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\rin0 \itap0 \fs24 \kerning0 \rtlch \alang1 \ltrch \lang1033 \langnp1033
\langfe2052 \langfenp2052 {\b1 \fs24 \kerning0 \rtlch \alang1 \ltrch \dbch \af5
\hich \af5 \loch \f5 \expnd0 \expndtw0 \lang1033 \langnp1033 \langfe2052
\langfenp2052 \cf1 \ul1 Plumb}{\b1 \fs24 \kerning0 \rtlch \alang1 \ltrch \dbch \af5
\hich \af5 \loch \f5 \expnd0 \expndtw0 \lang1033 \langnp1033 \langfe2052
\langfenp2052 \cf1 \ul1 \par }\pard \plain \s18 \ql \li0 \ri0 \sb0 \sa263
\sbauto0 \saauto0 \sl22 \slmult0 \widctlpar \keep0 \keepn0 \noline0 \aspalpha
\aspnum \adjustright \lin0 \rin0 \itap0 \fs24 \kerning0 \rtlch \alang1 \ltrch
\lang1033 \langnp1033 \langfe2052 \langfenp2052 {\fs24 \kerning0 \rtlch \alang1
\ltrch \dbch \af5 \hich \af5 \loch \f5 \expnd0 \expndtw0 \lang24 \langnp24
\langfe2052 \langfenp2052 \cf1 \par }\pard \plain \s18 \ql \li0 \ri0 \sb0 \sa263
\sbauto0 \saauto0 \sl22 \slmult0 \widctlpar \keep0 \keepn0 \noline0 \aspalpha
\aspnum \adjustright \lin0 \rin0 \itap0 \fs24 \kerning0 \rtlch \alang1 \ltrch
\lang1033 \langnp1033 \langfe2052 \langfenp2052 {\fs24 \kerning0 \rtlch \alang1
\ltrch \dbch \af5 \hich \af5 \loch \f5 \expnd0 \expndtw0 \lang24 \langnp24
\langfe2052 \langfenp2052 \cf1 Poezia\uc1 \u160 ?}{\i1 \fs24 \kerning0 \rtlch
\alang1 \ltrch \dbch \af5 \hich \af5 \loch \f5 \expnd0 \expndtw0 \lang24
\langnp24 \langfe2052 \langfenp2052 \cf1 apare}{\fs24 \kerning0 \rtlch \alang1
\ltrch \dbch \af5 \hich \af5 \loch \f5 \expnd0 \expndtw0 \lang24 \langnp24
\langfe2052 \langfenp2052 \cf1 \uc1 \u160 ?\uc1 \u238 ?n 1916 \uc1 \u238 ?n volumul
cu aceela\uc1 \u351 ?i nume.\uc1 \u160 ?Bacovia \uc1 \u8222 ?\uc1 \u238 ?\uc1 \u351
?i compune o masc\uc1 \u259 ?, \uc1 \u238 ?\uc1 \u351 ?i face din suferin\uc1 \u355
?\uc1 \u259 ? un stil.\uc1 \u8221 ? (N. Manolescu) \uc1 \u351 ?i creeaz\uc1 \u259 ?
\uc1 \u8222 ?o atmosfer\uc1 \u259 ? de plumb \uc1 \u238 ?n care plute\uc1 \u351 ?te
obsesia mor\uc1 \u355 ?ii \uc1 \u351 ?i a neantului \uc1 \u351 ?i o descompunere a
fiin\uc1 \u355 ?ei organice.\uc1 \u8221 ? ( E. Lovinescu).}{\fs24 \kerning0
\rtlch \alang1 \ltrch \dbch \af5 \hich \af5 \loch \f5 \lang1033 \langnp1033
\langfe2052 \langfenp2052 \par }\pard \plain \s18 \ql \li0 \ri0 \sb0 \sa263
\sbauto0 \saauto0 \sl22 \slmult0 \widctlpar \keep0 \keepn0 \noline0 \aspalpha
\aspnum \adjustright \lin0 \rin0 \itap0 \fs24 \kerning0 \rtlch \alang1 \ltrch
\lang1033 \langnp1033 \langfe2052 \langfenp2052 {\cs15 \b1 \fs24 \rtlch \ltrch
\dbch \af5 \hich \af5 \loch \f5 \expnd0 \expndtw0 \lang24 \langnp24 \cf1 1.\uc1
\u206 ?ncadrare \uc1 \u238 ?ntr-un curent/ specie}{\fs24 \kerning0 \rtlch
\alang1 \ltrch \dbch \af5 \hich \af5 \loch \f5 \lang1033 \langnp1033 \langfe2052
\langfenp2052 \par }\pard \plain \s18 \ql \li0 \ri0 \sb0 \sa263 \sbauto0
\saauto0 \sl22 \slmult0 \widctlpar \keep0 \keepn0 \noline0 \aspalpha \aspnum
\adjustright \lin0 \rin0 \itap0 \fs24 \kerning0 \rtlch \alang1 \ltrch \lang1033
\langnp1033 \langfe2052 \langfenp2052 {\fs24 \kerning0 \rtlch \alang1 \ltrch
\dbch \af5 \hich \af5 \loch \f5 \expnd0 \expndtw0 \lang24 \langnp24 \langfe2052
\langfenp2052 \cf1 George Bacovia este unul dintre marii poe\uc1 \u355 ?i originali
dup\uc1 \u259 ? Eminescu care creeaz\uc1 \u259 ? la nivel artistic amprenta
bacovian\uc1 \u259 ?, atmosfer\uc1 \u259 ? l\uc1 \u259 ?untric\uc1 \u259 ?
