Concierto en Blanco y Negro 1

Evocación a Manuel de Falla

Encargo de la Fundación Provincial de Música
"Manuel de Falla" (2002)
Para orquesta de cuerda
Durac. 15m aprox. José Ramón Hernández Bellido
(2002)
Concierto en Blanco y Negro trata de dar unas pinceladas fugaces y metafóricas sobre la compleja personalidad de D. Manuel de Falla.
El primer movimiento, "Oscuridad y misticismo"; evoca el carácter místico y religioso del autor, traducido en una música sombría y
oscura, pero de clara estructura formal. El segundo movimiento, "Pantomima"; refleja, con buen humor,
algunos comportamientos obsesivos de su personalidad; la música, siempre en pizzicato, gira en torno
a cuatro sonidos (que guardan entre ellos una enigmática y conocida relación que representa la antítesis del estilo musical de Falla) que convierten
la música en un círculo sin salida. El último movimiento, "Threnos";
es un canto fúnebre de la antiguedad clásica griega; y está compuesto en la textura más simple que existe y
que caracteriza a esta música: la monodía estricta que, en cierta forma, evoca a la economía de medios
que siempre caracterizó la música de Falla.

Lento
I
"Oscuridad y misticismo"

    
q = 50
  sul tasto
  
 
    

         

pizz.

  
non vibrato sul pont.


sordina
    
Violin I  
pp pp sfz
mfp

      
non vibrato

             

sul pont. sul tasto
      
sordina 
Violin II  
pp mfp pp

   
non vibrato

       

sul pont. sul tasto
    

   
sordina
Viola
pp pp mfp
pp
solo (sin sord.)

                sul tasto        

tutti (con sord.)
  
       
 

(tutti sordina)
Violoncello   

 
espress. pizz
pp


sordina
       
sordina
Contrabajo
 

 
pp

 
A
                           arco
 (pizz.)

8


                  
      
(arco)  
p
Vln I
 p
 
           
 
pp    
p
    
                          
pizz.
 
arco

         
 
p

  
Vln II p

(arco)

          
 
pp     
arco 
p
     
Vla             
p
  
                   
arco
Vc.
p
  
                  
arco
Cb.

p

© 2002 por José Ramón Hernández Bellido, Jerez de la Frontera.

2

12 
     
  senza sordina

            
pizz.

 
Vln I

 
        pizz.
 
senza sordina
  
        
arco
Vln II
   
gliss.
pp

        
        
      gliss.  
pizz. arco
Vla
pp

     
(Improvisar lo más rápidamente posible sobre la cuerda re en el


      
registro aproximado dado, tremolando, staccato y sul pont.)
 
Vc.  

               
senza sordina
Cb.
 

  

        
15

pizz.      
      

Vln I 
p

pizz.

        
   
Vln II
  gliss.
p 

       
solo

      
viola 1ª tacet y quita sordina
Vla
ppp simile

f molto legato

Vc.
    
 
ppp (Improvisar lo más rápidamente posible sobre la cuerda re en el

       
registro aproximado dado, tremolando, staccato y sul pont.) sordina
col legno
Cb.
       
p



17
 
Vln I

  

    
arco


Vln II gliss.

pp

 
(tutti sin sordina)
 
Vla  gliss.
 
pp

Vc.
  
(Improvisar lo más rápido posible sobre la cuerda sol en el

Cb.
 registro aproximado dado, tremolando, staccato y sul pont.)


pp
  
simile
Concierto en Blanco y Negro JHB 3
 3


B q= 40
  divisi a 3

  
   
19

                      
pizz.
      
 arco
Vln I  
p
ff marcato pp

     
pizz.

  
   
sul pont.
           
arco


Vln II  
p p eco
ff marcato

          
     

  
sul pont.

      
pp ff marcato p eco


 
   

pp
Vla 
   

pp

 
   
pp

     
divisi
solo tutti   
 
senza sordina todos
      

       

         
Vc.

f ff marcato pp
molto legato

      
     
senza sordina
    
Cb.

ff marcato

    
sobre sol

             
         
23
 
arco

3
   
Vln I       
3
mf espress.

       
      
sobre sol

3
      
    
arco
Vln II         
mf 3
espress.

arco
    
non divisi
Vla 
mp
fp


non divisi
Vc. 
 
  
mp fp

Cb.
    

mp fp
Concierto en Blanco y Negro JHB 3
4
 Senza rigore en tempo  
    
27
                
Vln I           
pp sotto voce

 
                     
       
Vln II
 
pp sotto voce

   
Vla  
 
          
pp sotto voce

      
Vc.          
pp sotto voce

    
Cb.   


 

 
pizz.
31
      
arco
Vln I 
sffz

pizz.
 sul pont.

    

 
arco
Vln II   ppp

sffz
sul pont.
 

(tutti) pizz.
     
arco 
Vla
 ppp
sffz

sul pont.
       
Allargando a tempo

      
Vc. 
f    ppp
a tempo
            
sul pont.

  
Allargando

Cb.
  
  
f ppp

Agitato
 
 senza rigore
C e = 100
en tempo
  
      
solo
34

Vln I         
mp
     
                  
arco

    

Vln II   
p

   
         
  
arco
Vla      
p

   
    
                      
 
Vc.  
p

       
Cb.
          

p
Concierto en Blanco y Negro JHB 3
 5

 
             
                  
40 tutti
   
Vln I 
p p
  
                  
Vln II      
p

              
pizz.
                 
arco
Vla     
f pp

 
                          
pizz. arco
Vc.
          
f pp
                   
pizz.

arco
Cb.
    
f pp

           

pizz. arco
 
45

                  
Vln I

pp

        

pizz.

            

     

Vln II
 pp
         pizz.   
    
                  
    
Vla  
mf p


arco

           
pizz.
            
Vc.
 
p
mf

             
pizz.
  
              
col legno

arco
 
Cb.
 
mf p
p

 

 
     gliss                      
         
pizz.

           
49 arco
  
.

Vln I

   
pp
    gliss.                    
              
arco

Vln II         

 pp

                 

arco

         
Vla
mp
pizz.
      
                                
(divisi)

Vc.
  
p

   
   
(divisi)
                             
pizz.
Cb.
                  
p

Concierto en Blanco y Negro JHB 3

   
      
6

    
 
  
 
     
  
  
 
  
       
52

Vln I 
f

                 
Vln II                            
f
               
 
                
arco
Vla
f

  
      
arco

                              
Vc.
     
   
                             
   
  
Cb.
                         

