O - C Hemisphere 1.7 Tablet PDF

The Hemisphere Suite . . . . 2 Metronome . . . . . . . . . . . . . . . . . . . .
30
Compilation and Intallation . . . . . . . . 2 MIDI In . . . . . . . . . . . . . . . . . . . . . . . 31
Launching Hemisphere . . . . . . . . . . . . . 2 MIDI Out . . . . . . . . . . . . . . . . . . . . . . 32
Selecting Applets . . . . . . . . . . . . . . . . . 2 Mixer/Balance . . . . . . . . . . . . . . . . . . 34
Saving State . . . . . . . . . . . . . . . . . . . . . 2 Palimpsest Accent Sequencer . . . . . . 35
Help Screens . . . . . . . . . . . . . . . . . . . . 3 RunglBook . . . . . . . . . . . . . . . . . . . . . 36
Master Clock Forwarding . . . . . . . . . . 3 Scale Duet Quantizer . . . . . . . . . . . . 37
Category Filtering . . . . . . . . . . . . . . . . 3 Schmitt-Trigger . . . . . . . . . . . . . . . . . 38
Screen Blanking . . . . . . . . . . . . . . . . . 3 Scope . . . . . . . . . . . . . . . . . . . . . . . . . 39
Troubleshooting . . . . . . . . . . . . . . . . . 4 Sequence5 . . . . . . . . . . . . . . . . . . . . . 40
Shift Register . . . . . . . . . . . . . . . . . . 41
License . . . . . . . . . . . . . . . . . . . . . . . . . 4
ShiftGate . . . . . . . . . . . . . . . . . . . . . . 42
Hemisphere Apps . . . . . . . . 5 Shuffle 3��43
“A”SR . . . . . . . . . . . . . . . . . . . . . . . . . . 5 Skewed LFO . . . . . . . . . . . . . . . . . . . . 44
AD EG . . . . . . . . . . . . . . . . . . . . . . . . . 6 Slew . . . . . . . . . . . . . . . . . . . . . . . . . 45
ADSR EG . . . . . . . . . . . . . . . . . . . . . . . 7 Squanch Shifting Quantizer . . . . . . . 46
Annular Fusion Euclidean Drummer . . 8 Switch . . . . . . . . . . . . . . . . . . . . . . . . 47
Binary Counter . . . . . . . . . . . . . . . . . . 9 Threshold Logic Neuron . . . . . . . . . . 48
BootsNCat . . . . . . . . . . . . . . . . . . . . . 10 Trending . . . . . . . . . . . . . . . . . . . . . . 50
Bow Tie Sequential . . . . . . . . . . . . . . 11 Trigger Sequencer 16 . . . . . . . . . . . . 51
Brancher . . . . . . . . . . . . . . . . . . . . . . 12 Trigger Sequencer . . . . . . . . . . . . . . . 52
Burst . . . . . . . . . . . . . . . . . . . . . . . . . 13 Tuner . . . . . . . . . . . . . . . . . . . . . . . . . 53
Calculate . . . . . . . . . . . . . . . . . . . . . . 14 VectMorph . . . . . . . . . . . . . . . . . . . . 54
Carpeggio Cartesian Arpeggiator . . . 15 VectorEG . . . . . . . . . . . . . . . . . . . . . . 55
Clock Divider Multiplier . . . . . . . . . . 17 Vector LFO . . . . . . . . . . . . . . . . . . . . 56
Clock Skipper . . . . . . . . . . . . . . . . . . . 18 VectorMod . . . . . . . . . . . . . . . . . . . . 57
Compare . . . . . . . . . . . . . . . . . . . . . . . 19 Voltage . . . . . . . . . . . . . . . . . . . . . . . 58
CV Recorder . . . . . . . . . . . . . . . . . . . . 20 Full Apps . . . . . . . . . . . 59
Ornament & Crime Dr. Crusher . . . . . . . . . . . . . . . . . . . . 21
Dual Quantizer . . . . . . . . . . . . . . . . . 22
Captain MIDI . . . . . . . . . . . . . . . . . . . 59
The Darkest Timeline 2 . . . . . . . . . . . 65
Hemisphere Suite Enigma, Jr. . . . . . . . . . . . . . . . . . . . . . 23
Envelope Follower . . . . . . . . . . . . . . 24
Enigma . . . . . . . . . . . . . . . . . . . . . . . . 70
Neural Net . . . . . . . . . . . . . . . . . . . . 77
Gate Delay . . . . . . . . . . . . . . . . . . . . . 25
version 1.7 Gated VCA . . . . . . . . . . . . . . . . . . . . . 26
Scale Editor . . . . . . . . . . . . . . . . . . . . 81
Waveform Editor . . . . . . . . . . . . . . . . 83
LoFi-Tape . . . . . . . . . . . . . . . . . . . . . . 27 Pong . . . . . . . . . . . . . . . . . . . . . . . . . 86
Logic . . . . . . . . . . . . . . . . . . . . . . . . . 28 Backup and Restore . . . . . . . . . . . . . . 87
LowerRenz . . . . . . . . . . . . . . . . . . . . . 29 Setup/About . . . . . . . . . . . . . . . . . . . 88
Hemisphere Suite 1.7 The Hemisphere Suite 2
for the left hemisphere. Down for the right
The Hemisphere Suite hemisphere. In selection mode, a frame will ap-

pear around the side of the screen for the hemi-
sphere you’re selecting. Turn the corresponding
hemisphere’s encoder knob to cycle through
available applets.
Hemisphere Suite is “alternate alternate” firm- Can I Go Back to Ornament and Crime? While one hemisphere is in Selection Mode, the
ware for the Ornament and Crime Eurorack
module, featuring a dual-applet framework with Yes, going back to the original firmware is just opposite hemisphere can continue to be used
dozens of different modular functions. It also as easy. Simply follow the procedure above. as normal (Beta 2).
includes several full apps, like Captain MIDI, a Your module’s calibration will not be affected
(by either installation). You may lose saved data, To leave Selection Mode:
highly-configurable USB MIDI interface for mod-
ular systems. though. If you’re switching from Hemisphere 1. press the Up or Down button corresponding
Suite, you can back up your work via MIDI to the hemisphere being selected, or
Instructions for each applet are available in this System Exclusive so you don’t lose it.
document, alphabetized by app or applet name. 2. press the encoder button corresponding to
Do I Need to Recalibrate After the hemisphere being selected.
Compilation and Intallation Installation? 3. If you push the opposite Up or Down
If you compile Hemisphere Suite with the No. Installation of firmware does not affect ex- button, Selection Mode will switch to that
Arduino IDE, follow the instructions on the isting calibration data. hemisphere.
Ornament and Crime website except for the
USB Type, which should be set to “MIDI” instead Launching Hemisphere Saving State
of “No USB”. https://youtu.be/uc1rcwqUbL0
Hemisphere is an app for Ornament and Crime.
Installation To launch Hemisphere, long-press the right en- To save Hemisphere settings, long-press the
coder button and release after about 2 seconds. right encoder button and release after about
Follow the instructions for Installation Method At the application selection menu, use the
A here: <http://ornament-and-cri.me/ 2 seconds. Then long-press the right encoder
right encoder wheel to position the cursor over button again on the application selection menu.
firmware/#method_a>; Except, for step 2, Hemisphere and press the right encoder button.
use this URL instead: <https://github.com/ This will save the state of all Ornament and
Chysn/O_C-HemisphereSuite/releases>. Crime apps that are capable of saving state.
Selecting Applets
If you have any problems after installation, For Hemisphere, the two selected applets and
https://youtu.be/nB_nk_f3hzo
please see Troubleshooting below. their save-able settings will be saved. Most
You may enter selection mode for one side of applets will save all settings. If an applet’s data
Hemisphere by pressing the Up or Down control set is particularly large (for example, that of Lofi
button. The Up button enters Selection Mode
Tape), that applet will not save its data. But most ite button will show the help screen for the other
applets will return to their saved state at launch. applet. Category Filtering
https://youtu.be/6545D9zRVIQ
System Exclusive Both applets will continue to function nor-
mally, but “in the blind,” while a help screen is Each applet has one or more of the following
https://youtu.be/6R99A0Yvqlk categories: Modulator, Sequencer, Clocking,
displayed.
As of Hemisphere 1.3 (release date August 10, Quantizer, Utility, MIDI, Logic, Other. You can
2018), you may also save Hemisphere setups via Master Clock Forwarding restrict selection to a single category to make it
system exclusive over USB MIDI. To save a setup, easier to set up Hemisphere.
https://youtu.be/WgqHVCxjSXc
do the following: When Hemisphere Suite is in Selection Mode,
Master Clock Forwarding allows you to avoid the
1. Prepare your MIDI librarian software to re- long-press the Down control button for about
use of stacked cables or mults if you want both
ceive a system exclusive dump 2 seconds. When you release the button, the
hemispheres to sync to the same clock. When
selected hemisphere will show a filter screen,
2. Make your applet settings in Hemisphere Master Clock Forwarding is active, any applet in
which is a list of all categories. Use the encoder
the right hemisphere that responds to clock at
3. Long-press the right encoder button to go that corresponds to the side to select a category
Digital In 3 will respond to clock at Digital In 1
to the main menu (or ALL to see all applets), and then hemi-
instead. Master Clock Forwarding applies only to
sphere’s Up or Down button. When you return
4. Your librarian should receive the dump that clock signals and not gate signals, and it applies
to Selection Mode for that hemisphere, you’ll
Hemisphere initiates when it is suspended only to the first digital input for the hemisphere.
only scroll through applets that have the select-
To restore the settings, simply dump the system To activate Master Clock Forwarding, long-press ed category.
exclusive message back while Hemisphere is the left encoder button for about two seconds.
Each hemisphere may have a different category
running. You may send multiple dumps in suc- When you release the button, a clock icon will
filter.
cession to restore settings for any number of appear in the center of the menu bar. To exit
Master Clock Forwarding, long press the left
applets.
encoder button again. Note that you can hold Screen Blanking
To protect your OLED against long-term burn-in,
Help Screens down the button as long as you want to, in
order to time the transition of the clock from the screen will blank (darken) after a configur-
https://youtu.be/3I734jXkrvA one state (or one input) to another. Thus, Master able period of inactivity. All running applica-
Each applet has a help screen. To access a help Clock Forwarding is a performance control. tions will continue to function as normal while
screen, double-click the Up or Down encoder the screen is blanked. Set the screen blanking
Master Clock Forwarding remains in effect as time, in minutes, during the configuration
button that corresponds to the hemisphere for you change applets. The state of Master Clock
which you’d like help. Pressing that button again procedure.
Forwarding is not saved when you save the
will turn off the help screen. Pressing the oppos- O_C’s state. You may blank the screen manually at any time
by long-pressing the Up button. Pressing any
button or turning any encoder will return the problem: what app or applets you were using,
module to normal operation. what you had patched to it, what settings you
made. Anything might be a helpful clue.
Troubleshooting
Maybe Hemisphere Suite isn’t working like it License
should. Certainly some bugs will creep through Copyright 2018, Jason Justian
from time to time, but if the whole thing is just
Permission is hereby granted, free of charge,
not working, please take the following steps:
to any person obtaining a copy of this soft-
1. If you’re compiling Hemisphere Suite from ware and associated documentation files (the
the Arduino IDE: “Software”), to deal in the Software without re-
striction, including without limitation the rights
a) Make sure that you’re compiling with
to use, copy, modify, merge, publish, distribute,
Teensyduino 1.35 and Arduino IDE 1.8.1.
sublicense, and/or sell copies of the Software,
Newer versions of the software will intro-
and to permit persons to whom the Software
duce instability.
is furnished to do so, subject to the following
b) Make sure that you’re compiling a conditions:
released revision. I usually try not to
commit patently unstable code, but new The above copyright notice and this permission
features aren’t always thoroughly tested notice shall be included in all copies or substan-
before committing. So if something isn’t tial portions of the Software.
working quite right, go back to a known- THE SOFTWARE IS PROVIDED “AS IS”, WITHOUT
stable release. WARRANTY OF ANY KIND, EXPRESS OR
2. Re-install Hemisphere Suite. This will some- IMPLIED, INCLUDING BUT NOT LIMITED TO
times fix it. THE WARRANTIES OF MERCHANTABILITY,
FITNESS FOR A PARTICULAR PURPOSE AND
3. Reset the EEPROM. Hold down the Up and NONINFRINGEMENT. IN NO EVENT SHALL THE
Down buttons at the same time while powering AUTHORS OR COPYRIGHT HOLDERS BE LIABLE
up your O_C. When it’s started up, it will ask you FOR ANY CLAIM, DAMAGES OR OTHER LIABILITY,
to confirm reset by pressing the right encoder WHETHER IN AN ACTION OF CONTRACT, TORT
button. This procedure will not mess with your OR OTHERWISE, ARISING FROM, OUT OF OR IN
calibration. CONNECTION WITH THE SOFTWARE OR THE USE
OR OTHER DEALINGS IN THE SOFTWARE.
4. Enter an issue in GitHub and explain in
detail what you were doing when you saw the
The Hemisphere Suite . . . . 2 Metronome . . . . . . . . . . . . . . . . . . . . 30 Hemisphere Suite 1.7 Hemisphere Apps 5
Hemisphere Apps
Scope . . . . . . . . . . . . . . . . . . . . . . . . . 39
Screen Blanking . . . . . . . . . . . . . . . . . 3
Troubleshooting . . . . . . . . . . . . . . . . . 4
Sequence5 . . . . . . . . . . . . . . . . . . . . . 40 “A”SR
Shift Register . . . . . . . . . . . . . . . . . . 41 “A”SR is an “Analog” Shift Register simu- by CV, a small CV indicator displays below
License . . . . . . . . . . . . . . . . . . . . . . . . . 4
ShiftGate . . . . . . . . . . . . . . . . . . . . . . 42 lation with a 256-step ring buffer. When the value.
Hemisphere Apps . . . . . . . . 5 Shuffle 3��43 selected in one hemisphere, it has two
“A”SR . . . . . . . . . . . . . . . . . . . . . . . . . . 5 Skewed LFO . . . . . . . . . . . . . . . . . . . . 44 indexed outputs. When selected in both Linked Operation
AD EG . . . . . . . . . . . . . . . . . . . . . . . . . 6 Slew . . . . . . . . . . . . . . . . . . . . . . . . . 45 hemispheres, the same buffer is used across When “A”SR is selected in both hemi-
ADSR EG . . . . . . . . . . . . . . . . . . . . . . . 7 Squanch Shifting Quantizer . . . . . . . 46 all four outputs. spheres, it becomes a “linked” applet. A link
Annular Fusion Euclidean Drummer . . 8 Switch . . . . . . . . . . . . . . . . . . . . . . . . 47 icon will appear in the upper right corner of
Binary Counter . . . . . . . . . . . . . . . . . . 9 Threshold Logic Neuron . . . . . . . . . . 48 Controls:
the screen.
BootsNCat . . . . . . . . . . . . . . . . . . . . . 10 Trending . . . . . . . . . . . . . . . . . . . . . . 50 Digital Ins: A clock pulse at Digital 1 ad-
Bow Tie Sequential . . . . . . . . . . . . . . 11 Trigger Sequencer 16 . . . . . . . . . . . . 51 vances the buffer, and a gate at Digital 2 When linked, the scale may be different for
Brancher . . . . . . . . . . . . . . . . . . . . . . 12 Trigger Sequencer . . . . . . . . . . . . . . . 52 freezes the buffer to writing each hemisphere, but the base index will
Burst . . . . . . . . . . . . . . . . . . . . . . . . . 13 Tuner . . . . . . . . . . . . . . . . . . . . . . . . . 53 CV Ins: CV 1 is the signal to be sampled, be the same. Digital 1, Digital 2, and CV 1
VectMorph . . . . . . . . . . . . . . . . . . . . 54 and CV 2 is bi-polar modulation of the do nothing. The index for each side may
Calculate . . . . . . . . . . . . . . . . . . . . . . 14
VectorEG . . . . . . . . . . . . . . . . . . . . . . 55 index between -32 and 32 steps be modulated independently using CV 2.
Carpeggio Cartesian Arpeggiator . . . 15
Vector LFO . . . . . . . . . . . . . . . . . . . . 56 When the index value is modulated by CV, a
Clock Divider Multiplier . . . . . . . . . . 17 Outputs: Indexed outputs (see below)
VectorMod . . . . . . . . . . . . . . . . . . . . 57 small CV indicator displays below the value.
Clock Skipper . . . . . . . . . . . . . . . . . . . 18 Encoders: Set index and scale
Compare . . . . . . . . . . . . . . . . . . . . . . . 19 Voltage . . . . . . . . . . . . . . . . . . . . . . . 58 Linked outputs are routed as follows:
CV Recorder . . . . . . . . . . . . . . . . . . . . 20 Full Apps . . . . . . . . . . . 59 Unlinked Operation Out A: The most recent sample
Dr. Crusher . . . . . . . . . . . . . . . . . . . . 21 Captain MIDI . . . . . . . . . . . . . . . . . . . 59 When “A”SR is selected in one hemisphere
Out B: n steps back
Dual Quantizer . . . . . . . . . . . . . . . . . 22 The Darkest Timeline 2 . . . . . . . . . . . 65 (whether the left or the right), it operates as
Enigma, Jr. . . . . . . . . . . . . . . . . . . . . . 23 described above. The Out A/C is the most Out C: 2n steps back
Enigma . . . . . . . . . . . . . . . . . . . . . . . . 70
Envelope Follower . . . . . . . . . . . . . . 24 Neural Net . . . . . . . . . . . . . . . . . . . . 77 recent value, and Out B/D is a previous Out D: 3n steps back where n is the index.
Gate Delay . . . . . . . . . . . . . . . . . . . . . 25 Scale Editor . . . . . . . . . . . . . . . . . . . . 81 value based on the index; an index of n “A”SR is in Hemisphere Suite from v1.5.
Gated VCA . . . . . . . . . . . . . . . . . . . . . 26 Waveform Editor . . . . . . . . . . . . . . . . 83 indicates that B/D will play n step(s) back.
LoFi-Tape . . . . . . . . . . . . . . . . . . . . . . 27 Pong . . . . . . . . . . . . . . . . . . . . . . . . . 86 At an index of 0, both outputs will be the
Logic . . . . . . . . . . . . . . . . . . . . . . . . . 28 Backup and Restore . . . . . . . . . . . . . . 87 same. When the index value is modulated
Launching Hemisphere . . . . . . . . . . . . . 2
Selecting Applets . . . . . . . . . . . . . . . . . 2
MIDI Out . . . . . . . . . . . . . . . . . . . . . . 32
Mixer/Balance . . . . . . . . . . . . . . . . . . 34 AD EG
Saving State . . . . . . . . . . . . . . . . . . . . . 2 Palimpsest Accent Sequencer . . . . . . 35 AD EG is an attack/decay envelope gener-
Help Screens . . . . . . . . . . . . . . . . . . . . 3 RunglBook . . . . . . . . . . . . . . . . . . . . . 36 ator with forward and reverse trigger in-
Master Clock Forwarding . . . . . . . . . . 3 Scale Duet Quantizer . . . . . . . . . . . . 37 puts, and end-of-cycle trigger output.
Schmitt-Trigger . . . . . . . . . . . . . . . . . 38
Category Filtering . . . . . . . . . . . . . . . . 3 Controls:
Digital Ins: Input 1 triggers the AD envel-
Sequence5 . . . . . . . . . . . . . . . . . . . . . 40
Troubleshooting . . . . . . . . . . . . . . . . . 4 ope, and Input 2 triggers the envelope in
Shift Register . . . . . . . . . . . . . . . . . . 41
License . . . . . . . . . . . . . . . . . . . . . . . . . 4 reverse (DA)
ShiftGate . . . . . . . . . . . . . . . . . . . . . . 42
Hemisphere Apps . . . . . . . . 5 Shuffle 3��43 CV Ins: CV 1 is bi-polar modulation for at-
“A”SR . . . . . . . . . . . . . . . . . . . . . . . . . . 5 Skewed LFO . . . . . . . . . . . . . . . . . . . . 44 tack, and CV 2 is bi-polar modulation of
AD EG . . . . . . . . . . . . . . . . . . . . . . . . . 6 Slew . . . . . . . . . . . . . . . . . . . . . . . . . 45 decay
ADSR EG . . . . . . . . . . . . . . . . . . . . . . . 7 Squanch Shifting Quantizer . . . . . . . 46 Outs: Output A/C is the envelope signal,
Annular Fusion Euclidean Drummer . . 8 Switch . . . . . . . . . . . . . . . . . . . . . . . . 47 and Output B/C emits a trigger at the
Binary Counter . . . . . . . . . . . . . . . . . . 9 Threshold Logic Neuron . . . . . . . . . . 48 end of the cycle
BootsNCat . . . . . . . . . . . . . . . . . . . . . 10 Trending . . . . . . . . . . . . . . . . . . . . . . 50 Note that triggering the envelope in re-
Bow Tie Sequential . . . . . . . . . . . . . . 11 Trigger Sequencer 16 . . . . . . . . . . . . 51 verse does not change the CV modulation
Brancher . . . . . . . . . . . . . . . . . . . . . . 12 Trigger Sequencer . . . . . . . . . . . . . . . 52 controls, meaning that CV 1 controls the
Burst . . . . . . . . . . . . . . . . . . . . . . . . . 13 Tuner . . . . . . . . . . . . . . . . . . . . . . . . . 53 effective “attack” segment regardless of
Calculate . . . . . . . . . . . . . . . . . . . . . . 14 VectMorph . . . . . . . . . . . . . . . . . . . . 54 direction.
Compare . . . . . . . . . . . . . . . . . . . . . . . 19 Voltage . . . . . . . . . . . . . . . . . . . . . . . 58
Dr. Crusher . . . . . . . . . . . . . . . . . . . . 21 Captain MIDI . . . . . . . . . . . . . . . . . . . 59
Dual Quantizer . . . . . . . . . . . . . . . . . 22 The Darkest Timeline 2 . . . . . . . . . . . 65
Enigma, Jr. . . . . . . . . . . . . . . . . . . . . . 23 Enigma . . . . . . . . . . . . . . . . . . . . . . . . 70
Envelope Follower . . . . . . . . . . . . . . 24 Neural Net . . . . . . . . . . . . . . . . . . . . 77
Gate Delay . . . . . . . . . . . . . . . . . . . . . 25 Scale Editor . . . . . . . . . . . . . . . . . . . . 81
Gated VCA . . . . . . . . . . . . . . . . . . . . . 26 Waveform Editor . . . . . . . . . . . . . . . . 83
LoFi-Tape . . . . . . . . . . . . . . . . . . . . . . 27 Pong . . . . . . . . . . . . . . . . . . . . . . . . . 86
MIDI Out . . . . . . . . . . . . . . . . . . . . . . 32
Mixer/Balance . . . . . . . . . . . . . . . . . . 34 ADSR EG
Saving State . . . . . . . . . . . . . . . . . . . . . 2 Palimpsest Accent Sequencer . . . . . . 35 https://youtu.be/3bh5BNiCVLQ
ADSR EG is a straightforward linear envel-
ope generator. It has a single envelope, but
responds independently on two channels.
Sequence5 . . . . . . . . . . . . . . . . . . . . . 40 Controls:
Shift Register . . . . . . . . . . . . . . . . . . 41 Digital Ins: Gate Channels 1 and 2
License . . . . . . . . . . . . . . . . . . . . . . . . . 4
ShiftGate . . . . . . . . . . . . . . . . . . . . . . 42 CV Ins: CV 1 is bi-polar modification for
Hemisphere Apps . . . . . . . . 5 Shuffle 3��43 attack, and CV 2 is bi-polar modification
“A”SR . . . . . . . . . . . . . . . . . . . . . . . . . . 5 Skewed LFO . . . . . . . . . . . . . . . . . . . . 44 for release
AD EG . . . . . . . . . . . . . . . . . . . . . . . . . 6 Slew . . . . . . . . . . . . . . . . . . . . . . . . . 45
Outputs: Amplitude for channels 1 and 2
Annular Fusion Euclidean Drummer . . 8 Switch . . . . . . . . . . . . . . . . . . . . . . . . 47 Encoder Push: Cycles cursor between
Binary Counter . . . . . . . . . . . . . . . . . . 9 Threshold Logic Neuron . . . . . . . . . . 48 Attack, Decay, Sustain, and Release
BootsNCat . . . . . . . . . . . . . . . . . . . . . 10 Trending . . . . . . . . . . . . . . . . . . . . . . 50 Encoder Turn: Increases or decreases
Bow Tie Sequential . . . . . . . . . . . . . . 11 Trigger Sequencer 16 . . . . . . . . . . . . 51 selected parameter
Brancher . . . . . . . . . . . . . . . . . . . . . . 12 Trigger Sequencer . . . . . . . . . . . . . . . 52 Note that CV inputs modify the attack and
Burst . . . . . . . . . . . . . . . . . . . . . . . . . 13 Tuner . . . . . . . . . . . . . . . . . . . . . . . . . 53 release rates over a range of about -2.5
Calculate . . . . . . . . . . . . . . . . . . . . . . 14 VectMorph . . . . . . . . . . . . . . . . . . . . 54 volts to about 2.5 volts. There is a small
Carpeggio Cartesian Arpeggiator . . . 15 VectorEG . . . . . . . . . . . . . . . . . . . . . . 55 center detent in the middle of the range, at
Clock Divider Multiplier . . . . . . . . . . 17 Vector LFO . . . . . . . . . . . . . . . . . . . . 56 which point no modification will be made.
Compare . . . . . . . . . . . . . . . . . . . . . . . 19 Voltage . . . . . . . . . . . . . . . . . . . . . . . 58
Enigma, Jr. . . . . . . . . . . . . . . . . . . . . . 23 Enigma . . . . . . . . . . . . . . . . . . . . . . . . 70
LoFi-Tape . . . . . . . . . . . . . . . . . . . . . . 27 Pong . . . . . . . . . . . . . . . . . . . . . . . . . 86
MIDI Out . . . . . . . . . . . . . . . . . . . . . . 32
Mixer/Balance . . . . . . . . . . . . . . . . . . 34 Annular Fusion Euclidean Drummer
Saving State . . . . . . . . . . . . . . . . . . . . . 2 Palimpsest Accent Sequencer . . . . . . 35 Annular Fusion is a dual Euclidean trig-
Help Screens . . . . . . . . . . . . . . . . . . . . 3 RunglBook . . . . . . . . . . . . . . . . . . . . . 36 ger generator. It can be used to generate
Master Clock Forwarding . . . . . . . . . . 3 Scale Duet Quantizer . . . . . . . . . . . . 37 Euclidean rhythms of up to 32 steps in
Schmitt-Trigger . . . . . . . . . . . . . . . . . 38 length.
Category Filtering . . . . . . . . . . . . . . . . 3
Scope . . . . . . . . . . . . . . . . . . . . . . . . . 39
Screen Blanking . . . . . . . . . . . . . . . . . 3 Controls:
Sequence5 . . . . . . . . . . . . . . . . . . . . . 40
Troubleshooting . . . . . . . . . . . . . . . . . 4 Digital Ins: Digital 1 clocks Annular Fusion,
Shift Register . . . . . . . . . . . . . . . . . . 41
License . . . . . . . . . . . . . . . . . . . . . . . . . 4 and Digital 2 resets
ShiftGate . . . . . . . . . . . . . . . . . . . . . . 42
Hemisphere Apps . . . . . . . . 5 Shuffle 3��43 CV Ins: CV 1 is bipolar rotation for the outer
“A”SR . . . . . . . . . . . . . . . . . . . . . . . . . . 5 Skewed LFO . . . . . . . . . . . . . . . . . . . . 44 ring, and CV 2 is bipolar rotation for the
AD EG . . . . . . . . . . . . . . . . . . . . . . . . . 6 Slew . . . . . . . . . . . . . . . . . . . . . . . . . 45 inner ring
ADSR EG . . . . . . . . . . . . . . . . . . . . . . . 7 Squanch Shifting Quantizer . . . . . . . 46 Outputs: Output A/C is trigger output for
Annular Fusion Euclidean Drummer . . 8 Switch . . . . . . . . . . . . . . . . . . . . . . . . 47 the outer ring, and Output B/D is trigger
Binary Counter . . . . . . . . . . . . . . . . . . 9 Threshold Logic Neuron . . . . . . . . . . 48 output for the inner ring
BootsNCat . . . . . . . . . . . . . . . . . . . . . 10 Trending . . . . . . . . . . . . . . . . . . . . . . 50 Encoder push: Cycles cursor through outer
Bow Tie Sequential . . . . . . . . . . . . . . 11 Trigger Sequencer 16 . . . . . . . . . . . . 51 ring length, outer ring hits, inner ring
Brancher . . . . . . . . . . . . . . . . . . . . . . 12 Trigger Sequencer . . . . . . . . . . . . . . . 52 length, and inner ring hits
Burst . . . . . . . . . . . . . . . . . . . . . . . . . 13 Tuner . . . . . . . . . . . . . . . . . . . . . . . . . 53 Encoder turn: Increases or decreases the
Calculate . . . . . . . . . . . . . . . . . . . . . . 14 VectMorph . . . . . . . . . . . . . . . . . . . . 54 selected value
Vector LFO . . . . . . . . . . . . . . . . . . . . 56 The cursor will appear under the parameter
Clock Divider Multiplier . . . . . . . . . . 17
VectorMod . . . . . . . . . . . . . . . . . . . . 57 that you’re editing (length on top, hits on
Clock Skipper . . . . . . . . . . . . . . . . . . . 18
Voltage . . . . . . . . . . . . . . . . . . . . . . . 58 the bottom), and a ring indicator will show
Compare . . . . . . . . . . . . . . . . . . . . . . . 19 the ring (outer or inner) that you’re current-
CV Recorder . . . . . . . . . . . . . . . . . . . . 20 Full Apps . . . . . . . . . . . 59 ly editing as brighter.
Enigma, Jr. . . . . . . . . . . . . . . . . . . . . . 23 Enigma . . . . . . . . . . . . . . . . . . . . . . . . 70
LoFi-Tape . . . . . . . . . . . . . . . . . . . . . . 27 Pong . . . . . . . . . . . . . . . . . . . . . . . . . 86
MIDI Out . . . . . . . . . . . . . . . . . . . . . . 32
Mixer/Balance . . . . . . . . . . . . . . . . . . 34 Binary Counter
Saving State . . . . . . . . . . . . . . . . . . . . . 2 Palimpsest Accent Sequencer . . . . . . 35 Binary Counter is weird. It takes four logic
Help Screens . . . . . . . . . . . . . . . . . . . . 3 RunglBook . . . . . . . . . . . . . . . . . . . . . 36 inputs (high or low) and provides a binary-
Master Clock Forwarding . . . . . . . . . . 3 Scale Duet Quantizer . . . . . . . . . . . . 37 summed output and a count output.
Schmitt-Trigger . . . . . . . . . . . . . . . . . 38
Digital Ins: Digital 1 is Bit 3, Digital 2 is Bit 2,
Sequence5 . . . . . . . . . . . . . . . . . . . . . 40
Troubleshooting . . . . . . . . . . . . . . . . . 4 CV Ins: CV 1 is Bit 1 and CV 2 is Bit 0
Shift Register . . . . . . . . . . . . . . . . . . 41
License . . . . . . . . . . . . . . . . . . . . . . . . . 4
ShiftGate . . . . . . . . . . . . . . . . . . . . . . 42 Outputs: A/C is the binary sum of the in-
Hemisphere Apps . . . . . . . . 5 Shuffle 3��43 puts, and B/D is the count of the inputs
“A”SR . . . . . . . . . . . . . . . . . . . . . . . . . . 5 Skewed LFO . . . . . . . . . . . . . . . . . . . . 44
AD EG . . . . . . . . . . . . . . . . . . . . . . . . . 6 Slew . . . . . . . . . . . . . . . . . . . . . . . . . 45 Binary Sum (Output A/C)
ADSR EG . . . . . . . . . . . . . . . . . . . . . . . 7 Squanch Shifting Quantizer . . . . . . . 46 Each bit contributes a value to Output A/C
Annular Fusion Euclidean Drummer . . 8 Switch . . . . . . . . . . . . . . . . . . . . . . . . 47 based on its bit number. Approximate volt-
Binary Counter . . . . . . . . . . . . . . . . . . 9 Threshold Logic Neuron . . . . . . . . . . 48 ages are as follows:
BootsNCat . . . . . . . . . . . . . . . . . . . . . 10 Trending . . . . . . . . . . . . . . . . . . . . . . 50 • Bit 0 contributes .33V
• Bit 1 contributes .67V
Tuner . . . . . . . . . . . . . . . . . . . . . . . . . 53 • Bit 2 contributes 1.33V
Burst . . . . . . . . . . . . . . . . . . . . . . . . . 13
Calculate . . . . . . . . . . . . . . . . . . . . . . 14 VectMorph . . . . . . . . . . . . . . . . . . . . 54 • Bit 3 contributes 2.67V
Vector LFO . . . . . . . . . . . . . . . . . . . . 56
Count (Output B/D)
Clock Skipper . . . . . . . . . . . . . . . . . . . 18 VectorMod . . . . . . . . . . . . . . . . . . . . 57 Each bit contributes the same value (ap-
Voltage . . . . . . . . . . . . . . . . . . . . . . . 58 proximately 1.25V) to Output B/D. Binary
Compare . . . . . . . . . . . . . . . . . . . . . . . 19
Counter is in Hemisphere Suite from v1.4.
Enigma, Jr. . . . . . . . . . . . . . . . . . . . . . 23 Enigma . . . . . . . . . . . . . . . . . . . . . . . . 70
LoFi-Tape . . . . . . . . . . . . . . . . . . . . . . 27 Pong . . . . . . . . . . . . . . . . . . . . . . . . . 86
MIDI Out . . . . . . . . . . . . . . . . . . . . . . 32
Mixer/Balance . . . . . . . . . . . . . . . . . . 34 BootsNCat
Saving State . . . . . . . . . . . . . . . . . . . . . 2 Palimpsest Accent Sequencer . . . . . . 35 Boots ‘n Cats (BootsNCat) is a simple bass/ Blend
Help Screens . . . . . . . . . . . . . . . . . . . . 3 RunglBook . . . . . . . . . . . . . . . . . . . . . 36 snare drum synthesizer with stereo audio
outputs. At a Blend level of 0, the bass drum and
snare drum are totally isolated on Outputs
Schmitt-Trigger . . . . . . . . . . . . . . . . . 38
Category Filtering . . . . . . . . . . . . . . . . 3 Controls: A/C and B/D, respectively. As the Blend is
Digital Ins: Triggers, where Digital 1 fires increased, some of the signal from the op-
Sequence5 . . . . . . . . . . . . . . . . . . . . . 40
Troubleshooting . . . . . . . . . . . . . . . . . 4 the bass drum, and Digital 2 fires the posite channel will be fed into each chan-
Shift Register . . . . . . . . . . . . . . . . . . 41
License . . . . . . . . . . . . . . . . . . . . . . . . . 4 snare drum nel. A Blend level of 63 results in a 50/50
ShiftGate . . . . . . . . . . . . . . . . . . . . . . 42
mix on both outputs.
Hemisphere Apps . . . . . . . . 5 Shuffle 3��43 CV Ins: Attenuation Levels, where CV 1 at-
“A”SR . . . . . . . . . . . . . . . . . . . . . . . . . . 5 Skewed LFO . . . . . . . . . . . . . . . . . . . . 44 tenuates the bass drum, and CV 2 attenu- Boots ‘n Cats is available in Hemisphere Suite
AD EG . . . . . . . . . . . . . . . . . . . . . . . . . 6 Slew . . . . . . . . . . . . . . . . . . . . . . . . . 45 ates the snare drum starting with V1.6.
ADSR EG . . . . . . . . . . . . . . . . . . . . . . . 7 Squanch Shifting Quantizer . . . . . . . 46 Outputs: Audio outputs, where A/C is the
Annular Fusion Euclidean Drummer . . 8 Switch . . . . . . . . . . . . . . . . . . . . . . . . 47 bass drum output and B/D is the snare
Binary Counter . . . . . . . . . . . . . . . . . . 9 Threshold Logic Neuron . . . . . . . . . . 48 drum output, but see Blend below
BootsNCat . . . . . . . . . . . . . . . . . . . . . 10 Trending . . . . . . . . . . . . . . . . . . . . . . 50 Encoder: Sets Tone and Decay for drums,
Bow Tie Sequential . . . . . . . . . . . . . . 11 Trigger Sequencer 16 . . . . . . . . . . . . 51 and Blend
Burst . . . . . . . . . . . . . . . . . . . . . . . . . 13 Tuner . . . . . . . . . . . . . . . . . . . . . . . . . 53 Tone
Calculate . . . . . . . . . . . . . . . . . . . . . . 14 VectMorph . . . . . . . . . . . . . . . . . . . . 54 Each drum has a Tone control that sets the
Carpeggio Cartesian Arpeggiator . . . 15 VectorEG . . . . . . . . . . . . . . . . . . . . . . 55 basic sound of the drum. For the bass drum,
Clock Divider Multiplier . . . . . . . . . . 17 Vector LFO . . . . . . . . . . . . . . . . . . . . 56 Tone controls the frequency, with higher
Clock Skipper . . . . . . . . . . . . . . . . . . . 18 VectorMod . . . . . . . . . . . . . . . . . . . . 57 values indicating a higher frequency. For
Compare . . . . . . . . . . . . . . . . . . . . . . . 19 Voltage . . . . . . . . . . . . . . . . . . . . . . . 58 the snare drum, the Tone control is more
like a low-pass filter, with high values indi-
CV Recorder . . . . . . . . . . . . . . . . . . . . 20 Full Apps . . . . . . . . . . . 59 cating a higher cutoff frequency.
Dual Quantizer . . . . . . . . . . . . . . . . . 22 The Darkest Timeline 2 . . . . . . . . . . . 65 Decay
Enigma, Jr. . . . . . . . . . . . . . . . . . . . . . 23 Enigma . . . . . . . . . . . . . . . . . . . . . . . . 70
Envelope Follower . . . . . . . . . . . . . . 24 Each drum has a Decay control that sets the
Neural Net . . . . . . . . . . . . . . . . . . . . 77
decay of the drum between about 1/10 of
a second and 1 second, with higher values
indicating longer decay.
LoFi-Tape . . . . . . . . . . . . . . . . . . . . . . 27 Pong . . . . . . . . . . . . . . . . . . . . . . . . . 86
MIDI Out . . . . . . . . . . . . . . . . . . . . . . 32
Mixer/Balance . . . . . . . . . . . . . . . . . . 34 Bow Tie Sequential
Saving State . . . . . . . . . . . . . . . . . . . . . 2 Palimpsest Accent Sequencer . . . . . . 35 Bow Tie Sequential (BowTieSeq) turns
Help Screens . . . . . . . . . . . . . . . . . . . . 3 RunglBook . . . . . . . . . . . . . . . . . . . . . 36 an ALM Boss Bow Tie voltage-controlled
Master Clock Forwarding . . . . . . . . . . 3 Scale Duet Quantizer . . . . . . . . . . . . 37 switch into a sequential switch by provid-
Schmitt-Trigger . . . . . . . . . . . . . . . . . 38 ing voltages that specifically address the
Scope . . . . . . . . . . . . . . . . . . . . . . . . . 39 Boss Bow Tie’s
Screen Blanking . . . . . . . . . . . . . . . . . 3
Sequence5 . . . . . . . . . . . . . . . . . . . . . 40
Troubleshooting . . . . . . . . . . . . . . . . . 4 CV input. BowTieSeq also provides encoder
Shift Register . . . . . . . . . . . . . . . . . . 41
License . . . . . . . . . . . . . . . . . . . . . . . . . 4 control and reset capability.
ShiftGate . . . . . . . . . . . . . . . . . . . . . . 42
Hemisphere Apps . . . . . . . . 5 Shuffle 3��43 Controls:
“A”SR . . . . . . . . . . . . . . . . . . . . . . . . . . 5 Skewed LFO . . . . . . . . . . . . . . . . . . . . 44 Digital Ins: Digital 1 advances to the next
AD EG . . . . . . . . . . . . . . . . . . . . . . . . . 6 Slew . . . . . . . . . . . . . . . . . . . . . . . . . 45 step, and Digital 2 resets to the first step
ADSR EG . . . . . . . . . . . . . . . . . . . . . . . 7 Squanch Shifting Quantizer . . . . . . . 46 Ouputs: Output A/C addresses Boss Bow
Annular Fusion Euclidean Drummer . . 8 Switch . . . . . . . . . . . . . . . . . . . . . . . . 47 Tie
Encoder Push: Reset
Bow Tie Sequential . . . . . . . . . . . . . . 11 Trigger Sequencer 16 . . . . . . . . . . . . 51 Encoder Turn: Change the length
Brancher . . . . . . . . . . . . . . . . . . . . . . 12 Trigger Sequencer . . . . . . . . . . . . . . . 52 The Offset knob on Boss Bow Tie should
Burst . . . . . . . . . . . . . . . . . . . . . . . . . 13 Tuner . . . . . . . . . . . . . . . . . . . . . . . . . 53 be all the way to the left, and the -|+ knob
Calculate . . . . . . . . . . . . . . . . . . . . . . 14 VectMorph . . . . . . . . . . . . . . . . . . . . 54 should be all the way to the right.
Compare . . . . . . . . . . . . . . . . . . . . . . . 19 Voltage . . . . . . . . . . . . . . . . . . . . . . . 58
Enigma, Jr. . . . . . . . . . . . . . . . . . . . . . 23 Enigma . . . . . . . . . . . . . . . . . . . . . . . . 70
LoFi-Tape . . . . . . . . . . . . . . . . . . . . . . 27 Pong . . . . . . . . . . . . . . . . . . . . . . . . . 86
MIDI Out . . . . . . . . . . . . . . . . . . . . . . 32
Mixer/Balance . . . . . . . . . . . . . . . . . . 34 Brancher
Saving State . . . . . . . . . . . . . . . . . . . . . 2 Palimpsest Accent Sequencer . . . . . . 35 Brancher is a Bernoulli Gate, inspired by
Help Screens . . . . . . . . . . . . . . . . . . . . 3 RunglBook . . . . . . . . . . . . . . . . . . . . . 36 Mutable Instruments Branches. It sends in-
Master Clock Forwarding . . . . . . . . . . 3 Scale Duet Quantizer . . . . . . . . . . . . 37 coming gate or clock to one of two outputs,
Schmitt-Trigger . . . . . . . . . . . . . . . . . 38 based on selected probability.
Scope . . . . . . . . . . . . . . . . . . . . . . . . . 39
Sequence5 . . . . . . . . . . . . . . . . . . . . . 40
Troubleshooting . . . . . . . . . . . . . . . . . 4 Digital Ins: Digital 1 is the signal (clock or
Shift Register . . . . . . . . . . . . . . . . . . 41
License . . . . . . . . . . . . . . . . . . . . . . . . . 4 gate) that will be routed to A/C or B/D
ShiftGate . . . . . . . . . . . . . . . . . . . . . . 42
Hemisphere Apps . . . . . . . . 5 Shuffle 3��43 CV Ins: CV 1 is a bi-polar voltage that
“A”SR . . . . . . . . . . . . . . . . . . . . . . . . . . 5 Skewed LFO . . . . . . . . . . . . . . . . . . . . 44 modulates the probability
AD EG . . . . . . . . . . . . . . . . . . . . . . . . . 6 Slew . . . . . . . . . . . . . . . . . . . . . . . . . 45 Outputs: A/C or B/D mirrors Digital 1. Only
ADSR EG . . . . . . . . . . . . . . . . . . . . . . . 7 Squanch Shifting Quantizer . . . . . . . 46 one will be in use at a time.
Annular Fusion Euclidean Drummer . . 8 Switch . . . . . . . . . . . . . . . . . . . . . . . . 47 Encoder Push: Overrides the probabil-
Binary Counter . . . . . . . . . . . . . . . . . . 9 Threshold Logic Neuron . . . . . . . . . . 48 ity-selected output and switches to the
BootsNCat . . . . . . . . . . . . . . . . . . . . . 10 Trending . . . . . . . . . . . . . . . . . . . . . . 50 other one
Bow Tie Sequential . . . . . . . . . . . . . . 11 Trigger Sequencer 16 . . . . . . . . . . . . 51 Encoder Turn: Sets probability from 0% to
Brancher . . . . . . . . . . . . . . . . . . . . . . 12 Trigger Sequencer . . . . . . . . . . . . . . . 52 100%
Burst . . . . . . . . . . . . . . . . . . . . . . . . . 13 Tuner . . . . . . . . . . . . . . . . . . . . . . . . . 53
Compare . . . . . . . . . . . . . . . . . . . . . . . 19 Voltage . . . . . . . . . . . . . . . . . . . . . . . 58
Enigma, Jr. . . . . . . . . . . . . . . . . . . . . . 23 Enigma . . . . . . . . . . . . . . . . . . . . . . . . 70
LoFi-Tape . . . . . . . . . . . . . . . . . . . . . . 27 Pong . . . . . . . . . . . . . . . . . . . . . . . . . 86
MIDI Out . . . . . . . . . . . . . . . . . . . . . . 32
Mixer/Balance . . . . . . . . . . . . . . . . . . 34 Burst
Saving State . . . . . . . . . . . . . . . . . . . . . 2 Palimpsest Accent Sequencer . . . . . . 35 Burst is a burst generator based loosely on When CV is received at CV 1, the Number
Help Screens . . . . . . . . . . . . . . . . . . . . 3 RunglBook . . . . . . . . . . . . . . . . . . . . . 36 the Ladik S-075. setting at the panel is overridden. There is
Scale Duet Quantizer . . . . . . . . . . . . 37 a center detent around 0V, so slightly more
Master Clock Forwarding . . . . . . . . . . 3 Controls: than 0V is required to change the Number.
Digital Ins: Digital 1 is an optional timing
clock, and Digital 2 triggers the bursts When CV is received at CV 2, the Spacing
Sequence5 . . . . . . . . . . . . . . . . . . . . . 40
Troubleshooting . . . . . . . . . . . . . . . . . 4 CV Ins: CV 1 sets the Number of bursts setting at the panel is modulated. There is
Shift Register . . . . . . . . . . . . . . . . . . 41
License . . . . . . . . . . . . . . . . . . . . . . . . . 4 and CV 2 is bi-polar modulation of the a center detent around 0V, so slightly more
ShiftGate . . . . . . . . . . . . . . . . . . . . . . 42 than 0V is required to change the Spacing.
Hemisphere Apps . . . . . . . . 5 Shuffle 3��43 Spacing
“A”SR . . . . . . . . . . . . . . . . . . . . . . . . . . 5 Skewed LFO . . . . . . . . . . . . . . . . . . . . 44 Digital Outs: Output 1 is a series of 2ms When a clock signal is received at Digital
AD EG . . . . . . . . . . . . . . . . . . . . . . . . . 6 Slew . . . . . . . . . . . . . . . . . . . . . . . . . 45 triggers, and Output 2 is a gate that re- 1, Burst becomes clocked. At the second
ADSR EG . . . . . . . . . . . . . . . . . . . . . . . 7 Squanch Shifting Quantizer . . . . . . . 46 mains high while a series of bursts is in clock, the Spacing value is calculated to be
Annular Fusion Euclidean Drummer . . 8 Switch . . . . . . . . . . . . . . . . . . . . . . . . 47 progress the clock tempo divided by Number. When
Binary Counter . . . . . . . . . . . . . . . . . . 9 Threshold Logic Neuron . . . . . . . . . . 48 Encoder Push: Move cursor between Burst is clocked, this calculated Spacing
BootsNCat . . . . . . . . . . . . . . . . . . . . . 10 Trending . . . . . . . . . . . . . . . . . . . . . . 50 Number and Spacing value overrides both the panel and the sig-
Bow Tie Sequential . . . . . . . . . . . . . . 11 Trigger Sequencer 16 . . . . . . . . . . . . 51 nal at CV 2. Burst will remain clocked until
Encoder Turn: Update Number (1-12) and
Brancher . . . . . . . . . . . . . . . . . . . . . . 12 Trigger Sequencer . . . . . . . . . . . . . . . 52 you move the cursor to the Spacing value
Spacing (8ms-500ms) settings. If Burst is
Burst . . . . . . . . . . . . . . . . . . . . . . . . . 13 Tuner . . . . . . . . . . . . . . . . . . . . . . . . . 53 and change it. You probably want to stop
clocked (see below), and the cursor is on
Calculate . . . . . . . . . . . . . . . . . . . . . . 14 VectMorph . . . . . . . . . . . . . . . . . . . . 54 the clock first, though, or Burst will become
Spacing, then clocked is turned off.
Carpeggio Cartesian Arpeggiator . . . 15 VectorEG . . . . . . . . . . . . . . . . . . . . . . 55 clocked again immediately.
Vector LFO . . . . . . . . . . . . . . . . . . . . 56 When Burst receives a trigger at Digital 2, it
VectorMod . . . . . . . . . . . . . . . . . . . . 57 begins a series of 2ms triggers from Output
Clock Skipper . . . . . . . . . . . . . . . . . . . 18
Voltage . . . . . . . . . . . . . . . . . . . . . . . 58 1 and a gate from Output 2. The number of
Compare . . . . . . . . . . . . . . . . . . . . . . . 19 triggers is the Number setting. The time be-
CV Recorder . . . . . . . . . . . . . . . . . . . . 20 Full Apps . . . . . . . . . . . 59 tween each trigger (in milliseconds) is the
Dr. Crusher . . . . . . . . . . . . . . . . . . . . 21 Captain MIDI . . . . . . . . . . . . . . . . . . . 59 Spacing setting. The Output 2 gate remains
Dual Quantizer . . . . . . . . . . . . . . . . . 22 The Darkest Timeline 2 . . . . . . . . . . . 65 high until the final trigger has fired.
Enigma, Jr. . . . . . . . . . . . . . . . . . . . . . 23 Enigma . . . . . . . . . . . . . . . . . . . . . . . . 70
Envelope Follower . . . . . . . . . . . . . . 24 Neural Net . . . . . . . . . . . . . . . . . . . . 77 If Burst receives another trigger at Digital
Gate Delay . . . . . . . . . . . . . . . . . . . . . 25 Scale Editor . . . . . . . . . . . . . . . . . . . . 81 2 before the burst sequence has finished, a
Gated VCA . . . . . . . . . . . . . . . . . . . . . 26 Waveform Editor . . . . . . . . . . . . . . . . 83 new sequence will start.
