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LISTENING – PSYCHOLOGY
LISTENING – COLOURS
1- Listen to Jessica’s talk and complete the gaps. Audio
Introduction
People have instinctive reactions to colour, and the example she gives is that
__________________
Psychological influences
People feel comfortable when colour suggests something familiar. Children prefer
________ colours.
Physiological influences
Food retailing
Sally thinks that a motivational speaker should fill their audience with
(4)................................................... for their work.
Sally sometimes feels sorry when people she talks to find making
(6)................................................. difficult.
2.2- Listen again and write the exact words used for the underlined
phrases
Script
Hi, I'm Sally and I'm here to talk to you about my job as a motivational speaker, why
I started and how I feel about it. I never intended to make this my career. At
university I didn't study anything like business or psychology - I did history just
because I enjoyed it, not because of where it might lead. I did a few dead-end jobs
afterwards and seemed to be in a bit of a rut. But then a friend suggested we start
our own online business designing websites; he would put in the technical know-
how and I would bring the creativity.
And it worked like a dream. We made a lot of money and seemed to have it all. But I
knew too many people who hadn't made it and once I was set up for life, I wanted to
help others. So I decided to write some self-help articles for magazines. I was pretty
amazed when these were brought out last year in a book and that was what gave
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me the idea of becoming a motivational speaker. It's amazing how many people
appreciate this kind of help.
On the practical side, some things will make you more successful as a speaker. Of
course, you must be inspiring but I think you must have a message that I call unique
– this is your selling point. You should identify something about yourself that can
inspire others. In my case it was starting from scratch with no previous experience
or financial back-up. Always research the background of those you are speaking to -
every talk must be tailor-made for your audience. Once you become known and
people respond positively to you, others will clamour for your skills. I always ask for
feedback so that I do better for the next session - this is really important for me,
personally and professionally. Finally, I'd say you never know what you can do until
you try. So, are there any questions?
Answer key 1
Answer key 2
Mary thinks that musicians who are primarily concerned with their musical
(2).....................may underperform.
According to Mary, it’s useful to remember the phrase ‘(7)............................. ' when
doing tasks such as giving a presentation.
Script
Mary Shaw: Is being a perfectionist a good thing or not? I believe that perfection is
not only impossible to achieve but - rather like trying to find the mythical pot of gold
at the end of a rainbow - I'd say it's nothing more than a fantasy. The closer you get
to it, the further away it moves. The more you improve, the more room for
improvement you'll find. Aiming for perfection is one thing. Expecting perfection,
demanding it and beating yourself up for falling short, dooms you to frustration, and
diminished confidence and motivation.
Musicians are a good example of how aiming for perfection can actually harm
performance. Instead of just losing themselves in the music, the more they focus on
their technique while practising for a concert, the more nervous they're likely to be
and won't give their best performance. Why? Because they know that the likelihood
of a completely perfect performance is close to zero. Instead, what they should be
focusing on is what they want to communicate to the audience and how to achieve
this. I feel that the biggest problem with perfectionists is that they sometimes get
so stuck in the detail that they forget the goal, which, in the case of musicians, is to
move and delight an audience
This is true for many different skills - learning a language, for example. Instead of
worrying about getting the accent absolutely right or not making any grammar
mistakes at all, learners should be focused on getting their message across. And I'm
certain they'll find their accuracy will also gradually improve in the process.
Striving for perfection can also be harmful because perfectionists can never leave
something alone. Even when they're done with a task, they can't help trying to find
new things to improve on. This lingering process starts off as 10 minutes, then
extends to 30 minutes, then to an hour and more. And so they become less
productive as a result. The way I always recommend avoiding this is to fix a time
limit and stick to it. An inevitable result of this is the realisation that good enough is
usually ... well, good enough.
It's not just artists and sports people who need to learn this lesson. It applies to
everyday activities as well. When giving a presentation, for example, I think it's
good to bear in mind that old saying: less is more. It's far better to try and make a
few points clearly rather than lots of points in great depth, which will be lost on the
audience. But many perfectionists have a tendency to include every possible piece
of information so nothing gets left out.
Of course, no one is saying that you should lower your standards and be content
with an average performance. The point is still to aim high and put in 100 percent
effort but to be satisfied by fulfilling your potential - that's all anyone can ask.
Perfectionism is most common...
Answer key
Script
Speaker 1: I did this magazine quiz called How well does your partner know you?
You had to grade statements and then give the same quiz to your partner to answer
about you. Well, there was a huge discrepancy between my results and Charlie's,
and the analysis said something like,'You should have spent more time getting to
know each other.' We started to talk about the questions and some of his answers
really had me worried. He can't have been listening to half the things I've told him
over the years! I did the quiz on the spur of the moment but I rather wish I hadn't
now.
