OCP

sheet
30100942
music
Tanging Yaman

Manoling Francisco, SJ; Philip T. Gan, SJ

SATB, Descant, filipino

Keyboard, Guitar

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5536 NE Hassalo j Portland, OR 97213 j 1-800-548-8749 j ocp.org

 INTERCULTURAL
MUSIC SERIES
Tanging Yaman
Assembly, SATB Choir, Keyboard, and Guitar
Manoling Francisco, SJ
Manoling Francisco, SJ Choral arrangement by Norman Agatep and Manoling Francisco, SJ
Philip T. Gan, SJ Keyboard accompaniment by Ricky Manalo, CSP

INTRO Gently (q = 100–104)

#4
NC C maj7 D/C Bm7

& 4 œ œœ œœ ˙˙ ˙˙ ˙˙ œ œ ˙˙ ˙˙
˙ ˙ ˙ ˙ ˙
Keyboard

? # 44 Œ Ó j œ
œ œ œ w j #œ œ
œ œ
œ. œ.

#
Em7 Am9 D7 C/G

& Œw œ œ œ w Œ œ
ww œ œ w œ œ œ œ
ww œ. J
?# w œ œ œ ˙ ww
w œ ˙.
w œ œ
© 1986, 2003, 2009, Jesuit Communications Foundation, Inc. Published by OCP, 5536 NE Hassalo, Portland, OR 97213. All rights reserved.

From the collection GENTLE STRENGTH Octavo Packet #30100306 Compact Disc #12052

1.800.548.8749 ocp.org
2

% REFRAIN
# Soprano
& Œ œ œ œ ˙ ˙ œ
Œ œ œ
˙ ˙
I - kaw ang a - king ta - nging ya - man
# Alto
& Œ œ œ œ ˙ ˙ œ Œ œ œ ˙ ˙
I - kaw ang a - king ta - nging ya - man
# œ œ œ œ œ
Œ ˙ ˙ œ Œ ˙ ˙
Tenor
V
I - kaw ang a - king ta - nging ya - man

œ œ œ ˙ ˙ œ œ œ
?# Œ Œ ˙ ˙
Bass
%
# Œ
G G7 C maj7 D/C Bm7

& œ œ˙ . œœ œœ ˙˙ ˙˙ ˙˙
œ œ
˙˙ ˙˙
œ ˙. ˙ ˙ ˙ ˙ ˙
? # œ n ˙˙ .. j œ
œ ˙. œ œ œ w j
œ œ #œ
œ
œ. œ.

# œ. œ ˙ ˙ œ œ œ. j
& œ œ w
œ J
na di lu - bu - sang ma - sum - pu - ngan.
# j j
& œ œ œ. œ ˙ #˙ œ œ œ. œ ˙ œ œ
na di lu - bu - sang ma - sum - pu - ngan.