LoFi-Tape . . . . . . . . . . . . . . . . . . . . . . 27 Pong . . . . . . . . . . . . . . . . . . . . . . . . . 86
MIDI Out . . . . . . . . . . . . . . . . . . . . . . 32
Mixer/Balance . . . . . . . . . . . . . . . . . . 34 Calculate
Saving State . . . . . . . . . . . . . . . . . . . . . 2 Palimpsest Accent Sequencer . . . . . . 35 https://youtu.be/CZAyNngrg1c S&H: When the channel is clocked, the
Help Screens . . . . . . . . . . . . . . . . . . . . 3 RunglBook . . . . . . . . . . . . . . . . . . . . . 36 output is held at the voltage of the cor-
Calculate is a series of utilities for per-
Master Clock Forwarding . . . . . . . . . . 3 Scale Duet Quantizer . . . . . . . . . . . . 37 responding input
forming arithmetical operations on two CV
Category Filtering . . . . . . . . . . . . . . . . 3 Schmitt-Trigger . . . . . . . . . . . . . . . . . 38 Rnd: A random value between 0 and 5 volts
inputs.
Screen Blanking . . . . . . . . . . . . . . . . . 3 Scope . . . . . . . . . . . . . . . . . . . . . . . . . 39 appears at the corresponding output.
Sequence5 . . . . . . . . . . . . . . . . . . . . . 40 Controls: When the channel is clocked, a random
Shift Register . . . . . . . . . . . . . . . . . . 41 Digital Ins: Clock input for Channel 1 and value is held at the corresponding output
License . . . . . . . . . . . . . . . . . . . . . . . . . 4
ShiftGate . . . . . . . . . . . . . . . . . . . . . . 42 Channel 2, to hold input voltage or until the next clock. To reset the input
Hemisphere Apps . . . . . . . . 5 Shuffle 3��43 clocked random voltage (that is, to turn off clocked operation),
“A”SR . . . . . . . . . . . . . . . . . . . . . . . . . . 5 Skewed LFO . . . . . . . . . . . . . . . . . . . . 44 CV Ins: Calculation operand CV values place the cursor on the Rnd operator and
AD EG . . . . . . . . . . . . . . . . . . . . . . . . . 6 Slew . . . . . . . . . . . . . . . . . . . . . . . . . 45 turn the encoder. If you turn the encod-
Outputs: A/C Channel 1 result, B/D Channel
ADSR EG . . . . . . . . . . . . . . . . . . . . . . . 7 Squanch Shifting Quantizer . . . . . . . 46 er clockwise, clocked operation will be
2 result
Annular Fusion Euclidean Drummer . . 8 Switch . . . . . . . . . . . . . . . . . . . . . . . . 47 turned off without changing away from
Binary Counter . . . . . . . . . . . . . . . . . . 9 Threshold Logic Neuron . . . . . . . . . . 48 Encoder Push: Switch cursor between the Rnd operator. When Rnd is clocked, a
BootsNCat . . . . . . . . . . . . . . . . . . . . . 10 Trending . . . . . . . . . . . . . . . . . . . . . . 50 Channel 1 and Channel 2 operator clock icon will appear to the right of the
Bow Tie Sequential . . . . . . . . . . . . . . 11 Trigger Sequencer 16 . . . . . . . . . . . . 51 selection operator selector.
Brancher . . . . . . . . . . . . . . . . . . . . . . 12 Trigger Sequencer . . . . . . . . . . . . . . . 52 Encoder Turn: Select operator
Burst . . . . . . . . . . . . . . . . . . . . . . . . . 13 Tuner . . . . . . . . . . . . . . . . . . . . . . . . . 53 The following operators are available:
Calculate . . . . . . . . . . . . . . . . . . . . . . 14 VectMorph . . . . . . . . . . . . . . . . . . . . 54 Min: The result is the lower voltage of the
Carpeggio Cartesian Arpeggiator . . . 15 VectorEG . . . . . . . . . . . . . . . . . . . . . . 55 two operands
Max: The result is the higher voltage of the
two operands
Compare . . . . . . . . . . . . . . . . . . . . . . . 19 Voltage . . . . . . . . . . . . . . . . . . . . . . . 58
Sum: The result is the sum of the two oper-
CV Recorder . . . . . . . . . . . . . . . . . . . . 20 Full Apps . . . . . . . . . . . 59 ands, up to 5 volts
Dual Quantizer . . . . . . . . . . . . . . . . . 22 Diff: The result is the absolute value of the
Enigma, Jr. . . . . . . . . . . . . . . . . . . . . . 23 difference between the two operands
Enigma . . . . . . . . . . . . . . . . . . . . . . . . 70
Envelope Follower . . . . . . . . . . . . . . 24 Neural Net . . . . . . . . . . . . . . . . . . . . 77 Mean: The result is the mean (average) of
Gate Delay . . . . . . . . . . . . . . . . . . . . . 25 Scale Editor . . . . . . . . . . . . . . . . . . . . 81 the two operands (that is, Sum divided
Gated VCA . . . . . . . . . . . . . . . . . . . . . 26 Waveform Editor . . . . . . . . . . . . . . . . 83 by 2)
LoFi-Tape . . . . . . . . . . . . . . . . . . . . . . 27 Pong . . . . . . . . . . . . . . . . . . . . . . . . . 86
MIDI Out . . . . . . . . . . . . . . . . . . . . . . 32
Mixer/Balance . . . . . . . . . . . . . . . . . . 34 Carpeggio Cartesian Arpeggiator
Saving State . . . . . . . . . . . . . . . . . . . . . 2 Palimpsest Accent Sequencer . . . . . . 35 Thanks to Roel Das for writing the chord Linear Operation
Help Screens . . . . . . . . . . . . . . . . . . . . 3 RunglBook . . . . . . . . . . . . . . . . . . . . . 36 pattern code, and generously allowing it to
be used here. To use Carpeggio as a more traditional
linear arpeggiator or sequencer, disconnect
Carpeggio is an arpeggiator/sequencer that the x and y CV (or set them both to 0V). A
uses coordinates on a 4x4 Cartesian plane clock to Digital 1 will play the note at the
Sequence5 . . . . . . . . . . . . . . . . . . . . . 40
Troubleshooting . . . . . . . . . . . . . . . . . 4 to select notes. Notes can be assigned to current position, and then advance to the
Shift Register . . . . . . . . . . . . . . . . . . 41
License . . . . . . . . . . . . . . . . . . . . . . . . . 4 the plane from among 55 chord patterns. next position, from left to right, and top to
ShiftGate . . . . . . . . . . . . . . . . . . . . . . 42 Carpeggio can also be clocked and reset, to bottom.
Hemisphere Apps . . . . . . . . 5 Shuffle 3��43 function as a more traditional arpeggiator.
“A”SR . . . . . . . . . . . . . . . . . . . . . . . . . . 5 Skewed LFO . . . . . . . . . . . . . . . . . . . . 44 A clock at Digital 2 will reset Carpeggio to
Additionally, any of the 16 notes may be
AD EG . . . . . . . . . . . . . . . . . . . . . . . . . 6 Slew . . . . . . . . . . . . . . . . . . . . . . . . . 45 (1,1), or upper-left.
edited on the fly, allowing Carpeggio to
ADSR EG . . . . . . . . . . . . . . . . . . . . . . . 7 Squanch Shifting Quantizer . . . . . . . 46 function as a Cartesian or traditional 16-
Annular Fusion Euclidean Drummer . . 8 Switch . . . . . . . . . . . . . . . . . . . . . . . . 47 step sequencer.
Note Editing
Binary Counter . . . . . . . . . . . . . . . . . . 9 Threshold Logic Neuron . . . . . . . . . . 48 When the cursor is flashing under the note
BootsNCat . . . . . . . . . . . . . . . . . . . . . 10 Trending . . . . . . . . . . . . . . . . . . . . . . 50 Controls: number near the bottom of the screen,
Bow Tie Sequential . . . . . . . . . . . . . . 11 Trigger Sequencer 16 . . . . . . . . . . . . 51 Digital Ins: A clock to Digital 1 plays the the note at the current step may be edited
Brancher . . . . . . . . . . . . . . . . . . . . . . 12 Trigger Sequencer . . . . . . . . . . . . . . . 52 CV at the current position and advances with the encoder. Such edits will be lost
Burst . . . . . . . . . . . . . . . . . . . . . . . . . 13 Tuner . . . . . . . . . . . . . . . . . . . . . . . . . 53 to the next step (x, then y), and Digital 2 on power-down, or when the chord is
Calculate . . . . . . . . . . . . . . . . . . . . . . 14 VectMorph . . . . . . . . . . . . . . . . . . . . 54 resets to (1,1) changed.
Carpeggio Cartesian Arpeggiator . . . 15 VectorEG . . . . . . . . . . . . . . . . . . . . . . 55 CV Ins: CV 1 is the x position on the plane,
Clock Divider Multiplier . . . . . . . . . . 17 Vector LFO . . . . . . . . . . . . . . . . . . . . 56 and CV 2 is the y position Changing Chords
Clock Skipper . . . . . . . . . . . . . . . . . . . 18 VectorMod . . . . . . . . . . . . . . . . . . . . 57 Outputs: Output 1 is the quantized pitch When the cursor is flashing under the chord
Compare . . . . . . . . . . . . . . . . . . . . . . . 19 Voltage . . . . . . . . . . . . . . . . . . . . . . . 58 name, select a chord with the encoder. If
Encoder Push: Cycles the cursor between you change the chord and push the en-
CV Recorder . . . . . . . . . . . . . . . . . . . . 20 Full Apps . . . . . . . . . . . 59 note, chord, and transpose coder, the sixteen steps will be filled with
Dual Quantizer . . . . . . . . . . . . . . . . . 22 The Darkest Timeline 2 . . . . . . . . . . . 65 Cartesian Operation notes from that chord, removing any note
edits you’ve made. When you’re changing
Enigma, Jr. . . . . . . . . . . . . . . . . . . . . . 23 Enigma . . . . . . . . . . . . . . . . . . . . . . . . 70 Provide x and y CV (0-5V) to the CV inputs.
chords, a checkmark will appear next to
Envelope Follower . . . . . . . . . . . . . . 24 Neural Net . . . . . . . . . . . . . . . . . . . . 77 The position will be displayed with cross
the currently-selected chord. If you press
Gate Delay . . . . . . . . . . . . . . . . . . . . . 25 Scale Editor . . . . . . . . . . . . . . . . . . . . 81 hairs on the grid. To select the note at the
the encoder button at this chord, your note
Gated VCA . . . . . . . . . . . . . . . . . . . . . 26 Waveform Editor . . . . . . . . . . . . . . . . 83 current position for playing, provide a clock
changes will not be overwritten.
LoFi-Tape . . . . . . . . . . . . . . . . . . . . . . 27 Pong . . . . . . . . . . . . . . . . . . . . . . . . . 86 signal to Digital 1.
MIDI Out . . . . . . . . . . . . . . . . . . . . . . 32 When you push the encoder button to
Mixer/Balance . . . . . . . . . . . . . . . . . . 34 change a chord, the cursor will remain at
Palimpsest Accent Sequencer . . . . . . 35 the chord selection setting, so that you
Saving State . . . . . . . . . . . . . . . . . . . . . 2
RunglBook . . . . . . . . . . . . . . . . . . . . . 36 can change chords multiple times without
Help Screens . . . . . . . . . . . . . . . . . . . . 3
Scale Duet Quantizer . . . . . . . . . . . . 37 delay. To move the cursor to the Transpose
Master Clock Forwarding . . . . . . . . . . 3 setting, press the encoder button without
Scope . . . . . . . . . . . . . . . . . . . . . . . . . 39 changing the chord.
Screen Blanking . . . . . . . . . . . . . . . . . 3
Sequence5 . . . . . . . . . . . . . . . . . . . . . 40
Shift Register . . . . . . . . . . . . . . . . . . 41
Transposition
License . . . . . . . . . . . . . . . . . . . . . . . . . 4 Carpeggio has a four octave transposition
ShiftGate . . . . . . . . . . . . . . . . . . . . . . 42
Hemisphere Apps . . . . . . . . 5 Shuffle 3��43 range, 24 semitones in either direction.
“A”SR . . . . . . . . . . . . . . . . . . . . . . . . . . 5 Skewed LFO . . . . . . . . . . . . . . . . . . . . 44
AD EG . . . . . . . . . . . . . . . . . . . . . . . . . 6 Slew . . . . . . . . . . . . . . . . . . . . . . . . . 45
Burst . . . . . . . . . . . . . . . . . . . . . . . . . 13 Tuner . . . . . . . . . . . . . . . . . . . . . . . . . 53
Compare . . . . . . . . . . . . . . . . . . . . . . . 19 Voltage . . . . . . . . . . . . . . . . . . . . . . . 58
Enigma, Jr. . . . . . . . . . . . . . . . . . . . . . 23 Enigma . . . . . . . . . . . . . . . . . . . . . . . . 70
LoFi-Tape . . . . . . . . . . . . . . . . . . . . . . 27 Pong . . . . . . . . . . . . . . . . . . . . . . . . . 86
MIDI Out . . . . . . . . . . . . . . . . . . . . . . 32
Mixer/Balance . . . . . . . . . . . . . . . . . . 34 Clock Divider Multiplier
Saving State . . . . . . . . . . . . . . . . . . . . . 2 Palimpsest Accent Sequencer . . . . . . 35 https://youtu.be/uhvLdBEP2Qo is only set from the panel. This is done
Help Screens . . . . . . . . . . . . . . . . . . . . 3 RunglBook . . . . . . . . . . . . . . . . . . . . . 36 because O_C can’t sense whether a jack is
Clock Div is a two-way clock divider and
Master Clock Forwarding . . . . . . . . . . 3 Scale Duet Quantizer . . . . . . . . . . . . 37 patched.
multiplier, using a single clock source. It can
divide from 1:1 to 1:8, and multiply from
2:1 to 8:1. Each channel can be set from the
Sequence5 . . . . . . . . . . . . . . . . . . . . . 40
Troubleshooting . . . . . . . . . . . . . . . . . 4 panel, or via CV.
Shift Register . . . . . . . . . . . . . . . . . . 41
License . . . . . . . . . . . . . . . . . . . . . . . . . 4
ShiftGate . . . . . . . . . . . . . . . . . . . . . . 42 Controls:
Hemisphere Apps . . . . . . . . 5 Shuffle 3��43 Digital Ins: Digital 1 clocks the divider/
“A”SR . . . . . . . . . . . . . . . . . . . . . . . . . . 5 Skewed LFO . . . . . . . . . . . . . . . . . . . . 44 multiplier, and Digital 2 resets the divider
AD EG . . . . . . . . . . . . . . . . . . . . . . . . . 6 Slew . . . . . . . . . . . . . . . . . . . . . . . . . 45 CV Ins: Bi-polar voltage sets the division or
ADSR EG . . . . . . . . . . . . . . . . . . . . . . . 7 Squanch Shifting Quantizer . . . . . . . 46 multiplication for each channel
Outputs: A/C outputs triggers for the top
section, B/D outputs triggers for the bot-
BootsNCat . . . . . . . . . . . . . . . . . . . . . 10 Trending . . . . . . . . . . . . . . . . . . . . . . 50 tom section
Trigger Sequencer . . . . . . . . . . . . . . . 52 Encoder Push: Changes cursor between
Brancher . . . . . . . . . . . . . . . . . . . . . . 12
Tuner . . . . . . . . . . . . . . . . . . . . . . . . . 53 top and bottom sections
Burst . . . . . . . . . . . . . . . . . . . . . . . . . 13
Calculate . . . . . . . . . . . . . . . . . . . . . . 14 VectMorph . . . . . . . . . . . . . . . . . . . . 54 Encoder Turn: Selects the division or multi-
Carpeggio Cartesian Arpeggiator . . . 15 VectorEG . . . . . . . . . . . . . . . . . . . . . . 55 plication for the selected section
Clock Divider Multiplier . . . . . . . . . . 17 Vector LFO . . . . . . . . . . . . . . . . . . . . 56 Division works by counting clocks and
Clock Skipper . . . . . . . . . . . . . . . . . . . 18 VectorMod . . . . . . . . . . . . . . . . . . . . 57 sending a trigger on the _n_th clock. When
Compare . . . . . . . . . . . . . . . . . . . . . . . 19 Voltage . . . . . . . . . . . . . . . . . . . . . . . 58 the encoder is turned, the counter is reset.
CV Recorder . . . . . . . . . . . . . . . . . . . . 20 Full Apps . . . . . . . . . . . 59 Multiplication works by counting interrupt
Dr. Crusher . . . . . . . . . . . . . . . . . . . . 21 Captain MIDI . . . . . . . . . . . . . . . . . . . 59 cycles (c) between the last two clock inputs,
Dual Quantizer . . . . . . . . . . . . . . . . . 22 The Darkest Timeline 2 . . . . . . . . . . . 65 and sending a trigger every c/n cycles.
Enigma, Jr. . . . . . . . . . . . . . . . . . . . . . 23 Enigma . . . . . . . . . . . . . . . . . . . . . . . . 70
Envelope Follower . . . . . . . . . . . . . . 24 Neural Net . . . . . . . . . . . . . . . . . . . . 77 CV inputs are bipolar, with a range of about
Gate Delay . . . . . . . . . . . . . . . . . . . . . 25 Scale Editor . . . . . . . . . . . . . . . . . . . . 81 -2.5 volts to about 2.5 volts. Positive values
Gated VCA . . . . . . . . . . . . . . . . . . . . . 26 Waveform Editor . . . . . . . . . . . . . . . . 83 set clock division, and negative values set
LoFi-Tape . . . . . . . . . . . . . . . . . . . . . . 27 Pong . . . . . . . . . . . . . . . . . . . . . . . . . 86 clock multiplication. There’s a small center
Logic . . . . . . . . . . . . . . . . . . . . . . . . . 28 Backup and Restore . . . . . . . . . . . . . . 87 detent CV range, over which range control
MIDI Out . . . . . . . . . . . . . . . . . . . . . . 32
Mixer/Balance . . . . . . . . . . . . . . . . . . 34 Clock Skipper
Saving State . . . . . . . . . . . . . . . . . . . . . 2 Palimpsest Accent Sequencer . . . . . . 35 Clock Skipper is a dual probability skipper.
RunglBook . . . . . . . . . . . . . . . . . . . . . 36
Help Screens . . . . . . . . . . . . . . . . . . . . 3
Scale Duet Quantizer . . . . . . . . . . . . 37
Controls:
Master Clock Forwarding . . . . . . . . . . 3 Digital Ins: Clock input for each channel
Scope . . . . . . . . . . . . . . . . . . . . . . . . . 39 CV Ins: Bi-polar probability modulation for
Screen Blanking . . . . . . . . . . . . . . . . . 3 each channel
Sequence5 . . . . . . . . . . . . . . . . . . . . . 40
Shift Register . . . . . . . . . . . . . . . . . . 41 CV Outs: Clock output (based on probabil-
License . . . . . . . . . . . . . . . . . . . . . . . . . 4
ShiftGate . . . . . . . . . . . . . . . . . . . . . . 42 ity) for each channel
Hemisphere Apps . . . . . . . . 5 Shuffle 3��43 Encoder: Set probability for each channel
“A”SR . . . . . . . . . . . . . . . . . . . . . . . . . . 5 Skewed LFO . . . . . . . . . . . . . . . . . . . . 44
AD EG . . . . . . . . . . . . . . . . . . . . . . . . . 6 Slew . . . . . . . . . . . . . . . . . . . . . . . . . 45 Both channels are identical. When an
ADSR EG . . . . . . . . . . . . . . . . . . . . . . . 7 incoming clock is received at the digital
Squanch Shifting Quantizer . . . . . . . 46
Annular Fusion Euclidean Drummer . . 8 input, that clock may or may not be sent
Switch . . . . . . . . . . . . . . . . . . . . . . . . 47
to the corresponding output, depending
on the probability. A probability of 100%
means that the gate will always be passed
along. Probability can be modified with
voltage to the CV inputs. Negative voltage
Burst . . . . . . . . . . . . . . . . . . . . . . . . . 13 Tuner . . . . . . . . . . . . . . . . . . . . . . . . . 53
decreases probability, and positive voltage
increases probability.
Compare . . . . . . . . . . . . . . . . . . . . . . . 19 Voltage . . . . . . . . . . . . . . . . . . . . . . . 58
Enigma, Jr. . . . . . . . . . . . . . . . . . . . . . 23 Enigma . . . . . . . . . . . . . . . . . . . . . . . . 70
LoFi-Tape . . . . . . . . . . . . . . . . . . . . . . 27 Pong . . . . . . . . . . . . . . . . . . . . . . . . . 86
MIDI Out . . . . . . . . . . . . . . . . . . . . . . 32
Mixer/Balance . . . . . . . . . . . . . . . . . . 34 Compare
Saving State . . . . . . . . . . . . . . . . . . . . . 2 Palimpsest Accent Sequencer . . . . . . 35 Compare is a comparator applet with com-
Help Screens . . . . . . . . . . . . . . . . . . . . 3 RunglBook . . . . . . . . . . . . . . . . . . . . . 36 plementary gate outputs.
Master Clock Forwarding . . . . . . . . . . 3 Controls:
CV Ins: CV 1 is the input, and CV 2 is a bi-
polar level modification
Sequence5 . . . . . . . . . . . . . . . . . . . . . 40
Troubleshooting . . . . . . . . . . . . . . . . . 4 Outs: A/C is a gate (high) if CV 1 is greater
Shift Register . . . . . . . . . . . . . . . . . . 41
License . . . . . . . . . . . . . . . . . . . . . . . . . 4 than the modified level. B/C is gate if the
ShiftGate . . . . . . . . . . . . . . . . . . . . . . 42
Hemisphere Apps . . . . . . . . 5 Shuffle 3��43 modified level is equal to or greater than
“A”SR . . . . . . . . . . . . . . . . . . . . . . . . . . 5 Skewed LFO . . . . . . . . . . . . . . . . . . . . 44 CV 1.
AD EG . . . . . . . . . . . . . . . . . . . . . . . . . 6 Slew . . . . . . . . . . . . . . . . . . . . . . . . . 45 Encoder turn: Set the level
Burst . . . . . . . . . . . . . . . . . . . . . . . . . 13 Tuner . . . . . . . . . . . . . . . . . . . . . . . . . 53
Compare . . . . . . . . . . . . . . . . . . . . . . . 19 Voltage . . . . . . . . . . . . . . . . . . . . . . . 58
Enigma, Jr. . . . . . . . . . . . . . . . . . . . . . 23 Enigma . . . . . . . . . . . . . . . . . . . . . . . . 70
LoFi-Tape . . . . . . . . . . . . . . . . . . . . . . 27 Pong . . . . . . . . . . . . . . . . . . . . . . . . . 86
MIDI Out . . . . . . . . . . . . . . . . . . . . . . 32
Mixer/Balance . . . . . . . . . . . . . . . . . . 34 CV Recorder
Saving State . . . . . . . . . . . . . . . . . . . . . 2 Palimpsest Accent Sequencer . . . . . . 35 Hemisphere Suite 1.7 Update (Nov. 30,
Help Screens . . . . . . . . . . . . . . . . . . . . 3 RunglBook . . . . . . . . . . . . . . . . . . . . . 36 2018): CV Recorder is a two-track 384-step
Master Clock Forwarding . . . . . . . . . . 3 Scale Duet Quantizer . . . . . . . . . . . . 37 CV recorder with smoothing (linear inter-
Schmitt-Trigger . . . . . . . . . . . . . . . . . 38 polation) and adjustable start/end points.
Scope . . . . . . . . . . . . . . . . . . . . . . . . . 39
Sequence5 . . . . . . . . . . . . . . . . . . . . . 40
Troubleshooting . . . . . . . . . . . . . . . . . 4 Digital Inputs: A clock to Digital 1 advances
Shift Register . . . . . . . . . . . . . . . . . . 41
License . . . . . . . . . . . . . . . . . . . . . . . . . 4 the sequencer, and a trigger to Digital 2
ShiftGate . . . . . . . . . . . . . . . . . . . . . . 42
Hemisphere Apps . . . . . . . . 5 resets to the start step.
Shuffle 3��43
“A”SR . . . . . . . . . . . . . . . . . . . . . . . . . . 5 Skewed LFO . . . . . . . . . . . . . . . . . . . . 44 CV Inputs: CV1 is the input for Track 1, and
AD EG . . . . . . . . . . . . . . . . . . . . . . . . . 6 Slew . . . . . . . . . . . . . . . . . . . . . . . . . 45 CV2 is the input for Track 2
ADSR EG . . . . . . . . . . . . . . . . . . . . . . . 7 Squanch Shifting Quantizer . . . . . . . 46 Outputs: A/C is the output for Track 1, and
Annular Fusion Euclidean Drummer . . 8 Switch . . . . . . . . . . . . . . . . . . . . . . . . 47 B/D is the output for Track 2
Binary Counter . . . . . . . . . . . . . . . . . . 9 Threshold Logic Neuron . . . . . . . . . . 48 Encoder Push: Advance cursor (Start Point,
BootsNCat . . . . . . . . . . . . . . . . . . . . . 10 Trending . . . . . . . . . . . . . . . . . . . . . . 50 End Point, Smoothing on/off, transport
Bow Tie Sequential . . . . . . . . . . . . . . 11 Trigger Sequencer 16 . . . . . . . . . . . . 51 control)
Brancher . . . . . . . . . . . . . . . . . . . . . . 12 Trigger Sequencer . . . . . . . . . . . . . . . 52 Encoder Turn: Set value
Burst . . . . . . . . . . . . . . . . . . . . . . . . . 13 Tuner . . . . . . . . . . . . . . . . . . . . . . . . . 53
Calculate . . . . . . . . . . . . . . . . . . . . . . 14 VectMorph . . . . . . . . . . . . . . . . . . . . 54 Recording
Carpeggio Cartesian Arpeggiator . . . 15 VectorEG . . . . . . . . . . . . . . . . . . . . . . 55 To start recording, choose a length by set-
Clock Divider Multiplier . . . . . . . . . . 17 Vector LFO . . . . . . . . . . . . . . . . . . . . 56 ting the Start and End points. Advance the
Clock Skipper . . . . . . . . . . . . . . . . . . . 18 VectorMod . . . . . . . . . . . . . . . . . . . . 57 cursor down to the transport control (which
Compare . . . . . . . . . . . . . . . . . . . . . . . 19 Voltage . . . . . . . . . . . . . . . . . . . . . . . 58 will usually just say “Play”). Turn the en-
CV Recorder . . . . . . . . . . . . . . . . . . . . 20 Full Apps . . . . . . . . . . . 59 coder to choose which track or tracks you
Dr. Crusher . . . . . . . . . . . . . . . . . . . . 21 Captain MIDI . . . . . . . . . . . . . . . . . . . 59 wish to record (1, 2, 1+2). When you press
Dual Quantizer . . . . . . . . . . . . . . . . . 22 The Darkest Timeline 2 . . . . . . . . . . . 65 the encoder button, recording will begin.
Enigma, Jr. . . . . . . . . . . . . . . . . . . . . . 23 Enigma . . . . . . . . . . . . . . . . . . . . . . . . 70 An indicator bar will display on top of the
Envelope Follower . . . . . . . . . . . . . . 24 Neural Net . . . . . . . . . . . . . . . . . . . . 77 transport control line to indicate remaining
Gate Delay . . . . . . . . . . . . . . . . . . . . . 25 Scale Editor . . . . . . . . . . . . . . . . . . . . 81 steps.
LoFi-Tape . . . . . . . . . . . . . . . . . . . . . . 27 Pong . . . . . . . . . . . . . . . . . . . . . . . . . 86
MIDI Out . . . . . . . . . . . . . . . . . . . . . . 32
Mixer/Balance . . . . . . . . . . . . . . . . . . 34 Dr. Crusher
Saving State . . . . . . . . . . . . . . . . . . . . . 2 Palimpsest Accent Sequencer . . . . . . 35 Dr. Crusher is a single-channel sample rate
Help Screens . . . . . . . . . . . . . . . . . . . . 3 RunglBook . . . . . . . . . . . . . . . . . . . . . 36 and bit resolution reducer for CV or audio
Master Clock Forwarding . . . . . . . . . . 3 Scale Duet Quantizer . . . . . . . . . . . . 37 signals.
Schmitt-Trigger . . . . . . . . . . . . . . . . . 38
Digital Ins: A gate signal to Digital 1 defeats
Sequence5 . . . . . . . . . . . . . . . . . . . . . 40
Troubleshooting . . . . . . . . . . . . . . . . . 4 the effect and passes the signal from Out
Shift Register . . . . . . . . . . . . . . . . . . 41
License . . . . . . . . . . . . . . . . . . . . . . . . . 4 A at maximum rate and resolution
ShiftGate . . . . . . . . . . . . . . . . . . . . . . 42
Hemisphere Apps . . . . . . . . 5 Shuffle 3��43 CV Ins: CV 1 is the signal input
“A”SR . . . . . . . . . . . . . . . . . . . . . . . . . . 5 Skewed LFO . . . . . . . . . . . . . . . . . . . . 44 Outputs: Out A/C is the output with rate
AD EG . . . . . . . . . . . . . . . . . . . . . . . . . 6 Slew . . . . . . . . . . . . . . . . . . . . . . . . . 45 and resolution reduction applied, and
ADSR EG . . . . . . . . . . . . . . . . . . . . . . . 7 Squanch Shifting Quantizer . . . . . . . 46 Out
Annular Fusion Euclidean Drummer . . 8 Switch . . . . . . . . . . . . . . . . . . . . . . . . 47 B/D is the signal at maximum rate and
Binary Counter . . . . . . . . . . . . . . . . . . 9 Threshold Logic Neuron . . . . . . . . . . 48 resolution
BootsNCat . . . . . . . . . . . . . . . . . . . . . 10 Trending . . . . . . . . . . . . . . . . . . . . . . 50 Encoder: Alternate between sample rate
Bow Tie Sequential . . . . . . . . . . . . . . 11 Trigger Sequencer 16 . . . . . . . . . . . . 51 (.5kHz ~ 16.7kHz) and bit resolution (2-bit
Brancher . . . . . . . . . . . . . . . . . . . . . . 12 Trigger Sequencer . . . . . . . . . . . . . . . 52 ~ 14-bit) selection
Burst . . . . . . . . . . . . . . . . . . . . . . . . . 13 Tuner . . . . . . . . . . . . . . . . . . . . . . . . . 53
Calculate . . . . . . . . . . . . . . . . . . . . . . 14 VectMorph . . . . . . . . . . . . . . . . . . . . 54 Note that the maximum rate (16.7kHz) and
VectorEG . . . . . . . . . . . . . . . . . . . . . . 55 resolution (14-bit) values are the maximum
Vector LFO . . . . . . . . . . . . . . . . . . . . 56 values available to the firmware, so some
VectorMod . . . . . . . . . . . . . . . . . . . . 57 “crushing” will always be applied, no matter
Clock Skipper . . . . . . . . . . . . . . . . . . . 18
Voltage . . . . . . . . . . . . . . . . . . . . . . . 58 what, including when the “defeat” is activat-
Compare . . . . . . . . . . . . . . . . . . . . . . . 19 ed and when monitoring Out B/D.
Dr. Crusher . . . . . . . . . . . . . . . . . . . . 21 Captain MIDI . . . . . . . . . . . . . . . . . . . 59 If you’re not getting any signal at lower bit
Dual Quantizer . . . . . . . . . . . . . . . . . 22 The Darkest Timeline 2 . . . . . . . . . . . 65 resolutions, increase the input amplitude.
Enigma, Jr. . . . . . . . . . . . . . . . . . . . . . 23 Enigma . . . . . . . . . . . . . . . . . . . . . . . . 70 Dr. Crusher is in Hemisphere Suite starting
Envelope Follower . . . . . . . . . . . . . . 24 Neural Net . . . . . . . . . . . . . . . . . . . . 77 with v1.7.
LoFi-Tape . . . . . . . . . . . . . . . . . . . . . . 27 Pong . . . . . . . . . . . . . . . . . . . . . . . . . 86
MIDI Out . . . . . . . . . . . . . . . . . . . . . . 32
Mixer/Balance . . . . . . . . . . . . . . . . . . 34 Dual Quantizer
Saving State . . . . . . . . . . . . . . . . . . . . . 2 Palimpsest Accent Sequencer . . . . . . 35 https://youtu.be/GkV-rB4ntho
Dual Quantizer converts CV input to pitches
of specific musical scales.
Screen Blanking . . . . . . . . . . . . . . . . . 3 Scope . . . . . . . . . . . . . . . . . . . . . . . . . 39 Controls:
Sequence5 . . . . . . . . . . . . . . . . . . . . . 40 Digital Ins: Clock for each channel
Shift Register . . . . . . . . . . . . . . . . . . 41 CV Ins: Unquantized CV for each channel
License . . . . . . . . . . . . . . . . . . . . . . . . . 4
ShiftGate . . . . . . . . . . . . . . . . . . . . . . 42
Hemisphere Apps . . . . . . . . 5 Outputs: Quantized CV for each channel
Shuffle 3��43
“A”SR . . . . . . . . . . . . . . . . . . . . . . . . . . 5 Skewed LFO . . . . . . . . . . . . . . . . . . . . 44 Encoder Push: Alternate cursor between
AD EG . . . . . . . . . . . . . . . . . . . . . . . . . 6 Slew . . . . . . . . . . . . . . . . . . . . . . . . . 45 Channel 1 and Channel 2
ADSR EG . . . . . . . . . . . . . . . . . . . . . . . 7 Squanch Shifting Quantizer . . . . . . . 46 Encoder Turn: Select scale and reset chan-
Annular Fusion Euclidean Drummer . . 8 Switch . . . . . . . . . . . . . . . . . . . . . . . . 47 nel to continuous operation
Binary Counter . . . . . . . . . . . . . . . . . . 9 Threshold Logic Neuron . . . . . . . . . . 48 Each channel begins in continuous oper-
BootsNCat . . . . . . . . . . . . . . . . . . . . . 10 Trending . . . . . . . . . . . . . . . . . . . . . . 50 ation. That is, the incoming CV is quantized
Bow Tie Sequential . . . . . . . . . . . . . . 11 Trigger Sequencer 16 . . . . . . . . . . . . 51 at a rate of about 16667 times per second.
Brancher . . . . . . . . . . . . . . . . . . . . . . 12 Trigger Sequencer . . . . . . . . . . . . . . . 52 This might result in undesirable slippage
Burst . . . . . . . . . . . . . . . . . . . . . . . . . 13 Tuner . . . . . . . . . . . . . . . . . . . . . . . . . 53 between notes, so clocked operation is
Calculate . . . . . . . . . . . . . . . . . . . . . . 14 VectMorph . . . . . . . . . . . . . . . . . . . . 54 available on a per-channel basis.
Clock Divider Multiplier . . . . . . . . . . 17 Vector LFO . . . . . . . . . . . . . . . . . . . . 56 To enter clocked operation, send a clock
VectorMod . . . . . . . . . . . . . . . . . . . . 57 signal to a digital input. A clock icon will
Clock Skipper . . . . . . . . . . . . . . . . . . . 18
Voltage . . . . . . . . . . . . . . . . . . . . . . . 58 appear next to the selector for the cor-
Compare . . . . . . . . . . . . . . . . . . . . . . . 19
responding channel to indicate that that
CV Recorder . . . . . . . . . . . . . . . . . . . . 20 Full Apps . . . . . . . . . . . 59 quantizer is in clocked mode.
Dual Quantizer . . . . . . . . . . . . . . . . . 22 The Darkest Timeline 2 . . . . . . . . . . . 65 To return to continuous operation, stop
Enigma, Jr. . . . . . . . . . . . . . . . . . . . . . 23 Enigma . . . . . . . . . . . . . . . . . . . . . . . . 70 sending clock to the channel, and then
Envelope Follower . . . . . . . . . . . . . . 24 Neural Net . . . . . . . . . . . . . . . . . . . . 77 change the scale. As long as no additional
Gate Delay . . . . . . . . . . . . . . . . . . . . . 25 Scale Editor . . . . . . . . . . . . . . . . . . . . 81 clock signals are received at the channel,
Gated VCA . . . . . . . . . . . . . . . . . . . . . 26 Waveform Editor . . . . . . . . . . . . . . . . 83 the quantizer will remain in continuous
LoFi-Tape . . . . . . . . . . . . . . . . . . . . . . 27 Pong . . . . . . . . . . . . . . . . . . . . . . . . . 86 operation.
MIDI Out . . . . . . . . . . . . . . . . . . . . . . 32
Mixer/Balance . . . . . . . . . . . . . . . . . . 34 Enigma, Jr.
Saving State . . . . . . . . . . . . . . . . . . . . . 2 Palimpsest Accent Sequencer . . . . . . 35 While Enigma imposes a track-song is available. The note types look at the
Help Screens . . . . . . . . . . . . . . . . . . . . 3 RunglBook . . . . . . . . . . . . . . . . . . . . . 36 workflow, Enigma, Jr. allows you to organize least- significant bits of the current
Master Clock Forwarding . . . . . . . . . . 3 Scale Duet Quantizer . . . . . . . . . . . . 37 your Turing Machines via CV. It allows play- Register.
Schmitt-Trigger . . . . . . . . . . . . . . . . . 38 back and temporary manipulation of regis- Modulation/Expression: The least-
Scope . . . . . . . . . . . . . . . . . . . . . . . . . 39 ters in your Enigma Register Library. significant 8 bits are used to generate
Screen Blanking . . . . . . . . . . . . . . . . . 3
Sequence5 . . . . . . . . . . . . . . . . . . . . . 40 a modulation value that’s scaled to 0-5
Troubleshooting . . . . . . . . . . . . . . . . . 4 Controls:
Shift Register . . . . . . . . . . . . . . . . . . 41 volts. Modulation and Expression are
License . . . . . . . . . . . . . . . . . . . . . . . . . 4 Digital Ins: Digital 1 advances the register
ShiftGate . . . . . . . . . . . . . . . . . . . . . . 42 identical for CV.
Hemisphere Apps . . . . . . . . 5 Shuffle 3��43 CV Ins: CV 1 is a bi-polar modulation of the
Gate: When bit 0 is 1, the assigned output
“A”SR . . . . . . . . . . . . . . . . . . . . . . . . . . 5 Skewed LFO . . . . . . . . . . . . . . . . . . . . 44 pitch, and CV 2 is the Organize modula-
tion (see below) emits 5V until the next time bit 0 is 0.
AD EG . . . . . . . . . . . . . . . . . . . . . . . . . 6 Slew . . . . . . . . . . . . . . . . . . . . . . . . . 45 That is, a high gate will span multiple
ADSR EG . . . . . . . . . . . . . . . . . . . . . . . 7 Squanch Shifting Quantizer . . . . . . . 46 CV Outs: Assignable rotations of the Register
Annular Fusion Euclidean Drummer . . 8 Switch . . . . . . . . . . . . . . . . . . . . . . . . 47 Encoder: Choose Register, probability, or Trigger: When bit 0 is 1, a trigger pulse is
Binary Counter . . . . . . . . . . . . . . . . . . 9 Threshold Logic Neuron . . . . . . . . . . 48 assign outputs emitted at the assigned output
In many respects, Enigma, Jr. is similar
to ShiftReg. But instead of generating a Organize
Brancher . . . . . . . . . . . . . . . . . . . . . . 12 Trigger Sequencer . . . . . . . . . . . . . . . 52 CV 2 is the Organize control. When a
random sixteen-bit register, Enigma, Jr.
Burst . . . . . . . . . . . . . . . . . . . . . . . . . 13 Tuner . . . . . . . . . . . . . . . . . . . . . . . . . 53 Register has advanced to the end of its
uses a Register from the Enigma Register
Calculate . . . . . . . . . . . . . . . . . . . . . . 14 VectMorph . . . . . . . . . . . . . . . . . . . . 54 length, CV 2 is read, and a new Register
Library. Enigma may be used to shape and
Carpeggio Cartesian Arpeggiator . . . 15 VectorEG . . . . . . . . . . . . . . . . . . . . . . 55 is loaded, based on the CV 2 modulation.
curate this Library (see <https://github.
Clock Divider Multiplier . . . . . . . . . . 17 Vector LFO . . . . . . . . . . . . . . . . . . . . 56 com/Chysn/O_C-HemisphereSuite/wiki/ If your Library has Registers marked as
Clock Skipper . . . . . . . . . . . . . . . . . . . 18 VectorMod . . . . . . . . . . . . . . . . . . . . 57 Enigma>). Favorites, the CV will choose from among
Compare . . . . . . . . . . . . . . . . . . . . . . . 19 Voltage . . . . . . . . . . . . . . . . . . . . . . . 58 your Favorites. If you have no Favorites
Both outputs are assignable to any of the
CV Recorder . . . . . . . . . . . . . . . . . . . . 20 Full Apps . . . . . . . . . . . 59 CV values that Enigma can use. These are:
selected, the CV will choose at random
Dr. Crusher . . . . . . . . . . . . . . . . . . . . 21 Captain MIDI . . . . . . . . . . . . . . . . . . . 59 from among all 40 Registers in the Library.
Dual Quantizer . . . . . . . . . . . . . . . . . 22 The Darkest Timeline 2 . . . . . . . . . . . 65 Note: There are five depths of note data,
Enigma, Jr. is in Hemisphere Suite from v1.5.
Enigma, Jr. . . . . . . . . . . . . . . . . . . . . . 23 Enigma . . . . . . . . . . . . . . . . . . . . . . . . 70 from 3 bits to 7 bits. At 3-bit depth,
Envelope Follower . . . . . . . . . . . . . . 24 Neural Net . . . . . . . . . . . . . . . . . . . . 77 melodies will be constrained to 8 notes
Gate Delay . . . . . . . . . . . . . . . . . . . . . 25 Scale Editor . . . . . . . . . . . . . . . . . . . . 81 of the selected scale. At 4-bit depth, 16
Gated VCA . . . . . . . . . . . . . . . . . . . . . 26 Waveform Editor . . . . . . . . . . . . . . . . 83 notes; at 5-bit depth, 32 notes; at 6-bit
LoFi-Tape . . . . . . . . . . . . . . . . . . . . . . 27 Pong . . . . . . . . . . . . . . . . . . . . . . . . . 86 depth, 64 notes; and, at 7-bit depth, 128
Logic . . . . . . . . . . . . . . . . . . . . . . . . . 28 Backup and Restore . . . . . . . . . . . . . . 87 notes (or the entire MIDI note range)
MIDI Out . . . . . . . . . . . . . . . . . . . . . . 32
Mixer/Balance . . . . . . . . . . . . . . . . . . 34 Envelope Follower
Saving State . . . . . . . . . . . . . . . . . . . . . 2 Palimpsest Accent Sequencer . . . . . . 35 EnvFollow is an envelope follower and
Help Screens . . . . . . . . . . . . . . . . . . . . 3 RunglBook . . . . . . . . . . . . . . . . . . . . . 36 ducker.
CV Inputs: Signal inputs for channels 1 and
2
Sequence5 . . . . . . . . . . . . . . . . . . . . . 40
Troubleshooting . . . . . . . . . . . . . . . . . 4 Outputs: Output 1’s output increases as the
Shift Register . . . . . . . . . . . . . . . . . . 41
License . . . . . . . . . . . . . . . . . . . . . . . . . 4 amplitude of Input 1 increases. Output
ShiftGate . . . . . . . . . . . . . . . . . . . . . . 42
Hemisphere Apps . . . . . . . . 5 Shuffle 3��43 2’s output decreases as the amplitude of
“A”SR . . . . . . . . . . . . . . . . . . . . . . . . . . 5 Skewed LFO . . . . . . . . . . . . . . . . . . . . 44 Input 2 increases.
AD EG . . . . . . . . . . . . . . . . . . . . . . . . . 6 Slew . . . . . . . . . . . . . . . . . . . . . . . . . 45 Encoder: Gain per channel
ADSR EG . . . . . . . . . . . . . . . . . . . . . . . 7 Squanch Shifting Quantizer . . . . . . . 46 Since audio signals are typically much low-
Annular Fusion Euclidean Drummer . . 8 Switch . . . . . . . . . . . . . . . . . . . . . . . . 47 er than the typical CV range, a gain of up to
Binary Counter . . . . . . . . . . . . . . . . . . 9 Threshold Logic Neuron . . . . . . . . . . 48 31x is provided.
Bow Tie Sequential . . . . . . . . . . . . . . 11 Trigger Sequencer 16 . . . . . . . . . . . . 51 EnvFollow is in Hemisphere Suite starting at
Brancher . . . . . . . . . . . . . . . . . . . . . . 12 Trigger Sequencer . . . . . . . . . . . . . . . 52 v1.4.
Burst . . . . . . . . . . . . . . . . . . . . . . . . . 13 Tuner . . . . . . . . . . . . . . . . . . . . . . . . . 53
Compare . . . . . . . . . . . . . . . . . . . . . . . 19 Voltage . . . . . . . . . . . . . . . . . . . . . . . 58
Enigma, Jr. . . . . . . . . . . . . . . . . . . . . . 23 Enigma . . . . . . . . . . . . . . . . . . . . . . . . 70
LoFi-Tape . . . . . . . . . . . . . . . . . . . . . . 27 Pong . . . . . . . . . . . . . . . . . . . . . . . . . 86
MIDI Out . . . . . . . . . . . . . . . . . . . . . . 32
Mixer/Balance . . . . . . . . . . . . . . . . . . 34 Gate Delay
Saving State . . . . . . . . . . . . . . . . . . . . . 2 Palimpsest Accent Sequencer . . . . . . 35 Gate Delay is a dual trigger/gate delay
Help Screens . . . . . . . . . . . . . . . . . . . . 3 RunglBook . . . . . . . . . . . . . . . . . . . . . 36 loosely based on the Ladik S-189.
Digital Ins: Clock/Trigger input per channel
Sequence5 . . . . . . . . . . . . . . . . . . . . . 40 CV Ins: Bi-polar time modulation per
Troubleshooting . . . . . . . . . . . . . . . . . 4 channel
Shift Register . . . . . . . . . . . . . . . . . . 41
License . . . . . . . . . . . . . . . . . . . . . . . . . 4
ShiftGate . . . . . . . . . . . . . . . . . . . . . . 42 Outputs: Delayed clock/trigger output
Hemisphere Apps . . . . . . . . 5 Shuffle 3��43 Encoder Push: Move cursor between
“A”SR . . . . . . . . . . . . . . . . . . . . . . . . . . 5 Skewed LFO . . . . . . . . . . . . . . . . . . . . 44 channels
AD EG . . . . . . . . . . . . . . . . . . . . . . . . . 6 Slew . . . . . . . . . . . . . . . . . . . . . . . . . 45
Encoder Turn: Set delay time, from 0ms to
ADSR EG . . . . . . . . . . . . . . . . . . . . . . . 7 Squanch Shifting Quantizer . . . . . . . 46 2000ms
Binary Counter . . . . . . . . . . . . . . . . . . 9 Threshold Logic Neuron . . . . . . . . . . 48 Gate Delay has a 1ms resolution and a 2
BootsNCat . . . . . . . . . . . . . . . . . . . . . 10 Trending . . . . . . . . . . . . . . . . . . . . . . 50 second recording time. Modulation is bi-
Bow Tie Sequential . . . . . . . . . . . . . . 11 Trigger Sequencer 16 . . . . . . . . . . . . 51 polar and can change the time by up to
Brancher . . . . . . . . . . . . . . . . . . . . . . 12 Trigger Sequencer . . . . . . . . . . . . . . . 52 1000ms.
Burst . . . . . . . . . . . . . . . . . . . . . . . . . 13 Tuner . . . . . . . . . . . . . . . . . . . . . . . . . 53
Compare . . . . . . . . . . . . . . . . . . . . . . . 19 Voltage . . . . . . . . . . . . . . . . . . . . . . . 58
Enigma, Jr. . . . . . . . . . . . . . . . . . . . . . 23 Enigma . . . . . . . . . . . . . . . . . . . . . . . . 70
LoFi-Tape . . . . . . . . . . . . . . . . . . . . . . 27 Pong . . . . . . . . . . . . . . . . . . . . . . . . . 86
MIDI Out . . . . . . . . . . . . . . . . . . . . . . 32
Mixer/Balance . . . . . . . . . . . . . . . . . . 34 Gated VCA
Saving State . . . . . . . . . . . . . . . . . . . . . 2 Palimpsest Accent Sequencer . . . . . . 35 Gated VCA is a VCA for CV, with the ability
Help Screens . . . . . . . . . . . . . . . . . . . . 3 RunglBook . . . . . . . . . . . . . . . . . . . . . 36 to gate the first output. It can sort of be
Master Clock Forwarding . . . . . . . . . . 3 Scale Duet Quantizer . . . . . . . . . . . . 37 used for audio, but works best as an extra
Schmitt-Trigger . . . . . . . . . . . . . . . . . 38 CV VCA.
Scope . . . . . . . . . . . . . . . . . . . . . . . . . 39
Sequence5 . . . . . . . . . . . . . . . . . . . . . 40
Troubleshooting . . . . . . . . . . . . . . . . . 4 Digital Ins: Digital 1 gates Output A
Shift Register . . . . . . . . . . . . . . . . . . 41
License . . . . . . . . . . . . . . . . . . . . . . . . . 4 CV Ins: Input 1 is the CV signal and Input 2
ShiftGate . . . . . . . . . . . . . . . . . . . . . . 42
Hemisphere Apps . . . . . . . . 5 Shuffle 3��43 is the CV amount
“A”SR . . . . . . . . . . . . . . . . . . . . . . . . . . 5 Skewed LFO . . . . . . . . . . . . . . . . . . . . 44 Outputs: A/C is silent until Digital In 1 is
AD EG . . . . . . . . . . . . . . . . . . . . . . . . . 6 Slew . . . . . . . . . . . . . . . . . . . . . . . . . 45 gated, and B/D is always the VCA output
ADSR EG . . . . . . . . . . . . . . . . . . . . . . . 7 Squanch Shifting Quantizer . . . . . . . 46 Encoder Turn: Increase and decrease CV
Annular Fusion Euclidean Drummer . . 8 Switch . . . . . . . . . . . . . . . . . . . . . . . . 47 Offset
This works like a fairly simple VCA, with the
ability to suppress one of the outputs com-
pletely, regardless of the CV amount.
Burst . . . . . . . . . . . . . . . . . . . . . . . . . 13 Tuner . . . . . . . . . . . . . . . . . . . . . . . . . 53
Compare . . . . . . . . . . . . . . . . . . . . . . . 19 Voltage . . . . . . . . . . . . . . . . . . . . . . . 58
Enigma, Jr. . . . . . . . . . . . . . . . . . . . . . 23 Enigma . . . . . . . . . . . . . . . . . . . . . . . . 70
LoFi-Tape . . . . . . . . . . . . . . . . . . . . . . 27 Pong . . . . . . . . . . . . . . . . . . . . . . . . . 86
MIDI Out . . . . . . . . . . . . . . . . . . . . . . 32
Mixer/Balance . . . . . . . . . . . . . . . . . . 34 LoFi-Tape
Saving State . . . . . . . . . . . . . . . . . . . . . 2 Palimpsest Accent Sequencer . . . . . . 35 https://youtu.be/p1SUj-F7i28
LoFi Tape is an audio-rate looper for audio
or CV.
