PREFACE
The first seminal work on Cambodian buddhism was done by Adhémard Leclère, who begun his
service as a fonctionnaire in Cambodia in 1866 (vii). This seminal work covers a wide range of
matters from cosmology to metaphysics, the Buddhist annual cycle, its festival, monastic
ordination, the ecclesiastical organization and discipline. Yet still, these early works on Khmer
version of Buddhism suffer from a blatant, if nuanced, sense of European triumphalism. (viii)
Other noticeable early scholarships included Éveline Porée-Maspero’s three-volume study entitled
Étude sur les rites agraires des Cambodgiens (1962–1969), and more recently Ang Chouléan’s
Les êtres surnaturels dans la religion populaire khmère (1986), among his other studies.
For Harris, the by far and away most significant scholar in the field of Cambodian Buddhist
studies is François Bizot.
Harris called the mid-1970s in Cambodia a time of “collective madness.” The work of Bizot
during this period is deemed with “outstanding competence, range, and originality.” Bizot’s
findings must be considered a major landmark in Buddhist and Cambodian studies, since “it clearly
demonstrates that, at core, the religious traditions of the country are at some variance with Theravada
orthodoxy of the sort now found in neighboring countries like Sri Lanka and Thailand. (ix)
Cambodia Buddhism: History and Practice
(Honolulu, Hawai’i: University of Hawai’i Press, 2005)
Ian Harris
One of Harris’ most poignant claims is his discussion of the importance of Buddhist modernism:
Here, he wrote:
Buddhist modernism, a phenomenon that has, in one way or another,
exercised a significant presence in all the countries of Buddhist Asia since the
end of the nineteenth century. Put simply, Buddhist modernism has a preference
for those modes of thought and behavior specifically authorized by the
“scriptural tradition” of Theravada Buddhism as expressed in the Pali canon
(Tripitaka) and its commentaries. It also shows a marked tendency toward laicization
and the employment of modern proselytizing techniques, such as pamphlet
production, distribution, and the like. Buddhist modernism, then, presents
itself as a movement of purification, reform, and return to the “original
truth” of the Buddha’s vision. It has tended to flourish in Buddhist cultures under
colonial rule and has been influential in the development of various national
liberation struggles, which may be read as alternative forms of the liberation
recommended by the Buddha. (ix)
Post-Angkorian period, arguably the least well-understood phase of the region’s historical
record, can be investigated through Mak Phoeun’s and Khin Sok’s works on the royal
chronicles, as well as Ashley Thompson’s 1999 doctoral thesis, “Mémoires du Cambodge,” in
which the author examines the manner by which ancient temples constructed in Angkor time
were reappropriated by a spreading “Theravada tradition with strong probable links to a
reinvigorated cult of kingship.”
Harris points to Ven. Huot Tath’s Kalyànamitt roboh kñom (My intimate friend, 1970), the
partial account of the career of arguably the most influential monk Ven. Chuon Nath, the
champion of the emerging Buddhist modernist cause. This account is crucial in teasing out
the tension that emerged within the Buddhist order, and “to a lesser extent” in the wider
Cambodian society, especially in and around the beloved capital in the first half of the
twentieth century.
He mentioned the 4 pillars – David Chandler, Steve Heder, Ben Kiernan, and Michael
Vickery.
However, Harris suggests a viable link between the Buddhist-inspired nationalist movement
and the germination of violent and virulent communism.
Cambodia Buddhism: History and Practice
(Honolulu, Hawai’i: University of Hawai’i Press, 2005)
Ian Harris