Documente Academic
Documente Profesional
Documente Cultură
Night Ranger - Best of PDF
Încărcat de
Szabolcs JuhászTitlu original
Drepturi de autor
Formate disponibile
Partajați acest document
Partajați sau inserați document
Vi se pare util acest document?
Este necorespunzător acest conținut?
Raportați acest documentDrepturi de autor:
Formate disponibile
Night Ranger - Best of PDF
Încărcat de
Szabolcs JuhászDrepturi de autor:
Formate disponibile
from Night Ranger - Dawn Patrol
Don’t Tell Me You Love Me Words and Music by Jack Blades
F#5 D5 A5 B5 G5 F#5 IX E5 C#5 G5 open
5fr 7fr 9fr 7fr 4fr
134 134 11 134 134 134 134 134 2
Intro
Moderately fast q = 178
Gtr. 1 (clean) * Badd4 A Badd4 A Badd4 A Badd4 A
End Riff A
Riff A
mf
let ring
0 0 0 0 0 0 0 0
4 2 4 2 4 2 4 2
2 4 4 2 2 4 4 2 2 4 4 2 2 4 4 2 2
* Chord symbols reflect implied harmony, next 4 meas.
Gtr. 1: w/ Riff A (5 times)
F#5
** Gtrs. 2 & 3 (dist.)
f (cont. in slashes)
4 4 4 4 4 4 4 4
4 4 4 4 4 4 4 4
2 2 2 2 2 2 2 2
** Composite arrangement
F#5
Gtrs. 2 & 3
Gtr. 4 (dist.)
mf
P.M.
2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2
1. 2.
Gtr. 1
Gtr. 4
divisi
†
P.M. P.M.
4
0
4
0
2
4 2 2
2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2
† Applies to Gtr. 4 only.
Copyright © 1982 by Figs. D Music and Rough Play Music
All Rights Administered by Figs. D Music c/o The Bicycle Music Company
All Rights Reserved Used by Permission 1
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Verse
Gtr. 1 tacet
*A5
1. It ain’t the way you move, it ain’t the way that you move
Gtrs. 2 & 3 2. I love the way
you use, I love the way that you use
Rhy. Fig. 1
7 7
7 7
5 5
** Gtr. 5 mf
Rhy. Fig. 1A
Gtr. 4
divisi
Riff B
† P.M.
7 7 5 7 7 5 7
8 8 6 8 8 6 8
9 9 7 9 9 7 9
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
* Chord symbols reflect basic harmony.
** Synth. arr. for gtr.
† Applies to Gtr. 4 only.
F#5
me. Oh, no.
me. Aw, yeah. End Rhy. Fig. 1
P.M. P.M. P.M. P.M. P.M.
4 4 2 4 2 4 4 4 2 4 2 4 2 4 4 2
4 4 2 4 2 4 4 4 2 4 2 4 2 4 4 2
2 2
2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2
End Rhy. Fig. 1A
P.M.
End Riff B
7 7 7 7
8 6 8 6
9 8 9 8
2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2
Gtrs. 2 & 3: w/ Rhy. Fig. 1
Gtr. 4: w/ Riff B
A5
Gtr. 5: w/ Rhy. Fig. 1A
2nd time, Gtr. 3: w/ Rhy. Fill 1
It ain’t the way you shake, it ain’t the way that you shake
I love the way you shoot, I love the way that you
Rhy. Fill 1
Gtr. 3
16 16 14 16 16 14
16 16 14 16 16 14
7 16 16 14 16 16 14
7
5
2
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
F#5
me. Oh, no. I’ve lived
shoot to kill me. Oh, yeah. It’s tak - en
Pre-Chorus
D
Bm
µ
twen - ty - five years, I’m a kid on the run. I’ve got a pis - tol for ac - tion. Don’t tell me you love
miles and lines to learn the right from the wrong. I keep you hang -ing on. So don’t
Gtrs. 2 & 3
3
7 3 2 0
7 2 2 1
7 7 0 2
5 7 5 4 4 5 4 2
Chorus
Half-time feel End half-time feel
F#m D E C#
me. Don’t tell me you love me. Don’t tell me,
(Gtr. 2, cont. in slashes)
7 9 6
7 9 6
4 7 9 6
5 7 4
D5 A5 B5 G5
Gtr. 2
I don’t wan - na know. Don’t tell me you love
Gtr. 3
3
3
7 2 4 0
7 2 4 0
5 0 2 X
3
3
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
F#5IX
D5
E5 C#5
me. Don’t tell me you love me. Don’t tell me,
Rhy. Fig. 2
7 9 6
4 7 9 6
4 5 7 4
2
T o Coda
D5 A5 B5 µ
(cont. in notation)
I don’t wan - na know. End Rhy. Fig. 2
Gtrs. 2 & 3
(cont. in slashes)
7 2 4
7 2 4
5
Interlude 0 2
3 0 2 3 5 3 D.S.
2 al Coda
0
Gtr. 4: w/ Riff B (last 4 meas.)
F#5 F# F#5 F# F#5 F# F#5 F# F#5 F# F#5 F# F#5 F# F#5
2 fr.
2 fr.
2 fr.
2 fr.
2 fr.
2 fr.
2 fr.
P.M.
Gtrs.
P.M. P.M. P.M. P.M. P.M. P.M.
2&3
(cont. in notation)
Gtr. 1
let ring
0 0 0 0 0 0 0 0
4 2 4 2 4 2 4 2
4 4 2 2 4 4 2 2 4 4 2 2 4 4 2 2
Coda
Guitar Solo (Brad Gillis)
F#5 D5
Gtrs. 2 & 3
Rhy. Fig. 3
15ma
Gtr. 6 (dist.)
f 3 3 3 3
1 1
1 1 1 P.H. *1 1/2 * w/ bar
4 4 2 4 4 4 2 4 4 2 4 4 2 4 4
* Hold bend while
depressing
vibrato bar.
4
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
E5
loco
1 P.H
(4) (4) 2 4 4 4 2 4 2 4 2 4 1 2 1 2 2 4 2 4 1 2 1 2 4 2 4
-2 1/2 -4
C#5
D5
3
_1
3 3
3
3
w/_ bar
1 1
5 7 7 10 7 10 7
4 4 2 4 2 1 2 1 1 4 4 7 7 7 9
4 4 6 4 3 4 3 4 3 2 4
4
A5
8va
3 3 3 3 3
1
14 14 16 14 16 17 16 17 19 19 19 17
7 10 12 11 10 13 12 11 14 13 12 15 14 13 16 15 14 17 17 16 17 17
9 9 11
B5
8va
End Rhy. Fig. 3
+1
+1 +1 +1
+1 +1
flutter bar
3 3
+1
+1 +1 +1 +1 +1
19 17 16 17 19 17 16 17
5
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
G5 open
8va
Harm. w/ bar
w/ bar
3.2 ( 3.2 ) ( 3.2 )
-1 1/2
Guitar Solo (Jeff Watson)
Gtr. 6 tacet
Gtrs. 2 & 3: w/ Rhy. Fig. 3
F#5
Gtr. 7
8va
(dist.)
f
9 5 9 5 9 5 9 5 7 9 5 9 5 9 5 9 5 7
7 7 7 7 9 7 5 7 7 7 7 9 7 5
D5
8va
10 5 10 5 10 5 10 5 7 10 5 10 5 10 5 10 5 7
7 7 7 7 9 7 5 7 7 7 7 9 7 5
E5
8va
12 7 12 7 12 7 12 7 12 7 12 7 12 7 12 7 12 7 12 7 12
9 9 9 9 9 9 9 9 9 9 9
6
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
C#5
8va loco
P.M.
14 9 14 9 14 9 14 9 14 9 14 13 9 13 9 13 9 13 9 13
12 12 12 12 12 12 12 12 12
11
D5
3 3 3 3
P.M.
14 12 12
12 14 15 12 14 15 15 14 15 14 12 15 14 12
11 14
12
A5
8va
3 3 3 3
3 3 3 3
17 14 14 16 17 19
17 14 17 14 14 15 14 15 14 14 15 17 19
17 16 16 14 16
B5
8va
5
21 19 17 19 17 17 17 19 21 19 17 19 17 17 17 19 21
21 21 19 21 19 17 19 21 21 21 19 21 19 17 19 21
7
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
G5 µ
8va
Gtr. 7
w/ bar
22 22 22 22 22 17
17 19 20 17 19 20
Gtrs. 2 & 3
(Gtr. 3, cont. in slashes)
5 5 5 5
5 5 5 5
3 3 3 3 0 2 3 5 0 2 3
Bridge
F#5
Gtr. 3
8va
P.S.
Gtr. 7
19
Rhy.
Fig. 4
Gtr. 5 End Rhy. Fig. 4
7 5 7 7 5 7 7 5 7 7 5 7
8 6 8 8 6 8 8 6 8 8 6 8
9 7 9 9 7 9 9 7 9 9 7 9
Gtr. 2
* w/ bar
2
slack
2
2
4
4
2
slack
* Hammer on the lower strings and ascend the
neck, while simultaneously depressing the vibrato
Gtrs. 2, 3 & 7 tacet bar, attempting to maintain the initial pitches.
Gtr. 5: w/ Rhy. Fig. 4 (5 times)
B A B A B A B A B
Don’t tell me you love
A B A B A B A B
me.
8
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
A B A B A B A B
Don’t tell me you love me.
A B A B A B A B
Don’t tell me you love me. Don’t tell me you love
(Love me, you love me, you love me, you love me, you
A B A B A B A B
me. Don’t tell me you love me, love me, love me, yeah.
love me, you love me, you love me, you love me.)
Interlude
F#5 D5 E5 C#5
Gtrs. 2 & 3
Gtr. 6
Gtr. 7
divisi
2 7 9 10
4 7 9 11
D5 A5 B5 G5 open
Don’t tell me you love
Gtr. 6
3 3 3 3
T T T T
12 10 7 10 12 10 12 10 7 10 12 10 12
11 14
Gtr. 7
3 3 3 3
T T T T
11 9 6 9 11 9 11 9 6 9 11 9 12
12 11
9
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Chorus
Gtrs. 6 & 7 tacet
F#5 D5 E5 C#5
Gtrs. 2 & 3
me. Don’t tell me you love me. Don’t tell me,
D5 A5 B5 G5 open
I
Gtrs. 2 & 3: w/ Rhy. Fig. 2
don’t wan - na know. Don’t tell me you love
F#5 D5 E5 C#5
me. Don’t tell me you love me. Don’t tell me,
Gtr. 6
P.H.
2 7 9 10
Gtr. 7
4 7 9 11
D5 A5 B5 µ
I don’t wan - na know.
T T T T T
12 10 7
11 14 11 9 6 9 7 6 11 9 7 9 12 12 12 12 12 12 14 12 9
T T T T T
11 9 7
12 14 11 9 7 9 7 6 11 9 7 9 12 12 12 12 12 12 14 12 9
10
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Outro - Guitar Solo
Gtrs. 2 & 3: w/ Rhy. Fig. 2 (1st 7 meas.)
F#5 D5 E5 C#5
11 11 11 9 11 11 11 11 11 11 11 9 11 11 11 11 13 13 13 11 13 13 13 13 10 10 10 8 10 10 10 10
Gtr. 7
4 6 6 6 4 6 6 6 6 7 7 7 6 7 7 7 7 7 4 4 4 2 4 4 4 4 6 6 6 4 6 6 6 6
D5 A5 B5 G5
Gtrs. 2 & 3
8va
17 19 21
11 11 11 9 11 11 11 11 9 9 9 7 9 9 9 9 7 7 7 6 7 7 7
8va
14 15 17
7 7 7 6 7 7 7 7 6 6 6 4 6 6 6 6 4 4 4 2 4 4 2 4
Gtrs. 2 & 3: w/ Rhy. Fig. 2 (1st 7 meas.)
F#5 D5 E5 C#5
8va
17
17
19 17
21 19 17 19
21
21 19 17 21 19 17
19
8va
16 14 16 14 13 14 16
14 14 12
15 12 17 14
14 16
11
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
D5 A5 B5 G5
Gtrs. 2 & 3
8va
1/2
1
21 21 19 21 19 19 19 17 19 17 19 17 14 17 14 14 15 17
8va
1/2 1
16 16 14 16 14 12
17 17 14 17 14 15 14 12 14 15
F#5
8va
w/ bar
14 14 14 14 14 14 14 14 14 14 14 14 14
-2 1/2 -1 -2 1/2 -1 -2 1/2 -1 -2 1/2 -1
8va
w/ bar
14 14 14 14 14 14 14 14 14 14 14 14 14
-3 1/2 -1 -3 1/2 -1 -3 1/2 -1 -3 1/2 -1
12
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
from Dawn Patrol
Eddie’s Comin’ Out Tonight
Words and Music by Jack Blades and Kelly Keagy
Intro
Free time
Am[add9] Am[add9]/B Am[add9]/C Am[add9]/E
*Gtr. 1
mf
w/ fingers
0
1
4
2
0 2 3
*Kybd. arr. for gtr.
Fmaj7 C/E C/G
0 0
1 1
2 0
3 2 3
2 3
0 3
C+/G# C+ Am Am/E Am
p
4 0
5 1
5 2
3 0
4 0
Moderately fast q = 144
Gtr. 1 tacet
3rd time, Gtr. 2: w/ Fill 1
**A5 G5 A5 D5 E5 F5 C/E F5 Bb5 C5 G5
***Gtrs. 2 & 3 (dist.)
mf
P.M. P.M. P.M. P.M.
(3rd time, Gtr. 2 cont. in slashes)
1/2 1/2
2 2 7 9 3 3 5
0 0 0 0 0 0 0 0 0 0 5 7 3 3 3 3 3 3 3 3 3 3 3 1 3
3 0 1 1 1 1 1 1 0 1 1 1 1 3
**Chord symbols reflect implied harmony.
***Composite arrangement
Fill 1
Gtr. 2
w/ bar
P.M. 1/4
2
0 0 0 0
12
0
120 2
0
3
Copyright © 1982 by Figs. D Music and Rough Play Music
All Rights Administered by Figs. D Music c/o The Bicycle Music Company
All Rights Reserved Used by Permission 1
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Half-time feel
A5
Gtr. 2
1. He wear his
8v a
Gtr. 3
Harm. w/ bar
2 5 5 5 5
2
0
Pitch: G -1
-1 1/2
slack
*Gtr. 4
3 3 3 3 3 3 3 3
mf
**
let ring throughout
2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2
2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
*Organ arr. for gtr.
**Using a guitar with Les Paul style electronics, set lead volume to 0 and rhythm volume to 10.
Strike the strings while the pickup selector is in the lead position, then flip the switch in the
rhythm indicated to simulate the re-attack.
Verse
1st time, Gtrs. 2 & 3 tacet
2nd time, Gtrs. 2 & 3: w/ Rhy. Fill 1
Am G/A Am
trous - ers real tight and his skin’s so white, he lives be - yond his means.
tale of two cit - ies, got - ta girl - friend that’s pret - ty, she dress - es for the rain.
Gtr. 4
12
13
10
12
8
10
14
0
12 9
0
Rhy. Fill 1
Gtrs. 2 & 3
2
2
0
2
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
G/A Am G/A
He wear I - tal - i - an shoes that are used to good news, they
She does - n’t care for a ha - lo, she nev - er ev - er says no,
7 5 3
8 5 3
7 5 4
0 0
End half-time feel
Am G/A A5
walk be - hind the scenes. He live a ten - der - loin life, the street’s
she’s so in - sane. They like a late night mad - ness to
Gtr. 4
5 3
5 4 5 4 2 4 5 2 4 5
7 5
0
Gtrs. 2 & 3
pp
P.M.
2 2 2 2 2 2 2 2
0 0 0 0 0 0 0 0
G/A Am G/A
his type and the al - ley’s where he’s king. He got a
break through the si - lence, you hear their ma - mas cry. They say to -
3 3 5 5 7 7
3 3 5 5 5 8 8 8
4 4 4 5 5 7 7
5 7 9
P.M.
2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
3
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Am G/A Am
grin on his face, he says he loves the rat race, he al - ways plays to win.
night’s the night they’re gon - na cut you to your lim - it, to - night you’ll live or you’ll die.
8 8 10 10 12 12
10 10 10 12 12 12 13 13 13
9 9 12 12 14 14
10 12 14
P.M.
2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
G/A G
Ed - die’s com - in’ out to - night.
(He like to
15 15
15 15 15 15
16 16 16
17 17 17
mf
P.M.