              


                     
   
    

56

    
Vln I 

                     
   

    
Vln II                       


                  
pizz. arco
       
Vla
         
       
   
                               
pizz. arco

   
Vc.

f
  
        
                 
arco
Cb.
    
f

D 

   
                  
                 
  
 
64

          

Vln I 
ff enérgico pp

                          
Vln II                  
ff enérgico p

 
pizz.      arco
                                   
    
Vla
    p súbito
ff
    

pizz.
         
arco

                  
    

Vc.

  p
ff


pizz.      
            
     
Cb.

ff
Concierto en Blanco y Negro JHB 3
          
.          
7
                               gliss
           
69

Vln I   
p pp

   
                             
 
pizz. arco
Vln II   
   
pp

pizz 
    
pizz.

arco
                   

 
Vla
    pp

 
       
arco
             
pizz.
 
pizz


Vc.

pp

Cb.

  
             
     
pp


            gliss.      
    
74    
 
              
   
  
  
Vln I

 

        

   
            
pizz

 
arco
Vln II
  
.   
arco
                gliss     
Vla     

      
Vc.
          

   
mp

       
divisi   
                   
Cb.
  


 
77
      
         
  
  
         
     
         

Vln I
f

      
   
  
          
          
   
  
  
Vln II        
f

 
   
 
divisi
 
   
sul pont. 
Vla

pp

                
Vc.
           
mp

Vc.

       
         
      

          
arco
Cb.
                  
pizz
Concierto en Blanco y Negro JHB 3
8

   E 
81
                     

   

Vln I
ff
ff


                       

Vln II
ff
ff

      
    
pizz

arco
    
arco
Vla
          
           
ff f ff

             
                            
    
arco (non divisi) arco (non divisi) pizz arco
                          
         
     
     
f p p p p f          

  
  
f f f f ff
Vc.          
pizz ( divisi)

arco
      
  

   
 
           
                              
 
    
                
 
 

          
       
  
ff f ff

 p f   p    p f   p  f pizz
f

     
                       
arco
Cb.
            
f ff
ff


            
               
 


Divisi a tres

                              
87

       

 
  
                     
              
                        
Vln I
  
      
                        
                         
   
                   
                             
Divisi a tres

             
    
          
  
      
                

  
               
          
Vln II

             
               

                
 
  
                
        
                                
Vla
      
               
     
             
                
       
Vc.
               
  
   
    
                              
        
Cb.
               



Concierto en Blanco y Negro JHB 3
        9

                 

      
91

                     

 
      
               
                  
Vln I     
      
     
                            
      
             
                            
      
               
                  
        
Vln II
          

                 

                
       
        
     

                            
    
      
Vla
 

       
             
            
            
Vc.
 
   
    
                          
Cb.
         
  


F
93

   
              

Vln I 
p

   
                         
Vln II
p

    
pizz.
Vla
                        
p

        
         
divisi
  
pizz.

    
Vc.
p

pizz.
    
Cb.
 
p

Concierto en Blanco y Negro JHB 3

10 
       
   
96

 

           
      
Vln I
   

         
       
Vln II
     

     sul pont.  

arco

Vla     
     



          
sul pont.
                      
arco 


 
    
Vc.

mp

      
                 
arco
  
Cb.
 
p

       
       
  
99

              

ff
   
    

      
Vln I   

          
ff

     
        
        
     

ff

     
   
                 
   
ff

        
                 
Vln II
     
ff

          
  

           

ff  

     
   
arco
            
       
Vla
ff


   
 
 arco        
      

Vc.
       
ff 
     
      
     
   

  
Cb.
   
ff
Concierto en Blanco y Negro JHB 3
 11

                  
            
          
101

                
    

      
        
     
     
 
Vln I              

 

  

     
 

    
                      
                         
    

              

                                
        

 
       
          
       
  


           
         
Vln II


    

            
                          
         


           
                      
Vla
         
        

 
                  
          
Vc.
                
    

       
                                
Cb.
        
Concierto en Blanco y Negro JHB 3
12

106

sul pont.


Vla
  
ff (Improvisar lo más rápido posible sobre las
cuatro cuerdas (bariolage) sul pont. y tremolando).


sul pont.
Vc.

ff (Improvisar lo más rápido posible

sobre las cuatro cuerdas sul pont y stacc.).


col legno
Cb.


fff (Improvisar lo más rápido posible

sobre las cuatro cuerdas col legno.).


con sord. legato

           
gliss. sobre Mi

                                 
   
108


mp poco a poco dim. hasta calderón

con sord. legato

Vln I

               
gliss. sobre La
   
                         

mp poco a poco dim. hasta calderón

con sord. legato

               
gliss. sobre Re

                   
   
   

mp poco a poco dim. hasta calderón
Vln II

               
con sord. legato

                   
gliss. sobre Sol
   
    
mp poco a poco dim. hasta calderón

  
armónico bariolage
            
       
Vla         
mp poco a poco dim. hasta calderón

Vc.


pp poco a poco dim. hasta calderón

Cb.
 poco a poco dim. hasta calderón

pp
Concierto en Blanco y Negro JHB 3
 13



        

      
senza sord. 
110


 

Vln I



      

    
    





     

     
     

Vln II

     
        
   

       
    
Vla      

 
Vc. 

 
Cb.
 

Concierto en Blanco y Negro JHB 3

14
q=60
Molto tranquilo

G
112
                    
      

Vln I 
pp

              
    
senza sord.
Vln II    
pp

                     
Vla
pp
 


      
          
Vc.
pp


   
              
Cb.

pp



117
sul pont.
solo 1º atril     

Vln I

      
pp Perdiéndose


    
 
 
 
 
 

Vln II  
pp
Perdiéndose


solo
       
   
gliss.
Vla
Perdiéndose
mf espress, un poco
ad libitum

  
Vc.
     
pp Perdiéndose

 
Cb.
      
pp Perdiéndose
Concierto en Blanco y Negro JHB 3
 15

II
"Pantomima"

Animato assai sempre pizzicato

q. = 108   
Pizz     

                         
Violin I
     
p p p p

Pizz  
                         
Violin II
     
p p p p

Pizz
         
Viola                       
p p
p p


Pizz
       
Violoncello                  
p
p p

  
Contrabajo                
 p p

    
10                     
              
     
        

 
Vln I
p f pp f p  
pp ppp

  
                                  
      
Vln II
p
f pp p f    
p
pp
 
ppp

        
                                      
Vla
     p  
p pp p pp ppp
f f

       
        
                      
     
Vc.
pp p p pp ppp
f f

      

Cb.

            
p pp ppp
f
16

A 
17                             

       
Vln I 
p

        
(non divisi)
       
                                   
     
Vln II
p
p

        

(non divisi)

                      
Vla
p


Vc.
               
p

Cb.
    


