100%(3)100% au considerat acest document util (3 voturi)
955 vizualizări32 pagini
Chinese Early Heaven Formula Oracle Bead Divination by Robert Ing. Published in 1986 this is a complete copy of this out-of-print, commercially unavailable text by the author. This monograph covers a practical tutorial on this ‘lost’ method of divination from the East. This e-copy is presented as a free e-book download by the author under a Creative Commons License for those who may find it of interest.
Chinese Early Heaven Formula Oracle Bead Divination by Robert Ing. Published in 1986 this is a complete copy of this out-of-print, commercially unavailable text by the author. This monograph covers a practical tutorial on this ‘lost’ method of divination from the East. This e-copy is presented as a free e-book download by the author under a Creative Commons License for those who may find it of interest.
Chinese Early Heaven Formula Oracle Bead Divination by Robert Ing. Published in 1986 this is a complete copy of this out-of-print, commercially unavailable text by the author. This monograph covers a practical tutorial on this ‘lost’ method of divination from the East. This e-copy is presented as a free e-book download by the author under a Creative Commons License for those who may find it of interest.
CHINESE EARLY l--1EAVEN FORMULA ORACLE BEAD DIVINATION
I, , ,
,
I
'I"~-'~
"
'.
••••• ~
1
I /
I
I
I
. ,
I
FIRST ED]TION
FIRST PR~:NTING - OCTOBER 1986
~l!ori:t· COil et' Syrobo'l: The badge of the Chinese Magician or Mt.~t:te·" ' he outer edge feat.ur~s the ei'gh1t trigrams of the
ean1y he ven fonmula and r.epr.esents space or the entire ,
sP,i'~i tu I universe. -.'lheress, the inner ring \.n.'tfi' its
twelve ,boIs repr.esents the twelve animal signs or years
U, ChinE1 e Astrology'. These twelve astrological signs
to camp ehand i·t:. The fi've painted star in the ~entre represe 's tD,e £i:ve Chinese Elements necessal1lr faIr alI tHings ,O eX.fst tn a physi"ca1 or mCl'teri:al fOmD; they are (cloc se, from point,3t the top), Fire, ·tlat~r, Eertn,
. i1pod an I "leta!. .'
-*... COPYRlG TG) 1986 by Robel!t S. lng, Tonanto, Canada
... PRINTED IN CANADA I
REPRODU TION OR PUBLICATION OF THE CONTENTS IN ANY filANNER, ',"!lTHOUTEIFRESS P6RMISSION, IS PROHIBITED. NO LIABILITY IS ASSUMED 'ilIT,H RESPE.CT TO THE USE OF THE nrFORMATION HEREIN. F()R INFORMITION 'CONTAC~r ROB~T S. lNG, P.O. BOl 378 -
POSTAL ATION 0, TORONTO, ON:TARIQ, CANADA M4A 2N9.
tJ3.) , ING
ING,..- R08ER'J.'. S.,
, . .Ji.:< -:
CHINESE :EARLY HEAVEN FORMULA""
ORAC~E BEAD· DlnNATION.
1. 'paACLE BEADS ~ CHINESE
2. CHrNESE MYSTICISM I. CRlt-lESE t>rrSTICISM II. TITLE
I. 7 I
2. Chinese Dtv:i:natio.n Symbal Chart 81
3. Cotoured Oracle, Bead Key 14
4. Chlien Tnfgr.am IChart 1
5. Tui Tr.igram Chart Iff
6. Li" Tri"gram Chart 19
7. Chen Trigram Chart 20
8. Sun Tniguam Chantr 21
9. Klan Trigram Ch~ 22
10. Ken Trigram Chart 23
II. Klun Trigram Chart 24
12. Exact Lunan Years Fram 1864- To. 1899 25
13. Exact Lunar. Years From 1900 To 1935 26
14. Exact Lunar. Yeatts Fr.om 1936 To 1971 27
15. Exact Lunall' Years Fr.am 1972 To 2008 28
16. Exact Luna~ Years From 2009 To" 2043 29
17. Twelve Lunar Signs & The:i::Jr HOUIrs 11
, I'
'j
; I
,'j
,
I 'I:
: , ':
I.:
,-
t,_",
-~ . ',:.;
, I
; I
/,1
[\:1
"
I I r:~ ,
t_1 f~\ !