3 3 3
3 3 3
0 0 0
2 2 2 2 2 2 2 0 0 0
0 0 0 0 0 0 0 X X X
3 3 3
4
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Chorus
Gtr. 4 tacet
Am G/A A5 G/A Am F G/F F G/F F
* Voc. Fig. 1A
He rock it all night long. Oh, yeah.
rock. He like to roll He like to
Rhy. Fig. 1A
Gtr. 3
5 4 2 4 5 5 4 2 4 5 4
7 5 2 5 7 7 5 3 5 7
Rhy. Fig. 1
Gtr. 2
P.M. P.M. P.M. P.M. P.M.
P.M.
P.M.
P.M.
P.M.
P.M.
1 1 1 1
2 4 2 4 2 2 4 2 4 2
5 2 5 5 3 5
0 0 0 0 0 0 0 0 0 0
1 1 1 1 1 1 1 1 1 1
*Refers to upstemmed voc. only.
1.
Am G/A A5 G/A Am F G/F F A5
End Voc. Fig. 1
He rock it all night long. 2. He live a
rock. He like to roll.)
End Rhy. Fig. 1A
1
1
5
7
4
5
2
2
4
5
5
7
5
7
4
5
2
3
3
2
2
0
2
2
0
1
End Rhy. Fig. 1 Rhy. Fill 2 End Rhy. Fill 2
P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M.
1 1 1
0 0
2
0 0
4
5
0 0
2
2
0 0
4
5
0 0
2 2 4
5 3
3
3
3
2
3
3
2
2
0
2
2
0
1 1 1 1 1 1 1 1
5
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
2.
Bkgd. Vocs.: w/ Voc. Fig. 1
Gtrs. 2 & 3: w/ Rhy. Figs. 1 & 1A
F G/F F G/F F Am G/A A5 G/A Am
Oh, he like to rock, rock, he rock it all night long.
roll.) He like to...)
5 4 2 4 5 4
7 5 3 5 7
P.M.
P.M. P.M.
P.M. P.M.
1 1
2 4 2 4 2
5 3 5
1 1 1 1 1 1 1 1 1 1
F G/F F G/F F Am G/A A5 G/A Am
He rolls, he rolls, he like to rock, rock, he rock it all night long.
Guitar Solo
Gtr. 2: w/ Rhy. Fill 2
F G/F F A5 A5 F5
Oh.
Gtr. 5 (dist.)
f
w/ bar fdbk.
2 2 2
2 2 2
0 0 0 0 0 3
Pitch: G
-2 1/2
Gtr. 3
Gtrs. 2 & 3
1
1
5 4 2 2 2 2 2
7 5 3 2 2 2 2 3 3
3 0 0 0 0 3 3
1 1 1
6
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
A5 F5
3 3
w/ bar
w/ bar
steady dive
3 3 3 0 0 0 2 3 5 7 10 10
-1 1/2 -1 1/2
5
5
2 2 2 2
3 2 2 2 2 3 3
3 0 0 0 0 3 3
1 1 1
Am G/A A5 G5
Voc. Fig. 2
(Ed - die’s com - in’ out, Ed - die’s com - in’, oh, Ed -
w/ bar **T.H. w/ bar
don’t pick 1 1 1/2
10 10 0 0 7 7 3 3 5
**Touch Harmonic: Lightly touch string at fret
slack slack indicated to produce harmonic.
Rhy. Fig. 2
*Gtrs. 2, 3 & 4
P.M. P.M. P.M. P.M.
3
1 3
2 4 2 0
3 5 2 0
3 0 0 0 0 0 0 0 0 X
1 3
*Composite arrangement
7
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Bkgd. Voc.: w/ Voc. Fig. 2 (3 times)
Gtrs. 2, 3 & 4: w/ Rhy. Fig. 2 (2 1/2 times)
F G/F F Am G/A A5 G5
End Voc. Fig. 2
- die’s com - in’ out to - night.)
8v a
Harm.
Harm. w/ bar
w/ bar
3.2
+1
*
5 5 5 5 3.2
5 5 5 7 5 7 0
5 5 3 0 3 5 3 5 7
slack -1 1/2
Pitch: G D
*Harmonic located two-tenths the
End Rhy. Fig. 2 distance between the 3rd & 4th frets.
P.M. P.M. P.M. P.M.
1
2 4 2
5 3
0 0 0 0 0 3
1 1 1 1 1
F G/F F Am G/A A5 G5
8v a
Gtr. 5
loco
rake
Harm.
w/ bar
steady ascent steady dive T.H. w/ bar semi-harm.
+1 1/2 w/ bar let ring let ring
3.2 3.2 3.2
+1
5
0 0 2 2 2 5
X 2 2 2 5 5 7
0 0 0 12 12 5 7 7
slack
F G/F F Am G/A A5 G5
3
**
let ring let ring let ring w/ bar
6
5
5
5
5 7
8
7 7
0
5
5
5
5 7 9
8
9
8 10 8 10 8 10 12 13 15 15
7
**Shake bar while performing hammer-ons & pull-offs.
8
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Gtrs. 4 & 5 tacet
F G/F F Am G/B
Gtr. 5
w/ bar
18 18 20 20
slack slack
Gtr. 6 (dist.)
f
10 10
10 10 12 10 12 14 10 12 14 12 14
12 12 14 14
Gtrs. 2, 3 & 4 Riff A
Gtrs. 2 & 3
P.M. P.M. P.M. P.M.
1
2 4 2
5 3
0 0 0 0 0 3 0 2
1 1 1 1 1
C C/E F µ
Gtr. 7 (dist.)
f
15 17 17
14 14 16 14 16 17 14 17
14 14 15 14 15 17 14 15 17 15 17 17
15 15 17 17
Gtr. 6
12 10 12 14 10 12 14 14 17 17
14
11 12
Gtrs. 2 & 3 End Riff A
3 5 7 8 7 8 3
7 8 0 3 4
9
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Gtrs. 2 & 3: w/ Riff A (6 3/4 times)
Am G/B C C/E F µ
Gtr. 7
P.M.
14 14
14 14 15 14 15 17 14 15 17 15 17
15 15 17 17
Gtr. 6
10 10 12 10 12 14 10 12 14 14 17 17
10 10 12 10 12 14 10 12 14 12 14 14
12 14 14
Am G/B
C C/E
15 15 15 17 15 17
16 14 16 17 14 16 17 14 14 16 14 16 17 14 16 17 16 17 17
17 14 14 15 14 15 17 14 15 17 15 17 17
15 15 17 17
15
12 12 13 12 13
10 10 12 10 12 14 10 12 14 13 14 14
10 10 12 10 12 14 10 12 14 12 14 14
12 14 14
F µ Am G/B
8v a
loco
steady gliss.
15 15 17 15 17 19 15 17 19 20 20 20 20
18 15 17 18 17 18 18
14 14
14 14 15 14 15 17 14 15 17 15 17
15 15 17 17
7 10
8v
a
loco
12 12 13 12 13 15 12 13 15 17 17 17 17
15 12 13 15 13 15 15
10 10
10 10 12 10 12 14 10 12 14 12 14
12 12 14 14
10
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
C C/E F µ
(He like to
8v a
15 15 17 15 17 19 15 17 19 20 19 17 19 17 17
15 15 17 15 17 18 15 17 18 17 18 18 20 20 18 20 18 17 20 18 17
16 14 16 17 14 16 17 16 17 17
17
12 12 13 12 13 15 12 13 15 17 15 13 12 15 13 12 13 12 12
12 12 13 12 13 15 12 13 15 13 15 15 15 15 13 15 13 12
12 10 12 14 10 12 14 13 14 14
14
Am G/B C C/E F µ
rock.
8v a
1 1
17 17
20 20 20 20 20 17 20 17 20 20 20 20
20 19 17 20 19 17 17
19 19
1 1 1 1/2
15 15 15 15 15 15 13 12 15 15 13 12 15 15 15 15
14 12 14 12
14 14
11
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Am G/B C C/E
He like to rock, rock.
8v a
1 1 1 1
20 20 17 20 20 17 20 20 20 20 20 20 17 20 20 17
20 19 17 17 20 19 17 20 19 17 20 19 17
19 19 19 19
1 1/2 1 1/2 1 1
15 15 13 12 15 15 13 12 15 15 15 15 15 15 13 12 15 15 13 12
14 12 14 12 14 12 14 12
14 14 14 14
Bkgd. Voc.: w/ Voc. Fig. 2 (2 times)
F µ Am G/B
He like to rock.
8v a
1 1 1 1
1 1 1 1/2
22 22 22 19 19 19 19
20 20 22 22 22
8v a
1 1/2 1 1 1
1/2 1/2 1/2 1
15 15 15 15 15 15 15
15 15 15 18 18 18
12
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
C C/E F µ
8v a
1/2 1/2
19 19 17 17 17 17 19 19 19 19
20 20 20 20 17
20 19 17
19
8v a
1 1
15 15 12 12 12 12 15 15 15 15
15 15 15 15 13 12
14 12
14
Am G/B
He like to rock, rock.
8v a
1/2 1/2
19 19 17 17 17 17 19 19 19 19
20 20 20 20 17
20 19 17
19
8v a
1 1
15 15 12 12 12 12 15 15 15 15
15 15 15 15 13 12
14 12
14
13
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
C C/E F µ
8v a
1/2 1/2
19 19 17 17 17 17 19 19 19 19
20 20 20 20 17
20 19 17
19
8v a
1 1
15 15 12 12 12 12 15 15 15 15
15 15 15 15 13 12
14 12
14
Am G/B C C/E
He like to rock, rock. He like to
(Ed - die’s com - in’ out. Ed - die’s com - in’.)
8v a
Gtr. 7
1 1 1/4 1 1 1 1 1 1 1 1 1
20 20 22 22 22 22 22 22 22 22 22 22
8v a
Gtr. 6
1 1/2 1/2 1/2 1/2 1/2 1/2 1/2 1/2 1/2
17 17 19 19 19 19 19 19 19 19 19 19
Gtrs. 2 & 3
7 8 3 0 2 3 5 7
7 8 0 3 4
14
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Free time
F5 G5 A5
rit.
roll.)
8v a
rit.
1 1 1 1 1
22 22 22 20 22 22 22 22 20 22 19 20
22
8v a
rit.
1/2 1/2 1/2
19 17 19 19 19 17 19 15 17
18 20
rit.
2
3 5 2
8 8 3 5 0
1 3
µ
8v a
5
3 3 3
1 1 1 1 1
22 22 20 22 22 20 22 22 20 22 22 20 22
22 20 22 20 22 20 22 20
8v a
1/2 1/2 1/2 1/2 1/2
19 19 17 19 19 17 19 19 17 19 19 17 19
20 20 20 20
5
5
2 2
2 2
0 0
15
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
from Night Ranger - 7 Wishes
Four in the Morning
Words and Music by Jack Blades
Intro
Moderately q = 123
***Asus2
*Gtr. 1
mf
let ring
T
12 17
12
14
12
*Kybd. (set for string patch) arr. for gtr.
**Gtr. 2 (dist.)
mf
2 2
2 2
0 0
**Doubled throughout
***Chords symbols reflect implied harmony.
A5 F#5
Gtr. 3 (dist.) 8v a
f
1 1
X 12 17 17 14 17 17
X
Riff A End Riff A
*Gtr. 1
loco
10 9 10 9
9 9 9 7 9 9 6
7 9 9 7 9 9 7
9
*Elec. piano patch.
Gtr. 2
P.M.
2 2 2
2 4 2 2
0 0 4 4 4 4 4 4 4 4 4 0 0
0 2 2 2 2 2 2 2 2 2
Copyright © 1985 by Figs. D Music and Rough Play Music
All Rights Administered by Figs. D Music c/o The Bicycle Music Company
All Rights Reserved Used by Permission 1
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Gtr. 1: w/ Riff A Gtr. 3 tacet
A5 F#5
1. Four
8v a
Gtr. 3
fdbk.
17 17 17
Gtr. 2
P.M. P.M.
2 2 2
2 4 4 2 4 2 2 2
0 0 4 4 4 2 0 0 0
0 2 2 2 2 2 0
Verse
2nd time, Gtr. 3 tacet Gtr. 2 tacet
Asus2 F#m11
in the morn - ing came with - out a warn - ing, ev - ’ry - bod - y’s got a place to be.
time when I knew you, I held my bod - y to you. Made you feel like you nev - er felt be -
Gtr. 4 (clean)
mf
*w/ chorus & delay
0 0
0 0
2
2
0
2
2
X
2
*Delay set for half-note regeneration w/ 3 repeats.
Gtr. 2
2
2
0
2
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Asus2
I got holes in my con - science, shot with a ven - geance. I
fore. And now it’s all in the dis - tance, still you keep re - sist - ing. I
Gtr. 1
let ring
10 9
9 9 7
9 9 7
Gtr. 4
0 0
0 0
2 2
2 2
0
2
Pre-Chorus
Gtr. 4 tacet
D E * F#m E/F#
must have been a fool not to see. I need you bad, it’s hard to live with - out your
love you like nev - er be - fore, oh. I need you bad, it’s hard to live with - out your
Rhy. Fig. 1
Gtr. 1
7 9 10 9 9 9 9 9 9 9
7 9 11 9 9 9 9 9 9 9
7 9 11 9 9 9 9 9 9 9
Gtr. 4
2 0
3 0
2 1
0 2
Gtr. 2
mf
P.M.
9 9 9 9 11
7 9 9 9 9 11 4
5 5 5 5 7 9 9 7 7 7 7 7 9 9 4
9 2
*Chord symbols reflect overall harmony.
3
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
F#m E/F# µ F#m E/F# E/B B
com - pa - ny. I need you bad, so bad I can’t take it, you see.
ten - der touch. I need you bad, so bad I guess you’re play - in’ me tough. Oh, I
End Rhy. Fig. 1 Rhy. Fig. 2 End Rhy. Fig. 2
Gtr. 1
10 9 9 9 10 9 9 9 9 9 9 9 9 7 7 7
11 9 9 9 11 9 9 9 9 9 9 9 9 8 8 8
11 9 9 9 11 9 9 9 9 9 9 9 9 9 9 9
Gtr. 2
let ring
4
4 4
4 4 4 4
4 4 4 2
2 2 2
Chorus
Gtr. 1 tacet
D5 E5 F#5
can’t take an - y - more, I can’t fake an - y - more. It’s such a
Rhy. Fig. 3
Gtr. 2
P.M. P.M.
P.M. P.M. P.M. P.M.
9 9
7 7 7 9 9 4 4 4 4
5 5 7 7 4 4 4 4
2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2
D5 E5
F#5
hard time lov - ing you. I can’t take an - y - more, I can’t
Gtr. 3
mf 1
7 9 9 7 7
5 9 9 9
Gtr. 2
P.M. P.M.
7 9 9 9 9 9 9 9
7 9 9 9 9 9 9 9 9 4 4
5 7 7 7 7 7 7 7 7 4 4
2 2 2 2 2 2 2 2
4
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
1.
C#5 D5 E5
fake an - y - more. It’s such a hard time lov - ing you. 2. There was a
7 5 7 9 7 7 7 7 7 7
End Rhy. Fig. 3
P.M. P.M.
6
4 4 4
6
4 4 4 4 4
7
7
5 7 9
9
9
7
9
9
7
9
9
7
9
9
7
9
9
7
9
9
7
2.
Bridge
Gtr. 3 tacet
E5 E5
I guess I was go - in’ in the wrong di - rec -
w/ bar
7 7 7
-1/2
0 0
0 0
9 9 9 9 9 9 9
9 9 9 9 9 9 9
7 7 7 7 7 7 7
0 0
F#5 E5
- tion. I guess I was thrown
Gtr. 2
4 4 2
4 4 2
2 2 0 0
5
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
D5 µ E5
for a while. I need to see you smile, I need you so, yeah.
let ring
9 9
2 0 9 9
2 7 7
0 0 0 0 0 0
Guitar Solo
F#5 D5
Gtr. 3
3 3
f
1
7 10 9 7 10 9
10 10 9 10
11 11 11 11 11 9 11 9 7 9 7 6 7 6 7 6
Gtr. 2
P.M. P.M. P.M. P.M. P.M. P.M.
7 7 7 7
4 4 4 4 7 7 7 7
4 4 4 4 5 5 5 5 5 5 5 5
2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2
E5 F#5
fdbk.
let ring
7 9 7 9 7
4 7 6 6
7 6 7 7 7
7 7 4
Pitch: E
P.M. P.M. P.M. P.M.
9 9 9 9 9
9 9 9 9 9 4 4 4 4
7 7 7 7 7 4 4 4 4
2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2
6
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Gtr. 3 tacet
D5 E5 F#5
f
Gtr. 5
Gtr. 5 (dist.)