   
21      
               


        
Vln I
      
f

 
              
        
Vln II
    
f  

           
                          

Vla

   

(non divisi)

        
                            
Vc.
 
f

                
          
Cb.

f f
 17

  
B
26         
                
  

Vln I
    pp

                     
        
Vln II
   pp

    
Vla                
pp

                   
Vc.
        
pp

         
   
Cb.



C
                    
(non divisi)

   
30

Vln I                     
f ff sf sf
sf sf

           
(non divisi)
  
                             

Vln II
ff sf sf sf sf
p
          
                                 
Vla
  
p sf sf ff sf sf
sf sf

    
Vc.                              
ff

               
Cb.
              
ff

  
37                    

                  
     
Vln I

dim. molto pp

  
Vln II                                
     
dim. molto pp


                                       

Vla

dim. molto pp

    
         
(divisi)

                                        

Vc.

dim. molto pp

                           
   
Cb.

mf
18


44     
Vln I

                    
p
p


                     
 
Vln II

p p

              
Vla            
mf p
             
Vc.
         
mf
p

Cb.
       




D

    
51                     
Vln I            
ff


Vln II                
         
         

ff

             

(non divisi)

Vla                                
f

            

(non divisi)

Vc.
                                 
f f


                    
        
Cb.

f


$ 
            
56                           

Vln I 
        
p ff
  
molto cresc.


Vln II                                            
p molto cresc. ff

      

Vla                                         
p molto cresc. ff

    
           
(divisi)

                          


Vc.
p molto cresc. ff

         
          
  
Cb.

ff
 19


Un poco menos tempo
61     
                                

Vln I 
   
        liss.
g pp
dim. p

   
Vln II                                      
           gl i ss.
pp
dim. p

      
(divisi)

                              ggli                     
ss.
Vla
liss.
p pp
dim.

             
              gliss. 
Vc.                        gliss.                      
pp
dim. p

        
                        
 gliss. 
Cb.
   gliss.     
p

    

1.
70

                

Vln I 
ff

    
Vln II                         
ff

   
                             
  
Vla

ff

          
(divisi)    
Vc.                
     
p
ff

  
                             
  
  
Cb.
 pp
ff
20

(non divisi)
75 2.
   
Vln I               

pp
ff
(non divisi)
   
Vln II                 
pp
ff
(non divisi)
 
Vla                 
pp
 
ff
(non divisi)
 
 

      

Vc.        
pp  
ff
(non divisi)

   

  

 
 
Cb.

ff

Ø

Attaca Allegro vivace
D.C. a la $ salta a Ø
 
78         divisi 
Vln I          
ff

 
 
divisi
Vln II               
ff 

 divisi  
Vla                 
 ff

 
 divisi  
Vc.               
 ff

     divisi  
   
Cb.
         
ff
 I I I" 21

"Threnos" (Canto fúnebre)

Allegro vivace
q = 132     
 e siempre = e    
    


    
Violin I

sffz sffz
  
                                          
     
Violin II

sffz sffz
pp legatissimo, evitando cualquier tipo de acentuación.
  
                                        
Viola     
sffz sffz
pp legatissimo, evitando cualquier tipo de acentuación.

                                      
Violoncello     
sffz sffz pp legatissimo, evitando cualquier tipo de acentuación.

    
Contrabajo
     
sffz sffz

         

7             
                
          


             
Vln I

p sf sf
sffz sffz
   
                
    
               
  
 
    
Vln II

p sf sf
sffz sffz
         
                  
Vla            
sf sf
   
sffz sffz p
    
                         
Vc.     
sf sf
   
sffz sffz p

       
Cb.
       
sffz sffz sf sf


      
           
                 
16
     
 
Vln I              
mp mp sf sf sf sf pp
sf sf
               
Vln II              
            
mp mp sf sf pp
sf sf sf sf
                              
Vla                
mp sf sf mp sf sf sf sf pp
                            
Vc.
               
mp sf sf sf sf sf sf
           
mp pp
     
Cb.
        

sf sf sf sf sf sf pp
22

24
      
2

                            

Vln I

2
                                 
Vln II
 

                   

2 2

             
Vla  

                       

2 2

Vc. 

     
Cb.
                


 
 A
   
solo 1

arco
     
pizz.

      
30
 
sul pont. pizz
 
           
  
Vln I 

f sempre forte

 
         
solo 1

   s.      
      
col legno arco
glis 
col legno
   
   
Vln II
f sempre forte 

            
sul pont.

    
  
sul pont.
   
arco
   
pizz.
      
solo 1 .
 gliss


Vla
f sempre forte
   
   
      legno   
solo 1 pizz.
    col
            
Vc.   
f sempre forte

       
    
solo 1
          
col legno
Cb.
 
sempre forte



arco
     

   
35 pizz.
       
sul pont.
      
pizz.
 
 
col legno arco
  
     
   
Vln I

sul pont.
     pizz.        
arco arco col legno
        
pizz.
 
    
Vln II
            

   
   
sul pont. sul pont.

                 
pizz.
      
pizz

 
arco arco col legno

  
s.
 
Vla glis    
  
   
pizz.
             
    
pizz.
Vc.
  
arco
  
   
sul pont.

Cb.
         
   
 23
Piu vivace

      
B q = 144

41
tutti
arco
    
 arco
Vln I 
         
sffz sffz sffz sffz
tutti col legno
     
arco
 
       
Vln II
         
p
sffz sffz sffz sffz

     
                   
tutti

     

arco col legno
Vla      
sffz sffz p p

    
              
tutti


col legno
  
arco
Vc.    
sffz sffz p

              

tutti
             
col legno
  
arco
Cb.
    
sffz sffz p

       
           
   
48

Vln I

      
arco        
               
     
Vln II

   
          
                 
Vla 
   
        

                   
arco col legno arco

Vc.
          

   
arco    
  
Cb.
     


   
C
  
    
         
    
solo 1
  
55 arco
 
col legno
         
sul pont. pizz.
Vln I 
      
2 sf sf f sempre forte


solo 1

       
sul pont.
    
col legno
      
 
      
Vln II
   sempre forte
f

sf sf
       col     
      
solo 1 pizz.

           

arco

2
  
legno
 
arco gliss.

      
Vla
  
sf sf f sempre forte


 
pizz
             
     
solo 1
    
col legno

   
Vc.
f
   
sf sempre forte

sf
   
               
         
pizz

  
Cb.

sf sf sempre forte
24

sul pont.
arco
61
 
  

pizz arco pizz.
     