Sequence5 . . . . . . . . . . . . . . . . . . . . . 40 Digital Ins: Both digital ins expect a gate
Shift Register . . . . . . . . . . . . . . . . . . 41 signal. Digital 1 pauses playback while
License . . . . . . . . . . . . . . . . . . . . . . . . . 4
ShiftGate . . . . . . . . . . . . . . . . . . . . . . 42 the gate is high. Digital 2 records from CV
Hemisphere Apps . . . . . . . . 5 Shuffle 3��43 1 while the gate is high.
“A”SR . . . . . . . . . . . . . . . . . . . . . . . . . . 5 Skewed LFO . . . . . . . . . . . . . . . . . . . . 44 CV Ins: CV 1 is the signal, which can be an
AD EG . . . . . . . . . . . . . . . . . . . . . . . . . 6 Slew . . . . . . . . . . . . . . . . . . . . . . . . . 45 audio or CV signal. CV 2 is Sound-On-
ADSR EG . . . . . . . . . . . . . . . . . . . . . . . 7 Squanch Shifting Quantizer . . . . . . . 46 Sound, or the balance between the in-
Annular Fusion Euclidean Drummer . . 8 Switch . . . . . . . . . . . . . . . . . . . . . . . . 47 coming signal and the looped signal.
Outputs: A/C is the main output, and B/D is
BootsNCat . . . . . . . . . . . . . . . . . . . . . 10 Trending . . . . . . . . . . . . . . . . . . . . . . 50 an end-of-cycle trigger
Trigger Sequencer . . . . . . . . . . . . . . . 52 Encoder Push: Resets the buffer and rec-
Brancher . . . . . . . . . . . . . . . . . . . . . . 12
Tuner . . . . . . . . . . . . . . . . . . . . . . . . . 53 ords one complete buffer cycle (about 1
Burst . . . . . . . . . . . . . . . . . . . . . . . . . 13
VectMorph . . . . . . . . . . . . . . . . . . . . 54 second)
Calculate . . . . . . . . . . . . . . . . . . . . . . 14
Carpeggio Cartesian Arpeggiator . . . 15 VectorEG . . . . . . . . . . . . . . . . . . . . . . 55 Encoder Turn: Sets the end point of the
Clock Divider Multiplier . . . . . . . . . . 17 Vector LFO . . . . . . . . . . . . . . . . . . . . 56 buffer
Clock Skipper . . . . . . . . . . . . . . . . . . . 18 VectorMod . . . . . . . . . . . . . . . . . . . . 57 LoFi Tape records at a sampling rate of 2kHz
Compare . . . . . . . . . . . . . . . . . . . . . . . 19 Voltage . . . . . . . . . . . . . . . . . . . . . . . 58 for about one second. Incoming signals are
CV Recorder . . . . . . . . . . . . . . . . . . . . 20 Full Apps . . . . . . . . . . . 59 down sampled to 8 bits of resolution.
Enigma, Jr. . . . . . . . . . . . . . . . . . . . . . 23 Enigma . . . . . . . . . . . . . . . . . . . . . . . . 70
LoFi-Tape . . . . . . . . . . . . . . . . . . . . . . 27 Pong . . . . . . . . . . . . . . . . . . . . . . . . . 86
MIDI Out . . . . . . . . . . . . . . . . . . . . . . 32
Mixer/Balance . . . . . . . . . . . . . . . . . . 34 Logic
Saving State . . . . . . . . . . . . . . . . . . . . . 2 Palimpsest Accent Sequencer . . . . . . 35 https://youtu.be/mHZCaMH_Dgk Another option, “CV,” is available. When set
Help Screens . . . . . . . . . . . . . . . . . . . . 3 RunglBook . . . . . . . . . . . . . . . . . . . . . 36 to “CV,” the logical gate type will be set via
Logic is a two-input logic module that per-
Master Clock Forwarding . . . . . . . . . . 3 Scale Duet Quantizer . . . . . . . . . . . . 37 CV using the corresponding CV input.
form two logical operations at once.
Sequence5 . . . . . . . . . . . . . . . . . . . . . 40 Digital Ins: Two logical operands, in the
Shift Register . . . . . . . . . . . . . . . . . . 41 form of gate signals with high being True
License . . . . . . . . . . . . . . . . . . . . . . . . . 4
ShiftGate . . . . . . . . . . . . . . . . . . . . . . 42 and low being False
Hemisphere Apps . . . . . . . . 5 Shuffle 3��43 CV Ins: Inputs 1 and 2 set the logical gate
“A”SR . . . . . . . . . . . . . . . . . . . . . . . . . . 5 Skewed LFO . . . . . . . . . . . . . . . . . . . . 44 when the gate selected for the corres-
AD EG . . . . . . . . . . . . . . . . . . . . . . . . . 6 Slew . . . . . . . . . . . . . . . . . . . . . . . . . 45 ponding channel is “CV”
Outputs: Results of the logical operations
as a high (5 volt, when True) or low (0
volt, when False) signal
Bow Tie Sequential . . . . . . . . . . . . . . 11 Trigger Sequencer 16 . . . . . . . . . . . . 51 Encoder Push: Alternates the cursor be-
Trigger Sequencer . . . . . . . . . . . . . . . 52 tween the two channels
Brancher . . . . . . . . . . . . . . . . . . . . . . 12
Burst . . . . . . . . . . . . . . . . . . . . . . . . . 13 Tuner . . . . . . . . . . . . . . . . . . . . . . . . . 53 Encoder Turn: Selects the logical gate or
Calculate . . . . . . . . . . . . . . . . . . . . . . 14 VectMorph . . . . . . . . . . . . . . . . . . . . 54 “CV” for each channel
Carpeggio Cartesian Arpeggiator . . . 15 VectorEG . . . . . . . . . . . . . . . . . . . . . . 55 Available gate types are:
Clock Divider Multiplier . . . . . . . . . . 17 Vector LFO . . . . . . . . . . . . . . . . . . . . 56 AND: True when both inputs are True
OR: True when either or both inputs are
Compare . . . . . . . . . . . . . . . . . . . . . . . 19 Voltage . . . . . . . . . . . . . . . . . . . . . . . 58
True
CV Recorder . . . . . . . . . . . . . . . . . . . . 20 Full Apps . . . . . . . . . . . 59 XOR: True when exactly one of the inputs
Dr. Crusher . . . . . . . . . . . . . . . . . . . . 21 Captain MIDI . . . . . . . . . . . . . . . . . . . 59 is True
Enigma, Jr. . . . . . . . . . . . . . . . . . . . . . 23 NAND: True when either input is False
Enigma . . . . . . . . . . . . . . . . . . . . . . . . 70
Envelope Follower . . . . . . . . . . . . . . 24 Neural Net . . . . . . . . . . . . . . . . . . . . 77 NOR: True when both inputs are False
Gate Delay . . . . . . . . . . . . . . . . . . . . . 25 Scale Editor . . . . . . . . . . . . . . . . . . . . 81 XNOR: True when both inputs are the same
LoFi-Tape . . . . . . . . . . . . . . . . . . . . . . 27 Pong . . . . . . . . . . . . . . . . . . . . . . . . . 86
MIDI Out . . . . . . . . . . . . . . . . . . . . . . 32
Mixer/Balance . . . . . . . . . . . . . . . . . . 34 LowerRenz
Saving State . . . . . . . . . . . . . . . . . . . . . 2 Palimpsest Accent Sequencer . . . . . . 35 LowerRenz is a single Lorenz-only modu-
Help Screens . . . . . . . . . . . . . . . . . . . . 3 RunglBook . . . . . . . . . . . . . . . . . . . . . 36 lation generator based on the O_C’s own
Master Clock Forwarding . . . . . . . . . . 3 Scale Duet Quantizer . . . . . . . . . . . . 37 Low- Rentz Dual Lorenz/Rössler Generator,
Schmitt-Trigger . . . . . . . . . . . . . . . . . 38 which is itself based on an Easter Egg from
Scope . . . . . . . . . . . . . . . . . . . . . . . . . 39 Mutable Instruments Streams.
Screen Blanking . . . . . . . . . . . . . . . . . 3
Sequence5 . . . . . . . . . . . . . . . . . . . . . 40
Shift Register . . . . . . . . . . . . . . . . . . 41
License . . . . . . . . . . . . . . . . . . . . . . . . . 4 Digital Ins: A trigger at Digital 1 resets the
ShiftGate . . . . . . . . . . . . . . . . . . . . . . 42
Hemisphere Apps . . . . . . . . 5 generator, and a gate at Digital 2 freezes
Shuffle 3��43
“A”SR . . . . . . . . . . . . . . . . . . . . . . . . . . 5 the outputs until the gate goes low.
Skewed LFO . . . . . . . . . . . . . . . . . . . . 44
AD EG . . . . . . . . . . . . . . . . . . . . . . . . . 6 Slew . . . . . . . . . . . . . . . . . . . . . . . . . 45 CV Ins: CV 1 is bi-polar modulation for
ADSR EG . . . . . . . . . . . . . . . . . . . . . . . 7 Squanch Shifting Quantizer . . . . . . . 46 Frequency, and CV 2 is bi-polar modula-
Annular Fusion Euclidean Drummer . . 8 Switch . . . . . . . . . . . . . . . . . . . . . . . . 47 tion for Rho, whatever Rho is
Binary Counter . . . . . . . . . . . . . . . . . . 9 Threshold Logic Neuron . . . . . . . . . . 48 Outputs: A/C is the Lorenz X value, and B/D
BootsNCat . . . . . . . . . . . . . . . . . . . . . 10 Trending . . . . . . . . . . . . . . . . . . . . . . 50 is the Y value
Bow Tie Sequential . . . . . . . . . . . . . . 11 Trigger Sequencer 16 . . . . . . . . . . . . 51 Encoder Push: Alternates the cursor be-
Brancher . . . . . . . . . . . . . . . . . . . . . . 12 Trigger Sequencer . . . . . . . . . . . . . . . 52 tween Frequency and Rho, whatever
Burst . . . . . . . . . . . . . . . . . . . . . . . . . 13 Tuner . . . . . . . . . . . . . . . . . . . . . . . . . 53 Rho is
Calculate . . . . . . . . . . . . . . . . . . . . . . 14 VectMorph . . . . . . . . . . . . . . . . . . . . 54 Encoder Turn: Sets the value at the cursor,
Carpeggio Cartesian Arpeggiator . . . 15 VectorEG . . . . . . . . . . . . . . . . . . . . . . 55 either Frequency or Rho. Whatever Rho
Clock Divider Multiplier . . . . . . . . . . 17 Vector LFO . . . . . . . . . . . . . . . . . . . . 56 is.
Compare . . . . . . . . . . . . . . . . . . . . . . . 19 Voltage . . . . . . . . . . . . . . . . . . . . . . . 58
Enigma, Jr. . . . . . . . . . . . . . . . . . . . . . 23 Enigma . . . . . . . . . . . . . . . . . . . . . . . . 70
LoFi-Tape . . . . . . . . . . . . . . . . . . . . . . 27 Pong . . . . . . . . . . . . . . . . . . . . . . . . . 86
MIDI Out . . . . . . . . . . . . . . . . . . . . . . 32
Mixer/Balance . . . . . . . . . . . . . . . . . . 34 Metronome
Saving State . . . . . . . . . . . . . . . . . . . . . 2 Palimpsest Accent Sequencer . . . . . . 35 Metronome is a master clock for In this running state, you may pause
Help Screens . . . . . . . . . . . . . . . . . . . . 3 RunglBook . . . . . . . . . . . . . . . . . . . . . 36 Hemisphere’s clocked applets. Once start- Metronome by long-pressing the left en-
Master Clock Forwarding . . . . . . . . . . 3 Scale Duet Quantizer . . . . . . . . . . . . 37 ed, it runs in the background as you select coder button and releasing it. You may
Schmitt-Trigger . . . . . . . . . . . . . . . . . 38 other applets. restart Metronome by repeating this action.
Scope . . . . . . . . . . . . . . . . . . . . . . . . . 39 You can do these things whether or not the
Screen Blanking . . . . . . . . . . . . . . . . . 3 Controls: Metronome applet is selected.
Sequence5 . . . . . . . . . . . . . . . . . . . . . 40
Troubleshooting . . . . . . . . . . . . . . . . . 4 CV Outs: Out 1 sends a clock pulse on the
Shift Register . . . . . . . . . . . . . . . . . . 41
License . . . . . . . . . . . . . . . . . . . . . . . . . 4 specified multiples of the beat, and Out 2 To completely stop Metronome, return to
ShiftGate . . . . . . . . . . . . . . . . . . . . . . 42 the Metronome applet, move the cursor to
Hemisphere Apps . . . . . . . . 5 sends a clock pulse on each beat.
Shuffle 3��43 the play control, and turn the encoder until
“A”SR . . . . . . . . . . . . . . . . . . . . . . . . . . 5 Skewed LFO . . . . . . . . . . . . . . . . . . . . 44 Encoder Push: Advances the cursor be-
tween tempo, beat multiplier, and play the Stop icon (a solid square) appears. The
AD EG . . . . . . . . . . . . . . . . . . . . . . . . . 6 Slew . . . . . . . . . . . . . . . . . . . . . . . . . 45
mode. metronome icon will disappear from the
ADSR EG . . . . . . . . . . . . . . . . . . . . . . . 7 Squanch Shifting Quantizer . . . . . . . 46 top of the screen, and you may use Master
Annular Fusion Euclidean Drummer . . 8 Switch . . . . . . . . . . . . . . . . . . . . . . . . 47 Starting Metronome Clock Forwarding again, if you wish.
Trending . . . . . . . . . . . . . . . . . . . . . . 50 Once you set the tempo and multiplier, Metronome is in Hemisphere Suite starting
BootsNCat . . . . . . . . . . . . . . . . . . . . . 10
move the cursor to the play mode. Turn the at v1.6.
encoder to start or stop Metronome. When
Metronome is playing, a Metronome icon
Burst . . . . . . . . . . . . . . . . . . . . . . . . . 13 Tuner . . . . . . . . . . . . . . . . . . . . . . . . . 53
will be displayed at the top of the screen.
Carpeggio Cartesian Arpeggiator . . . 15 VectorEG . . . . . . . . . . . . . . . . . . . . . . 55 When the Metronome is playing, other
Clock Divider Multiplier . . . . . . . . . . 17 Vector LFO . . . . . . . . . . . . . . . . . . . . 56 applets that listen for clock pulses (trig-
Clock Skipper . . . . . . . . . . . . . . . . . . . 18 VectorMod . . . . . . . . . . . . . . . . . . . . 57 gers) at Digital 1 will instead be controlled
Compare . . . . . . . . . . . . . . . . . . . . . . . 19 Voltage . . . . . . . . . . . . . . . . . . . . . . . 58 by Metronome. You may switch from
Metronome to a different applet, and
CV Recorder . . . . . . . . . . . . . . . . . . . . 20 Full Apps . . . . . . . . . . . 59 Metronome will continue to play (and con-
Dual Quantizer . . . . . . . . . . . . . . . . . 22 trol other applets) in the background.
Enigma, Jr. . . . . . . . . . . . . . . . . . . . . . 23 Enigma . . . . . . . . . . . . . . . . . . . . . . . . 70 Controlling Metronome
Gate Delay . . . . . . . . . . . . . . . . . . . . . 25 When Metronome is running, Master Clock
Scale Editor . . . . . . . . . . . . . . . . . . . . 81
Forwarding is disabled. This will be indicat-
ed by a metronome icon where the Master
LoFi-Tape . . . . . . . . . . . . . . . . . . . . . . 27 Pong . . . . . . . . . . . . . . . . . . . . . . . . . 86
Clock Forwarding icon would be.
MIDI Out . . . . . . . . . . . . . . . . . . . . . . 32
Mixer/Balance . . . . . . . . . . . . . . . . . . 34 MIDI In
Saving State . . . . . . . . . . . . . . . . . . . . . 2 Palimpsest Accent Sequencer . . . . . . 35 https://youtu.be/Hfowo8vF7CE is monophonic, the gate will only pay
Help Screens . . . . . . . . . . . . . . . . . . . . 3 RunglBook . . . . . . . . . . . . . . . . . . . . . 36 attention to one note at a time.
MIDI In is a monophonic MIDI-to-CV inter-
Master Clock Forwarding . . . . . . . . . . 3 Scale Duet Quantizer . . . . . . . . . . . . 37 Veloc: The output is a scaled voltage (0-5
face that uses the USB port on the back of
Category Filtering . . . . . . . . . . . . . . . . 3 Schmitt-Trigger . . . . . . . . . . . . . . . . . 38 volts) corresponding the to last note’s
the Ornament and Crime module. The MIDI
Screen Blanking . . . . . . . . . . . . . . . . . 3 Scope . . . . . . . . . . . . . . . . . . . . . . . . . 39 velocity
interface will appear in your computer as
Sequence5 . . . . . . . . . . . . . . . . . . . . . 40 Mod: The output is a scaled voltage (0-5
Troubleshooting . . . . . . . . . . . . . . . . . 4 “Hemisphere”.
Shift Register . . . . . . . . . . . . . . . . . . 41 volts) corresponding to the position of
License . . . . . . . . . . . . . . . . . . . . . . . . . 4
ShiftGate . . . . . . . . . . . . . . . . . . . . . . 42 Controls: CC#1 (modulation wheel)
Hemisphere Apps . . . . . . . . 5 Shuffle 3��43 Outputs: Assignable
“A”SR . . . . . . . . . . . . . . . . . . . . . . . . . . 5 Aft: The output is a scaled voltage (0-5
Skewed LFO . . . . . . . . . . . . . . . . . . . . 44 Encoder Push: Cycle cursor between MIDI
AD EG . . . . . . . . . . . . . . . . . . . . . . . . . 6 volts) corresponding to the aftertouch
Slew . . . . . . . . . . . . . . . . . . . . . . . . . 45 channel, Out A assignment, and Out B
ADSR EG . . . . . . . . . . . . . . . . . . . . . . . 7 value
Squanch Shifting Quantizer . . . . . . . 46 assignment
Annular Fusion Euclidean Drummer . . 8 Switch . . . . . . . . . . . . . . . . . . . . . . . . 47 Bend: The output is a scaled voltage (-3 to
Encoder Turn: Change channel or 5 volts) corresponding to the pitch bend
assignment value
Bow Tie Sequential . . . . . . . . . . . . . . 11 Trigger Sequencer 16 . . . . . . . . . . . . 51 Accepts MIDI data from the USB port on The screensaver for MIDI In displays the
Brancher . . . . . . . . . . . . . . . . . . . . . . 12 Trigger Sequencer . . . . . . . . . . . . . . . 52 the back of the O_C module. If you installed last six MIDI messages. It will always dis-
Burst . . . . . . . . . . . . . . . . . . . . . . . . . 13 Tuner . . . . . . . . . . . . . . . . . . . . . . . . . 53 Hemisphere Suite from a hex file, the MIDI play note activity on the selected channel.
Calculate . . . . . . . . . . . . . . . . . . . . . . 14 VectMorph . . . . . . . . . . . . . . . . . . . . 54 driver will be called Hemisphere. If you Other data (note off, aftertouch, pitch bend,
Carpeggio Cartesian Arpeggiator . . . 15 VectorEG . . . . . . . . . . . . . . . . . . . . . . 55 compiled Hemisphere Suite from source, it modulation) will only be shown if that data
Vector LFO . . . . . . . . . . . . . . . . . . . . 56 will probably be Teensy MIDI. type is assigned to a CV output.
Clock Skipper . . . . . . . . . . . . . . . . . . . 18 VectorMod . . . . . . . . . . . . . . . . . . . . 57 The following types of MIDI data are assign- MIDI In is available in Hemisphere Suite.
Compare . . . . . . . . . . . . . . . . . . . . . . . 19 Voltage . . . . . . . . . . . . . . . . . . . . . . . 58 able to the outputs:
CV Recorder . . . . . . . . . . . . . . . . . . . . 20 Full Apps . . . . . . . . . . . 59 Note#: The output is a quantized value
Dr. Crusher . . . . . . . . . . . . . . . . . . . . 21 Captain MIDI . . . . . . . . . . . . . . . . . . . 59 based on the MIDI note number
Dual Quantizer . . . . . . . . . . . . . . . . . 22 The Darkest Timeline 2 . . . . . . . . . . . 65 Trg: The output is a trigger signal on a MIDI
Enigma, Jr. . . . . . . . . . . . . . . . . . . . . . 23 Enigma . . . . . . . . . . . . . . . . . . . . . . . . 70 note on message
Gate Delay . . . . . . . . . . . . . . . . . . . . . 25 Gate: The output is a 5 volt gate signal,
Scale Editor . . . . . . . . . . . . . . . . . . . . 81
Gated VCA . . . . . . . . . . . . . . . . . . . . . 26 starting at a note on, and ending at the
Waveform Editor . . . . . . . . . . . . . . . . 83
corresponding note off. Since the applet
LoFi-Tape . . . . . . . . . . . . . . . . . . . . . . 27 Pong . . . . . . . . . . . . . . . . . . . . . . . . . 86
MIDI Out . . . . . . . . . . . . . . . . . . . . . . 32
Mixer/Balance . . . . . . . . . . . . . . . . . . 34 MIDI Out
Saving State . . . . . . . . . . . . . . . . . . . . . 2 Palimpsest Accent Sequencer . . . . . . 35 https://youtu.be/cVnJ3RqdbJU Veloc: Incoming CV will be used to set
Help Screens . . . . . . . . . . . . . . . . . . . . 3 RunglBook . . . . . . . . . . . . . . . . . . . . . 36 the velocity value of outgoing Note On
MIDI Out is a monophonic CV-to-MIDI inter-
Master Clock Forwarding . . . . . . . . . . 3 Scale Duet Quantizer . . . . . . . . . . . . 37 messages. If Veloc is not assigned to CV
face that uses the USB port on the back of
Schmitt-Trigger . . . . . . . . . . . . . . . . . 38 2, Note On messages will have velocity
Category Filtering . . . . . . . . . . . . . . . . 3 the Ornament and Crime module. The MIDI
Scope . . . . . . . . . . . . . . . . . . . . . . . . . 39 of 100.
Screen Blanking . . . . . . . . . . . . . . . . . 3 interface will appear in your computer as
Sequence5 . . . . . . . . . . . . . . . . . . . . . 40
Shift Register . . . . . . . . . . . . . . . . . . 41
“Hemisphere”. Transposition
License . . . . . . . . . . . . . . . . . . . . . . . . . 4
ShiftGate . . . . . . . . . . . . . . . . . . . . . . 42 Controls: Transposition has a range of -24 to +24
Hemisphere Apps . . . . . . . . 5 Shuffle 3��43 Digital Ins: Digital 1 is a gate. A new gate semitones, and this number is simply add-
“A”SR . . . . . . . . . . . . . . . . . . . . . . . . . . 5 Skewed LFO . . . . . . . . . . . . . . . . . . . . 44 causes MIDI Out to send a new Note On ed to the computed note number.
AD EG . . . . . . . . . . . . . . . . . . . . . . . . . 6 Slew . . . . . . . . . . . . . . . . . . . . . . . . . 45 message, with the note based on CV 1
Legato
CV Ins: CV 1 will be quantized to a MIDI
Annular Fusion Euclidean Drummer . . 8 Switch . . . . . . . . . . . . . . . . . . . . . . . . 47 note number, which will be sent when When Legato is Off, a Note On message is
Binary Counter . . . . . . . . . . . . . . . . . . 9 Threshold Logic Neuron . . . . . . . . . . 48 Digital 1 goes high. CV 2 is assignable. only sent when the gate goes from low to
BootsNCat . . . . . . . . . . . . . . . . . . . . . 10 Trending . . . . . . . . . . . . . . . . . . . . . . 50 high. In other words, one note needs to be
Encoder Push: Toggles the cursor between released before the next note can be sent.
Bow Tie Sequential . . . . . . . . . . . . . . 11 Trigger Sequencer 16 . . . . . . . . . . . . 51 MIDI Out channel, CV 2 function, trans-
Brancher . . . . . . . . . . . . . . . . . . . . . . 12 Trigger Sequencer . . . . . . . . . . . . . . . 52 This option is useful for playing MIDI Out
position, and legato with sequencers, or when using things like
Burst . . . . . . . . . . . . . . . . . . . . . . . . . 13 Tuner . . . . . . . . . . . . . . . . . . . . . . . . . 53
VectMorph . . . . . . . . . . . . . . . . . . . . 54 Encoder Turn: Set channel, function, trans- LFOs for pitch.
Calculate . . . . . . . . . . . . . . . . . . . . . . 14
position, or legato
Carpeggio Cartesian Arpeggiator . . . 15 VectorEG . . . . . . . . . . . . . . . . . . . . . . 55 When Legato is On, once the gate goes
Clock Divider Multiplier . . . . . . . . . . 17 Vector LFO . . . . . . . . . . . . . . . . . . . . 56 The CV 2 input may be assigned to one of high, a Note On message is sent. If the
Clock Skipper . . . . . . . . . . . . . . . . . . . 18 VectorMod . . . . . . . . . . . . . . . . . . . . 57 the following MIDI messages: note changes, then a Note Off message is
Compare . . . . . . . . . . . . . . . . . . . . . . . 19 Voltage . . . . . . . . . . . . . . . . . . . . . . . 58 Mod: Incoming CV will be converted to a sent for the previous note, and a new Note
CV Recorder . . . . . . . . . . . . . . . . . . . . 20 Full Apps . . . . . . . . . . . 59 CC#1 (modulation wheel) coarse value On message is sent for the new note. This
Dr. Crusher . . . . . . . . . . . . . . . . . . . . 21 Captain MIDI . . . . . . . . . . . . . . . . . . . 59 message option is useful for playing MIDI Out with
Dual Quantizer . . . . . . . . . . . . . . . . . 22 The Darkest Timeline 2 . . . . . . . . . . . 65 Aft: Incoming CV will be converted to an a CV controller (Tetrapad, Pressure Points,
Enigma, Jr. . . . . . . . . . . . . . . . . . . . . . 23 Enigma . . . . . . . . . . . . . . . . . . . . . . . . 70 aftertouch message KeyStep, etc.).
Envelope Follower . . . . . . . . . . . . . . 24 Neural Net . . . . . . . . . . . . . . . . . . . . 77 Bend: Incoming CV will be converted a Notes
Gate Delay . . . . . . . . . . . . . . . . . . . . . 25 Scale Editor . . . . . . . . . . . . . . . . . . . . 81 pitch bend message. Pitch bend can be 1. There is a ~3 millisecond delay between
Gated VCA . . . . . . . . . . . . . . . . . . . . . 26 Waveform Editor . . . . . . . . . . . . . . . . 83 positive or negative, so MIDI Out expects the time the gate goes high and the note
LoFi-Tape . . . . . . . . . . . . . . . . . . . . . . 27 Pong . . . . . . . . . . . . . . . . . . . . . . . . . 86 a bi-polar voltage value is read from CV 1. This is because
MIDI Out . . . . . . . . . . . . . . . . . . . . . . 32 Ornament and Crime has some latency in
Mixer/Balance . . . . . . . . . . . . . . . . . . 34 the ADCs which causes the digital inputs to
Palimpsest Accent Sequencer . . . . . . 35 register first; so some delay is required to
Saving State . . . . . . . . . . . . . . . . . . . . . 2
RunglBook . . . . . . . . . . . . . . . . . . . . . 36 give us the best chance of getting the right
Help Screens . . . . . . . . . . . . . . . . . . . . 3
Scale Duet Quantizer . . . . . . . . . . . . 37 note.
Master Clock Forwarding . . . . . . . . . . 3
Category Filtering . . . . . . . . . . . . . . . . 3 Schmitt-Trigger . . . . . . . . . . . . . . . . . 38 2. Unlike MIDI In, MIDI Out can be used in
Screen Blanking . . . . . . . . . . . . . . . . . 3 Scope . . . . . . . . . . . . . . . . . . . . . . . . . 39 pairs.
Sequence5 . . . . . . . . . . . . . . . . . . . . . 40
Shift Register . . . . . . . . . . . . . . . . . . 41
License . . . . . . . . . . . . . . . . . . . . . . . . . 4
ShiftGate . . . . . . . . . . . . . . . . . . . . . . 42
“A”SR . . . . . . . . . . . . . . . . . . . . . . . . . . 5 Skewed LFO . . . . . . . . . . . . . . . . . . . . 44
AD EG . . . . . . . . . . . . . . . . . . . . . . . . . 6 Slew . . . . . . . . . . . . . . . . . . . . . . . . . 45
Burst . . . . . . . . . . . . . . . . . . . . . . . . . 13 Tuner . . . . . . . . . . . . . . . . . . . . . . . . . 53
Compare . . . . . . . . . . . . . . . . . . . . . . . 19 Voltage . . . . . . . . . . . . . . . . . . . . . . . 58
Enigma, Jr. . . . . . . . . . . . . . . . . . . . . . 23 Enigma . . . . . . . . . . . . . . . . . . . . . . . . 70
LoFi-Tape . . . . . . . . . . . . . . . . . . . . . . 27 Pong . . . . . . . . . . . . . . . . . . . . . . . . . 86
MIDI Out . . . . . . . . . . . . . . . . . . . . . . 32
Mixer/Balance . . . . . . . . . . . . . . . . . . 34 Mixer/Balance
Saving State . . . . . . . . . . . . . . . . . . . . . 2 Palimpsest Accent Sequencer . . . . . . 35 Mixer:Balance is a two-input CV mixer with
Help Screens . . . . . . . . . . . . . . . . . . . . 3 RunglBook . . . . . . . . . . . . . . . . . . . . . 36 a balance control and two complementary
Master Clock Forwarding . . . . . . . . . . 3 Scale Duet Quantizer . . . . . . . . . . . . 37 outputs.
Schmitt-Trigger . . . . . . . . . . . . . . . . . 38
Inputs: CV 1 and CV 2 are the input signals
Sequence5 . . . . . . . . . . . . . . . . . . . . . 40
Troubleshooting . . . . . . . . . . . . . . . . . 4 Outputs: Complementary mixed outputs
Shift Register . . . . . . . . . . . . . . . . . . 41
License . . . . . . . . . . . . . . . . . . . . . . . . . 4
ShiftGate . . . . . . . . . . . . . . . . . . . . . . 42 Encoder: Determines the balance between
Hemisphere Apps . . . . . . . . 5 Shuffle 3��43 CV 1 and CV 2
“A”SR . . . . . . . . . . . . . . . . . . . . . . . . . . 5 Skewed LFO . . . . . . . . . . . . . . . . . . . . 44 The balance indicator, controlled by the
AD EG . . . . . . . . . . . . . . . . . . . . . . . . . 6 Slew . . . . . . . . . . . . . . . . . . . . . . . . . 45 encoder, shows the relationship between
ADSR EG . . . . . . . . . . . . . . . . . . . . . . . 7 Squanch Shifting Quantizer . . . . . . . 46 the CV 1 and CV 2 signals’ relative levels at
Annular Fusion Euclidean Drummer . . 8 Switch . . . . . . . . . . . . . . . . . . . . . . . . 47 Output A/C. With the indicator all the way
Binary Counter . . . . . . . . . . . . . . . . . . 9 Threshold Logic Neuron . . . . . . . . . . 48 to the left, only CV 1’s signal appears at A/C;
BootsNCat . . . . . . . . . . . . . . . . . . . . . 10 Trending . . . . . . . . . . . . . . . . . . . . . . 50 all the way to the right, only CV 2’s signal
Bow Tie Sequential . . . . . . . . . . . . . . 11 Trigger Sequencer 16 . . . . . . . . . . . . 51 appears at A/C.
Burst . . . . . . . . . . . . . . . . . . . . . . . . . 13 Tuner . . . . . . . . . . . . . . . . . . . . . . . . . 53 Output B/D is the complement of A/C. That
Calculate . . . . . . . . . . . . . . . . . . . . . . 14 VectMorph . . . . . . . . . . . . . . . . . . . . 54 is, the relative levels of CV 1 and CV 2 are
Carpeggio Cartesian Arpeggiator . . . 15 VectorEG . . . . . . . . . . . . . . . . . . . . . . 55 the opposite, so that with the balance indi-
Vector LFO . . . . . . . . . . . . . . . . . . . . 56 cator at the left, only CV 2’s signal appears
VectorMod . . . . . . . . . . . . . . . . . . . . 57 at B/D, etc.
Clock Skipper . . . . . . . . . . . . . . . . . . . 18
Compare . . . . . . . . . . . . . . . . . . . . . . . 19 Voltage . . . . . . . . . . . . . . . . . . . . . . . 58 In Mixer:Balance, all signals are attenuated
CV Recorder . . . . . . . . . . . . . . . . . . . . 20 Full Apps . . . . . . . . . . . 59 by 50% before being sent to the mix.
Enigma, Jr. . . . . . . . . . . . . . . . . . . . . . 23 Enigma . . . . . . . . . . . . . . . . . . . . . . . . 70
LoFi-Tape . . . . . . . . . . . . . . . . . . . . . . 27 Pong . . . . . . . . . . . . . . . . . . . . . . . . . 86
MIDI Out . . . . . . . . . . . . . . . . . . . . . . 32
Mixer/Balance . . . . . . . . . . . . . . . . . . 34 Palimpsest Accent Sequencer
Saving State . . . . . . . . . . . . . . . . . . . . . 2 Palimpsest Accent Sequencer . . . . . . 35 Palimpsest is an accent sequencer that Decompose value. Or more dramatic shifts
Help Screens . . . . . . . . . . . . . . . . . . . . 3 RunglBook . . . . . . . . . . . . . . . . . . . . . 36 composes a pattern by way of a repeated can be made, with larger values.
Master Clock Forwarding . . . . . . . . . . 3 Scale Duet Quantizer . . . . . . . . . . . . 37 sequence of trigger impressions.
The sequence length can be between 2 and
Schmitt-Trigger . . . . . . . . . . . . . . . . . 38
Category Filtering . . . . . . . . . . . . . . . . 3 Controls: 16 steps. When the cursor is on the Length
Digital Ins: Clock to Digital 1 advances the setting, the sequence is locked, and incom-
Sequence5 . . . . . . . . . . . . . . . . . . . . . 40
Troubleshooting . . . . . . . . . . . . . . . . . 4 sequence step. Digital 2 is the “Brush” ing triggers will not affect it.
Shift Register . . . . . . . . . . . . . . . . . . 41
License . . . . . . . . . . . . . . . . . . . . . . . . . 4 input.
ShiftGate . . . . . . . . . . . . . . . . . . . . . . 42
Hemisphere Apps . . . . . . . . 5 Shuffle 3��43 CV Ins: CV 1 modulates Decompose, and
“A”SR . . . . . . . . . . . . . . . . . . . . . . . . . . 5 Skewed LFO . . . . . . . . . . . . . . . . . . . . 44 CV 2 modulates Compose
AD EG . . . . . . . . . . . . . . . . . . . . . . . . . 6 Slew . . . . . . . . . . . . . . . . . . . . . . . . . 45 CV Outs: A/C is the accent output, and B/D
ADSR EG . . . . . . . . . . . . . . . . . . . . . . . 7 Squanch Shifting Quantizer . . . . . . . 46 is a trigger output sent when the level of
Annular Fusion Euclidean Drummer . . 8 Switch . . . . . . . . . . . . . . . . . . . . . . . . 47 the composed step is around 3V
Binary Counter . . . . . . . . . . . . . . . . . . 9 Threshold Logic Neuron . . . . . . . . . . 48 Encoder Push: Moves cursor between
BootsNCat . . . . . . . . . . . . . . . . . . . . . 10 Trending . . . . . . . . . . . . . . . . . . . . . . 50 Compose, Decompose, and Length
Bow Tie Sequential . . . . . . . . . . . . . . 11 Trigger Sequencer 16 . . . . . . . . . . . . 51 settings
Palimpsest for Ornament and Crime is a
Burst . . . . . . . . . . . . . . . . . . . . . . . . . 13 Tuner . . . . . . . . . . . . . . . . . . . . . . . . . 53
port of this developer’s alternate firmware
for Mutable Instruments Peaks.
Clock Divider Multiplier . . . . . . . . . . 17 Vector LFO . . . . . . . . . . . . . . . . . . . . 56 The idea behind Palimpsest is to write
Clock Skipper . . . . . . . . . . . . . . . . . . . 18 VectorMod . . . . . . . . . . . . . . . . . . . . 57 sequences gradually, using a pair of trig-
Compare . . . . . . . . . . . . . . . . . . . . . . . 19 Voltage . . . . . . . . . . . . . . . . . . . . . . . 58 ger signals. One of the triggers (Digital 1)
clocks the sequencer. The other trigger
CV Recorder . . . . . . . . . . . . . . . . . . . . 20 Full Apps . . . . . . . . . . . 59 (Digital 2) is a “Brush,” which adds a CV
Dual Quantizer . . . . . . . . . . . . . . . . . 22 value (“Compose”) to the current step. If the
sequencer is clocked without a brush trig-
Enigma, Jr. . . . . . . . . . . . . . . . . . . . . . 23 Enigma . . . . . . . . . . . . . . . . . . . . . . . . 70
ger having arrive for that step, a CV value
Envelope Follower . . . . . . . . . . . . . . 24 Neural Net . . . . . . . . . . . . . . . . . . . . 77 (“Decompose”) is subtracted from that step.
Gated VCA . . . . . . . . . . . . . . . . . . . . . 26 Waveform Editor . . . . . . . . . . . . . . . . 83 The results can be subtle, with a small
LoFi-Tape . . . . . . . . . . . . . . . . . . . . . . 27 Pong . . . . . . . . . . . . . . . . . . . . . . . . . 86 Compose value and small or zero
MIDI Out . . . . . . . . . . . . . . . . . . . . . . 32
Mixer/Balance . . . . . . . . . . . . . . . . . . 34 RunglBook
Saving State . . . . . . . . . . . . . . . . . . . . . 2 Palimpsest Accent Sequencer . . . . . . 35 RunglBook is a chaotic shift-register modu-
Help Screens . . . . . . . . . . . . . . . . . . . . 3 RunglBook . . . . . . . . . . . . . . . . . . . . . 36 lation based on Rob Hordijk’s rungler
Master Clock Forwarding . . . . . . . . . . 3 Scale Duet Quantizer . . . . . . . . . . . . 37 circuit.
Schmitt-Trigger . . . . . . . . . . . . . . . . . 38
Digital Ins: Digital 1 is the clock, and Digital
Sequence5 . . . . . . . . . . . . . . . . . . . . . 40
Troubleshooting . . . . . . . . . . . . . . . . . 4 2 freezes the shift register to writing
Shift Register . . . . . . . . . . . . . . . . . . 41
License . . . . . . . . . . . . . . . . . . . . . . . . . 4 CV Ins: CV 1 is the signal
ShiftGate . . . . . . . . . . . . . . . . . . . . . . 42
Hemisphere Apps . . . . . . . . 5 Shuffle 3��43 CV Outs: A/C is the Rungle output based on
“A”SR . . . . . . . . . . . . . . . . . . . . . . . . . . 5 Skewed LFO . . . . . . . . . . . . . . . . . . . . 44 the low three bits, and B/D is the Rungle
AD EG . . . . . . . . . . . . . . . . . . . . . . . . . 6 Slew . . . . . . . . . . . . . . . . . . . . . . . . . 45 output based on the high three bits
ADSR EG . . . . . . . . . . . . . . . . . . . . . . . 7 Squanch Shifting Quantizer . . . . . . . 46 Encoder: Set threshold in semitone
Annular Fusion Euclidean Drummer . . 8 Switch . . . . . . . . . . . . . . . . . . . . . . . . 47 increments
When Digital 1 is clocked, the register is
shifted one bit to the left, and the signal
is read. If the signal exceeds the voltage
threshold, bit low bit of the shift register is
Burst . . . . . . . . . . . . . . . . . . . . . . . . . 13 Tuner . . . . . . . . . . . . . . . . . . . . . . . . . 53
set to 1. Otherwise, it is set to 0.
Carpeggio Cartesian Arpeggiator . . . 15 VectorEG . . . . . . . . . . . . . . . . . . . . . . 55 If Digital 2 is receiving a gate at the time
Clock Divider Multiplier . . . . . . . . . . 17 Vector LFO . . . . . . . . . . . . . . . . . . . . 56 the clock is received, the register is shifted,
Clock Skipper . . . . . . . . . . . . . . . . . . . 18 VectorMod . . . . . . . . . . . . . . . . . . . . 57 but no read is done; instead, the high bit is
Compare . . . . . . . . . . . . . . . . . . . . . . . 19 Voltage . . . . . . . . . . . . . . . . . . . . . . . 58 moved to bit 0.
CV Recorder . . . . . . . . . . . . . . . . . . . . 20 Full Apps . . . . . . . . . . . 59 Three bits of the eight-bit register are
Dr. Crusher . . . . . . . . . . . . . . . . . . . . 21 Captain MIDI . . . . . . . . . . . . . . . . . . . 59 scaled to 8 possible values between 0V and
Dual Quantizer . . . . . . . . . . . . . . . . . 22 The Darkest Timeline 2 . . . . . . . . . . . 65 5V, and sent to the outputs. These are the
Enigma, Jr. . . . . . . . . . . . . . . . . . . . . . 23 Enigma . . . . . . . . . . . . . . . . . . . . . . . . 70 Rungle outputs.
RunglBook is in Hemisphere Suite starting
with v1.5.
LoFi-Tape . . . . . . . . . . . . . . . . . . . . . . 27 Pong . . . . . . . . . . . . . . . . . . . . . . . . . 86
MIDI Out . . . . . . . . . . . . . . . . . . . . . . 32
Mixer/Balance . . . . . . . . . . . . . . . . . . 34 Scale Duet Quantizer
Saving State . . . . . . . . . . . . . . . . . . . . . 2 Palimpsest Accent Sequencer . . . . . . 35 Scale Duet is a single-channel quantizer
Help Screens . . . . . . . . . . . . . . . . . . . . 3 RunglBook . . . . . . . . . . . . . . . . . . . . . 36 that allows you to switch between two
Master Clock Forwarding . . . . . . . . . . 3 Scale Duet Quantizer . . . . . . . . . . . . 37 user- defined scales. The scales are edited
Schmitt-Trigger . . . . . . . . . . . . . . . . . 38 with an on-screen keyboard.
Scope . . . . . . . . . . . . . . . . . . . . . . . . . 39
Sequence5 . . . . . . . . . . . . . . . . . . . . . 40
Troubleshooting . . . . . . . . . . . . . . . . . 4 Digital Ins: Digital 1 clocks the quantizer,
Shift Register . . . . . . . . . . . . . . . . . . 41
License . . . . . . . . . . . . . . . . . . . . . . . . . 4 and Digital 2 is a gate that chooses be-
ShiftGate . . . . . . . . . . . . . . . . . . . . . . 42
Hemisphere Apps . . . . . . . . 5 tween Scale 1 (low) and Scale 2 (high)
Shuffle 3��43
“A”SR . . . . . . . . . . . . . . . . . . . . . . . . . . 5 Skewed LFO . . . . . . . . . . . . . . . . . . . . 44 Outputs: CV1 is the quantized output for
AD EG . . . . . . . . . . . . . . . . . . . . . . . . . 6 Slew . . . . . . . . . . . . . . . . . . . . . . . . . 45 the selected scale
ADSR EG . . . . . . . . . . . . . . . . . . . . . . . 7 Squanch Shifting Quantizer . . . . . . . 46 Encoder Push: Toggles the note above the
Annular Fusion Euclidean Drummer . . 8 Switch . . . . . . . . . . . . . . . . . . . . . . . . 47 cursor ON or OFF. A small square will ap-
Binary Counter . . . . . . . . . . . . . . . . . . 9 Threshold Logic Neuron . . . . . . . . . . 48 pear on the keyboard for notes that will
BootsNCat . . . . . . . . . . . . . . . . . . . . . 10 Trending . . . . . . . . . . . . . . . . . . . . . . 50 be played when that scale is selected.
Bow Tie Sequential . . . . . . . . . . . . . . 11 Trigger Sequencer 16 . . . . . . . . . . . . 51 Encoder Turn: Moves through the notes for
Brancher . . . . . . . . . . . . . . . . . . . . . . 12 Trigger Sequencer . . . . . . . . . . . . . . . 52 each scale, and between Scales 1 and 2.
Burst . . . . . . . . . . . . . . . . . . . . . . . . . 13 Tuner . . . . . . . . . . . . . . . . . . . . . . . . . 53
Scale Duet differs from Dual Quantizer in a
few important ways:
Clock Divider Multiplier . . . . . . . . . . 17 Vector LFO . . . . . . . . . . . . . . . . . . . . 56 • Scale Duet plays from two user-defined
Clock Skipper . . . . . . . . . . . . . . . . . . . 18 VectorMod . . . . . . . . . . . . . . . . . . . . 57 scales, rather than pre-programmed
Voltage . . . . . . . . . . . . . . . . . . . . . . . 58 scales
Compare . . . . . . . . . . . . . . . . . . . . . . . 19
• It quantizes only one value at a time
Dr. Crusher . . . . . . . . . . . . . . . . . . . . 21 Captain MIDI . . . . . . . . . . . . . . . . . . . 59 • It does not have a continuous mode; it
Dual Quantizer . . . . . . . . . . . . . . . . . 22 The Darkest Timeline 2 . . . . . . . . . . . 65 only quantizes when clocked
Enigma, Jr. . . . . . . . . . . . . . . . . . . . . . 23 Enigma . . . . . . . . . . . . . . . . . . . . . . . . 70
LoFi-Tape . . . . . . . . . . . . . . . . . . . . . . 27 Pong . . . . . . . . . . . . . . . . . . . . . . . . . 86
MIDI Out . . . . . . . . . . . . . . . . . . . . . . 32
Mixer/Balance . . . . . . . . . . . . . . . . . . 34 Schmitt-Trigger
Saving State . . . . . . . . . . . . . . . . . . . . . 2 Palimpsest Accent Sequencer . . . . . . 35 This applet is a dual Schmitt Trigger with a
Help Screens . . . . . . . . . . . . . . . . . . . . 3 RunglBook . . . . . . . . . . . . . . . . . . . . . 36 programmable threshold range.
CV Inputs: Input for each channel
Sequence5 . . . . . . . . . . . . . . . . . . . . . 40 Outputs: Gate signal for each channel
Shift Register . . . . . . . . . . . . . . . . . . 41 Encoder push: Alternates between Low
License . . . . . . . . . . . . . . . . . . . . . . . . . 4
ShiftGate . . . . . . . . . . . . . . . . . . . . . . 42 threshold, High threshold, and locked
Hemisphere Apps . . . . . . . . 5 Shuffle 3��43 Encoder turn: Set Low and High thresholds
“A”SR . . . . . . . . . . . . . . . . . . . . . . . . . . 5 Skewed LFO . . . . . . . . . . . . . . . . . . . . 44
AD EG . . . . . . . . . . . . . . . . . . . . . . . . . 6 Slew . . . . . . . . . . . . . . . . . . . . . . . . . 45 A Schmitt Trigger is a type of comparator
ADSR EG . . . . . . . . . . . . . . . . . . . . . . . 7 that provides hysteresis in a modular patch.
Annular Fusion Euclidean Drummer . . 8 Each Schmitt Trigger’s output goes high
Switch . . . . . . . . . . . . . . . . . . . . . . . . 47
when its input crosses the High threshold
(default of 2.6V), and stays high until the
input goes back below the Low threshold
(default of 2.1V).
Burst . . . . . . . . . . . . . . . . . . . . . . . . . 13 Tuner . . . . . . . . . . . . . . . . . . . . . . . . . 53 Schmitt Trigger is in Hemisphere Suite from
Calculate . . . . . . . . . . . . . . . . . . . . . . 14 VectMorph . . . . . . . . . . . . . . . . . . . . 54 v1.4.
Compare . . . . . . . . . . . . . . . . . . . . . . . 19 Voltage . . . . . . . . . . . . . . . . . . . . . . . 58
Enigma, Jr. . . . . . . . . . . . . . . . . . . . . . 23 Enigma . . . . . . . . . . . . . . . . . . . . . . . . 70
LoFi-Tape . . . . . . . . . . . . . . . . . . . . . . 27 Pong . . . . . . . . . . . . . . . . . . . . . . . . . 86
MIDI Out . . . . . . . . . . . . . . . . . . . . . . 32
Mixer/Balance . . . . . . . . . . . . . . . . . . 34 Scope
Saving State . . . . . . . . . . . . . . . . . . . . . 2 Palimpsest Accent Sequencer . . . . . . 35 Scope is a simple CV and clock monitoring automatically adjust the sample rate for the
Help Screens . . . . . . . . . . . . . . . . . . . . 3 RunglBook . . . . . . . . . . . . . . . . . . . . . 36 tool. best view.
Master Clock Forwarding . . . . . . . . . . 3 Controls: Note: Everything’s approximate, including
Digital Ins: Digital 1 is a clock for the BPM the CV passthru.
display. Digital 2 determines the wave-
Sequence5 . . . . . . . . . . . . . . . . . . . . . 40
Troubleshooting . . . . . . . . . . . . . . . . . 4 length for the visual display of CV 1 data
Shift Register . . . . . . . . . . . . . . . . . . 41
License . . . . . . . . . . . . . . . . . . . . . . . . . 4 (as of Hemisphere Suite 1.1)
ShiftGate . . . . . . . . . . . . . . . . . . . . . . 42
Hemisphere Apps . . . . . . . . 5 Shuffle 3��43 CV Ins: CV 1 goes to the scope, and CV 2
“A”SR . . . . . . . . . . . . . . . . . . . . . . . . . . 5 Skewed LFO . . . . . . . . . . . . . . . . . . . . 44 goes to the numeric CV monitor
AD EG . . . . . . . . . . . . . . . . . . . . . . . . . 6 Slew . . . . . . . . . . . . . . . . . . . . . . . . . 45 CV Outs: A/C passes CV 1 and B/D passes
ADSR EG . . . . . . . . . . . . . . . . . . . . . . . 7 Squanch Shifting Quantizer . . . . . . . 46 CV 2
Annular Fusion Euclidean Drummer . . 8 Switch . . . . . . . . . . . . . . . . . . . . . . . . 47 Encoder Push: Freezes and unfreezes scope
Binary Counter . . . . . . . . . . . . . . . . . . 9 Threshold Logic Neuron . . . . . . . . . . 48 and CV monitor. BPM will continue to
BootsNCat . . . . . . . . . . . . . . . . . . . . . 10 Trending . . . . . . . . . . . . . . . . . . . . . . 50 function
Bow Tie Sequential . . . . . . . . . . . . . . 11 Trigger Sequencer 16 . . . . . . . . . . . . 51 Encoder Turn: Sample rate
Burst . . . . . . . . . . . . . . . . . . . . . . . . . 13 Tuner . . . . . . . . . . . . . . . . . . . . . . . . . 53 The value of the CV monitor is a direct
Calculate . . . . . . . . . . . . . . . . . . . . . . 14 VectMorph . . . . . . . . . . . . . . . . . . . . 54 reflection of the O_C’s pitch value. It isn’t a
VectorEG . . . . . . . . . . . . . . . . . . . . . . 55 measurement in any particular units, but 5
Vector LFO . . . . . . . . . . . . . . . . . . . . 56 volts will be around 7700 or so.