Gtr. 3
3 divisi
16 12 16 12
7 10 9 10 14 12 14 12 14
4 6 9 9 9
7 6 7 6 4 6 7
P.M. P.M.
P.M.
P.M.
7 7 7 7 9 9 9 9
7 7 7 7 9 9 9 9 4 4
5 5 5 5 5 5 5 5 7 7 7 7 4 4
0 2 2 2 2 2 2 2 2
D5 E5
12 12 12 12 12 12 12
17 12 12 14 12 17 12 17 12 12 17 12 12 17 12 0 17 12 17 12 17 12 12
14 14 14 13 14 14 13
14 14 14 10
P.M. P.M. P.M. P.M.
7 7 7 7 7 9 9 9 9 9 9 9 9
4 4 7 7 7 7 7 9 9 9 9 9 9 9 9
4 4 5 5 5 5 5 5 5 5 7 7 7 7 7 7 7 7
2 2 2 2 2 2 2 2
F#5 C#5 D5
8v a
3 3
1 1
14 17 16 17 19 17 19 21 19 17 19 17 17
17 14 0 19 19 17 19 19 17 17 19 21 21 21 21 19
P.M. P.M. P.M.
6 6 6 6 6 7 7 7 7 7 7 7
4 4 6 6 6 6 6 7 7 7 7 7 7 7
4 4 4 4 4 4 4 4 4 5 5 5 5 5 5 5
2 2 2 2 2 2 2 2
7
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Bridge
Gtr. 5 tacet
E5 E5
I must have been go - in’ in the wrong di - rec -
8v a
17
21 19 17 21 19 17
0 0
0 0
9 9 9 9 9 9
9 9 9 9 9 9
7 7 7 7 7 7
0 0
F#5 E5
- tion. I guess I was thrown for a while.
Gtr. 2 (I need you
P.M.
4 4 2
4 4 2
2 2 0 0 0 0
Pre-Chorus
Gtr. 1: w/ Rhy. Fig. 1 (3 times)
F#m E/F# F#m E/F# µ F#m E/F#
It’s hard to live with - out your com - pa - ny. So bad I can’t
bad. I need you bad.)
Gtr. 3
14
1
16 16 14
16
Gtr. 2
4 2 4 4 4 4
4 2 4 4 4 4
2 0 2 2 2 2
8
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
F#m E/F# µ F#m E/F# F#m E/F# µ
take it, you see. I need you bad.) It’s hard to live with - out your ten - der touch. I need you
fdbk.
16 16 16
Pitch: C#
4 4 4 2 4 4
4 4 4 2 4 4
2 2 2 2 2
Gtr. 1: w/ Rhy. Fig. 2 Gtr. 3 tacet
F#m E/F# E/B B D5 E5
bad, so bad I’m on - ly tak - in’ so much. Oh, I can’t
16
let ring P.M. P.M.
4
4 4 9 9
4 4 4 4 7 7 7 9 9
4 4 4 2 5 5 7 7
2 2 2 0
9
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Outro-Chorus
Gtr. 2: w/ Rhy. Fig. 3 (till fade)
F#5 D5 E5
take an - y - more, I can’t fake an - y - more. It’s such a hard time lov - ing you.
F#5 C#5
I can’t take an - y - more, I can’t fake an - y - more. It’s such a
Gtr. 3
mf
1 w/ bar
14 16 16 16 14
14 16 16 16 16
-1
Gtr. 3 tacet
D5 E5 F#5
hard time lov - ing you. I can’t take an - y - more, I can’t
D5 E5
fake an - y - more. It’s such a hard time lov - ing you.
F#5
I can’t take an - y - more, I can’t
8v a
Gtr. 3
3 3 3
P.H.
1/2 1/2 1/2 1
16 16 14 16 16 14 16 16 14 14
17 17 17 17 17
10
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Begin fade
C#5 D5 E5
fake an - y - more. It’s such a hard time lov - ing you. I can’t
8v a
grad. dive
w/ bar
17 17
-1
F#5 D5 E5
take an - y - more, I can’t fake an - y - more. It’s such a hard time lov - ing you.
8v a
3
21 19 17
F#5 C#5
I can’t take an - y - more, I can’t fake an - y - more. It’s such a
loco
8v a
harm.
semi-
let ring
17 19 17
19 21 17
18 16 14 16 14 13 13
Fade out
D5 E5 F#5
hard time lov - ing you. Oh, yeah.
(Take an - y - more. I can’t...)
w/ bar
1
14 16 16 14 16 14 13
16 14 14 16 14 16 16
16
11
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
from Night Ranger - 7 Wishes
Goodbye
Words and Music by Jack Blades and Jeff Watson
Intro
Moderate Ballad q = 84
* Esus2 Esus2/G# A6sus2 Asus2/C# Bsus4
Riff A1
Gtr. 2 (acous.)
mf
let ring throughout
2 2 2
5 5 5 5 5 5 5 5
4 4 4 4 4 4 4 4
2 2 2 0 2 2 2 0
0 4 2
0 4
Riff A
Gtr. 1 (acous.)
mf
let ring throughout
2 2 2
5 5 5 5 5 5 5 5
4 4 4 4 4 4 4 4
2 2 2 2 2 2 2 2
0 4 2
0 4
*Chord symbols reflect implied harmony.
A6sus2 Badd11 Esus2
Gtr. 3 (elec.)
**
w/ dist.
12
**Vol. swell
End Riff A1
Gtr. 2
Harm.
2 0 2 12
5 5 4 4 5 5 12
4 4 4 4 4 4
2 0 4 0 2
0 2
0
End Riff A
Gtr. 1
2 0 2
5 5 4 4 5 5
4 4 4 4 4 4
2 2 4 4 2 2
0 2
0 0
Copyright © 1985 by Figs. D Music and Rough Play Music
All Rights Administered by Figs. D Music c/o The Bicycle Music Company
All Rights Reserved Used by Permission 1
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Gtrs. 1 & 2: w/ Riffs A & A1
Esus2 Esus2/G# A6sus2 Asus2/C# Bsus4 A6sus2 Badd11
Gtr. 3
rake
3
mf
1 1
12 12 10 10 9 10 9
X 11
X
X
Verse
Gtrs. 1 & 2: w/ Riffs A & A1 (2 times)
Gtr. 3 tacet
Esus2 Esus2 Esus2/G# A6sus2 Asus2/C# Bsus4
1. As the sun hides his head for an - oth - er night’s rest and the
fdbk.
11 11
Pitch: D
A6sus2 Badd11 Esus2 Esus2/G#
wind sings his same old song. And you on the edge, nev - er close,
A6sus2 Asus2/C# Bsus4 A6sus2 Badd11 Esus2
3
nev - er far, al - ways there when I need - ed a friend. But it’s
Pre-Chorus
C#m9 BsusÊ Aadd9
hard liv - ing life on this mem - ’ry - go - round, al - ways
Gtr. 3
1 1/2
12 12 12 12 10
X X
X X
Riff B
*Gtrs. 1 & 2
0 0 0 0
0 0 0 0 0 0
8 8 6 6 6 6 6 6
6 6 4 4 7 7 7 7 7 7
4 2 0 0
*Composite arrangement
2
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Gtrs. 1 & 2 tacet
C#m9 BsusÊ Aadd9 B5
up, al - ways down spin - ning ’round and ’round and ’round. And
grad. dive
1 1 w/ bar
11 11 11 11 9 9
-1 1/2
End Riff B
Gtr. 4 (elec.)
* mf
w/ dist.
0 0 0
0 0 0 0
8 8 6 6 6 4
6 6 4 4 7 7 4
4 2 0 2
*Vol. swell
Chorus
Gtrs. 1 & 2: w/ Riffs A & A1
Gtr. 3 tacet
Esus2 Esus2/G# A6sus2 Asus2/C# Bsus4 A6sus2 Badd11
all this could be such a dream, so it seems, I was nev - er much good at good -
Rhy. Fig. 1
Gtr. 4
2 2 4
2 2 2 4
2 0 2 4 2 0 2
0 4
Verse
Gtrs. 1 & 2: w/ Riffs A & A1 (2 times) Gtr. 4 tacet
Esus2 Esus2 Esus2/G# A6sus2 Asus2/C# Bsus4
byes. 2. There once was a time, nev - er far from my mind, on the beach
End Rhy. Fig. 1
2
2
0
3
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
A6sus2 Badd11 Esus2 Esus2/G#
3
on the Fourth of Ju - ly. I re - mem - ber the sand, how you
A6sus2 Asus2/C# Bsus4 A6sus2 Badd11 Esus2
held out your hand and we touched for what seemed a life - time. But it’s
Pre-Chorus
Gtrs. 1 & 2: w/ Riff B
C#m9 BsusÊ Aadd9 C#m9 BsusÊ
hard leav - ing all this be - hind me now, like a school - boy so lost, nev - er
Gtr. 3
w/ bar
1 1 1
12 12 10 10
11 11
Chorus
Gtr. 4: w/ Rhy. Fill 1 Gtrs. 1 & 2: w/ Riffs A & A1
Gtr. 3 tacet
Gtr. 4: w/ Rhy. Fig. 1
Aadd9 B5 Esus2 Esus2/G# A6sus2 Asus2/C# Bsus4
found un - til now. And all this could be such a dream, so it seems, I was
rake
12
X
Rhy. Fill 1
Gtr. 4
* mf
4
4
2
*Vol. swell
4
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Guitar Solo
Gtrs. 1 & 2: w/ Riffs A & A1 (2 times)
Gtr. 4: w/ Rhy. Fig. 1 (2 times)
A6sus2 Badd11 Esus2 Esus2 Esus2/G#
nev - er much good at good - bye.
Gtr. 5 (elec.) **
f
*w/ dist. & wah-wah
1 1 1 1 1
9 12 12
9 11 11 11 11 11 11
*Wah-wah used as filter. **Played ahead of the beat.
A6sus2 Asus2/C# Bsus4 A6sus2 Badd11
3
3 3
grad. release
1 1/4
1/2
9 8 7
11 11 9 9 9 8 X 11 11 9 8 9 8 9 8 6 8 6 8 6 4 6 4 6 4 3 4 2 1
11
Esus2 Esus2/G#
let ring 1
12 14
12 12
2 4 2 1 2 1 13 13
2 2 14 0 14 14
0 14 14
loco
A6sus2 Asus2/C# Bsus4 A6sus2 Badd11
8v a
8v a
1 1/2 1
1 1
14 14 19 19
17 19 19 17 19 19 17
14 16 18
14 16 18
14 16
5
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Pre-Chorus
Gtrs. 1 & 2: w/ Riff B Gtr. 5 tacet
Esus2 C#m9 BsusÊ Aadd9
3
3
3 3
And it’s hard liv - ing life on this mem - ’ry - go - round, al - ways
8v a
Gtr. 5
5
1/2
19 19 17 16 17 16 17 16 16
19 19 19 19 17 17
Gtr. 3
1 1
12 12 12 10 10
Chorus
Gtr. 4: w/ Rhy. Fill 1 Gtrs. 1 & 2: w/ Riffs A & A1 (1 3/4 times)
Gtr. 4: w/ Rhy. Fig. 1
Aadd9 B5 Esus2 Esus2/G#
C#m9 BsusÊ
3
up, al - ways down, spin - ning ’round and ’round and ’round. And all this could be such a
8v a
Gtr. 3
1
1
19 19 18 17
Gtr. 3 tacet
A6sus2 Asus2/C# Bsus4 A6sus2 Badd11 Esus2
dream, so it seems, I was nev - er much good at good - bye. And
Esus2/G# A6sus2 Asus2/C# Bsus4 A6sus2 Badd11
3 3
all this could be such a dream, so it seems, I was nev - er much good at good -
6
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Esus2 E
bye, good - bye, good - bye.
Gtr. 2
Harm. Harm.
2 12 2 12 4
5 5 12 5 5 12 5
4 4 4 4 4
2 2 2
2
0 0 0
Gtr. 1
2 2 4
5 5 5 5 5
4 4 4 4 4
2 2 2 2 2
2
0 0 0 0 0
Outro-Guitar Solo
Gtrs. 1 & 2: w/ Riffs A & A1 (till fade)
Gtr. 4: w/ Rhy. Fig. 1 (till fade)
Esus2 Esus2/G# A6sus2 Asus2/C# Bsus4 A6sus2 Badd11
Gtr. 3
w/ bar
4
2 2 2 4 4 4
2 2 2 4 4 4
2 4 7 4 4 2 4 7 4 2 0 0 0 2 2 2
0 2 3 4
-1
Esus2 Esus2/G# A6sus2 Asus2/C# Bsus4
8v a
loco
Harm.
w/ bar
2 2
2 2 2 4 7 4 4 2 4 7 4 2
0 0 0 4 4 0 0 0 0 0 0 0 2 3 4
-1 -1
A6sus2 Badd11 Esus2
Voc. Fig. 1
(Good -
1 1 1 1 1 1 1 1
2 2 2
2 2 2
0 0 0 2 2 2 2 2 2 2 2 2 2 2 2 11
7
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Esus2/G# A6sus2 Asus2/C# Bsus4
bye.)
(Bye.)
1
9 9 9
12 12 10 10 9 9 9
11
Bkgd. Voc.: w/ Voc. Fig. 1 (till fade)
A6sus2 Badd11 Esus2
End Voc. Fig. 1
let ring P.M.
1 1
12 12 9 9 9
12 12 12 12 9 9 9 9 9 9 9 9 9
11 11 11 11 11 9 11 11 9 9 9 9 9 9
11 9 11 11 11 11
Esus2/G# A6sus2 Asus2/C# Bsus4
* * * * * * * * *
3
steady
T T gliss.
* * * * * * * * *
12 17 17 13 12 17 13 10 17 13 12 17 13 10 17 13 10 17 13 10 17 13 10 17 13 12 17 13 9 17 13 19 17 13 0 17 13 18 17 13 0 5 19
*Fret indicated notes with pick-hand index finger.
A6sus2 Badd11 Esus2
8v a loco
loco
3
semi-
P.H. harm. P.H.
1 1 1/2 1/4
17 19
9 11 9 9
14 18 6 11 6 7 9 9 11 9 9 18
11 10 9 7 9 9 7 8 7 7 7 7 7
Pitch: A# B A#
8
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Begin fade
Esus2/G# A6sus2 Asus2/C# Bsus4
6
6
1 1 6
1
14 14 14 12 14 12 12 12 14 16 14 12 14 12 14 12 12
14 15 16 16 16 16 14 12 12 13 12
14 14 16 14 14 14 14
16 14 16 14 16
A6sus2 Badd11 Esus2
6 6
3
3 6
12 14 16 14 14 12 12 0
12 14 16 16 16 0 0
11 13 11 13 11 11 11 13 14
14 5 14 14 14 14 14 11 14 11 11 11 13 14
14 14
Esus2/G# A6sus2 Asus2/C# Bsus4
loco
8v a loco
1 P.H.
1
17 17 16 17 16
17 14 12 0
16 16 13 2 4 2 4 2 1 2
14 14 5 5
A6sus2 Badd11 Esus2
semi-
1/2 1 harm
7
1 2 1
2 2 4 6 6 4 2 4 4 2 2 6 6 7 9 9 9 11 9
2 4 4 2 7 7
0 0 0
Esus2/G# A6sus2 Asus2/C# Bsus4
8v a
loco
P.H.
1 * 1
12 12 12 14 16 16 17 17 18 X X X X 24 24
10 12 12 14 14
9 9 9 11 13 9 11 9
4 6
*Slide fret-hand up neck while picking 32nd notes.
Fade out
A6sus2 Badd11 Esus2
1 1
1 1/2
1/2 1
1
7 7 5 7 7 7 7 5 5 0
6 7 2 2 0
9
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
from Night Ranger - 7 Wishes
Seven Wishes
Words and Music by Jack Blades
Em/B Em/B type 2 E5 D5 B5 C5 A5
12fr 14fr
34111 11342 11 13 134 134 11
Intro
Moderately q = 100
µ * E5
Gtr. 1 (dist.)
8v a 8v a
(Drums) loco
**
Harm. Harm.
P.M. P.M.
0 0 0 0 0 0 0 2.8 2.8 2.8 2.4 2.4 2.4 2.4 0 0 0 0 0 0 0 2.8 2.8 2.8 2.4 2.4 2.4 2.4
**Fade in Pitch: D E D E
Gtr. 2 (dist.)
***
P.M.
0 0 0 0 0 0 0 0 0 0 0 0 0
*Chord symbols reflect implied harmony. ***Fade in
8v a
loco
8v a 8v a
loco
loco
Harm. mf
Harm. Harm.
