ANIMATION - 11

3rdQUARTER EXAM b. Dialogue Model Sheet

c. Final Line or Clean-Up Construction
d. Rough Construction Model Sheet
9. This is a type of model sheet that give the
Direction. Encircle your Best Answer. animators a better idea of the character’s
structure behind the clothing and other details.
1. ________ is a mandatory requirement that aim a. Fine Line or Clean-Up construction
to prevent or reduce injury. b. Anatomical Study Model Sheet
a. Safety Regulation c. Turnaround Model Sheet
b. Housekeeping d. Rough Construction Model Sheet
c. Workplace
d. Risk Control 10. All the different views of a character. It is used
2. _______ is a threat or danger in a workplace as reference in modeling the character during
that may cause harm to people. the animation process.
a. Risk a. Comparative size Model sheet
b. Hazard b. Expression Model Sheet
c. Risk Control c. Turnaround Model Sheet
d. Risk Assessment d. Rough Construction Model Sheet
3. It is a possibility or chance that a hazard will 11. It contains the full descriptions and dialogues of
cause harm. the actors of the film.
a. Stress a. Story
b. Risk Control b. Storyboard
c. Risk c. Script
d. Hazard d. Animatics
4. Is a basic part of health and safety 12. This is where rough drawings are traced to
management. It accurately Identify the potential make the final drawings.
hazard in the workplace. a. Clean-Up
a. Risk Control b. Compositing
b. Harm c. Animatics
c. Hazard d. Rough Construction Model Sheet
d. Risk Assessment 13. A preliminary sketch of a design or picture.
5. ___ are required and it shall be visible at all a. Line-Art
times, this will provide information or instruction b. Animator Key
about health and safety at work. c. Rough Drawing
a. Signs and Symbols d. Staging
b. Fire Exit 14. ________ are poses drawn by the animator
c. Contingency Measures representing the action and narrative required
d. Ventilation by their scene or sequence.
6. The promotion and maintenance of the highest a. Key Animation
degree of physical, mental and social well- b. Layout
being of workers in all occupations. c. Storyboard
a. Personal Protective Equipment d. Model Sheet
b. Protocol 15. A chart that shows frame by frame of all
c. Occupational Health and Safety drawings of every animated scene.
d. Emergency a. Key Drawings
7. Equipment worn to minimize exposure to b. Layout
serious workplace injuries and illness. c. Exposure Sheet
a. Personal Protective Equipment d. Model Sheet
b. Protocol 16. A reference sheet of an animator that shows
c. Occupational Health and Safety how a character is constructed and how they
d. Emergency would pose.
8. Shows the underlying structure of the character a. Key Animation
and same poses fully clothed. It focuses only on b. Layout
details of a character such as hair, eyes, or c. Exposure Sheet
spots. d. Model Sheet
a. Rough Character Concept Model 17. It is done by creating a three-dimensional
Sheet character with volume and weight.
a. Follow through and overlapping action
b. Solid Drawing
c. Appeal
d. Arcs
18. It is the visual narrative of the script in the form a. Storyboard Artist
of thumbnail drawings that show the different b. Lighting Technician
scenes organized in a sequence of panels. c. Color Key Artist
a. Storyboard d. Concept Artist
b. Cartoonist
28. Produce animated films outside of major
c. Structure
d. Model Sheet
animation studios.
19. A pose between two keys a. Independent film-maker
a. Key pose b. Background painter
b. In-between pose c. Concept Artist
c. Breakdown poses d. Render-Wrangler
d. Model pose 29. Responsible for drawing the scenes that
20. A preliminary version of a movie produced by will be used in the animated film
shooting successive sections of a storyboard a. Storyboard Artist
and adding a soundtrack. b. Clean-Up Artist
a. Animatic
c. Color Key Artist
b. Dynamic
d. Concept Artist
c. Slugging
d. Overlapping Action 30. Creates the overall visual concept for an
21. Creates the transition images for the animate film.
character’s movement between two key a. Storyboard Artist
frames. b. Clean-Up Artist
a. Character rigger c. Color Key Artist
b. In-between artist d. Concept Artist
c. Render-Wrangler 31. A person who creates or is involved in the
d. Stop Motion Animator process of creating an animated film.
