Alexandru Lapusneanu

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pu\uc1 \u537 ?neanul\uc1 \u8221 ?. Negruzzi respect\uc1 \u259 ? ideologia lui
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prin construc\uc1 \u539 ?ia unui singur fir narativ ce prezint\uc1 \u259 ? ultima
parte din via\uc1 \u539 ?a lui Alexandru L\uc1 \u259 ?pu\uc1 \u537 ?neanul \uc1
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\cf1 \caps0 \uc1 \u160 ?prin imaginea personajului central, Alexandru, crea\uc1
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\u539 ?\uc1 \u259 ? interioar\uc1 \u259 ?, ale c\uc1 \u259 ?rui tr\uc1 \u259 ?
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rom\uc1 \u226 ?nesc, descrierea unei perioade \uc1 \u238 ?ntunecate din istoria
Moldovei, sub domnia lui Alexandru L\uc1 \u259 ?pu\uc1 \u537 ?neanul precum \uc1
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dovad\uc1 \u259 ? so\uc1 \u539 ?ia domnitorului \uc1 \u238 ?n rela\uc1 \u539 ?ie cu
acesta \uc1 \u537 ?i cu v\uc1 \u259 ?duvele boierilor uci\uc1 \u537 ?i.}{\i0
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\lang1033 \langnp1033 \langfe2052 \langfenp2052 \cf1 \caps0 \uc1 \u160 ?nuvelei
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\uc1 \u537 ?i a domnitorilor p\uc1 \u259 ?m\uc1 \u226 ?nteni, undeva \uc1 \u238 ?n
secolul al XVI-lea, istorie pres\uc1 \u259 ?rat\uc1 \u259 ? cu lupte pentru putere
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\langnp1033 \langfe2052 \langfenp2052 \cf1 \caps0 \uc1 \u206 ?nt\uc1 \u226 ?lnirea
lui Alexandru L\uc1 \u259 ?pu\uc1 \u537 ?neanul cu delega\uc1 \u539 ?ia celor 4
boieri trimi\uc1 \u537 ?i de \uc1 \u539 ?ar\uc1 \u259 ? reprezint\uc1
\u259 ?\uc1 \u160 ?}{\i0 \fs27 \kerning0 \rtlch \alang1 \ltrch \dbch \af4 \hich
\af4 \loch \f4 \expnd0 \expndtw0 \chcbpat13 \lang1033 \langnp1033 \langfe2052
\langfenp2052 \cf1 \ul1 \caps0 scena introductiv\uc1 \u259 ?}{\i0 \fs27
\uc1 \u160 ?a nuvelei, moment ce reflect\uc1 \u259 ? determinarea personajului
dar \uc1 \u537 ?i specificul vremurilor, pline de intrigi politice \uc1 \u537 ?i
dorin\uc1 \u539 ?\uc1 \u259 ? dup\uc1 \u259 ? putere. \uc1 \u206 ?n ciuda faptului
c\uc1 \u259 ? \uc1 \u539 ?ara nu \uc1 \u238 ?l vrea nici nu \uc1 \u238 ?l place,
Alexandru hot\uc1 \u259 ?r\uc1 \u259 ?\uc1 \u537 ?te s\uc1 \u259 ? \uc1 \u238 ?
nainteze, cu voia ori f\uc1 \u259 ?r\uc1 \u259 ? lor, \uc1 \u160 ?rostind replica-
motto: \uc1 \u8222 ?Dac\uc1 \u259 ? voi nu m\uc1 \u259 ? vre\uc1 \u539 ?i eu
v\uc1 \u259 ? vreu\uc1 \u8230 ?\uc1 \u8221 ?.\uc1 \u160 ?}{\i0 \fs27 \kerning0
\chcbpat13 \lang1033 \langnp1033 \langfe2052 \langfenp2052 \cf1 \ul1 \caps0
Secven\uc1 \u539 ?a uciderii celor 47 de boieri}{\i0 \fs27 \kerning0 \rtlch \alang1
\langnp1033 \langfe2052 \langfenp2052 \cf1 \caps0 \uc1 \u160 ?\uc1 \u537 ?i
a\uc1 \u537 ?ezarea capetelor lor \uc1 \u238 ?ntr-o piramid\uc1 \u259 ?, dup\uc1
\u259 ? func\uc1 \u539 ?ie \uc1 \u537 ?i rang, ilustreaz\uc1 \u259 ? dorin\uc1
\u539 ?a de r\uc1 \u259 ?zbunare a personajului \uc1 \u238 ?n fa\uc1 \u539 ?a unor
boieri care \uc1 \u238 ?l v\uc1 \u226 ?nduser\uc1 \u259 ? \uc1 \u238 ?n trecut.