P.M. P.M. P.M.
0 0 0 0 0 0 0 2.8 2.4 2 3 3 0 0 0 0 0 0 0 0 0 3 2.8 2.8 2.8 2.8 3 3 0 0 0 0 0 0 0 3 2.8 2.4 2 2 1.8 1.8
Pitch: D E F# B B D B B D E F# G#
Riff A End Riff A
mf
P.M.
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
Copyright © 1985 by Figs. D Music and Rough Play Music
All Rights Administered by Figs. D Music c/o The Bicycle Music Company
All Rights Reserved Used by Permission 1
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Gtr. 2: w/ Riff A (5 times)
Em D/E Am/E
*Gtr. 3
mf
w/ fingers
let ring throughout
5 7 10
4 7 9
5 7 10
0 0 0
*Kybd. arr. for gtr.
8v a 8v a loco
Gtr. 1 8v a
loco loco loco
Harm. Harm.
Harm.
P.M. P.M. P.M. P.M.
0 0 0 0 0 0 0 3 2.8 2.4 2 2.8 2.8 3 0 0 0 0 0 0 0 0 0 0 0 2 2 0 0 0 0 0 0 0 3 2.8 2.4 2 2 0 0
Pitch: B D E F# D B F# B D E F#
C/E D/E Em D/E
8 8 7 5 7
9 9 7 4 7
10 10 7 5 7
0 0 0
8v a loco
8v a
P.M. Harm.
P.M. P.M. Harm.
0 0 0 0 0 0 0 3 2.8 2.4 2 2 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 3 3 2.4 2.4 2.8 2.4 2.8
Pitch: B D E F# B E D E D
Am/E C/E D/E Em
let ring
10 8 8 7 5
9 9 9 7 4
10 10 10 7 5
0 0 0
8v a 8v a
loco loco
P.M. P.M. Harm.
P.M. Harm.
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 2.4 2.4 2.4 2 2.4 2.8 3 0 0 0 0 0 0 0 0 2 2 2.4 1.8 1.8 1.8
Pitch: E F# E D B F# E G#
2
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Verse
Gtr. 1: w/ Riff A (3 1/2 times)
Gtr. 2: w/ Riff A (4 1/2 times)
2nd time, Gtrs. 4 & 5 tacet
Em
1. If you were hand - ed sev - en wish - es, would you
trav - el back in time now, when I
H.H.
let ring
12
5 17 12
12
14
14
loco
8v a
P.M. Harm.
0 0 0 0 0 0 0 3 2.8 2.8 2 2 1.8 1.8
Pitch: B D F# G#
D/E Am/E
turn your back for more? Could you hold on tight to what you have? Would you
hand - ed you the key. Oh, I know you learned your mag - ic well, would you
Gtr. 3
14 17
15 17
14 17
16 14
17 15
C/E D/E Em
try to change the score? If you were giv - en back a life - time, would you
use the mag - ic on me? Are the chang - es for the bet - ter? Do the
15 15 14 12
17 17 15 12
17 17 14 12
17 16 14
15 14
3
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
D/E Am/E
find some room for me? Oh, won’t you take my hand and walk a - way? Know it
lone - ly ones a - gree? I see you hand - in’ out the prom - is - es that were
14 17
15 17
14 17
16 14
17 15
C/E D/E Em/B Em/B type 2
Gtr. 3
all was meant to be.
meant for on - ly me.
Gtr. 4 (dist.)
Gtr. 3
mf
let ring (cont. in slashes) rake
15 15 14
17 17 15 20 20
17 17 14 X
17 17 16 X
15
Gtr. 5 (dist.)
mf
rake
17 17
X
X
8v a loco
Gtr. 1
Gtrs. 1 & 2
P.M. Harm. P.M.
1/2
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 2.8 2.4 2 2 2.4 2.8 0 0 0 0 0 0 0 0 3
Pitch: D E F# E D
4
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Bridge
Gtr. 3 tacet
A5 C D5
Heart ach - ing, heart break - ing, hearts chang - ing, nev - er want the same thing.
Riff B End Riff B
w/ bar
7 9 7 2 2 7 9 7 2 2 7 9 7 9 9 12 11 9 7 7
Riff B1 End Riff B1
w/ bar
2 5 4 2 2 2 5 4 2 2 2 5 4 5 5 9 7 5 7 7
Rhy. Fig. 1 End Rhy. Fig. 1
1
2 2 2 2 0 7 7 7 7 7 7 7 7
2 2 2 2 2 7 7 7 7 7 7 7 7
0 0 0 0 3 5 5 5 5 5 5 5 5
Chorus
Gtrs. 1 & 2 tacet
E5 µ E5
Rise to the sun with sev - en wish - es. Will you turn in - to stone with sev - en wish - es?
Gtr. 4
P.M.
semi-
P.M. P.M. harm. P.M.
1 1 1 1
12 12 12 12
15 15 15 15
11
12 14 14 12
10 12 14 12
0 0 0 0 0 0 0 0 0 0 0
Gtr. 5
P.M.
P.M. P.M. P.M.
9 9 9 9 9 9
9 9 9 4 9 9 9
7 7 7 2 5 7 7 5 7 7 7
0 0 0 0 0 0 3 5 5 0 0 0 0 0
5
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
µ G5 E5 µ
And your eye’s on the run with sev - en wish - es.
12
semi-
P.M. P.M. harm.
1 1
12 12
15 15 15
11 11
12 14 14 12 12 14 14 12
10 12 14 12 10 12 14 12
0 0 0 0
w/ bar P.M.
+1/4
9 9 9
4 9 9 9 4
2 5 7 7 5 7 7 7 2 5 7 7 5
3 5 5 3 0 0 0 3 5 5
-1 1/2
1.
Gtr. 2: w/ Riff A
T o Coda
Cadd#11 µ E5
Sev - en wish - es.
Gtrs. 4 & 5
let ring
8 7 5 7 5 3 5 5
5 5 5 5 5 5 5 11
12 14 14 12
10 12 14 12
0
8v a
Gtr. 1
Harm.
P.M.
5 5 5 5 5 5 5 5 5
5 5 5 5 5 5 5 5 5 4
3 3 3 3 3 3 3 3 3 2 5 7 7 5
3 5 5 0 0 0 0 0 0 0 2.4 2 2 1.8 1.8 2.8 2.8
Pitch: E F# G# D
6
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
2.
Gtrs. 1 & 2 tacet
E5
2. If we could
Gtrs. 4 & 5
2
2
0 0
8v a
loco
Harm.
P.M.
0 0 0 0 0 0 0 3 2.8 2.4 2 2.4 2.8 2.8
Pitch: B D E F# E D
Interlude
Gtr. 4 tacet
E Esus4 E A Asus4 A A/G A Asusr A
Gtrs. 4 & 5
Gtr. 5 3
rake
12
X
2 X
2 X
0
Gtr. 3
7 12 12 10 12
9 10 14 15 14 10 14 12 14 15
9 9 12 14 14
9 9 14 14 14
7 12 12 10 12
B Bsus2 B D Dsus2 D G Gmaj9 G
3 fdbk.
w/ bar
12 8 12 8 8
11 9 11 14 12 14 15 14 10
12 10 12
9 12
10
7
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Gtr. 5 tacet
F Fmaj9 F Em D/E
Gtr. 4
Gtr. 5
6 6 6 6
*p
T T T T
8 12 15 17 19 17 15 12 15 17 22 17 15 12 15 17 19 17 15 12 15 17 21 17 15
-1 *Fade in
Gtr. 3
13 12 8 12 10
10 8 10 12 10
12 11
8
0
Gtrs. 1 & 2
2
2 2
0 0 0 0
Em D/E Em D/E
6 6 6 6 6 6 6 6
T T T T T T T T
12 15 17 19 17 15 12 15 17 22 17 15 12 15 17 19 17 15 12 15 17 21 17 15 12 15 17 19 17 15 12 15 17 22 17 15 12 15 17 19 17 15 12 15 17 21 17 15
7 5 7 10
8 7 8 10
9 7 9 11
0 0
0 0 0
8
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Guitar Solo
Gtrs. 3 & 4 tacet
Em A5 µ
Gtr. 6 (dist.)
8v a
6 6 6
3
f f
1/2 1/2
T T T T
19 19 17 19 19 19 17 19
12 15 17 19 17 15 12 15 17 22 17 15 12 15 17 19 17 15 12 15 17 21
12
12
12
P.M.
2
2
0 0 2 0 2 0
0 0 0 0 0 0 0 0 3 3 3 0
A5 µ A5 E5 µ D5 E5 µ E5
8v a loco
Gtr. 6
3
1/2 1/2 1/2 1/2 1 1/2
1 1 1 1 1/2 1
19 19 17
19 19 17
19 19 17
19 19 17
20 19 19 17 17 17 19 17
20 20 20 20 20 20 20 17
19 19 17 19 17
19 19
Gtrs. 1 & 2
P.M. P.M. P.M.
2 2 9 7 9
2 2 9 4 7 9 4 5 4
0 0 2 0 0 7 5 7 7 5 5 7 5 7 7 5 7
3 3 0
9
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
A5 µ A5 µ A5
8va
1
19 19 19 19 20 19
19 20 19 19 20 19 22 20 19 20 19 19 20 19 22 20 22 20 19 20 22
21 21 21 21 21
P.M. P.M.
2 2 2
2 2 2
0 0 2 0 2 0 0 0 2 0 0
3 3 3 0 3 3
B5 µ B5 C5 D5 D#[b5]
loco
8v a
3 3
5
19 20 22 19 20 19 19 19 20 19 19 19 20 19
22 22 22 19 20 22 22 22 19 20 19 18 17
18 17 16 17 16 16 17 19 16 17 16 14 12 11 12
16 17 19 19 0 14 14 14 14 12
P.M.
4 4 5 5
4 4 5 5 7 7 7 7
2 0 2 3 2 0 2 3 3 5 5 6 6
E5 G5
8v a
1
22 22
14 12
12 14 14 12 14 12
14 14 14 14 14 15 14 12 12
15 15 14 12 12 19
1/2
P.M. P.M. P.M.
9 9 9 9
9 9 9 9
7 7 7 7
0 0 0 0 0 0 0 0 0 3
10
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Bridge
Gtrs. 1 & 2: w/ Rhy. Fig. 1 (2 times) Gtr. 6 tacet
Gtrs. 4 & 5: w/ Riffs B & B1 (2 times)
A5 C D5
Heart ach - ing, heart break - ing, hearts chang - ing, nev - er want the same thing.
8v a
22
D.S. al Coda
A5 C D5
Heart ach - ing, heart break - ing, hearts chang - ing, nev - er want the same thing.
Coda
Outro
µ E5
Gtr. 6
mf
wish - es.
Gtr. 3
8 7
2 5 7
4
7 5 2 5 7
4
7 5
7 7 9
9
3 5 5 3 5 5 0
Gtr. 4
Gtrs. 4 & 5
Gtr. 5
divisi
*
10 12 14 2 12
12
5
14
7
11
4 14
7
12
5
3 5 5
*Gtr. 4 to left of slash in tab.
Gtrs. 1 & 2
Gtr. 1 15ma
loco
Harm.
3
w/ bar P.M.
2.8
2.8
0 0 0 0 0 0 0 0 0 0 0 0 0
-2 1/2 slack
Pitch: F
11
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
D5 B5 C5
3 4 2 4 5
2 4 4 4 5
0
2 3
11 11
12 14 14 12 12 14 14 12
10 12 14 12 10 12 14 12
P.M.
5 4 4 0 0 0 0 0 0 0
X X X 2 2 2 2 2 2 2 2 2 2 2 2 2 3 3 3 3 3 3 3 3 3 3 3 3 3
3 2 2
1., 2. 3.
A5
µ µ
(cont. in notation)
Gtrs. 3 & 6 Gtrs. 3 & 6
(Gtr. 6, cont. in slashes)
5
5
3
3
5
5
5 4 5
4 4
0 2 5 7 7 5 2 5 7 7 5
3 5 5 3 5 5
Gtr. 4
Gtr. 5
divisi
15 17
14
17 15
1210 1412 1614 1412 12 14 11 14 12
11
12 14 14 12
10 12 14 12
Gtr. 1 Gtr. 1
Gtr. 2
P.M. Gtr. 2
divisi * divisi **
11
10 12 14 2 12 125 147 114 147 125
12 14 4 14 12
0 0 0 0 0 0 0 0 0 0 0 0 0 10 12 14 2 12 5 7 7 5
3 5 5 3 5 5
*Gtr. 1 to left of slash in tab. **Gtr. 1 to left of slash in tab.
12
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
from Night Ranger - Dawn Patrol
Sing Me Away
Words and Music by Jack Blades and Kelly Keagy
Intro
Moderately fast q = 122
**A G/A Asus4 A G/A
Rhy. Fig. 1
Gtr. 1 (dist.)
*
(Synth.)
10 sec.
mf
let ring P.M.
6 4 X X 7 6 X X 6 4
7 5 X X 7 X X 7 5
0 0 0 0 0 0
Rhy. Fig. 1A
Gtr. 2 (dist.)
* 10 sec.
mf P.M. P.M. P.M.
5 3
2 5 3
2 6 4
2 7 5
0 0 0 0 0 0 0 0 0 0 0 0 0
*Key signature denotes A Mixolydian. **Chord symbols reflect overall harmony.
Gtr. 2: w/ Rhy. Fig. 1A
A G/A Asus4 A G/A G5/A G/A D/A G/A A G/A Asus4 A G
End Rhy. Fig. 1
P.M. let ring P.M.
let ring P.M. P.M. P.M. P.M.
6 4 X X 7 6 6 4 7 4 2 4 6 4 7 6 6 4
7 5 X X 7 7 5 5 5 4 5 7 5 7 7 5
0 0 0 0 0 0 0 0 0 0 0 0
End Rhy. Fig. 1A
P.M.
P.M. P.M. P.M. P.M.
5 3 2 3
2 5 3 3 3
2 6 4 2 4
2 7 5 4 5
0 0 0 0 0 0 0 0 0 0 0 0 0 0
A5 A G/A Asus4 A G/A G5/A G/A D/A G/A
Gtr. 1
P.M.
P.M. let ring
P.M. P.M. P.M.
4 6 4 X X 7 6 6 4 7 4 2 4
5 7 5 X X 7 7 5 5 5 4 5
0 0 0 0 0 0 0 0 0 0 0 0 0
Copyright © 1982 by Figs. D Music and Rough Play Music
All Rights Administered by Figs. D Music c/o The Bicycle Music Company
All Rights Reserved Used by Permission 1
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Verse
A G/A
1. Some - times I sit and I dream on for ho -
2. What do you see when you look in the mir -
Gtr. 1
mp
w/ bar Harm.
P.M.
10 10
10
9 9 9
7 7 7
12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12
-1 -1
Riff A
Gtr. 2
Harm.
P.M.
12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12
A G/A D/A G/A
- urs.
- ror?
Riff B End Riff B
mf
Harm.
P.M.
12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12
End Riff A
Harm.
P.M.
12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12
Gtr. 1: w/ Riff B (4 times)
Gtr. 2: w/ Riff A
A G/A A
Some - times my ho - urs, they turn in - to days.
I see a face from the past, it’s so clear.
2
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Gtrs. 1 & 2: w/ Rhy. Fig. 1 (1st 2 meas.)
G/A D/A G/A A G/A Asus4 A G/A
I dream of a girl I once knew as a school
What do you hear when I sing you for - ev -
A G/A Asus4 A G/A G5/A G/A D/A G/A A G/A Asus4 A G/A
boy. She was the one
- er? A song that will last
*Gtrs. 1 & 2
P.M. P.M. P.M.
let ring P.M. let ring
6 4 X X 7 6 6 4 7 4 2 4 6 4 X X 7 6 X X 6 4
7 5 X X 7 7 5 5 5 4 5 7 5 X X 7 X X 7 5
0 0 0 0 0 0 0 0
*Composite arrangement
µ A G/A Asus4 A G/A G5/A G/A D/A G/A
who could sing me a - way.
for a mil - lion years, oh.
P.M.
P.M. let ring P.M. P.M.
4 6 4 X X 7 6 6 4 7 4 2 4 4 7
5 7 5 X X 7 7 5 5 5 4 5 5
0 0 0 0 0 0 0 0 0 0 0 0
Pre-Chorus
D Dsus4 Dsus2 D Dm7 G5/D D Dsus4 Dsus2 D Dm7 G5/D
3
But she is a long ways a - way, and I wan - na be with her to - day.