Speaker 2: I'd already had an interview and had actually been working there for a
couple of weeks. The job is perfect for me - it involves working to deadlines and I
thrive on pressure. After a couple of weeks they said I had to do a personality test.
They must have got my results mixed up with someone else's because they said I
wasn't good at handling pressure. I've never felt so insulted in my life. Me? Not
handle pressure? Well, now I think my boss sees just how wide of the mark the
results were.
Speaker 3: I'm a real sucker for quizzes and personality tests. I love them! But I
honestly didn't expect much from this one. I mean how could choosing colours say
anything about your personality? You had to click on eight colours in order of
preference, then wait a few minutes and repeat the same test. I clicked on purple
first and then I can't remember but I know I put grey, blue and black last both times.
When I read the results I could hardly believe it. My attitudes, my worries, my
problems with my partner, my work habits - it was all absolutely spot on.
Speaker 5: I've got my own translation business but I wasn't getting many
commissions. I decided to see if one of those life coaches could get to the bottom of
whatever was going wrong and the first thing she did was give me a personality
test. I was a bit taken aback when she said my test results showed that I needed to
work in collaboration with others. It's weird as I've always seen myself as a bit of a
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loner and as not taking too kindly to people telling me what to do. I'm not sure I'm
going to like having my translations picked to pieces by others.
Answer key
According to David, the author Charles Dickens believed he was being pursued by
(2)........................................
Answer key
LISTENING – HUMOUR
6- You will hear an interview with Janet Wilson, a young stand-up
comedian. Audio
5) When talking about her future, Janet is resigned to the fact that she
A must be prepared for set-backs in her career.
B might accept other work for financial reasons.
C has to work on a better stage presence.
D lacks opportunities to develop in other areas.
6.2 Complete the sentences from the interview. Use the clues in brackets
to help you.
You have to understand that and not let it........................... skin, (upset you)
Though there are more opportunities, you have to....................... because if you
don't, there's always someone who will (seize them)
Script
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Janet: I go into theatres and stand on stage and tell jokes! I'm completely alone - no
actors. Pretty scary, but that's part of the appeal. I write my own material, which
can be demanding, though I love the creativity side more than the actual writing
process. I realised it was going to be my thing early on. I'd always known I wanted
to perform somehow. At school I had a ball acting in school plays -1 even joined a
local drama club. I preferred comedy roles, though I only found out about stand-up
itself when I was taken to a show for a birthday treat. It seemed a logical extension
of my acting and I got hooked pretty quickly.
Interviewer: How did your parents react when you told them what you wanted to
do?
Janet: My dad's into technology - he's a genius with computers. I'm a bit of a geek
myself but I'm not particularly talented, though I write tech jokes in my material. I
guess they hoped that I'd do-something safe, like computing or medicine, but my
academic record put paid to that hope! My brother's a lawyer and my parents are
really proud of him. They've never been unsupportive of me but they'd just like to
see a more clearly defined career structure - and the entertainment sector doesn't
give that at all. Even people who make it big aren't necessarily working all the time.
Janet: It can be hard remembering all my material so that I can be flexible and
respond to the audience. They can be very demanding - they've paid money to be
entertained and if I don't make them laugh, I've failed. You have to understand that
and not let it get under your skin. It's happened to me: what I thought were good
jokes fell on stony ground. It's when there's silence instead of laughter that's
disconcerting. Performing can be exhausting, even when everything's going well. I
want to spread happiness, take people out of themselves, and that's pretty special -
to be able to have that kind of effect on others.
Janet: I'm happy when I have a good experience on stage. I'd love to win trophies,
get recognised for my work, but there's probably more to it than that. As a creative
person, I want to have a sense of progress. It's not just about comedy, it's about
where you are in your life. You have to give all of yourself on stage, so you're very
exposed – that has the potential to be hurtful. The bottom line is you need to be
thick-skinned and confident in what you're doing but taking constructive comments
on board. Take the rough with the smooth, in other words.
Janet: People often think comedians are misfits but I reckon that's an idea put about
by comedians themselves, to make themselves sound interesting and boost
audiences! I'm enjoying writing at the moment and I'd like to do more gigs. When
you're over-specific about what you want to do, you risk setting yourself up for a fall
if it doesn't happen. I don't make enough as a stand-up, which is something I have
to address - be realistic and earn a regular wage for a while. I've got movies in my
sights. I've been looking at scripts, though I don't know how likely they are to
materialise.