22. Manipulates the geometry of the character a. Painter
as it moves or interacts within the scene. b. Clean-Up Artist
a. Character rigger c. Animator
b. In-between artist d. Concept Artist
c. Render-Wrangler 32. The precise positioning and movement of
d. Stop Motion Animator an actor or character in a stage or in an
23. Monitors and controls the rendering animated film.
process with either one or few rendering a. Animating
computers up to hundreds of computers b. Staging
as in “rendering farm”. c. Compositing
a. Character rigger d. Blocking
b. In-between artist 33. The minimum skill required to perform a
c. Render-Wrangler specific job or function.
d. Stop Motion Animator a. Creativity
24. Uses different modeling media like b. Knowledge
puppets or clay to produce animated films. c. Competency
a. Character rigger d. Ability
b. In-between artist 34. The process of combining different images
c. Render-Wrangler or visual elements from different sources
d. Stop Motion Animator into a single image.
25. Responsible for creating backgrounds for a. Animator
the animated film. b. Knowledge
a. Background painter c. Staging
b. Independent film-maker d. Compositing
c. Color Key Artist 35. The process of creating transitional frames
d. Concept Artist for a character’s movement.
26. Creates light rigs for shots and is a. In Between
responsible for ensuring the correct lighting b. Clean-Up
and shadow effects in the animated film. c. Breakdown
a. Storyboard Artist d. Key Drawing
b. Lighting Technician 36. The process or method of presenting a
c. Color Key Artist scene in an animated film.
d. Concept Artist a. Rigging
27. Develops the color scheme for the b. Modeling
backgrounds used in the animated film. c. Staging
 d. Texturing 46. What is the best way to visually portray
37. ____________is basically a form of the story of your animation prior to
pictorial presentation. production?
a. Photography
a. Script
b. Animations
b. Storyboarding
c. Drawing
c. Animating
d. Creativity
d. Report
38. __________ an animation technique
where each frame is drawn by hand. This
47. What option do you use in digital
is also called Classical Animation or Cel
animation to enable you to see the
animation
progressive movement of an object?
a. Computer Generated Animation a. Apple skin
b. Traditional Animation b. Cel skin
c. Stop motion c. Onion skin
d. Clay motion d. Paper skin
39. ______ animation technique that is purely
48. The ____________ is a piece of equipment
digital and created primarily with
designed to make cartoons more realistic and
computers.
enjoyable. It uses stacked panes of glass each
a. Computer Generated Animation
with different elements of the animation.
b. Traditional Animation
a. Multiplane camera
c. Stop motion
b. VR
d. Clay motion
c. Thaumatrope
40.______ a transparent film where colors can d. Phenakistoscope
be painted to combine as one film
49. He made the first animated film in 1906.
a. Zoetrope a. Walt Disney
b. Thaumatrope b. J. Stuart Blackton
c. CEL c. William Horner
d. Claymation d. J.A. Ferdinand Plateau
41. A device produces an illusion of movement 50. Name of the first animation film.
from a rapid succession of static pictures. a. Humorous Phases of Funny Faces
a. Zoetrope b. Tom and Jerry
b. Thaumatrope c. Mickey Mouse
c. Phenakistoscope d. How i learnt animations
d. HMD
42. Poses with timings and referred to as
extreme keys.
a. Keyframe
b. Keys
c. frames
d. Key Breakdown
43. Which one of these are one of the 12
principles of animation?
a. Panning
b. Tweening
c. Timing
d. Framing
44. What is the other phrase you use for
'straight ahead' animation.
a. tweening
b. pose to pose
c. frame by frame
d. zooming
45. What does FPS mean?
a. Frames per sound
b. Frames per second
c. Frames per shot
d. Frames per scene