    
   
Vln I

.
gliss gliss.

arco

sul pont.

     
pizz pizz.
    
 
 
Vln II
     

  
                   
col legno pizz.
Vla  
  sul pont.

        
Vc.  

   
    
col legno
Cb.
 




sul pont.
   
64 arco

         
 pizz.
       glis
s.
  

Vln I
 
arco


sul pont.
 
      
pizz. 

 arco 
 

Vln II
    


         
arco
    

col legno pizz.
Vla   

      
arco
  
Vc.   

      
col legno

   
pizz.
   
col legno
Cb.
  


 q = 154  
D
67   
    

Vln I 
(arco)
tutti

                                 
                         
Vln II

pp

                       
tutti

                               
arco
Vla 
pp


                                                
tutti

Vc.        
pp

Cb.
     

 25
Piu vivace quasi presto
q = 162   
72  (arco)   
                                             

        
 
Vln I

                                              
Vln II
        

p

                       
Vla                                 
p

                                              
Vc.         

p

                                               
      
arco
Cb.
  
p

 E
 Presto
78  q = 168     
pizz
            

Vln I        
 f sfz
pizz 
Vln II                        
 f sfz
sul pont.
                                                      
 
Vla

fp fp

 sul pont.
                                   
                  
Vc.

fp fp

           
col legno
       
Cb.
      
f sfz

 Piu presto
q = 184
sul pont.

                    
arco
84



Vln I 
mf fp
arco sul pont.

      
( divisi)
                    
       
Vln II

mf fp


                      
 


 
Vla

mf

        
  
   
  
           
Vc.

mf

                   
Cb.    

mf
26

            
89
                      
Vln I                   

                            

   
       
Vln II
       

col legno
                 
Vla
      
f

 
col legno
               
Vc.
     
f

      
pizz
              
Cb.
    
f

Molto marcato

 F h=110

          arco          
                
divisi
94

Vln I                       
ff
            
                       
divisi
    
            
 arco
Vln II
 
ff

        
                       
divisi
                    
arco
Vla
  
ff

        
arco

                                   
divisi
Vc.
  
ff


                   
         
                 
arco
Cb.

ff

  

       
 
        
 

               
103

Vln I          

          
     


Vln II                             

          
      
Vla                              

          
         
Vc.                           

    
  
        

  
 
Cb.          
 27

    Molto Rall.
          
111
 
Vln I        
 gliss.   
fff pp

   
         arco 
      
sul pont.
      
Vln II  
fff pp

   
          
       
    
Vla gliss.

fff pp


   
arco
 
  
sul pont.
            
gliss.

       
Vc. 

fff pp

   
     
sul pont.
 
arco
 
 
Cb.
   
 

 
gliss.
fff pp

Molto expresivo
q = 48

 
G
120

      

Vln I 

              
         
liscio

Vln II           

            
pp p
cresc.
mf

              
         
liscio
            
Vla
pp p          
cresc. mf


               
          
liscio
Vc.
 cresc.
p mf

Cb.
       

28

       
127
                   
      
  
liscio
   
Vln I 
f

                
                  
Vln II           
f

            
                   
Vla
              
f


               
               
Vc.
              
f

             

                    

Cb.
  
f

  
               
 
                 
132
 
Vln I        
siempre dim.

            
                          
Vln II
     
siempre dim.

            
                          
Vla
     
siempre dim.

                        

      
    

Vc.

siempre dim.

                        

  
Cb.
     
siempre dim.
 29

    


 

divisi a 4 

137

         

         

Vln I 
pp
pp
 


pp
 


pp

 
 
pp


divisi a 4

   

Vln II                
  pp
pp




pp


pp



pp





              
divisi a 4
Vla         
pp
pp




pp




pp




pp


divisi a 4 
 

Vc.          

     
pp
pp



pp



pp



pp

divisi a 2

 
 

Cb.
          

     
ppp
pp


ppp
Violin I Concierto en Blanco y Negro 1

Evocación a Manuel de Falla

Versión Orquesta de cuerdas Para orquesta de cuerdas
Encargo de la Fundación Provincial de Música José Ramón Hernández Bellido
"Manuel de Falla" (2002) (2002)
Concierto en Blanco y Negro trata de dar unas pinceladas fugaces y metafóricas sobre la compleja personalidad de D. Manuel de Falla.
El primer movimiento, "Oscuridad y misticismo"; evoca el carácter místico y religioso del autor, traducido en una música sombría y
oscura, pero de clara estructura formal. El segundo movimiento, "Pantomima"; refleja, con buen humor,
algunos comportamientos obsesivos de su personalidad; la música, siempre en pizzicato, gira en torno
a cuatro sonidos (que guardan entre ellos una enigmática y conocida relación que representa la antítesis del estilo musical de Falla) que convierten
la música en un círculo sin salida. El último movimiento, "Threnos";
es un canto fúnebre de la antiguedad clásica griega; y está compuesto en la textura más simple que existe y
que caracteriza a esta música: la monodía estricta que, en cierta forma, evoca a la economía de medios
que siempre caracterizó la música de Falla.

I
"Oscuridad y misticismo"
Lento
q = 50

           
sul pont. sul tasto pizz.
      
non vibrato
 
        
sordina
 
pp pp sfz
mfp

8 (pizz.)
                          
  
(divisi a dos)
         
 
p
arco  
    
  pp


11

A
  
 
arco pizz. senza sordina
                                  
     
p

        
15

pizz.     
    
         
p


                   
18

 
pizz.
   
p
2 Violin I

sobre sol
q= 40 
divisi a 3
21
B
 
          
         
arco
        
arco

           


ff marcato pp 3
mf espress.

  
             
Senza rigore en tempo

          

26
  

          
pp sotto voce
3

senza rigore en tempo

 
      
solo
 
pizz.

30
       
       
arco
 
sffz mp

e = 100
Agitato              
C
  
36

     
tutti
      
p

           
           
pizz.arco
     
44

 
                   
 

p pp

                                     

pizz. arco
 
49

                 


pp

                             

                       
52

   
f

             
      
           
         
56

  
    


 Violin I 3

  
                                  
63
D

   
   
ff enérgico

      
68
                                    
             

  
p pp
pp

   .   
     gliss.                            gliss          
 
73

76
      
   
    
       
    
       
  
   
    
       
  
   
  

E 
80
                            
       
      
f ff

                         
ff
 
Divisi a tres

                                        
87

      
 
    
  
         
                   
       
                  
     
                             
        
             
 

                         
                   
91

      
 
      
                    
                   
  
     
 
                 
           
             
4 Violin I


93
F

 
               
p

96
           
                     
    

           
 
      
99

                     
    
ff

            
     
                   
         
ff

            
                      
          
ff

                 
            
102
      
             
      
      

         
        
   
      
                                  
   
   

                 
 
                           

    
      
 Violin I 5

con sord. legato

gliss. sobre Mi

                                 
   
        
(divisi a dos)
106
 

mp poco a poco dim. hasta calderón

con sord. legato

gliss. sobre La

                                  
   
        
 
mp poco a poco dim. hasta calderón



      

    
110      




 
     
 
   
     


Molto tranquilo
q=60
 
senza sord.
                      