But I am a long ways a - way, and I wan - na be with you to - day.
Gtr. 1
let ring P.M. P.M. P.M. P.M.
7 8 5 7 6 6 8 8 7 8 5 7 6 6 8 8
7 7 7 7 7 7 7 5 5 7 7 7 7 7 7 7 7 7 7 5 5 7 7
0 0 0 7 0 0 0 0 0 0 0 7 0
Gtr. 2
7 6 6 6 8 8
7 5 7 5 5 7 7
0 0 0 0 0
3
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Eb Bb C F
I’ll think of a way I can get back, oh, I’d run
Gtr. 1
Gtr. 2
divisi
10
8 7 8 7 7 9 10 10 9 10
8 7 8 8 8 10 10 10 10
Chorus
Gtrs. 1 & 2 tacet
C D G D/G
all the way back home. Sing me a - way, sing me a - way,
Riff C End Riff C
Gtr. 1 Gtr. 3 (clean)
mf
w/ chorus
let ring throughout
7 7 10 10
8 8 10 10
9 9 9 11 11 4 7 7 11 11
Riff C1 End Riff C1
Gtr. 2 Gtr. 4 (clean)
mf
w/ chorus
let ring throughout
8 8 7 7
7 7 7 7
10 10 10 12 12 5 5 5 5 5
C/G D D/F# G
oh. Sing me a - way,
8 8 10 10 7 7
8 8 10 10 8 8
9 9 11 11 11 7 7
5 5 7 7 8 8
5 5 7 7 7 7
5 5 7 7 5 5
4
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
1.
D/G C/G D E5 A
sing me a - way.
Oh,
Gtr. 3
10 10 8 8 10 10
10 10 8 8 10 10 10
11 11 9 9 11 11 11
Gtr. 4
7 7 5 5 7 7
7 7 5 5 7 7 9
5 5 5 5 7 7 9
7
Gtr. 2
7
0
Gtr. 1
Gtr. 1: w/ Rhy. Fig. 1
Gtrs. 3 & 4 tacet
G/A Asus4 A G/A A G/A Asus4 A G/A G5/A G/A D/A G/A
Gtr. 2
P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M.
5
5
3
3
5
5
3
3 3 3
7
0 0 0 0 0 0 0
6
7
0
4
5
0 0 0 0 0 0
2
2
0 0 0 0 0 0 0
6
7
0
4
5
0 0 0
2
4
0 0
4
5
0
5
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
2.
Guitar Solo
Gtr. 3: w/ Fill 1
Gtr. 4: w/ Fill 2
D E5 A G/A A
yeah, yeah.
Gtr. 5 (dist.)
f P.M.
1 1/2 1/2 hold bend
17
12 14 14 14 14 14 12
14 14
14 11
10 12 14
*Gtrs. 1 & 2
P.M. P.M. P.M.
3 5
2 3 5
2 4 6
2 5 7
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
*Composite arrangement
G/A D/A G/A A G/A
P.M.
1 1 1 1
15 12 14 12
15 15 14 12 15 14 12 12 14
14 12 11 14 14 14 14 14
14 11 11
12 12 14
P.M. *T P.M. T P.M. P.M. P.M.
3 3
3 3 3 2 3
4 2 4 2 4
5 4 5 2 5
0 0 0 X 0 X 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
2 3
*T = Thumb on 6th string
Fill 1 Fill 2
Gtr. 3 Gtr. 4
10 10 10
10 10 7 7 7
11 7 7
7
6
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Gtr. 5 tacet
A G/A D/A G/A G D/G
8v a
Gtr. 5
1
1 1
17 19 19 19 19 19 17 17 17
17 17 20 20 20 17 20 20 20
20 19 17
Gtr. 1
P.M. P.M.
5 3
5 3 3
6 4 4 4 5 2 2 4 5
7 5 5
0 0 0 0 0 0 0 0 0 0
2 0 3 3
Gtr. 2
P.M. P.M.
5 3
5 3
6 4 4
7 5 5 5 7 4 4 5 7
0 0 0 0 0 0 0 0 0 0 0 7
2 0 3 3
C/G D D/F# G D/G
Gtr. 1
10
12 12 13 10 10 12 13
2 4 4 2 4 5 12 12
5
Gtr. 2
8 8 10 12 7 7 8 10
9
5 5 4 5 7 12
7
7
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Chorus
Gtrs. 3 & 4: w/ Riffs C & C1 Gtrs. 1 & 2 tacet
C/D D D/F# G D/G
Sing me a - way, sing me a - way,
12 12 10 12 13 12
12
8 8 7 8 10 8
9
C/D D D/F# G D/G
oh. Sing me a - way, sing me a - way.
Riff D
Gtr. 3
8 8 10 10 7 7 10 10
8 8 10 10 8 8 10 10
9 9 11 11 11 7 7 11 11
Riff D1
Gtr. 4
5 5 7 7 8 8 7 7
5 5 7 7 7 7 7 7
5 5 7 7 5 5 5 5
8
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Gtrs. 3 & 4: w/ Riffs D & D1 (2 times)
C/G D D/F# G D/G
Oh, I’d run all the way back home. Sing me a - way, sing me a - way,
Gtr. 1
mf
rake
10
12 12 13 10 10 12 13
X 12
Gtr. 2
mf
8 8 10 12 7 7 8 10
9
End Riff D
Gtr. 3
8 8 10 10 7
8 8 10 10
9 9 11 11 11
End Riff D1
Gtr. 4
5 5 7 7 8
5 5 7 7
5 5 7 7
9
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
C D D/F# G D/G
sing me a - way, yeah. Sing me a - way, sing me a - way,
Gtr. 1
10
12 12 10 12 13 12 12 13 10 10 12 13
12 12
Gtr. 2
7 8 8 7 8 10 8 8 10 12 7 7 8 10
9 9
Outro
Gtrs. 3 & 4: w/ Riffs D & D1 (1 1/2 times)
C D D/F# G D/G
sing me a - way.
8v a
1
19 19 20 20 17 17 19 20
12 12 10 12 13 20 20
12
8v a
15 15 17 19 14 14 15 17
8 8 7 8 10 17 17
9
10
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
C D D/F# G D/G
8v a
1/2
1
X 19 19 17 19 19 19 19 19 20 20 17 17 19 20
20 20
8v a
15 15 14 15 17 15 15 17 19 14 14 14 15 17
17 17 17 17
C Eb F G
8v a
loco
Gtr. 1
rit.
1
20 20
14 15 14 15 14 15 17 15 17 17 15 17 17 17 16
Gtr. 2
loco
8v a
rit.
1
17 17 17 17 6 8 6 8 6 8 10 8 10 8 10 10 10 8
Gtr. 3
rit.
8 8 11 11 13 13 15
8 8 11 13
9 9 12 14
Gtr. 4
rit.
5 5 8 8 10 10 12
5 5 8 10
5 5 8 10
11
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
from Night Ranger - Midnight Madness
Sister Christian
Words and Music by Kelly Keagy
Gtr. 1: Capo III
Intro
Moderately slow q = 88
C Fmaj7 G C
** (A) (Dmaj7) (E) (A)
*Gtr. 1
mf
w/ fingers
let ring throughout
5 0 5
2 3 5 5 5 0 2 3 5 7 2 3 5 5 5 0 2 3
2 4 6 6 6 2 4 6 1 2 4 6 6 6
2 7 0 7 2 7
0 0
0
*Piano arr. for gtr.
**Symbols in parentheses represent chord names respective to capoed guitar.
Symbols above reflect actual sounding chords. Capoed fret is “0” in tab.
Chord symbols reflect basic harmony.
F G F C/E Dm F/G
(D) (E) (D) (A/C#) (Bm) (D/E)
rit.
2 0 0 2 0
3 0 3 3 3 2
2 1 1 2 2 2 4 2 2 4 2
0 0 0 4 4 2 4 4
4 2 5
0 0
Verse
A tempo
2nd time, Gtrs. 2 & 3: w/ Rhy. Fill 1
C F G C
(A) (D) (E) (A)
1. Sis - ter Chris - tian, oh, the time has come, and you know that you’re the
2. Babe, you know you’re grow - ing up so fast and ma - ma’s wor - ry - ing that
0 0
2 2 3 2 0 2 2 0
2 2 2 4 2 2 1 1 2 2 2
2 2 2 4 2 2
0 5 0
0
Rhy. Fill 1
Gtrs. 2 & 3
5
5
3
Copyright © 1983 by Figs. D Music and Rough Play Music
All Rights Administered by Figs. D Music c/o The Bicycle Music Company
All Rights Reserved Used by Permission 1
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
F G F C/E Dm F/G
(D) (E) (D) (A/C#) (Bm) (D/E)
on - ly one to say o - kay.
you won’t last to say let’s play.
2 0 5 5
3 0 7 5 3 2 0
2 1 7 7 2 2 2 4 4 2
0 0 4 2 4 0 2 4 4
4 5 5
0 7 0
C F G C
(A) (D) (E) (A)
3
Where you go - ing, what you look - ing for? You know those boys don’t wan - na
Sis - ter Chris - tian, there’s so much in life, don’t you give it up be -
0 0 5 0
2 2 3 0 0 2 0
2 4 2 2 1 2 2
2 2 2 4 2 2 2
0 0 0 5 0
0
T o Coda
F G F C/E Dm F/G
(D) (E) (D) (A/C#) (Bm) (D/E)
play no more with you, it’s true.
fore your time is due, it’s true.
2 0 0 0 5 2
3 3 0 0 5 7 3 3 2 0
2 1 7 7 2 2 2 4 4 2
0 0 4 2 2 4 4
5 4 5 5
0 7 0
2
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Pre-Chorus
C F/C G/C C F/C G/C
(A) (D/A) (E/A) (A) (D/A) (E/A)
You’re
Rhy. Fig. 1 End Rhy. Fig. 1
Gtr. 1
0
3 0 2 3 5
2 2 1 2 2 4
2 4 2 2 4 6
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
Gtr. 2 (dist.)
mf
P.M.
5
X
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3
Rhy. Fig. 1A End Rhy. Fig. 1A
Gtr. 3 (dist.)
mf
P.M.
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3
Chorus
Gtr. 1 tacet
C5 F5 C5 F5 Bb5
mo - tor - ing, what’s your price for flight in find - ing mis - ter right?
*Gtrs. 2 & 3
P.M. P.M. P.M. P.M. P.M. P.M. P.M.
5 5 5 5 5 5 3 3
5 5 5 3 3 5 5 5 3 3 3
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 1 1
1 1 1 1 1 1 1 1 1
*Composite arrangement
3
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
D.S. al Coda
C5 F5 F/A Bb F/A G
You’ll be al - right to - night.
P.M. P.M. P.M. P.M.
w/
bar
3
5 5 5 3
5 5 5 5 3 3 3 3 3
3 3 3 3 3 3 3 3 3 0 0 0 1 0 1 0
1 1 1 1 1 3 3
Coda
Pre-Chorus
Gtrs. 1 & 3: w/ Rhy. Figs. 1 & 1A
C F/C G/C C F/C G/C
(A) (D/A) (E/A) (A) (D/A) (E/A)
It’s true, yeah.
_ 1/2 _ 1/2 _ 1/2 _ 1/2 _ 1/2 _ 1/2 _ 1/2 _ 1/2 _ 1/2 _ 1/2
Gtr. 2
w/ bar
_ 1/2 _ 1/2 _ 1/2 _ 1/2 _ 1/2 _ 1/2 _ 1/2 _ 1/2 _ 1/2 _ 1/2
5 5 5 5 5 5 5 5 5 5 5 5
5 X
3 3 3 3 3 3 3 3 3 3 3 3
Chorus
C5 F5 C5
Mo - tor - ing, what’s your price for flight? You
Rhy. Fig. 2
Gtrs. 2 & 3
P.M. P.M.
P.M.
P.M.
P.M. P.M.
5 5 5 5 5
5 5 5 3 3 5 5
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3
1 1 1 1 1 1
F5 Bb5 C5 F5
got him in your sights, and driv - ing through the
End Rhy. Fig. 2
P.M.
P.M.
3 3 5
3 3 3 5 2 3 2
3 1 1 3 3 3 5 3 3 3 5 3 0
1 1 1 1 1 1 3 5
4
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Bb F/A Bb5 F/A Bb5 F/A Bb5 µ C5
night. Mo - tor - ing,
Rhy. Fig. 3
3
3 5 5
3 3 3 3 3 3 3 3 3 5 5
1 0 1 1 0 1 1 0 1 3 3
F5 C5
F5 Bb5
what’s your price for flight in find - ing mis - ter right?
End Rhy. Fig. 3
P.M. P.M. P.M. P.M. P.M.
5 5 5 3 3
3 3 5 5 5 5 3 3 3
3 3 3 3 3 3 3 3 3 3 3 1 1
1 1 1 1 1 1 1 1 1
C5 F5 Bb
You’ll be al - right to - night.
Rhy. Fig. 4
P.M.
3
5 3
5 2 3 2 3
3 3 3 5 3 3 3 5 3 0 1 0
1 1 1 1 1 3 5 3
Guitar Solo
Gtrs. 2 & 3 tacet
F/A G F G/F
Gtr. 4 (dist.)
w/ bar
f A.H.
1/2 +1 +1
P.H. T
2 2
3 5 5 5
3 3 8
Pitch: C
Gtrs. 2 & 3 End Rhy. Fig. 4
1 0
3 1
5
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
F G/F F
_1 _1
Gtr. 4 8v a
3
fdbk. w/ bar rake
steady gliss.
w/ bar
_1 _1
+1 1/2
17
17 20
2 3 2
5 5 5 5 2 2 3
X 3 3 19
X
-3 1/2
G/F F G/F
8v a
loco 3
rake
w/bar 1
20 19 10 10 8
20 20
2 5 4 0
10 2 5
3 2 2 5
X
-2 1/2
C/E F7/Eb Bb/D
8v a
Gtr. 4
w/ bar
hold bend hold bend *
Harm.
1 T 1/2 T T
10 13 10 10 8 10 16 10 16 16 10 10 8 10 15 14 13 15 18
3
*Vibrato w/ tap finger. Pitch: D -2 1/2
Gtrs. 2 & 3
7 6 5 5
8v a
loco
3
3 1/4
7 7 8 8 10 17 15 19 17 20 19 22
12 12 12 8 8 10 10 12 0 0 18 17 15 20 20 17 20 18
12 12 12 12 12 14 12 14
12 12
let ring
3 3 3 3 3
3 3 3 3 3
0 0 0 0 0
0 0 0 0 0
X X X X X
3 3 3 3 3 3 3 3 3
6
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Chorus
Gtrs. 2 & 3: w/ Rhy. Fig. 3
µ C5 F5 C5
Mo - tor - ing, what’s your price for flight in
8v a
Gtr. 4 loco
1
mf
22
3 3 3
17 1 1 3 5
Gtr. 4 tacet
F5 Bb5 C5 F5
find - ing mis - ter right? You’ll be al - right to - night.
Gtrs. 2 & 3
P.M.
5
5 2 3 2
3 3 3 3 5 3 3 3 5 3 0
1 1 1 3 5
Gtrs. 2 & 3: w/ Rhy. Fig. 2
Bb F/A Bb5 F/A Bb5 F/A Bb5 C5
You’re mo - tor - ing,
Gtr. 4
P.H.
mf
3
3
3 3 3 3 3 3 3 3 3
1 0 1 1 0 1 1 0 1 3 3 3
3 5
Gtr. 4 tacet
F5 C5 F5 Bb5
what’s your price for flight in find - ing mis - ter right?
7
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Gtrs. 2 & 3: w/ Rhy. Fig. 4
C5 F5 Bb F/A G
You’ll be al - right to - night.
Interlude
C F/C C F/C G/C
(A) (D/A) (A) (D/A) (E/A)
Gtrs. 2 & 3
let ring
H.H.
5 5 17
5
3
Gtr. 1
0 5 0 2 5 5 0 2 4
2 2 3 2 2
2 2 2 2 2 2 4
2
0 0
Outro-Verse
Gtr. 3 tacet
C F G C
(A) (D) (E) (A)
3
Sis - ter Chris - tian, oh, the time has come and you know that you’re the
Gtr. 2
* mf
fdbk.
w/ bar
7 7
*Vol. swell -1
Gtr. 1
5 0 0 0 5 0
2 2 2 3 0 0 2 2 0
2 2 4 2 2 1 1 2 2 2
2 2 4 4 2 2 2
0 5 0
8
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Gtr. 2 tacet
F G F C/E Dm F/G
(D) (E) (D) (A/C#) (Bm) (D/E)
on - ly one to say o - kay.
