A

shot in the dark

Rev. 1 - October 25, 2019 Henry Mancini
Arr. Luis Pablo Gasparotto

                 
 
 = 130
Trpt

                 
AS  
                 
TS 1  
                 
TS 2  

                 
Bass 

                

17

Trpt

                
AS 
                
TS 1 
                
TS 2 

Bass
                
  
       

33


Trpt

 Accel...
     
    


AS

 Accel...      
   


TS 1 
 Accel...
       


TS 2   
 
                
Accel... 

Bass

 
        
37

 
Trpt

        

AS   

          
TS 1 
 
       
  
TS 2

Bass
                        

A shot in the dark - 2

     
         

40


Trpt

      
        

AS

     
 
       

TS 1

    
           

TS 2

               
Em FMaj G FMaj Em

Bass  

       
       
43

Trpt

              
AS 
      
       
TS 1 
     
        

TS 2

Bass
                        

3 - A shot in the dark

   
    

46

 
Trpt

      
AS    

        
 
TS 1 
  
     
TS 2
  

Bass
                         

            
        
49

Trpt

   

             
  

AS

     
              

TS 1

  
                       
TS 2
 
               
C C

Bass  

A shot in the dark - 4

     
                   
53

Trpt

   
                    

AS

     
                 

TS 1

     
                  
TS 2
 
   
           
Em Em C C

Bass 

     
 
       
57

Trpt

        
     
AS 
     
         
TS 1 
          
TS 2    
                  
F♯m

    
F

Bass

5 - A shot in the dark

         
   
61

Trpt

        
AS    
        
TS 1    

 
TS 2           
 
Bass
                      

        
           
   
64

Trpt

                    
 
AS 

                
TS 1       

                   
       
TS 2 
                            
Bass   

A shot in the dark - 6

Trpt
A shot in the dark
Rev. 1 - October 25, 2019 Henry Mancini

  
Arr. Luis Pablo Gasparotto

         
 = 130

          

Accel... 

   
      
    
     

39

    
            
     
45

  
  
                 
50

 
   
                    
54

     

             

59

   
                
   
64
 AS
A shot in the dark
Rev. 1 - October 25, 2019 Henry Mancini


Arr. Luis Pablo Gasparotto

    

         
 = 130

  
Accel...


        
         
38

           
         
44

   
                     
49

   
                    
53

       
   
          
   
57

                   
       
63
TS 1
A shot in the dark
Rev. 1 - October 25, 2019 Henry Mancini

           
Arr. Luis Pablo Gasparotto

   
  
 = 130

 


         
Accel...

 
        
38

         
         

44

       
 
                 
49

        
               
53


                  
       

57

     
   
 
   
 
   

  
      
63
TS 2
A shot in the dark
Rev. 1 - October 25, 2019 Henry Mancini

  
Arr. Luis Pablo Gasparotto

         
 = 130

          

Accel... 

       
                

39

  
          
             
45

    
                   
50

 


                     
54

  

        
              
59

               
      
65
 Bass
A shot in the dark
Rev. 1 - October 25, 2019 Henry Mancini
Arr. Luis Pablo Gasparotto

 

                
 = 130

                         
37

                          
Em FMaj G FMaj Em


40

                         
44

             
                
 
 C

 
47

     
              
F♯m

    
52 C Em Em F C C

                         
59

                         
62

                   
  
65