G
111

       
pp


117
sul pont.
solo 1º atril     

      
pp Perdiéndose
Violin II 1

Concierto en Blanco y Negro

Evocación a Manuel de Falla
Versión Orquesta de cuerdas Para orquesta de cuerdas
Encargo de la Fundación Provincial de Música José Ramón Hernández Bellido
"Manuel de Falla" (2002) (2002)
Concierto en Blanco y Negro trata de dar unas pinceladas fugaces y metafóricas sobre la compleja personalidad de D. Manuel de Falla.
El primer movimiento, "Oscuridad y misticismo"; evoca el carácter místico y religioso del autor, traducido en una música sombría y
oscura, pero de clara estructura formal. El segundo movimiento, "Pantomima"; refleja, con buen humor,
algunos comportamientos obsesivos de su personalidad; la música, siempre en pizzicato, gira en torno
a cuatro sonidos (que guardan entre ellos una enigmática y conocida relación que representa la antítesis del estilo musical de Falla) que convierten
la música en un círculo sin salida. El último movimiento, "Threnos";
es un canto fúnebre de la antiguedad clásica griega; y está compuesto en la textura más simple que existe y
que caracteriza a esta música: la monodía estricta que, en cierta forma, evoca a la economía de medios
que siempre caracterizó la música de Falla.

I
"Oscuridad y misticismo"
Lento
q = 50
 
non vibrato

        

sul pont. sul tasto
    
      
sordina

pp

mfp pp

            

7 divisi a dos
                           
pizz.

  
p

          

(arco)
 
            
pizz.

 
pp

p

11
A
    senza sordina

   
                      
arco

        
pizz. arco

      gliss. 
pp
p

   
pizz.

15 pizz. arco

   gl .    
 
                      
i s s 
 gliss. 
p  pp p
2 Violin II
q= 40
          
B
21 sobre sol

      
    
         
arco sul pont. 3
   
arco 

ff marcato p eco mf espress.

 
     
25

    
       
 
           
 
  
3

pizz.
     
29 Senza rigore en tempo  sul pont.
 
                  
 
  
arco
 

 ppp
pp sotto voce 
sffz

e = 100
                  
Agitato arco
C
35
     
           

p

41    
                                   
p
 

47              gliss.
         

pizz. arco
      
           
pp )(pp)

                           
                     
51

 

  
                              
54
 
           
f

         
       
   D                 

     
                 
61

 
ff enérgico
 Violin II 3
66
              pizz. arco

       
           
p

73

               gliss.     pizz  
                
pp  

                             

arco
                           
77

     

E
81
      
                                     
  
f ff

(ff)

   
                             
88 Divisi a tres

             
             

                            
 
              
       
     
 

                            
           
   
   
           
    


        
 
 
 

F
           
                  
91

             


     

  
                             
                  

        

  

                 
                
         
4 Violin II

95

                  
p               

97
          
  
        

           
     
100 divisi a tres
     
 
      
 
ff

          
    
        
 
    
    
ff

             
  
         
   
ff   

            
     
102

        
      

    
      
   
 
 

 
 
  
  
     



             
   
         
  


   
 
       
   

       
104

     
   
    
                  
     
   
    
 
        
       
         
 Violin II 5
divisi a dos
con sord. legato

   
gliss. sobre Re

                                
109    
        
mp poco a poco dim. hasta calderón

con sord. legato

   
                         
gliss. sobre Sol

   
           
 
mp poco a poco dim. hasta calderón

              
              
111

 
senza sord.
    

      
         
       
senza sord.

 

Molto tranquilo
q=60
G
      
113

                 
pp



118
    
       

pp
Perdiéndose
 Concierto en Blanco y Negro 1

Viola
Evocación a Manuel de Falla
Para orquesta de cuerda
Versión orquesta de cuerdas Durac. 15m aprox .
Encargo de la Fundación Provincial de Música José Ramón Hernández Bellido
"Manuel de Falla" (2002) (2002)

Concierto en Blanco y Negro trata de dar unas pinceladas fugaces y metafóricas sobre la compleja personalidad de D. Manuel de Falla.
El primer movimiento, "Oscuridad y misticismo"; evoca el carácter místico y religioso del autor, traducido en una música sombría y
oscura, pero de clara estructura formal. El segundo movimiento, "Pantomima"; refleja, con buen humor,
algunos comportamientos obsesivos de su personalidad; la música, siempre en pizzicato, gira en torno
a cuatro sonidos (que guardan entre ellos una enigmática y conocida relación que representa la antítesis del estilo musical de Falla) que convierten
la música en un círculo sin salida. El último movimiento, "Threnos";
es un canto fúnebre de la antiguedad clásica griega; y está compuesto en la textura más simple que existe y
que caracteriza a esta música: la monodía estricta que, en cierta forma, evoca a la economía de medios
que siempre caracterizó la música de Falla.

I
Lento "Oscuridad y misticismo"
q = 50
non vibrato sul pont. sul tasto
sordina
          
             
      
pp pp mfp
pp

8
A    
arco  
        
          
           
p

13
pizz. arco
      iss.        
 gl    
pp
(Improvisar lo más rápidamente posible sobre la cuerda re en el
registro aproximado dado, tremolando, staccato y sul pont.)

viola 1ª tacet y solo

15 quita sordina
           
       
ppp simile f molto legato
2 Viola

divisi a 4

17 (tutti sin sordina)   
     glis
s.  
     
    
pp pp

(tutti sin sordina)


  
    
glis
s.  
     

pp pp

  
  

pp


  
  

pp

21
B q= 40 sul pont. arco non divisi
       
         

  

 
  



ff marcato p eco mp fp

Senza rigore en tempo (tutti) sul pont.