Gtr. 1
2 0 2 0 2 2 0
3 0 0 3 3 2 0
2 1 1 2 2 2 2 4 2 4 2
0 0 0 4 2 4 4
4 5 5
0 7 0
C F/C C
(A) (D/A) (A)
3
But you’re mo - tor - ing, yeah,
2 0 0
2 3 3 2 2
2 2 2 2 2 2 2 2
2 2 2 4
0 0 0 0 0 0 0 0 0 0 0 0 0
F/C C Csus2
(D/A) (A) (Asus2)
mo - tor - ing.
2 2 0 0
3 3 2 2 0
2 2 2 2 2
4 2
0 0 0 0 0 0
F/C G C
(D/A) (E) (A)
rit.
rit.
0 5
3 3 0 0 2 2
2 1 1 2 2
4 4 2 2
0 0
0
9
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
from Night Ranger - Big Life
The Secret of My Success
Words and Music by Jack Blades, David Foster, Tom Keane and Michael Landau
C5 G5 D5
5fr
134 134 134
Intro
Moderately q = 120
** D5
*
(Synth bass & sequencer)
Gtr. 1 (dist.)
mf
P.S.
X X X
7 X X X 5
X 5 X X X 5
*Key signature denotes D Mixolydian.
**Chord symbols reflect overall harmony.
Verse
Gtr. 1 tacet
µ D5
1. Think of it, I hold the
X X
7 5 X X 7 5 7 5 3
5 5 X X 5 5
world in the palm of my hand. Run a
comb through my hair, head on out for some new for - eign land.
Copyright © 1987 by Figs. D Music, Rough Play Music, Air Bear Music, USI B Music Publishing, Young Millionaires Club Music and Five Storks Music
All Rights for Rough Play Music Administered by Figs. D Music c/o The Bicycle Music Company
All Rights for Air Bear Music Administered by Peermusic Ltd.
All Rights for USI B Music Publishing and Young Millionaires Club Music Controlled and Administered by Songs Of Universal, Inc.
All Rights Reserved Used by Permission 1
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Bridge
C5 Csus2 C5
And all this could seem like a dream out the door, with
let ring
3
3 3
5 5 5
5 5 5 5
3 3 3 3
Verse
G5 * G5/E D5
ev - ’ry - day peo - ple face down on the floor. 2. I al - ways said I could
3
0
0 7
X 5
3
*Bass plays E.
make it and be who I am. There’s a
Gtrs. 1 & 2 (dist.)
mf
w/ bar
13 12
w/ bar
1/2 1/2
13 10
12 11 11 11 11
7
5
Gtr. 2 tacet
new look in sight, what a change for the new mod - ern man.
Gtrs. 1 & 2
Gtr. 1
10 13 10 12
7
5
2
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Pre-Chorus
Gtr. 2 tacet
C5
With all this it seems like I’m dy - ing for more, the
Gtr. 1
1/2 1/2
let ring
3
12
12 11 11 11 5 5 X X 12 11 11 9
5 X X X X X
3 X X 10 9 9 7
G5 G5/E Csus2
streets are on fire, nev - er seen it be - fore. It’s like the sound of e -
3
3 3 3
0 9 5 5
0 X 5 5
X 7 3 3
3
D/A A5 G5 E5
lec - tric gui - tars.
Gtr. 2
w/ bar w/ bar w/ bar
9 12 11 9
13 10 10 10 109
12 7 5 5
7
-1 1/2 -1
-3 1/2
Gtr. 1
3 7 7
5 12 12 12 11 9 7 7
5 X X X X X 7 7
3 10 10 10 9 7 0 0
5 3 0
3
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Chorus
Gtrs. 1 & 2 tacet
D Em7 G6 A D Em7
Worlds col - lide and hearts will be bro - ken, o - ver and o - ver, it’s the
(O - ver and o - ver.
Gtr. 2
Gtr. 1
divisi
14
Riff A
Gtr. 3 (clean)
mf
w/ chorus
let ring throughout
2 0 0 2 0
3 3 3 3 5 2 3 3 3 3
2 0 4 2 2 0
5 2
A G D Em7 G6 A6
same ev - ’ry - day. How can I say what has nev - er con - cerned me. The
Same ev - ’ry - day.)
Gtr. 3 End Riff A
Gtr. 3
Gtr. 1
divisi mf
0 2 0 0 2
2 3 3 3 3 3 3 2
2 2 4 4 2 0 4 2 5 5
5 5 5 5
3 3
To Coda 2
Gtr. 3 tacet
C5 G5 Eb5 Bb5 C5 G5
se - cret of my suc - cess is I’m liv - ing...
Gtr. 1
5 5
5 5
3 3 5 6 3
3 3 3 6 3 3 2
4
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
To Coda 1
E5 G5 D5
twen - ty - five hours a day.
7
5
0 3
Verse
µ D5
3. It’s a - maz - ing to me what a fool will be - lieve to get
mf
5 7 5 3
5 7
0
by. With a change of your
8v a
Gtr. 2
19
mf w/ bar
20 20 17
20
Gtr. 1
w/ bar
10 13 13 10 12 12
7
5
5
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
mind, I can live, I can fly. The
8v a
19
w/ bar
1/2 1/2
20 20 17
20 19 19 19 19
12
w/ bar 1/2 1/2
13 13 10
2 12 11 11 11 11
7
5
Pre-Chorus
Gtr. 2 tacet
Csus2 G5
hard - er they come, the hard - er they fall. I nev - er say may - be and I
Gtr. 1
w/ bar
3
3
5 11 12 11 11 9 7
5 X X X X
3 9 10 9 9 7 5
G5/E C5
go for it all. It’s like the sound of e - lec - tric gui - tars.
Gtr. 2
8 8 8 8
Gtr. 1
let ring
3
7 5 5 5 2 12 11 11 9
5 X X X
5 3 10 9 9 7
6
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
D.S. al Coda 1
D/A A5 G5 E5
8v a
3 3
1/2 rake
1/2
9 10 9 9 12 14 14 12 12 17 12 17 15 12 14 15
8 10 10 12 10 10 12 12 12 12 14 15 14 X 15
12
w/ bar
7 7 7 7
7 7 7 7
7 7 7 7 7 7 5
0 0 0 7
-1
Coda 1
D5
day.
(cont. in slashes)
7
5 5 5 5 5 5 5 5 5 5 5 5 5 5
Interlude
C5 G5
loco 8v a
Gtr. 1
8va
Gtr. 2
15
1/2
17 15 20 19 19 17 19 17 17
13 13 17 17 17 17 20 17 20 18 20 18 20 18
10 12 12 19
loco
Gtr. 4 8v a
mf
1
17
17 18 17 20 20 18 17 20 18 17 18 17
17 17 17 17 19 17 16 19 19 19
17
17 19 19
7
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
C5
G5
(cont. in notation)
With
8v a
loco
1
1 1
15 15 20 22 20 17 17 19 20 20 22 20 20 19 20
17 20
14 17 17
8v a
1 1/2
1 1
17 18 17 22 20 22 22 22 22 22 20 22
17 17 17 17 19
17
17 19 19
Bridge
E5 B5 C5
noth - ing to show, just sweat from my soul, my heart’s on the line and I’m
8v a
Gtr. 2
19
8v a
Gtr. 4
20
Gtr. 1
4 4 5 5
2 4 4 5 5
2 7 2 2 3 3
0
8
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Gtrs. 2 & 4 tacet
G5 A5 G/B
dy - ing to go. Look at us now, gon - na make it some - how,
(Dy - ing to go, oh,
mf
loco
Gtr. 2
loco
Gtr. 4
divisi mf
12 10
13 12 13 12 10 8
12 14 12 11 9
Gtr. 1
P.M. P.M.
2
5 2
5 0 0 0 0 0 0 0 0 0 2 2 2 2 2 2 2 0 0
3
Interlude
Gtr. 1 tacet
C5 D5
hold on to me, ba - by.
can’t hold me down.)
Gtr. 1
Gtr. 2
mf
w/ slight dist.
w/ pick & fingers
8 7 5 7
5 7 7
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 7 5 5
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 5 5
8 7 5
5 7 5 7 5 7 5 7 7 5 7 2 5 2 0
5 7 7 5 7 5 7 7 5 7 5 7 7 3 0
5 5 5 5 5 5
9
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
8 7 5 7
5 7 7 5 7 5 7
5 7 7 5 5 7 7 5 7
5 5 5 5 5
D.S. al Coda 2
A5 G5 E5
Oo.
Gtr. 2
w/ pick w/ dist.
fdbk. w/ bar
8 7
5 7 5 7
5 7 7 5 5 7 7 5
5 7 7
Pitch: C#
-1
Gtr. 1
3 17 5 3 3 0 0
Coda 2
Outro
Gtr. 3: w/ Riff A
E5 G5 D Em7 G6 A
twen - ty - five hours a day.
Voc. Fig. 1
(Na, na, na, na, na, na,
Gtr. 1
mf
Gtr. 1
Gtr. 2
divisi
7 9 7
0 5 7 9 7 9
0 3
10
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Gtr. 1 tacet
D Em7 A G D Em7
na, na, na, na, na, na, na. Na, na, na, na,
Gtr. 2
w/ bar
7
7 8 7 7
7 9 7 7
7 7 9 0 0 5 7 9
X X
C5
Gtr. 1
mf
The se - cret of my suc - cess
End Voc. Fig. 1
na, na, na.)
3 3
w/ bar
9
7 8 7 8 7 8 7 7 8 7 8 7 7
7 9 9 9 9 9
9 9
G5 E G
open 3 fr
is I’m liv - ing twen - ty - five hours a
(Twen - ty - five hours a
3
9 7 9 7 7 7
9 10 10 9 10 9 7 9
10 7 10
11
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Bkgd. Voc.: w/ Voc. Fig. 1 Gtr. 1 tacet
Gtr. 3: w/ Riff A
D G6 A D Em7
open
day, hey.
day.)
w/ bar
7 7 7 9 7 7
7 9 7 9 7 7 5 7 9
A G D Em7 G6 A6
C5
Gtr. 1
mf
3 3
w/ bar w/ bar
9 9
7 8 7 7 7 8 7 8 7 8 7 7 8 7 8 7 7
7 7 7 7 9 9 9 9 9
0 5 7 9 9
0
G5 E G D5
open 3 fr
(Twen - ty - five hours a day.)
3
9 7
9
9 7
10
7
10 9
7
10 9 7
10 10
7 10 10 5
12
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
from Night Ranger - Midnight Madness
When You Close Your Eyes
Words and Music by Jack Blades, Alan Fitzgerald and Brad Gillis
Intro
Moderately q = 140
Gadd9/B C%[no3rd]
8va
*Gtr. 1 (dist.)
f P.H.
w/ bar 1/2 w/ bar rake 1/2 w/ bar
12 12 12 12
12 14 14 12 12 14 14 12 12 14 12 X 14 12
X
*Brad Gillis -2 1/2
Rhy. Fig. 1
**Gtr. 2
mf
let ring throughout
3 3
3 3
2 2
0 X
2 3
**Kybds. arr. for gtr.
Em7sus4 Dm11
8v a
loco
w/ bar
w/ bar 3 3 1/2 1
rake 1
14
13 15 17 17 17 X 18
12 13 15 15 15 15 13 13
14 12 12 14 X 17
X
End Rhy. Fig. 1
3 1
3 1
2 0
2 0
2
0
Gtr. 1 tacet
Am7sus4 *** Gadd9
8v a
19
3 3
3 3 3
2 0 2 0 2
2 0
0
3
***Chord symbols reflect implied harmony.
Copyright © 1983 by Figs. D Music and Rough Play Music
All Rights Administered by Figs. D Music c/o The Bicycle Music Company
All Rights Reserved Used by Permission 1
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Verse
Gmaj9
1. What do you do when it’s fall -
3
3 3 0 1 3
0 2 0 0 2
0
3 3
C%
- ing a - part and you knew it was gone from the ver - y start? Do you
3 3
3 0 1 3
0 0 0 2 0
3 2
Am7 Fadd9 Gmaj9
close your eyes and dream a - bout me?
3
0 1 3 0 1 3
0 2 0 0 0 2
0
1 3
Gtr. 2 tacet
C6 D Gmaj9
A girl in love with a gleam in your eye, I was a
Gtr. 3 (slight dist.)
mp
P.M. throughout
3
2 2 0
X 4 5 5 4 5 5 5 4 5 4
3 5 5 5 5 5 5
3
2
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
C% Am7
young - er boy all dressed in white. We’re old - er now. I’ll
5 7
5 7 4 5 5 5 4 5 5 5 5 5 5 5
3 3 3 3 3 7
Gtr. 3 tacet
Fadd9 Gmaj9
bet you still think a - bout me.
Gtr. 3
5
3 5 3 5 5 5 4 5
3 5
3
Rhy. Fill 1 End Rhy. Fill 1
Gtr. 4 (dist.)
mp mf
P.M.
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3
Pre-Chorus
3rd time, Gtr. 6: w/ Fill 3
Bbsus2 F
Eb5
1. I re - mem - ber we learned a - bout love in the back of a Chev - ro - let.
2. I re - mem - ber I held you so tight and we danced the night a - way.
3. I re - mem - ber we learned a - bout love in the back of a Chev - ro - let.
Gtr. 4
P.M.
P.M.
P.M.
1 1 1
1 1 1
3 3 2 5 5 0 8
3 3 3 3 3 3 3 3 3 3 0 8 8 8 8 8 8 8
1 1 1 1 1 1 3 3 3 3 3 3 3 6 6 6 6 6 6 10
1 1 1 1 1
Fill 3
Gtr. 6
5 8
3
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Bbsus2 F
3
Well, it felt so good to be young, it feels like yes -
With the moves of two wide - eyed kids, I need you so much
No good for an old mem - o - ry to mean so much
P.M. P.M.
P.M.
1 1 1
1 1 1
3 3 2 0
8 8 8 8 8 8 8 8 3 3 3 3 3 3 3 3 3 0
10 8 8 6 6 6 6 6 0 1 1 1 1 1 1 0 3 3 3 3 3 3
0 1 1 1 1 1 1
Chorus
2nd & 3rd times, Gtr. 4: w/ Rhy. Fill 2 2nd & 3rd times, Gtr. 5: w/ Fill 1
G5
G/B
- ter - day.
to - day. When you close your eyes
to - day.
Riff A1
Gtr. 5 (dist.)
mf
w/ bar
Harm. steady dive
8
5 5
9 9
-2 1/2 Riff A
Gtr. 4
3
P.M.
3
0
0 5 4 5 4 5
X 5 5 3 2 2
3
Rhy. Fill 2
Gtr. 4
P.M.
5 5 5 5 5 5 5 5 5 5 5 5
5 5 5 5 5 5 5 5 5 5 5 5
3 3 3 3 3 3 3 3 3 3 3 3
Fill 1
Gtr. 5
Harm. w/ bar
5 5
Pitch: G -2 1/2
4
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
C Em D/C C
do you dream a - bout me? When you
Voc. Fig. 1 End Voc. Fig. 1
(Dream a - bout me.)
8 8 7 8 7
9 9 7 9 9 9 9
5 5 4 4 5 4 2
3 3 5 7 7
To Coda 1
To Coda 2
G/B C D Dsus4 D
close your eyes do you dream a - bout me? Do you still dream a - bout
End Riff A1
8 8
7
9 7 10 10 12 7
5 10 17
End Riff A
7 8 8 8 7 7
7 7 7 7 7 7
5 5 7 7 7 7 7 7
2 2 3 3 5 5 5 5 5 5 5
10
5
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
G5 C D
me? 2. I
w/ bar
+1
3
3
0
0 2 5 2 2 2
X
3
3
3
0
0
X 5 3 3 5 5
3 3
Verse
Gtrs. 4 & 5 tacet
Gmaj9 C%
guess I don’t know what I’m think - ing, com - ing off a hard night of drink -
Riff B
Gtr. 3
P.M. throughout
5 4 5 5 5 4 5 5 5 5 4 5 5
5 5 5 5 5 3 3 3
3 3
Gtr. 5
Gtr. 4
5
3
6
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Am7 Fadd9
- ing. Ang - ie, come clos - er to me, I need a soul to bleed
Gtr. 3
4 5 4 5 5 5 5 5 7 5 5 5 3 5 3 5
3 3 3 7 3 3
5 1
Gtr. 3: w/ Riff B
Gmaj9 C5 D5 Gmaj9
out. It could -’ve been done in a dif -
End Riff B
Gtr. 3
5 4 5 5 5
5 5 5 5
3
Gtr. 4
5 7 7
5 7 7 5 5 5
3 5 5 5 5 5
3 3 3
Gtr. 4 tacet
C%
f’rent kind of way but that ain’t you, you play tough when you play. It’s
D.S. al Coda 1
Am7 Fadd9 Gmaj9
o - ver now, I’ll bet you still think a - bout me.