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Janet: It's definitely higher-profile than ever and there are more shows around. I
wouldn't say it was easy because there are more comedians trying to get work. It's
a more viable career choice though - there are even new courses specialising in
stand-up. Though there are more opportunities, you have to grab them with both
hands because if you don't, there's always someone who will. It's high stakes,
though it's all usually done in good humour. If you don't get a show and someone
else does, you can't get annoyed - that would be pointless.
Interviewer: Janet, thanks for sharing those insights with us and good luck with your
career!
Answer key
1 According to Mark Shaw, the idea that the main motivation for laughter is not
humour
A is hard for people to understand.
B needs further investigation.
C is now widely accepted.
D contradicts findings in other studies.
2 What surprised Diana Abel about differences in laughter between men and
women?
A the greater frequency of women's laughter
B the changing role of laughter in relationships between the sexes
C the difficulties faced by female comedians
D the value women place on laughter
4 How has both speakers' attitude to laughter changed after reading the book?
A They find themselves more inclined to laugh.
B They are more conscious of their own laughter.
C They are more aware of people's reasons for laughing.
D They find other people's laughter strange.
6 Why does Mark think the book will appeal to a non-academic audience?
A It is written in a lively, conversational style.
B It will teach people about relationships.
C It contains fascinating stories.
D It can be used as a self-help guide.
Script
Presenter: Welcome to the Review Show. Joining me today are writers Diana Abel
and Mark Shaw. The first book we'll be discussing is Robert Provine's Laughter:
0scientific investigation. It's certainly an interesting topic, Mark. But what did you
make of the idea that laughter is not primarily a response to humour but a social
lubricant – something used to smooth interaction between people?
Mark: Yes. Very interesting. It's something I've come across before and I don't think
Provine is the first to make this claim. But he is the first to popularise this theory.
And I think a lot of people will find it really difficult to accept that we don't just laugh
because we find something funny. Laughter has a much more complex role. What's
really disturbing is that, according to some statistics, we're laughing much less than
we used to, usually only when we're watching a comedy on TV.
Presenter: Indeed. Diana, I know you were particularly struck by the comparisons
between male and female laughter in the book.
Diana: Yes, that's right. While researching the book, Provine looked at hundreds of
lonely hearts ads in the newspapers and found that one of the key qualities women
look for in a potential partner is a good sense of humour – something sought after
much less commonly by men. That was news to me. It seems women want a man
who will make them laugh, while men like women who laugh at their jokes. That
might explain why until relatively recently there were so few female comedians
around.
Presenter: Provine does stress the importance of increasing laughter in our lives and
gives some advice on how to achieve this. Were you tempted to try out any of his
suggestions, Diana?
Diana: Well, Provine thinks laughter is important for maintaining relationships but
doesn't necessarily support the idea that laughter improves health or longevity. So
he's not advocating attending laughter workshops or laughter yoga. His message is
really quite simple. If you want to laugh more, rather than sitting in front of comedy
programmes, socialise more with people whose company you enjoy - which makes
sense to me. One thing I'm in favour of, which Provine doesn't mention, is that
people should lighten up and laugh at themselves more.
Presenter: Did either of you find your attitude to laughter had changed after reading
the book?
Mark: I certainly started noticing when people actually laughed and found it
confirmed Provine's theory, that is, people were laughing at things that weren't
remotely funny and also in odd places during a conversation.
Diana: The effect it had on me was to monitor my own impulses to laugh - it made
me less spontaneous in a way.
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Mark: ... analysing what made you want to laugh instead of reacting naturally -1
experienced that too.
Presenter: So did you find the book answered everything you ever wanted to know
about laughter?
Mark: It was pretty comprehensive, especially the parts on how humour and
comedy work. He also focuses on how humour can be abusive and cruel - anyone
who's experienced this in the playground will be able to relate to that. The section
on the mechanics of breathing and laughing I could have done without.
Diana: I was more interested in the social aspects of laughter. Provine argues that
laughter existed before comedy and I wish hed gone into more depth about how
laughter may have begun.
Mark: That was my favourite section of the book, so more on that would have been
welcome. The descriptions of how laughter may have started with chimpanzees
tickling each other are wonderful.
Presenter: But, overall, would you recommend this to someone who hasn't got a
professional or academic interest in laughter?
Mark: Without question, yes.There were some bits where I felt my lack of a
background in neuroscience was a disadvantage but you can just skip those bits
and move on to some of the lovely anecdotes about the research - some of the
accounts of the contagious nature of laughter are really amazing. In some places
people couldn't stop laughing for days.
Mark: Well, if you just want to find out about the benefits of laughter, there are
more appropriate self-help guides. This is more wide-ranging than that.
Answer key