28 pizz. arco  
          
              
   
pp sotto voce sffz ppp

Agitato
34 
C
e = 100  

 

                
arco

       
p

41 pizz. arco
   
                     
            

f pp

pizz. arco
46
        
                    
                    

mf p mp

        
51                    
           
  

 Viola 3

55 arco pizz. arco

     
                                
 
f

D pizz. arco
62
        
                                       
          
p
ff súbito

68 pizz. arco pizz

 
                              
  
 
  
pp
divisi
  arco   
sul pont.   
74
                          
   
          
pp

81
E
arco  arco pizz
                      
                 
  
ff f ff

88
                         
                                  
                   

92    
   
      
               
              
    

94
F
pizz.
    
                         
p

arco sul pont. arco

97
      
            
            
            
ff
4 Viola

102
           
                 

            

105
   sul pont.
   

           
       
                                     
 

ff (Improvisar lo más rápido posible sobre las

cuatro cuerdas (bariolage) sul pont. y tremolando).

108   
            
               

                               

armónico bariolage
109           
           
mp poco a poco dim. hasta calderón

Molto tranquilo
q=60
113
G

                     
 
pp

solo
118       gliss. 
    

mf espress, un poco Perdiéndose
ad libitum
Violoncello 1

Concierto en Blanco y Negro

Evocación a Manuel de Falla
Versión Orquesta de cuerdas Para orquesta de cuerdas
Encargo de la Fundación Provincial de Música José Ramón Hernández Bellido
"Manuel de Falla" (2002) (2002)
Concierto en Blanco y Negro trata de dar unas pinceladas fugaces y metafóricas sobre la compleja personalidad de D. Manuel de Falla.
El primer movimiento, "Oscuridad y misticismo"; evoca el carácter místico y religioso del autor, traducido en una música sombría y
oscura, pero de clara estructura formal. El segundo movimiento, "Pantomima"; refleja, con buen humor,
algunos comportamientos obsesivos de su personalidad; la música, siempre en pizzicato, gira en torno
a cuatro sonidos (que guardan entre ellos una enigmática y conocida relación que representa la antítesis del estilo musical de Falla) que convierten
la música en un círculo sin salida. El último movimiento, "Threnos";
es un canto fúnebre de la antiguedad clásica griega; y está compuesto en la textura más simple que existe y
que caracteriza a esta música: la monodía estricta que, en cierta forma, evoca a la economía de medios
que siempre caracterizó la música de Falla.

I
"Oscuridad y misticismo"
Lento
q = 50 solo (sin sord.)
tutti (con sord.)

 (tutti sordina)                   sul tasto

    

    
espress.
pp

A
7    
              arco
        
     
p

12
   

            
  

15
                                               

           
ppp (Improvisar lo más rápidamente posible sobre la cuerda re en el
registro aproximado dado, tremolando, staccato y sul pont.)

16
senza sordina todos
 
           

2 Violoncello

q= 40 divisi
solo B tutti
   
20
             
   
      
            pp
f molto legato ff marcato

23 non divisi
Senza rigore en tempo
        
  
          
mp fp

30
Allargando a tempo sul pont.
 
           
               
     
pp sotto voce f  ppp

e = 100
35

C Agitato
     
                           
     
p

41
 pizz.       arco  

            
         
f pp

pizz.
46 pizz.  arco (divisi)

                                         
        
mf p
p

51
                                             
         
 Violoncello 3

arco
55                 pizz.
                        arco            
       

f

D pizz.
61
        arco
               
                 
            

ff

67
pizz. arco pizz 
  
                            
  
p pp

73
                
                        
 
mp

78           arco (non divisi)

       arco (non divisi)
        
pizz

                          
    
mp 
f p f p f p f p f
(divisi por atriles)

pizz ( divisi)

    

           
        
ff

           

    
84 arco
    
     
         
   E
      
                           

              
f               ff


 

87
                              
   
                   
 

90
       
   
                 
           
 
4 Violoncello

92
F
pizz. divisi  
                  
 
         
      
p
   

96 arco sul pont.


                          
      
mp

99
 arco
                    
    
        
  
ff  

102
                          
        
       
         
   

106
sul pont.

                       
pp poco a poco dim. hasta calderón
ff (Improvisar lo más rápido posible
sobre las cuatro cuerdas sul pont y stacc.).

Molto tranquilo
q=60
G
111
  
               
pp

117
  

     
pp Perdiéndose
 Concierto en Blanco y Negro 1

Contrabajo
Evocación a Manuel de Falla
Para orquesta de cuerda
Versión orquesta de cuerdas Durac. 15m aprox .
Encargo de la Fundación Provincial de Música José Ramón Hernández Bellido
"Manuel de Falla" (2002) (2002)

Concierto en Blanco y Negro trata de dar unas pinceladas fugaces y metafóricas sobre la compleja personalidad de D. Manuel de Falla.
El primer movimiento, "Oscuridad y misticismo"; evoca el carácter místico y religioso del autor, traducido en una música sombría y
oscura, pero de clara estructura formal. El segundo movimiento, "Pantomima"; refleja, con buen humor,
algunos comportamientos obsesivos de su personalidad; la música, siempre en pizzicato, gira en torno
a cuatro sonidos (que guardan entre ellos una enigmática y conocida relación que representa la antítesis del estilo musical de Falla) que convierten
la música en un círculo sin salida. El último movimiento, "Threnos";
es un canto fúnebre de la antiguedad clásica griega; y está compuesto en la textura más simple que existe y
que caracteriza a esta música: la monodía estricta que, en cierta forma, evoca a la economía de medios
que siempre caracterizó la música de Falla.

I
"Oscuridad y misticismo"
Lento
q = 50 pizz
   sordina  
    
          
pp

A
11
  arco

              
  senza sordina
                
p

15
  
col legno
     
 
sordina
      
p
17
                                                 
 
                                              
pp (Improvisar lo más rápido posible sobre la cuerda sol en el
registro aproximado dado, tremolando, staccato y sul pont.)

q= 40
B
18 senza sordina     
             
  
ff marcato mp
simile

24 Senza rigore en tempo

        
    
 
     
fp
2 Contrabajo

a tempo
Allargando sul pont.
31                  
           
   
f ppp

C
Agitato
36
e = 100      
                     
pizz.
   
 
p

arco col legno pizz. arco

42
                       

 
 
     
f pp p mf p

49 (divisi)  
  pizz. 
                                         
            
p

53
         
                               
            
f
D
59    pizz.
                            
arco
   
    
ff

66  
                             
 
 pp

75 divisi         
                



            

f
79    p f   p    p f   p  f pizz
           
arco
                     
          
pizz

ff

84
E
arco 
    
 
                            
           
ff 
f
 Contrabajo 3

88
                    

 

                
 
91
        
                
         

F
92
pizz. 
         
 
  p

96
arco  
    
                     
 
p

99
   
                       
      
      
ff

102
          
                               

  
    
106
col legno

                       
pp
poco a poco dim. hasta calderón
fff (Improvisar lo más rápido posible
sobre las cuatro cuerdas col legno.).