~. :
~ , i '
"j
r
"IU
,i
ti
'"
J ..
. ' . I '~
.) I
:~
.: .~
::~ ,
"f
'1
:1
".
,-
,J
~1
:~
,-,
i
,
~~
,- ~
t
.~
, /! t.--
" ' -~
1;
I ;-
~
"
~.
~.,
I
r- ;"'.
'~
.~
,
;~{,
,';1:
~:
{~ .
i:-
?;
.[-
,
:~ /: .J: 1 ,
14,
:{ • '~.1. ~,
~, ~
....,t. . ...:. ." j'
EARLY HEAVEN FORMULk-ORACLE BEADS The
Chinese di vinatfan originated as eight tri"grams markings) and these' ~ere <::onsi'de~ea by Fu Hsi, the legendary Emperor of China "( c. ,,'3000 B. C.) as a fullY' adequate tation of every 'h~man situation at";' any gi,;"en moment.-
I. ,,,["
the eanthly life of an individual.
-.._...~~ '1i-1'
The tnigram consists of three panallel
are the eight. tmgnams withtheiIr
¥ ~ ", ~ ~ t,f
lines. Li.sted and
key
gmpe~or Fu HS:L"'a~signed an unbncken line ( too represent
Yang, the male element, he<!lt, light and flame whereas a broken line (- -) re presentd Yih I the female e lement"., cold I darkne ss and the void of <::r.eation awaiting' tne flame. Yang and Yin
ane considered to be the twa equal forces 1'n the untverse and the dual and opposite forces necessary for creat.ion, destruction and the balance in all existence.
Ther~.roll'e, i:C we wanted. t.o represent the un ehangang £orce of
Yang, we W"ould use. an unbroken lfne ( ) and f'or the un-
changing fOl1'c"e or Yin, we would use a broken line (- -) •
~'Se cannot. touch a single thing in the uni verse and say th~t it 1'5 now what i·t was a minute, hour., day, week, month or yean ago; ot!' for. that matter that" it wilI conti'nue to remain so. For this 1's the Universal Law of Flux and Reflux Univer.sal Law of the Cine-lee Just- as winteI:' turns to spring, sprang 'to summez , summer to fall and so on ; the two forces of the unive!'se Yang and Yin follow many change cyeles and alternate their positi'ons. In doing this the changing reality of consciousness is experienced and what was once the future and pre sent are now the pr.esen t" and past respe cti vely •
.l1li,". ~ ..
, .1
, I
j
..
. ,
If
T0 indio e the changing fOlTee of' Yang, the male element, ,"e
, ,
use an u roken li:ne wi'tn ~ hollow sphene in the centre 9£
the line --0--:-). To indicate the changing forc::e of Yin, the f'emale el!ment', we would use Ii bnoken line witli an eq1!lilateral
I . ~
cnoas be. reen ttie bl1.eak (- + -) • ..:
'l'osur:una ilSze ,he Symbols. we have just discussed, let I s refer . to t-lfe c: I ant' Qelow. ,Please study it earefully as, you will needto e able to ihtl?rpret the:se'symbols from memory, if you aI1e 0 be "sl1c::ces'sf'ul in any;' taeetr of Ohinese Divination ..
FIG. 2
FORCE
CHl\RACTERIST-I'C
Yang (Male EleJlu~nt)
o.nchanging
YIn (F~male Element)
UnChangi.ng
Y!ang .( Male Element)
Cnanging
'tin (Female Element)
Changing
-+-
'\fhenever we encountlbr a tr.ignllm. with 'a changing line In it,
we fins~ rea.d it as if it wene an 'unchanging line.
"
, EXA1~1PLE:
,-
YANG, .... ---0-.-
CHANGING
LINE
R}';AD .4.5'....--
<,
THIS ";IOULD FIRS'Ll I BE READ AS THIS
FIG. 3
,
However, si2(ce 'fe did en o ounb e:a: a changfng line in our examp.Le ,
1 , ,
tlii's, , ~ndicates the present s:ftuation but" due to tJte changing ,
•
line; t~is inli:icate-s Jthat a cfiange willocqul! and to' disCOVE!l!"
this ehange we sj:mpl_yco~;v"ent the changing l.ineto i'tg' unc;hanging oppoa'Ltre-,
. , " 'i
'r" 't
j
I
DUE TO CHANGING LINE CONVERTED TO UNCHANGING
YANG CHANGING LINE
~--
EXAMFLE ',11TH CH ANGING LINE
t
REPRESENTS PRESENT SITUATION
/
REPRESENTS
FUTURE OR OUTCOME
In some cases more than one changing line may be encountered and these must. be read and. converted t"ogether in the same tr.igr.am using the same procedune as outlined. You will no doubt encountezr tnfgr.ams with no changing lines and thi:s simply' indicates no change in tlie situation as r.evealed.