particular\uc1 \u259 ?, specific\uc1 \u160 ?}{\cs17 \i1 \fs24 \rtlch \ltrch
\dbch \af5 \hich \af5 \loch \f5 \expnd0 \expndtw0 \lang24 \langnp24 \cf1
simbolist\uc1 \u259 ?}{\fs24 \kerning0 \rtlch \alang1 \ltrch \dbch \af5 \hich
\af5 \loch \f5 \expnd0 \expndtw0 \lang24 \langnp24 \langfe2052 \langfenp2052 \cf1 .
Astfel Bacovia este poetul toamnelor dezolante, al iernilor ce dau sentimentul de
sf\uc1 \u226 ?r\uc1 \u351 ?it de lume, al c\uc1 \u259 ?ldurilor toride, al prim\uc1
\u259 ?verilor nevrotice, iritante. Parcurile sunt solitare, cafenelele s\uc1 \u259
?race amenin\uc1 \u355 ?\uc1 \u259 ? s\uc1 \u259 ? se pr\uc1 \u259 ?bu\uc1 \u351 ?
easc\uc1 \u259 ?, copii \uc1 \u351 ?i fecioarele sufer\uc1 \u259 ? de boal\uc1
\u259 ?, exist\uc1 \u259 ? pl\uc1 \u226 ?ns, gol, frig, triste\uc1 \u355 ?e,
umezeal\uc1 \u259 ?, culori tari \uc1 \u351 ?i muzic\uc1 \u259 ? monoton\uc1
\u259 ?.\uc1 \u160 ?Alte elementele simboliste\uc1 \u160 ?prezente \uc1 \u238 ?n
text sunt: utilizarea sugestiei- st\uc1 \u259 ?rile suflete\uc1 \u351 ?ti sunt
exprimate prin simboluri ale naturii, utilizarea sinesteziei: sunt amestecate
imagini vizuale (\uc1 \u8222 ?flori de plumb\uc1 \u8221 ?), tactile (\uc1 \u8222 ?
era frig\uc1 \u8221 ?), auditive (\uc1 \u8222 ?sc\uc1 \u226 ?r\uc1 \u539 ?\uc1
\u226 ?iau coroanele de plumb\uc1 \u8221 ?) \uc1 \u351 ?i crearea muzicalit\uc1
\u259 ?\uc1 \u355 ?ii prin folosirea laitmotivului plumb, motiv ce apare de \uc1
\u537 ?ase ori \uc1 \u238 ?n text. Ca specie, poezia se constituie \uc1 \u238 ?ntr-
o\uc1 \u160 ?}{\cs17 \i1 \fs24 \rtlch \ltrch \dbch \af5 \hich \af5 \loch \f5
\expnd0 \expndtw0 \lang24 \langnp24 \cf1 elegie}{\fs24 \kerning0 \rtlch \alang1
\ltrch \dbch \af5 \hich \af5 \loch \f5 \expnd0 \expndtw0 \lang24 \langnp24
\langfe2052 \langfenp2052 \cf1 , prin atmosfera sumbr\uc1 \u259 ? creat\uc1 \u259 ?
dar \uc1 \u537 ?i prin atitudinea trist\uc1 \u259 ? \uc1 \u537 ?i f\uc1 \u259 ?