Molto tranquilo
q=60
G
111
        
          
pp


117
 
      
pp Perdiéndose
6

II
"Pantomima"
Animato assai sempre pizzicato
q. = 108

                
Pizz
   
       
p p p

         
 
6

                 
 
p p

11       
           
       
      

f pp f

p


           
16
A

 
     
 
pp ppp p

19        
          
  
f
      

23
                      
     
   
         

        
27
B

   
            
pp
 Violin I 7

C
31
        
 
(non divisi)
             
                  
f ff sf sf sf sf

37                 
           
    
dim. molto

42

 
   

 

 

  

pp

44    
                   

p p

        
 
50
D

         

ff

54
                               
  

57
                             $
          
p molto cresc. ff
8 Violin I

61

            
    
      
dim.


65

Un poco menos tempo
 
               
  gliss.
p pp

 
1.
69

          

73    

         
ff

 
(non divisi)
75 2.
 
              
pp ff

D.C. a la $ salta a Ø
78 Ø        
Attaca Allegro vivace
    
divisi
     
ff 
6

II
"Pantomima"

Animato assai sempre pizzicato

q. = 108
        
Pizz

           
       
p p p

 
                 
6

          

p p

  
11
           
           
      
f pp p f 

15
A

                     
 

p
 
pp

ppp p

                
(non divisi)
18

                         
           
p

21  
      
        

    
       
    
f  

26
B

               
          
        
pp
 Violin II 7

           
C (non divisi)

30

                          

p ff sf sf sf sf

36
    
                          

41

             
 
     
dim. molto pp

44 
                     
 
p p

50  D

                
   
ff

 
54

                           

57 $
                              
p molto cresc. ff
8 Violin II

60   
                

     


Un poco menos tempo
64

 
              
     s .
glis
dim. p pp

68   
             


1.
  
71

               
ff

 
(non divisi)
75 
2.

                
pp ff

D.C. a la $ salta a Ø
78 Ø 
Attaca Allegro vivace
          
divisi
      
ff 
 5

II
"Pantomima"
Animato assai sempre pizzicato
q. = 108
Pizz
      

                   
   
p p p

7 
                   
    
p p f

12     
                       
         
   
pp p f p

16
A

 
                    
pp ppp p

(non divisi)
 
20
            
                         

    
f

   B
24
        
      
                 

6 Viola

28
C

 
      
                 
 
pp p sf sf

33          
                          
sf sf ff sf sf

39 
                  
 

dim. molto

42

 
             

pp

44              
             
mf p

D (non divisi)
50
       
                    
f

   

54
       
                           
 Viola 7

57 $
                            
p molto cresc. ff

60         

                      


64 (divisi) Un poco menos tempo

gliss.

 
               gliss.
     
dim. p pp

1.
68

                      

72 
  
                  
  
ff

(non divisi)
75 2.
 
                
pp
 
ff

78 
D.C. a la $ salta a Ø Ø divisi
 Attaca Allegro vivace

                 
 ff
 5

II
"Pantomima"
Animato assai sempre pizzicato
q. = 108
Pizz
      
    
           
  
p p

7

                     
  
   
p f pp

13
     
               
         
p f p

A (non divisi)
16 
        
                           
pp ppp p

22
   
 

  
 
 

     
         
f

25
                          
 

27
B

    
              
 pp
6 Violoncello

32
C
      
 
          
               

ff

38 (divisi)
  
                       
      
dim. molto

42
   







 

  
       
pp

44  
      
         
p mf

50
D (non divisi)
  
                       

f

54         
                          
   
f

57 $
          
                 
p molto cresc. ff
 Violoncello 7

60 (divisi)
          
 
                         


64 Un poco menos tempo

        g liss. 
  
             gliss.       
dim. p pp

1.
68 (divisi)
                         
 

72
  
              
 

 
p
ff

(non divisi)
75 2.
     
              
pp  
ff

78 D.C.
 a la $ salta a Ø Ø divisi
 Attaca Allegro vivace

     
 
         
 ff
4

II
"Pantomima"
Animato assai sempre pizzicato
q. = 108
  
          
         
p p

10 
       
              
f
  p

16
A

       
                   
     
pp ppp f

24
B
   
                         
        
f

28
C

                    
 
ff
 

36
                 
   

40 
             
 
   
mf
 Contrabajo 5

44
D
 
 
    
                
  
f

55 $      
  
                 
ff

60            
                          
 

64 Un poco menos tempo

gliss.  
        gliss.         

p pp

1.
71
      
                    
  
ff

75
2.

(non divisi)
  
D.C. a la $ salta a Ø
   
Ø
         

  
ff

79 divisi
Attaca Allegro vivace
  
           
ff
 9

I I I"
"Threnos" (Canto fúnebre)
Allegro vivace
q = 132 
       
e siempre = e
          
        
sffz sffz sffz sffz
9

                   
      
         
   
        
p

               
15
      
                   
sf sf mp sf sf mp sf sf

A
         
20
                
 
2
       
    
sf sf pp

  
26

      
                          
    


solo 1
  arco
    
pizz. arco
      
31
  
sul pont. pizz sul pont.
         
   
 
  
f sempre forte

 
               
36 pizz.

       
pizz.
col legno arco

       

Piu vivace
q = 144


41
B tutti

        
arco
   
arco
      
        
sffz sffz sffz sffz
10 Violin I

           
49

         
  


     
   C 
                   
solo 1

    
55 arco

              
col legno
sul pont.

 

2 sf sf f sempre forte

sul pont.
arco
60
    
pizz arco
            gliss.     
pizz.    pizz.
   


q = 154

sul pont. D
64
    
arco
    
     
pizz.
 
tutti
              
 
Piu vivace quasi presto
q = 162
72 (arco)
           
     
                         

p

Presto
q = 168
                  
76
E pizz

                
  f

Piu presto
q = 184
sul pont.

                                       
arco
83

     
sfz mf fp

                                            
90

                   
 Violin I 11

Molto marcato
h = 110
            
F divisi

       
97

                 
arco

  
ff
    
      
           
103

         

      

             
109

         
Molto expresivo
q = 48 
Molto rall. G
115
   
  gliss.       
fff pp

     

                      
liscio   
  
127
  
      
f

                                          
132

         
siempre dim.


divisi a 4 


137

                       


pp
pp  



pp
 



pp
 
 

pp
 9

I I I"
"Threnos" (Canto fúnebre)
Allegro vivace
q = 132 e siempre = e

       
      

        
    
  
       
sffz sffz pp legatissimo, evitando cualquier tipo de acentuación.