The charts of the eight tnigrams and theitt attr.ibutes are located in the back of this book and will be qUite useful
in interpreting the trigrams as you encounter them. Once
you have ann ved at. a trigram :.througlr your. own efforts, refer to the charts and locate the par.t·icula~ trigram you require. Having done this, carefully examine the various areas that the t~igram penta ins to, and locate the ar.ea that applies to your. question or. situatiorr - your answer will be found there.
The~e are many ways atr arriving at, on cast~ng a trigram. However,we will eoncentrate oun study on the Bead Oracle method as this is the easiest and most practical method. Likewise, the Bead Oracle method is alsa one of the oldest and is best suited to the Eanly Heaven Formula as previously discussed.
Some may wonde~ how, if at all the eight tu.igrams are of any use in the ant of divination OF simply finding things out. For this reason, I shall relate to you two interesting situations that were foretold in the trigrams.
"
... ~ ...
'jf :",:'
, ,r
I •
. 1 { .
i, I. J '.
,
,I
,
, ,
"
. I
,,'.'lhen th.ese to
. or Fu Hsi invented the eight trigrams, he ',~ould use I1e:dict the weather. In doi.ng this, His> divining may
him to ttie eighth trigram, K 'un whi,e would forecast light raJ, OT' peJrh,~~s: heay h9ve encountered the first trd.gram, Ch' ien ,~I icb 'Would. for.e.cas,t aclee,1;:'. de.y.
been
story of t.he missing twelve year from. home for about. two days. D1
boy 'who had
boys par nts eonsuftied a Ohines-e Mystic who asked the question as to whlre the boy' Qlay be found. The question was e.hsVJered by tHe 'fau~ J'i trigram, Chen and narr.ol'{e<i down the ar.e.a f'Or the Fty. At't.e~ a day of sea:r.ehing the boy was found w~derin in el nea.rby park j one of the p La ees represented by
the ~t>u ') w trigr.am ...
']ltese an two exalllples of how a que.etion was put before and answere' by the eight td..€:rams o·f theea.nl:y heaven rormul,a Realisti afl,Y, I muS'H e.dyise the veeder thax, each indivioual haa lii:s '.~ her. qwn leve:l of' profi.ai'ency fu u,tili zing tr.igram divinarti:onJ andnatur.a~ly, tll..,e ~o..r7 ~ands on experience one has witH. this subject. the less chance of ,errol! and misinter-: pretation.
As yoU -have .rea.lized: at thi's point, "t(he ean1y heaven .formula
r: only "uae s eight: trigrams and. was the original system on "'hieh l the I Ching evolved with its sixty-four. hexagr.ams. There ar.e
a number of excellent texts dealing ~ith the I Ching currently
~ ~~. .
available! t~erefore .1. will not dfscuss or reiterate what is
already: available to the 'readeJl'~ The' eazrly heaven formula, is
. .~ 'I f
perhaps t~e e,asiest o.f the t~o. ~to use, as it does not .require
extensivelcalculationsJ' combinations nor.' ell lar.ge reference book' to ~~slst in 'its' interpretation. It is due to this' fact .that i personally favour it: over iater fomns o~ chinese
. ,
,diviI\ation 11l:~thoda and havetauglit it: to many army students
oven 'tHe course of tfili! pa,st seven. years .. 'The early heaven formula was .perha,ps 6i-eatea with tHe working mystic in mind, whereas tbe I Ching, witb tne p~ilosophe~ in mind. the early
heave", and the
fonmu'j,a utilized the casting. ·of onac.Le eads or bones
j. 'T -. 1
is~ in the remainder of this book that we shall discus.,s
ing of oracle beads.