r\uc1 \u259 ? speran\uc1 \u539 ?\uc1 \u259 ? a eului liric bacovian.\uc1 \u160 ?}
{\fs24 \kerning0 \rtlch \alang1 \ltrch \dbch \af5 \hich \af5 \loch \f5 \lang1033
\langnp1033 \langfe2052 \langfenp2052 \par }\pard \plain \s18 \ql \li0 \ri0 \sb0
\sa263 \sbauto0 \saauto0 \sl22 \slmult0 \widctlpar \keep0 \keepn0 \noline0
\aspalpha \aspnum \adjustright \lin0 \rin0 \itap0 \fs24 \kerning0 \rtlch \alang1
\ltrch \lang1033 \langnp1033 \langfe2052 \langfenp2052 {\cs15 \b1 \rtlch \ltrch
\dbch \af5 \hich \af5 \loch \f5 \expnd0 \expndtw0 2. Tema ilustrat\uc1 \u259 ? prin
dou\uc1 \u259 ? secven\uc1 \u539 ?e lirice \uc1 \u537 ?i viziunea despre lume}
{\fs24 \kerning0 \rtlch \alang1 \ltrch \dbch \af5 \hich \af5 \loch \f5 \lang1033
\langnp1033 \langfe2052 \langfenp2052 \par }\pard \plain \s18 \ql \li0 \ri0 \sb0
\sa263 \sbauto0 \saauto0 \sl22 \slmult0 \widctlpar \keep0 \keepn0 \noline0
\aspalpha \aspnum \adjustright \lin0 \rin0 \itap0 \fs24 \kerning0 \rtlch \alang1
\ltrch \lang1033 \langnp1033 \langfe2052 \langfenp2052 {\cs17 \i1 \fs24 \rtlch
\ltrch \dbch \af5 \hich \af5 \loch \f5 \expnd0 \expndtw0 \lang24 \langnp24 \cf1
Tema}{\fs24 \kerning0 \rtlch \alang1 \ltrch \dbch \af5 \hich \af5 \loch \f5 \expnd0
\expndtw0 \lang24 \langnp24 \langfe2052 \langfenp2052 \cf1 \uc1 \u160 ?o
reprezint\uc1 \u259 ? ap\uc1 \u259 ?sarea sufleteasc\uc1 \u259 ? a poetului,
\uc1 \u238 ?ntr-o lume ostil\uc1 \u259 ?, neputincioas\uc1 \u259 ? s\uc1 \u259 ?
aprecieze valoarea real\uc1 \u259 ?.\uc1 \u160 ?}{\cs17 \i1 \fs24 \rtlch \ltrch
\dbch \af5 \hich \af5 \loch \f5 \expnd0 \expndtw0 \lang24 \langnp24 \cf1 Un prim
moti}{\fs24 \kerning0 \rtlch \alang1 \ltrch \dbch \af5 \hich \af5 \loch \f5 \expnd0
\expndtw0 \lang24 \langnp24 \langfe2052 \langfenp2052 \cf1 v care surprinde
aceast\uc1 \u259 ? stare este cel al plumbului, material toxic ce cuprinde \uc1
\u238 ?ntreaga existen\uc1 \u539 ?\uc1 \u259 ? (fllorile, aripile, ve\uc1 \u537 ?
mintele etc.), \uc1 \u537 ?i o acapareaz\uc1 \u259 ?, f\uc1 \u259 ?r\uc1 \u259 ?
posibilitatea evad\uc1 \u259 ?rii. Apoi avem\uc1 \u160 ?}{\cs17 \i1 \fs24 \rtlch
\ltrch \dbch \af5 \hich \af5 \loch \f5 \expnd0 \expndtw0 \lang24 \langnp24 \cf1
spa\uc1 \u539 ?iul funerar,\uc1 \u160 ?}{\fs24 \kerning0 \rtlch \alang1 \ltrch
\dbch \af5 \hich \af5 \loch \f5 \expnd0 \expndtw0 \lang24 \langnp24 \langfe2052
\langfenp2052 \cf1 ce amplific\uc1 \u259 ? starea de degradare sufleteasc\uc1 \u259
? \uc1 \u537 ?i o \uc1 \u238 ?mpinge \uc1 \u238 ?nspre dec\uc1 \u259 ?dere \uc1
\u537 ?i moarte.\uc1 \u160 ?}{\fs24 \kerning0 \rtlch \alang1 \ltrch \dbch \af5
\hich \af5 \loch \f5 \lang1033 \langnp1033 \langfe2052 \langfenp2052 \par }\pard
\plain \s18 \ql \li0 \ri0 \sb0 \sa263 \sbauto0 \saauto0 \sl22 \slmult0
\widctlpar \keep0 \keepn0 \noline0 \aspalpha \aspnum \adjustright \lin0 \rin0
\itap0 \fs24 \kerning0 \rtlch \alang1 \ltrch \lang1033 \langnp1033 \langfe2052
\langfenp2052 {\fs24 \kerning0 \rtlch \alang1 \ltrch \dbch \af5 \hich \af5 \loch
\f5 \expnd0 \expndtw0 \lang1033 \langnp1033 \langfe2052 \langfenp2052 Cre\uc1 \u226
?nd astfel o stare deprimant\uc1 \u259 ?, un spirit \uc1 \u238 ?n r\uc1 \u259 ?
