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  • EQ guide for cutting and boosting common instruments

    Încărcat de

    Michael Bonett
    72 vizualizări1 pagină
    This document provides recommendations for equalizer settings to cut or boost certain frequencies for different instruments to improve their sound. It lists instruments down the left column and recommends frequencies to cut in the middle column to reduce undesirable qualities like sibilance, shrillness, or muddiness. The right column recommends frequencies to boost to enhance desirable qualities like clarity, body, or bottom end.

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    EQ Chart

    Titlu original

    EQ Chart

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    This document provides recommendations for equalizer settings to cut or boost certain frequencies for different instruments to improve their sound. It lists instruments down the left column and recommends frequencies to cut in the middle column to reduce undesirable qualities like sibilance, shrillness, or muddiness. The right column recommends frequencies to boost to enhance desirable qualities like clarity, body, or bottom end.

    Drepturi de autor:

    © All Rights Reserved
    Descărcați ca XLSX, PDF, TXT sau citiți online pe Scribd
    Indicator pentru conținut neadecvat
    72 vizualizări1 pagină

    EQ guide for cutting and boosting common instruments

    Încărcat de

    Michael Bonett
    This document provides recommendations for equalizer settings to cut or boost certain frequencies for different instruments to improve their sound. It lists instruments down the left column and recommends frequencies to cut in the middle column to reduce undesirable qualities like sibilance, shrillness, or muddiness. The right column recommends frequencies to boost to enhance desirable qualities like clarity, body, or bottom end.

    Drepturi de autor:

    © All Rights Reserved
    Descărcați ca XLSX, PDF, TXT sau citiți online pe Scribd
    Indicator pentru conținut neadecvat
    din 1

    Instrument What to Cut Why to Cut What to Boost Why to Boost

    7 kHz Sibilance 8 kHz Big sound


    2 kHz Shrill 3 kHz and above Clarity
    Human Voice
    1 kHz Nasal 200-400 Hz Body
    90 Hz and below Popping P’s — —
    1-2 kHz Tinny 5 kHz More presence
    Piano
    300 Hz Boomy 100 Hz Bottom end
    1-2 kHz Shrill 3 kHz Clarity
    Electric Guitar
    90 Hz and below Muddy 125 Hz Bottom end
    2-3 kHz Tinny 5 kHz and above Sparkle
    Acoustic Guitar
    200 Hz Boomy 125 kHz Full
    1 kHz Thin 600 Hz Growl
    Electric Bass
    125 Hz Boomy 90 Hz and below Bottom end
    600 Hz Hollow 2-5 kHz Sharp attack
    String Bass
    200 Hz Boomy 125 Hz and below Bottom end
    1 kHz Annoying 2 kHz Crisp
    Snare Drum 150-200 Hz Full
    90 Hz Deep
    400 Hz Muddy 2-5 kHz Sharp attack
    Kick Drum
    90 Hz and below Boomy 60-125 Hz Bottom end
    300 Hz Boomy 2-5 kHz Sharp attack
    Toms
    90-200 Hz Bottom end
    1 kHz Annoying 7-8 kHz Sizzle
    Cymbals 8-12 kHz Brilliance
    15 kHz Air

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