# œ œ. œ ˙ ˙ œ œ œ. œ w
V œ J J
na di lu - bu - sang ma - sum - pu - ngan.

?# œ œ œ. œ ˙ ˙ œ œ
œ. œ w
J J
Am(# 7)
# Πj j
Em7 Am C/D G

& w œ œ. œ ˙œ ˙˙ n œww œ œ. œ w
#
ww . œ ˙ w
J
œ œ #˙ œ ˙
?# w
œ ˙ w œ œ
w w œ

Edition 30100942 Tanging Yaman

 3

#
& œ ‰œ œ œ Œ œ œ j‰ œ
J ˙ ˙ œ w œ œ œ
Ang ni - lik - ha Mong ka - rik - tan, Sul - yap ng

# j j
& nœ ‰ œ œ œ ˙ ˙ œ Œ œ œ w œ ‰œœœœ œ
œ
Ang ni - lik - ha Mong ka - rik - tan, Sul - yap ng

# œ œ œ œ
V J ‰ ˙ ˙ œ Œ œ œ w œ ‰œ œ œ
J
Ang ni - lik - ha Mong ka - rik - tan, Sul - yap ng

?# œ ‰ œ œ œ ˙ ˙ œ œ œ w œœœœ œ
J Œ œ ‰ œ
J

#
G7 C maj7 D/C Bm7 Em7
Œ
& Œ
ww œ œ œ ˙˙ ˙˙ ˙˙ œ œ ˙˙ ˙˙ ww œ œ œ
w ˙ ˙ ˙ ˙ ˙ w
?# nw jœ œ œ w j œ w
w œ. œ œ œ#œ w
œ.

#
1, 2 Final
w Œ œ œ œ
to Verses
& w ˙. w
’Yong ka - gan - da - han.

# Œ œ
& w œ œ ˙ œ œ ˙. w
’Yong ka - gan - da - han.

# w Œ œ œ œ
V ˙ œ œ ˙. w
’Yong ka - gan - da - han.

?# w Œ œ
œ œ w ˙. w

1, 2 Final

# w
Asus2,4 Am add9 D7 C/G G Em7

& Œ œ œ œ w .
to Verses
œw œ œ œ
˙ ˙ ww œ. œ œ œ œ ˙˙ . ww
J
œ ˙ ww
?# œ œ w œ ˙. ˙ .. w
œ œ ˙ w
Tanging Yaman
4

#
Asus2,4 Am add9 D7 C/G G
Œ œ
& w˙
Fine
œ œ
˙ ww œw . œ œ œ œ ww
J
˙ ww
rit.

?# œ œ œ w œ ˙. ww
œ œ

VERSES
# Descant 3 3

& Œ Œ ‰œ œ œ œ ˙
J
˙ Ó œ œ œ ˙ ˙ Œ œ œ œ
2. I - ka’y a - king ha - nap ha-nap sa t’wi - na sa kap -wa
# j
Melody

& ‰ œ w Œ œ œ . œj Œ œ œ j
˙ ˙ œ œ. œ œ œ
1. I - ka’y ha- nap sa t’wi - na ni- tong pu song I - kaw la -
2. I - ka’y ha- nap sa t’wi - na sa kap - wa ko ki - ta la -

Am(# 7)
#j
C D/C
Œ œ
Bm7 Em Am

& ‰ œ wœ . œ ˙ ww œ . œj ˙œ . ˙ Œ œ œ
œ œ.
j
œ ˙
J œ
J
?# Œ œ ˙. w ˙. www œ œ # ˙˙
œ w œœ œ ˙

# œ ˙. œ ˙ œ. œ ˙
& œ œ œ
œ œ. J J Œ œ œ œ
2. ko Ki - ta la - ging na - da - ra - ma. Sa I - yong m - ga lik -
# j
& j œ. œ w w œ. œ ˙ Œ œ œ œ
œ. œ J
1. mang ang sa - ya. Sa gan - da ng u - ma -
2. ging na - da - ra - ma. Sa I - yong m - ga lik -

# j j
Am7 Am/D G G7 C maj7 D/C
œ. œ œww . Œ
& ˙˙ ˙ œ w
w
w
‰œœ œ œ n œ œ œ ˙ ww œ œ œ

? # n ˙˙
˙˙
˙ œœœ
˙ n ww œ ˙. ww
˙ œ w œ w

Tanging Yaman
 5

#
& w ∑ Œ ‰ œJ œ . œj œ œ œ œ w D.S.

2. ha, ha - ngad pa rin ang ’Yong muk - ha.

# j
& w Œ ‰ œJ œ . œ œ. œ ˙ Œ œ œ. œ w
D.S.

J J
1. ga, na - ngu - ngu - li - la sa ’Yo, Sin - ta.
2. ha, ha - ngad pa ring mas - dan ang ’Yong muk - ha.

# w Œ ‰ œj œ . j Am j
Bm Em D7sus4 G

œ ˙ ˙ Œ œ œ. œ ww
D.S.
& w ww ˙ ˙
˙ ww
? # œ. œ ˙ www œœœ w œ œ˙
J œ œœ

Tanging Yaman
6
Tanging Yaman
(Guitar/Vocal)
Manoling Francisco, SJ
Philip T. Gan, SJ Manoling Francisco, SJ
INTRO Gently (q = 100–104)

#4
tacet C maj7 D/C Bm7 Em7 Am9 D7 C/G

& 4 œ œ œ ˙ ˙
Ó œ œ
˙ ˙
Œ œ œ œ w Œ œ œ œ w
(Kbd)

% REFRAIN
# œ. œ
G G7 C maj7 D/C Bm7 Em7

& Œ œ œ œ ˙ ˙ œ Œ œ œ ˙ ˙ œ œ J
I - kaw ang a - king ta - nging ya - man na di lu -

Am(# 7)
# ˙ œ . œj w
Am C/D G G7 C maj7

& ˙ œ œ œ ‰ œ œ œ
J ˙ ˙
bu - sang ma - sum - pu - ngan. Ang ni - lik - ha Mong

#
D/C Bm7 Em7 Asus2,4 Am add9 D7 C/G

& œ Œ œ œ j‰ œ ˙ ˙ Œ œ œ œ
w œ œ œ w
ka - rik - tan, Sul - yap ng ’Yong ka - gan - da - han.