t\uc1 \u259 ?cire \uc1 \u238 ?n contextul unei naturi potrivnice, Bacovia se
identific\uc1 \u259 ? cu\uc1 \u160 ?}{\cs17 \i1 \rtlch \ltrch \dbch \af5 \hich \af5
\loch \f5 \expnd0 \expndtw0 viziunea despre lume a simboli\uc1 \u537 ?tilor}
{\fs24 \kerning0 \rtlch \alang1 \ltrch \dbch \af5 \hich \af5 \loch \f5 \expnd0
\expndtw0 \lang1033 \langnp1033 \langfe2052 \langfenp2052 , fiind cel mai fidel
exponent al acestei lirici \uc1
\u238 ?n spa\uc1 \u539 ?iul rom\uc1 \u226 ?nesc.}{\fs24 \kerning0 \rtlch
\alang1 \ltrch \dbch \af5 \hich \af5 \loch \f5 \lang1033 \langnp1033 \langfe2052
\langfenp2052 \par }\pard \plain \s18 \ql \li0 \ri0 \sb0 \sa263 \sbauto0
\saauto0 \sl22 \slmult0 \widctlpar \keep0 \keepn0 \noline0 \aspalpha \aspnum
\adjustright \lin0 \rin0 \itap0 \fs24 \kerning0 \rtlch \alang1 \ltrch \lang1033
\langnp1033 \langfe2052 \langfenp2052 {\cs15 \b1 \rtlch \ltrch \dbch \af5 \hich
\af5 \loch \f5 \expnd0 \expndtw0 3. Elemente de structur\uc1 \u259 ?}{\fs24
\kerning0 \rtlch \alang1 \ltrch \dbch \af5 \hich \af5 \loch \f5 \lang1033
\langnp1033 \langfe2052 \langfenp2052 \par }\pard \plain \s18 \ql \li0 \ri0 \sb0
\sa263 \sbauto0 \saauto0 \sl22 \slmult0 \widctlpar \keep0 \keepn0 \noline0
\aspalpha \aspnum \adjustright \lin0 \rin0 \itap0 \fs24 \kerning0 \rtlch \alang1
\ltrch \lang1033 \langnp1033 \langfe2052 \langfenp2052 {\cs17 \i1 \fs24 \rtlch
\ltrch \dbch \af5 \hich \af5 \loch \f5 \expnd0 \expndtw0 \lang24 \langnp24 \cf1
Titlul}{\fs24 \kerning0 \rtlch \alang1 \ltrch \dbch \af5 \hich \af5 \loch \f5
\expnd0 \expndtw0 \lang24 \langnp24 \langfe2052 \langfenp2052 \cf1 \uc1 \u160 ?\uc1
\u238 ?n sens denotativ prezint\uc1 \u259 ? un material greu, moale, maleabil, de
culoare cenu\uc1 \u351 ?ie, r\uc1 \u259 ?u conduc\uc1 \u259 ?tor de c\uc1 \u259 ?
ldur\uc1 \u259 ? \uc1 \u351 ?i electricitate. \uc1 \u206 ?n sens conotativ el este
un simbol artistic ce sugereaz\uc1 \u259 ? ap\uc1 \u259 ?sarea, monotonia,
dezorientarea, spa\uc1 \u355 ?iul \uc1 \u238 ?nchis, moartea.}{\fs24 \kerning0
\rtlch \alang1 \ltrch \dbch \af5 \hich \af5 \loch \f5 \lang1033 \langnp1033
\langfe2052 \langfenp2052 \par }\pard \plain \s18 \ql \li0 \ri0 \sb0 \sa263
\sbauto0 \saauto0 \sl22 \slmult0 \widctlpar \keep0 \keepn0 \noline0 \aspalpha
\aspnum \adjustright \lin0 \rin0 \itap0 \fs24 \kerning0 \rtlch \alang1 \ltrch
\lang1033 \langnp1033 \langfe2052 \langfenp2052 {\cs17 \i1 \fs24 \rtlch \ltrch
\dbch \af5 \hich \af5 \loch \f5 \expnd0 \expndtw0 \lang24 \langnp24 \cf1 Eul liric}
{\fs24 \kerning0 \rtlch \alang1 \ltrch \dbch \af5 \hich \af5 \loch \f5 \expnd0
\expndtw0 \lang24 \langnp24 \langfe2052 \langfenp2052 \cf1 \uc1 \u160 ?este unul de
tip subiectiv, confesiunea realizat\uc1 \u259 ? fiind la persoana I. M\uc1 \u259 ?