                    

 
      
       
sffz sffz p

10
          

             
                       
  
sf sf

16
             
 
    
                     
mp sf sf mp sf sf
A
      
21

          
2
                
   
sf sf pp

 
solo 1
col legno 
   
27
        
                                
    
f sempre forte

 

32

             
arco col legno pizz.
 
s .
     
   
glis
 
B
Piu vivace
sul pont. q = 144
     pizz.       
ss.  
37 col legno tutti
  
arco arco
     
arco
         i
         
   
gl
 
sffz sffz
10 Violin II

42 
         
col legno

            
             
sffz sffz p

    
48
    
arco
                 
  

C
     
54 solo 1

          
                
 col legno

           
sf sf f sempre forte

arco arco

59 sul pont.
                 
sul pont. pizz sul pont.
    
 pizz.

    

      

q = 154
D (arco)

65

     
tutti

   
pizz.
 
arco


                       
pp

Piu vivace quasi presto

69 q = 162
    
                                      
 
p

73
     
                                           

Presto
78
E q = 168 
    
pizz
                       
 f sfz
 Violin II 11

Piu presto
q = 184
arco sul pont.
85

                                          
( divisi)
   
               
mf fp

91

                    
        
       

Molto marcato
h = 110
    
F divisi
arco
    
   
95
 
             
           
ff

  
         
         
101

             

       
  
              
107

       

  Molto rall.
113
    
arco 
    
sul pont.
    
 
fff pp
12 Violin II

Molto expresivo
q = 48
 G            
         
120

 
liscio
   
 
pp p

               
124


               
f
cresc. mf

                
128

                 
  

                            

132

        
siempre dim.


divisi a 4 
 
137

                 
     

  pp
pp



pp




pp




 


pp
8

I I I"
"Threnos" (Canto fúnebre)
Allegro vivace
        
q = 132

e siempre = e

                       
sffz sffz pp legatissimo, evitando cualquier tipo de acentuación.

            
                  
5

  
sffz sffz p

 
10
                                  
      
sf sf

                        
       
16

  

  



mp sf sf mp sf sf
              

A
     
2
               
21

 
    
sf sf pp

      

2
               
    
              
26

  



     

 




      gliss. 

sul pont.

      
sul pont.


31 arco

     
pizz.
        
solo 1

   
f sempre forte


sul pont.

                        
35 pizz pizz.
arco arco col legno

     
s.
glis     

B Piu vivace
 q = 144
   
sul pont. tutti

        

40

arco col legno
          
sffz sffz p

 
        

    
43
  
  
 Viola 9

            

     
 
                    
46

            

p

         
                
51

 
2

      
 

      C 
 
solo 1
   arco liss.   
pizz.
     
56 arco
 
                      
         
col legno

  
g
 
sf sf f sempre forte

 col legno   
                          
61 arco
pizz. col legno


q = 154
tutti
   D arco               
          
66

              
pizz.

  
pp

Piu vivace quasi presto

q = 162
 
                                        
70

   
p

Presto
q = 168
                   
E
74
            
sul pont.
           

fp
10 Viola

79

                          
                 
fp

Piu presto
q = 184
                
84 col legno
        
 mf
 f

Molto marcato
h = 110
divisi
  
F

arco
    
92

                                
  
ff

            
   
99

                    


  
        

 
105

                   

   

111 Molro rall.
                
    
gliss.

fff pp
 Viola 11

Molto expresivo
q = 48
        
G
120        
           
liscio
 
pp p

 
               
124

    
         
f
cresc. mf

             
128

                
  


                              
132

  
siempre dim.

 


                         
137
divisi a 4

   pp
pp




 
pp


 

pp

 
   
pp
8

I I I"
"Threnos" (Canto fúnebre)
Allegro vivace
q = 132 e siempre = e

                           
      
sffz sffz pp legatissimo, evitando cualquier tipo de acentuación.

5   
                      
              
sffz sffz p

10             

                      
      
sf sf

16                          
            
   
mp sf sf mp sf sf

2
A
21          
                    
    
sf sf pp

26 2  
       
                      
     

solo 1 pizz.
31   
     col legno
    pizz.
    
               

f sempre forte

Piu vivace
B q = 144
36 pizz. tutti
            arco
 
            
 
sffz sffz

42
col legno  
                           
     
p
 Violoncello 9

47     col
arco legno
      
           
      

arco
53
     
              
  
              
      
  
sf sf
C

pizz
58 solo 1   sul pont.
             
col legno 
           
 
f sempre forte

q = 154
64
D
arco  tutti 
   
 
                     
 
pp

Piu vivace quasi presto

69    q = 162
                                  
p

73   
                                           
  

Presto
E q = 168
78
  sul pont.
                                               

fp
10 Violoncello
Piu presto
83 q = 184
           
                              
fp mf

90 col legno
 
                                   
f

Molto marcato
h = 110
arco
97
F divisi
      
   
 
   

   
 
       
      
ff

103
  
  
     
                      
 

109       

                   
   

Molto expresivo
Molto rall. arco

115 sul pont. gliss.  q = 48 G
      
    
   

 
fff pp
 Violoncello 11

122           

  
liscio
          

p cresc. mf

127
                     
                 
      
f

131
                       
            
siempre dim.

divisi a 4

136 

             
               
pp
pp




pp




pp


 
pp
6

I I I"
"Threnos" (Canto fúnebre)
Allegro vivace
q = 132
  e siempre = e   
                     
      
sffz sffz sffz sffz
9    
               
       
sf sf
16             
        
  
 
     
sf sf sf sf sf sf

23
A
     
                       
      
pp

29 solo 1
  
                
  
   
col legno 
    
   
sempre forte
Piu vivace
arco q = 144
35 sul pont. B tutti
   arco
              
     
 
sffz sffz

42
col legno  
                           
p

arco
       
47
                
        

 
  
    C  solo 1
55      
     pizz  
             
      
sf sf sempre forte
 Contrabajo 7

 col legno pizz. col legno

60 
   col legno       
     
             


q = 154 Piu vivace quasi presto

67
D q = 162
 tutti arco
                                       
    
p

Presto
q = 168
75
E col legno

                                     
  
f

Piu presto
q = 184
82

                          

sfz mf

90pizz
                                    
f

Molto Marcato
q = 220
97
F
         
arco     
          
ff

103     
     
    

107        
 
        
8 Contrabajo

112   
        
 gliss.
fff

Molto expresivo
q = 48
117
G
  
       
   

pp

127
                    
               

f

132
                            
       
siempre dim.

divisi a 2
137
 
      
                   
ppp
pp

 

ppp