Scena are suport istoric real \uc1 \u537 ?i este creat\uc1 \u259 ? pentru a
dinamiza nuvela \uc1 \u537 ?i a pune \uc1 \u238 ?n eviden\uc1 \u539 ?\uc1 \u259 ?
cruzimea personajului principal.}{\i0 \fs27 \kerning0 \rtlch \alang1 \ltrch
\ltrch \lang1033 \langnp1033 \langfe2052 \langfenp2052 {\cs16 \i1 \fs27 \rtlch
\ltrch \dbch \af4 \hich \af4 \loch \f4 \expnd0 \expndtw0 \chcbpat13 \cf1 \caps0
Viziunea despre lume}{\i0 \fs27 \kerning0 \rtlch \alang1 \ltrch \dbch \af4 \hich
\langfenp2052 \cf1 \caps0 \uc1 \u160 ?a lui Negruzzi este una specific pa\uc1 \u537
?optist\uc1 \u259 ?. Negruzzi se \uc1 \u238 ?nscrie \uc1 \u238 ?n programul \uc1
\u8222 ?Daciei literare\uc1 \u8221 ?, ini\uc1 \u539 ?iat de Kog\uc1 \u259 ?lniceanu
prin inspira\uc1 \u539 ?ia din istoria na\uc1 \u539 ?ional\uc1 \u259 ?. \uc1
\u206 ?n nuvel\uc1 \u259 ?, Costache Negruzzi \uc1 \u238 ?mbin\uc1 \u259 ? elemente
din realitatea istoric\uc1 \u259 ? (existen\uc1 \u539 ?a personajului principal,
uciderea boierilor) cu elemente fic\uc1 \u539 ?ionale (boierul Stroici, uciderea
lui Mo\uc1 \u539 ?oc), construind astfel o cutremur\uc1 \u259 ?toare crea\uc1 \u539
?ie epic\uc1 \u259 ?.}{\i0 \fs27 \kerning0 \rtlch \alang1 \ltrch \dbch \af4
\hich \af4 \loch \f4 \expnd0 \expndtw0 \lang1033 \langnp1033 \langfe2052
\ltrch \lang1033 \langnp1033 \langfe2052 \langfenp2052 {\cs15 \b1 \i0 \fs27
\rtlch \ltrch \dbch \af4 \hich \af4 \loch \f4 \expnd0 \expndtw0 \chcbpat13 \cf1
\caps0 3. Elemente de structur\uc1 \u259 ?}{\i0 \fs27 \kerning0 \rtlch \alang1
\ltrch \dbch \af4 \hich \af4 \loch \f4 \expnd0 \expndtw0 \lang1033 \langnp1033
\langfe2052 \langfenp2052 \cf1 \caps0 \par }\pard \plain \s17 \ql \fi0 \li0 \ri0
\sb0 \sa263 \sbauto0 \saauto0 \sl22 \slmult0 \widctlpar \keep0 \keepn0 \noline0
\aspalpha \aspnum \adjustright \lin0 \rin0 \cbpat13 \itap0 \fs24 \kerning0
\rtlch \alang1 \ltrch \lang1033 \langnp1033 \langfe2052 \langfenp2052 {\cs16 \i1
\fs27 \rtlch \ltrch \dbch \af4 \hich \af4 \loch \f4 \expnd0 \expndtw0 \chcbpat13
\cf1 \caps0 Titlul\uc1 \u160 ?}{\i0 \fs27 \kerning0 \rtlch \alang1 \ltrch \dbch
\af4 \hich \af4 \loch \f4 \expnd0 \expndtw0 \chcbpat13 \lang1033 \langnp1033
\langfe2052 \langfenp2052 \cf1 \caps0 ne \uc1 \u238 ?ndreapt\uc1 \u259 ? interesul
asupra personajului principal al nuvelei, erou literar de mare complexitate \uc1
\u351 ?i for\uc1 \u355 ?\uc1 \u259 ?, un personaj romantic ce tr\uc1 \u259 ?
deaz\uc1 \u259 ? putere \uc1 \u537 ?i vitalitate.}{\i0 \fs27 \kerning0 \rtlch
\alang1 \ltrch \dbch \af4 \hich \af4 \loch \f4 \expnd0 \expndtw0 \lang1033
\expnd0 \expndtw0 \chcbpat13 \cf1 \caps0 Perspectiva narativ\uc1 \u259 ?\uc1
\u160 ?}{\i0 \fs27 \kerning0 \rtlch \alang1 \ltrch \dbch \af4 \hich
\langfenp2052 \cf1 \caps0 este obiectiv\uc1 \u259 ?\uc1 \u160 ?nara\uc1 \u355 ?
iunea este la persoana a III-a, naratorul este omniscient, prezint\uc1 \u259 ? cu
dexteritate comportamentul personajelor, av\uc1 \u226 ?nd cuno\uc1 \u351 ?