rcile prezen\uc1 \u355 ?ei eului liric sunt verbe sau pronume la persoana I:\uc1
\u160 ?\uc1 \u8222 ?stam\uc1 \u8221 ?, \uc1 \u8222 ?am \uc1 \u238 ?nceput\uc1
\u8221 ?, \uc1 \u8222 ?s\uc1 \u259 ? strig\uc1 \u8221 ?, \uc1 \u8222 ?meu\uc1
\u8221 ?.}{\fs24 \kerning0 \rtlch \alang1 \ltrch \dbch \af5 \hich \af5 \loch \f5
\lang1033 \langnp1033 \langfe2052 \langfenp2052 \par }\pard \plain \s18 \ql \li0
\ri0 \sb0 \sa263 \sbauto0 \saauto0 \sl22 \slmult0 \widctlpar \keep0 \keepn0
\noline0 \aspalpha \aspnum \adjustright \lin0 \rin0 \itap0 \fs24 \kerning0
\rtlch \alang1 \ltrch \lang1033 \langnp1033 \langfe2052 \langfenp2052 {\fs24
\kerning0 \rtlch \alang1 \ltrch \dbch \af5 \hich \af5 \loch \f5 \expnd0
\expndtw0 \lang24 \langnp24 \langfe2052 \langfenp2052 \cf1 Din punct de vedere
al\uc1 \u160 ?}{\cs17 \i1 \fs24 \rtlch \ltrch \dbch \af5 \hich \af5 \loch \f5
\expnd0 \expndtw0 \lang24 \langnp24 \cf1 structurii}{\fs24 \kerning0 \rtlch \alang1
\ltrch \dbch \af5 \hich \af5 \loch \f5 \expnd0 \expndtw0 \lang24 \langnp24
\langfe2052 \langfenp2052 \cf1 \uc1 \u160 ?cele dou\uc1 \u259 ? strofe ale poeziei
pot fi \uc1 \u238 ?ncadrate \uc1 \u238 ?n dou\uc1 \u259 ? planuri: unul exterior
(macrocosmic) \uc1 \u351 ?i unul interior (microcosmic).}{\fs24 \kerning0 \rtlch
\alang1 \ltrch \dbch \af5 \hich \af5 \loch \f5 \lang1033 \langnp1033 \langfe2052
\langfenp2052 \par }\pard \plain \s18 \ql \li0 \ri0 \sb0 \sa263 \sbauto0
\saauto0 \sl22 \slmult0 \widctlpar \keep0 \keepn0 \noline0 \aspalpha \aspnum
\adjustright \lin0 \rin0 \itap0 \fs24 \kerning0 \rtlch \alang1 \ltrch \lang1033
\langnp1033 \langfe2052 \langfenp2052 {\fs24 \kerning0 \rtlch \alang1 \ltrch
\dbch \af5 \hich \af5 \loch \f5 \expnd0 \expndtw0 \lang24 \langnp24 \langfe2052
\langfenp2052 \cf1 Prima strof\uc1 \u259 ?\uc1 \u160 ?prezint\uc1 \u259 ?
spa\uc1 \u355 ?iul exterior al tr\uc1 \u259 ?irii \uc1 \u351 ?i manifest\uc1
\u259 ?rii poetului: cavoul, spa\uc1 \u355 ?iu \uc1 \u238 ?nchis morbid,
amor\uc1 \u355 ?it, decor funerar cu sicrie, coroane, vestm\uc1 \u226 ?nt funerar.
