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Gino Severini Diagrams from la Divina Proporzione ed altri Rapporti d'armonia nelle Arti (1941) republished in Gino's Dal Cubismo al Classicismo (1972) wall painting Maquette and composition schema for a mural in Alessandria's Postal Palace - 1937 Maquette for mural mosaic Fribourg University mural (fragment)
Gino Severini Diagrams from la Divina Proporzione ed altri Rapporti d'armonia nelle Arti (1941) republished in Gino's Dal Cubismo al Classicismo (1972) wall painting Maquette and composition schema for a mural in Alessandria's Postal Palace - 1937 Maquette for mural mosaic Fribourg University mural (fragment)
Gino Severini Diagrams from la Divina Proporzione ed altri Rapporti d'armonia nelle Arti (1941) republished in Gino's Dal Cubismo al Classicismo (1972) wall painting Maquette and composition schema for a mural in Alessandria's Postal Palace - 1937 Maquette for mural mosaic Fribourg University mural (fragment)
and the Interplay of Proportion Systems and Perspective
XXI
SolInvictus Press 2006
Juan Gris (Jose Victoriano Gonzalez) Composition based on the armature of the rectangle [diagram by Charles Bouleau] Georges Braque Gino Severini
Art is nothing but humanized science.
Philosophers and aestheticians may offer
elegant and profound definitions of art and beauty, but for the painter they are all summed up in the phrase: To create a harmony. Gino Severini Diagrams from Gino Severini’s La Divina Proporzione ed altri Rapporti d’Armonia nelle Arti (1941) republished in Gino Severini, Dal Cubismo al Classicismo (1972) Wall painting
Maquette and composition schema
for a mosaic in Alessandria’s Postal Palace - 1937 Maquette for mural Maquettes for fresco Mosaic Root 3 based composition [From Maurizio Nicosia, Il Lato Operaio dell’Arte. Severini e la pittura murale] Mosaic (fragment)
Mosaic
Fribourg University mural (fragment) Mosaic Jacques Villon Giorgio Morandi