Clock Skipper . . . . . . . . . . . . . . . . . . . 18 VectorMod . . . . . . . . . . . . . . . . . . . . 57 The “sample rate” shown when the encoder
Compare . . . . . . . . . . . . . . . . . . . . . . . 19 Voltage . . . . . . . . . . . . . . . . . . . . . . . 58 is turned is the number of 60µs “ticks” that
CV Recorder . . . . . . . . . . . . . . . . . . . . 20 Full Apps . . . . . . . . . . . 59 will elapse between samples. 64 samples
Dr. Crusher . . . . . . . . . . . . . . . . . . . . 21 Captain MIDI . . . . . . . . . . . . . . . . . . . 59 will be shown on the display at any time.
Dual Quantizer . . . . . . . . . . . . . . . . . 22 The Darkest Timeline 2 . . . . . . . . . . . 65 The display is bi-polar. You can use the
Enigma, Jr. . . . . . . . . . . . . . . . . . . . . . 23 Enigma . . . . . . . . . . . . . . . . . . . . . . . . 70 encoder to find the best rate at which to
Envelope Follower . . . . . . . . . . . . . . 24 Neural Net . . . . . . . . . . . . . . . . . . . . 77 view a waveform. Starting at Hemisphere
Gate Delay . . . . . . . . . . . . . . . . . . . . . 25 Scale Editor . . . . . . . . . . . . . . . . . . . . 81 Suite 1.1: If you send a clock to Digital 2
Gated VCA . . . . . . . . . . . . . . . . . . . . . 26 Waveform Editor . . . . . . . . . . . . . . . . 83 with the same period as the signal to CV 1
LoFi-Tape . . . . . . . . . . . . . . . . . . . . . . 27 Pong . . . . . . . . . . . . . . . . . . . . . . . . . 86 (for example, EOR trigger of Maths while
Backup and Restore . . . . . . . . . . . . . . 87 viewing a waveform from Maths), Scope is
Logic . . . . . . . . . . . . . . . . . . . . . . . . . 28
MIDI Out . . . . . . . . . . . . . . . . . . . . . . 32
Mixer/Balance . . . . . . . . . . . . . . . . . . 34 Sequence5
Saving State . . . . . . . . . . . . . . . . . . . . . 2 Palimpsest Accent Sequencer . . . . . . 35 https://youtu.be/zsqAbNRgHJI
Sequence5 is a five-step quantized
sequencer.
Sequence5 . . . . . . . . . . . . . . . . . . . . . 40 Digital Ins: A clock at Digital 1 advances the
Shift Register . . . . . . . . . . . . . . . . . . 41 sequencer, and a clock at Digital 2 resets
License . . . . . . . . . . . . . . . . . . . . . . . . . 4
ShiftGate . . . . . . . . . . . . . . . . . . . . . . 42 to the first step
Hemisphere Apps . . . . . . . . 5 Shuffle 3��43 CV Ins: (As of Hemisphere 1.3) CV 1 is a
“A”SR . . . . . . . . . . . . . . . . . . . . . . . . . . 5 Skewed LFO . . . . . . . . . . . . . . . . . . . . 44 bi-polar transposition control over a
AD EG . . . . . . . . . . . . . . . . . . . . . . . . . 6 Slew . . . . . . . . . . . . . . . . . . . . . . . . . 45 two-octave range from -12 to +12 semi-
ADSR EG . . . . . . . . . . . . . . . . . . . . . . . 7 Squanch Shifting Quantizer . . . . . . . 46 tones, with CV between -2.5V and +2.5V
Outputs: A/C is the quantized CV. B/D
sends a trigger when the sequencer gets
BootsNCat . . . . . . . . . . . . . . . . . . . . . 10 Trending . . . . . . . . . . . . . . . . . . . . . . 50 back to the first step.
Trigger Sequencer . . . . . . . . . . . . . . . 52 Encoder Push: Moves the cursor through
Brancher . . . . . . . . . . . . . . . . . . . . . . 12
Tuner . . . . . . . . . . . . . . . . . . . . . . . . . 53 the note sliders
Burst . . . . . . . . . . . . . . . . . . . . . . . . . 13
Calculate . . . . . . . . . . . . . . . . . . . . . . 14 VectMorph . . . . . . . . . . . . . . . . . . . . 54 Encoder Turn: Selects the note or mutes
Carpeggio Cartesian Arpeggiator . . . 15 VectorEG . . . . . . . . . . . . . . . . . . . . . . 55 the step
Clock Divider Multiplier . . . . . . . . . . 17 Vector LFO . . . . . . . . . . . . . . . . . . . . 56 Each step is a semitone increment over
Clock Skipper . . . . . . . . . . . . . . . . . . . 18 VectorMod . . . . . . . . . . . . . . . . . . . . 57 a 2.5 octave (32-note) range. To change
Compare . . . . . . . . . . . . . . . . . . . . . . . 19 Voltage . . . . . . . . . . . . . . . . . . . . . . . 58 the length of the sequence, you can mute
CV Recorder . . . . . . . . . . . . . . . . . . . . 20 Full Apps . . . . . . . . . . . 59 one or more steps by moving the slider all
Dr. Crusher . . . . . . . . . . . . . . . . . . . . 21 Captain MIDI . . . . . . . . . . . . . . . . . . . 59 the way down until the slider handle dis-
Dual Quantizer . . . . . . . . . . . . . . . . . 22 The Darkest Timeline 2 . . . . . . . . . . . 65 appears. The clock will skip muted steps.
Enigma, Jr. . . . . . . . . . . . . . . . . . . . . . 23 Enigma . . . . . . . . . . . . . . . . . . . . . . . . 70
LoFi-Tape . . . . . . . . . . . . . . . . . . . . . . 27 Pong . . . . . . . . . . . . . . . . . . . . . . . . . 86
MIDI Out . . . . . . . . . . . . . . . . . . . . . . 32
Mixer/Balance . . . . . . . . . . . . . . . . . . 34 Shift Register
Saving State . . . . . . . . . . . . . . . . . . . . . 2 Palimpsest Accent Sequencer . . . . . . 35 https://youtu.be/RNWCq8mW5wE Note that the old Turing Machine trick of
Help Screens . . . . . . . . . . . . . . . . . . . . 3 RunglBook . . . . . . . . . . . . . . . . . . . . . 36 getting a repeating 32-step pattern with a
ShiftReg (“Turing” prior to v1.4C) is a faithful
Master Clock Forwarding . . . . . . . . . . 3 Scale Duet Quantizer . . . . . . . . . . . . 37 100% probability is possible here.
implementation based on Tom Whitwell’s
original Turing Machine circuit. The sequence may be “frozen” by setting
the probability to 0, or by moving the cur-
Sequence5 . . . . . . . . . . . . . . . . . . . . . 40 Controls: sor to the Length setting. When the cursor
Shift Register . . . . . . . . . . . . . . . . . . 41 Digital Ins: A clock at Digital 1 shifts all bits
License . . . . . . . . . . . . . . . . . . . . . . . . . 4 is at the Length setting, the sequence will
ShiftGate . . . . . . . . . . . . . . . . . . . . . . 42 left, after performing a probability calcu- not change.
Hemisphere Apps . . . . . . . . 5 Shuffle 3��43 lation to determine whether the last bit
“A”SR . . . . . . . . . . . . . . . . . . . . . . . . . . 5 Skewed LFO . . . . . . . . . . . . . . . . . . . . 44 should flip ShiftReg has two outputs. The first output
AD EG . . . . . . . . . . . . . . . . . . . . . . . . . 6 Slew . . . . . . . . . . . . . . . . . . . . . . . . . 45 Outputs: A/C is quantized output based on is quantized to semitones over a 2.5 octave
ADSR EG . . . . . . . . . . . . . . . . . . . . . . . 7 Squanch Shifting Quantizer . . . . . . . 46 5 bits, and B/D is voltage output based (32-note) range, and uses the first five bits
Annular Fusion Euclidean Drummer . . 8 Switch . . . . . . . . . . . . . . . . . . . . . . . . 47 on 8 bits of the register. The second output uses the
Binary Counter . . . . . . . . . . . . . . . . . . 9 Threshold Logic Neuron . . . . . . . . . . 48 first 8 bits of the register, and is propor-
Encoder Push: Cycles cursor between tioned to 5 volts. This output is similar to
BootsNCat . . . . . . . . . . . . . . . . . . . . . 10 Trending . . . . . . . . . . . . . . . . . . . . . . 50 Length and Probability settings
Bow Tie Sequential . . . . . . . . . . . . . . 11 Trigger Sequencer 16 . . . . . . . . . . . . 51 the output of the original Turing Machine.
Trigger Sequencer . . . . . . . . . . . . . . . 52 Encoder Turn: Change the selected setting
Brancher . . . . . . . . . . . . . . . . . . . . . . 12
Burst . . . . . . . . . . . . . . . . . . . . . . . . . 13 Tuner . . . . . . . . . . . . . . . . . . . . . . . . . 53 ShiftReg starts out with a random 16-bit
Calculate . . . . . . . . . . . . . . . . . . . . . . 14 VectMorph . . . . . . . . . . . . . . . . . . . . 54 register. The synthesist sets the pattern
Carpeggio Cartesian Arpeggiator . . . 15 VectorEG . . . . . . . . . . . . . . . . . . . . . . 55 length and probability.
When a clock is received at digital input 1,
ShiftReg determines whether to change
Compare . . . . . . . . . . . . . . . . . . . . . . . 19 Voltage . . . . . . . . . . . . . . . . . . . . . . . 58
the value of the last bit in the pattern (bit
CV Recorder . . . . . . . . . . . . . . . . . . . . 20 Full Apps . . . . . . . . . . . 59 length - 1) based on the set probability.
Dr. Crusher . . . . . . . . . . . . . . . . . . . . 21 Captain MIDI . . . . . . . . . . . . . . . . . . . 59 At a probability of 0, the bit will never be
Dual Quantizer . . . . . . . . . . . . . . . . . 22 The Darkest Timeline 2 . . . . . . . . . . . 65 changed, and at a probability of 100, the bit
Enigma, Jr. . . . . . . . . . . . . . . . . . . . . . 23 Enigma . . . . . . . . . . . . . . . . . . . . . . . . 70 will always be changed. The entire 16-bit
Envelope Follower . . . . . . . . . . . . . . 24 Neural Net . . . . . . . . . . . . . . . . . . . . 77 register is shifted, and the last bit’s newly-
Gate Delay . . . . . . . . . . . . . . . . . . . . . 25 Scale Editor . . . . . . . . . . . . . . . . . . . . 81 calculated state is added to bit 0.
LoFi-Tape . . . . . . . . . . . . . . . . . . . . . . 27 Pong . . . . . . . . . . . . . . . . . . . . . . . . . 86
MIDI Out . . . . . . . . . . . . . . . . . . . . . . 32
Mixer/Balance . . . . . . . . . . . . . . . . . . 34 ShiftGate
Saving State . . . . . . . . . . . . . . . . . . . . . 2 Palimpsest Accent Sequencer . . . . . . 35 ShiftGate is a dual shift register-based gate/ length) of the previous value is moved back
Help Screens . . . . . . . . . . . . . . . . . . . . 3 RunglBook . . . . . . . . . . . . . . . . . . . . . 36 trigger sequencer for creating aleatoric to the beginning (bit 0). If the CV input is
Master Clock Forwarding . . . . . . . . . . 3 Scale Duet Quantizer . . . . . . . . . . . . 37 rhythm patterns. high, the high bit is flipped, and that value
Schmitt-Trigger . . . . . . . . . . . . . . . . . 38 is put at the beginning. This is known as an
Category Filtering . . . . . . . . . . . . . . . . 3 Controls: XOR operation.
Digital Inputs: Digital 1 clocks the sequen-
Sequence5 . . . . . . . . . . . . . . . . . . . . . 40
Troubleshooting . . . . . . . . . . . . . . . . . 4 cer by shifting both registers to the left, 4. The value of bit 0 is examined. If the
Shift Register . . . . . . . . . . . . . . . . . . 41
License . . . . . . . . . . . . . . . . . . . . . . . . . 4 and Digital 2 freezes the sequencer and channel’s Type is set to “Trig,” then a trigger
ShiftGate . . . . . . . . . . . . . . . . . . . . . . 42 will be sent from the channel’s output if
Hemisphere Apps . . . . . . . . 5 locks out changes.
Shuffle 3��43 the value is 1. If the channel’s type is set to
“A”SR . . . . . . . . . . . . . . . . . . . . . . . . . . 5 Skewed LFO . . . . . . . . . . . . . . . . . . . . 44 CV Inputs: Flip input for each channel.
When CV is high, the bit rotating off the “Gate,” the gate state is high if the value is
AD EG . . . . . . . . . . . . . . . . . . . . . . . . . 6 Slew . . . . . . . . . . . . . . . . . . . . . . . . . 45
left side of the corresponding channel’s 1. The gate will then remain high until the
ADSR EG . . . . . . . . . . . . . . . . . . . . . . . 7 Squanch Shifting Quantizer . . . . . . . 46 next time the register’s bit 0 is 0.
Annular Fusion Euclidean Drummer . . 8 Switch . . . . . . . . . . . . . . . . . . . . . . . . 47 register will be replaced at bit 0 with the
Binary Counter . . . . . . . . . . . . . . . . . . 9 Threshold Logic Neuron . . . . . . . . . . 48 opposite value. ShiftGate is in Hemisphere Suite from v1.5.
BootsNCat . . . . . . . . . . . . . . . . . . . . . 10 Trending . . . . . . . . . . . . . . . . . . . . . . 50 Outputs: Trigger or gate output for each
* When ShiftGate’s state is saved via SysEx
Bow Tie Sequential . . . . . . . . . . . . . . 11 Trigger Sequencer 16 . . . . . . . . . . . . 51 channel
or system save, Output A’s register is saved,
Brancher . . . . . . . . . . . . . . . . . . . . . . 12 Trigger Sequencer . . . . . . . . . . . . . . . 52 Encoders: Change the length and output and Output B’s register is randomized.
Burst . . . . . . . . . . . . . . . . . . . . . . . . . 13 Tuner . . . . . . . . . . . . . . . . . . . . . . . . . 53 type for each channel
ShiftGate has two channels controlled by a
single clock input. Each channel starts with
Clock Divider Multiplier . . . . . . . . . . 17 Vector LFO . . . . . . . . . . . . . . . . . . . . 56 a random 16-bit register*. When a clock is
Clock Skipper . . . . . . . . . . . . . . . . . . . 18 VectorMod . . . . . . . . . . . . . . . . . . . . 57 received at Digital 1, the following things
Compare . . . . . . . . . . . . . . . . . . . . . . . 19 Voltage . . . . . . . . . . . . . . . . . . . . . . . 58 happen:
CV Recorder . . . . . . . . . . . . . . . . . . . . 20 Full Apps . . . . . . . . . . . 59 1. The register is shifted to the left.
Dual Quantizer . . . . . . . . . . . . . . . . . 22 The Darkest Timeline 2 . . . . . . . . . . . 65 2. If Digital 2 is high, the register is frozen;
Enigma, Jr. . . . . . . . . . . . . . . . . . . . . . 23 Enigma . . . . . . . . . . . . . . . . . . . . . . . . 70 the high bit (based on length) of the previ-
Envelope Follower . . . . . . . . . . . . . . 24 Neural Net . . . . . . . . . . . . . . . . . . . . 77 ous value is moved back to the beginning
Gate Delay . . . . . . . . . . . . . . . . . . . . . 25 Scale Editor . . . . . . . . . . . . . . . . . . . . 81 (bit 0), and skip to 4.
3. If the CV input for the corresponding
LoFi-Tape . . . . . . . . . . . . . . . . . . . . . . 27 Pong . . . . . . . . . . . . . . . . . . . . . . . . . 86
channel is low, the high bit (based on
MIDI Out . . . . . . . . . . . . . . . . . . . . . . 32
Mixer/Balance . . . . . . . . . . . . . . . . . . 34 Shuffle
Saving State . . . . . . . . . . . . . . . . . . . . . 2 Palimpsest Accent Sequencer . . . . . . 35 Shuffle is a two-step clock offset. Each step
Help Screens . . . . . . . . . . . . . . . . . . . . 3 RunglBook . . . . . . . . . . . . . . . . . . . . . 36 can be delayed by between 0% and 99% of
Master Clock Forwarding . . . . . . . . . . 3 Scale Duet Quantizer . . . . . . . . . . . . 37 the incoming clock tempo.
Schmitt-Trigger . . . . . . . . . . . . . . . . . 38
Digital Ins: Digital 1 is the clock, and a trig-
Sequence5 . . . . . . . . . . . . . . . . . . . . . 40
Troubleshooting . . . . . . . . . . . . . . . . . 4 ger to Digital 2 resets to the first- num-
Shift Register . . . . . . . . . . . . . . . . . . 41
License . . . . . . . . . . . . . . . . . . . . . . . . . 4 bered step
ShiftGate . . . . . . . . . . . . . . . . . . . . . . 42
Hemisphere Apps . . . . . . . . 5 Shuffle 3��43 Outputs: Output 1 is the outgoing, poten-
“A”SR . . . . . . . . . . . . . . . . . . . . . . . . . . 5 Skewed LFO . . . . . . . . . . . . . . . . . . . . 44 tially-delayed, clock
AD EG . . . . . . . . . . . . . . . . . . . . . . . . . 6 Slew . . . . . . . . . . . . . . . . . . . . . . . . . 45 Encoder: Set the percentage delay of each
ADSR EG . . . . . . . . . . . . . . . . . . . . . . . 7 Squanch Shifting Quantizer . . . . . . . 46 step
Annular Fusion Euclidean Drummer . . 8 Switch . . . . . . . . . . . . . . . . . . . . . . . . 47 Note that reset does not, itself, trigger a
Binary Counter . . . . . . . . . . . . . . . . . . 9 Threshold Logic Neuron . . . . . . . . . . 48 clock. It just brings the step back to the
BootsNCat . . . . . . . . . . . . . . . . . . . . . 10 Trending . . . . . . . . . . . . . . . . . . . . . . 50 beginning so that another clock can trigger
Bow Tie Sequential . . . . . . . . . . . . . . 11 Trigger Sequencer 16 . . . . . . . . . . . . 51 the first step.
Burst . . . . . . . . . . . . . . . . . . . . . . . . . 13 Tuner . . . . . . . . . . . . . . . . . . . . . . . . . 53
Compare . . . . . . . . . . . . . . . . . . . . . . . 19 Voltage . . . . . . . . . . . . . . . . . . . . . . . 58
Enigma, Jr. . . . . . . . . . . . . . . . . . . . . . 23 Enigma . . . . . . . . . . . . . . . . . . . . . . . . 70
LoFi-Tape . . . . . . . . . . . . . . . . . . . . . . 27 Pong . . . . . . . . . . . . . . . . . . . . . . . . . 86
MIDI Out . . . . . . . . . . . . . . . . . . . . . . 32
Mixer/Balance . . . . . . . . . . . . . . . . . . 34 Skewed LFO
Saving State . . . . . . . . . . . . . . . . . . . . . 2 Palimpsest Accent Sequencer . . . . . . 35 https://youtu.be/N0Cii0Hq2Ls
Skewed LFO is a low frequency oscillator
with a waveshape that’s adjustable from
sawtooth, to triangle, to ramp.
Sequence5 . . . . . . . . . . . . . . . . . . . . . 40 Controls:
Shift Register . . . . . . . . . . . . . . . . . . 41 Digital Ins: A clock at Digital 1 resets the
License . . . . . . . . . . . . . . . . . . . . . . . . . 4
ShiftGate . . . . . . . . . . . . . . . . . . . . . . 42 LFO
Hemisphere Apps . . . . . . . . 5 Shuffle 3��43 CV Ins: CV 1 modifies the rate, and CV 2
“A”SR . . . . . . . . . . . . . . . . . . . . . . . . . . 5 Skewed LFO . . . . . . . . . . . . . . . . . . . . 44 modifies the skew
AD EG . . . . . . . . . . . . . . . . . . . . . . . . . 6 Slew . . . . . . . . . . . . . . . . . . . . . . . . . 45
Outputs: A/C is the bi-polar CV output, and
B/D sends an end-of cycle trigger
Binary Counter . . . . . . . . . . . . . . . . . . 9 Threshold Logic Neuron . . . . . . . . . . 48 Encoder Push: Alternates cursor between
BootsNCat . . . . . . . . . . . . . . . . . . . . . 10 Trending . . . . . . . . . . . . . . . . . . . . . . 50 setting rate and skew
Bow Tie Sequential . . . . . . . . . . . . . . 11 Trigger Sequencer 16 . . . . . . . . . . . . 51 Encoder Turn: Adjusts the selected setting
Brancher . . . . . . . . . . . . . . . . . . . . . . 12 Trigger Sequencer . . . . . . . . . . . . . . . 52 Note the the CV inputs modify the settings
Burst . . . . . . . . . . . . . . . . . . . . . . . . . 13 Tuner . . . . . . . . . . . . . . . . . . . . . . . . . 53 with bi-polar CV input between about -2.5
Calculate . . . . . . . . . . . . . . . . . . . . . . 14 VectMorph . . . . . . . . . . . . . . . . . . . . 54 volts and about 2.5 volts. There is a small
Carpeggio Cartesian Arpeggiator . . . 15 VectorEG . . . . . . . . . . . . . . . . . . . . . . 55 center detent in the middle of the range in
Clock Divider Multiplier . . . . . . . . . . 17 Vector LFO . . . . . . . . . . . . . . . . . . . . 56 which no modification is made.
Compare . . . . . . . . . . . . . . . . . . . . . . . 19 Voltage . . . . . . . . . . . . . . . . . . . . . . . 58
Enigma, Jr. . . . . . . . . . . . . . . . . . . . . . 23 Enigma . . . . . . . . . . . . . . . . . . . . . . . . 70
LoFi-Tape . . . . . . . . . . . . . . . . . . . . . . 27 Pong . . . . . . . . . . . . . . . . . . . . . . . . . 86
MIDI Out . . . . . . . . . . . . . . . . . . . . . . 32
Mixer/Balance . . . . . . . . . . . . . . . . . . 34 Slew
Saving State . . . . . . . . . . . . . . . . . . . . . 2 Palimpsest Accent Sequencer . . . . . . 35 Slew is a simple slew (or lag) processor.
Help Screens . . . . . . . . . . . . . . . . . . . . 3 RunglBook . . . . . . . . . . . . . . . . . . . . . 36 Two independent channels share the same
Master Clock Forwarding . . . . . . . . . . 3 Scale Duet Quantizer . . . . . . . . . . . . 37 settings. Channel 1’s output is linear, and
Schmitt-Trigger . . . . . . . . . . . . . . . . . 38 Channel 2’s output is exponential.
Scope . . . . . . . . . . . . . . . . . . . . . . . . . 39
Sequence5 . . . . . . . . . . . . . . . . . . . . . 40
Troubleshooting . . . . . . . . . . . . . . . . . 4 CV Ins: Input signals for Channels 1 and 2
Shift Register . . . . . . . . . . . . . . . . . . 41
License . . . . . . . . . . . . . . . . . . . . . . . . . 4 Outputs: A/C is the linear Channel 1 output,
ShiftGate . . . . . . . . . . . . . . . . . . . . . . 42
Hemisphere Apps . . . . . . . . 5 Shuffle 3��43 and B/D is the exponential Channel 2
“A”SR . . . . . . . . . . . . . . . . . . . . . . . . . . 5 Skewed LFO . . . . . . . . . . . . . . . . . . . . 44 output
AD EG . . . . . . . . . . . . . . . . . . . . . . . . . 6 Slew . . . . . . . . . . . . . . . . . . . . . . . . . 45 Encoder Push: Select between Rise and Fall
ADSR EG . . . . . . . . . . . . . . . . . . . . . . . 7 Squanch Shifting Quantizer . . . . . . . 46 Encoder Turn: Increase and decrease Rise
Annular Fusion Euclidean Drummer . . 8 Switch . . . . . . . . . . . . . . . . . . . . . . . . 47 or Fall time
When Rise or Fall values are changed, a
time (in ms) will briefly appear on the dis-
play. This indicates the approximate time
that it would take for the linear signal to
Burst . . . . . . . . . . . . . . . . . . . . . . . . . 13 Tuner . . . . . . . . . . . . . . . . . . . . . . . . . 53
rise or fall 5 volts. The time between actual
voltages will be proportionate to this time,
and the exponential signal will take less
Clock Divider Multiplier . . . . . . . . . . 17 Vector LFO . . . . . . . . . . . . . . . . . . . . 56 time.
Compare . . . . . . . . . . . . . . . . . . . . . . . 19 Voltage . . . . . . . . . . . . . . . . . . . . . . . 58
Enigma, Jr. . . . . . . . . . . . . . . . . . . . . . 23 Enigma . . . . . . . . . . . . . . . . . . . . . . . . 70
LoFi-Tape . . . . . . . . . . . . . . . . . . . . . . 27 Pong . . . . . . . . . . . . . . . . . . . . . . . . . 86
MIDI Out . . . . . . . . . . . . . . . . . . . . . . 32
Mixer/Balance . . . . . . . . . . . . . . . . . . 34 Squanch Shifting Quantizer
Saving State . . . . . . . . . . . . . . . . . . . . . 2 Palimpsest Accent Sequencer . . . . . . 35 Squanch is a pitch-shifting quantizer with a Squanch is in Hemisphere Suite starting with
Help Screens . . . . . . . . . . . . . . . . . . . . 3 RunglBook . . . . . . . . . . . . . . . . . . . . . 36 single input and two pitch-shifted outputs. v1.5.
Master Clock Forwarding . . . . . . . . . . 3 Scale Duet Quantizer . . . . . . . . . . . . 37 It can be used as a voltage adder.
Schmitt-Trigger . . . . . . . . . . . . . . . . . 38
Digital Ins: A clock pulse at Digital 1 causes
Sequence5 . . . . . . . . . . . . . . . . . . . . . 40
Troubleshooting . . . . . . . . . . . . . . . . . 4 Squanch to sample the signal at CV 1 and
Shift Register . . . . . . . . . . . . . . . . . . 41
License . . . . . . . . . . . . . . . . . . . . . . . . . 4 quantize it. A gate at Digital 2 adds one
ShiftGate . . . . . . . . . . . . . . . . . . . . . . 42
Hemisphere Apps . . . . . . . . 5 octave to the output at A/C.
Shuffle 3��43
“A”SR . . . . . . . . . . . . . . . . . . . . . . . . . . 5 Skewed LFO . . . . . . . . . . . . . . . . . . . . 44 CV Ins: CV 1 is the signal to be quantized.
AD EG . . . . . . . . . . . . . . . . . . . . . . . . . 6 Slew . . . . . . . . . . . . . . . . . . . . . . . . . 45 CV 2 is a bi-polar shift input that adds (or
ADSR EG . . . . . . . . . . . . . . . . . . . . . . . 7 Squanch Shifting Quantizer . . . . . . . 46 subtracts, if negative) voltage to or from
Annular Fusion Euclidean Drummer . . 8 Switch . . . . . . . . . . . . . . . . . . . . . . . . 47 the output at B/D.
Binary Counter . . . . . . . . . . . . . . . . . . 9 Threshold Logic Neuron . . . . . . . . . . 48 CV Outs: Quantized output, pitch-shifted as
BootsNCat . . . . . . . . . . . . . . . . . . . . . 10 Trending . . . . . . . . . . . . . . . . . . . . . . 50 noted above
Bow Tie Sequential . . . . . . . . . . . . . . 11 Trigger Sequencer 16 . . . . . . . . . . . . 51 Encoder: Set shift for each output, or scale
Each channel begins in continuous oper-
Burst . . . . . . . . . . . . . . . . . . . . . . . . . 13 Tuner . . . . . . . . . . . . . . . . . . . . . . . . . 53
ation. That is, the incoming CV is quantized
at a rate of about 16667 times per second.
This might result in undesirable slippage
Clock Divider Multiplier . . . . . . . . . . 17 Vector LFO . . . . . . . . . . . . . . . . . . . . 56 between notes, so clocked operation is
Clock Skipper . . . . . . . . . . . . . . . . . . . 18 VectorMod . . . . . . . . . . . . . . . . . . . . 57 available.
Compare . . . . . . . . . . . . . . . . . . . . . . . 19 Voltage . . . . . . . . . . . . . . . . . . . . . . . 58
To enter clocked operation, send a clock
CV Recorder . . . . . . . . . . . . . . . . . . . . 20 Full Apps . . . . . . . . . . . 59 signal to Digital 1. A clock icon will appear
Dual Quantizer . . . . . . . . . . . . . . . . . 22 next to the selector for the scale to indicate
that that quantizer is in clocked mode.
Enigma, Jr. . . . . . . . . . . . . . . . . . . . . . 23 Enigma . . . . . . . . . . . . . . . . . . . . . . . . 70
Envelope Follower . . . . . . . . . . . . . . 24 Neural Net . . . . . . . . . . . . . . . . . . . . 77 To return to continuous operation, stop
Gate Delay . . . . . . . . . . . . . . . . . . . . . 25 Scale Editor . . . . . . . . . . . . . . . . . . . . 81 sending clock to the quantizer, and then
Gated VCA . . . . . . . . . . . . . . . . . . . . . 26 Waveform Editor . . . . . . . . . . . . . . . . 83 change the scale. As long as no additional
LoFi-Tape . . . . . . . . . . . . . . . . . . . . . . 27 Pong . . . . . . . . . . . . . . . . . . . . . . . . . 86 clock signals are received, the quantizer will
Logic . . . . . . . . . . . . . . . . . . . . . . . . . 28 Backup and Restore . . . . . . . . . . . . . . 87 remain in continuous operation.
MIDI Out . . . . . . . . . . . . . . . . . . . . . . 32
Mixer/Balance . . . . . . . . . . . . . . . . . . 34 Switch
Saving State . . . . . . . . . . . . . . . . . . . . . 2 Palimpsest Accent Sequencer . . . . . . 35 https://youtu.be/juu65pJyXlY
Switch is a two-channel switch with two
switching methods: sequential and gated.
Sequence5 . . . . . . . . . . . . . . . . . . . . . 40 Digital Ins: A clock at Digital 1 switches the
Shift Register . . . . . . . . . . . . . . . . . . 41 A/C output between Signal 1 and Signal
License . . . . . . . . . . . . . . . . . . . . . . . . . 4
ShiftGate . . . . . . . . . . . . . . . . . . . . . . 42 2. A gate at Digital 2 switches the B/D
Hemisphere Apps . . . . . . . . 5 Shuffle 3��43 output to Signal 2.
“A”SR . . . . . . . . . . . . . . . . . . . . . . . . . . 5 Skewed LFO . . . . . . . . . . . . . . . . . . . . 44 CV Ins: CV 1 is Signal 1, and CV 2 is Signal 2
AD EG . . . . . . . . . . . . . . . . . . . . . . . . . 6 Slew . . . . . . . . . . . . . . . . . . . . . . . . . 45
Outputs: A/C is the sequentially-selected
output, and B/D is the gated output. The
sequential output alternates between
Signal 1 and Signal 2, and the gated out-
BootsNCat . . . . . . . . . . . . . . . . . . . . . 10 Trending . . . . . . . . . . . . . . . . . . . . . . 50 put sends Signal 1 when digital Digital 2
Bow Tie Sequential . . . . . . . . . . . . . . 11 Trigger Sequencer 16 . . . . . . . . . . . . 51 is low, and Signal 2 when high.
Burst . . . . . . . . . . . . . . . . . . . . . . . . . 13 Tuner . . . . . . . . . . . . . . . . . . . . . . . . . 53 Switch uses a Skyline display to indicate
Calculate . . . . . . . . . . . . . . . . . . . . . . 14 VectMorph . . . . . . . . . . . . . . . . . . . . 54 status of each channel. The indicator for
Carpeggio Cartesian Arpeggiator . . . 15 VectorEG . . . . . . . . . . . . . . . . . . . . . . 55 each channel also specifies whether Signal
Vector LFO . . . . . . . . . . . . . . . . . . . . 56 1 or Signal 2 is currently selected.
Clock Skipper . . . . . . . . . . . . . . . . . . . 18 VectorMod . . . . . . . . . . . . . . . . . . . . 57 Note: The Ornament and Crime’s circuitry
Compare . . . . . . . . . . . . . . . . . . . . . . . 19 Voltage . . . . . . . . . . . . . . . . . . . . . . . 58 is not made for precision 1:1 reproduction
CV Recorder . . . . . . . . . . . . . . . . . . . . 20 Full Apps . . . . . . . . . . . 59 of voltages. The outputs will not exactly
Dr. Crusher . . . . . . . . . . . . . . . . . . . . 21 Captain MIDI . . . . . . . . . . . . . . . . . . . 59 match the inputs, so Switch is not suit-
Dual Quantizer . . . . . . . . . . . . . . . . . 22 The Darkest Timeline 2 . . . . . . . . . . . 65 able for pitch CV. This is inherent to the
Enigma, Jr. . . . . . . . . . . . . . . . . . . . . . 23 Enigma . . . . . . . . . . . . . . . . . . . . . . . . 70 O_C’s design and does not indicate poor
Envelope Follower . . . . . . . . . . . . . . 24 Neural Net . . . . . . . . . . . . . . . . . . . . 77 calibration.
LoFi-Tape . . . . . . . . . . . . . . . . . . . . . . 27 Pong . . . . . . . . . . . . . . . . . . . . . . . . . 86
MIDI Out . . . . . . . . . . . . . . . . . . . . . . 32
Mixer/Balance . . . . . . . . . . . . . . . . . . 34 Threshold Logic Neuron
Saving State . . . . . . . . . . . . . . . . . . . . . 2 Palimpsest Accent Sequencer . . . . . . 35 https://youtu.be/NdHY-eDipkY Dendrite 2: w=3
Help Screens . . . . . . . . . . . . . . . . . . . . 3 RunglBook . . . . . . . . . . . . . . . . . . . . . 36 Dendrite 3: w=3
Threshold Logic Neuron is a three-input
programmable logic gate. Axon Output: t=8
Screen Blanking . . . . . . . . . . . . . . . . . 3 Scope . . . . . . . . . . . . . . . . . . . . . . . . . 39 Controls: This reproduces and AND gate, because all
Sequence5 . . . . . . . . . . . . . . . . . . . . . 40 Digital Ins: Logical states of Dendrites 1 Dendrites need to go high (for a sum of 9)
Troubleshooting . . . . . . . . . . . . . . . . . 4 to exceed the threshold of 8.
Shift Register . . . . . . . . . . . . . . . . . . 41 and 2
License . . . . . . . . . . . . . . . . . . . . . . . . . 4
ShiftGate . . . . . . . . . . . . . . . . . . . . . . 42 CV Ins: CV 1 is the logical state of Dendrite Dendrite 1: w=3
Hemisphere Apps . . . . . . . . 5 Shuffle 3��43 3 (5 volts is high, or True) Dendrite 2: w=3
“A”SR . . . . . . . . . . . . . . . . . . . . . . . . . . 5 Skewed LFO . . . . . . . . . . . . . . . . . . . . 44
Outputs: A/C and B/D are the output of the Dendrite 3: w=3
AD EG . . . . . . . . . . . . . . . . . . . . . . . . . 6 Slew . . . . . . . . . . . . . . . . . . . . . . . . . 45
Axon. Both outputs are the same so that Axon Output: t=2
one may be patched back to an input, if
Annular Fusion Euclidean Drummer . . 8 Switch . . . . . . . . . . . . . . . . . . . . . . . . 47 This reproduces an OR gate, because only
desired.
Binary Counter . . . . . . . . . . . . . . . . . . 9 Threshold Logic Neuron . . . . . . . . . . 48 one Dendrite needs to go high to exceed
BootsNCat . . . . . . . . . . . . . . . . . . . . . 10 Trending . . . . . . . . . . . . . . . . . . . . . . 50 Encoder Push: Cycle cursor between
the threshold of 2.
Bow Tie Sequential . . . . . . . . . . . . . . 11 Trigger Sequencer 16 . . . . . . . . . . . . 51 Dendrite 1, 2, and 3 weight, and Axon
Trigger Sequencer . . . . . . . . . . . . . . . 52 threshold The values can also be negative. So
Brancher . . . . . . . . . . . . . . . . . . . . . . 12
Burst . . . . . . . . . . . . . . . . . . . . . . . . . 13 Tuner . . . . . . . . . . . . . . . . . . . . . . . . . 53 Encoder Turn: Set the selected weight or Dendrite 1: w=-3
Calculate . . . . . . . . . . . . . . . . . . . . . . 14 VectMorph . . . . . . . . . . . . . . . . . . . . 54 threshold Dendrite 2: w=-3
Carpeggio Cartesian Arpeggiator . . . 15 VectorEG . . . . . . . . . . . . . . . . . . . . . . 55 Threshold Logic Neuron is a three-input/ Axon Output: t=-5
Clock Divider Multiplier . . . . . . . . . . 17 Vector LFO . . . . . . . . . . . . . . . . . . . . 56 single-output logic gate. Each of three in-
Clock Skipper . . . . . . . . . . . . . . . . . . . 18 VectorMod . . . . . . . . . . . . . . . . . . . . 57 puts (“Dendrites”) is given a weight (in the This is a two-input NAND gate, because the
Compare . . . . . . . . . . . . . . . . . . . . . . . 19 Voltage . . . . . . . . . . . . . . . . . . . . . . . 58 case of Hemisphere, a weight of between output is high (because 0>-5) unless both
Dendrite 1 and 2 are high, which brings the
CV Recorder . . . . . . . . . . . . . . . . . . . . 20 Full Apps . . . . . . . . . . . 59 -9 and 9). The output (“Axon”) is given a
sum below the threshold.
Dr. Crusher . . . . . . . . . . . . . . . . . . . . 21 Captain MIDI . . . . . . . . . . . . . . . . . . . 59 threshold (in Hemisphere, between -27 and
Dual Quantizer . . . . . . . . . . . . . . . . . 22 The Darkest Timeline 2 . . . . . . . . . . . 65 27). When the sum of the weights of high But you’re not limited to reproducing stan-
Enigma, Jr. . . . . . . . . . . . . . . . . . . . . . 23 Enigma . . . . . . . . . . . . . . . . . . . . . . . . 70 inputs exceeds the threshhold, the output dard Boolean operations. You can create
Envelope Follower . . . . . . . . . . . . . . 24 Neural Net . . . . . . . . . . . . . . . . . . . . 77 goes high. your own logical operations. For example,
Gate Delay . . . . . . . . . . . . . . . . . . . . . 25 Scale Editor . . . . . . . . . . . . . . . . . . . . 81 The neuron can be used to reproduce com- you can do this:
Gated VCA . . . . . . . . . . . . . . . . . . . . . 26 Waveform Editor . . . . . . . . . . . . . . . . 83 mon logic gates; for example: Dendrite 1: w=2
LoFi-Tape . . . . . . . . . . . . . . . . . . . . . . 27 Pong . . . . . . . . . . . . . . . . . . . . . . . . . 86
Dendrite 1: w=3 Dendrite 2: w=2
MIDI Out . . . . . . . . . . . . . . . . . . . . . . 32 Dendrite 3: w=5
Selecting Applets . . . . . . . . . . . . . . . . . 2 Mixer/Balance . . . . . . . . . . . . . . . . . . 34 Axon Output: t=3, and mult the output into
Saving State . . . . . . . . . . . . . . . . . . . . . 2 Palimpsest Accent Sequencer . . . . . . 35 Dendrite 3
Help Screens . . . . . . . . . . . . . . . . . . . . 3 RunglBook . . . . . . . . . . . . . . . . . . . . . 36 This creates a type of state memory: when
Master Clock Forwarding . . . . . . . . . . 3 Scale Duet Quantizer . . . . . . . . . . . . 37 Dendrites 1 and 2 go high, the output goes
Category Filtering . . . . . . . . . . . . . . . . 3 Schmitt-Trigger . . . . . . . . . . . . . . . . . 38 high (2+2>3), and the output is sent back to
Screen Blanking . . . . . . . . . . . . . . . . . 3 Scope . . . . . . . . . . . . . . . . . . . . . . . . . 39 Dendrite 3, which forces the output to re-
Sequence5 . . . . . . . . . . . . . . . . . . . . . 40 main high, whatever happens to Dendrites
Shift Register . . . . . . . . . . . . . . . . . . 41 1 and 2 later.
License . . . . . . . . . . . . . . . . . . . . . . . . . 4
ShiftGate . . . . . . . . . . . . . . . . . . . . . . 42
Hemisphere Apps . . . . . . . . 5 Shuffle 3��43 A variation of that theme is
“A”SR . . . . . . . . . . . . . . . . . . . . . . . . . . 5 Skewed LFO . . . . . . . . . . . . . . . . . . . . 44 Dendrite 1: w=2
AD EG . . . . . . . . . . . . . . . . . . . . . . . . . 6 Slew . . . . . . . . . . . . . . . . . . . . . . . . . 45
Dendrite 2: w=-2
Annular Fusion Euclidean Drummer . . 8 Switch . . . . . . . . . . . . . . . . . . . . . . . . 47 Dendrite 3: w=2
Binary Counter . . . . . . . . . . . . . . . . . . 9 Threshold Logic Neuron . . . . . . . . . . 48 Axon Output: t=1, and mult the output into
BootsNCat . . . . . . . . . . . . . . . . . . . . . 10 Trending . . . . . . . . . . . . . . . . . . . . . . 50 Dendrite 3
Bow Tie Sequential . . . . . . . . . . . . . . 11 Trigger Sequencer 16 . . . . . . . . . . . . 51 Now, Dendrite 1 fires the axon, which feeds
Brancher . . . . . . . . . . . . . . . . . . . . . . 12 Trigger Sequencer . . . . . . . . . . . . . . . 52 back into itself. Dendrite 1 can go low again
Burst . . . . . . . . . . . . . . . . . . . . . . . . . 13 Tuner . . . . . . . . . . . . . . . . . . . . . . . . . 53 and the output stays high. But a high signal
Calculate . . . . . . . . . . . . . . . . . . . . . . 14 VectMorph . . . . . . . . . . . . . . . . . . . . 54 at Dendrite 2 will reset the memory unless
Carpeggio Cartesian Arpeggiator . . . 15 VectorEG . . . . . . . . . . . . . . . . . . . . . . 55 Dendrite 1 is still on.
Compare . . . . . . . . . . . . . . . . . . . . . . . 19 Voltage . . . . . . . . . . . . . . . . . . . . . . . 58
Enigma, Jr. . . . . . . . . . . . . . . . . . . . . . 23 Enigma . . . . . . . . . . . . . . . . . . . . . . . . 70
LoFi-Tape . . . . . . . . . . . . . . . . . . . . . . 27 Pong . . . . . . . . . . . . . . . . . . . . . . . . . 86
MIDI Out . . . . . . . . . . . . . . . . . . . . . . 32
Mixer/Balance . . . . . . . . . . . . . . . . . . 34 Trending
Saving State . . . . . . . . . . . . . . . . . . . . . 2 Palimpsest Accent Sequencer . . . . . . 35 Trending is a dual slope detector with as- Sensitivity
Help Screens . . . . . . . . . . . . . . . . . . . . 3 RunglBook . . . . . . . . . . . . . . . . . . . . . 36 signable outputs.
The sensitivity control can be used to fine-
Master Clock Forwarding . . . . . . . . . . 3 Controls: tune the response of the slope detector. At
Inputs: CV 1 and CV 2 are the incoming lower settings, the detector will respond
signals for each channel more slowly, but will be more consistent. At
Sequence5 . . . . . . . . . . . . . . . . . . . . . 40
Troubleshooting . . . . . . . . . . . . . . . . . 4 Outputs: Outputs A/C and B/D are assign- higher settings, the detector will respond
Shift Register . . . . . . . . . . . . . . . . . . 41
License . . . . . . . . . . . . . . . . . . . . . . . . . 4 able, and correspond to CV 1 and CV 2 faster, but may change direction more
ShiftGate . . . . . . . . . . . . . . . . . . . . . . 42
erratically.
Hemisphere Apps . . . . . . . . 5 Shuffle 3��43 channels
“A”SR . . . . . . . . . . . . . . . . . . . . . . . . . . 5 Skewed LFO . . . . . . . . . . . . . . . . . . . . 44 Encoder: Assigns output functions, sets
AD EG . . . . . . . . . . . . . . . . . . . . . . . . . 6 Slew . . . . . . . . . . . . . . . . . . . . . . . . . 45 Sensitivity
ADSR EG . . . . . . . . . . . . . . . . . . . . . . . 7 Squanch Shifting Quantizer . . . . . . . 46 The following functions can be
Annular Fusion Euclidean Drummer . . 8 Switch . . . . . . . . . . . . . . . . . . . . . . . . 47 assigned to each output:
Rising: The assigned output is a gate, which
is high when the signal is rising
Brancher . . . . . . . . . . . . . . . . . . . . . . 12 Trigger Sequencer . . . . . . . . . . . . . . . 52 Falling: The assigned output is a gate,
Burst . . . . . . . . . . . . . . . . . . . . . . . . . 13 Tuner . . . . . . . . . . . . . . . . . . . . . . . . . 53 which is high when the signal is falling
Calculate . . . . . . . . . . . . . . . . . . . . . . 14 VectMorph . . . . . . . . . . . . . . . . . . . . 54 Steady: The assigned output is a gate,
Carpeggio Cartesian Arpeggiator . . . 15 VectorEG . . . . . . . . . . . . . . . . . . . . . . 55 which is high when the signal is steady
Clock Divider Multiplier . . . . . . . . . . 17 Vector LFO . . . . . . . . . . . . . . . . . . . . 56 Moving: The assigned output is a gate,
Clock Skipper . . . . . . . . . . . . . . . . . . . 18 VectorMod . . . . . . . . . . . . . . . . . . . . 57 which is high when the signal is rising or
Compare . . . . . . . . . . . . . . . . . . . . . . . 19 Voltage . . . . . . . . . . . . . . . . . . . . . . . 58 falling
CV Recorder . . . . . . . . . . . . . . . . . . . . 20 Full Apps . . . . . . . . . . . 59 ChgState: The assigned output emits a trig-
Dr. Crusher . . . . . . . . . . . . . . . . . . . . 21 Captain MIDI . . . . . . . . . . . . . . . . . . . 59 ger when the signal changes from one
Dual Quantizer . . . . . . . . . . . . . . . . . 22 The Darkest Timeline 2 . . . . . . . . . . . 65 state to another (e.g., rising to steady,
Enigma, Jr. . . . . . . . . . . . . . . . . . . . . . 23 Enigma . . . . . . . . . . . . . . . . . . . . . . . . 70 steady to falling, falling to rising, etc.)
Envelope Follower . . . . . . . . . . . . . . 24 Neural Net . . . . . . . . . . . . . . . . . . . . 77 ChgValue: The assigned output emits a
Gate Delay . . . . . . . . . . . . . . . . . . . . . 25 Scale Editor . . . . . . . . . . . . . . . . . . . . 81 trigger when the signal changes its value
Gated VCA . . . . . . . . . . . . . . . . . . . . . 26 Waveform Editor . . . . . . . . . . . . . . . . 83 by more than 1/4 semitone (or about
LoFi-Tape . . . . . . . . . . . . . . . . . . . . . . 27 Pong . . . . . . . . . . . . . . . . . . . . . . . . . 86 .02V)
MIDI Out . . . . . . . . . . . . . . . . . . . . . . 32
Mixer/Balance . . . . . . . . . . . . . . . . . . 34 Trigger Sequencer 16
Saving State . . . . . . . . . . . . . . . . . . . . . 2 Palimpsest Accent Sequencer . . . . . . 35 Trigger Sequencer 16 is a 16-step trigger -XXX X---
Help Screens . . . . . . . . . . . . . . . . . . . . 3 RunglBook . . . . . . . . . . . . . . . . . . . . . 36 sequencer. It’s visually and functionally sim- X--X
Master Clock Forwarding . . . . . . . . . . 3 Scale Duet Quantizer . . . . . . . . . . . . 37 ilar to Trigger Sequencer, except it’s 1x16
X-X- X-XX XX-- XX-X XXX-
Schmitt-Trigger . . . . . . . . . . . . . . . . . 38 instead of 2x8.
Category Filtering . . . . . . . . . . . . . . . . 3 XXXX
Scope . . . . . . . . . . . . . . . . . . . . . . . . . 39
Sequence5 . . . . . . . . . . . . . . . . . . . . . 40
Troubleshooting . . . . . . . . . . . . . . . . . 4 Digital Ins: A clock at Digital 1 advances
Shift Register . . . . . . . . . . . . . . . . . . 41
License . . . . . . . . . . . . . . . . . . . . . . . . . 4 the sequence. A trigger at Digital 2 resets
ShiftGate . . . . . . . . . . . . . . . . . . . . . . 42
Hemisphere Apps . . . . . . . . 5 sequence.