tin\uc1 \u355 ?\uc1 \u259 ? cu privire la g\uc1 \u226 ?ndurile \uc1 \u351 ?i
atitudinile lor. Naratorul este par\uc1 \u355 ?ial obiectiv, \uc1 \u238 ?n mare
parte evit\uc1 \u226 ?nd s\uc1 \u259 ?-\uc1 \u351 ?i expun\uc1 \u259 ? judec\uc1
\u259 ?\uc1 \u355 ?ile vizavi de personajele sale.}{\i0 \fs27 \kerning0 \rtlch
\alang1 \ltrch \dbch \af4 \hich \af4 \loch \f4 \expnd0 \expndtw0 \lang1033
\expnd0 \expndtw0 \chcbpat13 \cf1 \caps0 Ac\uc1 \u539 ?iunea \uc1 \u537 ?i
momentele subiectului}{\i0 \fs27 \kerning0 \rtlch \alang1 \ltrch \dbch \af4
\hich \af4 \loch \f4 \expnd0 \expndtw0 \lang1033 \langnp1033 \langfe2052
\ltrch \lang1033 \langnp1033 \langfe2052 \langfenp2052 {\i0 \fs27 \kerning0
\chcbpat13 \lang1033 \langnp1033 \langfe2052 \langfenp2052 \cf1 \caps0 Timpul
prezentat \uc1 \u238 ?n\uc1 \u160 ?}{\cs16 \i1 \fs27 \rtlch \ltrch \dbch \af4 \hich
\af4 \loch \f4 \expnd0 \expndtw0 \chcbpat13 \cf1 \ul1 \caps0 expozi\uc1 \u539 ?
iune}{\i0 \fs27 \kerning0 \rtlch \alang1 \ltrch \dbch \af4 \hich \af4 \loch \f4
\cf1 \caps0 \uc1 \u160 ?este ce istoric, perioad\uc1 \u259 ? din cadrul sec. al
XVI-lea iar principiul compozi\uc1 \u355 ?iei este cel cronologic (\uc1 \u238 ?n
ordinea \uc1 \u238 ?n care se \uc1 \u238 ?nt\uc1 \u226 ?mpl\uc1 \u259 ? faptele).
Ni se prezint\uc1 \u259 ? personajele : Alexandru L., boierii ( Stroici, Spancioc,
Mo\uc1 \u355 ?oc), Domni\uc1 \u355 ?a Ruxandra. Spa\uc1 \u539 ?iul este unul
autohton, undeva pe teritoriul Moldovei la \uc1 \u238 ?nceput, apoi palatul
domnesc, mitropolia, cetatea Hotinului.\uc1 \u160 ?}{\cs16 \i1 \fs27 \rtlch
\ltrch \dbch \af4 \hich \af4 \loch \f4 \expnd0 \expndtw0 \chcbpat13 \cf1 \ul1
\caps0 Intriga}{\i0 \fs27 \kerning0 \rtlch \alang1 \ltrch \dbch \af4 \hich \af4
\langfenp2052 \cf1 \caps0 \uc1 \u160 ?este constituit\uc1 \u259 ? de cadrul \uc1
\u238 ?nt\uc1 \u226 ?lnirii dintre domn \uc1 \u351 ?i boierii trimi\uc1 \u351 ?i ai
lui Tom\uc1 \u351 ?a, care \uc1 \u238 ?i cer \uc1 \u238 ?n numele ob\uc1 \u351 ?tii
s\uc1 \u259 ? renun\uc1 \u355 ?e la tron. Dialogul are o deosebit\uc1 \u259 ?
for\uc1 \u355 ?\uc1 \u259 ? dramatic\uc1 \u259 ? iar r\uc1 \u259 ?spunsul lui L\uc1
\u259 ?pu\uc1 \u351 ?neanu este memorabil: ,, Dac\uc1 \u259 ? voi nu m\uc1 \u259 ?
vre\uc1 \u355 ?i, eu v\uc1 \u259 ? vreu\uc1 \u8230 ?.. \uc1 \u350 ?i dac\uc1
\u259 ? voi nu m\uc1 \u259 ? iubi\uc1 \u355 ?i, eu v\uc1 \u259 ? iubesc pre voi\uc1
\u8221 ?.\uc1 \u160 ?}{\cs16 \i1 \fs27 \rtlch \ltrch \dbch \af4 \hich \af4 \loch
\f4 \expnd0 \expndtw0 \chcbpat13 \cf1 \ul1 \caps0 Desf\uc1 \u259 ?\uc1 \u537 ?
urarea ac\uc1 \u539 ?iunii}{\i0 \fs27 \kerning0 \rtlch \alang1 \ltrch \dbch \af4
\hich \af4 \loch \f4 \expnd0 \expndtw0 \chcbpat13 \lang1033 \langnp1033 \langfe2052
\langfenp2052 \cf1 \caps0 \uc1 \u160 ?continu\uc1 \u259 ? cu a doua \uc1 \u238 ?
nsc\uc1 \u259 ?unare a domnitorului \uc1 \u160 ?Alexandru pe tronul Moldovei.