10
Chinese Oracle
Chinese Oracle Beads were believed to be used around )000 B.C. by Chi"nese Mystics who \ITere devout vegetarians for the purpose
of divination using the Ea~ly Heaven Formula previously discussed. Othen non-vegetarian mystics would use oracle bones tro the
same endj howevep these were either. used in the same method
as fon the oracle beads or were heated by a wood fueled fire
\-rhi'ch would cause the individual bones to crack and thus form
a series of cracks similar to one at the eight tr.igrams.
The vegetarian mystics believed that as there was a violent
action in taking any' fomn of animal life, that if they were
to eat the meat or indirectly use the carcass, bones or. other remains of a departed animal (including humans), that they
would be inviting a malevolent energy fore'e into their work
and therefore would have to contend with a spir.it energy ... rhose last earthly existence was in fear, confusion and perhaps in
a state of vengence due to its I untimely sufferi"ng. Understandably, this was considered not to be a su1'table energy force
one would w1sh to rely upon for, any type of. divinatory guidance. I personally believatHis to be so, and perhaps
on my own beliefs and, if you will forgive me, pr.ejudices, teach only the Oracle Bead method. For. those Nishi,ng to
pursue the Oracle Bone method; you may use the bead method
I will discuss, by simply substituting small round pieces
of bone, all obtained fnom the same animal and ideally the
same general area of tne anatomy. Should you be interested
in the Oracle Bone fire method, you may consult your local bookseller or library for works dealing with ancient chinese mystical practices which will no doubt detail this practice.
To begin, you must first obtain sixteen round or square beads made fnom any dark wood, measuring anywhere from one-half
inch to one inch. They must all be the same size, texture and appvoximately the same weight. You \'lill also require four
small cont~iners of acrylic cr.aft paint in the colours of black, red, white and light blue. A paint. brush should also
be obtained if you don't have one and a sm3ll cloth marble drawstring bag would be an ideal home for the beads ~~en
~hen you're not using them, but please be sure it's cloth.
t't' "~;
J ~
Having ~s emhl.ad tbe sixt'sen beads, e·cryl,.ic pa nt and paint
• I
~bruslt, yo are now ready' to paint your Or.acle Beads. It is
belie-vedr hat it is much bette%." to have a hand in creating your O~ lIersonal set o'!'beads as opposed to Eurchasing beads tl1atare ~!r-ead,y', paintea the apPr'opr18te coLours. In· the act'Lon of pain~~~g the be~ds you wi~l be spiritually putting a little bi't of yotrself and your labau» into each bead thus develbping
,~: r .
a mystica bond with them Some of my students have' asked me,
"l! ",!e are going to pa'Xnt the entfne bead, why! wQr.ny about
. ~hether ilfe bead is made trom dark or light tW.ooct, all' even plastic on glass?·," The answer is qui·te "sImple, once YO", are '~,'{are oj' lie fovces 0.£' Yang and tin. You see wood i~ in tUne With the a:tura of ear.thly eJt1stence whereas many other
, ,
substan ceSfare not. In' the art of di vinqtion ·,.Iith regard to
the Ef\r!L~ IIeaven Formula, We are interested in situati~ns on "the eart" on material ~.lane an~ therefQre wood is the best medium f r this. Dar.k wood represents Yin energy'. th~ temale
<;' I '1 I "'"
univet's,a .l·orce which is receptive as opposed to Light wood
which represents ;YG\ng ..energy;, the ma.La universal for'ce, which
. , r· .
has a sh~elding effect. In divination of any kind we seek to
, ,
recei've inform8tion, not ~·o shield ourselves from it. It is that it is now elear as to why we use dank wood as opposed to any other. substance for the beads. I might also add, that if \>le were to use a manmade or synthetic material; such as plastic, glass, ceramic, etcetera we would encounter an ener.gy imbalance and to add to the problem, the material would no doubt reflect the spiritual personality of its' . manufacturers;, thus not providing an accurate and pure, instrument.of.divination.
w'
" \1hen we paint the beads, we ane not· in any way interfering with
, the energy' .f'Le Ld of the dark wood jr as we are usi~g co Lour-s
"
'that are in harmony with the~ase material jtself. The colours
we have s'elected black, red,\ YJhi te arid B..ght blue' 'Will "actually
. I
have a regulating effect on each bead, just as the volume control
I' 1)-' J
'regulates the volume of your television set by controlling the
" , I
.amount of ~nergy which reaches the speaker, by painting a bead
. - a specific colour this also regulates th~ energy'level to be
, t ri I' '.'