Shuffle 3��43
“A”SR . . . . . . . . . . . . . . . . . . . . . . . . . . 5 Skewed LFO . . . . . . . . . . . . . . . . . . . . 44 CV Ins: While a gate is present at CV 1, the
AD EG . . . . . . . . . . . . . . . . . . . . . . . . . 6 Slew . . . . . . . . . . . . . . . . . . . . . . . . . 45 A/C and B/D outputs are swapped
ADSR EG . . . . . . . . . . . . . . . . . . . . . . . 7 Squanch Shifting Quantizer . . . . . . . 46 Outputs: A/C is the sequence’s trigger out-
Annular Fusion Euclidean Drummer . . 8 Switch . . . . . . . . . . . . . . . . . . . . . . . . 47 put, and B/D the NOT trigger output
Binary Counter . . . . . . . . . . . . . . . . . . 9 Threshold Logic Neuron . . . . . . . . . . 48 Encoder Push: Cycles cursor between edi-
BootsNCat . . . . . . . . . . . . . . . . . . . . . 10 Trending . . . . . . . . . . . . . . . . . . . . . . 50 ting 4-step parts of the sequence and
Bow Tie Sequential . . . . . . . . . . . . . . 11 Trigger Sequencer 16 . . . . . . . . . . . . 51 sequence length
Brancher . . . . . . . . . . . . . . . . . . . . . . 12 Trigger Sequencer . . . . . . . . . . . . . . . 52 Encoder Turn: Adjust the selected setting
Burst . . . . . . . . . . . . . . . . . . . . . . . . . 13 Tuner . . . . . . . . . . . . . . . . . . . . . . . . . 53
Calculate . . . . . . . . . . . . . . . . . . . . . . 14 VectMorph . . . . . . . . . . . . . . . . . . . . 54 The cursor appears over four steps at a
VectorEG . . . . . . . . . . . . . . . . . . . . . . 55 time. Turning the encoder selects a binary
Vector LFO . . . . . . . . . . . . . . . . . . . . 56 representation of the bit pattern. Each
VectorMod . . . . . . . . . . . . . . . . . . . . 57 quarter of the sequence has sixteen pos-
Clock Skipper . . . . . . . . . . . . . . . . . . . 18
Voltage . . . . . . . . . . . . . . . . . . . . . . . 58 sible values. That is, turning the encoder
Compare . . . . . . . . . . . . . . . . . . . . . . . 19 clockwise will cycle through
Dr. Crusher . . . . . . . . . . . . . . . . . . . . 21 (silence)
Captain MIDI . . . . . . . . . . . . . . . . . . . 59
Dual Quantizer . . . . . . . . . . . . . . . . . 22 The Darkest Timeline 2 . . . . . . . . . . . 65 ---X
Enigma, Jr. . . . . . . . . . . . . . . . . . . . . . 23 Enigma . . . . . . . . . . . . . . . . . . . . . . . . 70 --X-
Envelope Follower . . . . . . . . . . . . . . 24 Neural Net . . . . . . . . . . . . . . . . . . . . 77 --XX
-X--
LoFi-Tape . . . . . . . . . . . . . . . . . . . . . . 27 Pong . . . . . . . . . . . . . . . . . . . . . . . . . 86 -X-X
Logic . . . . . . . . . . . . . . . . . . . . . . . . . 28 Backup and Restore . . . . . . . . . . . . . . 87 -XX-
MIDI Out . . . . . . . . . . . . . . . . . . . . . . 32
Mixer/Balance . . . . . . . . . . . . . . . . . . 34 Trigger Sequencer
Saving State . . . . . . . . . . . . . . . . . . . . . 2 Palimpsest Accent Sequencer . . . . . . 35 https://youtu.be/qPRspJApd1Y -XX-
Help Screens . . . . . . . . . . . . . . . . . . . . 3 RunglBook . . . . . . . . . . . . . . . . . . . . . 36 -XXX X---
Trigger Sequencer is a dual eight-step trig-
ger sequencer. X--X X-X- X-XX XX-- XX-X XXX-
Scope . . . . . . . . . . . . . . . . . . . . . . . . . 39 Controls: XXXX
Screen Blanking . . . . . . . . . . . . . . . . . 3
Sequence5 . . . . . . . . . . . . . . . . . . . . . 40 Digital Ins: A clock at Digital 1 advances
Shift Register . . . . . . . . . . . . . . . . . . 41 both sequences. A trigger at Digital 2
License . . . . . . . . . . . . . . . . . . . . . . . . . 4
ShiftGate . . . . . . . . . . . . . . . . . . . . . . 42 resets both sequences to the top.
Hemisphere Apps . . . . . . . . 5 Shuffle 3��43 CV Ins: While a gate is present at CV 1, the
“A”SR . . . . . . . . . . . . . . . . . . . . . . . . . . 5 Skewed LFO . . . . . . . . . . . . . . . . . . . . 44 A/C and B/D outputs are swapped
AD EG . . . . . . . . . . . . . . . . . . . . . . . . . 6 Slew . . . . . . . . . . . . . . . . . . . . . . . . . 45
Outputs: A/C is Channel 1’s trigger output,
and B/D is Channel 2’s trigger output
Binary Counter . . . . . . . . . . . . . . . . . . 9 Threshold Logic Neuron . . . . . . . . . . 48 Encoder Push: Cycles cursor between edi-
BootsNCat . . . . . . . . . . . . . . . . . . . . . 10 Trending . . . . . . . . . . . . . . . . . . . . . . 50 ting first and second half of Channel 1,
Bow Tie Sequential . . . . . . . . . . . . . . 11 Trigger Sequencer 16 . . . . . . . . . . . . 51 length of Channel 1, first and second half
Trigger Sequencer . . . . . . . . . . . . . . . 52 of Channel 2, and length of Channel 2.
Brancher . . . . . . . . . . . . . . . . . . . . . . 12
Burst . . . . . . . . . . . . . . . . . . . . . . . . . 13 Tuner . . . . . . . . . . . . . . . . . . . . . . . . . 53 Encoder Turn: Adjust the selected setting
Calculate . . . . . . . . . . . . . . . . . . . . . . 14 VectMorph . . . . . . . . . . . . . . . . . . . . 54 The cursor appears over four steps at a
Carpeggio Cartesian Arpeggiator . . . 15 VectorEG . . . . . . . . . . . . . . . . . . . . . . 55 time. Turning the encoder selects a binary
Clock Divider Multiplier . . . . . . . . . . 17 Vector LFO . . . . . . . . . . . . . . . . . . . . 56 representation of the bit pattern. Each half
Clock Skipper . . . . . . . . . . . . . . . . . . . 18 VectorMod . . . . . . . . . . . . . . . . . . . . 57 of the sequence has sixteen possible values.
Compare . . . . . . . . . . . . . . . . . . . . . . . 19 Voltage . . . . . . . . . . . . . . . . . . . . . . . 58 That is, turning the encoder clockwise will
CV Recorder . . . . . . . . . . . . . . . . . . . . 20 Full Apps . . . . . . . . . . . 59 cycle through
Dr. Crusher . . . . . . . . . . . . . . . . . . . . 21 Captain MIDI . . . . . . . . . . . . . . . . . . . 59 (silence)
Dual Quantizer . . . . . . . . . . . . . . . . . 22 The Darkest Timeline 2 . . . . . . . . . . . 65 ---X
Enigma, Jr. . . . . . . . . . . . . . . . . . . . . . 23 Enigma . . . . . . . . . . . . . . . . . . . . . . . . 70
Envelope Follower . . . . . . . . . . . . . . 24 --X-
Neural Net . . . . . . . . . . . . . . . . . . . . 77
Gate Delay . . . . . . . . . . . . . . . . . . . . . 25 Scale Editor . . . . . . . . . . . . . . . . . . . . 81 --XX
Gated VCA . . . . . . . . . . . . . . . . . . . . . 26 Waveform Editor . . . . . . . . . . . . . . . . 83 -X--
LoFi-Tape . . . . . . . . . . . . . . . . . . . . . . 27 Pong . . . . . . . . . . . . . . . . . . . . . . . . . 86 -X-X
MIDI Out . . . . . . . . . . . . . . . . . . . . . . 32
Mixer/Balance . . . . . . . . . . . . . . . . . . 34 Tuner
Saving State . . . . . . . . . . . . . . . . . . . . . 2 Palimpsest Accent Sequencer . . . . . . 35 Tuner is a chromatic tuner with adjustable
Help Screens . . . . . . . . . . . . . . . . . . . . 3 RunglBook . . . . . . . . . . . . . . . . . . . . . 36 A4 setting.
Important: Tuner can only run in the right
hemisphere. It will remind you if you try to
place it in the left. This is because technical
Sequence5 . . . . . . . . . . . . . . . . . . . . . 40
Troubleshooting . . . . . . . . . . . . . . . . . 4 reasons beyond my control.
Shift Register . . . . . . . . . . . . . . . . . . 41
License . . . . . . . . . . . . . . . . . . . . . . . . . 4
ShiftGate . . . . . . . . . . . . . . . . . . . . . . 42 Controls:
Hemisphere Apps . . . . . . . . 5 Shuffle 3��43 Digital Inputs: Digital 2 is the oscillator
“A”SR . . . . . . . . . . . . . . . . . . . . . . . . . . 5 Skewed LFO . . . . . . . . . . . . . . . . . . . . 44 input
AD EG . . . . . . . . . . . . . . . . . . . . . . . . . 6 Slew . . . . . . . . . . . . . . . . . . . . . . . . . 45 Encoder: Set A4 frequency
Encoder push: Reset tuner
Binary Counter . . . . . . . . . . . . . . . . . . 9 Threshold Logic Neuron . . . . . . . . . . 48 The A4 frequency has a range of 400-
BootsNCat . . . . . . . . . . . . . . . . . . . . . 10 Trending . . . . . . . . . . . . . . . . . . . . . . 50 500Hz. The closest note is displayed under
Bow Tie Sequential . . . . . . . . . . . . . . 11 Trigger Sequencer 16 . . . . . . . . . . . . 51 the frequency. Under that, it shows how
Brancher . . . . . . . . . . . . . . . . . . . . . . 12 Trigger Sequencer . . . . . . . . . . . . . . . 52 far off from that note in cents the input is.
Burst . . . . . . . . . . . . . . . . . . . . . . . . . 13 Tuner . . . . . . . . . . . . . . . . . . . . . . . . . 53 When the note is in tune, it will become
Calculate . . . . . . . . . . . . . . . . . . . . . . 14 VectMorph . . . . . . . . . . . . . . . . . . . . 54 highlighted.
Carpeggio Cartesian Arpeggiator . . . 15 VectorEG . . . . . . . . . . . . . . . . . . . . . . 55 If Tuner seems to stop responding, push
Clock Divider Multiplier . . . . . . . . . . 17 Vector LFO . . . . . . . . . . . . . . . . . . . . 56 the encoder button to reset it. Yeah, that’s
Clock Skipper . . . . . . . . . . . . . . . . . . . 18 VectorMod . . . . . . . . . . . . . . . . . . . . 57 about it. It’s a tuner.
Compare . . . . . . . . . . . . . . . . . . . . . . . 19 Voltage . . . . . . . . . . . . . . . . . . . . . . . 58
Tuner is available from Hemisphere Suite
CV Recorder . . . . . . . . . . . . . . . . . . . . 20 Full Apps . . . . . . . . . . . 59 v1.4.
Enigma, Jr. . . . . . . . . . . . . . . . . . . . . . 23 Enigma . . . . . . . . . . . . . . . . . . . . . . . . 70
LoFi-Tape . . . . . . . . . . . . . . . . . . . . . . 27 Pong . . . . . . . . . . . . . . . . . . . . . . . . . 86
MIDI Out . . . . . . . . . . . . . . . . . . . . . . 32
Mixer/Balance . . . . . . . . . . . . . . . . . . 34 VectMorph
Saving State . . . . . . . . . . . . . . . . . . . . . 2 Palimpsest Accent Sequencer . . . . . . 35 https://youtu.be/WrENiAQHhq0 Linked Mode
VectMorph is a morph controller inspired By default, CV 1 controls the phase of both
by the Doepfer A-144, and based on Vector channels. This is Linked Mode. You can
Oscillator waveforms. There is a variety of use two instances of the Vector Morph
built-in waveforms from which to choose, Controller, one in each hemisphere, to
Sequence5 . . . . . . . . . . . . . . . . . . . . . 40
Troubleshooting . . . . . . . . . . . . . . . . . 4 or you can create your own with the control up to four things. To use Linked
Shift Register . . . . . . . . . . . . . . . . . . 41
License . . . . . . . . . . . . . . . . . . . . . . . . . 4 Waveform Editor. Mode in both hemispheres, mult one
ShiftGate . . . . . . . . . . . . . . . . . . . . . . 42
hemisphere’s CV 1 input to the other hemi-
Hemisphere Apps . . . . . . . . 5 Shuffle 3��43 Controls:
sphere’s CV 1 input (as demonstrated in the
“A”SR . . . . . . . . . . . . . . . . . . . . . . . . . . 5 Skewed LFO . . . . . . . . . . . . . . . . . . . . 44 CV Ins: With Linked Mode enabled, CV 1 video).
AD EG . . . . . . . . . . . . . . . . . . . . . . . . . 6 Slew . . . . . . . . . . . . . . . . . . . . . . . . . 45 controls the phase of A/C and B/D out-
ADSR EG . . . . . . . . . . . . . . . . . . . . . . . 7 Squanch Shifting Quantizer . . . . . . . 46 puts. With Linked Mode disabled, CV 1 If you wish to control the phase of each
Annular Fusion Euclidean Drummer . . 8 Switch . . . . . . . . . . . . . . . . . . . . . . . . 47 controls the phase of A/C and CV 2 con- channel independently, just send some
Binary Counter . . . . . . . . . . . . . . . . . . 9 Threshold Logic Neuron . . . . . . . . . . 48 trols the phase of B/D (see Linked Mode voltage to CV 2. This will disable Linked
BootsNCat . . . . . . . . . . . . . . . . . . . . . 10 Trending . . . . . . . . . . . . . . . . . . . . . . 50 below) Mode, and the Link icon will disappear. To
Bow Tie Sequential . . . . . . . . . . . . . . 11 Trigger Sequencer 16 . . . . . . . . . . . . 51 CV Outs: Morph controller outputs return to Linked Mode, stop sending volt-
Brancher . . . . . . . . . . . . . . . . . . . . . . 12 Trigger Sequencer . . . . . . . . . . . . . . . 52 age to CV 2, and use the encoder to change
Encoders: Alternate between Phase Offset
Burst . . . . . . . . . . . . . . . . . . . . . . . . . 13 Tuner . . . . . . . . . . . . . . . . . . . . . . . . . 53 the waveform of either channel.
and waveform for each channel
Calculate . . . . . . . . . . . . . . . . . . . . . . 14 VectMorph . . . . . . . . . . . . . . . . . . . . 54 Vector Morph Controller is in Hemisphere
Carpeggio Cartesian Arpeggiator . . . 15 VectorEG . . . . . . . . . . . . . . . . . . . . . . 55 The Vector Morph Controller (VectMorph)
is a modulation source for sending phase- Suite starting with v1.6.
VectorMod . . . . . . . . . . . . . . . . . . . . 57 offset output to one or more destinations.
Clock Skipper . . . . . . . . . . . . . . . . . . . 18
Voltage . . . . . . . . . . . . . . . . . . . . . . . 58 A typical use case would involve sending
Compare . . . . . . . . . . . . . . . . . . . . . . . 19
overlapping phased triangular waves to
CV Recorder . . . . . . . . . . . . . . . . . . . . 20 Full Apps . . . . . . . . . . . 59 control a voltage-controlled mixer.
Dual Quantizer . . . . . . . . . . . . . . . . . 22 The Darkest Timeline 2 . . . . . . . . . . . 65 Each channel can be assigned a Phase
Enigma, Jr. . . . . . . . . . . . . . . . . . . . . . 23 Enigma . . . . . . . . . . . . . . . . . . . . . . . . 70 Offset, in degrees. This offset is added to
Envelope Follower . . . . . . . . . . . . . . 24 Neural Net . . . . . . . . . . . . . . . . . . . . 77 the voltage-determined phase to deter-
Gate Delay . . . . . . . . . . . . . . . . . . . . . 25 Scale Editor . . . . . . . . . . . . . . . . . . . . 81 mine the current amplitude of the channel’s
Gated VCA . . . . . . . . . . . . . . . . . . . . . 26 Waveform Editor . . . . . . . . . . . . . . . . 83 output.
LoFi-Tape . . . . . . . . . . . . . . . . . . . . . . 27 Pong . . . . . . . . . . . . . . . . . . . . . . . . . 86
MIDI Out . . . . . . . . . . . . . . . . . . . . . . 32
Mixer/Balance . . . . . . . . . . . . . . . . . . 34 VectorEG
Saving State . . . . . . . . . . . . . . . . . . . . . 2 Palimpsest Accent Sequencer . . . . . . 35 VectorEG is a dual envelope generator
Help Screens . . . . . . . . . . . . . . . . . . . . 3 RunglBook . . . . . . . . . . . . . . . . . . . . . 36 based on Vector Oscillator waveforms.
Master Clock Forwarding . . . . . . . . . . 3 Scale Duet Quantizer . . . . . . . . . . . . 37 There is a variety of built-in waveforms from
Schmitt-Trigger . . . . . . . . . . . . . . . . . 38 which to choose, or you can create your
Scope . . . . . . . . . . . . . . . . . . . . . . . . . 39 own with the Waveform Editor.
Screen Blanking . . . . . . . . . . . . . . . . . 3
Sequence5 . . . . . . . . . . . . . . . . . . . . . 40
Shift Register . . . . . . . . . . . . . . . . . . 41
License . . . . . . . . . . . . . . . . . . . . . . . . . 4 Digital Ins: A gate at each input starts and
ShiftGate . . . . . . . . . . . . . . . . . . . . . . 42
Hemisphere Apps . . . . . . . . 5 sustains the corresponding EG.
Shuffle 3��43
“A”SR . . . . . . . . . . . . . . . . . . . . . . . . . . 5 Skewed LFO . . . . . . . . . . . . . . . . . . . . 44 Outputs: Output A/C is the signal for EG 1,
AD EG . . . . . . . . . . . . . . . . . . . . . . . . . 6 Slew . . . . . . . . . . . . . . . . . . . . . . . . . 45 and Output B/D is the signal for EG 2
ADSR EG . . . . . . . . . . . . . . . . . . . . . . . 7 Squanch Shifting Quantizer . . . . . . . 46 Encoders: Push to alternate the cursor
Annular Fusion Euclidean Drummer . . 8 Switch . . . . . . . . . . . . . . . . . . . . . . . . 47 between EG 1 frequency, EG 1 waveform
Binary Counter . . . . . . . . . . . . . . . . . . 9 Threshold Logic Neuron . . . . . . . . . . 48 select, EG 2 frequency and EG 2 wave-
BootsNCat . . . . . . . . . . . . . . . . . . . . . 10 Trending . . . . . . . . . . . . . . . . . . . . . . 50 form select.
Bow Tie Sequential . . . . . . . . . . . . . . 11 Trigger Sequencer 16 . . . . . . . . . . . . 51 The EG runs freely until it gets to the
Brancher . . . . . . . . . . . . . . . . . . . . . . 12 Trigger Sequencer . . . . . . . . . . . . . . . 52 second-to-last segment, and sustains at
Burst . . . . . . . . . . . . . . . . . . . . . . . . . 13 Tuner . . . . . . . . . . . . . . . . . . . . . . . . . 53 that point. When released, it proceeds to
Calculate . . . . . . . . . . . . . . . . . . . . . . 14 VectMorph . . . . . . . . . . . . . . . . . . . . 54 the level of the final segment at the speed
Carpeggio Cartesian Arpeggiator . . . 15 VectorEG . . . . . . . . . . . . . . . . . . . . . . 55 specified by the final segment.
VectorMod . . . . . . . . . . . . . . . . . . . . 57 Unlike a traditional envelope generator, the
Clock Skipper . . . . . . . . . . . . . . . . . . . 18
Voltage . . . . . . . . . . . . . . . . . . . . . . . 58 speed of the envelope is determined with
Compare . . . . . . . . . . . . . . . . . . . . . . . 19
a single frequency control. The higher the
CV Recorder . . . . . . . . . . . . . . . . . . . . 20 Full Apps . . . . . . . . . . . 59 frequency, the faster the envelope will run.
Dual Quantizer . . . . . . . . . . . . . . . . . 22 The Darkest Timeline 2 . . . . . . . . . . . 65 The outputs are uni-polar, and with posi-
Enigma, Jr. . . . . . . . . . . . . . . . . . . . . . 23 Enigma . . . . . . . . . . . . . . . . . . . . . . . . 70 tive offset, so that a level of -128 in the
Envelope Follower . . . . . . . . . . . . . . 24 Neural Net . . . . . . . . . . . . . . . . . . . . 77 Waveform Editor corresponds to 0V, and a
Gate Delay . . . . . . . . . . . . . . . . . . . . . 25 Scale Editor . . . . . . . . . . . . . . . . . . . . 81 level of 127 is 5V.
Gated VCA . . . . . . . . . . . . . . . . . . . . . 26 Waveform Editor . . . . . . . . . . . . . . . . 83 VectorEG is in Hemisphere Suite starting with
LoFi-Tape . . . . . . . . . . . . . . . . . . . . . . 27 Pong . . . . . . . . . . . . . . . . . . . . . . . . . 86 v1.6.
MIDI Out . . . . . . . . . . . . . . . . . . . . . . 32
Mixer/Balance . . . . . . . . . . . . . . . . . . 34 Vector LFO
Saving State . . . . . . . . . . . . . . . . . . . . . 2 Palimpsest Accent Sequencer . . . . . . 35 Vector LFO is a dual low-frequency oscilla- Output B/D and LFO 2
Help Screens . . . . . . . . . . . . . . . . . . . . 3 RunglBook . . . . . . . . . . . . . . . . . . . . . 36 tor based on Vector Oscillator waveforms.
Master Clock Forwarding . . . . . . . . . . 3 Scale Duet Quantizer . . . . . . . . . . . . 37 There is a variety of built-in waveforms from Output B/D is a mixed output. By default,
which to choose, or you can create your it is a 50%/50% mix of LFO 1 and LFO 2.
own with the Waveform Editor. Increasing voltage to CV 2 causes increas-
ing attenuation of the LFO 1 signal. At 5V,
Sequence5 . . . . . . . . . . . . . . . . . . . . . 40
Troubleshooting . . . . . . . . . . . . . . . . . 4 Controls: the LFO 1 signal will be absent at Output
Shift Register . . . . . . . . . . . . . . . . . . 41
License . . . . . . . . . . . . . . . . . . . . . . . . . 4 Digital Ins: A trigger at each channel syncs B/D.
ShiftGate . . . . . . . . . . . . . . . . . . . . . . 42
Hemisphere Apps . . . . . . . . 5 the corresponding LFO
Shuffle 3��43
CV Ins: CV 1 is bi-polar modulation of the
Manual Oscillator Reset
“A”SR . . . . . . . . . . . . . . . . . . . . . . . . . . 5 Skewed LFO . . . . . . . . . . . . . . . . . . . . 44
AD EG . . . . . . . . . . . . . . . . . . . . . . . . . 6 frequency of LFO 1. CV2 is attenuation When a new waveshape is selected from
Slew . . . . . . . . . . . . . . . . . . . . . . . . . 45
of the amount of LFO 1 that’s fed into the panel, both LFO 1 and LFO 2 will be
Output B/D. reset to the beginning of their respective
cycles.
Binary Counter . . . . . . . . . . . . . . . . . . 9 Threshold Logic Neuron . . . . . . . . . . 48 Outputs: Output A/C is the signal for LFO 1.
BootsNCat . . . . . . . . . . . . . . . . . . . . . 10 Trending . . . . . . . . . . . . . . . . . . . . . . 50 Output B/D is the signal for LFO 2 mixed VectorLFO is in Hemisphere Suite starting
Bow Tie Sequential . . . . . . . . . . . . . . 11 Trigger Sequencer 16 . . . . . . . . . . . . 51 with the signal for LFO 1, with the mix with v1.6.
Brancher . . . . . . . . . . . . . . . . . . . . . . 12 Trigger Sequencer . . . . . . . . . . . . . . . 52 based on the input to CV 2.
Burst . . . . . . . . . . . . . . . . . . . . . . . . . 13 Tuner . . . . . . . . . . . . . . . . . . . . . . . . . 53 Encoders: Push to alternate the cursor be-
Calculate . . . . . . . . . . . . . . . . . . . . . . 14 VectMorph . . . . . . . . . . . . . . . . . . . . 54 tween LFO 1 frequency, LFO 1 waveform
Carpeggio Cartesian Arpeggiator . . . 15 VectorEG . . . . . . . . . . . . . . . . . . . . . . 55 select, LFO 2 frequency and LFO 2 wave-
Clock Divider Multiplier . . . . . . . . . . 17 Vector LFO . . . . . . . . . . . . . . . . . . . . 56 form select.
Clock Skipper . . . . . . . . . . . . . . . . . . . 18 VectorMod . . . . . . . . . . . . . . . . . . . . 57 The LFO range is from .10Hz to 999Hz.
Compare . . . . . . . . . . . . . . . . . . . . . . . 19 Voltage . . . . . . . . . . . . . . . . . . . . . . . 58
CV Recorder . . . . . . . . . . . . . . . . . . . . 20 Full Apps . . . . . . . . . . . 59 Output A/C and LFO 1
Dr. Crusher . . . . . . . . . . . . . . . . . . . . 21 Captain MIDI . . . . . . . . . . . . . . . . . . . 59 Output A/C is a the output of only LFO 1.
Dual Quantizer . . . . . . . . . . . . . . . . . 22 The Darkest Timeline 2 . . . . . . . . . . . 65 LFO 1 can be synchronized with an external
Enigma, Jr. . . . . . . . . . . . . . . . . . . . . . 23 Enigma . . . . . . . . . . . . . . . . . . . . . . . . 70 clock at Digital 1, and its frequency can be
Envelope Follower . . . . . . . . . . . . . . 24 Neural Net . . . . . . . . . . . . . . . . . . . . 77 modulated over a 30Hz bi-polar range with
Gate Delay . . . . . . . . . . . . . . . . . . . . . 25 Scale Editor . . . . . . . . . . . . . . . . . . . . 81 CV 1.
LoFi-Tape . . . . . . . . . . . . . . . . . . . . . . 27 Pong . . . . . . . . . . . . . . . . . . . . . . . . . 86
MIDI Out . . . . . . . . . . . . . . . . . . . . . . 32
Mixer/Balance . . . . . . . . . . . . . . . . . . 34 VectorMod
Saving State . . . . . . . . . . . . . . . . . . . . . 2 Palimpsest Accent Sequencer . . . . . . 35 VectorMod is a dual triggered one-shot or
Help Screens . . . . . . . . . . . . . . . . . . . . 3 RunglBook . . . . . . . . . . . . . . . . . . . . . 36 cycling modulation source based on Vector
Master Clock Forwarding . . . . . . . . . . 3 Scale Duet Quantizer . . . . . . . . . . . . 37 Oscillator waveforms. There is a variety of
Schmitt-Trigger . . . . . . . . . . . . . . . . . 38 built-in waveforms from which to choose,
Scope . . . . . . . . . . . . . . . . . . . . . . . . . 39 or you can create your own with the
Screen Blanking . . . . . . . . . . . . . . . . . 3
Sequence5 . . . . . . . . . . . . . . . . . . . . . 40 Waveform Editor.
Shift Register . . . . . . . . . . . . . . . . . . 41 Controls:
License . . . . . . . . . . . . . . . . . . . . . . . . . 4
ShiftGate . . . . . . . . . . . . . . . . . . . . . . 42
Hemisphere Apps . . . . . . . . 5 Digital Ins: A trigger at each input starts
Shuffle 3��43
“A”SR . . . . . . . . . . . . . . . . . . . . . . . . . . 5 the corresponding Modulator
Skewed LFO . . . . . . . . . . . . . . . . . . . . 44
AD EG . . . . . . . . . . . . . . . . . . . . . . . . . 6 Slew . . . . . . . . . . . . . . . . . . . . . . . . . 45 CV Ins: A high signal (gate) at each input
ADSR EG . . . . . . . . . . . . . . . . . . . . . . . 7 Squanch Shifting Quantizer . . . . . . . 46 causes the corresponding Modulator to
Annular Fusion Euclidean Drummer . . 8 Switch . . . . . . . . . . . . . . . . . . . . . . . . 47 cycle
Binary Counter . . . . . . . . . . . . . . . . . . 9 Threshold Logic Neuron . . . . . . . . . . 48 Outputs: Output A/C is bi-polar the signal
BootsNCat . . . . . . . . . . . . . . . . . . . . . 10 Trending . . . . . . . . . . . . . . . . . . . . . . 50 for Mod 1, and Output B/D is the bi-polar
Bow Tie Sequential . . . . . . . . . . . . . . 11 Trigger Sequencer 16 . . . . . . . . . . . . 51 signal for Mod 2
Brancher . . . . . . . . . . . . . . . . . . . . . . 12 Trigger Sequencer . . . . . . . . . . . . . . . 52 Encoders: Push to alternate the cursor
Burst . . . . . . . . . . . . . . . . . . . . . . . . . 13 Tuner . . . . . . . . . . . . . . . . . . . . . . . . . 53 between Mod 1 frequency, Mod 1 wave-
Calculate . . . . . . . . . . . . . . . . . . . . . . 14 VectMorph . . . . . . . . . . . . . . . . . . . . 54 form select, Mod 2 frequency and Mod 2
Carpeggio Cartesian Arpeggiator . . . 15 VectorEG . . . . . . . . . . . . . . . . . . . . . . 55 waveform select
Clock Divider Multiplier . . . . . . . . . . 17 Vector LFO . . . . . . . . . . . . . . . . . . . . 56 The speed of the Modulator is determined
Clock Skipper . . . . . . . . . . . . . . . . . . . 18 VectorMod . . . . . . . . . . . . . . . . . . . . 57 with a single frequency control. The higher
Compare . . . . . . . . . . . . . . . . . . . . . . . 19 Voltage . . . . . . . . . . . . . . . . . . . . . . . 58 the frequency, the faster the Modulator will
CV Recorder . . . . . . . . . . . . . . . . . . . . 20 Full Apps . . . . . . . . . . . 59 run.
Dual Quantizer . . . . . . . . . . . . . . . . . 22 VectorMod is in Hemisphere Suite starting
with v1.6.
Enigma, Jr. . . . . . . . . . . . . . . . . . . . . . 23 Enigma . . . . . . . . . . . . . . . . . . . . . . . . 70
LoFi-Tape . . . . . . . . . . . . . . . . . . . . . . 27 Pong . . . . . . . . . . . . . . . . . . . . . . . . . 86
MIDI Out . . . . . . . . . . . . . . . . . . . . . . 32
Mixer/Balance . . . . . . . . . . . . . . . . . . 34 Voltage
Saving State . . . . . . . . . . . . . . . . . . . . . 2 Palimpsest Accent Sequencer . . . . . . 35 Voltage is a dual gate-activated fixed-volt-
Help Screens . . . . . . . . . . . . . . . . . . . . 3 RunglBook . . . . . . . . . . . . . . . . . . . . . 36 age emitter.
Digital Ins: Gate for each channel
Sequence5 . . . . . . . . . . . . . . . . . . . . . 40 CV Outs: For each channel, outputs
Troubleshooting . . . . . . . . . . . . . . . . . 4 specified voltage or 0V, depending on
Shift Register . . . . . . . . . . . . . . . . . . 41
License . . . . . . . . . . . . . . . . . . . . . . . . . 4 gate state
ShiftGate . . . . . . . . . . . . . . . . . . . . . . 42
Hemisphere Apps . . . . . . . . 5 Shuffle 3��43 Encoder: Determine gate behavior for each
“A”SR . . . . . . . . . . . . . . . . . . . . . . . . . . 5 Skewed LFO . . . . . . . . . . . . . . . . . . . . 44 channel
AD EG . . . . . . . . . . . . . . . . . . . . . . . . . 6 Slew . . . . . . . . . . . . . . . . . . . . . . . . . 45 The voltage range is -3V to +5V, selectable
ADSR EG . . . . . . . . . . . . . . . . . . . . . . . 7 Squanch Shifting Quantizer . . . . . . . 46 in 1 semitone (approx. .08V) increments. For
Annular Fusion Euclidean Drummer . . 8 Switch . . . . . . . . . . . . . . . . . . . . . . . . 47 output, there are two gate states available:
BootsNCat . . . . . . . . . . . . . . . . . . . . . 10 Trending . . . . . . . . . . . . . . . . . . . . . . 50 G-On: When the gate of the corresponding
Bow Tie Sequential . . . . . . . . . . . . . . 11 Trigger Sequencer 16 . . . . . . . . . . . . 51 digital input is high, the output is the
Trigger Sequencer . . . . . . . . . . . . . . . 52 specified voltage. Otherwise, it’s 0V.
Brancher . . . . . . . . . . . . . . . . . . . . . . 12
Burst . . . . . . . . . . . . . . . . . . . . . . . . . 13 Tuner . . . . . . . . . . . . . . . . . . . . . . . . . 53 G-Off: When the gate of the corresponding
Calculate . . . . . . . . . . . . . . . . . . . . . . 14 VectMorph . . . . . . . . . . . . . . . . . . . . 54 digital input is low, the output is the
Carpeggio Cartesian Arpeggiator . . . 15 VectorEG . . . . . . . . . . . . . . . . . . . . . . 55 specified voltage. Otherwise, it’s 0V.
Clock Divider Multiplier . . . . . . . . . . 17 Vector LFO . . . . . . . . . . . . . . . . . . . . 56 The indicator over the output name
Clock Skipper . . . . . . . . . . . . . . . . . . . 18 VectorMod . . . . . . . . . . . . . . . . . . . . 57 (A,B,C,D) will display when the correspond-
Compare . . . . . . . . . . . . . . . . . . . . . . . 19 Voltage . . . . . . . . . . . . . . . . . . . . . . . 58 ing output is emitting non-zero voltage.
CV Recorder . . . . . . . . . . . . . . . . . . . . 20 Full Apps . . . . . . . . . . . 59 Voltage is available in Hemisphere Suite from
Dr. Crusher . . . . . . . . . . . . . . . . . . . . 21 Captain MIDI . . . . . . . . . . . . . . . . . . . 59 v1.4.
Enigma, Jr. . . . . . . . . . . . . . . . . . . . . . 23 Enigma . . . . . . . . . . . . . . . . . . . . . . . . 70
LoFi-Tape . . . . . . . . . . . . . . . . . . . . . . 27 Pong . . . . . . . . . . . . . . . . . . . . . . . . . 86
The Hemisphere Suite . . . . 2 Metronome . . . . . . . . . . . . . . . . . . . . 30 Hemisphere Suite 1.7 Full Apps 59
Full Apps
Scope . . . . . . . . . . . . . . . . . . . . . . . . . 39
Screen Blanking . . . . . . . . . . . . . . . . . 3
Sequence5 . . . . . . . . . . . . . . . . . . . . . 40 Captain MIDI
Shift Register . . . . . . . . . . . . . . . . . . 41 Captain MIDI is a highly-configurable CV-to- USB host, usually a Windows, macOS, or
License . . . . . . . . . . . . . . . . . . . . . . . . . 4
ShiftGate . . . . . . . . . . . . . . . . . . . . . . 42 MIDI and MIDI-to-CV interface. It supports Linux computer. Hemisphere Suite uses
Hemisphere Apps . . . . . . . . 5 Shuffle 3��43 four outputs for MIDI-to-CV and four inputs a class-compliant MIDI interface, which
“A”SR . . . . . . . . . . . . . . . . . . . . . . . . . . 5 Skewed LFO . . . . . . . . . . . . . . . . . . . . 44 for CV-to-MIDI. It features multi-channel should be recognized as “Hemisphere”
AD EG . . . . . . . . . . . . . . . . . . . . . . . . . 6 Slew . . . . . . . . . . . . . . . . . . . . . . . . . 45 operation, polyphonic note distribution by your operating system and DAW/MIDI
ADSR EG . . . . . . . . . . . . . . . . . . . . . . . 7 Squanch Shifting Quantizer . . . . . . . 46 (up to four notes), transposition, and note- software.
Annular Fusion Euclidean Drummer . . 8 Switch . . . . . . . . . . . . . . . . . . . . . . . . 47 range for layers and/or splits. It keeps a log
Binary Counter . . . . . . . . . . . . . . . . . . 9 Threshold Logic Neuron . . . . . . . . . . 48 of the last 100 MIDI messages. Up to four Basic Controls and Navigation
BootsNCat . . . . . . . . . . . . . . . . . . . . . 10 Trending . . . . . . . . . . . . . . . . . . . . . . 50 complete Setups can be saved in memory. Right Encoder: Selects parameter or value.
Bow Tie Sequential . . . . . . . . . . . . . . 11 Trigger Sequencer 16 . . . . . . . . . . . . 51 Setups can be copied from the panel, or Pushing the right encoder switches
Brancher . . . . . . . . . . . . . . . . . . . . . . 12 Trigger Sequencer . . . . . . . . . . . . . . . 52 saved and retrieved via MIDI system exclu- between parameter selection and value
Burst . . . . . . . . . . . . . . . . . . . . . . . . . 13 Tuner . . . . . . . . . . . . . . . . . . . . . . . . . 53 sive dump. editing.
Calculate . . . . . . . . . . . . . . . . . . . . . . 14 VectMorph . . . . . . . . . . . . . . . . . . . . 54 Left Encoder: Selects Setup screen (Assign,
Captain MIDI is a standalone Ornament and
Carpeggio Cartesian Arpeggiator . . . 15 VectorEG . . . . . . . . . . . . . . . . . . . . . . 55 Channel, Transpose, Range High, Range
Crime application with a classic O_C-style
Clock Divider Multiplier . . . . . . . . . . 17 Vector LFO . . . . . . . . . . . . . . . . . . . . 56 Low). Pushing the right encoder toggles
interface. It is included with Hemisphere
Clock Skipper . . . . . . . . . . . . . . . . . . . 18 VectorMod . . . . . . . . . . . . . . . . . . . . 57 between the Setup screen and the Log
Suite, starting at v1.3.
Compare . . . . . . . . . . . . . . . . . . . . . . . 19 Voltage . . . . . . . . . . . . . . . . . . . . . . . 58 Display. When the log is displayed, the
CV Recorder . . . . . . . . . . . . . . . . . . . . 20 Full Apps . . . . . . . . . . . 59 Videos left encoder scrolls through the last 100
Dr. Crusher . . . . . . . . . . . . . . . . . . . . 21 Captain MIDI . . . . . . . . . . . . . . . . . . . 59 MIDI events sent and/or received. A left
https://youtu.be/PN6EEVkcqJ8
Dual Quantizer . . . . . . . . . . . . . . . . . 22 The Darkest Timeline 2 . . . . . . . . . . . 65 encoder button long-press (held for
Enigma, Jr. . . . . . . . . . . . . . . . . . . . . . 23 Enigma . . . . . . . . . . . . . . . . . . . . . . . . 70 https://youtu.be/l1i4FIAcubw about 2 seconds, and released) initiates a
Envelope Follower . . . . . . . . . . . . . . 24 Neural Net . . . . . . . . . . . . . . . . . . . . 77 Panic! function: Captain MIDI sends Note
Connection Off for all notes and on all channels.
Gated VCA . . . . . . . . . . . . . . . . . . . . . 26 Waveform Editor . . . . . . . . . . . . . . . . 83 The back of the Ornament and Crime Up/Down Buttons: Selects which Setup
LoFi-Tape . . . . . . . . . . . . . . . . . . . . . . 27 Pong . . . . . . . . . . . . . . . . . . . . . . . . . 86 module has a micro USB port. This is what (from 1-4) is active. If the down button
Logic . . . . . . . . . . . . . . . . . . . . . . . . . 28 Backup and Restore . . . . . . . . . . . . . . 87 you use to make a MIDI connection to a
Launching Hemisphere . . . . . . . . . . . . . 2 MIDI Out . . . . . . . . . . . . . . . . . . . . . . 32 is long-pressed, the active Setup may be Assign Setup Screen
Mixer/Balance . . . . . . . . . . . . . . . . . . 34 copied to another Setup.
Selecting Applets . . . . . . . . . . . . . . . . . 2 On this screen, you determine which MIDI
Palimpsest Accent Sequencer . . . . . . 35
Saving State . . . . . . . . . . . . . . . . . . . . . 2
RunglBook . . . . . . . . . . . . . . . . . . . . . 36
Setup Screen Basics messages are sent or received.
Help Screens . . . . . . . . . . . . . . . . . . . . 3
Scale Duet Quantizer . . . . . . . . . . . . 37 Each of the Setup screens has eight par- MIDI-to-CV (MIDI In) Types
Master Clock Forwarding . . . . . . . . . . 3 ameters. The input or output (I/O) name
Schmitt-Trigger . . . . . . . . . . . . . . . . . 38 Note: When a Note On message is received
Category Filtering . . . . . . . . . . . . . . . . 3 is shown on the left, and the value is on
Scope . . . . . . . . . . . . . . . . . . . . . . . . . 39 on the specified channel, the assigned
Screen Blanking . . . . . . . . . . . . . . . . . 3 the right. The parameters are arranged in
Sequence5 . . . . . . . . . . . . . . . . . . . . . 40 output sends a quantized pitch value
Troubleshooting . . . . . . . . . . . . . . . . . 4 groups of four, with the MIDI-to-CV param-
Shift Register . . . . . . . . . . . . . . . . . . 41 corresponding to the message’s MIDI
License . . . . . . . . . . . . . . . . . . . . . . . . . 4 eters and then CV-to-MIDI parameters:
ShiftGate . . . . . . . . . . . . . . . . . . . . . . 42 note number. Note may be assigned
Hemisphere Apps . . . . . . . . 5 Shuffle 3��43 • A name like “MIDI > ?” indicates that a to any number of outputs. If Note is as-
“A”SR . . . . . . . . . . . . . . . . . . . . . . . . . . 5 Skewed LFO . . . . . . . . . . . . . . . . . . . . 44 MIDI message of the assigned type, on signed to multiple outputs on the same
AD EG . . . . . . . . . . . . . . . . . . . . . . . . . 6 Slew . . . . . . . . . . . . . . . . . . . . . . . . . 45 the assigned channel, is routed to the channel, reception will be polyphonic;
ADSR EG . . . . . . . . . . . . . . . . . . . . . . . 7 Squanch Shifting Quantizer . . . . . . . 46 corresponding letter output. each new simultaneous note will be
Annular Fusion Euclidean Drummer . . 8 Switch . . . . . . . . . . . . . . . . . . . . . . . . 47 • A name like “? > MIDI” indicates that a picked up by a different output until no
Binary Counter . . . . . . . . . . . . . . . . . . 9 Threshold Logic Neuron . . . . . . . . . . 48 MIDI message of the assigned type, on more Note outputs are available. You
BootsNCat . . . . . . . . . . . . . . . . . . . . . 10 Trending . . . . . . . . . . . . . . . . . . . . . . 50 the assigned channel, is sent when the may have up to four notes of polyphony
Bow Tie Sequential . . . . . . . . . . . . . . 11 Trigger Sequencer 16 . . . . . . . . . . . . 51 voltage at the corresponding CV input by assigning all four outputs on the same
Brancher . . . . . . . . . . . . . . . . . . . . . . 12 Trigger Sequencer . . . . . . . . . . . . . . . 52 changes or, in the case of notes, when MIDI channel; but you’ll have to find an-
Burst . . . . . . . . . . . . . . . . . . . . . . . . . 13 Tuner . . . . . . . . . . . . . . . . . . . . . . . . . 53 a gate is received at the corresponding other way to control your VCAs, since you
VectMorph . . . . . . . . . . . . . . . . . . . . 54 digital input. won’t have any outputs for gates.
Calculate . . . . . . . . . . . . . . . . . . . . . . 14
Carpeggio Cartesian Arpeggiator . . . 15 VectorEG . . . . . . . . . . . . . . . . . . . . . . 55 Gate: When a Note On message is received
If the assigned type is Note or Legato, and
Clock Divider Multiplier . . . . . . . . . . 17 Vector LFO . . . . . . . . . . . . . . . . . . . . 56 on the specified channel, the assigned
a MIDI channel is set, an eighth note icon
Clock Skipper . . . . . . . . . . . . . . . . . . . 18 VectorMod . . . . . . . . . . . . . . . . . . . . 57 output sends a high (approx. 5 volt)
appears next to the parameter name. This
Compare . . . . . . . . . . . . . . . . . . . . . . . 19 Voltage . . . . . . . . . . . . . . . . . . . . . . . 58 signal, which remains high until the cor-
indicates that note-specific parameters
responding Note Off message is received.
CV Recorder . . . . . . . . . . . . . . . . . . . . 20 Full Apps . . . . . . . . . . . 59 (transpose, range) apply to the assignment.
Dr. Crusher . . . . . . . . . . . . . . . . . . . . 21 Captain MIDI . . . . . . . . . . . . . . . . . . . 59 Trig: When a Note On message is received
Dual Quantizer . . . . . . . . . . . . . . . . . 22 Each parameter line also displays a MIDI on the specified channel, a trigger is sent
indicator icon when its assignment is send- on the assigned output.
Enigma, Jr. . . . . . . . . . . . . . . . . . . . . . 23 Enigma . . . . . . . . . . . . . . . . . . . . . . . . 70
ing or receiving MIDI data. For note assign- Veloc: When a Note On message is received
Envelope Follower . . . . . . . . . . . . . . 24 Neural Net . . . . . . . . . . . . . . . . . . . . 77 ments, a note name is displayed instead of on the specified channel, the assigned
Gate Delay . . . . . . . . . . . . . . . . . . . . . 25 Scale Editor . . . . . . . . . . . . . . . . . . . . 81 a MIDI icon. output sends CV between 0 and 5 volts
LoFi-Tape . . . . . . . . . . . . . . . . . . . . . . 27 Pong . . . . . . . . . . . . . . . . . . . . . . . . . 86 proportional to the velocity of the Note
Logic . . . . . . . . . . . . . . . . . . . . . . . . . 28 Backup and Restore . . . . . . . . . . . . . . 87 On message. When the corresponding
MIDI Out . . . . . . . . . . . . . . . . . . . . . . 32 Note Off message is received, the as- 16th (6 clocks), and 24ppq (sends a trig-
Mixer/Balance . . . . . . . . . . . . . . . . . . 34 signed output goes to 0V. ger with every clock). Note that clock is
Palimpsest Accent Sequencer . . . . . . 35 Mod: When a continuous controller mes- a real-time message, and doesn’t require
Saving State . . . . . . . . . . . . . . . . . . . . . 2
RunglBook . . . . . . . . . . . . . . . . . . . . . 36 sage is received for CC#1 (modulation a MIDI channel to be assigned. A clock
Help Screens . . . . . . . . . . . . . . . . . . . . 3
Scale Duet Quantizer . . . . . . . . . . . . 37 wheel) on the assigned MIDI channel, the indicator on the parameter line moves
Master Clock Forwarding . . . . . . . . . . 3 every eighth note.
Category Filtering . . . . . . . . . . . . . . . . 3 Schmitt-Trigger . . . . . . . . . . . . . . . . . 38 assigned output sends CV between 0 and
Screen Blanking . . . . . . . . . . . . . . . . . 3 Scope . . . . . . . . . . . . . . . . . . . . . . . . . 39 5 volts proportional to the CC value. CV-to-MIDI (MIDI Out) Types
Sequence5 . . . . . . . . . . . . . . . . . . . . . 40 Aft: When aftertouch is received on the Note: When Note or Leg. (Legato) is as-
Shift Register . . . . . . . . . . . . . . . . . . 41 assigned MIDI channel, the assigned signed to an input, the digital input and
License . . . . . . . . . . . . . . . . . . . . . . . . . 4
ShiftGate . . . . . . . . . . . . . . . . . . . . . . 42 output sends CV between 0 and 5 volts the CV input are used at the same time.
Hemisphere Apps . . . . . . . . 5 Shuffle 3��43 proportional to the aftertouch value. When the digital input goes high, the
“A”SR . . . . . . . . . . . . . . . . . . . . . . . . . . 5 Skewed LFO . . . . . . . . . . . . . . . . . . . . 44 voltage at the CV input is quantized
Bend: When pitch bend is received on the
AD EG . . . . . . . . . . . . . . . . . . . . . . . . . 6 Slew . . . . . . . . . . . . . . . . . . . . . . . . . 45 assigned MIDI channel, the assigned out- into a MIDI note number, and a Note On
ADSR EG . . . . . . . . . . . . . . . . . . . . . . . 7 Squanch Shifting Quantizer . . . . . . . 46 put sends CV between about -3V and 3V message is sent on the specified channel.
Annular Fusion Euclidean Drummer . . 8 Switch . . . . . . . . . . . . . . . . . . . . . . . . 47 proportional to the pitch bend value. When the digital input goes low, a Note
Binary Counter . . . . . . . . . . . . . . . . . . 9 Threshold Logic Neuron . . . . . . . . . . 48 Off message is sent.
Expr, Pan, Brth: Similar to Mod, but with
BootsNCat . . . . . . . . . . . . . . . . . . . . . 10 Trending . . . . . . . . . . . . . . . . . . . . . . 50 Leg. (Legato): Works like Note, except that
different controller numbers (Expression:
Bow Tie Sequential . . . . . . . . . . . . . . 11 Trigger Sequencer 16 . . . . . . . . . . . . 51 Captain MIDI watches the CV input for
#11, Pan: #10, Breath: #2). These output
Brancher . . . . . . . . . . . . . . . . . . . . . . 12 Trigger Sequencer . . . . . . . . . . . . . . . 52 pitch changes. If the pitch changes by
values are maintained until the controller
Burst . . . . . . . . . . . . . . . . . . . . . . . . . 13 Tuner . . . . . . . . . . . . . . . . . . . . . . . . . 53 a semitone or more, a Note Off is sent
changes.
Calculate . . . . . . . . . . . . . . . . . . . . . . 14 VectMorph . . . . . . . . . . . . . . . . . . . . 54 (regardless of whether the gate has gone
VectorEG . . . . . . . . . . . . . . . . . . . . . . 55 Hold: When a hold pedal controller mes-
Carpeggio Cartesian Arpeggiator . . . 15 low) and a new Note On is sent for the
Vector LFO . . . . . . . . . . . . . . . . . . . . 56 sage is received on the assigned MIDI
Clock Divider Multiplier . . . . . . . . . . 17 new pitch. This is a more natural setting
VectorMod . . . . . . . . . . . . . . . . . . . . 57 channel, the assigned output sends 5V
Clock Skipper . . . . . . . . . . . . . . . . . . . 18 for humans playing CV controllers (like
Voltage . . . . . . . . . . . . . . . . . . . . . . . 58 until the pedal is released.
Compare . . . . . . . . . . . . . . . . . . . . . . . 19 Pressure Points, Tetrapad, Keystep) be-
yAxis: Similar to Mod, with with controller cause it doesn’t require a player to com-
CV Recorder . . . . . . . . . . . . . . . . . . . . 20 Full Apps . . . . . . . . . . . 59 number #74. This is used as the Y-Axis
Dr. Crusher . . . . . . . . . . . . . . . . . . . . 21 Captain MIDI . . . . . . . . . . . . . . . . . . . 59 pletely disengage the controller before
controller for three-directional control- playing another note. The Note setting
Dual Quantizer . . . . . . . . . . . . . . . . . 22 The Darkest Timeline 2 . . . . . . . . . . . 65 lers that support MPE. is more appropriate for sequenced
Enigma, Jr. . . . . . . . . . . . . . . . . . . . . . 23 Enigma . . . . . . . . . . . . . . . . . . . . . . . . 70
Envelope Follower . . . . . . . . . . . . . . 24 Neural Net . . . . . . . . . . . . . . . . . . . . 77 Clock: There are four clock settings, which melodies.
