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and orchestration, providing you with a “recipe book” for writing for Credits: 3
film and TV. The analyses form a collection of music templates that Duration: 12 weeks
you will then apply towards writing a piece of music for each genre. Catalog #: BMW-190
The final week of the course traces the logistical path of a musical
idea from initial conception to final recording, including composition,
orchestration, and recording. Course Faculty
The course features scores from the biggest composers in Hollywood Ben Newhouse
—scores that are typically not available publicly. The musical Assistant professor at
examples include composers such as John Williams (Star Wars, Berklee College of
Music and a music
Jurassic Park, Indiana Jones and the Last Crusade, Hook, Schindler's
supervisor and
List), Aaron Zigman (Mr. Magorium’s Wonder Emporium, Bridge to
composer on dozens
Terabithia, Flicka), Alan Sylvestri (Forrest Gump, Polar Express), of television shows,
Marco Beltrami (Hellboy, Live Free or Die Hard, iRobot), James films, and stage
Newton Howard (Atlantis), Pinar Toprak (Light of Olympia), James productions.
Horner (Braveheart, Troy), Jerry Goldsmith (Star Trek), and Alf
Clausen (Simpsons) who composed a piece specifically for this
course! The goal of the course is to give you a thorough
understanding of the compositional styles used in Hollywood
projects, in addition to arming you with a 10-piece portfolio of film
and TV music that you can use as demos.
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