Metafora \uc1 \u8211 ? simbol\uc1 \u160 ?\uc1 \u8222 ?cavou\uc1 \u8221 ?\uc1
\u160 ?poate avea dou\uc1 \u259 ? accep\uc1 \u355 ?iuni: \uc1 \u238 ?n primul r\uc1
\u226 ?nd ora\uc1 \u351 ? \uc1 \u238 ?nchis, t\uc1 \u226 ?rg de provincie care nu
cultiv\uc1 \u259 ? valorile sau propriul trup, temni\uc1 \u355 ?\uc1 \u259 ? a
sufletului poetului, dornic de \uc1 \u238 ?n\uc1 \u259 ?l\uc1 \u355 ?are \uc1 \u238
?n vederea dep\uc1 \u259 ?\uc1 \u351 ?irii propriei condi\uc1 \u355 ?ii. \uc1
\u8222 ?Florile\uc1 \u8221 ?, imagine vizual\uc1 \u259 ?, simbol al frumuse\uc1
\u355 ?ii \uc1 \u351 ?i ging\uc1 \u259 ?\uc1 \u351 ?iei sunt al\uc1 \u259 ?turate
aici contrastant (oximoronic) \uc1 \u8222 ?plumbului\uc1 \u8221 ? \uc1 \u351 ?i
prevestesc durerea \uc1 \u351 ?i moartea. Starea sufleteasc\uc1 \u259 ?
surprins\uc1 \u259 ? este singur\uc1 \u259 ?tatea \uc1 \u238 ?ntr-un mediu ostil
fiin\uc1 \u355 ?ei umane (\uc1 \u8222 ?stam singur\uc1 \u8221 ?). Apari\uc1 \u355 ?
ia \uc1 \u8222 ?v\uc1 \u226 ?ntului\uc1 \u8221 ? \uc1 \u238 ?n peisajul macabru al
cavoului \uc1 \u351 ?i al singur\uc1 \u259 ?t\uc1 \u259 ?\uc1 \u355 ?ii
ilustreaz\uc1 \u259 ? o natur\uc1 \u259 ? simbolist\uc1 \u259 ? potrivnic\uc1 \u259
?, ce se dezintegreaz\uc1 \u259 ? \uc1 \u537 ?i afecteaz\uc1 \u259 ? omul \uc1
\u537 ?i denot\uc1 \u259 ? o imagine tactil\uc1 \u259 ? resim\uc1 \u355 ?it\uc1
\u259 ? la nivel organic (al corpului). Aceast\uc1 \u259 ? senza\uc1 \u355 ?ie este
completat\uc1 \u259 ? \uc1 \u351 ?i de o imagine auditiv\uc1 \u259 ?:\uc1
\u160 ?\uc1 \u8222 ?sc\uc1 \u226 ?r\uc1 \u355 ?\uc1 \u226 ?iau coroanele\uc1 \u8221
?, sunet funebru ce simbolizeaz\uc1 \u259 ? solitudinea, teama, sf\uc1 \u226 ?r\uc1
\u351 ?itul inevitabil. Motivul somnului prezent \uc1 \u238 ?n prima strof\uc1
\u259 ? este sugestia mor\uc1 \u355 ?ii iminente.}{\fs24 \kerning0 \rtlch
\alang1 \ltrch \dbch \af5 \hich \af5 \loch \f5 \lang1033 \langnp1033 \langfe2052
\langfenp2052 \par }\pard \plain \s18 \ql \li0 \ri0 \sb0 \sa263 \sbauto0
\saauto0 \sl22 \slmult0 \widctlpar \keep0 \keepn0 \noline0 \aspalpha \aspnum
\adjustright \lin0 \rin0 \itap0 \fs24 \kerning0 \rtlch \alang1 \ltrch \lang1033
\langnp1033 \langfe2052 \langfenp2052 {\fs24 \kerning0 \rtlch \alang1 \ltrch
\dbch \af5 \hich \af5 \loch \f5 \expnd0 \expndtw0 \lang24 \langnp24 \langfe2052
\langfenp2052 \cf1 A doua strof\uc1 \u259 ?\uc1 \u160 ?prezint\uc1 \u259 ?
spa\uc1 \u355 ?iul interior \uc1 \u8211 ? amorul, sentimentele, care, \uc1 \u238 ?n
simetrie cu imaginea sicrielor din prima parte, doarme. Adverbul\uc1 \u160 ?\uc1
\u8222 ?\uc1 \u238 ?ntors\uc1 \u8221 ?\uc1 \u160 ?sugereaz\uc1 \u259 ? \uc1 \u238 ?
ntoarcerea cu fa\uc1 \u355 ?a spre apus, adic\uc1 \u259 ? moartea. \uc1 \u8222 ?