Odat\uc1 \u259 ? ajuns la putere, acesta \uc1 \u238 ?ncepe pedepsirea boierilor
tr\uc1 \u259 ?d\uc1 \u259 ?tori prin schingiuiri de tot felul la cea mai mic\uc1
\u259 ? pl\uc1 \u226 ?ngere sau gre\uc1 \u537 ?eal\uc1 \u259 ? administrativ\uc1
\u259 ? \uc1 \u537 ?i prin dese omoruri cu spectacolul crud al afi\uc1
\u537 ?\uc1 \u259 ?rii capetelor. Ni se prezint\uc1 \u259 ? \uc1 \u351 ?i portretul
doamnei Ruxanda, descenden\uc1 \u355 ?a ei, toate \uc1 \u238 ?ntr-o antitez\uc1
\u259 ? romantic\uc1 \u259 ? cu felul crud de manifestare a domnului. Aceasta
tr\uc1 \u259 ?ie\uc1 \u351 ?te un conflict interior ( \uc1 \u238 ?ntre statutul de
so\uc1 \u355 ?ie \uc1 \u351 ?i dezacordul fa\uc1 \u355 ?\uc1 \u259 ? de faptele lui
Alexandru) \uc1 \u351 ?i-i cere acestuia s\uc1 \u259 ? opreasc\uc1 \u259 ?
omorurile, asaltat\uc1 \u259 ? de pl\uc1 \u226 ?ngerile jup\uc1 \u226 ?neselor
v\uc1 \u259 ?duve. \uc1 \u206 ?ntr-un gest de macabr\uc1 \u259 ? viclenie domnul le
cere iertare boierilor la mitropolie, \uc1 \u238 ?i va str\uc1 \u226 ?nge pe to\uc1
\u355 ?i la un loc, invit\uc1 \u226 ?ndu-i la un osp\uc1 \u259 ?\uc1 \u539 ? regal
unde \uc1 \u238 ?i va ucide cu s\uc1 \u226 ?nge rece construind o piramid\uc1 \u259
? din capetele lor. Acest moment este punctul culminant.\uc1 \u160 ?}{\cs16 \i1
\fs27 \rtlch \ltrch \dbch \af4 \hich \af4 \loch \f4 \expnd0 \expndtw0 \chcbpat13
\cf1 \ul1 \caps0 Deznod\uc1 \u259 ?m\uc1 \u226 ?ntul}{\i0 \fs27 \kerning0 \rtlch
\lang1033 \langnp1033 \langfe2052 \langfenp2052 \cf1 \caps0 \uc1 \u160 ?ne
prezint\uc1 \u259 ? \uc1 \u160 ?finalul vie\uc1 \u539 ?ii lui Alexandru. Bolnav
\uc1 \u537 ?i retras \uc1 \u238 ?n cetatea Hotinului, domnitorul cere s\uc1 \u259 ?
fie c\uc1 \u259 ?lug\uc1 \u259 ?rit pentru iertarea p\uc1 \u259 ?catelor dar
\uc1 \u238 ?ntr-un moment de luciditate promite r\uc1 \u259 ?zbunare \uc1 \u537 ?i
pl\uc1 \u259 ?nuie\uc1 \u537 ?te moartea fiului s\uc1 \u259 ?u. La \uc1 \u238 ?
ndemnul boierilor Stoici \uc1 \u537 ?i Spancioc \uc1 \u537 ?i \uc1 \u238 ?
nsufle\uc1 \u539 ?it\uc1 \u259 ? de grija matern\uc1 \u259 ?, Ruxanda hot\uc1 \u259
?r\uc1 \u259 ?\uc1 \u537 ?te s\uc1 \u259 ?-\uc1 \u537 ?i otr\uc1 \u259 ?
veasc\uc1 \u259 ? so\uc1 \u539 ?ul c\uc1 \u226 ?nd acesta \uc1 \u238 ?i cere ap\uc1
\u259 ?, confin\uc1 \u539 ?ind astfel finalul tragic al crudului personaj.}{\i0
\hich \af4 \loch \f4 \expnd0 \expndtw0 \chcbpat13 \cf1 \caps0 4. Statut personaje}
\langnp1033 \langfe2052 \langfenp2052 \cf1 \caps0 Alexandru L\uc1 \u259 ?pu\uc1
\u537 ?neanul, personaj principal al nuvelei este o crea\uc1 \u539 ?ie de
factur\uc1 \u259 ? romantic\uc1 \u259 ? fiind puternic individualizat \uc1 \u537 ?i
pus \uc1 \u238 ?n situa\uc1 \u539 ?ii excep\uc1 \u539 ?ionale (omor\uc1 \u226 ?rea
boierilor etc.). Personajul este de inspira\uc1 \u539 ?ie istoric\uc1 \u259 ?, \uc1
\u238 ?ntruchip\uc1 \u226 ?nd imaginea domnitorului tiran \uc1 \u537 ?i crud.