Gate Delay . . . . . . . . . . . . . . . . . . . . . 25 Scale Editor . . . . . . . . . . . . . . . . . . . . 81 send triggers to the assigned CV output Veloc: Usually, a Note On message uses
Gated VCA . . . . . . . . . . . . . . . . . . . . . 26 at various divisions of an incoming MIDI a default velocity of 100. However, if
Waveform Editor . . . . . . . . . . . . . . . . 83
beat clock. The settings are: Qtr (which Veloc is assigned to the same channel
LoFi-Tape . . . . . . . . . . . . . . . . . . . . . . 27 Pong . . . . . . . . . . . . . . . . . . . . . . . . . 86
triggers every 24 clocks), 8th (12 clocks), as a Note or Leg. assignment, the Note
MIDI Out . . . . . . . . . . . . . . . . . . . . . . 32 On velocity will be proportional to the assignments, this determines which chan-
Mixer/Balance . . . . . . . . . . . . . . . . . . 34 voltage at the assigned input. Note that nel Captain MIDI is listening on. For the
Palimpsest Accent Sequencer . . . . . . 35 if two Veloc assignments are made on MIDI- to-CV (“? > MIDI”) assignments, this
Saving State . . . . . . . . . . . . . . . . . . . . . 2
RunglBook . . . . . . . . . . . . . . . . . . . . . 36 the same channel, only the lowest-num- determines which channel Captain MIDI is
Help Screens . . . . . . . . . . . . . . . . . . . . 3
Scale Duet Quantizer . . . . . . . . . . . . 37 bered assignment will be used for Note transmitting on.
Master Clock Forwarding . . . . . . . . . . 3 On velocity.
Category Filtering . . . . . . . . . . . . . . . . 3 Schmitt-Trigger . . . . . . . . . . . . . . . . . 38 When the channel is set to “Off” the assign-
Scope . . . . . . . . . . . . . . . . . . . . . . . . . 39 Mod: A change in positive voltage at the ment is effectively muted; no MIDI data will
Screen Blanking . . . . . . . . . . . . . . . . . 3
Sequence5 . . . . . . . . . . . . . . . . . . . . . 40 assigned input will cause a MIDI control- be received or sent.
Shift Register . . . . . . . . . . . . . . . . . . 41 ler change for CC#1 (modulation wheel)
License . . . . . . . . . . . . . . . . . . . . . . . . . 4
ShiftGate . . . . . . . . . . . . . . . . . . . . . . 42 to be sent on the specified channel. Transpose Setup Screen
Hemisphere Apps . . . . . . . . 5 Shuffle 3��43 Aft: A change in positive voltage at the The transpose screen sets transpose values
“A”SR . . . . . . . . . . . . . . . . . . . . . . . . . . 5 Skewed LFO . . . . . . . . . . . . . . . . . . . . 44 assigned input will cause a MIDI channel over a four-octave (-24 to +24 semitone)
AD EG . . . . . . . . . . . . . . . . . . . . . . . . . 6 Slew . . . . . . . . . . . . . . . . . . . . . . . . . 45 aftertouch message to be sent on the range. The transpose value is added to out-
ADSR EG . . . . . . . . . . . . . . . . . . . . . . . 7 Squanch Shifting Quantizer . . . . . . . 46 specified channel. going voltage for MIDI-to-CV assignments,
Annular Fusion Euclidean Drummer . . 8 Switch . . . . . . . . . . . . . . . . . . . . . . . . 47 Bend: A change in bi-polar voltage at and is added to MIDI note numbers for CV-
Binary Counter . . . . . . . . . . . . . . . . . . 9 Threshold Logic Neuron . . . . . . . . . . 48 the assigned input will cause a MIDI to-MIDI assignments.
BootsNCat . . . . . . . . . . . . . . . . . . . . . 10 Trending . . . . . . . . . . . . . . . . . . . . . . 50 pitch bend message to be sent on the
Bow Tie Sequential . . . . . . . . . . . . . . 11 Trigger Sequencer 16 . . . . . . . . . . . . 51 Transpose is a note-specific screen, and
specified channel. Positive voltage is
Brancher . . . . . . . . . . . . . . . . . . . . . . 12 Trigger Sequencer . . . . . . . . . . . . . . . 52 only assignments set to Note or Legato, and
positive bend, and negative voltage is
Burst . . . . . . . . . . . . . . . . . . . . . . . . . 13 Tuner . . . . . . . . . . . . . . . . . . . . . . . . . 53 have a MIDI channel set, will be shown.
negative bend. The range is about -3V to
VectMorph . . . . . . . . . . . . . . . . . . . . 54
Calculate . . . . . . . . . . . . . . . . . . . . . . 14
VectorEG . . . . . . . . . . . . . . . . . . . . . . 55
+3V. Note Range Low/High Setup Screens
Carpeggio Cartesian Arpeggiator . . . 15 Hold: Voltage over around 2.5 volts at the
Vector LFO . . . . . . . . . . . . . . . . . . . . 56 These screens set the low and high values
Clock Divider Multiplier . . . . . . . . . . 17 assigned input will cause a MIDI Hold
VectorMod . . . . . . . . . . . . . . . . . . . . 57 transmitted or recognized by the assign-
Clock Skipper . . . . . . . . . . . . . . . . . . . 18 “on” (127) controller message to be sent.
Voltage . . . . . . . . . . . . . . . . . . . . . . . 58 ment, between the lowest MIDI note (C -1)
Compare . . . . . . . . . . . . . . . . . . . . . . . 19 When the assigned input goes to 0 volts, and the highest (G9). Values outside the
CV Recorder . . . . . . . . . . . . . . . . . . . . 20 Full Apps . . . . . . . . . . . 59 a MIDI Hold “off” (0) message is sent. range will be ignored. Range checking is
Dr. Crusher . . . . . . . . . . . . . . . . . . . . 21 Captain MIDI . . . . . . . . . . . . . . . . . . . 59 Expr, Pan, Brth, yAxis: Similar to Mod, applied after transposition. So if a Note On
Dual Quantizer . . . . . . . . . . . . . . . . . 22 The Darkest Timeline 2 . . . . . . . . . . . 65 but with different controller numbers is out of range, but transposition takes it
Enigma, Jr. . . . . . . . . . . . . . . . . . . . . . 23 Enigma . . . . . . . . . . . . . . . . . . . . . . . . 70 (Expression: #11, Pan: #10, Breath: #2, into range, the note will be played; if a Note
Envelope Follower . . . . . . . . . . . . . . 24 Neural Net . . . . . . . . . . . . . . . . . . . . 77 Y-Axis: #74). On is in range, but transposition would take
Gate Delay . . . . . . . . . . . . . . . . . . . . . 25 Scale Editor . . . . . . . . . . . . . . . . . . . . 81 it out of range, the note will be ignored.
Gated VCA . . . . . . . . . . . . . . . . . . . . . 26 Waveform Editor . . . . . . . . . . . . . . . . 83 MIDI Channel Setup Screen
LoFi-Tape . . . . . . . . . . . . . . . . . . . . . . 27 Pong . . . . . . . . . . . . . . . . . . . . . . . . . 86 This screen sets the MIDI channel for each
Logic . . . . . . . . . . . . . . . . . . . . . . . . . 28 Backup and Restore . . . . . . . . . . . . . . 87 assignment. For the MIDI-to-CV (“MIDI > ?”)
MIDI Out . . . . . . . . . . . . . . . . . . . . . . 32 Range screens are note-specific screens, Save all four Setups in the module: Long-
Mixer/Balance . . . . . . . . . . . . . . . . . . 34 and only assignments set to Note or Legato, press the left encoder to get to the main
Palimpsest Accent Sequencer . . . . . . 35 and have a MIDI channel set, will be shown. menu, then long-press the left encoder
Saving State . . . . . . . . . . . . . . . . . . . . . 2
RunglBook . . . . . . . . . . . . . . . . . . . . . 36 again to save data for all apps. A solid
Help Screens . . . . . . . . . . . . . . . . . . . . 3
Scale Duet Quantizer . . . . . . . . . . . . 37 Setups rectangle will expand from the middle of
Master Clock Forwarding . . . . . . . . . . 3 the screen to confirm the save operation.
Schmitt-Trigger . . . . . . . . . . . . . . . . . 38 Captain MIDI has four independent Setups.
Category Filtering . . . . . . . . . . . . . . . . 3 The Ornament and Crime module will
Scope . . . . . . . . . . . . . . . . . . . . . . . . . 39 A Setup consists of information for assign-
Screen Blanking . . . . . . . . . . . . . . . . . 3 ments, channels, transposition, and note recall the saved Setups on power-up.
Sequence5 . . . . . . . . . . . . . . . . . . . . . 40
Troubleshooting . . . . . . . . . . . . . . . . . 4 range for all eight inputs and outputs. Use
Shift Register . . . . . . . . . . . . . . . . . . 41 Save using MIDI system exclusive: Follow
License . . . . . . . . . . . . . . . . . . . . . . . . . 4 the Up and Down buttons to change the
ShiftGate . . . . . . . . . . . . . . . . . . . . . . 42 the SysEx dump procedure from the
Hemisphere Apps . . . . . . . . 5 Shuffle 3��43 active Setup. The active Setup number is Copying Setups section above, and
“A”SR . . . . . . . . . . . . . . . . . . . . . . . . . . 5 Skewed LFO . . . . . . . . . . . . . . . . . . . . 44 shown at the top of all of the Setup screens. capture the system exclusive dump with
AD EG . . . . . . . . . . . . . . . . . . . . . . . . . 6 Slew . . . . . . . . . . . . . . . . . . . . . . . . . 45 Copying Setups SysEx librarian software. The restore a
ADSR EG . . . . . . . . . . . . . . . . . . . . . . . 7 Squanch Shifting Quantizer . . . . . . . 46 Setup from a SysEx dump, simply send
To copy the information for the active the SysEx file back to the module when-
Setup to another Setup, long-press the ever Captain MIDI is running.
Down button. When you release the but-
BootsNCat . . . . . . . . . . . . . . . . . . . . . 10 Trending . . . . . . . . . . . . . . . . . . . . . . 50 Shortcut: When you long-press the right en-
ton, a Copy screen will open. Choose the
Bow Tie Sequential . . . . . . . . . . . . . . 11 Trigger Sequencer 16 . . . . . . . . . . . . 51 copy’s destination with the Up and Down coder to go to the main menu, the current
Brancher . . . . . . . . . . . . . . . . . . . . . . 12 Trigger Sequencer . . . . . . . . . . . . . . . 52 buttons, and then push the right encoder Setup’s data also is dumped via SysEx.
Burst . . . . . . . . . . . . . . . . . . . . . . . . . 13 Tuner . . . . . . . . . . . . . . . . . . . . . . . . . 53 (“[Copy]”) to execute the copy. To leave the
Calculate . . . . . . . . . . . . . . . . . . . . . . 14 VectMorph . . . . . . . . . . . . . . . . . . . . 54 Notes about System Exclusive:
Copy screen without changing any data, • A Setup from a received SysEx dump will
Carpeggio Cartesian Arpeggiator . . . 15 VectorEG . . . . . . . . . . . . . . . . . . . . . . 55 push the left encoder (“[Cancel]”) or long-
Vector LFO . . . . . . . . . . . . . . . . . . . . 56 always be placed in the active Setup, re-
Clock Divider Multiplier . . . . . . . . . . 17 press the Down button again.
VectorMod . . . . . . . . . . . . . . . . . . . . 57 gardless of the Setup’s original location.
Clock Skipper . . . . . . . . . . . . . . . . . . . 18
Compare . . . . . . . . . . . . . . . . . . . . . . . 19 Voltage . . . . . . . . . . . . . . . . . . . . . . . 58 If you select a Setup as its own copy des- • You can use system exclusive to change
tination, the display will change to a SysEx Captain MIDI’s handling of MIDI data in
CV Recorder . . . . . . . . . . . . . . . . . . . . 20 Full Apps . . . . . . . . . . . 59 dump screen. The right encoder option an automated way during a performance.
Dr. Crusher . . . . . . . . . . . . . . . . . . . . 21 Captain MIDI . . . . . . . . . . . . . . . . . . . 59 becomes “[Dump]”. If you push the right • Data received from a SysEx dump will
Dual Quantizer . . . . . . . . . . . . . . . . . 22 The Darkest Timeline 2 . . . . . . . . . . . 65 encoder, Captain MIDI will send a system overwrite Setups in memory, but not
Enigma, Jr. . . . . . . . . . . . . . . . . . . . . . 23 Enigma . . . . . . . . . . . . . . . . . . . . . . . . 70 exclusive file containing the data for the data saved via the first save method;
Envelope Follower . . . . . . . . . . . . . . 24 Neural Net . . . . . . . . . . . . . . . . . . . . 77 active Setup.
Gate Delay . . . . . . . . . . . . . . . . . . . . . 25 Scale Editor . . . . . . . . . . . . . . . . . . . . 81 that is, unless you long-press to save the
Gated VCA . . . . . . . . . . . . . . . . . . . . . 26 Waveform Editor . . . . . . . . . . . . . . . . 83 Saving Setups new Setup data, Captain MIDI will return
LoFi-Tape . . . . . . . . . . . . . . . . . . . . . . 27 Pong . . . . . . . . . . . . . . . . . . . . . . . . . 86 to its previously-saved state at the next
There are two ways to save Setup data.
Logic . . . . . . . . . . . . . . . . . . . . . . . . . 28 Backup and Restore . . . . . . . . . . . . . . 87 power-up.
Launching Hemisphere . . . . . . . . . . . . . 2 MIDI Out . . . . . . . . . . . . . . . . . . . . . . 32 Log Display
Selecting Applets . . . . . . . . . . . . . . . . . 2 Mixer/Balance . . . . . . . . . . . . . . . . . . 34 Captain MIDI logs the most recent 100 MIDI
Saving State . . . . . . . . . . . . . . . . . . . . . 2 Palimpsest Accent Sequencer . . . . . . 35 messages, in and out. Push the left encoder
Help Screens . . . . . . . . . . . . . . . . . . . . 3 RunglBook . . . . . . . . . . . . . . . . . . . . . 36 button to see the MIDI log. When the log
Master Clock Forwarding . . . . . . . . . . 3 Scale Duet Quantizer . . . . . . . . . . . . 37 is being displayed, use the left encoder to
Category Filtering . . . . . . . . . . . . . . . . 3 Schmitt-Trigger . . . . . . . . . . . . . . . . . 38 scroll through the events. Push the left en-
Screen Blanking . . . . . . . . . . . . . . . . . 3 Scope . . . . . . . . . . . . . . . . . . . . . . . . . 39 coder button again to return to the Setup
Sequence5 . . . . . . . . . . . . . . . . . . . . . 40 screens.
Shift Register . . . . . . . . . . . . . . . . . . 41
License . . . . . . . . . . . . . . . . . . . . . . . . . 4 Captain MIDI can be used to identify the
ShiftGate . . . . . . . . . . . . . . . . . . . . . . 42
Hemisphere Apps . . . . . . . . 5 Shuffle 3��43 applications associated with Hemisphere
“A”SR . . . . . . . . . . . . . . . . . . . . . . . . . . 5 Skewed LFO . . . . . . . . . . . . . . . . . . . . 44 Suite system exclusive data. Open the
AD EG . . . . . . . . . . . . . . . . . . . . . . . . . 6 Slew . . . . . . . . . . . . . . . . . . . . . . . . . 45 log and send the system exclusive file to
ADSR EG . . . . . . . . . . . . . . . . . . . . . . . 7 Squanch Shifting Quantizer . . . . . . . 46 Captain MIDI. If it’s a Hemisphere Suite file,
Annular Fusion Euclidean Drummer . . 8 Switch . . . . . . . . . . . . . . . . . . . . . . . . 47 Captain MIDI will identify it. Note that SysEx
Binary Counter . . . . . . . . . . . . . . . . . . 9 Threshold Logic Neuron . . . . . . . . . . 48 messages are logged only while you are
BootsNCat . . . . . . . . . . . . . . . . . . . . . 10 Trending . . . . . . . . . . . . . . . . . . . . . . 50 viewing the Log Display.
Trigger Sequencer . . . . . . . . . . . . . . . 52
Panic! Function
Brancher . . . . . . . . . . . . . . . . . . . . . . 12
Burst . . . . . . . . . . . . . . . . . . . . . . . . . 13 Tuner . . . . . . . . . . . . . . . . . . . . . . . . . 53 Long-press the left encoder if notes get
VectMorph . . . . . . . . . . . . . . . . . . . . 54 hung. Captain MIDI will send Note Off mes-
Calculate . . . . . . . . . . . . . . . . . . . . . . 14
VectorEG . . . . . . . . . . . . . . . . . . . . . . 55 sages on all 16 MIDI channels for all MIDI
Vector LFO . . . . . . . . . . . . . . . . . . . . 56 notes.
Compare . . . . . . . . . . . . . . . . . . . . . . . 19 Voltage . . . . . . . . . . . . . . . . . . . . . . . 58
Enigma, Jr. . . . . . . . . . . . . . . . . . . . . . 23 Enigma . . . . . . . . . . . . . . . . . . . . . . . . 70
LoFi-Tape . . . . . . . . . . . . . . . . . . . . . . 27 Pong . . . . . . . . . . . . . . . . . . . . . . . . . 86
MIDI Out . . . . . . . . . . . . . . . . . . . . . . 32
Mixer/Balance . . . . . . . . . . . . . . . . . . 34 The Darkest Timeline 2
Saving State . . . . . . . . . . . . . . . . . . . . . 2 Palimpsest Accent Sequencer . . . . . . 35 The Darkest Timeline is a CV/MIDI sequen- taller bars corresponding to greater prob-
Help Screens . . . . . . . . . . . . . . . . . . . . 3 RunglBook . . . . . . . . . . . . . . . . . . . . . 36 cer application for Ornament and Crime. It ability of the event being fired (from 0% to
Master Clock Forwarding . . . . . . . . . . 3 Scale Duet Quantizer . . . . . . . . . . . . 37 is included in the Hemisphere Suite firm- 100%).
Schmitt-Trigger . . . . . . . . . . . . . . . . . 38 ware from version 1.4.
Category Filtering . . . . . . . . . . . . . . . . 3 Length
Scope . . . . . . . . . . . . . . . . . . . . . . . . . 39
Screen Blanking . . . . . . . . . . . . . . . . . 3
Sequence5 . . . . . . . . . . . . . . . . . . . . . 40 Functional Concepts Set the sequence length by turning the left
Troubleshooting . . . . . . . . . . . . . . . . . 4 encoder.
License . . . . . . . . . . . . . . . . . . . . . . . . . 4
Shift Register . . . . . . . . . . . . . . . . . . 41 Timelines
ShiftGate . . . . . . . . . . . . . . . . . . . . . . 42 Two timelines, each of up to 32 steps, run The sequence has a single length value,
Hemisphere Apps . . . . . . . . 5 Shuffle 3��43 simultaneously. The timeline at the top from 1 to 32 steps. If the sequencer is ad-
“A”SR . . . . . . . . . . . . . . . . . . . . . . . . . . 5 Skewed LFO . . . . . . . . . . . . . . . . . . . . 44 of the screen is the Pitch Timeline. The vanced past the last step, it will return to
AD EG . . . . . . . . . . . . . . . . . . . . . . . . . 6 Slew . . . . . . . . . . . . . . . . . . . . . . . . . 45 timeline at the bottom of the screen is the the first step of the sequence (see “Index”
ADSR EG . . . . . . . . . . . . . . . . . . . . . . . 7 Squanch Shifting Quantizer . . . . . . . 46 Probability Timeline. below). If the sequencer is running in re-
Annular Fusion Euclidean Drummer . . 8 Switch . . . . . . . . . . . . . . . . . . . . . . . . 47 verse, and is reverse past the first step, it
Binary Counter . . . . . . . . . . . . . . . . . . 9 Threshold Logic Neuron . . . . . . . . . . 48 Pitch Timeline will return to the last step of the sequence.
BootsNCat . . . . . . . . . . . . . . . . . . . . . 10 Trending . . . . . . . . . . . . . . . . . . . . . . 50 The Pitch Timeline controls pitch data. The
Bow Tie Sequential . . . . . . . . . . . . . . 11 Trigger Sequencer 16 . . . . . . . . . . . . 51 CV output can be quantized to a specific Index
Brancher . . . . . . . . . . . . . . . . . . . . . . 12 Trigger Sequencer . . . . . . . . . . . . . . . 52 scale and root note. The MIDI output sends To set the index, press the right encoder to
Burst . . . . . . . . . . . . . . . . . . . . . . . . . 13 Tuner . . . . . . . . . . . . . . . . . . . . . . . . . 53 Note On and Note Off messages whose enable the index cursor (a flashing vertical
Calculate . . . . . . . . . . . . . . . . . . . . . . 14 VectMorph . . . . . . . . . . . . . . . . . . . . 54 notes are based on the Pitch Timeline. The line), and then turn the right encoder to
Carpeggio Cartesian Arpeggiator . . . 15 VectorEG . . . . . . . . . . . . . . . . . . . . . . 55 Pitch Timeline is shown on the top half of change the index. The index can also be set
Clock Divider Multiplier . . . . . . . . . . 17 Vector LFO . . . . . . . . . . . . . . . . . . . . 56 the screen, and each step on the timeline is by providing positive voltage to CV Input 3
VectorMod . . . . . . . . . . . . . . . . . . . . 57 shown as a vertical bar, with taller bars cor-
Clock Skipper . . . . . . . . . . . . . . . . . . . 18 Most sequencers have adjustable sequence
Voltage . . . . . . . . . . . . . . . . . . . . . . . 58 responding to higher pitches (or voltages).
Compare . . . . . . . . . . . . . . . . . . . . . . . 19 lengths, but the sequence usually starts at
CV Recorder . . . . . . . . . . . . . . . . . . . . 20 Full Apps . . . . . . . . . . . 59 Probability Timeline the first step. The Darkest Timeline allows
Dr. Crusher . . . . . . . . . . . . . . . . . . . . 21 Captain MIDI . . . . . . . . . . . . . . . . . . . 59 The Probability Timeline controls the you to choose the sequence’s first step, or
Dual Quantizer . . . . . . . . . . . . . . . . . 22 The Darkest Timeline 2 . . . . . . . . . . . 65 probability of trigger CV firing and of MIDI index, either from the panel or via CV. When
Enigma, Jr. . . . . . . . . . . . . . . . . . . . . . 23 Enigma . . . . . . . . . . . . . . . . . . . . . . . . 70 Note On events being sent. For MIDI notes, the sequence is reset, it will go back to the
Envelope Follower . . . . . . . . . . . . . . 24 Neural Net . . . . . . . . . . . . . . . . . . . . 77 the Probability Timeline also determines index. When the sequence is advance past
Gate Delay . . . . . . . . . . . . . . . . . . . . . 25 Scale Editor . . . . . . . . . . . . . . . . . . . . 81 the velocity of the Note On messages. The its last step, it will go back to the index.
Gated VCA . . . . . . . . . . . . . . . . . . . . . 26 Waveform Editor . . . . . . . . . . . . . . . . 83 Probability Timeline is shown on the bot- The index is shown as a dashed vertical line.
LoFi-Tape . . . . . . . . . . . . . . . . . . . . . . 27 Pong . . . . . . . . . . . . . . . . . . . . . . . . . 86 tom half of the screen, and each step on Pressing the right encoder button will tog-
Logic . . . . . . . . . . . . . . . . . . . . . . . . . 28 Backup and Restore . . . . . . . . . . . . . . 87 the timeline is shown as a vertical bar, with
MIDI Out . . . . . . . . . . . . . . . . . . . . . . 32 gle the right encoder’s function between fire. This is the “Normal Universe” probabil-
Mixer/Balance . . . . . . . . . . . . . . . . . . 34 scrubbing through the sequence and set- ity output.
Palimpsest Accent Sequencer . . . . . . 35 ting the index.
Saving State . . . . . . . . . . . . . . . . . . . . . 2 Output D is the “Alternate Universe,” which
RunglBook . . . . . . . . . . . . . . . . . . . . . 36
Help Screens . . . . . . . . . . . . . . . . . . . . 3
Scale Duet Quantizer . . . . . . . . . . . . 37 Outputs is a trigger based on the complementary
Master Clock Forwarding . . . . . . . . . . 3 probability of the Probability Timeline; if
Schmitt-Trigger . . . . . . . . . . . . . . . . . 38 Pitch Timeline Universe a trigger has a 70% chance of firing in the
Screen Blanking . . . . . . . . . . . . . . . . . 3 Scope . . . . . . . . . . . . . . . . . . . . . . . . . 39 Outputs A and B are connected to the Pitch Normal Universe, it has a 30% chance of
Sequence5 . . . . . . . . . . . . . . . . . . . . . 40 Timeline. Output A is the pitch of the left- firing in the Alternate Universe. The prob-
Shift Register . . . . . . . . . . . . . . . . . . 41 most step on the display. This is the “Normal abilities for both universes are calculated
License . . . . . . . . . . . . . . . . . . . . . . . . . 4
ShiftGate . . . . . . . . . . . . . . . . . . . . . . 42 Universe” output. independently, so it’s possible for both out-
Hemisphere Apps . . . . . . . . 5 Shuffle 3��43 puts to fire, or both outputs to not fire on
“A”SR . . . . . . . . . . . . . . . . . . . . . . . . . . 5 Output B is the “Parallel Universe,” which
Skewed LFO . . . . . . . . . . . . . . . . . . . . 44 the same step.
AD EG . . . . . . . . . . . . . . . . . . . . . . . . . 6 is the corresponding step in the set of
Slew . . . . . . . . . . . . . . . . . . . . . . . . . 45
steps after the last step in the sequence. MIDI Output Universes
Okay, that sounds confusing, so here’s an
Annular Fusion Euclidean Drummer . . 8 Switch . . . . . . . . . . . . . . . . . . . . . . . . 47 To set MIDI channels, press the left encoder
example. Let’s say you have a length of 8,
Binary Counter . . . . . . . . . . . . . . . . . . 9 Threshold Logic Neuron . . . . . . . . . . 48 button to enter the Setup screen, and keep
and your index is step 1. So your Normal
BootsNCat . . . . . . . . . . . . . . . . . . . . . 10 Trending . . . . . . . . . . . . . . . . . . . . . . 50 pressing the button until you get to the
Universe is steps 1, 2, 3, 4, 5, 6, 7, and 8.
Bow Tie Sequential . . . . . . . . . . . . . . 11 Trigger Sequencer 16 . . . . . . . . . . . . 51 MIDI settings. Then use the left encoder to
Meanwhile, Output B will play steps 9, 10,
Brancher . . . . . . . . . . . . . . . . . . . . . . 12 Trigger Sequencer . . . . . . . . . . . . . . . 52 change the channel.
11, 12, 13, 14, 15, 16.
Burst . . . . . . . . . . . . . . . . . . . . . . . . . 13 Tuner . . . . . . . . . . . . . . . . . . . . . . . . . 53 The Darkest Timeline may send notes in-
Calculate . . . . . . . . . . . . . . . . . . . . . . 14 VectMorph . . . . . . . . . . . . . . . . . . . . 54 If the length is greater than 16, the Normal
dependently on up to two MIDI channels.
Carpeggio Cartesian Arpeggiator . . . 15 VectorEG . . . . . . . . . . . . . . . . . . . . . . 55 and Parallel Universes will share steps. If
The first of these is the Normal Universe,
Clock Divider Multiplier . . . . . . . . . . 17 Vector LFO . . . . . . . . . . . . . . . . . . . . 56 the length is 32, the Normal and Parallel
which is a Note On message that may (or
Clock Skipper . . . . . . . . . . . . . . . . . . . 18 VectorMod . . . . . . . . . . . . . . . . . . . . 57 Universes will be identical.
may not) be sent, depending on the prob-
Compare . . . . . . . . . . . . . . . . . . . . . . . 19 Voltage . . . . . . . . . . . . . . . . . . . . . . . 58 Probability Timeline Universes ability in the Probability Timeline.
CV Recorder . . . . . . . . . . . . . . . . . . . . 20 Full Apps . . . . . . . . . . . 59 Outputs C and D are connected to the The other MIDI out channel is the Alternate
Dr. Crusher . . . . . . . . . . . . . . . . . . . . 21 Captain MIDI . . . . . . . . . . . . . . . . . . . 59 Probability Timeline. When the sequencer Universe, which uses the Parallel Universe’s
Dual Quantizer . . . . . . . . . . . . . . . . . 22 The Darkest Timeline 2 . . . . . . . . . . . 65 is advanced to a step, a probability is calcu- Pitch Timeline values and the Alternate
Enigma, Jr. . . . . . . . . . . . . . . . . . . . . . 23 Enigma . . . . . . . . . . . . . . . . . . . . . . . . 70 lated based on the value in the Probability Universe’s Probability Timeline values.
Envelope Follower . . . . . . . . . . . . . . 24 Neural Net . . . . . . . . . . . . . . . . . . . . 77 Timeline. Output C emits a trigger based
Gate Delay . . . . . . . . . . . . . . . . . . . . . 25 Scale Editor . . . . . . . . . . . . . . . . . . . . 81 on this probability; the higher the bar, the In both cases, the velocity of the Note Out
Gated VCA . . . . . . . . . . . . . . . . . . . . . 26 Waveform Editor . . . . . . . . . . . . . . . . 83 higher the probability of C emitting a trig- message is proportional to the Probability
LoFi-Tape . . . . . . . . . . . . . . . . . . . . . . 27 Pong . . . . . . . . . . . . . . . . . . . . . . . . . 86 ger. At its maximum, the trigger will always Timeline value used for the calculation.
Logic . . . . . . . . . . . . . . . . . . . . . . . . . 28 Backup and Restore . . . . . . . . . . . . . . 87 fire. At its minimum, the trigger will never
Launching Hemisphere . . . . . . . . . . . . . 2 MIDI Out . . . . . . . . . . . . . . . . . . . . . . 32 Setup Screen Otherwise, input for recording will be
Mixer/Balance . . . . . . . . . . . . . . . . . . 34 To access the Setup screen, press the left expected on the specified channel.
Saving State . . . . . . . . . . . . . . . . . . . . . 2 Palimpsest Accent Sequencer . . . . . . 35 encoder button. Gate/Trigger: Determines whether the
Help Screens . . . . . . . . . . . . . . . . . . . . 3 RunglBook . . . . . . . . . . . . . . . . . . . . . 36 Probability Timeline (outputs C and D)
Scale Duet Quantizer . . . . . . . . . . . . 37 The Setup screen allows you to set the will send a 6ms trigger, or a gate that’s a
Master Clock Forwarding . . . . . . . . . . 3 tuning and MIDI settings. Use the left en-
Category Filtering . . . . . . . . . . . . . . . . 3 Schmitt-Trigger . . . . . . . . . . . . . . . . . 38 percentage of the clock period.
Scope . . . . . . . . . . . . . . . . . . . . . . . . . 39 coder button to move through the settings
Screen Blanking . . . . . . . . . . . . . . . . . 3
Sequence5 . . . . . . . . . . . . . . . . . . . . . 40 (and back to the main screen), and use the Playback Controls
Troubleshooting . . . . . . . . . . . . . . . . . 4 left encoder to change the selected value.
Shift Register . . . . . . . . . . . . . . . . . . 41 CV Control of Playback
License . . . . . . . . . . . . . . . . . . . . . . . . . 4 After a short period of inactivity on the
ShiftGate . . . . . . . . . . . . . . . . . . . . . . 42 Inputs:
Hemisphere Apps . . . . . . . . 5 Shuffle 3��43 Setup screen, you’ll be returned to the main
Digital 1: A trigger will advance the
“A”SR . . . . . . . . . . . . . . . . . . . . . . . . . . 5 Skewed LFO . . . . . . . . . . . . . . . . . . . . 44 screen. Available settings are:
sequencer forward (by default) or
AD EG . . . . . . . . . . . . . . . . . . . . . . . . . 6 Slew . . . . . . . . . . . . . . . . . . . . . . . . . 45 Scale: Chooses one of the User or built- backward
ADSR EG . . . . . . . . . . . . . . . . . . . . . . . 7 Squanch Shifting Quantizer . . . . . . . 46 in scales. This will be used to quantize
Digital 2: When gated, a trigger at Digital 1
Annular Fusion Euclidean Drummer . . 8 Switch . . . . . . . . . . . . . . . . . . . . . . . . 47 the CV outputs. It does not affect MIDI
will move the sequencer backward
Binary Counter . . . . . . . . . . . . . . . . . . 9 Threshold Logic Neuron . . . . . . . . . . 48 output.
Digital 3: Reset the sequencer to index
BootsNCat . . . . . . . . . . . . . . . . . . . . . 10 Trending . . . . . . . . . . . . . . . . . . . . . . 50 Root: Sets the diatonic root note based
Bow Tie Sequential . . . . . . . . . . . . . . 11 Trigger Sequencer 16 . . . . . . . . . . . . 51 on the selected scale. This will be used Digital 4: When gated, all probabilities are
Brancher . . . . . . . . . . . . . . . . . . . . . . 12 Trigger Sequencer . . . . . . . . . . . . . . . 52 to quantize the CV outputs. It does not 100%
Burst . . . . . . . . . . . . . . . . . . . . . . . . . 13 Tuner . . . . . . . . . . . . . . . . . . . . . . . . . 53 affect MIDI output. CV 1: CV record value for Pitch Timeline
Calculate . . . . . . . . . . . . . . . . . . . . . . 14 VectMorph . . . . . . . . . . . . . . . . . . . . 54 MIDI Out: Sets the MIDI channel for the CV 2: CV record value for Probability
Carpeggio Cartesian Arpeggiator . . . 15 VectorEG . . . . . . . . . . . . . . . . . . . . . . 55 Normal Universe MIDI output, as de- Timeline
Clock Divider Multiplier . . . . . . . . . . 17 Vector LFO . . . . . . . . . . . . . . . . . . . . 56 scribed above. If this is set to Off, there CV 3: Set the index (0V ~ 5V)
Clock Skipper . . . . . . . . . . . . . . . . . . . 18 VectorMod . . . . . . . . . . . . . . . . . . . . 57 will be no MIDI notes sent from that
Voltage . . . . . . . . . . . . . . . . . . . . . . . 58 CV 4: Transpose by adding positive or nega-
Compare . . . . . . . . . . . . . . . . . . . . . . . 19 universe. tive voltage to the Pitch timeline
CV Recorder . . . . . . . . . . . . . . . . . . . . 20 Full Apps . . . . . . . . . . . 59 MIDI Out Alt: Sets the MIDI channel for
Dr. Crusher . . . . . . . . . . . . . . . . . . . . 21 Captain MIDI . . . . . . . . . . . . . . . . . . . 59 the Alternate Universe MIDI output, as
Outputs:
Dual Quantizer . . . . . . . . . . . . . . . . . 22 The Darkest Timeline 2 . . . . . . . . . . . 65 described above. This this is set to Off, Output A: CV: Pitch Timeline, Normal
Enigma, Jr. . . . . . . . . . . . . . . . . . . . . . 23 Enigma . . . . . . . . . . . . . . . . . . . . . . . . 70 there will be no MIDI notes sent from Universe
Envelope Follower . . . . . . . . . . . . . . 24 Neural Net . . . . . . . . . . . . . . . . . . . . 77 that universe. Output B: CV: Pitch Timeline, Parallel
Gate Delay . . . . . . . . . . . . . . . . . . . . . 25 Scale Editor . . . . . . . . . . . . . . . . . . . . 81 MIDI In: Determines whether the recording Universe
Gated VCA . . . . . . . . . . . . . . . . . . . . . 26 Waveform Editor . . . . . . . . . . . . . . . . 83 source is CV or MIDI. If you’re record- Output C: Trigger: Probability Timeline,
LoFi-Tape . . . . . . . . . . . . . . . . . . . . . . 27 Pong . . . . . . . . . . . . . . . . . . . . . . . . . 86 ing from CV, this should be set to “Off.” Normal Universe
MIDI Out . . . . . . . . . . . . . . . . . . . . . . 32 Output D: Trigger: Probability Timeline, is enabled for a timeline, the leftmost step
Mixer/Balance . . . . . . . . . . . . . . . . . . 34 Alternate Universe (complementary will display a flashing cursor.
Palimpsest Accent Sequencer . . . . . . 35 probability of Output C)
Saving State . . . . . . . . . . . . . . . . . . . . . 2 When recording is enabled, and set to rec-
Help Screens . . . . . . . . . . . . . . . . . . . . 3 RunglBook . . . . . . . . . . . . . . . . . . . . . 36 Panel Control of Playback ord CV, a small “CV” icon will appear at the
Master Clock Forwarding . . . . . . . . . . 3 Scale Duet Quantizer . . . . . . . . . . . . 37 Left Encoder: Change sequence length top of the screen.
Category Filtering . . . . . . . . . . . . . . . . 3 Schmitt-Trigger . . . . . . . . . . . . . . . . . 38 (clockwise to decrease, counterclockwise
Scope . . . . . . . . . . . . . . . . . . . . . . . . . 39 to increase) from 1 to 32 steps To record data to the cursor point(s), set the
Screen Blanking . . . . . . . . . . . . . . . . . 3 CV at the corresponding input(s), and then
Sequence5 . . . . . . . . . . . . . . . . . . . . . 40
Troubleshooting . . . . . . . . . . . . . . . . . 4 Press Right Encoder: Toggle Index editing advance the sequencer. You can advance
Shift Register . . . . . . . . . . . . . . . . . . 41
License . . . . . . . . . . . . . . . . . . . . . . . . . 4 Right Encoder with Index editing off: Scrub the sequencer with a trigger to Digital 1, or
ShiftGate . . . . . . . . . . . . . . . . . . . . . . 42
Hemisphere Apps . . . . . . . . 5 Shuffle 3��43 through the sequence. If the sequencer by turning the right encoder.
“A”SR . . . . . . . . . . . . . . . . . . . . . . . . . . 5 Skewed LFO . . . . . . . . . . . . . . . . . . . . 44 is not being clocked with CV 1, calculate
probabilities and potentially fire triggers. MIDI Recording
AD EG . . . . . . . . . . . . . . . . . . . . . . . . . 6 Slew . . . . . . . . . . . . . . . . . . . . . . . . . 45
Right Encoder with Index editing on: If the MIDI In channel is set on the Setup
Change the index. If the sequencer is not screen, recording is done via MIDI. Connect
being clocked with CV 1, calculate prob- your O_C module to a MIDI host (usually
abilities and potentially fire triggers. a computer), choose “Hemisphere” as the
BootsNCat . . . . . . . . . . . . . . . . . . . . . 10 Trending . . . . . . . . . . . . . . . . . . . . . . 50 MIDI device, and set the output channel to
Bow Tie Sequential . . . . . . . . . . . . . . 11 Trigger Sequencer 16 . . . . . . . . . . . . 51 Recording correspond to The Darkest Timeline’s MIDI
Brancher . . . . . . . . . . . . . . . . . . . . . . 12 Trigger Sequencer . . . . . . . . . . . . . . . 52 In channel. When recording is enabled for
Tuner . . . . . . . . . . . . . . . . . . . . . . . . . 53 Recording is enabled independently for
Burst . . . . . . . . . . . . . . . . . . . . . . . . . 13 a timeline, the leftmost step will display a
VectMorph . . . . . . . . . . . . . . . . . . . . 54 each timeline. Press the Up button to en-
Calculate . . . . . . . . . . . . . . . . . . . . . . 14 flashing cursor.
VectorEG . . . . . . . . . . . . . . . . . . . . . . 55 able recording for the Pitch Timeline, and
Vector LFO . . . . . . . . . . . . . . . . . . . . 56 the Down button to enable recording for When recording is enabled, and set to rec-
VectorMod . . . . . . . . . . . . . . . . . . . . 57 the Probability Timeline. Pressing the but- ord MIDI, a small MIDI DIN icon will appear
Clock Skipper . . . . . . . . . . . . . . . . . . . 18 ton a second time will disable recording on
Compare . . . . . . . . . . . . . . . . . . . . . . . 19 Voltage . . . . . . . . . . . . . . . . . . . . . . . 58 at the top of the screen.
the corresponding timeline.
CV Recorder . . . . . . . . . . . . . . . . . . . . 20 Full Apps . . . . . . . . . . . 59 To record data to the cursor point(s), play a
Dr. Crusher . . . . . . . . . . . . . . . . . . . . 21 Captain MIDI . . . . . . . . . . . . . . . . . . . 59 CV Recording note. A value proportional to the note num-
Dual Quantizer . . . . . . . . . . . . . . . . . 22 The Darkest Timeline 2 . . . . . . . . . . . 65 If the MIDI In channel is not set on the ber will be recorded to the Pitch Timeline
Enigma, Jr. . . . . . . . . . . . . . . . . . . . . . 23 Enigma . . . . . . . . . . . . . . . . . . . . . . . . 70 Setup screen, recording is done via CV. (if recording is enabled), and a value pro-
Envelope Follower . . . . . . . . . . . . . . 24 Neural Net . . . . . . . . . . . . . . . . . . . . 77 Connect CV sources to CV 1 (for recording portional to the velocity will be recorded
Gate Delay . . . . . . . . . . . . . . . . . . . . . 25 Scale Editor . . . . . . . . . . . . . . . . . . . . 81 into the Pitch Timeline) and/or CV 2 (for to the Probability Timeline (if recording is
Gated VCA . . . . . . . . . . . . . . . . . . . . . 26 Waveform Editor . . . . . . . . . . . . . . . . 83 recording into the Probability Timeline), enabled). The sequencer will advance auto-
LoFi-Tape . . . . . . . . . . . . . . . . . . . . . . 27 Pong . . . . . . . . . . . . . . . . . . . . . . . . . 86 and enable recording on one or two time- matically with each note.
Logic . . . . . . . . . . . . . . . . . . . . . . . . . 28 Backup and Restore . . . . . . . . . . . . . . 87 lines, as specified above. When recording
MIDI Out . . . . . . . . . . . . . . . . . . . . . . 32 Please note that a trigger at Digital 1 will Compatibility Note: The Darkest Timeline
Mixer/Balance . . . . . . . . . . . . . . . . . . 34 also advance the sequencer, so you prob- 2.0 is fully-compatible with sysex files from
Palimpsest Accent Sequencer . . . . . . 35 ably want to turn off these triggers while the previous version. The only difference is
Saving State . . . . . . . . . . . . . . . . . . . . . 2
RunglBook . . . . . . . . . . . . . . . . . . . . . 36 recording MIDI data. that scale and root will not be changed.
Help Screens . . . . . . . . . . . . . . . . . . . . 3
Schmitt-Trigger . . . . . . . . . . . . . . . . . 38
Saving The Darkest Timeline Data Misc. Controls
Category Filtering . . . . . . . . . . . . . . . . 3 Long-Press Left Encoder: Randomize both
Scope . . . . . . . . . . . . . . . . . . . . . . . . . 39 The Darkest Timeline’s data can be saved in
Screen Blanking . . . . . . . . . . . . . . . . . 3 two ways: timelines.
Sequence5 . . . . . . . . . . . . . . . . . . . . . 40
Shift Register . . . . . . . . . . . . . . . . . . 41 Long-Press Down Button: Clear both
License . . . . . . . . . . . . . . . . . . . . . . . . . 4 5. With the built-in Ornament and Crime
ShiftGate . . . . . . . . . . . . . . . . . . . . . . 42 timelines.
data storage system Return to the main
Hemisphere Apps . . . . . . . . 5 Shuffle 3��43 menu by long-pressing the right encoder.
“A”SR . . . . . . . . . . . . . . . . . . . . . . . . . . 5 Skewed LFO . . . . . . . . . . . . . . . . . . . . 44 Then, long-press the right encoder again.
AD EG . . . . . . . . . . . . . . . . . . . . . . . . . 6 Slew . . . . . . . . . . . . . . . . . . . . . . . . . 45 This will save the state of all applications in
ADSR EG . . . . . . . . . . . . . . . . . . . . . . . 7 Squanch Shifting Quantizer . . . . . . . 46 the module.
Binary Counter . . . . . . . . . . . . . . . . . . 9 Threshold Logic Neuron . . . . . . . . . . 48 6. System Exclusive Librarian Your current
BootsNCat . . . . . . . . . . . . . . . . . . . . . 10 Trending . . . . . . . . . . . . . . . . . . . . . . 50 sequence (both Timelines, length, index,
Bow Tie Sequential . . . . . . . . . . . . . . 11 Trigger Sequencer 16 . . . . . . . . . . . . 51 scale, and root) can be dumped to a system
Brancher . . . . . . . . . . . . . . . . . . . . . . 12 Trigger Sequencer . . . . . . . . . . . . . . . 52 exclusive librarian program on a computer
Burst . . . . . . . . . . . . . . . . . . . . . . . . . 13 Tuner . . . . . . . . . . . . . . . . . . . . . . . . . 53 for (somewhat) permanent storage. When
VectMorph . . . . . . . . . . . . . . . . . . . . 54 you long-press the right button to return
Calculate . . . . . . . . . . . . . . . . . . . . . . 14
VectorEG . . . . . . . . . . . . . . . . . . . . . . 55 to the main menu, the sysex dump will be
Vector LFO . . . . . . . . . . . . . . . . . . . . 56 initiated. When setting up your librarian
VectorMod . . . . . . . . . . . . . . . . . . . . 57 software, select Hemisphere as the MIDI
Clock Skipper . . . . . . . . . . . . . . . . . . . 18 device.
Compare . . . . . . . . . . . . . . . . . . . . . . . 19 Voltage . . . . . . . . . . . . . . . . . . . . . . . 58
CV Recorder . . . . . . . . . . . . . . . . . . . . 20 Full Apps . . . . . . . . . . . 59 The Darkest Timeline sends your sequence
Dr. Crusher . . . . . . . . . . . . . . . . . . . . 21 Captain MIDI . . . . . . . . . . . . . . . . . . . 59 as five sysex messages, so make sure that
Dual Quantizer . . . . . . . . . . . . . . . . . 22 The Darkest Timeline 2 . . . . . . . . . . . 65 your librarian captures all of them and
Enigma, Jr. . . . . . . . . . . . . . . . . . . . . . 23 Enigma . . . . . . . . . . . . . . . . . . . . . . . . 70 stores them in the same file.
Envelope Follower . . . . . . . . . . . . . . 24 Neural Net . . . . . . . . . . . . . . . . . . . . 77 To restore your sequence, simply send the
Gate Delay . . . . . . . . . . . . . . . . . . . . . 25 Scale Editor . . . . . . . . . . . . . . . . . . . . 81 dump back any time The Darkest Timeline
Gated VCA . . . . . . . . . . . . . . . . . . . . . 26 Waveform Editor . . . . . . . . . . . . . . . . 83 is running.
LoFi-Tape . . . . . . . . . . . . . . . . . . . . . . 27 Pong . . . . . . . . . . . . . . . . . . . . . . . . . 86
MIDI Out . . . . . . . . . . . . . . . . . . . . . . 32
Mixer/Balance . . . . . . . . . . . . . . . . . . 34 Enigma
Saving State . . . . . . . . . . . . . . . . . . . . . 2 Palimpsest Accent Sequencer . . . . . . 35 Enigma is a Shift Register (a.k.a. “Turing (see “How a Turing Machine Works,”
Help Screens . . . . . . . . . . . . . . . . . . . . 3 RunglBook . . . . . . . . . . . . . . . . . . . . . 36 Machine”) Workstation, designed to en- below), and the transposition of notes
Master Clock Forwarding . . . . . . . . . . 3 Scale Duet Quantizer . . . . . . . . . . . . 37 able (nearly) repeatable full compositions played.
Schmitt-Trigger . . . . . . . . . . . . . . . . . 38 by curating a Turing Machine library and Play allows you to control the playback of
Scope . . . . . . . . . . . . . . . . . . . . . . . . . 39 chaining Turing Machines into songs. the song by choosing clock divide and
Screen Blanking . . . . . . . . . . . . . . . . . 3
Sequence5 . . . . . . . . . . . . . . . . . . . . . 40 loop per track, resetting and starting the
Troubleshooting . . . . . . . . . . . . . . . . . 4 Enigma is in Hemisphere Suite starting with
Shift Register . . . . . . . . . . . . . . . . . . 41 song. It also allows you to visually mon-
License . . . . . . . . . . . . . . . . . . . . . . . . . 4 v1.5.
ShiftGate . . . . . . . . . . . . . . . . . . . . . . 42 itor the song’s position.
Hemisphere Apps . . . . . . . . 5 Shuffle 3��43 Workflow
“A”SR . . . . . . . . . . . . . . . . . . . . . . . . . . 5 Skewed LFO . . . . . . . . . . . . . . . . . . . . 44 Navigation and Control Overview
Enigma’s workflow involves four screens:
AD EG . . . . . . . . . . . . . . . . . . . . . . . . . 6 Slew . . . . . . . . . . . . . . . . . . . . . . . . . 45 The left encoder chooses screens and
ADSR EG . . . . . . . . . . . . . . . . . . . . . . . 7 Squanch Shifting Quantizer . . . . . . . 46 Library contains 40 Turing Machines (here- screen-level selection. Each press of the left
Annular Fusion Euclidean Drummer . . 8 Switch . . . . . . . . . . . . . . . . . . . . . . . . 47 after called “Registers”). As you audition encoder button moves to the next screen
Binary Counter . . . . . . . . . . . . . . . . . . 9 Threshold Logic Neuron . . . . . . . . . . 48 a Register in the Library, you may change (in the order Library -> Assign -> Song ->
BootsNCat . . . . . . . . . . . . . . . . . . . . . 10 Trending . . . . . . . . . . . . . . . . . . . . . . 50 its length, probability, and rotation. You Play).
Bow Tie Sequential . . . . . . . . . . . . . . 11 Trigger Sequencer 16 . . . . . . . . . . . . 51 may “lock” a Register by designating it as
a Favorite. Turning the left encoder selects items as
follows:
Burst . . . . . . . . . . . . . . . . . . . . . . . . . 13 Tuner . . . . . . . . . . . . . . . . . . . . . . . . . 53 Assign allows you to choose the function
Calculate . . . . . . . . . . . . . . . . . . . . . . 14 VectMorph . . . . . . . . . . . . . . . . . . . . 54 of each of the Ornament and Crime’s four Library Screen: The Register (A-1 through
Carpeggio Cartesian Arpeggiator . . . 15 VectorEG . . . . . . . . . . . . . . . . . . . . . . 55 outputs (A, B, C, D). Each output may be E-8)
Clock Divider Multiplier . . . . . . . . . . 17 Vector LFO . . . . . . . . . . . . . . . . . . . . 56 assigned to a source track, a type (note, Assign Screen: The output (A, B, C, D)
Clock Skipper . . . . . . . . . . . . . . . . . . . 18 VectorMod . . . . . . . . . . . . . . . . . . . . 57 modulation, gate, or trigger), a scale (for Song/Play: The track (Track 1 through Track
Compare . . . . . . . . . . . . . . . . . . . . . . . 19 Voltage . . . . . . . . . . . . . . . . . . . . . . . 58 note types), and a MIDI channel (1-16, 4)
or Off ). On the Assign screen, you may
CV Recorder . . . . . . . . . . . . . . . . . . . . 20 Full Apps . . . . . . . . . . . 59 choose whether you’re auditioning the The right encoder chooses parameters and
Dr. Crusher . . . . . . . . . . . . . . . . . . . . 21 Captain MIDI . . . . . . . . . . . . . . . . . . . 59 values on each screen. Each press of the
Library or the current Song.