. ~, receiiVed~
12
Take seven beads and carefully paint them completely black. Fainiting these seven beads black will ensure that these beads have the lar.gest concentration and reception of Yin energy
as opposed to all the others. These black.beads will represent the unchanging enengy force of Yin, the Female Element.
Take one bead and carefully paint it completely red.
Painting this single bead red ensures that it has an equal amount of Yin and Yang energy, therefore it repr.esents the changing energy fon~e of Yin, the Female Element. Remember, the dank wood already has Yin energy, while the Red paint has Yang ener.gy.
Take five beads and carefully paine them completely white. Painting these five beads \~ite \nll ensure that these beads have the largest concentration and reception of Yang energy
as opposed to all the others. These white beads will r.epresent the unchanging enengy force of Yang, the Male Element.
Take three beads and carefully paint them completely light blue. Fainting these three beads light blue will ensure that they have an equal amount of Yang and Yin energy, therefore representing the changing energy fonee of Yang, the Male Element.
In some cases the beads may require an additional co~t of paint and uhis should only be attempted a/ten the first coat has thoroughly dried. l,'lhen you have finished ps frrt fng your beads, you should pemni:t them to dry thor.oughly and leave them for approximately seven days, so that the dark wood becomes climatized tro the interaction the paint has on its' energy field before attempting to use the. beads.
Having penmitted the climitization period to take its' course, you should now place the beads in a small cloth bag or. pouc~ The colour of the bag is up to your own personal taste, but should be of a solid colour and as previously mentioned should be made of cloth and not vinyl, plastic, leather or any other. matel"ial. ·I'lhen not in use, the pouch should be stored in a private place, such as a dresser drawer or other suitable place out of the way of curious fniends, relatives, servants or house guests.
IJo\-¥\~h8t ou have your OY'-(?icle 8ecods you are now read¥ to do ,~om~ serlous d,i vinauion. Afi-cient Chinese Hysti~aJ.: texts (advise, tbat i:t is best to use tn~ beads 1n private or ... rft.h
a close' fr.lend- but no::,t't in the 'ppesence of a large -gathering .
.J: ~' t... - 1
Likewi~e ,the persoh doing the divin,l.,ng should be facing e as t..
, ,I' ,.~ ,
I. '1
~ou "shoul c];ea,r your mind and concant.r-at e on the sub j e ct; end
,'que~tion [o~wi~h to ask. It woU~d be help£u,l if you had a pad and pen handy and actua11y write yotln question down. Tak~ the cl~tn potich with all si~teen beads inside anq shake ~t ~ine
~I " "L
times to l1sure that '~ll th~ beads are' randomly distribu.ted,
'While concentrati.p.g on your que std.on , Open 'the cloth pouch and rl'thott looking into - t remove .a single bead from it. ' Note the n olour of the Jbe-ad se1e~ted and refer to the Chart
~' -
in Fig. 5 to ~ocate tpe wr±t~en symbol for ~hat particular
if - ", "I,'" ,
colour. T 1's ,first bead r.epres!3nts the bottom line ,of. our
, trigra~ and, tt\erefor~, you. ,shq)lld place ,the written symbol for 1this ead on your P4'c\. Baying recorded the \Q"itten symbol
,'fi 1
for,your first ~ead, return i't to. the cloth pouch, shake the
'po chItine' Itimes and -repeat, this same procedure for your,
" I L ..
second,-(middle line) ,and tnir.d>t(top line)bead selecti n to
'6ompl~te YOUI'd tr.igram. ~;lhert you have your. tr.igram refer to
~
I .. the trigram descriptions in the back of this book for'!t ,
interpretation. If you have any changing lines in your trigram, read them first as unchanging to reveal the present situation and then conver'b the changi-ng lines to their. unchanging opposite to reveal the outcome or future situation. If you
- - '
have any difficulty in this pr.ocess, please go back ,:Ind restudy
the fir.st section of this, book under the heading, The Early
r
F-
,
, I"
Heaven
Unchanging
Changing
-+-
Unchanging
Changing
FIG. 5
"
I
.