Varietatea \uc1 \u537 ?i multitudinea tr\uc1 \u259 ?s\uc1 \u259 ?turilor de
caracter pe care i le putem atribui fac din el un personaj complex, excep\uc1 \u539
?ional \uc1 \u537 ?i rotund surprinz\uc1 \u226 ?nd prin gesturile \uc1 \u537 ?i
planurile sale malefice.\uc1 \u160 ?}{\cs16 \b1 \i1 \fs27 \rtlch \ltrch \dbch
\af4 \hich \af4 \loch \f4 \expnd0 \expndtw0 \chcbpat13 \cf1 \caps0 Nicolae
Manolescu}{\i0 \fs27 \kerning0 \rtlch \alang1 \ltrch \dbch \af4 \hich \af4 \loch
\f4 \expnd0 \expndtw0 \chcbpat13 \lang1033 \langnp1033 \langfe2052 \langfenp2052
\cf1 \caps0 \uc1 \u160 ?spunea c\uc1 \u259 ? \uc1 \u8222 ?gesturile \uc1 \u537 ?i
cuvintele personajelor au menirea de a fi memorate\uc1 \u8221 ?.}{\i0 \fs27
\langnp1033 \langfe2052 \langfenp2052 \cf1 \caps0 Doamna Ruxanda este personaj
secundar al nuvelei. La fel ca Alexandru \uc1 \u537 ?i ea este un personaj de
factur\uc1 \u259 ? romantic\uc1 \u259 ? prin plasarea ei \uc1 \u238 ?n
antitez\uc1 \u259 ? cu felul de a fi a so\uc1 \u539 ?ului ei. Frumuse\uc1 \u539 ?
ea, bun\uc1 \u259 ?tatea \uc1 \u537 ?i bl\uc1 \u226 ?nde\uc1 \u539 ?ea ei sunt \uc1
\u238 ?n contrast cu r\uc1 \u259 ?utatea \uc1 \u537 ?i firea r\uc1 \u259 ?
zbun\uc1 \u259 ?toare a domnitorului. Are \uc1 \u537 ?i o existen\uc1
\u539 ?\uc1 \u259 ? istoric\uc1 \u259 ? fiind atestat\uc1 \u259 ? \uc1 \u238 ?n
cronicile lui Ureche ca fiica lui Petru Rare\uc1 \u537 ? cel bun.}{\i0
\hich \af4 \loch \f4 \expnd0 \expndtw0 \chcbpat13 \cf1 \caps0 5. Tr\uc1 \u259 ?
s\uc1 \u259 ?turi ale personajelor ilustrate prin secven\uc1 \u539 ?e
semnificative}{\i0 \fs27 \kerning0 \rtlch \alang1 \ltrch \dbch \af4 \hich \af4
\loch \f4 \expnd0 \expndtw0 \lang1033 \langnp1033 \langfe2052 \langfenp2052 \cf1
\caps0 \par }\pard \plain \s17 \ql \fi0 \li0 \ri0 \sb0 \sa263 \sbauto0 \saauto0
\sl22 \slmult0 \widctlpar \keep0 \keepn0 \noline0 \aspalpha \aspnum \adjustright
\lin0 \rin0 \cbpat13 \itap0 \fs24 \kerning0 \rtlch \alang1 \ltrch \lang1033
\langnp1033 \langfe2052 \langfenp2052 \cf1 \caps0 Prima secven\uc1 \u539 ?\uc1
\u259 ? a nuvelei creioneaz\uc1 \u259 ? \uc1 \u238 ?nt\uc1 \u226 ?lnirea dintre
Alexandru \uc1 \u537 ?i solia boierilor trimi\uc1 \u537 ?i de \uc1 \u539 ?ar\uc1
\u259 ? pentru a-i spune c\uc1 \u259 ? nu este dorit. Replica acestuia devine
reprezentativ\uc1 \u259 ? \uc1 \u537 ?i r\uc1 \u259 ?m\uc1 \u226 ?ne motto-ul
capitolului: \uc1 \u8222 ?Dac\uc1 \u259 ? voi nu m\uc1 \u259 ? vre\uc1 \u539 ?i, eu
v\uc1 \u259 ? vreu \uc1 \u537 ?i dac\uc1 \u259 ? voi nu m\uc1 \u259 ? iubi\uc1
\u539 ?i, eu v\uc1 \u259 ? iubesc pre voi \uc1 \u537 ?i voi merge ori cu voia ori
f\uc1 \u259 ?r\uc1 \u259 ? voia voastr\uc1 \u259 ?.\uc1 \u8221 ?. Scena
denot\uc1 \u259 ?, prin caracterizare indirect\uc1 \u259 ?,\uc1 \u160 ?}{\i0
\expndtw0 \chcbpat13 \lang1033 \langnp1033 \langfe2052 \langfenp2052 \cf1 \ul1
\caps0 hot\uc1 \u259 ?r\uc1 \u226 ?rea}{\i0 \fs27 \kerning0 \rtlch \alang1
\langnp1033 \langfe2052 \langfenp2052 \cf1 \caps0 \uc1 \u160 ?personajului care
dore\uc1 \u537 ?te s\uc1 \u259 ?-\uc1 \u537 ?i recapete tronul cu orice pre\uc1
\u539 ?, ne\uc1 \u539 ?in\uc1 \u226 ?nd seama de opinia public\uc1 \u259 ?. Revenit
\uc1 \u238 ?n Moldova, nu \uc1 \u238 ?nt\uc1 \u226 ?mpin\uc1 \u259 ? nicio
rezisten\uc1 \u539 ?\uc1 \u259 ?, boierii \uc1 \u537 ?i domnitorul prefer\uc1 \u226
?nd s\uc1 \u259 ? fug\uc1 \u259 ? la str\uc1 \u259 ?ini pentru a feri \uc1 \u539 ?