Dual Quantizer . . . . . . . . . . . . . . . . . 22 The Darkest Timeline 2 . . . . . . . . . . . 65 right encoder button moves to the next
Enigma, Jr. . . . . . . . . . . . . . . . . . . . . . 23 Enigma . . . . . . . . . . . . . . . . . . . . . . . . 70 Song allows you to chain Registers togeth-
parameter from left-to-right, top-to-bot-
Envelope Follower . . . . . . . . . . . . . . 24 Neural Net . . . . . . . . . . . . . . . . . . . . 77 er on up to four tracks. Each track may
tom. Turing the right encoder changes the
Gate Delay . . . . . . . . . . . . . . . . . . . . . 25 Scale Editor . . . . . . . . . . . . . . . . . . . . 81 contain up to 99 steps, for a total of 396
selected value.
Gated VCA . . . . . . . . . . . . . . . . . . . . . 26 steps. Each step specifies a Register, the
Waveform Editor . . . . . . . . . . . . . . . . 83
number of times that Register repeats, The up and down buttons have different
LoFi-Tape . . . . . . . . . . . . . . . . . . . . . . 27 Pong . . . . . . . . . . . . . . . . . . . . . . . . . 86
the probability of a bit flip at each step functions on each screen. Each screen will
MIDI Out . . . . . . . . . . . . . . . . . . . . . . 32 display the function of these buttons for a number. Originally, this was the bottom
Mixer/Balance . . . . . . . . . . . . . . . . . . 34 few seconds. You can dismiss this help by eight bits scaled to a voltage output.
Palimpsest Accent Sequencer . . . . . . 35 moving any control. During each session,
Saving State . . . . . . . . . . . . . . . . . . . . . 2
Enigma will pay attention to how long you
How Enigma is Different
view the help text and will adjust the time Enigma uses Turing Machine-like registers
accordingly. If you dismiss a help screen as its source material for composition.
within one second, Enigma will stop show- In a traditional Turing Machine or Turing
ing them to you. Machine-like system, the starting register
Sequence5 . . . . . . . . . . . . . . . . . . . . . 40
Troubleshooting . . . . . . . . . . . . . . . . . 4 is different with each session. So if your
Shift Register . . . . . . . . . . . . . . . . . . 41 Long-pressing the down button allows you
License . . . . . . . . . . . . . . . . . . . . . . . . . 4 Turing Machine hits upon a melody or
ShiftGate . . . . . . . . . . . . . . . . . . . . . . 42 to erase the current song and start over. modulation pattern that you like, you need
Hemisphere Apps . . . . . . . . 5 Shuffle 3��43 You will be asked to confirm this action. to record it somehow, either with an audio
“A”SR . . . . . . . . . . . . . . . . . . . . . . . . . . 5 Skewed LFO . . . . . . . . . . . . . . . . . . . . 44 On the confirmation screen, press the right recorder or CV recorder. The philosophy of
AD EG . . . . . . . . . . . . . . . . . . . . . . . . . 6 Slew . . . . . . . . . . . . . . . . . . . . . . . . . 45 encoder to erase the song, and the left en- Enigma is that Turing Machines can be dur-
ADSR EG . . . . . . . . . . . . . . . . . . . . . . . 7 Squanch Shifting Quantizer . . . . . . . 46 coder to cancel. able and re- usable. When you find some-
Annular Fusion Euclidean Drummer . . 8 Switch . . . . . . . . . . . . . . . . . . . . . . . . 47 thing you like, you can lock it in place and
Binary Counter . . . . . . . . . . . . . . . . . . 9 Threshold Logic Neuron . . . . . . . . . . 48 Long-pressing the left encoder button will
send data related to the screen via system save it for later, and use it as part of a larger
BootsNCat . . . . . . . . . . . . . . . . . . . . . 10 Trending . . . . . . . . . . . . . . . . . . . . . . 50 composition.
Trigger Sequencer 16 . . . . . . . . . . . . 51 exclusive (SysEx) dump. Library, output
Bow Tie Sequential . . . . . . . . . . . . . . 11
assignment, and song data can be sent and
received separately. Long-pressing the right
Library
Burst . . . . . . . . . . . . . . . . . . . . . . . . . 13 Tuner . . . . . . . . . . . . . . . . . . . . . . . . . 53 The Library is where you manage your
encoder will return you to th main menu,
Calculate . . . . . . . . . . . . . . . . . . . . . . 14 VectMorph . . . . . . . . . . . . . . . . . . . . 54 Registers. Forty registers are arranged in
and send all data via SysEx dump.
Carpeggio Cartesian Arpeggiator . . . 15 VectorEG . . . . . . . . . . . . . . . . . . . . . . 55 five banks (A-E) of eight registers (1-8). Use
Clock Divider Multiplier . . . . . . . . . . 17 Vector LFO . . . . . . . . . . . . . . . . . . . . 56 How a Turing Machine Works the left encoder to select a register. When
Clock Skipper . . . . . . . . . . . . . . . . . . . 18 VectorMod . . . . . . . . . . . . . . . . . . . . 57 you first select a register, it starts with a
The original Turing Machine circuit, by
Compare . . . . . . . . . . . . . . . . . . . . . . . 19 Voltage . . . . . . . . . . . . . . . . . . . . . . . 58 random sixteen-bit number.
Music Thing’s Tom Whitwell, works like this:
CV Recorder . . . . . . . . . . . . . . . . . . . . 20 Full Apps . . . . . . . . . . . 59 A random sixteen-bit number is generated. Registers are stored with three pieces
Dr. Crusher . . . . . . . . . . . . . . . . . . . . 21 Captain MIDI . . . . . . . . . . . . . . . . . . . 59 On an incoming clock signal, the binary of information: The register value itself,
Dual Quantizer . . . . . . . . . . . . . . . . . 22 The Darkest Timeline 2 . . . . . . . . . . . 65 representation of that number is shifted the length, and the Favorite status of the
Enigma, Jr. . . . . . . . . . . . . . . . . . . . . . 23 Enigma . . . . . . . . . . . . . . . . . . . . . . . . 70 to the left by one bit. A probability check Register. Two other controls in the Library
Envelope Follower . . . . . . . . . . . . . . 24 Neural Net . . . . . . . . . . . . . . . . . . . . 77 determines whether the last bit (bit 15) of (probability and rotation) are only used for
Gate Delay . . . . . . . . . . . . . . . . . . . . . 25 Scale Editor . . . . . . . . . . . . . . . . . . . . 81 the pre-shifted number is moved back to shaping the Register.
Gated VCA . . . . . . . . . . . . . . . . . . . . . 26 Waveform Editor . . . . . . . . . . . . . . . . 83 the beginning (bit 0) during this rotation, or
LoFi-Tape . . . . . . . . . . . . . . . . . . . . . . 27 Pong . . . . . . . . . . . . . . . . . . . . . . . . . 86 it changes its value. Then, an output value Note: The Library cannot be accessed or
Logic . . . . . . . . . . . . . . . . . . . . . . . . . 28 Backup and Restore . . . . . . . . . . . . . . 87 is determined based on the new sixteen-bit auditioned while a song is playing. If you’re
MIDI Out . . . . . . . . . . . . . . . . . . . . . . 32 trying to get to the Library, but can’t, go to • The pattern may now be rotated with the
Mixer/Balance . . . . . . . . . . . . . . . . . . 34 the Play screen and stop the playback. right encoder when the “rotate” icons are
Palimpsest Accent Sequencer . . . . . . 35 shown
Saving State . . . . . . . . . . . . . . . . . . . . . 2 Auditioning the Register
Help Screens . . . . . . . . . . . . . . . . . . . . 3 RunglBook . . . . . . . . . . . . . . . . . . . . . 36 When a Register is a Favorite, you may turn
A clock signal into Digital 1 will advance
Master Clock Forwarding . . . . . . . . . . 3 Scale Duet Quantizer . . . . . . . . . . . . 37 off Favorite status by pressing the up but-
the register and calculate a change based
Category Filtering . . . . . . . . . . . . . . . . 3 Schmitt-Trigger . . . . . . . . . . . . . . . . . 38 ton again. When you do this, the probability
on the probability value. The CV at Outputs
Screen Blanking . . . . . . . . . . . . . . . . . 3 Scope . . . . . . . . . . . . . . . . . . . . . . . . . 39 will always start out at 0%.
A-D will be updated. The voltage present
Sequence5 . . . . . . . . . . . . . . . . . . . . . 40
Troubleshooting . . . . . . . . . . . . . . . . . 4 at the outputs is determined by the output
License . . . . . . . . . . . . . . . . . . . . . . . . . 4
Shift Register . . . . . . . . . . . . . . . . . . 41
assignments (see the Assign screen). By
Assign
ShiftGate . . . . . . . . . . . . . . . . . . . . . . 42 The Assign screen is used to specify how
default, the assignments are as follows:
Hemisphere Apps . . . . . . . . 5 Shuffle 3��43 the Ornament and Crime’s outputs are
“A”SR . . . . . . . . . . . . . . . . . . . . . . . . . . 5 Skewed LFO . . . . . . . . . . . . . . . . . . . . 44 Output A: A note quantized to a semitone used. You select the output with the left en-
AD EG . . . . . . . . . . . . . . . . . . . . . . . . . 6 Slew . . . . . . . . . . . . . . . . . . . . . . . . . 45 scale coder, and choose and change parameters
ADSR EG . . . . . . . . . . . . . . . . . . . . . . . 7 Squanch Shifting Quantizer . . . . . . . 46 Output B: A modulation amount from with the right encoder. The parameters on
Annular Fusion Euclidean Drummer . . 8 Switch . . . . . . . . . . . . . . . . . . . . . . . . 47 0V-5V the Assign screen, from top to bottom, are
Binary Counter . . . . . . . . . . . . . . . . . . 9 Threshold Logic Neuron . . . . . . . . . . 48 Output C: A gate (goes high when bit 0 is as follows:
BootsNCat . . . . . . . . . . . . . . . . . . . . . 10 Trending . . . . . . . . . . . . . . . . . . . . . . 50 on, and low when bit 0 is off, capable of Source: Specifies which Track is routed to
Bow Tie Sequential . . . . . . . . . . . . . . 11 Trigger Sequencer 16 . . . . . . . . . . . . 51 spanning multiple advances) the output. A Track may be assigned to
Brancher . . . . . . . . . . . . . . . . . . . . . . 12 Trigger Sequencer . . . . . . . . . . . . . . . 52 any number of outputs.
Output D: A trigger (fired when bit 0 is on)
Burst . . . . . . . . . . . . . . . . . . . . . . . . . 13 Tuner . . . . . . . . . . . . . . . . . . . . . . . . . 53
VectMorph . . . . . . . . . . . . . . . . . . . . 54 Favorites Type: Specifies the type of CV that will be
Calculate . . . . . . . . . . . . . . . . . . . . . . 14
generated by the output. See the Types
Carpeggio Cartesian Arpeggiator . . . 15 VectorEG . . . . . . . . . . . . . . . . . . . . . . 55 If you find a melody, modulation pattern, or
section below.
Clock Divider Multiplier . . . . . . . . . . 17 Vector LFO . . . . . . . . . . . . . . . . . . . . 56 trigger pattern that you want to keep, press
Clock Skipper . . . . . . . . . . . . . . . . . . . 18 VectorMod . . . . . . . . . . . . . . . . . . . . 57 the up button. This will mark the pattern Scale: Available only for note Types,
Voltage . . . . . . . . . . . . . . . . . . . . . . . 58 as a Favorite (a heart icon will indicate this chooses the scale to which the output is
Compare . . . . . . . . . . . . . . . . . . . . . . . 19
status for each pattern). When a pattern is a quantized
CV Recorder . . . . . . . . . . . . . . . . . . . . 20 Full Apps . . . . . . . . . . . 59 Favorite, the following things apply:
Dr. Crusher . . . . . . . . . . . . . . . . . . . . 21 MIDI Channel: Specifies the MIDI channel
Captain MIDI . . . . . . . . . . . . . . . . . . . 59
Dual Quantizer . . . . . . . . . . . . . . . . . 22 • Probability will no longer alter the for the output, or Off
Enigma, Jr. . . . . . . . . . . . . . . . . . . . . . 23 Enigma . . . . . . . . . . . . . . . . . . . . . . . . 70 pattern While you are on the Assign screen, you
Envelope Follower . . . . . . . . . . . . . . 24 Neural Net . . . . . . . . . . . . . . . . . . . . 77 • The pattern cannot be overwritten by may audition from two sets of data, the
Gate Delay . . . . . . . . . . . . . . . . . . . . . 25 Scale Editor . . . . . . . . . . . . . . . . . . . . 81 single-Register SysEx dumps Library or the Song. Press the up button to
Gated VCA . . . . . . . . . . . . . . . . . . . . . 26 Waveform Editor . . . . . . . . . . . . . . . . 83 audition from the Library (default), and the
• The pattern may now be reset using the
LoFi-Tape . . . . . . . . . . . . . . . . . . . . . . 27 Pong . . . . . . . . . . . . . . . . . . . . . . . . . 86 down button to audition from the Song. If
down button
MIDI Out . . . . . . . . . . . . . . . . . . . . . . 32 the song isn’t playing, all CV outputs will be When the MIDI channel is set (that is, it’s
Mixer/Balance . . . . . . . . . . . . . . . . . . 34 at 0V. not Off ), the Type also determines the MIDI
Palimpsest Accent Sequencer . . . . . . 35 event that’s generated:
Saving State . . . . . . . . . . . . . . . . . . . . . 2 Types
Help Screens . . . . . . . . . . . . . . . . . . . . 3 RunglBook . . . . . . . . . . . . . . . . . . . . . 36 Note: Sends a Note Off for the output’s pre-
The following types of CV output are avail-
Master Clock Forwarding . . . . . . . . . . 3 Scale Duet Quantizer . . . . . . . . . . . . 37 vious note (if any), and a Note On mes-
able, based on the current state of the
Category Filtering . . . . . . . . . . . . . . . . 3 Schmitt-Trigger . . . . . . . . . . . . . . . . . 38 sage based on the specified bit depth.
Register that’s being auditioned:
Screen Blanking . . . . . . . . . . . . . . . . . 3 Scope . . . . . . . . . . . . . . . . . . . . . . . . . 39 For depths of 3-6, the note is above
Sequence5 . . . . . . . . . . . . . . . . . . . . . 40 Note: There are five depths of note data, Middle C (that is, if a three-bit value is
Shift Register . . . . . . . . . . . . . . . . . . 41 from 3 bits to 7 bits. At 3-bit depth, 5, the MIDI note number is 65 (Middle
License . . . . . . . . . . . . . . . . . . . . . . . . . 4 melodies will be constrained to 8 notes
ShiftGate . . . . . . . . . . . . . . . . . . . . . . 42 C, 60, plus 5). For a depth of 7, the sev-
Hemisphere Apps . . . . . . . . 5 Shuffle 3��43 of the selected scale. At 4-bit depth, 16 en-bit value determines the raw MIDI
“A”SR . . . . . . . . . . . . . . . . . . . . . . . . . . 5 Skewed LFO . . . . . . . . . . . . . . . . . . . . 44 notes; at 5-bit depth, 32 notes; at 6-bit note number. If you want to play notes
AD EG . . . . . . . . . . . . . . . . . . . . . . . . . 6 Slew . . . . . . . . . . . . . . . . . . . . . . . . . 45 depth, 64 notes; and, at 7-bit depth, 128 in rhythm, then set the MIDI Channel of
ADSR EG . . . . . . . . . . . . . . . . . . . . . . . 7 Squanch Shifting Quantizer . . . . . . . 46 notes (or the entire MIDI note range) the output to “Off” and specify a MIDI
Annular Fusion Euclidean Drummer . . 8 Switch . . . . . . . . . . . . . . . . . . . . . . . . 47 is available. The note types look at the Channel for the next Gate or Trigger out-
Binary Counter . . . . . . . . . . . . . . . . . . 9 Threshold Logic Neuron . . . . . . . . . . 48 least- significant bits of the current put (see below). Note that MIDI output
BootsNCat . . . . . . . . . . . . . . . . . . . . . 10 Trending . . . . . . . . . . . . . . . . . . . . . . 50 Register. does not observe the Scale setting used
Bow Tie Sequential . . . . . . . . . . . . . . 11 Trigger Sequencer 16 . . . . . . . . . . . . 51 Modulation/Expression: The least- by the CV output.
Brancher . . . . . . . . . . . . . . . . . . . . . . 12 Trigger Sequencer . . . . . . . . . . . . . . . 52 significant 8 bits are used to generate Modulation/Expression: The least-
Burst . . . . . . . . . . . . . . . . . . . . . . . . . 13 Tuner . . . . . . . . . . . . . . . . . . . . . . . . . 53 a modulation value that’s scaled to 0-5 significant 8 bits are scaled down to a
Calculate . . . . . . . . . . . . . . . . . . . . . . 14 VectMorph . . . . . . . . . . . . . . . . . . . . 54 volts. Modulation and Expression are seven-bit number (0-127) for sending a
Carpeggio Cartesian Arpeggiator . . . 15 VectorEG . . . . . . . . . . . . . . . . . . . . . . 55 identical for CV, but generate different MIDI modulation or expression event.
Clock Divider Multiplier . . . . . . . . . . 17 Vector LFO . . . . . . . . . . . . . . . . . . . . 56 MIDI messages (see below). Modulation is a continuous controller
Clock Skipper . . . . . . . . . . . . . . . . . . . 18 VectorMod . . . . . . . . . . . . . . . . . . . . 57 Gate: When bit 0 is 1, the assigned output number of 1, and Expression is a con-
Compare . . . . . . . . . . . . . . . . . . . . . . . 19 Voltage . . . . . . . . . . . . . . . . . . . . . . . 58 emits 5V until the next time bit 0 is 0. tinuous controller number of 11, which is
CV Recorder . . . . . . . . . . . . . . . . . . . . 20 Full Apps . . . . . . . . . . . 59 That is, a high gate will span multiple often used for relative volume changes.
Dr. Crusher . . . . . . . . . . . . . . . . . . . . 21 Captain MIDI . . . . . . . . . . . . . . . . . . . 59 rotations of the Register Gate/Trigger: If a Note value was calcu-
Dual Quantizer . . . . . . . . . . . . . . . . . 22 The Darkest Timeline 2 . . . . . . . . . . . 65 Trigger: When bit 0 is 1, a trigger pulse is lated in a previous output, but the MIDI
Enigma, Jr. . . . . . . . . . . . . . . . . . . . . . 23 Enigma . . . . . . . . . . . . . . . . . . . . . . . . 70 emitted at the assigned output Channel is Off, then that note is con-
Envelope Follower . . . . . . . . . . . . . . 24 Neural Net . . . . . . . . . . . . . . . . . . . . 77 sidered “deferred.” A deferred note will
Gate Delay . . . . . . . . . . . . . . . . . . . . . 25 Scale Editor . . . . . . . . . . . . . . . . . . . . 81 be played if a MIDI Channel is assigned
Gated VCA . . . . . . . . . . . . . . . . . . . . . 26 Waveform Editor . . . . . . . . . . . . . . . . 83 to a subsequent Gate or Trigger output.
LoFi-Tape . . . . . . . . . . . . . . . . . . . . . . 27 Pong . . . . . . . . . . . . . . . . . . . . . . . . . 86 For MIDI output, Gate and Trigger do the
Logic . . . . . . . . . . . . . . . . . . . . . . . . . 28 Backup and Restore . . . . . . . . . . . . . . 87 same thing.
Launching Hemisphere . . . . . . . . . . . . . 2 MIDI Out . . . . . . . . . . . . . . . . . . . . . . 32 Song semitones, regardless of the scale used,
Mixer/Balance . . . . . . . . . . . . . . . . . . 34 allowing you to use this value to specify a
Selecting Applets . . . . . . . . . . . . . . . . . 2 Song mode allows you to chain Registers
Palimpsest Accent Sequencer . . . . . . 35 diatonic root.
Saving State . . . . . . . . . . . . . . . . . . . . . 2 together into long (or short) compositions
Help Screens . . . . . . . . . . . . . . . . . . . . 3 RunglBook . . . . . . . . . . . . . . . . . . . . . 36 of up to four Tracks. This is done by creating Adding and Deleting Steps
Master Clock Forwarding . . . . . . . . . . 3 Scale Duet Quantizer . . . . . . . . . . . . 37 a series of “Steps” on each Track. A Track starts out with no Steps. To add a
Category Filtering . . . . . . . . . . . . . . . . 3 Schmitt-Trigger . . . . . . . . . . . . . . . . . 38 Step, press the up button. This will insert
Scope . . . . . . . . . . . . . . . . . . . . . . . . . 39 Use the left encoder to choose the Track
Screen Blanking . . . . . . . . . . . . . . . . . 3 a step after the selected step. The default
Sequence5 . . . . . . . . . . . . . . . . . . . . . 40 (Track 1 - Track 4). The right encoder will
Troubleshooting . . . . . . . . . . . . . . . . . 4 Register of your new step will be random-
Shift Register . . . . . . . . . . . . . . . . . . 41 cycle through the following settings:
License . . . . . . . . . . . . . . . . . . . . . . . . . 4 ly selected from among your Favorite
ShiftGate . . . . . . . . . . . . . . . . . . . . . . 42 Step Number: The Step number cursor is Registers. If you have no Favorites, the de-
Hemisphere Apps . . . . . . . . 5 Shuffle 3��43 a blinking highlighted number showing fault will be A-1.
“A”SR . . . . . . . . . . . . . . . . . . . . . . . . . . 5 Skewed LFO . . . . . . . . . . . . . . . . . . . . 44 the current Step number. Use the right
AD EG . . . . . . . . . . . . . . . . . . . . . . . . . 6 Slew . . . . . . . . . . . . . . . . . . . . . . . . . 45 encoder to move through the existing To delete a Step, press the down button.
ADSR EG . . . . . . . . . . . . . . . . . . . . . . . 7 Squanch Shifting Quantizer . . . . . . . 46 steps. This will delete the currently-selected step,
Annular Fusion Euclidean Drummer . . 8 Switch . . . . . . . . . . . . . . . . . . . . . . . . 47 and the next Step up will now be selected.
Register: Choose a Register (from A-1 to
E-8). When the cursor is over the Register Play
selection, the Favorite status and length
Bow Tie Sequential . . . . . . . . . . . . . . 11 Trigger Sequencer 16 . . . . . . . . . . . . 51 Songs may be played from the Assign or
of the Register will be shown to the right.
Brancher . . . . . . . . . . . . . . . . . . . . . . 12 Trigger Sequencer . . . . . . . . . . . . . . . 52 Song screens, but the Play screen provides
Probability: Probability is checked each some extra setup and playback control.
Burst . . . . . . . . . . . . . . . . . . . . . . . . . 13 Tuner . . . . . . . . . . . . . . . . . . . . . . . . . 53
time the Register is advanced, allowing
Calculate . . . . . . . . . . . . . . . . . . . . . . 14 VectMorph . . . . . . . . . . . . . . . . . . . . 54 As with the Song screen, the right encoder
the Register to randomly change over
Carpeggio Cartesian Arpeggiator . . . 15 VectorEG . . . . . . . . . . . . . . . . . . . . . . 55 is used to select the Track. This screen is
time. Note that this only changes the
Clock Divider Multiplier . . . . . . . . . . 17 Vector LFO . . . . . . . . . . . . . . . . . . . . 56 Register on playback, and not in the formatted a bit differently, as a table with
Clock Skipper . . . . . . . . . . . . . . . . . . . 18 VectorMod . . . . . . . . . . . . . . . . . . . . 57 Library, regardless of the Register’s the following information:
Compare . . . . . . . . . . . . . . . . . . . . . . . 19 Voltage . . . . . . . . . . . . . . . . . . . . . . . 58 Favorite status. When a new step starts, Track Number
CV Recorder . . . . . . . . . . . . . . . . . . . . 20 Full Apps . . . . . . . . . . . 59 each Register is returned to its original
Track Step Location: Shows the Step
Dr. Crusher . . . . . . . . . . . . . . . . . . . . 21 Captain MIDI . . . . . . . . . . . . . . . . . . . 59 form in the Library.
number, and the number of times the
Dual Quantizer . . . . . . . . . . . . . . . . . 22 The Darkest Timeline 2 . . . . . . . . . . . 65 Number of Plays: A Register can be played Register has started playing during this
Enigma, Jr. . . . . . . . . . . . . . . . . . . . . . 23 Enigma . . . . . . . . . . . . . . . . . . . . . . . . 70 between 1 and 99 times for a single Step. step, after the semicolon
Envelope Follower . . . . . . . . . . . . . . 24 Neural Net . . . . . . . . . . . . . . . . . . . . 77 Transposition: For each Step, notes played Clock Divide value: Specifies how many
Gate Delay . . . . . . . . . . . . . . . . . . . . . 25 Scale Editor . . . . . . . . . . . . . . . . . . . . 81 from the Track can be transposed over an
Gated VCA . . . . . . . . . . . . . . . . . . . . . 26 clock pulses are required to advance the
Waveform Editor . . . . . . . . . . . . . . . . 83 eight-octave range, from -48 semitones Register on this track
LoFi-Tape . . . . . . . . . . . . . . . . . . . . . . 27 Pong . . . . . . . . . . . . . . . . . . . . . . . . . 86 to +48 semitones. Transposition is in
MIDI Out . . . . . . . . . . . . . . . . . . . . . . 32 One Shot/Loop: Specifies whether the Track Digital 4: Toggle between playback and
Mixer/Balance . . . . . . . . . . . . . . . . . . 34 plays once and stops, or loops. You can pause
Palimpsest Accent Sequencer . . . . . . 35 set up a short looping triggered rhythm CV 1: Gate Song End. When a high signal
Saving State . . . . . . . . . . . . . . . . . . . . . 2
RunglBook . . . . . . . . . . . . . . . . . . . . . 36 that plays alongside a longer melody; or, is sent to this input, the song will stop
Help Screens . . . . . . . . . . . . . . . . . . . . 3
Scale Duet Quantizer . . . . . . . . . . . . 37 a looping melodic ostinato that goes on playing when all non-looping Tracks have
Master Clock Forwarding . . . . . . . . . . 3 throughout a composition.
Category Filtering . . . . . . . . . . . . . . . . 3 Schmitt-Trigger . . . . . . . . . . . . . . . . . 38 ended. This can be used to end a song for
Scope . . . . . . . . . . . . . . . . . . . . . . . . . 39 Play Status: The play icon, solid, indicates recording, without having to fade out.
Screen Blanking . . . . . . . . . . . . . . . . . 3
Sequence5 . . . . . . . . . . . . . . . . . . . . . 40 that the Track is playing. The play icon, CV 2: Gate Song Repeat: When a high
Shift Register . . . . . . . . . . . . . . . . . . 41 blinking, indicates that the Track is signal is sent to this input, the song will
License . . . . . . . . . . . . . . . . . . . . . . . . . 4
ShiftGate . . . . . . . . . . . . . . . . . . . . . . 42 paused, but will continue playback when start over from the beginning when all
Hemisphere Apps . . . . . . . . 5 Shuffle 3��43 the up button is pressed. The stop icon non-looping Tracks have ended. When
“A”SR . . . . . . . . . . . . . . . . . . . . . . . . . . 5 Skewed LFO . . . . . . . . . . . . . . . . . . . . 44 indicates that the Track has run out of both CV 1 and CV 2 are un-gated, the
AD EG . . . . . . . . . . . . . . . . . . . . . . . . . 6 Slew . . . . . . . . . . . . . . . . . . . . . . . . . 45 material to play. default behavior is for looping Tracks to
ADSR EG . . . . . . . . . . . . . . . . . . . . . . . 7 Squanch Shifting Quantizer . . . . . . . 46 Pressing the right encoder button alter- just continue looping until otherwise
Annular Fusion Euclidean Drummer . . 8 Switch . . . . . . . . . . . . . . . . . . . . . . . . 47 nates between the Clock Divide and the stopped.
Binary Counter . . . . . . . . . . . . . . . . . . 9 Threshold Logic Neuron . . . . . . . . . . 48 Loop setting on the selected channel.
BootsNCat . . . . . . . . . . . . . . . . . . . . . 10 Trending . . . . . . . . . . . . . . . . . . . . . . 50 Storage
Bow Tie Sequential . . . . . . . . . . . . . . 11 Trigger Sequencer 16 . . . . . . . . . . . . 51 On the Play screen, the up button toggles Internal Storage
Brancher . . . . . . . . . . . . . . . . . . . . . . 12 Trigger Sequencer . . . . . . . . . . . . . . . 52 between playback and pause. The current
As with other Ornament and Crime applica-
Burst . . . . . . . . . . . . . . . . . . . . . . . . . 13 Tuner . . . . . . . . . . . . . . . . . . . . . . . . . 53 status is shown with an icon in the up-
tions, the state of the Ornament and Crime
VectMorph . . . . . . . . . . . . . . . . . . . . 54 per-right corner of the screen. The down
Calculate . . . . . . . . . . . . . . . . . . . . . . 14 can be stored by long-pressing the right
VectorEG . . . . . . . . . . . . . . . . . . . . . . 55 button resets the song to the beginning.
Carpeggio Cartesian Arpeggiator . . . 15 encoder button, and then long-pressing it
Clock Divider Multiplier . . . . . . . . . . 17 Vector LFO . . . . . . . . . . . . . . . . . . . . 56 CV Control a second time at the main menu. This will
Clock Skipper . . . . . . . . . . . . . . . . . . . 18 VectorMod . . . . . . . . . . . . . . . . . . . . 57 The Digital and CV inputs have the same store the following data for Enigma:
Compare . . . . . . . . . . . . . . . . . . . . . . . 19 Voltage . . . . . . . . . . . . . . . . . . . . . . . 58 function whenever a song is being played. • All 40 Registers in the Register Library
CV Recorder . . . . . . . . . . . . . . . . . . . . 20 Full Apps . . . . . . . . . . . 59 These controls are as follows: • The current output assignments (as seen
Dr. Crusher . . . . . . . . . . . . . . . . . . . . 21 Captain MIDI . . . . . . . . . . . . . . . . . . . 59 Digital 1: The master clock. Advances all on the Assign screen)
Dual Quantizer . . . . . . . . . . . . . . . . . 22 The Darkest Timeline 2 . . . . . . . . . . . 65 Tracks, observing the Clock Division of • 32 Steps of the current Song
Enigma, Jr. . . . . . . . . . . . . . . . . . . . . . 23 Enigma . . . . . . . . . . . . . . . . . . . . . . . . 70 each Track. This is the only CV control
Envelope Follower . . . . . . . . . . . . . . 24 Neural Net . . . . . . . . . . . . . . . . . . . . 77 • The Track settings, Clock Division and
that works in the Library
Gate Delay . . . . . . . . . . . . . . . . . . . . . 25 Scale Editor . . . . . . . . . . . . . . . . . . . . 81 One-Shot/Loop (as seen on the Play
Digital 2: Reset the song screen)
LoFi-Tape . . . . . . . . . . . . . . . . . . . . . . 27 Pong . . . . . . . . . . . . . . . . . . . . . . . . . 86 Digital 3: Reset the song and start playback The Ornament and Crime’s internal
Logic . . . . . . . . . . . . . . . . . . . . . . . . . 28 Backup and Restore . . . . . . . . . . . . . . 87 EEPROM is too small to save all 396 pos-
MIDI Out . . . . . . . . . . . . . . . . . . . . . . 32 sible song Steps, so it only saves the first current Register location, provided that is
Mixer/Balance . . . . . . . . . . . . . . . . . . 34 32 Steps. If the Song is longer than that, not marked as a Favorite. If it is, the incom-
Palimpsest Accent Sequencer . . . . . . 35 then only 32 Steps will be restored when ing dump will be ignored.
Saving State . . . . . . . . . . . . . . . . . . . . . 2
RunglBook . . . . . . . . . . . . . . . . . . . . . 36 the module is powered up again. To help
Help Screens . . . . . . . . . . . . . . . . . . . . 3 A single Register dump received outside
Scale Duet Quantizer . . . . . . . . . . . . 37 determine whether your entire song will
Master Clock Forwarding . . . . . . . . . . 3 the Library will be stored in its original lo-
Schmitt-Trigger . . . . . . . . . . . . . . . . . 38 be saved, there is a percentage counter in
Category Filtering . . . . . . . . . . . . . . . . 3 cation and--again--only if the current occu-
Scope . . . . . . . . . . . . . . . . . . . . . . . . . 39 the upper-right corner of the Song screen.
Screen Blanking . . . . . . . . . . . . . . . . . 3 pant of that location is not a Favorite.
Sequence5 . . . . . . . . . . . . . . . . . . . . . 40 When your song exceeds 32 steps in length,
Troubleshooting . . . . . . . . . . . . . . . . . 4 the percentage will be highlighted. To save
Shift Register . . . . . . . . . . . . . . . . . . 41
License . . . . . . . . . . . . . . . . . . . . . . . . . 4 the entire song, you’ll need to use System
ShiftGate . . . . . . . . . . . . . . . . . . . . . . 42
Hemisphere Apps . . . . . . . . 5 Shuffle 3��43 Exclusive storage (see below).
“A”SR . . . . . . . . . . . . . . . . . . . . . . . . . . 5 Skewed LFO . . . . . . . . . . . . . . . . . . . . 44 System Exclusive Storage
AD EG . . . . . . . . . . . . . . . . . . . . . . . . . 6 Slew . . . . . . . . . . . . . . . . . . . . . . . . . 45 As with all Hemisphere Suite applications,
ADSR EG . . . . . . . . . . . . . . . . . . . . . . . 7 Squanch Shifting Quantizer . . . . . . . 46 returning to the main menu with a long-
Annular Fusion Euclidean Drummer . . 8 Switch . . . . . . . . . . . . . . . . . . . . . . . . 47 press of the right encoder will initiate a
Binary Counter . . . . . . . . . . . . . . . . . . 9 Threshold Logic Neuron . . . . . . . . . . 48 SysEx dump of all app data. For Enigma,
BootsNCat . . . . . . . . . . . . . . . . . . . . . 10 Trending . . . . . . . . . . . . . . . . . . . . . . 50 this includes the entire Register Library, the
Bow Tie Sequential . . . . . . . . . . . . . . 11 Trigger Sequencer 16 . . . . . . . . . . . . 51 current output assignments, all Steps of the
Brancher . . . . . . . . . . . . . . . . . . . . . . 12 Trigger Sequencer . . . . . . . . . . . . . . . 52 current song, and the Track settings. If you
Burst . . . . . . . . . . . . . . . . . . . . . . . . . 13 Tuner . . . . . . . . . . . . . . . . . . . . . . . . . 53 save this data with a SysEx Librarian, you
Calculate . . . . . . . . . . . . . . . . . . . . . . 14 VectMorph . . . . . . . . . . . . . . . . . . . . 54 can dump it back any time Enigma is run-
Carpeggio Cartesian Arpeggiator . . . 15 VectorEG . . . . . . . . . . . . . . . . . . . . . . 55 ning to restore the entire app state.
VectorMod . . . . . . . . . . . . . . . . . . . . 57 You may initiate dumps of subsets of infor-
Clock Skipper . . . . . . . . . . . . . . . . . . . 18
Voltage . . . . . . . . . . . . . . . . . . . . . . . 58 mation by long-pressing the left encoder
Compare . . . . . . . . . . . . . . . . . . . . . . . 19
button. In the Library, this will dump all 40
CV Recorder . . . . . . . . . . . . . . . . . . . . 20 Full Apps . . . . . . . . . . . 59 Registers; on the Assign screen, it will dump
Dr. Crusher . . . . . . . . . . . . . . . . . . . . 21 Captain MIDI . . . . . . . . . . . . . . . . . . . 59 the output assignments; on the Song or
Dual Quantizer . . . . . . . . . . . . . . . . . 22 The Darkest Timeline 2 . . . . . . . . . . . 65 Play screen, this will dump the Song’s steps
Enigma, Jr. . . . . . . . . . . . . . . . . . . . . . 23 Enigma . . . . . . . . . . . . . . . . . . . . . . . . 70 and Track settings.
Gate Delay . . . . . . . . . . . . . . . . . . . . . 25 Scale Editor . . . . . . . . . . . . . . . . . . . . 81 When you mark a Register as a Favorite in
Gated VCA . . . . . . . . . . . . . . . . . . . . . 26 Waveform Editor . . . . . . . . . . . . . . . . 83 the Library, Enigma will send SysEx for the
LoFi-Tape . . . . . . . . . . . . . . . . . . . . . . 27 Pong . . . . . . . . . . . . . . . . . . . . . . . . . 86 single Register. If you send this SysEx back
Logic . . . . . . . . . . . . . . . . . . . . . . . . . 28 Backup and Restore . . . . . . . . . . . . . . 87 while in the Library, it will be saved to the
MIDI Out . . . . . . . . . . . . . . . . . . . . . . 32
Mixer/Balance . . . . . . . . . . . . . . . . . . 34 Neural Net
Saving State . . . . . . . . . . . . . . . . . . . . . 2 Palimpsest Accent Sequencer . . . . . . 35 Neural Net is a highly-configurable logic is long-pressed, the active Setup may be
Help Screens . . . . . . . . . . . . . . . . . . . . 3 RunglBook . . . . . . . . . . . . . . . . . . . . . 36 processor with six Neurons, each of which copied to another Setup.
Scale Duet Quantizer . . . . . . . . . . . . 37 can contain one of 11 different logic gates,
Schmitt-Trigger . . . . . . . . . . . . . . . . . 38 including a Threshold Logic Neuron. Selection Screen
Scope . . . . . . . . . . . . . . . . . . . . . . . . . 39 Sources for each logic gate can be any of The Selection Screen shows an overview of
Screen Blanking . . . . . . . . . . . . . . . . . 3
Sequence5 . . . . . . . . . . . . . . . . . . . . . 40 the eight inputs, any of the six Neurons, or all six Neurons, all inputs, and all outputs.
Troubleshooting . . . . . . . . . . . . . . . . . 4 Use the left encoder to choose a different
Shift Register . . . . . . . . . . . . . . . . . . 41 a consistent ON/OFF value. Four Setups can
License . . . . . . . . . . . . . . . . . . . . . . . . . 4 Neuron, or the outputs.
ShiftGate . . . . . . . . . . . . . . . . . . . . . . 42 be saved for later use, and Setups can be
Hemisphere Apps . . . . . . . . 5 Shuffle 3��43 saved and loaded via MIDI system exclusive.
The inputs are on the left side, with the
“A”SR . . . . . . . . . . . . . . . . . . . . . . . . . . 5 Skewed LFO . . . . . . . . . . . . . . . . . . . . 44
AD EG . . . . . . . . . . . . . . . . . . . . . . . . . 6 Slew . . . . . . . . . . . . . . . . . . . . . . . . . 45 Basic Controls and Navigation Digital inputs (1-4) under the D, and the
Control Voltage inputs (1-4) under the V.
ADSR EG . . . . . . . . . . . . . . . . . . . . . . . 7 Squanch Shifting Quantizer . . . . . . . 46 Neural Net has two basic setup screens, When an input is high, its corresponding
Annular Fusion Euclidean Drummer . . 8 Switch . . . . . . . . . . . . . . . . . . . . . . . . 47 the Selection Screen (which shows all six number’s display is reversed.
Binary Counter . . . . . . . . . . . . . . . . . . 9 Threshold Logic Neuron . . . . . . . . . . 48 Neurons), and the Edit Screen (which allows
BootsNCat . . . . . . . . . . . . . . . . . . . . . 10 Trending . . . . . . . . . . . . . . . . . . . . . . 50 editing and monitoring of a single Neuron). The outputs (A-D) are on the right side.
Bow Tie Sequential . . . . . . . . . . . . . . 11 Trigger Sequencer 16 . . . . . . . . . . . . 51 The controls work exactly the same way on When an output is high, its corresponding
Brancher . . . . . . . . . . . . . . . . . . . . . . 12 Trigger Sequencer . . . . . . . . . . . . . . . 52 both screens, but some changes are only letter’s display is reversed. If the outputs are
Burst . . . . . . . . . . . . . . . . . . . . . . . . . 13 Tuner . . . . . . . . . . . . . . . . . . . . . . . . . 53 visible from the Edit Screen. selected, a blinking line will appear to the
Calculate . . . . . . . . . . . . . . . . . . . . . . 14 VectMorph . . . . . . . . . . . . . . . . . . . . 54 left of the outputs.
Left Encoder: Specifies what is being edit-
Carpeggio Cartesian Arpeggiator . . . 15 VectorEG . . . . . . . . . . . . . . . . . . . . . . 55 ed. It can be any of the six Neurons, or The six Neurons are in the center, with
Clock Divider Multiplier . . . . . . . . . . 17 Vector LFO . . . . . . . . . . . . . . . . . . . . 56 the Output assignments. Neurons #1, #3, and #5 at the top, and
Clock Skipper . . . . . . . . . . . . . . . . . . . 18 VectorMod . . . . . . . . . . . . . . . . . . . . 57 Left Encoder Press: Alternates between the Neurons #2, #4, and #6 at the bottom. Each
Compare . . . . . . . . . . . . . . . . . . . . . . . 19 Voltage . . . . . . . . . . . . . . . . . . . . . . . 58 Selection Screen and the Edit Screen. Neuron shows the symbol of its selected
CV Recorder . . . . . . . . . . . . . . . . . . . . 20 Full Apps . . . . . . . . . . . 59 Left Encoder Long-Press: Toggles the All logic gate. If a Neuron is selected, the logic
Dr. Crusher . . . . . . . . . . . . . . . . . . . . 21 Captain MIDI . . . . . . . . . . . . . . . . . . . 59 Connections display. gate type’s name will blink, and lines from
Dual Quantizer . . . . . . . . . . . . . . . . . 22 The Darkest Timeline 2 . . . . . . . . . . . 65 the Neuron’s source(s) and dotted lines to
Right Encoder: Changes the value at the assigned outputs (if any) will be displayed.
Enigma, Jr. . . . . . . . . . . . . . . . . . . . . . 23 Enigma . . . . . . . . . . . . . . . . . . . . . . . . 70 cursor.
Envelope Follower . . . . . . . . . . . . . . 24 Neural Net . . . . . . . . . . . . . . . . . . . . 77 Note: When a new Neuron is selected, the
Gate Delay . . . . . . . . . . . . . . . . . . . . . 25 Right Encoder Press: Advances the cursor.
Scale Editor . . . . . . . . . . . . . . . . . . . . 81 Neuron’s editing cursor is reset to the logic
Gated VCA . . . . . . . . . . . . . . . . . . . . . 26 Waveform Editor . . . . . . . . . . . . . . . . 83 Up/Down Buttons: Selects which Setup gate type. This means that you can use the
LoFi-Tape . . . . . . . . . . . . . . . . . . . . . . 27 Pong . . . . . . . . . . . . . . . . . . . . . . . . . 86 (from 1-4) is active. If the down button
MIDI Out . . . . . . . . . . . . . . . . . . . . . . 32 right encoder to set the gate type without 2, CV 3, CV 4, Neuron 1, Neuron 2, Neuron 3,
Mixer/Balance . . . . . . . . . . . . . . . . . . 34 having to go to the Edit screen. Neuron 4, ON, and OFF.
Saving State . . . . . . . . . . . . . . . . . . . . . 2 Palimpsest Accent Sequencer . . . . . . 35 Another Note: Actually, you never have to Edit Screen Parameter Names
Help Screens . . . . . . . . . . . . . . . . . . . . 3 RunglBook . . . . . . . . . . . . . . . . . . . . . 36 go to the edit screen. Since the controls The meanings of the parameters you’ll see
Master Clock Forwarding . . . . . . . . . . 3 Scale Duet Quantizer . . . . . . . . . . . . 37 work the same way on both screens, you on the Edit Screen are below. See Logic
Category Filtering . . . . . . . . . . . . . . . . 3 Schmitt-Trigger . . . . . . . . . . . . . . . . . 38 can cursor through the parameters and Gate Reference for details about what the
Screen Blanking . . . . . . . . . . . . . . . . . 3 Scope . . . . . . . . . . . . . . . . . . . . . . . . . 39 change everything right from the Selection settings actually do.
Sequence5 . . . . . . . . . . . . . . . . . . . . . 40 Screen. But it’s hard to do that blind, and
Shift Register . . . . . . . . . . . . . . . . . . 41 you’ll probably want to go to the Edit Opd: Source of an operand of a logical
License . . . . . . . . . . . . . . . . . . . . . . . . . 4 operation (NOT, AND, OR, XOR, etc.). All
ShiftGate . . . . . . . . . . . . . . . . . . . . . . 42 Screen.
Hemisphere Apps . . . . . . . . 5 Shuffle 3��43 operands in a logical gate are “commuta-
“A”SR . . . . . . . . . . . . . . . . . . . . . . . . . . 5 Skewed LFO . . . . . . . . . . . . . . . . . . . . 44 Long-press the left encoder to turn on All tive,” meaning that the resulting state will
AD EG . . . . . . . . . . . . . . . . . . . . . . . . . 6 Slew . . . . . . . . . . . . . . . . . . . . . . . . . 45 Connections. This will show source and as- be the same regardless of the order of
ADSR EG . . . . . . . . . . . . . . . . . . . . . . . 7 Squanch Shifting Quantizer . . . . . . . 46 signment lines for all Neurons and outputs. the operands.
Annular Fusion Euclidean Drummer . . 8 Switch . . . . . . . . . . . . . . . . . . . . . . . . 47 Long-press the left encoder again to turn Data: Source of the Data input for the Data
Binary Counter . . . . . . . . . . . . . . . . . . 9 Threshold Logic Neuron . . . . . . . . . . 48 off All Connections. Flip-Flop.
Edit Screen Toggl: Source of the Toggle input for the
Toggle Flip-Flop.
Brancher . . . . . . . . . . . . . . . . . . . . . . 12 Trigger Sequencer . . . . . . . . . . . . . . . 52 Press the left encoder button to alternate
between the Selection Screen and the Edit Clock: Source of the Clock input for the
Burst . . . . . . . . . . . . . . . . . . . . . . . . . 13 Tuner . . . . . . . . . . . . . . . . . . . . . . . . . 53 Flip-Flop.
VectMorph . . . . . . . . . . . . . . . . . . . . 54 Screen.
Calculate . . . . . . . . . . . . . . . . . . . . . . 14
VectorEG . . . . . . . . . . . . . . . . . . . . . . 55 Set: Source of the Set input for the Set-
Carpeggio Cartesian Arpeggiator . . . 15 The Edit Screen is split into two halves. The
Vector LFO . . . . . . . . . . . . . . . . . . . . 56 Reset Latch.
Clock Divider Multiplier . . . . . . . . . . 17 left half of the screen shows the logic gate
Clock Skipper . . . . . . . . . . . . . . . . . . . 18 VectorMod . . . . . . . . . . . . . . . . . . . . 57 type and the Neuron’s parameters. The Reset: Source of the Reset input for the Set-
Compare . . . . . . . . . . . . . . . . . . . . . . . 19 Voltage . . . . . . . . . . . . . . . . . . . . . . . 58 right half of the screen shows the logic gate Reset Latch.
CV Recorder . . . . . . . . . . . . . . . . . . . . 20 Full Apps . . . . . . . . . . . 59 symbol, along with its inputs and output Den 1-3: Source of a Dendrite input for the
Dr. Crusher . . . . . . . . . . . . . . . . . . . . 21 Captain MIDI . . . . . . . . . . . . . . . . . . . 59 state. For the Threshold Logic Neuron, the Threshold Logic Neuron.
Dual Quantizer . . . . . . . . . . . . . . . . . 22 The Darkest Timeline 2 . . . . . . . . . . . 65 right half of the screen also allows editing Output Assignment
Enigma, Jr. . . . . . . . . . . . . . . . . . . . . . 23 Enigma . . . . . . . . . . . . . . . . . . . . . . . . 70 of weights and threshold.
When the outputs are selected, the Edit
Envelope Follower . . . . . . . . . . . . . . 24 Neural Net . . . . . . . . . . . . . . . . . . . . 77 Press the right encoder button to advance Screen shows Outputs A-D, with a Neuron
Gate Delay . . . . . . . . . . . . . . . . . . . . . 25 Scale Editor . . . . . . . . . . . . . . . . . . . . 81 the cursor, and turn the right encoder to assigned to each. The state of the select-
Gated VCA . . . . . . . . . . . . . . . . . . . . . 26 Waveform Editor . . . . . . . . . . . . . . . . 83 change the value. The following sources are ed Neurons will be sent to the specified
LoFi-Tape . . . . . . . . . . . . . . . . . . . . . . 27 Pong . . . . . . . . . . . . . . . . . . . . . . . . . 86 available: Dig 1, Dig 2, Dig 3, Dig 4, CV 1, CV outputs.
Launching Hemisphere . . . . . . . . . . . . . 2 MIDI Out . . . . . . . . . . . . . . . . . . . . . . 32 Logic Gate Reference ON if and only if the sum of the weights
Mixer/Balance . . . . . . . . . . . . . . . . . . 34 • NOT is a unary (single-input) gate whose of ON inputs (dendrites) exceeds its
Palimpsest Accent Sequencer . . . . . . 35 state is the opposite of its operand. AND specified threshold. See Threshold Logic
Saving State . . . . . . . . . . . . . . . . . . . . . 2
RunglBook . . . . . . . . . . . . . . . . . . . . . 36 is a binary (two-input) gate whose state Neuron for more information about
Help Screens . . . . . . . . . . . . . . . . . . . . 3
Scale Duet Quantizer . . . . . . . . . . . . 37 is ON if and only if both of its operands Threshold Logic Neurons.
Category Filtering . . . . . . . . . . . . . . . . 3 Schmitt-Trigger . . . . . . . . . . . . . . . . . 38 are ON. Setups
Screen Blanking . . . . . . . . . . . . . . . . . 3 Scope . . . . . . . . . . . . . . . . . . . . . . . . . 39 • OR is a binary gate whose state is ON if
Sequence5 . . . . . . . . . . . . . . . . . . . . . 40 Neural Net has four independent Setups.
Troubleshooting . . . . . . . . . . . . . . . . . 4 and only if at least one of its operands A Setup consists of information for Neuron
Shift Register . . . . . . . . . . . . . . . . . . 41 are ON.
License . . . . . . . . . . . . . . . . . . . . . . . . . 4 logic gate assignments, source assign-
ShiftGate . . . . . . . . . . . . . . . . . . . . . . 42
Hemisphere Apps . . . . . . . . 5 • XOR is a binary gate whose state is ON ments, and output assignments. Use the
Shuffle 3��43
“A”SR . . . . . . . . . . . . . . . . . . . . . . . . . . 5 if and only if exactly one of its operands Up and Down buttons to change the active
Skewed LFO . . . . . . . . . . . . . . . . . . . . 44
AD EG . . . . . . . . . . . . . . . . . . . . . . . . . 6 is ON. Setup. The active Setup number is shown at
Slew . . . . . . . . . . . . . . . . . . . . . . . . . 45
ADSR EG . . . . . . . . . . . . . . . . . . . . . . . 7 • NAND is a binary gate whose state is ON the top of all of the Setup screens.