Amorul de plumb\uc1 \u8221 ?\uc1 \u160 ?\uc1 \u238 ?nseamn\uc1 \u259 ? pierderea
ultimei speran\uc1 \u539 ?e de salvare a fiin\uc1 \u539 ?ei umane, exprim\uc1 \u226
?nd \uc1 \u238 ?ncetarea definitiv\uc1 \u259 ? a senimentelor. Este reluat\uc1
\u259 ? ideea de solitudine:\uc1 \u160 ?\uc1 \u8222 ?stam singur\uc1
\u8230 ?\uc1 \u8221 ?. Un alt motiv al naturii: \uc1 \u8222 ?era frig\uc1
\u8230 ?\uc1 \u8221 ? construie\uc1 \u537 ?te\uc1 \u160 ?o nou\uc1 \u259 ? imagine
tactil\uc1 \u259 ? care sugereaz\uc1 \u259 ? c\uc1 \u259 ? fenomenul mor\uc1
\u355 ?ii este ireversibil \uc1 \u351 ?i amplific\uc1 \u259 ? obsesia sf\uc1
\u226 ?r\uc1 \u351 ?itului. \uc1 \u8222 ?Strig\uc1 \u259 ?tul\uc1 \u8221 ?, imagine
auditiv\uc1 \u259 ?, este \uc1 \u351 ?i el o expresie a disper\uc1 \u259 ?rii. \uc1
\u8222 ?Aripile de plumb\uc1 \u8221 ? \uc1 \u160 ?ale amorului ce at\uc1 \u226 ?
rn\uc1 \u259 ?\uc1 \u160 ?prefa\uc1 \u355 ?eaz\uc1 \u259 ? o c\uc1 \u259 ?dere o
pr\uc1 \u259 ?bu\uc1 \u351 ?ire definitiv\uc1 \u259 ? asentimentelor \uc1 \u238 ?n
moarte.}{\fs24 \kerning0 \rtlch \alang1 \ltrch \dbch \af5 \hich \af5 \loch \f5
\lang1033 \langnp1033 \langfe2052 \langfenp2052 \par }\pard \plain \s18 \ql \li0
\ri0 \sb0 \sa263 \sbauto0 \saauto0 \sl22 \slmult0 \widctlpar \keep0 \keepn0
\noline0 \aspalpha \aspnum \adjustright \lin0 \rin0 \itap0 \fs24 \kerning0
\rtlch \alang1 \ltrch \lang1033 \langnp1033 \langfe2052 \langfenp2052 {\cs17 \i1
\fs24 \rtlch \ltrch \dbch \af5 \hich \af5 \loch \f5 \expnd0 \expndtw0 \lang24
\langnp24 \cf1 Expresivitatea.}{\fs24 \kerning0 \rtlch \alang1 \ltrch \dbch \af5
\hich \af5 \loch \f5 \expnd0 \expndtw0 \lang24 \langnp24 \langfe2052
\langfenp2052 \cf1 \uc1 \u160 ?Universul creat de Bacovia este perceput vizual
(\uc1 \u8222 ?\uc1 \u160 ?funerar vestm\uc1 \u226 ?nt\uc1 \u8221 ?, \uc1 \u8222 ?
floti de plumb\uc1 \u8221 ?, \uc1 \u8222 ?coroane de plumb\uc1 \u8221 ?), tactil
(\uc1 \u8222 ?era v\uc1 \u226 ?nt\uc1 \u8221 ?, \uc1 \u8222 ?era frig\uc1
\u8221 ?), auditiv (\uc1 \u8222 ?sc\uc1 \u226 ?r\uc1 \u355 ?\uc1 \u226 ?iau\uc1
\u8221 ?, \uc1 \u8222 ?s\uc1 \u259 ?-l strig\uc1 \u8221 ?).}{\fs24 \kerning0 \rtlch
\alang1 \ltrch \dbch \af5 \hich \af5 \loch \f5 \lang1033 \langnp1033 \langfe2052
\langfenp2052 \par }\pard \plain \s18 \ql \li0 \ri0 \sb0 \sa263 \sbauto0
\saauto0 \sl22 \slmult0 \widctlpar \keep0 \keepn0 \noline0 \aspalpha \aspnum
\adjustright \lin0 \rin0 \itap0 \fs24 \kerning0 \rtlch \alang1 \ltrch \lang1033
\langnp1033 \langfe2052 \langfenp2052 {\cs17 \i1 \fs24 \rtlch \ltrch \dbch \af5
\hich \af5 \loch \f5 \expnd0 \expndtw0 \lang24 \langnp24 \cf1 Versifica\uc1 \u355 ?
ie.}{\fs24 \kerning0 \rtlch \alang1 \ltrch \dbch \af5 \hich \af5 \loch \f5
\expnd0 \expndtw0 \lang24 \langnp24 \langfe2052 \langfenp2052 \cf1 \uc1 \u160 ?