ara de lupte. Fa\uc1 \u539 ?\uc1 \u259 ? de cei r\uc1 \u259 ?ma\uc1 \u537 ?i
manifest\uc1 \u259 ? o atitudine\uc1 \u160 ?}{\i0 \fs27 \kerning0 \rtlch \alang1
\langnp1033 \langfe2052 \langfenp2052 \cf1 \ul1 \caps0 tiranic\uc1 \u259 ?}{\i0
\expndtw0 \chcbpat13 \lang1033 \langnp1033 \langfe2052 \langfenp2052 \cf1 \caps0 .
Cea mai mic\uc1 \u259 ? gre\uc1 \u537 ?eal\uc1 \u259 ? administrativ\uc1 \u259 ?
sau pl\uc1 \u226 ?ngere din partea oamenilor era un prilej de pedeaps\uc1 \u259 ?
sau schingiuire a boierilor. Moartea era ceva comun, capetele celor uci\uc1 \u537 ?
i nu apucau s\uc1 \u259 ? se usuce p\uc1 \u226 ?n\uc1 \u259 ? ce altele le luau
locul. Punctul culminant al nuvelei este uciderea cu}{\i0 \fs27 \kerning0 \rtlch
\lang1033 \langnp1033 \langfe2052 \langfenp2052 \cf1 \ul1 \caps0 \uc1 \u160 ?
cruzime\uc1 \u160 ?}{\i0 \fs27 \kerning0 \rtlch \alang1 \ltrch \dbch \af4 \hich
\langfenp2052 \cf1 \caps0 (caracterizare indirect\uc1 \u259 ?) a \uc1 \u160 ?celor
47 de boieri. Promite so\uc1 \u539 ?iei \uc1 \u238 ?ncetarea omorurilor \uc1
\u537 ?i un leac de fric\uc1 \u259 ?. Adun\uc1 \u259 ? astfel boierii la
biseric\uc1 \u259 ? unde d\uc1 \u259 ? dovad\uc1 \u259 ? de smerenie \uc1 \u537 ?i
c\uc1 \u259 ?in\uc1 \u539 ?\uc1 \u259 ? pentru faptele trecute \uc1 \u537 ?i la
finalul unui osp\uc1 \u259 ?\uc1 \u539 ? la curtea domneasc\uc1 \u259 ? \uc1
\u238 ?i ucide \uc1 \u238 ?n mas\uc1 \u259 ?, ridic\uc1 \u226 ?nd o piramid\uc1
\u259 ? de 47 de capete, dup\uc1 \u259 ? func\uc1 \u539 ?ie \uc1 \u537 ?i rang.
Cruzimea \uc1 \u537 ?i r\uc1 \u259 ?utatea sunt eviden\uc1 \u539 ?iate de
contrastul cu domni\uc1 \u539 ?a Ruxanda, ginga\uc1 \u537 ?a \uc1 \u537 ?i tandra
lui so\uc1 \u539 ?ie care, de\uc1 \u537 ?i obligat\uc1 \u259 ? s\uc1 \u259 ? se
c\uc1 \u259 ?s\uc1 \u259 ?toreasc\uc1 \u259 ? cu el, \uc1 \u238 ?l iube\uc1 \u537 ?
te \uc1 \u537 ?i \uc1 \u238 ?i r\uc1 \u259 ?m\uc1 \u226 ?ne supus\uc1 \u259 ?