Annular Fusion Euclidean Drummer . . 8 Switch . . . . . . . . . . . . . . . . . . . . . . . . 47 if and only if both of its operands are OFF. Copying Setups
Binary Counter . . . . . . . . . . . . . . . . . . 9 Threshold Logic Neuron . . . . . . . . . . 48 NOR is a binary gate whose state is ON
if and only if at least one of its operands To copy the information for the active
BootsNCat . . . . . . . . . . . . . . . . . . . . . 10 Trending . . . . . . . . . . . . . . . . . . . . . . 50 Setup to another Setup, long-press the
Bow Tie Sequential . . . . . . . . . . . . . . 11 Trigger Sequencer 16 . . . . . . . . . . . . 51 are OFF.
Down button. When you release the but-
Brancher . . . . . . . . . . . . . . . . . . . . . . 12 Trigger Sequencer . . . . . . . . . . . . . . . 52 • XNOR is a binary gate whose state is ON ton, a Copy screen will open. Choose the
Burst . . . . . . . . . . . . . . . . . . . . . . . . . 13 Tuner . . . . . . . . . . . . . . . . . . . . . . . . . 53 if and only if both of its operands are the copy’s destination with the Up and Down
Calculate . . . . . . . . . . . . . . . . . . . . . . 14 VectMorph . . . . . . . . . . . . . . . . . . . . 54 same value. buttons, and then push the right encoder
Carpeggio Cartesian Arpeggiator . . . 15 VectorEG . . . . . . . . . . . . . . . . . . . . . . 55 • D-FF is a Data Flip-Flop. When its Clock (“[Copy]”) to execute the copy. To leave the
Clock Divider Multiplier . . . . . . . . . . 17 Vector LFO . . . . . . . . . . . . . . . . . . . . 56 input goes high, its state becomes the Copy screen without changing any data,
Clock Skipper . . . . . . . . . . . . . . . . . . . 18 VectorMod . . . . . . . . . . . . . . . . . . . . 57 value of its Data input. push the left encoder (“[Cancel]”) or long-
Compare . . . . . . . . . . . . . . . . . . . . . . . 19 Voltage . . . . . . . . . . . . . . . . . . . . . . . 58 • T-FF is a Toggle Flip-Flop. When its Clock press the Down button again.
CV Recorder . . . . . . . . . . . . . . . . . . . . 20 Full Apps . . . . . . . . . . . 59 input goes high, its state flips if the value If you select a Setup as its own copy des-
Dr. Crusher . . . . . . . . . . . . . . . . . . . . 21 Captain MIDI . . . . . . . . . . . . . . . . . . . 59 of its Toggle input is ON. tination, the display will change to a SysEx
Dual Quantizer . . . . . . . . . . . . . . . . . 22 The Darkest Timeline 2 . . . . . . . . . . . 65 • Latch is a Set-Reset NOR Latch. When its dump screen. The right encoder option
Enigma, Jr. . . . . . . . . . . . . . . . . . . . . . 23 Enigma . . . . . . . . . . . . . . . . . . . . . . . . 70 Set input goes ON, its state becomes ON. becomes “[Dump]”. If you push the right
Envelope Follower . . . . . . . . . . . . . . 24 Neural Net . . . . . . . . . . . . . . . . . . . . 77 When its Reset input goes ON, its state encoder, Neural Net will send a system
Gate Delay . . . . . . . . . . . . . . . . . . . . . 25 Scale Editor . . . . . . . . . . . . . . . . . . . . 81 becomes OFF. exclusive file containing the data for the
Gated VCA . . . . . . . . . . . . . . . . . . . . . 26 Waveform Editor . . . . . . . . . . . . . . . . 83 • TL Neuron is a Threshold Logic Neuron, a active Setup.
LoFi-Tape . . . . . . . . . . . . . . . . . . . . . . 27 Pong . . . . . . . . . . . . . . . . . . . . . . . . . 86 ternary (triple-input) gate whose state is
Launching Hemisphere . . . . . . . . . . . . . 2 MIDI Out . . . . . . . . . . . . . . . . . . . . . . 32 Saving Setups new Setup data, Neural Net will return
Mixer/Balance . . . . . . . . . . . . . . . . . . 34 There are two ways to save Setup data. to its previously-saved state at the next
Palimpsest Accent Sequencer . . . . . . 35 power-up.
Saving State . . . . . . . . . . . . . . . . . . . . . 2 Save all four Setups in the module: Long-
press the left encoder to get to the main
menu, then long-press the left encoder
again to save data for all apps. A solid
rectangle will expand from the middle of
Sequence5 . . . . . . . . . . . . . . . . . . . . . 40
Troubleshooting . . . . . . . . . . . . . . . . . 4 the screen to confirm the save operation.
Shift Register . . . . . . . . . . . . . . . . . . 41
License . . . . . . . . . . . . . . . . . . . . . . . . . 4 The Ornament and Crime module will
ShiftGate . . . . . . . . . . . . . . . . . . . . . . 42
Hemisphere Apps . . . . . . . . 5 recall the saved Setups on power-up.
Shuffle 3��43
“A”SR . . . . . . . . . . . . . . . . . . . . . . . . . . 5 Skewed LFO . . . . . . . . . . . . . . . . . . . . 44 Save using MIDI system exclusive: Follow
AD EG . . . . . . . . . . . . . . . . . . . . . . . . . 6 Slew . . . . . . . . . . . . . . . . . . . . . . . . . 45 the SysEx dump procedure from the
ADSR EG . . . . . . . . . . . . . . . . . . . . . . . 7 Squanch Shifting Quantizer . . . . . . . 46 Copying Setups section above, and
Annular Fusion Euclidean Drummer . . 8 Switch . . . . . . . . . . . . . . . . . . . . . . . . 47 capture the system exclusive dump with
Binary Counter . . . . . . . . . . . . . . . . . . 9 Threshold Logic Neuron . . . . . . . . . . 48 SysEx librarian software. The restore a
Trending . . . . . . . . . . . . . . . . . . . . . . 50 Setup from a SysEx dump, simply send
BootsNCat . . . . . . . . . . . . . . . . . . . . . 10
the SysEx file back to the module when-
ever Neural Net is running.
Burst . . . . . . . . . . . . . . . . . . . . . . . . . 13 Tuner . . . . . . . . . . . . . . . . . . . . . . . . . 53 Shortcut: When you long-press the right en-
Calculate . . . . . . . . . . . . . . . . . . . . . . 14 VectMorph . . . . . . . . . . . . . . . . . . . . 54 coder to go to the main menu, the current
Carpeggio Cartesian Arpeggiator . . . 15 VectorEG . . . . . . . . . . . . . . . . . . . . . . 55 Setup’s data also is dumped via SysEx.
Clock Divider Multiplier . . . . . . . . . . 17 Vector LFO . . . . . . . . . . . . . . . . . . . . 56 Notes about System Exclusive:
• A Setup from a received SysEx dump will
Compare . . . . . . . . . . . . . . . . . . . . . . . 19 Voltage . . . . . . . . . . . . . . . . . . . . . . . 58
always be placed in the active Setup, re-
CV Recorder . . . . . . . . . . . . . . . . . . . . 20 Full Apps . . . . . . . . . . . 59 gardless of the Setup’s original location.
Dr. Crusher . . . . . . . . . . . . . . . . . . . . 21 Captain MIDI . . . . . . . . . . . . . . . . . . . 59 • You can use system exclusive to change
Dual Quantizer . . . . . . . . . . . . . . . . . 22 The Darkest Timeline 2 . . . . . . . . . . . 65 Neural Net in an automated way during a
Enigma, Jr. . . . . . . . . . . . . . . . . . . . . . 23 Enigma . . . . . . . . . . . . . . . . . . . . . . . . 70 performance.
• Data received from a SysEx dump will
overwrite Setups in memory, but not
data saved via the first save method;
LoFi-Tape . . . . . . . . . . . . . . . . . . . . . . 27 Pong . . . . . . . . . . . . . . . . . . . . . . . . . 86 that is, unless you long-press to save the
MIDI Out . . . . . . . . . . . . . . . . . . . . . . 32
Mixer/Balance . . . . . . . . . . . . . . . . . . 34 Scale Editor
Saving State . . . . . . . . . . . . . . . . . . . . . 2 Palimpsest Accent Sequencer . . . . . . 35 https://www.youtube.com/ cents sharp or flat. Pressing the left en-
Help Screens . . . . . . . . . . . . . . . . . . . . 3 RunglBook . . . . . . . . . . . . . . . . . . . . . 36 watch?v=UKX79rkSdIQ coder undoes the most recent note value
Master Clock Forwarding . . . . . . . . . . 3 Scale Duet Quantizer . . . . . . . . . . . . 37 change. Long-pressing the left encoder
Scale Editor is a standalone application for
Schmitt-Trigger . . . . . . . . . . . . . . . . . 38 sends a system exclusive dump of the
Category Filtering . . . . . . . . . . . . . . . . 3 editing and managing user-defined micro-
Scope . . . . . . . . . . . . . . . . . . . . . . . . . 39 current scale data.
Screen Blanking . . . . . . . . . . . . . . . . . 3 tonal scales, and importing scales from the
Sequence5 . . . . . . . . . . . . . . . . . . . . . 40 Up/Down: Chooses the user scale. Long-
Troubleshooting . . . . . . . . . . . . . . . . . 4 internal scale library, or via system exclu-
Shift Register . . . . . . . . . . . . . . . . . . 41 pressing the Down button opens the
License . . . . . . . . . . . . . . . . . . . . . . . . . 4 sive. A web-based Scala-to-Hemisphere
ShiftGate . . . . . . . . . . . . . . . . . . . . . . 42 Suite converter is available (http://www. Import screen.
Hemisphere Apps . . . . . . . . 5 Shuffle 3��43 beigemaze.com/scala), which can gen-
“A”SR . . . . . . . . . . . . . . . . . . . . . . . . . . 5 Skewed LFO . . . . . . . . . . . . . . . . . . . . 44 Choosing a User Scale
erate system exclusive files from Scala
AD EG . . . . . . . . . . . . . . . . . . . . . . . . . 6 Slew . . . . . . . . . . . . . . . . . . . . . . . . . 45 Press the Up and Down buttons to choose a
documents.
ADSR EG . . . . . . . . . . . . . . . . . . . . . . . 7 Squanch Shifting Quantizer . . . . . . . 46 scale (from USER1 to USER4).
Annular Fusion Euclidean Drummer . . 8 Switch . . . . . . . . . . . . . . . . . . . . . . . . 47 Basic Controls and Navigation
Binary Counter . . . . . . . . . . . . . . . . . . 9 Threshold Logic Neuron . . . . . . . . . . 48 CV Input 1/Output A: CV 1 is input for un-
Selecting and Editing Notes
BootsNCat . . . . . . . . . . . . . . . . . . . . . 10 Trending . . . . . . . . . . . . . . . . . . . . . . 50 quantized pitch CV. The quantized pitch Use the right encoder to choose which note
Bow Tie Sequential . . . . . . . . . . . . . . 11 Trigger Sequencer 16 . . . . . . . . . . . . 51 appears at Output A, using the current- you’re currently editing. The value of the
Brancher . . . . . . . . . . . . . . . . . . . . . . 12 Trigger Sequencer . . . . . . . . . . . . . . . 52 ly-selected user scale. Pitch is quantized note, in cents from the root, is shown at the
Burst . . . . . . . . . . . . . . . . . . . . . . . . . 13 Tuner . . . . . . . . . . . . . . . . . . . . . . . . . 53 in real time bottom of the display.
Calculate . . . . . . . . . . . . . . . . . . . . . . 14 VectMorph . . . . . . . . . . . . . . . . . . . . 54 CV Output B: Quantized pitch for the cur- Turn the left encoder to change the value
Carpeggio Cartesian Arpeggiator . . . 15 VectorEG . . . . . . . . . . . . . . . . . . . . . . 55 rently-selected user scale and the select- by as little as 1.28 cents. Turn clockwise for
Clock Divider Multiplier . . . . . . . . . . 17 Vector LFO . . . . . . . . . . . . . . . . . . . . 56 ed note. sharp, and counterclockwise for flat. Note
Right Encoder: Selects note or length. Push values cannot overlap or exceed adjacent
Compare . . . . . . . . . . . . . . . . . . . . . . . 19 Voltage . . . . . . . . . . . . . . . . . . . . . . . 58 nodes, so the range of each note will be
the right encoder button to toggle be-
CV Recorder . . . . . . . . . . . . . . . . . . . . 20 Full Apps . . . . . . . . . . . 59 tween those two functions. For Output constrained based on the settings of the
Dr. Crusher . . . . . . . . . . . . . . . . . . . . 21 Captain MIDI . . . . . . . . . . . . . . . . . . . 59 B, note selection can be used to set the next note.
Dual Quantizer . . . . . . . . . . . . . . . . . 22 The Darkest Timeline 2 . . . . . . . . . . . 65 octave of the currently-selected note’s
Enigma, Jr. . . . . . . . . . . . . . . . . . . . . . 23 Enigma . . . . . . . . . . . . . . . . . . . . . . . . 70 output. On the Import screen, the right Undo
Envelope Follower . . . . . . . . . . . . . . 24 Neural Net . . . . . . . . . . . . . . . . . . . . 77 encoder chooses the scale, and the right If you make a mistake, you don’t need to
Gate Delay . . . . . . . . . . . . . . . . . . . . . 25 Scale Editor . . . . . . . . . . . . . . . . . . . . 81 encoder button executes the import. remember the old value of the note. Press
Gated VCA . . . . . . . . . . . . . . . . . . . . . 26 Waveform Editor . . . . . . . . . . . . . . . . 83 Left Encoder: Changes the value of the the left encoder button to undo a note
LoFi-Tape . . . . . . . . . . . . . . . . . . . . . . 27 Pong . . . . . . . . . . . . . . . . . . . . . . . . . 86 currently-selected note by as little as 1.28 value change. You can undo a change until
Logic . . . . . . . . . . . . . . . . . . . . . . . . . 28 Backup and Restore . . . . . . . . . . . . . . 87 you select a different note.
Launching Hemisphere . . . . . . . . . . . . . 2 MIDI Out . . . . . . . . . . . . . . . . . . . . . . 32 Monitoring rent user scale, press the right encoder
Mixer/Balance . . . . . . . . . . . . . . . . . . 34 (“[IMPORT]”). If you change your mind,
Selecting Applets . . . . . . . . . . . . . . . . . 2 You can hear the changes you’re making
Palimpsest Accent Sequencer . . . . . . 35 press the left encoder (“[CANCEL]”).
Saving State . . . . . . . . . . . . . . . . . . . . . 2 in real time with two different monitoring
RunglBook . . . . . . . . . . . . . . . . . . . . . 36
Help Screens . . . . . . . . . . . . . . . . . . . . 3
methods. Both methods update pitch in System Exclusive
Master Clock Forwarding . . . . . . . . . . 3 real time as you make changes:
Schmitt-Trigger . . . . . . . . . . . . . . . . . 38 You may initiate a MIDI system exclusive
Category Filtering . . . . . . . . . . . . . . . . 3 Full Scale Monitoring: Patch unquantized
Scope . . . . . . . . . . . . . . . . . . . . . . . . . 39 dump of the current scale by long-pressing
Screen Blanking . . . . . . . . . . . . . . . . . 3 CV into Input 1, and patch Output A into the left encoder, or by long-pressing the
Sequence5 . . . . . . . . . . . . . . . . . . . . . 40
Troubleshooting . . . . . . . . . . . . . . . . . 4 an oscillator. Output A will continuously right encoder to return to the main menu.
Shift Register . . . . . . . . . . . . . . . . . . 41
License . . . . . . . . . . . . . . . . . . . . . . . . . 4 quantize Input 1 according to the cur- You may capture the system exclusive
ShiftGate . . . . . . . . . . . . . . . . . . . . . . 42
Hemisphere Apps . . . . . . . . 5 Shuffle 3��43 rently- selected scale. The octave played dump with a sysex librarian program on a
“A”SR . . . . . . . . . . . . . . . . . . . . . . . . . . 5 Skewed LFO . . . . . . . . . . . . . . . . . . . . 44 will correspond to the input. connected computer.
AD EG . . . . . . . . . . . . . . . . . . . . . . . . . 6 Slew . . . . . . . . . . . . . . . . . . . . . . . . . 45 Selected Note Monitoring: Output B will
To restore a scale from a sysex dump, sim-
ADSR EG . . . . . . . . . . . . . . . . . . . . . . . 7 Squanch Shifting Quantizer . . . . . . . 46 continuously output the quantized value
ply initiate the dump from the computer
Annular Fusion Euclidean Drummer . . 8 Switch . . . . . . . . . . . . . . . . . . . . . . . . 47 of the currently-selected note. You can
while Scale Editor is running. The received
Binary Counter . . . . . . . . . . . . . . . . . . 9 Threshold Logic Neuron . . . . . . . . . . 48 change the note’s octave (within a 5-oc-
scale will be placed into the current-
BootsNCat . . . . . . . . . . . . . . . . . . . . . 10 Trending . . . . . . . . . . . . . . . . . . . . . . 50 tave range) by turning the right encoder
ly-selected scale.
Bow Tie Sequential . . . . . . . . . . . . . . 11 Trigger Sequencer 16 . . . . . . . . . . . . 51 beyond the first or last note.
Brancher . . . . . . . . . . . . . . . . . . . . . . 12 Trigger Sequencer . . . . . . . . . . . . . . . 52 Changing Scale Length Scala Format Import
Burst . . . . . . . . . . . . . . . . . . . . . . . . . 13 Tuner . . . . . . . . . . . . . . . . . . . . . . . . . 53 With the help of a web-based tool (http://
VectMorph . . . . . . . . . . . . . . . . . . . . 54 User scales may contain between 4 and 16
Calculate . . . . . . . . . . . . . . . . . . . . . . 14 www.beigemaze.com/scala), you can bring
VectorEG . . . . . . . . . . . . . . . . . . . . . . 55 notes. Press the right encoder button to
Carpeggio Cartesian Arpeggiator . . . 15 Scala scales into Scale Editor. Upload (or
enter the Scale Length screen. The display
Clock Divider Multiplier . . . . . . . . . . 17 Vector LFO . . . . . . . . . . . . . . . . . . . . 56 paste) your Scala into the tool, and down-
will show the number of notes. Now, use
Clock Skipper . . . . . . . . . . . . . . . . . . . 18 VectorMod . . . . . . . . . . . . . . . . . . . . 57 load the SysEx file. See “System Exclusive”
the right encoder to choose the number
Compare . . . . . . . . . . . . . . . . . . . . . . . 19 Voltage . . . . . . . . . . . . . . . . . . . . . . . 58 (above) for how to send the file to Scale
of notes. When you’re done, press the right
CV Recorder . . . . . . . . . . . . . . . . . . . . 20 Full Apps . . . . . . . . . . . 59 encoder to return to the Note Edit screen. Editor.
Dr. Crusher . . . . . . . . . . . . . . . . . . . . 21 Captain MIDI . . . . . . . . . . . . . . . . . . . 59 For your convenience, sysex files for about
Dual Quantizer . . . . . . . . . . . . . . . . . 22 The Darkest Timeline 2 . . . . . . . . . . . 65 Importing Scales 3000 scales from the Scala Scale Archive are
Enigma, Jr. . . . . . . . . . . . . . . . . . . . . . 23 Enigma . . . . . . . . . . . . . . . . . . . . . . . . 70 The Import screen allows you to copy any available here, along with the original Scala
Envelope Follower . . . . . . . . . . . . . . 24 Neural Net . . . . . . . . . . . . . . . . . . . . 77 scale in the scale library to the currently- files and instructions: http://beigemaze.
Gate Delay . . . . . . . . . . . . . . . . . . . . . 25 Scale Editor . . . . . . . . . . . . . . . . . . . . 81 selected user scale. Long-press the Down com/downloads/HS_Scala_Archive.zip
Gated VCA . . . . . . . . . . . . . . . . . . . . . 26 Waveform Editor . . . . . . . . . . . . . . . . 83 button to enter the Import screen. Then
LoFi-Tape . . . . . . . . . . . . . . . . . . . . . . 27 Pong . . . . . . . . . . . . . . . . . . . . . . . . . 86 use the right encoder to choose a scale. These scales are distributed with the kind
Logic . . . . . . . . . . . . . . . . . . . . . . . . . 28 Backup and Restore . . . . . . . . . . . . . . 87 To import the specified scale into the cur- permission of Manuel Op de Coul
MIDI Out . . . . . . . . . . . . . . . . . . . . . . 32
Mixer/Balance . . . . . . . . . . . . . . . . . . 34 Waveform Editor
Saving State . . . . . . . . . . . . . . . . . . . . . 2 Palimpsest Accent Sequencer . . . . . . 35 Waveform Editor is an application for cre- immediately starts moving to the Level of
Help Screens . . . . . . . . . . . . . . . . . . . . 3 RunglBook . . . . . . . . . . . . . . . . . . . . . 36 ating, editing, and saving Vector Oscillator the first segment, based on the segment’s
Master Clock Forwarding . . . . . . . . . . 3 Scale Duet Quantizer . . . . . . . . . . . . 37 waveforms. Time (see below).
Scope . . . . . . . . . . . . . . . . . . . . . . . . . 39 What is a Vector Oscillator Time
Screen Blanking . . . . . . . . . . . . . . . . . 3
Sequence5 . . . . . . . . . . . . . . . . . . . . . 40 Waveform? The Time of a segment specifies time rela-
Shift Register . . . . . . . . . . . . . . . . . . 41 Waveforms are described by as few as two, tive to other segments in the waveform.
License . . . . . . . . . . . . . . . . . . . . . . . . . 4
ShiftGate . . . . . . . . . . . . . . . . . . . . . . 42 and up to twelve segments. Each segment Two segments with the same Time value
Hemisphere Apps . . . . . . . . 5 Shuffle 3��43 has a bi-polar level (between -128 and 127) will take the same time to complete, re-
“A”SR . . . . . . . . . . . . . . . . . . . . . . . . . . 5 Skewed LFO . . . . . . . . . . . . . . . . . . . . 44 and a time (between 0 and 9). The level and gardless of what that value actually is. The
AD EG . . . . . . . . . . . . . . . . . . . . . . . . . 6 Slew . . . . . . . . . . . . . . . . . . . . . . . . . 45 time are not fixed values, but depend on total time that it takes a segment to reach
ADSR EG . . . . . . . . . . . . . . . . . . . . . . . 7 Squanch Shifting Quantizer . . . . . . . 46 the application and its settings. its Level will depend upon the Time value
Annular Fusion Euclidean Drummer . . 8 Switch . . . . . . . . . . . . . . . . . . . . . . . . 47 (specifically, its ratio to the sum of all Time
Binary Counter . . . . . . . . . . . . . . . . . . 9 Threshold Logic Neuron . . . . . . . . . . 48 Vector Oscillators are used in four values in the waveform) and the waveform’s
BootsNCat . . . . . . . . . . . . . . . . . . . . . 10 Trending . . . . . . . . . . . . . . . . . . . . . . 50 Hemisphere applets: frequency (see below).
Bow Tie Sequential . . . . . . . . . . . . . . 11 Trigger Sequencer 16 . . . . . . . . . . . . 51 VectorLFO: as a cycling bi-polar modula-
Brancher . . . . . . . . . . . . . . . . . . . . . . 12 Trigger Sequencer . . . . . . . . . . . . . . . 52 tion source
Frequency
Burst . . . . . . . . . . . . . . . . . . . . . . . . . 13 Tuner . . . . . . . . . . . . . . . . . . . . . . . . . 53 VectorEG: as a non-cycling uni-polar gated Each Vector Oscillator application provides
Calculate . . . . . . . . . . . . . . . . . . . . . . 14 VectMorph . . . . . . . . . . . . . . . . . . . . 54 envelope generator with sustain and one or more ways to affect an oscillator’s
Carpeggio Cartesian Arpeggiator . . . 15 VectorEG . . . . . . . . . . . . . . . . . . . . . . 55 release frequency. In most cases, a value in Hertz
Clock Divider Multiplier . . . . . . . . . . 17 Vector LFO . . . . . . . . . . . . . . . . . . . . 56 (cycles per second) is provided, which ex-
VectorMod: as a bi-polar triggered modula- presses how fast the oscillator will cycle (if
tion source that can be either cycling or it is cycling). Each segment in the waveform
Compare . . . . . . . . . . . . . . . . . . . . . . . 19 Voltage . . . . . . . . . . . . . . . . . . . . . . . 58
non-cycling will be scaled based on its Time and the
CV Recorder . . . . . . . . . . . . . . . . . . . . 20 Full Apps . . . . . . . . . . . 59 Boots ‘n Cats: as an audio oscillator and current frequency. Note that Hz values are
Dr. Crusher . . . . . . . . . . . . . . . . . . . . 21 Captain MIDI . . . . . . . . . . . . . . . . . . . 59 drum envelope generators approximate, due to hardware and software
Dual Quantizer . . . . . . . . . . . . . . . . . 22 The Darkest Timeline 2 . . . . . . . . . . . 65 numeric precision limits.
Enigma, Jr. . . . . . . . . . . . . . . . . . . . . . 23 Enigma . . . . . . . . . . . . . . . . . . . . . . . . 70 Level
Envelope Follower . . . . . . . . . . . . . . 24 Neural Net . . . . . . . . . . . . . . . . . . . . 77 The Level (-128 to 127) is scaled to the Basic Controls and Navigation
Gate Delay . . . . . . . . . . . . . . . . . . . . . 25 Scale Editor . . . . . . . . . . . . . . . . . . . . 81 specific application. For example, the Left Encoder: Turn to move through the
Gated VCA . . . . . . . . . . . . . . . . . . . . . 26 Waveform Editor . . . . . . . . . . . . . . . . 83 VectorLFO’s range is -3V to 3V. When a waveform’s segments. The selected seg-
LoFi-Tape . . . . . . . . . . . . . . . . . . . . . . 27 Pong . . . . . . . . . . . . . . . . . . . . . . . . . 86 Vector Oscillator is started, its signal level ment will be a solid line. Press the left
Logic . . . . . . . . . . . . . . . . . . . . . . . . . 28 Backup and Restore . . . . . . . . . . . . . . 87 is set to the Level of the last segment, and
MIDI Out . . . . . . . . . . . . . . . . . . . . . . 32 encoder button to insert a new segment each waveform uses one segment as a
Mixer/Balance . . . . . . . . . . . . . . . . . . 34 after the selected segment. Long-press table-of-contents entry, and each wave-
Palimpsest Accent Sequencer . . . . . . 35 the left encoder button to delete the form must have at least two Level/Time
Saving State . . . . . . . . . . . . . . . . . . . . . 2
RunglBook . . . . . . . . . . . . . . . . . . . . . 36 selected segment. segments.
Help Screens . . . . . . . . . . . . . . . . . . . . 3
Scale Duet Quantizer . . . . . . . . . . . . 37 Note that you cannot delete a segment if • Each waveform may use up to 12 Level/
Master Clock Forwarding . . . . . . . . . . 3 it would leave the waveform with fewer
Category Filtering . . . . . . . . . . . . . . . . 3 Schmitt-Trigger . . . . . . . . . . . . . . . . . 38 Time segments
Scope . . . . . . . . . . . . . . . . . . . . . . . . . 39 than 2 segments, or if it would leave the
Screen Blanking . . . . . . . . . . . . . . . . . 3
Sequence5 . . . . . . . . . . . . . . . . . . . . . 40 waveform with a total Time of 0. Choosing a Waveform
Shift Register . . . . . . . . . . . . . . . . . . 41 Right Encoder: Press to switch the cursor Press the Up and Down buttons to choose
License . . . . . . . . . . . . . . . . . . . . . . . . . 4 a waveform.
ShiftGate . . . . . . . . . . . . . . . . . . . . . . 42 between editing of Level and Time. Turn
Hemisphere Apps . . . . . . . . 5 Shuffle 3��43 the right encoder to set the selected
“A”SR . . . . . . . . . . . . . . . . . . . . . . . . . . 5 Skewed LFO . . . . . . . . . . . . . . . . . . . . 44 segment’s Level between -128 and 128, Selecting and Editing Segments
AD EG . . . . . . . . . . . . . . . . . . . . . . . . . 6 Slew . . . . . . . . . . . . . . . . . . . . . . . . . 45 or the selected segment’s Time between Use the left encoder to move through the
ADSR EG . . . . . . . . . . . . . . . . . . . . . . . 7 Squanch Shifting Quantizer . . . . . . . 46 0 and 9. segments. The selected segment will be
Annular Fusion Euclidean Drummer . . 8 Switch . . . . . . . . . . . . . . . . . . . . . . . . 47 Up/Down Buttons: Press to select a wave- shown as a solid line.
Binary Counter . . . . . . . . . . . . . . . . . . 9 Threshold Logic Neuron . . . . . . . . . . 48 form. Long-press the Down button to Press the right encoder button to alternate
BootsNCat . . . . . . . . . . . . . . . . . . . . . 10 Trending . . . . . . . . . . . . . . . . . . . . . . 50 activate a page to add a new waveform, the cursor between Level and Time. Turn
Bow Tie Sequential . . . . . . . . . . . . . . 11 Trigger Sequencer 16 . . . . . . . . . . . . 51 or delete a waveform. the right encoder to set that value for the
Brancher . . . . . . . . . . . . . . . . . . . . . . 12 Trigger Sequencer . . . . . . . . . . . . . . . 52 Note that you cannot delete the last selected segment.
Burst . . . . . . . . . . . . . . . . . . . . . . . . . 13 Tuner . . . . . . . . . . . . . . . . . . . . . . . . . 53 waveform, and you cannot add a wave-
Calculate . . . . . . . . . . . . . . . . . . . . . . 14 VectMorph . . . . . . . . . . . . . . . . . . . . 54 form if there are fewer than 3 segments Adding and Deleting Segments
Carpeggio Cartesian Arpeggiator . . . 15 VectorEG . . . . . . . . . . . . . . . . . . . . . . 55 remaining.
To add a new segment, press the left
Clock Divider Multiplier . . . . . . . . . . 17 Vector LFO . . . . . . . . . . . . . . . . . . . . 56 For jack I/O functions, see Monitoring encoder button. A new segment will be
Clock Skipper . . . . . . . . . . . . . . . . . . . 18 VectorMod . . . . . . . . . . . . . . . . . . . . 57 below. inserted after the selected segment, and
Compare . . . . . . . . . . . . . . . . . . . . . . . 19 Voltage . . . . . . . . . . . . . . . . . . . . . . . 58 the newly-created segment will become
Segment Memory
CV Recorder . . . . . . . . . . . . . . . . . . . . 20 Full Apps . . . . . . . . . . . 59 selected. You cannot add a segment if the
Dr. Crusher . . . . . . . . . . . . . . . . . . . . 21 Captain MIDI . . . . . . . . . . . . . . . . . . . 59 Hemisphere Suite allocates 63 segments waveform already has 12 segments.
Dual Quantizer . . . . . . . . . . . . . . . . . 22 The Darkest Timeline 2 . . . . . . . . . . . 65 of waveform memory. The upper-right
corner of the screen shows how many seg- To delete a segment, long-press the left en-
Enigma, Jr. . . . . . . . . . . . . . . . . . . . . . 23 Enigma . . . . . . . . . . . . . . . . . . . . . . . . 70
ments are remaining. You may add as many coder button. The selected segment will be
waveforms as you like, with the following deleted, and the next segment will become
Gate Delay . . . . . . . . . . . . . . . . . . . . . 25 Scale Editor . . . . . . . . . . . . . . . . . . . . 81 selected. You cannot delete a segment if
limitations:
Gated VCA . . . . . . . . . . . . . . . . . . . . . 26 Waveform Editor . . . . . . . . . . . . . . . . 83 doing so would leave only one segment in
LoFi-Tape . . . . . . . . . . . . . . . . . . . . . . 27 Pong . . . . . . . . . . . . . . . . . . . . . . . . . 86 • At least 3 segments must be available to the waveform. You also cannot delete a seg-
Logic . . . . . . . . . . . . . . . . . . . . . . . . . 28 Backup and Restore . . . . . . . . . . . . . . 87 create a new waveform. This is because
MIDI Out . . . . . . . . . . . . . . . . . . . . . . 32 ment if doing so would leave the waveform Waveform Editor sends your waveform li-
Mixer/Balance . . . . . . . . . . . . . . . . . . 34 with a total Time of 0. brary as four sysex messages, so make sure
Palimpsest Accent Sequencer . . . . . . 35 that your librarian captures all of them and
Saving State . . . . . . . . . . . . . . . . . . . . . 2
RunglBook . . . . . . . . . . . . . . . . . . . . . 36 Monitoring stores them in the same file.
Help Screens . . . . . . . . . . . . . . . . . . . . 3
Scale Duet Quantizer . . . . . . . . . . . . 37 You may monitor the waveform you’re
Master Clock Forwarding . . . . . . . . . . 3 To restore your waveforms, simply send the
Schmitt-Trigger . . . . . . . . . . . . . . . . . 38 editing in four different ways, one for each
Category Filtering . . . . . . . . . . . . . . . . 3 dump back any time Waveform Editor is
Scope . . . . . . . . . . . . . . . . . . . . . . . . . 39 output:
Screen Blanking . . . . . . . . . . . . . . . . . 3 running.
Sequence5 . . . . . . . . . . . . . . . . . . . . . 40 Out A: Bi-polar LFO (default 1Hz) -
Shift Register . . . . . . . . . . . . . . . . . . 41 Modulated by CV 1
License . . . . . . . . . . . . . . . . . . . . . . . . . 4
ShiftGate . . . . . . . . . . . . . . . . . . . . . . 42 Out B: Bi-polar audio rate oscillator (default
Hemisphere Apps . . . . . . . . 5 Shuffle 3��43 440Hz) - Modulated by CV 2
“A”SR . . . . . . . . . . . . . . . . . . . . . . . . . . 5 Skewed LFO . . . . . . . . . . . . . . . . . . . . 44
AD EG . . . . . . . . . . . . . . . . . . . . . . . . . 6 Slew . . . . . . . . . . . . . . . . . . . . . . . . . 45 Out C: Uni-polar gated EG with sustain and
ADSR EG . . . . . . . . . . . . . . . . . . . . . . . 7 release - Gated by Digital 3
Annular Fusion Euclidean Drummer . . 8 Switch . . . . . . . . . . . . . . . . . . . . . . . . 47 Out D: Bi-polar triggered one-shot modula-
Binary Counter . . . . . . . . . . . . . . . . . . 9 Threshold Logic Neuron . . . . . . . . . . 48 tion - Triggered by Digital 4
Trigger Sequencer 16 . . . . . . . . . . . . 51
Saving Waveforms
Bow Tie Sequential . . . . . . . . . . . . . . 11
Brancher . . . . . . . . . . . . . . . . . . . . . . 12 Trigger Sequencer . . . . . . . . . . . . . . . 52 Waveform data can be saved in two ways:
Burst . . . . . . . . . . . . . . . . . . . . . . . . . 13 Tuner . . . . . . . . . . . . . . . . . . . . . . . . . 53 7. With the built-in Ornament and Crime
Calculate . . . . . . . . . . . . . . . . . . . . . . 14 VectMorph . . . . . . . . . . . . . . . . . . . . 54 storage system Return to the main menu
Carpeggio Cartesian Arpeggiator . . . 15 VectorEG . . . . . . . . . . . . . . . . . . . . . . 55 by long-pressing the right encoder. Then,
Clock Divider Multiplier . . . . . . . . . . 17 Vector LFO . . . . . . . . . . . . . . . . . . . . 56 long-press the right encoder again. This
Clock Skipper . . . . . . . . . . . . . . . . . . . 18 VectorMod . . . . . . . . . . . . . . . . . . . . 57 will save the state of all applications in the
Compare . . . . . . . . . . . . . . . . . . . . . . . 19 Voltage . . . . . . . . . . . . . . . . . . . . . . . 58 module.
CV Recorder . . . . . . . . . . . . . . . . . . . . 20 Full Apps . . . . . . . . . . . 59 8. System Exclusive Librarian Your cur-
Dr. Crusher . . . . . . . . . . . . . . . . . . . . 21 Captain MIDI . . . . . . . . . . . . . . . . . . . 59 rent waveform library can be dumped to
Dual Quantizer . . . . . . . . . . . . . . . . . 22 The Darkest Timeline 2 . . . . . . . . . . . 65 a system exclusive librarian program on a
Enigma, Jr. . . . . . . . . . . . . . . . . . . . . . 23 Enigma . . . . . . . . . . . . . . . . . . . . . . . . 70 computer for permanent storage. When
Envelope Follower . . . . . . . . . . . . . . 24 Neural Net . . . . . . . . . . . . . . . . . . . . 77 you long-press the right button to return
Gate Delay . . . . . . . . . . . . . . . . . . . . . 25 Scale Editor . . . . . . . . . . . . . . . . . . . . 81 to the main menu, the sysex dump will be
Gated VCA . . . . . . . . . . . . . . . . . . . . . 26 Waveform Editor . . . . . . . . . . . . . . . . 83 initiated. When setting up your librarian
LoFi-Tape . . . . . . . . . . . . . . . . . . . . . . 27 Pong . . . . . . . . . . . . . . . . . . . . . . . . . 86 software, select Hemisphere as the MIDI
Logic . . . . . . . . . . . . . . . . . . . . . . . . . 28 Backup and Restore . . . . . . . . . . . . . . 87 device.
MIDI Out . . . . . . . . . . . . . . . . . . . . . . 32
Mixer/Balance . . . . . . . . . . . . . . . . . . 34 Pong
Saving State . . . . . . . . . . . . . . . . . . . . . 2 Palimpsest Accent Sequencer . . . . . . 35 Like twenty years ago, I owned a Kurzweil Output A: When the ball bounces off your
Help Screens . . . . . . . . . . . . . . . . . . . . 3 RunglBook . . . . . . . . . . . . . . . . . . . . . 36 K2000. It had what we call today--but didn’t paddle, a short 5V trigger is sent to
Master Clock Forwarding . . . . . . . . . . 3 Scale Duet Quantizer . . . . . . . . . . . . 37 call back then--an Easter Egg. It was a Pong Output A.
Schmitt-Trigger . . . . . . . . . . . . . . . . . 38 game that you could play from the panel, Output B: When the ball bounces off any-
Scope . . . . . . . . . . . . . . . . . . . . . . . . . 39 and it generated MIDI notes when the ball thing else, a short 5V trigger is sent to
Screen Blanking . . . . . . . . . . . . . . . . . 3
Sequence5 . . . . . . . . . . . . . . . . . . . . . 40 bounced off a wall. Output B.
Shift Register . . . . . . . . . . . . . . . . . . 41 Output C: Sends 0 to 4-ish volts, based on
License . . . . . . . . . . . . . . . . . . . . . . . . . 4 This is the Pong we all know and love,
ShiftGate . . . . . . . . . . . . . . . . . . . . . . 42 with a few twists. As a ball bounces its way the Y position of the ball. 0V is the top of
Hemisphere Apps . . . . . . . . 5 Shuffle 3��43 across the screen, the player defends the the screen.
“A”SR . . . . . . . . . . . . . . . . . . . . . . . . . . 5 Skewed LFO . . . . . . . . . . . . . . . . . . . . 44 left side of the screen with a “paddle,” and Output D: Sends 0 to 4-ish volts, based on
AD EG . . . . . . . . . . . . . . . . . . . . . . . . . 6 Slew . . . . . . . . . . . . . . . . . . . . . . . . . 45 the O_C defends the right side. It’s an unfair the Y position of the player paddle. 0V is
ADSR EG . . . . . . . . . . . . . . . . . . . . . . . 7 Squanch Shifting Quantizer . . . . . . . 46 game, though, because the O_C can’t lose. the top of the screen.
Annular Fusion Euclidean Drummer . . 8 Switch . . . . . . . . . . . . . . . . . . . . . . . . 47 As you return the ball and level up, the ball
Binary Counter . . . . . . . . . . . . . . . . . . 9 Threshold Logic Neuron . . . . . . . . . . 48 gets faster, and your paddle gets smaller
Exercises
BootsNCat . . . . . . . . . . . . . . . . . . . . . 10 Trending . . . . . . . . . . . . . . . . . . . . . . 50 and closer to your opponent. The odds are 9. Create a patch that can be played by
Bow Tie Sequential . . . . . . . . . . . . . . 11 Trigger Sequencer 16 . . . . . . . . . . . . 51 not in your favor! this game
Burst . . . . . . . . . . . . . . . . . . . . . . . . . 13 Tuner . . . . . . . . . . . . . . . . . . . . . . . . . 53 Controls: 10. Create a patch that can play this game
Calculate . . . . . . . . . . . . . . . . . . . . . . 14 VectMorph . . . . . . . . . . . . . . . . . . . . 54 Up/Down Buttons: Move the paddle up My patch’s high score is 24, using Maths
Carpeggio Cartesian Arpeggiator . . . 15 VectorEG . . . . . . . . . . . . . . . . . . . . . . 55 and down. This is really to illustrate the and Distro. Update 8/31/2018: 27 with just
Clock Divider Multiplier . . . . . . . . . . 17 Vector LFO . . . . . . . . . . . . . . . . . . . . 56 use of the buttons’ event handler, and Maths!
Clock Skipper . . . . . . . . . . . . . . . . . . . 18 VectorMod . . . . . . . . . . . . . . . . . . . . 57 you really don’t want to play the game
Compare . . . . . . . . . . . . . . . . . . . . . . . 19 Voltage . . . . . . . . . . . . . . . . . . . . . . . 58 with these things.
CV Recorder . . . . . . . . . . . . . . . . . . . . 20 Full Apps . . . . . . . . . . . 59 Encoders: Both encoders move the paddle
Dr. Crusher . . . . . . . . . . . . . . . . . . . . 21 Captain MIDI . . . . . . . . . . . . . . . . . . . 59 up and down.
Dual Quantizer . . . . . . . . . . . . . . . . . 22 The Darkest Timeline 2 . . . . . . . . . . . 65 CV Input 1: Negative values move the
Enigma, Jr. . . . . . . . . . . . . . . . . . . . . . 23 Enigma . . . . . . . . . . . . . . . . . . . . . . . . 70 paddle up, and positive values move the
Envelope Follower . . . . . . . . . . . . . . 24 Neural Net . . . . . . . . . . . . . . . . . . . . 77 paddle down. There’s a “center detent,” a
Gate Delay . . . . . . . . . . . . . . . . . . . . . 25 Scale Editor . . . . . . . . . . . . . . . . . . . . 81 small range that doesn’t move the pad-
Gated VCA . . . . . . . . . . . . . . . . . . . . . 26 Waveform Editor . . . . . . . . . . . . . . . . 83 dle at all. This is to compensate for noise
LoFi-Tape . . . . . . . . . . . . . . . . . . . . . . 27 Pong . . . . . . . . . . . . . . . . . . . . . . . . . 86 that gets into the ADC.
MIDI Out . . . . . . . . . . . . . . . . . . . . . . 32
Mixer/Balance . . . . . . . . . . . . . . . . . . 34 Backup and Restore
Saving State . . . . . . . . . . . . . . . . . . . . . 2 Palimpsest Accent Sequencer . . . . . . 35 Backup/Restore is a utility that allows you Restoring Your Module
Help Screens . . . . . . . . . . . . . . . . . . . . 3 RunglBook . . . . . . . . . . . . . . . . . . . . . 36 to transfer complete sets of app and/or
calibration data to and from your module. Connect your computer or tablet to the
Possible uses include module and enter the Backup/Restore app
on your module. Press the left encoder but-
Screen Blanking . . . . . . . . . . . . . . . . . 3 Scope . . . . . . . . . . . . . . . . . . . . . . . . . 39 • Transferring app data to a new O_C ton ([RESTORE]). Backup/Restore will indi-
Sequence5 . . . . . . . . . . . . . . . . . . . . . 40 module,
Troubleshooting . . . . . . . . . . . . . . . . . 4 cate that it is listening for SysEx data. From
Shift Register . . . . . . . . . . . . . . . . . . 41
License . . . . . . . . . . . . . . . . . . . . . . . . . 4 • Moving calibration to a replacement your SysEx Librarian software, initiate the
ShiftGate . . . . . . . . . . . . . . . . . . . . . . 42
Teensy for the same O_C module, dump. The module’s screen should indicate
Changing settings between pieces dur- a progress bar. When the restore is success-
“A”SR . . . . . . . . . . . . . . . . . . . . . . . . . . 5 Skewed LFO . . . . . . . . . . . . . . . . . . . . 44
ing live shows, ful, the module returns to the saved state.
AD EG . . . . . . . . . . . . . . . . . . . . . . . . . 6 Slew . . . . . . . . . . . . . . . . . . . . . . . . . 45
ADSR EG . . . . . . . . . . . . . . . . . . . . . . . 7 Squanch Shifting Quantizer . . . . . . . 46 • Intercontinental internet-based collabor- If you use Backup/Restore to restore calibra-
Annular Fusion Euclidean Drummer . . 8 Switch . . . . . . . . . . . . . . . . . . . . . . . . 47 ation with other Hemisphere Suite users, tion settings, you’ll need to cycle the power
Binary Counter . . . . . . . . . . . . . . . . . . 9 Threshold Logic Neuron . . . . . . . . . . 48 or on your module for the restored calibration
BootsNCat . . . . . . . . . . . . . . . . . . . . . 10 Trending . . . . . . . . . . . . . . . . . . . . . . 50 • Simply preparing for inevitable disaster. settings to become active.
Backing Up Your Module
Burst . . . . . . . . . . . . . . . . . . . . . . . . . 13 Tuner . . . . . . . . . . . . . . . . . . . . . . . . . 53 Backup/Restore backs up data as it exists
Calculate . . . . . . . . . . . . . . . . . . . . . . 14 VectMorph . . . . . . . . . . . . . . . . . . . . 54 in the EEPROM. So if you want to take a
Carpeggio Cartesian Arpeggiator . . . 15 VectorEG . . . . . . . . . . . . . . . . . . . . . . 55 backup of the O_C’s current state, save the
Vector LFO . . . . . . . . . . . . . . . . . . . . 56 module’s state by long-pressing the right
VectorMod . . . . . . . . . . . . . . . . . . . . 57 button from the main menu.
Clock Skipper . . . . . . . . . . . . . . . . . . . 18
Compare . . . . . . . . . . . . . . . . . . . . . . . 19 Voltage . . . . . . . . . . . . . . . . . . . . . . . 58 Connect your computer or tablet to the
CV Recorder . . . . . . . . . . . . . . . . . . . . 20 Full Apps . . . . . . . . . . . 59 module and enter the Backup/Restore
Dr. Crusher . . . . . . . . . . . . . . . . . . . . 21 Captain MIDI . . . . . . . . . . . . . . . . . . . 59 app on your module. Turn either encoder
Dual Quantizer . . . . . . . . . . . . . . . . . 22 The Darkest Timeline 2 . . . . . . . . . . . 65 to choose “Data” or “Calibration.” Enable
Enigma, Jr. . . . . . . . . . . . . . . . . . . . . . 23 Enigma . . . . . . . . . . . . . . . . . . . . . . . . 70 recording on your SysEx Librarian software,
Envelope Follower . . . . . . . . . . . . . . 24 Neural Net . . . . . . . . . . . . . . . . . . . . 77 and then press the right encoder button
Gate Delay . . . . . . . . . . . . . . . . . . . . . 25 Scale Editor . . . . . . . . . . . . . . . . . . . . 81 ([BACKUP]). The size of the data dump will
Gated VCA . . . . . . . . . . . . . . . . . . . . . 26 Waveform Editor . . . . . . . . . . . . . . . . 83 be 172 bytes for Calibration, and about 2.5K
LoFi-Tape . . . . . . . . . . . . . . . . . . . . . . 27 Pong . . . . . . . . . . . . . . . . . . . . . . . . . 86 for Data.
MIDI Out . . . . . . . . . . . . . . . . . . . . . . 32
Mixer/Balance . . . . . . . . . . . . . . . . . . 34 Setup/About
Saving State . . . . . . . . . . . . . . . . . . . . . 2 Palimpsest Accent Sequencer . . . . . . 35 Setup/About is an app that:
Help Screens . . . . . . . . . . . . . . . . . . . . 3 RunglBook . . . . . . . . . . . . . . . . . . . . . 36 • Tells you the Hemisphere Suite version
Master Clock Forwarding . . . . . . . . . . 3 Scale Duet Quantizer . . . . . . . . . . . . 37 that you’re running
• Allows access to the Calibration utility
Sequence5 . . . . . . . . . . . . . . . . . . . . . 40 • Allows access to the EEPROM Reset utility
Shift Register . . . . . . . . . . . . . . . . . . 41 You can also access Calibration at startup
License . . . . . . . . . . . . . . . . . . . . . . . . . 4
ShiftGate . . . . . . . . . . . . . . . . . . . . . . 42 by holding down the left encoder when
Hemisphere Apps . . . . . . . . 5 Shuffle 3��43 powering up the module.
“A”SR . . . . . . . . . . . . . . . . . . . . . . . . . . 5 Skewed LFO . . . . . . . . . . . . . . . . . . . . 44
AD EG . . . . . . . . . . . . . . . . . . . . . . . . . 6 Slew . . . . . . . . . . . . . . . . . . . . . . . . . 45 You can also access the EEPROM Reset
ADSR EG . . . . . . . . . . . . . . . . . . . . . . . 7 Squanch Shifting Quantizer . . . . . . . 46 utility by holding down the Up and Down
Annular Fusion Euclidean Drummer . . 8 Switch . . . . . . . . . . . . . . . . . . . . . . . . 47 buttons when powering up the module.
Binary Counter . . . . . . . . . . . . . . . . . . 9 Threshold Logic Neuron . . . . . . . . . . 48 Setup/About is in Hemisphere Suite starting
BootsNCat . . . . . . . . . . . . . . . . . . . . . 10 Trending . . . . . . . . . . . . . . . . . . . . . . 50 with V1.6.
Burst . . . . . . . . . . . . . . . . . . . . . . . . . 13 Tuner . . . . . . . . . . . . . . . . . . . . . . . . . 53
Compare . . . . . . . . . . . . . . . . . . . . . . . 19 Voltage . . . . . . . . . . . . . . . . . . . . . . . 58
Enigma, Jr. . . . . . . . . . . . . . . . . . . . . . 23 Enigma . . . . . . . . . . . . . . . . . . . . . . . . 70
LoFi-Tape . . . . . . . . . . . . . . . . . . . . . . 27 Pong . . . . . . . . . . . . . . . . . . . . . . . . . 86

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The Hemisphere Suite . . . . 2 Metronome . . . . . . . . . . . . . . . . . . . .

for the left hemisphere. Down for the right

The Hemisphere Suite hemisphere. In selection mode, a frame will ap-

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