

  
30

                                 

in tempo

   sempre
45 50

                
p f
 

                     
35 rfz riten. p
          
      f riten.          65
 
 cresc.                     
    
dim. p
40
   45 
                              
mf pdim.

 70   
                   
p

          

50

                           
      

 
f

 85    90 
    
f ffp cresc.
      
p

         
                          
55 in tempo
      p cresc. ff

                

p

    
p dim. e poco riten. 95 100

      
                                     
60


f pp f

     105  
 110
   

 
115

     
65 70

 
                                
pp
p f sempre.

mf

                                 120    125

  
75

           
              
dim. p f pp      
sfz smorz. ff
8 Violin IV

       210

    
215

                     
p  
     220  
  
 225
 

             
  ff    
 230 
    
235

          
     p
  
p
f ff cresc.

 
240
  
245
     
250

  
   rfz riten.


f

   260   
    
                  
 
p


mf dim.

 265  
 
        
270

      
p


p

  280 
  
           
        
cresc. p

cresc.
f

290   
                
     
295 300

     
ff      
       310
                  
305

      
 p dim. pp p
p mf

   
        
           
  
315

      
   
mf p f pp

Computer set by Kitty and Theo Wyatt using Sibelius 4

Violin IV Violin IV 7

   
in tempo
QUARTETTO 40

     
45 50

I Jacob Dont         
 
Op.42 f
  
Allegro espressivo rfz riten.
5

    60     65
                        
                 
70

     f    
p
cresc.
p
f
dim.

  85 
p mf p
          
10 dim.

           
                 
80
                 
f
p f
p p

cresc.
   
15 20

          95         
         
90

 f                                        
p f       

dim. cresc. ff

100         105   
25

             
        
110

                      
 dim. p
 p p      p

pp

dim.

  115    120

mf

    
30 35

 
                                       
   
p   p    f    

f pp
 40
mf ff

             
45

                

                    
      
125 130


smorz. dim.    p      
    135 
f
 50
   140 

                    
              
145

           
p f  ff
     
  
f
55

         
60

 
150 155 160
                       
     rfz  p         p 
ff

  180 
65 165

                             
70 170 175

                 

           
f p
cresc.   p p

 
dim.

f
75
           
80

185 190
          
 
 
                              
     p          
 
f

 
f

    200
dim.

            
85 1. GP 2. 90 195

      
  
mf
     p
      
mm 4001 ff f
 
6 Violin IV Violin IV 3
 95
III                     
         
Larghetto

                   
5 10

              
ff p
               
                    
100 105
p

    f   
cresc. f cresc.

dim. p


    
15 in tempo 20 f

                
p

          

 110

f dim. e
                   
     
p p f
poco rit

 
25 30


      f
p f

            p         
dim.
  
  
115 120

  
  
pp f
                     
  
35 40
 
                              
dim. p pp sempre

morendo

 cresc. f rit   p  125

         
130


    
dim. p

       
            
45 50
           
 
f
                
135

          
 
fp cresc.       
   
p
  
f

        
 
55 in tempo p

               
          
dim.

              
145
f p dim. e poco rit p
     
                              
60 65
f ff

 150 155

     
f
   
p
    
pp f

        
                              
70 75
poco a poco dim
 
  
160 165

 
p sfz smorz.
   
f sempre. dim.

p
      
ff
 
IV
     
Vivace Finale
      
170
                      
10 15

             
       
  


p
p

dim.
     
f
  
cresc.

                   
20 25 175 180

                   
   ff p    p
  dim.  p     
f

         
        
30 35 185

               
  p
  
p             
f ff cresc. f f
p dim. smorz.
4 Violin IV Violin IV 5

II
Scherzo Allegro assai
 190      
 5 10

                                 
   dimin.            
  
f p
f

 195                

15 20
   
200

           
          
      
              p
 

f f

    
25 30 35
     
205 GP
         
          
   
      p
 
pp
     
ff cresc.
f

  210    

40 45 50

                 
215

  
                   
        
     
  
p ff
rfz p f p

  
       
55 60
                 
220

    
               
      
f
p 
 
Trio più moderato
 
        
65
  75
          
225

                     
       
 
f   p  legato sempre p mf sfz

 230       

       
80

               
235

          
      
f
p f  dim.

      
    
       
85 90 95

 
240

        
       
 pp
f p p mf Scherzo da capo