\uc1 \u537 ?i ar fi r\uc1 \u259 ?mas a\uc1 \u537 ?a p\uc1 \u226 ?n\uc1 \u259 ? la
cap\uc1 \u259 ?t dac\uc1 \u259 ? ar fi g\uc1 \u259 ?sit \uc1 \u238 ?n el m\uc1
\u259 ?car pu\uc1 \u539 ?in\uc1 \u259 ? bun\uc1 \u259 ?tate. \uc1 \u206 ?nt\uc1
\u226 ?lnim \uc1 \u238 ?n text \uc1 \u537 ?i caracterizare direct\uc1 \u259 ?,
f\uc1 \u259 ?cut\uc1 \u259 ? de autor: \uc1 \u8222 ?tiranul\uc1 \u8221 ?, \uc1
\u8222 ?bolnavul\uc1 \u8221 ?, \uc1 \u8222 ?nenorocitul domn\uc1 \u8221 ? dar
\uc1 \u537 ?i de alte personaje: \uc1 \u8222 ?crud \uc1 \u537 ?i cumplit este omul
acesta\uc1 \u8221 ? (mitropolitul Teofan), \uc1 \u8222 ?s\uc1 \u226 ?ngele cel
p\uc1 \u226 ?ng\uc1 \u259 ?rit al unui tiran ca tine\uc1 \u8221 ? (Spancioc).}
\hich \af4 \loch \f4 \expnd0 \expndtw0 \chcbpat13 \cf1 \caps0 6. Rela\uc1 \u539 ?ia
dintre dou\uc1 \u259 ? personaje}{\i0 \fs27 \kerning0 \rtlch \alang1 \ltrch
\chcbpat13 \lang1033 \langnp1033 \langfe2052 \langfenp2052 \cf1 \caps0
Secven\uc1 \u539 ?a care pune \uc1 \u238 ?mpreun\uc1 \u259 ? personajele
antagoniste ale nuvelei este \uc1 \u238 ?nt\uc1 \u226 ?lnirea din sala palatului,
c\uc1 \u226 ?nd Ruxanda \uc1 \u238 ?i cere so\uc1 \u539 ?ului s\uc1 \u259 ?
opreasc\uc1 \u259 ? omorurile boierilor. Portretul femeii \uc1 \u238 ?ncepe cu
o\uc1 \u160 ?}{\cs16 \i1 \fs27 \rtlch \ltrch \dbch \af4 \hich \af4 \loch \f4
\expnd0 \expndtw0 \chcbpat13 \cf1 \caps0 caracterizare fizic\uc1 \u259 ?
detaliat\uc1 \u259 ?}{\i0 \fs27 \kerning0 \rtlch \alang1 \ltrch \dbch \af4 \hich
\langfenp2052 \cf1 \caps0 \uc1 \u160 ?care subliniaz\uc1 \u259 ?\uc1 \u160 ?}{\cs16
\i1 \fs27 \rtlch \ltrch \dbch \af4 \hich \af4 \loch \f4 \expnd0 \expndtw0
\chcbpat13 \cf1 \caps0 frumuse\uc1 \u539 ?ea \uc1 \u537 ?i sensibilitatea}{\i0
\uc1 \u160 ?\uc1 \u160 ?personajului: \uc1 \u8222 ?Silicul de samur , pus cam
\uc1 \u238 ?ntr-o parte , era \uc1 \u238 ?mpdobit cu un surguci alb \uc1 \u537 ?i
sprijinit cu o floare mare de smaragde. P\uc1 \u259 ?rul ei, dup\uc1 \u259 ? moda
de atuncea, se \uc1 \u238 ?mp\uc1 \u259 ?r\uc1 \u539 ?ea despletit pe umerii
\uc1 \u537 ?i pe spatele sale. Figura ei avea acea frumuse\uc1 \u539 ?e, care f\uc1
\u259 ?cea odinioar\uc1 \u259 ? vestite pe femeile din Rom\uc1 \u226 ?nia.\uc1
\u8221 ? Plin\uc1 \u259 ? de\uc1 \u160 ?}{\cs16 \i1 \fs27 \rtlch \ltrch \dbch
\af4 \hich \af4 \loch \f4 \expnd0 \expndtw0 \chcbpat13 \cf1 \caps0 mil\uc1
\u259 ? \uc1 \u537 ?i de bun\uc1 \u259 ?tate}{\i0 \fs27 \kerning0 \rtlch \alang1
\langnp1033 \langfe2052 \langfenp2052 \cf1 \caps0 \uc1 \u160 ?fa\uc1 \u539 ?\uc1
\u259 ? de v\uc1 \u259 ?duvele boierilor \uc1 \u537 ?i de copiii acestora,
domni\uc1 \u539 ?a hot\uc1 \u259 ?r\uc1 \u259 ?\uc1 \u537 ?te s\uc1 \u259 ?
intervin\uc1 \u259 ? pe l\uc1 \u226 ?ng\uc1 \u259 ? Alexandru \uc1 \u537 ?i
s\uc1 \u259 ?-i cear\uc1 \u259 ? \uc1 \u238 ?ncetarea omorurilor. B\uc1 \u259 ?
