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The speaker questions death's pride in overthrowing people, arguing that those death thinks it conquers do not truly die. The speaker asserts that death is a slave to forces beyond its control like fate, kings, and sickness. Ultimately, the speaker says death will itself die, as one short sleep leads to an eternal waking without death.
The speaker questions death's pride in overthrowing people, arguing that those death thinks it conquers do not truly die. The speaker asserts that death is a slave to forces beyond its control like fate, kings, and sickness. Ultimately, the speaker says death will itself die, as one short sleep leads to an eternal waking without death.
The speaker questions death's pride in overthrowing people, arguing that those death thinks it conquers do not truly die. The speaker asserts that death is a slave to forces beyond its control like fate, kings, and sickness. Ultimately, the speaker says death will itself die, as one short sleep leads to an eternal waking without death.
2 And see the brave day sunk in hideous night; 3 When I behold the violet past prime, 4 And sable curls all silver'd o'er with white; 5 When lofty trees I see barren of leaves 6 Which erst from heat did canopy the herd, 7 And summer's green all girded up in sheaves 8 Borne on the bier with white and bristly beard, 9 Then of thy beauty do I question make, 10 That thou among the wastes of time must go, 11 Since sweets and beauties do themselves forsake 12 And die as fast as they see others grow; 13 And nothing 'gainst Time's scythe can make defence 14 Save breed, to brave him when he takes thee hence.
Notes
count (1): count the chimes.
hideous (2): The meaning here is closer to dread. Thus we have a balanced antithesis in brave/day and hideous/night. prime (3): peak; also a continuation of the extended time metaphor as prime was the first hour of the day, usually 6 a.m. or the hour of sunrise (OED). sable (4): darkest brown. Note the color imagery -- violet, sable, green, silver, white. all silver'd o'er (4): gray canopy (6): shelter. erst (6): formerly. summer's green (7): Shakespeare here uses a literary device known as synecdoche (by which a specific part is taken for the whole); thus summer's green is the bounty of crops. girded up (7): tied up tightly (the first use of the term as such in English). bier (8): a moveable frame on which a coffin or a corpse is placed before burial; or on which a corpse is carried to the grave. And...beard (8-9): One of the most striking metaphors in the sonnets. The harvested crops, carried on the bier, wrapped tightly with protruding pale hulls, are personified as the body of an old man, carried on a cart or wagon to church, wrapped tightly in his shroud, with his protruding white beard. breed (14): children. brave (14): challenge.
“Death, be not proud” from the Holy Sonnets
By John Donne _____ Death, be not proud, though some have called thee _____ Mighty and dreadful, for thou art not so; _____ For those whom thou think'st thou dost overthrow _____ Die not, poor Death, nor yet canst thou kill me. _____ From rest and sleep, which but thy pictures be, _____ Much pleasure; then from thee much more must flow, _____ And soonest our best men with thee do go, _____ Rest of their bones, and soul's delivery. _____ Thou art slave to fate, chance, kings, and desperate men, _____ And dost with poison, war, and sickness dwell, _____ And poppy or charms can make us sleep as well _____ And better than thy stroke; why swell'st thou then? _____ One short sleep past, we wake eternally _____ And death shall be no more; Death, thou shalt die.
Notes
thee / thou (1, 2): pretend it says YOU.
dost / canst (3, 4) : pretend the “-st” in the words isn’t there. desperate (9): means suicidal here. dwell (10): to live with poppy (11): reference to opium or sedatives eternally (13): forever
(Studies in American Popular History and Culture) Gail Fowler Mohanty - Labor and Laborers of The Loom - Mechanization and Handloom Weavers, 1780-1840 - Routledge (2006)