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 This study tackles two aspects of the issues of contemporary
Arabic critical discourse ; namely, the theory and the approach.
Both are well-represented by two common trends: traditional and
new. The former belongs to our heritage focusing on the
possibility of re-reading all that has been inherited making use of
the western approaches after having them adapted to the extent
they can match with the contemporary mental and cultural
Arabic vision.
The second trend has completely departed from the heritage.
Moreover, it follows the western modernistic approach instead.
It undertakes all western theoretical principles, mechanisms, and
terminologies. The application of the modernistic western
approach to the reading of Arabic literature as well as the
innovation of Arab men of literature that have turned their
literary work into a phenomenon which is a mere mimicry of the
western phenomenon if not an appendix or an extension of it.
As a matter of fact, a critical theory should reflect literature
and literary creative aspects since a literary theory of this type
must be the gist of the features of the Arabic literature including
its syntactic, stylistic and aesthetic components.
In conclusion, the present study is a practical attempt calling
for re-visiting the western literary critical approaches and making all
possible use of them on the condition that one should reserve the
identity of Arabic literature including its thought and aesthetics.
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