rbatul se dovede\uc1 \u537 ?te\uc1 \u160 ?}{\cs16 \i1 \fs27 \rtlch \ltrch \dbch
\af4 \hich \af4 \loch \f4 \expnd0 \expndtw0 \chcbpat13 \cf1 \caps0 impulsiv}{\i0
\uc1 \u160 ?la \uc1 \u238 ?nceput, mustr\uc1 \u226 ?nd-o \uc1 \u537 ?i pun\uc1
\u226 ?nd m\uc1 \u226 ?na pe junghiul de la br\uc1 \u226 ?u, \uc1 \u238 ?ns\uc1
\u259 ? se st\uc1 \u259 ?p\uc1 \u226 ?ne\uc1 \u537 ?te \uc1 \u537 ?i plin de\uc1
\u160 ?}{\cs16 \i1 \fs27 \rtlch \ltrch \dbch \af4 \hich \af4 \loch \f4 \expnd0
\expndtw0 \chcbpat13 \cf1 \caps0 viclenie}{\i0 \fs27 \kerning0 \rtlch \alang1
\langnp1033 \langfe2052 \langfenp2052 \cf1 \caps0 \uc1
\u160 ?\uc1 \u238 ?i promite c\uc1 \u259 ? va \uc1 \u238 ?nceta cu pedepsele
\uc1 \u537 ?i c\uc1 \u259 ? \uc1 \u238 ?i va da un leac de fric\uc1 \u259 ?.}
\langnp1033 \langfe2052 \langfenp2052 \cf1 \caps0 La final, so\uc1 \u539 ?ia
\uc1 \u238 ?\uc1 \u537 ?i otr\uc1 \u259 ?ve\uc1 \u537 ?te so\uc1 \u539 ?ul trezit
din boal\uc1 \u259 ? \uc1 \u537 ?i\uc1 \u160 ?}{\cs16 \i1 \fs27 \rtlch \ltrch \dbch
\af4 \hich \af4 \loch \f4 \expnd0 \expndtw0 \chcbpat13 \cf1 \caps0 agresiv}{\i0
\uc1 \u160 ?\uc1 \u238 ?mpotriva propriei familii. Femeia are un puternic\uc1 \u160
?}{\cs16 \i1 \fs27 \rtlch \ltrch \dbch \af4 \hich \af4 \loch \f4 \expnd0
\expndtw0 \chcbpat13 \cf1 \caps0 conflict interior}{\i0 \fs27 \kerning0 \rtlch
\lang1033 \langnp1033 \langfe2052 \langfenp2052 \cf1 \caps0 \uc1 \u160 ?\uc1
\u238 ?ntre datoria de so\uc1 \u539 ?ie \uc1 \u537 ?i dragostea de mam\uc1
\u259 ? \uc1 \u537 ?i, sf\uc1 \u259 ?tuit\uc1 \u259 ? de boierii Spancioc \uc1
\u537 ?i Stroici \uc1 \u537 ?i de mitropolit, \uc1 \u160 ?alege s\uc1 \u259 ?
fac\uc1 \u259 ? acest gest dramatic care o va r\uc1 \u259 ?v\uc1 \u259 ?\uc1
\u537 ?i complet. Acest final de o mare tensiune contureaz\uc1 \u259 ? caracterul
romantic al personajelor nuvelei.}{\i0 \fs27 \kerning0 \rtlch \alang1 \ltrch
\chcbpat13 \lang1033 \langnp1033 \langfe2052 \langfenp2052 \cf1 \caps0 Prima
nuvel\uc1 \u259 ? istoric\uc1 \u259 ? rom\uc1 \u226 ?neasc\uc1 \u259 ? se \uc1
\u238 ?nscrie \uc1 \u238 ?n programul pa\uc1 \u537 ?optist al lui Kog\uc1 \u259 ?
lniceanu \uc1 \u537 ?i propune cititorului un antierou patriot. Este
romantic\uc1 \u259 ? prin construc\uc1 \u539 ?ia acestui personaj excep\uc1 \u539 ?
ional dar are \uc1 \u537 ?i un spirit clasic prin condamnarea vicleniei \uc1
\u537 ?i a cruzimii lui Alexandru \uc1 \u238 ?n opozi\uc1 \u539 ?ie cu bun\uc1
\u259 ?tatea domni\uc1 \u539 ?ei.}{\i0 \fs27 \kerning0 \rtlch \alang1 \ltrch
\langfenp2052 \cf1 \caps0 \par }\pard \plain \ql \li0 \ri0 \lisb0 \lisa0 \widctlpar
\aspalpha \aspnum \adjustright \lin0 \rin0 \itap0 \fs21 \kerning2 \rtlch \ltrch
\dbch \af2 \hich \af0 \loch \af0 {\fs21 \kerning2 \rtlch \ltrch \dbch \af2 \hich
\af0 \loch \f0 \par }}

Alexandru Lapusneanu

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