Poezia este alc\uc1 \u259 ?tuit\uc1 \u259 ? din dou\uc1 \u259 ? catrene cu
rim\uc1 \u259 ? \uc1 \u238 ?mbr\uc1
\u259 ?\uc1 \u355 ?i\uc1 \u351 ?at\uc1 \u259 ?, m\uc1 \u259 ?sur\uc1 \u259 ? de
zece silabe \uc1 \u351 ?i ritm variabil.}{\fs24 \kerning0 \rtlch \alang1 \ltrch
\dbch \af5 \hich \af5 \loch \f5 \lang1033 \langnp1033 \langfe2052 \langfenp2052
\par }\pard \plain \s18 \ql \li0 \ri0 \sb0 \sa0 \sbauto0 \saauto0 \sl22 \slmult0
\widctlpar \keep0 \keepn0 \noline0 \aspalpha \aspnum \adjustright \lin0 \rin0
\itap0 \fs24 \kerning0 \rtlch \alang1 \ltrch \lang1033 \langnp1033 \langfe2052
\langfenp2052 {\fs24 \kerning0 \rtlch \alang1 \ltrch \dbch \af5 \hich \af5 \loch
\f5 \expnd0 \expndtw0 \lang24 \langnp24 \langfe2052 \langfenp2052 \cf1 Opera lui G.
Bacovia \uc1 \u238 ?nseamn\uc1 \u259 ? ruptura definitiv\uc1 \u259 ? de stilul
eminescian, de iluzia sau de visarea romantic\uc1 \u259 ?. Poezia \uc1 \u8222 ?
Plumb\uc1 \u8221 ? are o \uc1 \u238 ?nc\uc1 \u259 ?rc\uc1 \u259 ?tur\uc1 \u259 ?
deosebit\uc1 \u259 ? red\uc1 \u226 ?nd o atmosfer\uc1 \u259 ? tulbur\uc1 \u259 ?
toare prin simpla evocare a unei realit\uc1 \u259 ?\uc1 \u355 ?i- moartea.}
{\fs24 \kerning0 \rtlch \alang1 \ltrch \dbch \af5 \hich \af5 \loch \f5 \lang24
\langnp24 \langfe2052 \langfenp2052 \par }\pard \plain \ql \fi-360 \li720 \ri0
\sb100 \sa100 \sbauto1 \saauto1 \sl19 \slmult0 \widctlpar \keep0 \keepn0
\noline0 \aspalpha \aspnum \adjustright \lin720 \rin0 \tql \tx720 \itap0 \ls1 \fs21
\kerning2 \rtlch \ltrch \dbch \af2 \hich \af0 \loch \af0 {\listtext \pard \plain
\fs21 \kerning2 \rtlch \ltrch \dbch \af2 \hich \af0 \loch \af0 \f4 \'b7\'00\tab }
{\field \fldedit {\*\fldinst {\b1 \i0 \fs27 \kerning2 \rtlch \ltrch \dbch \af5
\hich \af5 \loch \af5 \expnd-6 \expndtw-6 \chcbpat17 \cf8 \ulnone0 \caps0 }{\b1 \i0
\fs27 \kerning2 \rtlch \ltrch \dbch \af5 \hich \af5 \loch \f5 \expnd-6 \expndtw-
6 \chcbpat17 \cf8 \ulnone0 \caps0 HYPERLINK "https://10laromana.ro/" }}{\fldrslt
{\b1 \i0 \fs27 \kerning2 \rtlch \ltrch \dbch \af5 \hich \af5 \loch \af5 \expnd-6
\expndtw-6 \chcbpat17 \cf8 \ulnone0 \caps0 }{\cs16 \b1 \i0 \fs27 \rtlch \ltrch
\dbch \af5 \hich \af5 \loch \f5 \expnd-6 \expndtw-6 \chcbpat17 \cf8 \ulnone0 \caps0
Pagina Principal\uc1 \u259 ?}}}{\b1 \i0 \fs27 \kerning2 \rtlch \ltrch \dbch \af5
\hich \af5 \loch \af5 \expnd-6 \expndtw-6 \chcbpat17 \cf8 \ulnone0 \caps0 }
{\fs21 \kerning2 \rtlch \ltrch \dbch \af2 \hich \af0 \loch \f0 \par }\pard
\plain \ql \li0 \ri0 \lisb0 \lisa0 \widctlpar \aspalpha \aspnum \adjustright
\lin0 \rin0 \itap0 \fs21 \kerning2 \rtlch \ltrch \dbch \af2 \hich \af0 \loch \af0
{\fs21 \kerning2 \rtlch \ltrch \dbch \af2 \hich \af0 \loch \f0 \par }}