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training tips
The language of
long lining
by Chris Irwin
Irwin is long lining a 20-month-old Morgan gelding in preparation for a first ride that will come once the horse is more physically developed. Note
the lines/reins are neither hanging loose or pulled tight. Irwin has absorbed the gelding's forward movement into soft hands that define the
boundaries of “where NOT to go,” keeping him focused and on track. Also note the “baby” gelding's soft and relaxed expression.
T
The fine art of ‘long lining’ is not just horse ‘in-hand’. All too often I find riders nervous, mischievous, or downright
for trainers who start young or ‘problem’ who are stuck with the habit of hands angry and difficult, then it will challenge
horses before they mount them for their that pull (even if only a little) on the the contact the driver is creating and
first ride. Working with the long lines can reins. We see immediate improvement look for a ‘gap’ in the hands on the
also be a great rehabilitation exercise when these riders climb back
for horses recovering from injury that in the saddle after ‘getting
need to be ‘hand walked’. Ground driv- the feel’ on the ground with
I teach many of my students
ing can also keep our horses in a work- the long lines. Their horses long lining because it helps them
ing frame of mind during the cold winter
months because we can wear our
are far more relaxed, moving
level-headed or well-round-
understand and feel the concept
warmest boots and clothing while driv- ed, and definitely ‘coming of how to have a horse ‘in-hand’.
ing from the ground, something that is through’ with more engage-
not always feasible from the saddle. ment from their hindquarters.
Besides that, walking briskly behind a The horses also have a much more other end of the lines. This can be dan-
horse is exercise that will keep our relaxed eye, soft mouth and licking lips, gerous because if your horse finds the
blood circulating much better then it as the hands of the rider discover how slightest opening in the
does when we’re sitting in the saddle. to ‘hold a horse’ with absolutely no blocking/boundaries that your hands
Last, but certainly not least, long lining backward motion or pull to the reins. should be proactively creating then,
is a lot of fun! Long lining is the most difficult your horse will make an unwanted turn.
I teach many of my students long lin- ground exercise to master with a horse An unwanted turn when riding is one
ing because it helps them understand and it is also, by far, the most danger- thing but, when working on long lines
and feel the concept of how to have a ous. I say this because if a horse is this can quickly lead to a horse getting
training tips
tangled up and/or wrapping his or her- wall. Instead of a hard resistance there walks off. This is not as easy as it
self up completely in the lines and this is a ‘give’ in how the mattress absorbs sounds so I’ll repeat do not walk for-
could lead to a very serious wreck with your push. In this example, your arms ward with your horse. Instead, simply
some horses. and hands are simulating the body of allow your hands to be relaxed and
How to avoid these gaps? I’ve used the horse advancing into the hands of ‘open’ so that the horse is pulling the
the analogy before that as you face a the rider/driver which, in this case, is the reins/lines through your fingers and out
clock imagine that you and your horse absorbing restraint of the mattress. Your of your hand. Wait until the horse has
are facing straight up to 12:00 and that mattress did not grab or pull you to it in taken two or three steps and then softly
is exactly where you want your horse to the slightest. Your bed simply absorbed and gradually close your hands on the
go. Your right rein should not be used to your advance with elasticity and this is lines to disallow anymore slipping as
pull your horse back to 12:00 after it has what your horse needs from your con- you join in with your horse at the walk.
turned left towards 11:00. Likewise, the tact with his or her mouth. Once walking, you will need to find and
left rein is not to pull left to
straighten your horse to
12:00 after it veered right to
1:00. Instead, your left rein
should proactively block the
head and neck of the horse
from turning right in the first
place.
I say that long lining is the
most difficult groundwork
exercise with horses to
master because it requires
that we time the movement
of our legs perfectly as we
walk along with the stride of
our horse. If we walk too
quickly the lines go ‘slack’
and the horse finds the
gaps that allow those con-
fusing and potentially dan-
gerous unwanted turns. On
the other hand, if we walk
too slow, the horse feels too Long lining is an excellent training technique for both horse and rider that requires little financial investment. A
much contact and will not surcingle, a bridle with a plain snaffle bit and two cotton longe lines are all the equipment that is needed.
want to move forward into the bit. This When learning how to long line I sug- develop the perfect pace that neither
results in a horse being either ‘inverted’ gest you have a friend ‘head your horse’ inhibits your horse by walking too slow
(hollow-backed) or ‘behind the bit.’ You with a halter and lead rope over the bri- or allows unwanted turns from gaps as
don’t want the horse to feel that you’re dle while you get into position standing you walk too fast. The idea behind this
slamming a door in its face but you also behind your horse. Next, take all the exercise is to develop a feel for absorb-
don’t want it wandering all over the slack out of the lines to the point where ing the forward movement of your horse
place and getting itself into trouble. To you can ‘feel’ the horse and the horse softly into your hands.
develop the subtle feel of appropriate can feel the presence of your hands. If Once your horse is moving, if it is
contact with the mouth of a horse your horse suddenly lifts its head up wandering like a drunk and making
requires learning how to absorb the for- high, or starts backing up, then this is a unwanted turns, then you’re most likely
ward movement as a horse moves into sure sign that you went past the point of walking too fast which creates slack
your hands. taking up the slack and the horse has reins and thus, creates gaps in your
Here’s a simple exercise. Push your felt you pulling back against its mouth. boundaries from the bit. On the other
hands down evenly against the mat- We want slack out of the lines without hand, if your horse is inverted with its
tress on your bed. No matter how hard crossing that fine line into pulling back. head up high, refusing to move forward,
or fast you slam your hands into the Now, ask your friend to step forward or walking sluggishly with its nose
mattress you’ll notice that you don’t and lead your horse but doing so with a behind the vertical or ‘behind the bit,’
bang abruptly and painfully into the bed loose lead rope. Now here’s the trick: then you are either walking too slowly or
like you would if you tried this against a you need to stand still as your horse you’re going ‘fetal’ and pulling your
training tips