Gtr. 4
mp mf
P.M.
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3
7
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Coda 1
Gtr. 5: w/ Riff A1 (last 2 meas.) Gtrs. 4 & 5: w/ Riffs A & A1
D Dsus4 D G/B
me? When you close your eyes
Fill 2 End Fill 2 Riff C
8v a
Gtr. 1
14 15
15 15
Gtr. 4
7 8 8 8 7
7 7 7 7 7
7 7 7 7 7
5 5 5 5 5
Bkgd. Vocs.: w/ Voc. Fig. 1
C Em D/C C
do you dream a - bout me? When you
8v a
Gtr. 1
14 15 14 15 15 14 15 14
15 17
G/B C D Dsus4 D
close your eyes do you dream a - bout me?
8v a
End Riff C
14 15 14 15 15 17 17
15
8
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Guitar Solo
Gtr. 2: w/ Rhy. Fig. 1
Gadd9/B C%[no3rd]
Gtr. 1 loco
w/ bar rake w/ bar w/ bar
1/2
12 12
12 14 12 X 14 12 14 12
X
Gtr. 4
2 2 3
Em7sus4
10
rake w/ bar w/ bar
1/2 1
12 12 12 13 15 15
X 14 12 12 14
X
-4
3 7 7 7
Dm11
8v a
Gtr. 1
rake 3 3 1/2
13 15 17 17 17
X 13 13
17
*Gtr. 6 (dist.)
f 1 1
7 7 7 5
*Jeff Watson
Gtr. 4
9
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Guitar Solo
Gtrs. 1 & 4 tacet
* Cmaj9 C F/C C
Gtr. 6
1 1 1
5 6
7 7 7 7 7 5 4 5
*Chord symbols reflect overall harmony.
Am7sus4 Am7 F/A Am7
1 1
6
4 5 7 7 7 5
5 5 7
5 7 5 3 2
G/F C/F F C/F
3
1 1
6 5 6 5 6 5 6 5 5 8 8
7 7 7 5 7
D.S. al Coda 2
Gtr. 4: w/ Rhy. Fill 1
Dm7 C/D G
5
3 3
3
1 1
8 8 5 8 5
7 7 5 7 7 7 5 4 5 4
5
Coda 2
Gtr. 5: w/ Riff A1 (last 2 meas.)
D Dsus4 D
me? When you
Gtr. 4
7 8 8 8 7
7 7 7 7 7
7 7 7 7 7 7 7 7
5 5 5 5 5 5 5 5
10
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Outro-Chorus
Gtrs. 4 & 5: w/ Riffs A & A1 (till fade) Bkgd. Voc.: w/ Voc. Fill 1
G/B C Em
close your eyes do you dream a - bout
D/C C G/B C
me? When you close your eyes do you dream a - bout
Gtr. 1: w/ Fill 2 Gtr. 1: w/ Riff C (till fade)
D Dsus4 D G/B
me? When you close your eyes
Begin fade
Bkgd. Voc.: w/ Voc. Fill 1
C Em D/C C
do you dream a - bout me? When you
G/B C D Dsus4 D
go to sleep at night do you dream a - bout me?
G/B C
When you close your eyes do you
Bkgd. Voc.: w/ Voc. Fig. 1
Em D/C C G/B
dream, dream a - bout me? When you close your big, brown eyes
Fade out
C D Dsus4 D
do you dream a - bout me?
11
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
from Night Ranger - Midnight Madness
(You Can Still) Rock in America
Words and Music by Jack Blades and Brad Gillis
B5 Asus2
134 14
Intro
Free time Moderately fast q = 168
*A5 G5/A D/A G5/A D/A
Gtr. 1 (dist.)
mf
w/ bar
0 0
-3 1/2
Gtr. 2 (dist.)
f
P.M. P.M. P.M. P.M.
8 7 8 8 7
7 7 7 7 7
5 7 5 5 7
0 0 0 0 0 0 0 0 0 0 0
*Chord symbols reflect implied harmony
Gtr. 1 tacet
G5/A ** C/E A5 G5/A
Gtr. 1
w/ bar
0 0 0
-3 1/2 slack
Gtr. 2
P.M. P.M. 1/4 P.M.
8 8
7 2 7
5 2 5
0 0 0 0 0 3 0 0 0 0 0 0
Gtr. 3 (dist.)
f P.M.
1/4
8
2 7
2 5
3 0 0 0 0 0 0
**Bass plays E.
Copyright © 1983 by Figs. D Music and Rough Play Music
All Rights Administered by Figs. D Music c/o The Bicycle Music Company
All Rights Reserved Used by Permission 1
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
D/A G5/A D/A G5/A A5
*Gtrs. 2 & 3
P.M. P.M. P.M. P.M.
7 8 8 7 8
7 7 7 7 7 2
7 5 5 7 5 2
0 0 0 0 0 0 0 0 3 4 0
*Composite arrangement
A/C# G5/A D/A G5/A D/A G5/A A5
Gtr. 4 (dist.)
mf
1/2 1/2
14 14 12 12 14 14 12 12
12 14 11 12 11 12 14 12 14
14 12 14
Rhy. Fig. 1 End Rhy. Fig. 1
Gtrs. 2 & 3
1/2 P.M. P.M. P.M. P.M.
8 7 8 8 7 8
7 7 7 7 7 7 2
5 7 5 5 7 5 2
3 0 0 0 0 0 0 0 0 0 0 0 0 0 0 3 4 0
Gtrs. 2 & 3: w/ Rhy. Fig. 1
A/C# G5/A D/A G5/A D/A G5/A A5
Gtr. 4
1/2 1/2
14 14 12 12 14 14 12 12
12 14 11 12 11 12 14 12 14
14 12 14
Gtr. 4 tacet Gtr. 5 tacet
µ E5 µ E5
Fill 1 End Fill 1
8v a
Gtr. 5 (dist.)
mf
w/ bar
Harm.
5
5
4
Pitch: D G
Gtrs. 2 & 3
0
0
2 4
2 2 2 4 2 2
0 2 5 2 2
0 3 2 0
2
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Verse
1. Lit - tle sis - ter by the rec - ord ma - chine, a ti - ny danc - er, such a
2. Lit - tle sis - ter makes a move for the door. The door squeaks, she’s on the
Gtrs. 2 & 3
P.M. P.M. P.M.
2
2
2
2 5 7 7 5
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
D5 D6 D5 D6 D[#4] D5
sweet six - teen. She’s go - in’ out, she’s gon - na par - ty to - night.
sec - ond floor. Her dad - dy wakes, “Is ev - ’ry - thing O. K.?”
P.M. P.M.
P.M. P.M. P.M.
7 7 9 9 9 6
5 7 7 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5
0 0 0
E5 D/E
She’s gon - na shake and make it last all night. Lit - tle broth - er’s got a
Not a sound as she makes her get - a - way. Lit - tle broth - er’s got it
P.M. P.M.
7
9 7
5 4 5 4 9 7
5 5 5 5 5 5 5 5 5 5 5 7 7
0 0
E5 D/E
driv - in’ ma - chine, a fast driv - er, such a clean ma - chine.
read - y to roll, tires burn - ing as they head for the show.
P.M. P.M.
0
P.M.
P.M. P.M. P.M.
7 0 7 7
7 9 9 7 7
7 9 9 7 7
7 7
0 0 0 0 0 0 0 0 0 0 7 7
3
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
2nd time, Gtr. 2: w/ Rhy. Fill 1
C5 A5
They’re go - in’ out, they’re gon - na put out the lights. They’re gon - na rock it, rock it,
Light it up and turn the mu - sic on loud. They’re rock - in’, rock - in’,
P.M.
1/4
2 2 2
5 2 2 2
3 0 0 0
3 3 3
Chorus
D5 G5
rock it! You can still rock in A - mer - i - ca. Oh,
rock - in’!
Harm.
3
3 3 3
2 2 2 2 0
2 2 2 0 0 0 5
0 0 0 3 0 X 5
3 0 2 3 3 3
Pitch: A D B
A5 G5 A5 G5 D5 G5
yeah, it’s al - right. You can still rock in A - mer - i - ca. Oh,
3
3 3 3
2 2 0
X X X X X X X 0 0 0
X X X X X X X X
5 5 3 X X X 3 5 5 3 X X X X 0 2 3 3
Rhy. Fill 1
Gtr. 2
1 1
5 2
3 2 5 3 3 2 3 3 2
4
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
T o Coda
A5 G5 A5 G5 D5 G5
yeah, all night. You can still rock in A - mer - i -
3
3 3 3
2 2 0
X X X X X X X 0 0 0
X X X X X X X X
5 5 3 X X X 3 5 5 3 X X X X 0 2 3
1.
Gtr. 5: w/ Fill 1
A5 µ E5 µ E5
ca.
0
0
2
2
0
2
2
0
2
2
0
2
2
0
2
2
0
2
2
0
2
2
0
2
2
0
2
2
0
4
2
2
2 4 2
5 2
2
2
0 3 2 0
2.
Gtr. 3 tacet
A B5
ca!
Gtr. 3 *Gtr. 6 (dist.)
f 1
steady gliss.
9 9 9
10 10 10
9 9 9 9 12 9
7
0 5 14
5 14
*Brad Gillis
Gtr. 2
1/4 (cont. in slashes)
4
4
0 0 0 0 0 0 0 0 0 0 0 0 0 0 3 0 0 0 0 0 0 0 0 0 5 4 2 0 2
3 3 3
5
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Guitar Solo
Half-time feel
B5 Asus2
Gtr. 2
Gtr. 6
3
w/ bar w/ bar
1 1/2 1
7 9 9 7 7
9 9 8 9 9 9 8 9
End half-time feel
B5 Asus2
8va
(cont. in notation)
w/ bar Harm.
12
hold bend w/ bar
1 1 1
12 12 12
7 9 12 12 12
9 9 8 9 9
slack
Pitch: B
B5 A5
8v a
_ 1/2
Gtr. 6
3 3 3 3
*flutter bar
10
w/ bar _ 1/2
+1 1/2 +1 1/2
19 14 19 14 17 14 16 16 12 15 15 12 14
9 9 9 9 9 9
-2 1/2 *Continuously flutter bar while performing hammer-ons and
-3 1/2 -3 1/2
pull-offs w/ fret hand.
Rhy. Fig. 2 End Rhy. Fig. 2
Gtr. 2
P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M.
4 4 4 4 4 2 2
4 4 4 4 4 2 2
2 2 2 2 2 2 2 2 2 2 2 2 2 2 0 0 0 0 0 0 0 0 0
6
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
B5
8v a
loco
Harm.
w/ bar
+2
19 17 19 10 9
15 0 12 10 12 10 12
7 7 7
7 7 7 17 9 7 9
-1/2
-2 1/2
P.M. P.M. P.M. P.M. P.M.
2 2 2 4 4 4 4 4
2 2 2 4 4 4 4 4
0 0 0 0 0 2 2 2 2 2 2 2 2 2 2 2 2 2
2
A5
8v a
3 3 3 1
11 12 12 13 13 14 14 15 15 16 17 17 17
10 11 12 13 13 14 14
2
2
0 5 0
Guitar Solo
D5 G5
8v a
Gtr. 6
w/ bar
+1/2
14 14 14
*Gtr. 7 (dist.)
f 3
1 1/2 1 1/2
9 9 7 6 7 11 11
4 4 5 7 9
5 5 7 5 5 7
15
*Jeff Watson
Rhy. Fig. 3
Gtr. 2
3
3 3 3 3 3 3 3 3 3 3 3 3
2 2 2 2 2 2 2 2 2 2 2 0
0 0 0 0 0 0 0 0 0 0 0 0
X
2 3
7
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Gtr. 6 tacet
µ
8v a
w/ bar
steady dive
14 14
-1 1/2
8v a
3
3
17 20 20 17 20
16 19 19 19 17 20
16 17 19
14 14 15 17 19 17
15 17
X X X
5 4 X X X
3 2 0 3 5 3 X X X 3
8v a
Gtr. 7
1/2 1/2 1
17
17 20 17 20 17 20 20 20 17 17 20 17 17 17
19 19 19 20 20 20 19 20 19 17 19 17 16 17
19 19 19 17 19 19
Gtr. 2 End Rhy. Fig. 3
X X X X X X X X X X
X X X 4 X X X X X X X
5 3 5 7 X X X 3 5 3 X X X 3 5 3 5 7 X X X X
Gtr. 2: w/ Rhy. Fig. 3
D5
G5
Gtr. 7
loco
*1 2 1 1 3 1 1 4 1 1 3 1 ** 1 2 1 1 3 1
T T T T T T T T T T T T T T T T T T
0 4 7 12 14 12 7 4 0 4 7 12 16 12 7 4
0 4 7 12 14 12 7 4 0 4 7 12 16 12 7 4 0 4 7 12 19 12 7 4 0 4 7 12 16 12 7 4
*Tap sequence executed with designated fingers **Pluck open string w/ fret hand index finger.
(1 = index, 2 = middle, 3 = ring, 4 = pinky) of pick hand, next 8 meas.
8
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
µ
6 6 6 6
1 4 1 1 3 1 1 2 3 4 3 2 1 1 2 3 4 3 2 1
T T T T T T T T T T T T T T T T T T T T
0 4 7 12 19 12 7 4 0 4 7 12 16 12 7 4 6 9 14 16 18 21 18 16 14 9 6 5 6 9 14 16 18 21 18 16 14 9 6
6 6 6 6
7
6 3 6 6
5
1 2 3 4 3 2 1 1 2 3 4 3 2 1 1 2 3 4 3 2 1 1 2 3 4 3 2 1
T T T T T T T T T T T T T T T T T T T T T T T T T T T T
4 7 12 14 16 19 16 14 12 7 4
5 6 9 14 16 18 21 18 16 14 6 9 6 9 14 16 18 21 18 16 14 9 6 5 6 9 14 16 18 21 18 16 14 9 6
Bridge
E5
***
Rock in A -
Gtr. 7
6
4
6 6 6
1 2 3 4 3 2 1 1 2 3 4 3 2 1 3
T T T T T T T T T T T T T T *T
7 12 14 16 19 16 14 12 7 4 16 17
5 6 9 14 16 18 21 18 16 14 9 6
*Slide tap finger.
Gtr. 2 **Gtrs. 2 & 3
Gtr. 3
divisi
9
9
5 4 7 6 7
5 5 7 0 12
**Composite arrangement ***Gang vocs. (downstemmed only),
next 19 meas.
Gtr. 7 tacet
A5 E5
mer - i - ca. Rock in A -
You can still...
Gtrs. 2 & 3
0 0
0 0
2 4
2 2
0 2
0
9
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
A5 E5 B/E E5
3
mer - i - ca.
Rock in A - mer - i - ca!
P.M.
2
2 9 9 9
0 7 7 7 6 7 7 7
0 0 0 0 0 0 0 0
B/E E5 A5 A[#4] A5 A[#4] A5
3
Rock in A - mer - i - ca.
Yeah, you can
P.M.
9 9 9 7 7 7 7 7 7
7 7 7 6 7 7 7 7 7 7 6 7 7 7 7 7 7 6 7 7 7
0 0 0 0 0 0 0 0 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5
E5 B/E E5 B/E E5 A5 A[#4] A5 B5
Rock in A - mer - i -
still...
Gtr. 3
P.M.
9 9 9 9 9 9 7 7 7 7 9 9 9 9 9 9
7 7 7 6 7 7 7 7 7 7 6 7 7 7 7 7 7 6 7 7 7 7 9 9 9 9 9 9
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 5 5 5 5 5 5 5 5 5 7 7 7 7 7 7
Gtr. 2
P.M.
2 4
9 9 9 9 9 9 9 9 2 4
7 7 7 6 7 7 7 7 7 7 6 6 7 7 0 2
0 0 0 0 0 0 0 0 0 0 0 2 7
10
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Guitar Solo
Gtrs. 2 & 3: w/ Rhy. Fig. 2
B5
ca.
8v a
Gtr. 7
19 14 19 14 19 14 19 14 19 14
19 14 16 19 14 16 19 14 16 19 14 16 19 14 16 19
16 16 16 16 16
A5 B5
8v a
Gtr. 7
17 12 17 12 17 12 17 12 17 12 19 14 19 14 19
17 14 14 17 12 14 17 12 14 17 12 14 17 12 14 17 19 14 16 19 14 16 19 14
14 14 14 14 14 16 16 16
Gtrs. 2 & 3
P.M. P.M. P.M. P.M.