1, 2 Final

#
G Em7 Asus2,4 Am add9 D7 C/G G
Fine
œ
to Verses rit.
& ˙. w œ œ œ ˙ ˙ Œ œ œ w w
Œ

© 1986, 2003, Jesuit Communications Foundation, Inc. Published by OCP, 5536 NE Hassalo, Portland, OR 97213. All rights reserved.
 7

VERSES Am(# 7)
# ‰ j
C D/C Bm7 Em Am

& œ w Œ œ œ. j Œ œ j
œ ˙ ˙ œ œ œ. œ œ œ
1. I - ka’y ha - nap sa t’wi - na ni - tong pu song I - kaw la -
2. I - ka’y ha - nap sa t’wi - na sa kap - wa ko ki - ta la -

# œ . œj w
Am7 Am/D G G7 C maj7 D/C

& j w œ. œ ˙ Œ œ œ œ
œ. œ J
1. mang ang sa - ya. Sa gan - da ng u - ma -
2. ging na - da - ra - ma. Sa I - yong m - ga lik -

# j
Bm Em Am D7sus4 G

& w Œ ‰ Jœ œ . œ œ . œ ˙ Œ œ œ. œ w
D.S.

J J
1. ga, na - ngu - ngu - li - la sa ’Yo, Sin - ta.
2. ha, ha - ngad pa ring mas - dan ang ’Yong muk - ha.

Composer Notes
Jesuit Father Manoling Francisco is one of the most prolific and beloved composers living in the
Philippines. He has composed over 150 songs, including “Tanging Yaman,” one of the most popular
Filipino liturgical songs ever written; the song’s popularity has become so widespread that a film
based on this song was produced in the Philippines in 2000. The song stresses devotion, adoration,
and gratitude towards God. These themes are particularly suitable during celebration of weddings,
religious vows, ordinations, and commissioning services.

Translation
Refrain: You are my only treasure, though I cannot fully understand.
The splendor that you have created is a glimpse of your beauty.
Verse 1: I search for you always, this heart whose only happiness is you.
In the beauty of the morning, I am at loss for you, my Beloved.
Verse 2: I search for you always, and feel your presence in my neighbor.
In your creation, I desire to see your face.

—Ricky Manalo, CSP

Tanging Yaman
8

Assembly Edition
TANGING YAMAN
Manoling Francisco, SJ

# Refrain
4 œ. œ
& 4 Œ œ œ œ ˙ ˙ œ
Œ œ œ
˙ ˙ œ œ J
I - kaw ang a - king ta - nging ya - man na di lu -
# œ œ œ . œj w
& ˙ ˙ œ‰ œ œ
J œ ˙ ˙ œ Œ
bu - sang ma- sum - pu-ngan. Ang ni - lik - ha Mong
# j‰ w Œ œ œ œ
& œ œ w œ œ œ œ w ˙. ‰
ka - rik - tan, Sul- yap ng ’Yong ka - gan- da - han.
# Verses
j Œ œ œ . œj
& œ w Œ œ œ j
˙ ˙ œ œ. œ œ œ
1. I - ka’y ha - nap sa t’wi - na ni - tong pu song I - kaw la -
2. I - ka’y ha - nap sa t’wi - na sa kap - wa ko ki - ta la -
# j
& j œ. œ w w œ. œ ˙ Œ œ œ œ w
œ. œ J
1. mang ang sa - ya. Sa gan- da ng u - ma - ga,
2. ging na - da - ra - ma. Sa I - yong m - ga lik - ha,
# ‰ œJ œ . œ œ. œ ˙ œ j to Refrain
& Œ J J Œ œ. œ w
1. na - ngu - ngu - li - la sa ’Yo, Sin - ta.
2. ha - ngad pa ring mas - dan ang ’Yong muk - ha.

Text: Philip T. Gan, SJ. Text and music © 1986, 2003, Jesuit Communications Foundation, Inc.
Published by OCP, 5536 NE Hassalo, Portland, OR 97213. All rights reserved.

We are pleased to grant permission to reprint the assembly edition enclosed in the box at no charge
for the special celebrations of ordination, religious profession, first Mass or funeral. Reprints must include
title, composer’s name and full copyright notice as it appears above. If not kept as a souvenir, copies must
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