P.M. P.M. P.M.
2 2 2 2 2 4 4
2 2 2 2 2 4 4
0 0 0 0 0 0 0 0 0 0 0 0 0 2 2 2 2 2 2 2 2
2
D.S. al Coda
Gtr. 7 tacet
A5 µ D5
You can
8v a
*w/ delay
14 19 14 19 19 19
16 19 14 16 19 14
16 16 16
*Set for quarter-note regeneration w/ 1 repeat.
P.M.
3 3
4 4 4 4 2 2 2
4 4 4 4 2 0 0
2 2 2 2 2 2 0
11
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Coda
D5 G5
- i - ca, you can still rock in A - mer - i - ca, oh, you can
3 3
3 3 3 3
0 2 2 0
0 0 0 0
X
3 0 2 3
D5 G5
still rock in A - mer - i -
3
3 3 3
2 2 0
0 0 0
X
0 2 3
Gtr. 2: w/ Rhy. Fig. 1 (3 times)
A/C# G5/A D/A G5/A D/A G5/A A5
ca.
Gtr. 4
1/2 1/2
14 14 12 12 14 14 12 12
12 14 11 12 11 12 14 12 14
14 12 14
Gtr. 3
1/2 P.M. P.M. P.M. P.M.
8 7 8 8 7 8
7 7 7 7 7 7 2
5 7 5 5 7 5 2
3 0 0 0 0 0 0 0 0 0 0 0 0 0 0 3 4 0
12
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
A/C# G5/A D/A G5/A D/A
1/2
14 12 12
14
14 12 14 11 12 11 12 14
14 12 14
1 1/2 P.M. P.M. P.M.
8 7 8 8 7
2
2
0
4 4 2
4 2 4 2 3 0
7
5
0 0 0 0 0 0
7
7
0 0
7
5
7
5
7
7
0
G5/A A5 A/C# G5/A
1/2
1/2
14 12 12 14 12
14 14
12 14 12 14 11
Gtrs. 2 & 3
P.M.
P.M. 1 1/2
8 8
0
7
5
0 0 0 3 4
2
2
0
4 4 2
4 2 4 2 3 0
7
5
0 0 0 0 0
D/A G5/A D/A µ G5 µ A5
1/2
1/2
12 14 14 12 14 14 12 12
11 12 11 12 14 12 12 14
14 12 14
3
7 8 8 7 3
7 7 7 7 0
7 5 5 7 0 2
0 0 0 0 5 4 2 X 5 4 2 2 0
3 3
13
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
S-ar putea să vă placă și
- Classics meet Jazz: 10 jazz fantasies on classical themes for flute and pianoDe la EverandClassics meet Jazz: 10 jazz fantasies on classical themes for flute and pianoEvaluare: 3.5 din 5 stele3.5/5 (14)
- Def Leppard - 1995 - Vault (The Best of 1980-1995)Document141 paginiDef Leppard - 1995 - Vault (The Best of 1980-1995)diaz100% (12)
- (Guitar - Tab Book) - Ozzy Osbourne - The Best ofDocument109 pagini(Guitar - Tab Book) - Ozzy Osbourne - The Best ofJuan Avl0% (1)
- Van Halen - Van Halen II PDFDocument70 paginiVan Halen - Van Halen II PDFapepe98783% (6)
- PDFDocument139 paginiPDFsergio83% (6)
- Queensryche - Operation MindcrimeDocument10 paginiQueensryche - Operation MindcrimeNathaniel Brown100% (1)
- Wasp - Wasp PDFDocument108 paginiWasp - Wasp PDFRoberto Gago Centeno100% (1)
- Soul Asylum - Grave Dancers UnionDocument130 paginiSoul Asylum - Grave Dancers UnionMarinho Alves Da Silva100% (2)
- 25 Top - Post Grunge SongsDocument215 pagini25 Top - Post Grunge SongsAtiloÎncă nu există evaluări
- Songbook Guitar Tab Tablature - Racer X - Technical DifficultiesDocument190 paginiSongbook Guitar Tab Tablature - Racer X - Technical DifficultiesparijatkaushikÎncă nu există evaluări
- Guitar School 1990-09 (Can Not Verify Issue)Document76 paginiGuitar School 1990-09 (Can Not Verify Issue)Ana Mihaica100% (3)
- Rush - Moving Pictures by PlazerDocument65 paginiRush - Moving Pictures by PlazerAlejandro Solis Jiménez100% (1)
- GFTPM 1984 - 10Document100 paginiGFTPM 1984 - 10Joe Kozak89% (9)
- Repeated PDF document textDocument137 paginiRepeated PDF document textAlex Sanchidrian Gallego100% (2)
- Guitar World 2004-02Document32 paginiGuitar World 2004-02fluid_man_brazil100% (3)
- Guitar 1988-02Document36 paginiGuitar 1988-0272alfetta100% (7)
- Journey - Raised On Radio (Bandscore)Document99 paginiJourney - Raised On Radio (Bandscore)Horst100% (5)
- 1984 04 PDFDocument100 pagini1984 04 PDFRobi Bankus100% (12)
- Night Ranger - Dont Tell Me You Love Me PDFDocument21 paginiNight Ranger - Dont Tell Me You Love Me PDFToni Ahola100% (1)
- GFTPM 1984 - 11Document116 paginiGFTPM 1984 - 11Joe Kozak100% (8)
- Guitar One 2007 05Document75 paginiGuitar One 2007 05MikeRufo100% (1)
- Sum 41 - All Killer No Filler (Authentic Transcriptions With Notes and Tablature)Document77 paginiSum 41 - All Killer No Filler (Authentic Transcriptions With Notes and Tablature)keithrusÎncă nu există evaluări
- Guitar - Tab Book - Steve Vai - Fire Garden PDFDocument232 paginiGuitar - Tab Book - Steve Vai - Fire Garden PDFleandronegrinÎncă nu există evaluări
- Jake.E.lee - Young Guitar - Extra 13Document26 paginiJake.E.lee - Young Guitar - Extra 13Anderson Lira100% (11)
- CollectiveSoul DisciplinedBreakdownDocument75 paginiCollectiveSoul DisciplinedBreakdownMarinho Alves Da Silva100% (1)
- White Lion PrideDocument120 paginiWhite Lion PrideSegbe Mérida100% (2)
- 1983 12 PDFDocument100 pagini1983 12 PDFRobi Bankus100% (11)
- Tesla - The Great Radio ControversyDocument93 paginiTesla - The Great Radio ControversyDelhi guitar ClinicÎncă nu există evaluări
- Kill The King ArpeggiosDocument14 paginiKill The King ArpeggiosSharerÎncă nu există evaluări
- Whitesnake - Guitar Superstar SeriesDocument69 paginiWhitesnake - Guitar Superstar SeriesJeferson Kozloski100% (11)
- GFTPM 1986 - 03Document116 paginiGFTPM 1986 - 03Joe Kozak83% (12)
- MotleyCrue LooksThatKillDocument2 paginiMotleyCrue LooksThatKillemerkof50% (2)
- GFTPM 1984 - 08Document100 paginiGFTPM 1984 - 08Joe Kozak91% (11)
- Diane Pearson - Inspirations - The Randy Rhoads LegacyDocument242 paginiDiane Pearson - Inspirations - The Randy Rhoads LegacyPaulometal666Încă nu există evaluări
- Hall of The Mountain KingDocument6 paginiHall of The Mountain Kingrafi riffi100% (3)
- ManInTheBox PDFDocument3 paginiManInTheBox PDFmanu100% (1)
- Motley Crue - Doctor Feelgood - TABDocument114 paginiMotley Crue - Doctor Feelgood - TABnathanjarvis81799182% (11)
- Guitar One 2004-12 PDFDocument31 paginiGuitar One 2004-12 PDFRafael Lourenço Martins100% (8)
- (Guitar Book) Randy Rhoads - The OriginalDocument58 pagini(Guitar Book) Randy Rhoads - The OriginalAnonymous qeb9vp17at80% (5)
- (Guitar SongBook) Gary Moore - Ballads & BluesDocument66 pagini(Guitar SongBook) Gary Moore - Ballads & BluesEduardo Paes Jr.100% (2)
- Beautiful Neo-Soul Chords On Guitar: Written and Recorded by Marco CirilloDocument2 paginiBeautiful Neo-Soul Chords On Guitar: Written and Recorded by Marco CirilloMing Xiao71% (7)
- Avril Lavigne - Under My SkinDocument95 paginiAvril Lavigne - Under My SkinFredÎncă nu există evaluări
- The Final Countdown Capo 2Document1 paginăThe Final Countdown Capo 2john the baptistÎncă nu există evaluări
- The Final Countdown Capo 2Document1 paginăThe Final Countdown Capo 2john the baptistÎncă nu există evaluări
- Fátima: B A C MDocument1 paginăFátima: B A C MLuísÎncă nu există evaluări
- Recordame IntroDocument1 paginăRecordame IntrolionelloÎncă nu există evaluări
- Var The Me 03 GiulianiDocument1 paginăVar The Me 03 Giulianilang chenÎncă nu există evaluări
- Song of the Ancients NieR Replicant/AutomataDocument5 paginiSong of the Ancients NieR Replicant/AutomataMihairu PanÎncă nu există evaluări
- Song of The AncientsDocument5 paginiSong of The AncientsgoodffsmÎncă nu există evaluări
- Sungha Jung - PresentDocument4 paginiSungha Jung - Presentmatei plamadealaÎncă nu există evaluări
- Quella Carezza Della SeraDocument9 paginiQuella Carezza Della SeraGualtiero ChiapelloÎncă nu există evaluări
- Patty Griffin - Guitar CollectionDocument140 paginiPatty Griffin - Guitar Collection孛儿只斤阿斯根夫Încă nu există evaluări
- Albert King's Born Under A Bad SignDocument3 paginiAlbert King's Born Under A Bad SignAle Fernandes AntÎncă nu există evaluări
- Whiskey Before Breakfast GuitarDocument1 paginăWhiskey Before Breakfast GuitarColÎncă nu există evaluări
- Lancer Deltarunech1Document2 paginiLancer Deltarunech1Аркадий АнгельскийÎncă nu există evaluări
- The Dragonborn Comes 2-E-GtDocument3 paginiThe Dragonborn Comes 2-E-GtDavid DiezÎncă nu există evaluări
- Four Famous Tangos Arranged by Gary SpoldingDocument10 paginiFour Famous Tangos Arranged by Gary Spoldinglukasca74Încă nu există evaluări
- Paglisan With TabDocument6 paginiPaglisan With TabAlfredÎncă nu există evaluări
- Lonely BoyDocument1 paginăLonely BoyJon SymondsÎncă nu există evaluări
- Estudio Brillante de Alard - Francisco Tarrega (Jean Alard)Document3 paginiEstudio Brillante de Alard - Francisco Tarrega (Jean Alard)Edwin KnoopÎncă nu există evaluări
- Sea Hags - Sea HagsDocument57 paginiSea Hags - Sea HagsSzabolcs JuhászÎncă nu există evaluări
- Stage Dolls - Stage DollsDocument35 paginiStage Dolls - Stage DollsSzabolcs JuhászÎncă nu există evaluări
- Lita Ford - LitaDocument49 paginiLita Ford - LitaSzabolcs JuhászÎncă nu există evaluări
- Babylon A.D. - Babylon A.D.Document149 paginiBabylon A.D. - Babylon A.D.Szabolcs Juhász100% (1)
- Night Ranger - Best of PDFDocument115 paginiNight Ranger - Best of PDFSzabolcs Juhász100% (4)
- As I Lay Dying - AwakenedDocument139 paginiAs I Lay Dying - AwakenedSzabolcs Juhász0% (1)
- MSG - Perfect TimingDocument71 paginiMSG - Perfect TimingSzabolcs Juhász100% (1)
- As I Lay Dying - AwakenedDocument139 paginiAs I Lay Dying - AwakenedSzabolcs Juhász0% (1)
- As I Lay Dying - AwakenedDocument139 paginiAs I Lay Dying - AwakenedSzabolcs Juhász0% (1)
- Paul Gilbert Intense Rock CompleteDocument13 paginiPaul Gilbert Intense Rock CompleteMichael Carnovale100% (4)
- Paul Gilbert Shred Alert PDFDocument13 paginiPaul Gilbert Shred Alert PDFejpcguitar67% (6)
- Racer X - Technical DifficultiesDocument8 paginiRacer X - Technical DifficultiesSzabolcs Juhász100% (2)
- Symmetrical Movement Concept - Steve ColemanDocument18 paginiSymmetrical Movement Concept - Steve ColemanDaniel Bernardes100% (1)
- Lesson 3 - New Chords - CM, FM, GM, DB, Eb, Ab PDFDocument5 paginiLesson 3 - New Chords - CM, FM, GM, DB, Eb, Ab PDFGrd doÎncă nu există evaluări
- QR Recorder Method Original PDFDocument37 paginiQR Recorder Method Original PDFJehiel Alvarez100% (3)
- Melodic Minor CompleteDocument18 paginiMelodic Minor CompleteAlonsoÎncă nu există evaluări
- Julius Eastman PiecesDocument2 paginiJulius Eastman PiecesBehsbsvsh100% (1)
- Time and Concord Flows AbundantlyDocument5 paginiTime and Concord Flows AbundantlyAmerico MazuelosÎncă nu există evaluări
- Ap Music Theory Exam 2020 Sample QuestionsDocument5 paginiAp Music Theory Exam 2020 Sample QuestionsOrlando RomanÎncă nu există evaluări
- FREE Scale SyllabusDocument2 paginiFREE Scale SyllabusJose SibajaÎncă nu există evaluări
- MapehDocument19 paginiMapehEzekiel Ram Lampow Twenty-eight100% (1)
- LullabyDocument4 paginiLullabyLisa LulisÎncă nu există evaluări
- St. Peter's College Western Music ExamDocument8 paginiSt. Peter's College Western Music ExamAnton Dias Louis Boniface100% (3)
- Blue Bells of Scotland PDFDocument4 paginiBlue Bells of Scotland PDFSteven MoreraÎncă nu există evaluări
- La Flor de La Canela 5to Cuerdas Viola PDFDocument2 paginiLa Flor de La Canela 5to Cuerdas Viola PDFMaría Eugenia Domínguez AponteÎncă nu există evaluări
- Grade 2: LCM Exams - Theory of MusicDocument32 paginiGrade 2: LCM Exams - Theory of MusicPepe Prats PercussióÎncă nu există evaluări
- Piano Marvel 6 PDFDocument79 paginiPiano Marvel 6 PDFFranky De Cock100% (4)
- Improvisator ManualDocument27 paginiImprovisator ManualAndrés ClaimanÎncă nu există evaluări
- Class: Music 345 Christian Lopez String Planning For Instruction Lesson Plan TemplateDocument3 paginiClass: Music 345 Christian Lopez String Planning For Instruction Lesson Plan TemplateDane SinclairÎncă nu există evaluări
- Rhythm and Exercices PDFDocument1 paginăRhythm and Exercices PDFJuanjo RuizÎncă nu există evaluări
- 20th Century Music SummaryDocument54 pagini20th Century Music SummaryElaine Mae Guillermo Esposo100% (1)
- PFA Lesson 1Document11 paginiPFA Lesson 1Gump DznÎncă nu există evaluări
- Zigeunerweisen-Full ScoreDocument8 paginiZigeunerweisen-Full Score이중현Încă nu există evaluări
- Lesson 6: Using Note EnclosuresDocument11 paginiLesson 6: Using Note EnclosuresMike McIntoshÎncă nu există evaluări
- Candlelight CarolDocument8 paginiCandlelight CarolGregorio100% (1)
- If I Loved You - CarouselDocument4 paginiIf I Loved You - CarouselHarrison LorenzenÎncă nu există evaluări
- Travis PickingDocument5 paginiTravis Pickinganzrocknroll100% (2)
- ChoirDocument23 paginiChoirPreslyn KiethÎncă nu există evaluări
- Training of Trainers in Teaching Basic Music Concepts in Grades IV To VIDocument78 paginiTraining of Trainers in Teaching Basic Music Concepts in Grades IV To VIKENT REEVE ROSALÎncă nu există evaluări
- Sabse Peeche Hum KhadeDocument2 paginiSabse Peeche Hum KhadeTapas DuttaÎncă nu există evaluări
- Alfreds Basic Piano Course Lesson Book BDocument2 paginiAlfreds Basic Piano Course Lesson Book BAnuj Uikey0% (1)