~
, 1
To further cla~'ry the actual process, of Oracle Be~d Divination, let us go thr.otlgh a hypothetical 'd!'-vinat,fon utilizing t'i1e beads ," Aft~r' rJhdomly' mixing the beads 'with nine shakes of the cloth poucn!, \lIe _ reach in and draw a white bead a- The bead se Le ct ed. re£resents thr.e bottom line of our. tr.igram and in referring to the QhG\rtt in Fig. 5 we, see that the \'lri tten
symbol for tne' hibe bead is a solid ;tine ( ) ~nd tbat
it, r-epr-e sentrs . ang: unchanging. 'ile would then 'record this written 5ymbQ.I"~Gn 0U'Ir, note pap, and continue with the
p~ocess. . I
. .
After r~turning the \..rhi te bead back i,nt.o the pouch, we again
f ' .• "lJ
mix the beads . n the pouch, by ahak Irig i't mine times ana then
draw our second be ad , 'In oun example the rse cond bead we have
~ I' I. I .
drawn is ligh~biue and. this l:)ead: represents the middle ).ine
in our' trigram and ~s placed ~boveQur first line. In referring to the chart ,i' Fig' • 5 \.fe see that the writ t en symbol for the
•. t [ . - i '
light blte bead I is ta so Id'd line, with a hol.low sphere in the
midd1.e ~ (~h and ~t.hat lit -represent;s ,;Yang, changing. ':Ie '(lQuld then record tYll.:"S \~ itten symbo l, on our: note
, 'I ... " ',' '
first line anti continue ~ith the divination process.
¥' ."" ~ ~
After returning .t.he l'ight blue- bead back into the pouch, we again mix the beads in the pouch by shaking it nine times and then draw our thi'nd and final bead. In, our example the third
~ ~
bead we have+dr-awn 1:5 black and this bead represents the top
,~ ~
line in our trigram and is placed directly above the fir.st
recorded.
"
and second lines ,previously recorded. In referring'to the
chart in Fig. 5 ,we 'I see that the written ~ymbol fan he black bead is a si~gle broken line (- -) ·and that it represents Yin un chang Lng . "t:le twould then record this written s;mboI on our note pad above the first and "second lines we have a Lr-e ady
t I. ~ .
In our example, we have arrived .at : the trigram Tuif" 'v-lhich would
}
represent', the present si'tua~ion~ However, as we have a Yang ~
changing line 0q. the midd).e ~'ine, we then copvert this line to its un,changing' opposite '_ Yin unchang fng , This t.hen gives us the trigram Cheq.. ~~iGh ","auld represent. "t.he outcome or future situation. If. e,=' encountered no 'changing lines in the t.ri'gram
, . I' '
1'1)
this woul indicate tfiat the situation revea,led in this
. ~ "-
t-louldbe 11. :inclusive of' the s1 tua~;t'0n ih question.
• '.To
.After. arriving at~ trigram 'using the oracle bead procedure,
refer. to the following charts fOl! their full interpretation. Find the categony or. area on the trigram char.t that is applicable to your subject OIr question and i't is there you will find your answett. It may be a good idea simply to read the trigram
charts a fe~ times to famili&rize yourself With their categories
',f' "
and content.' In so doing, you should have no difficulty in
, .
the Early Heaven Formula for Oracle Bead divination.
J
EX AMP L,E : '
' ....
Third ,!'Black.. Bead" Line Second "Lt • Blue Beaa"Li;ne , Fir.st 'lIflhfte' Bead" .Li~e
,,:!' <, t RE'D AS
I " ~. .4'
, . ·"I·~
'l\li
"REPRESENTS
, PRESENT,
SITU.ATION
DUE TO
YANG CHANGING~INE CONVERTED TO
YIN UNCHANGING
, I
'FIG., 6
"'. 1~
-. , , ~
1:ll
" 1
> , 1
....... '
., . ~' to
J~ .1 j.J
, , .,~:
.. ,
t
I ~P'! • , ~ 1- ~. ,,'l{
~ .
t
~ I'
,. ~' ~
:l " ,
r
f r-
,
,
" 11
, 19 YIN 'UNCHANGING YANG CHANGIr-1G YANG U.NCHANGIUG
t--
REPRESENTS FUTURE OR QUTCQl.1E'
,
." 'i'
r •
ch'iEN
KEY ~yurmERS: 1,.6, 33 r:'AJOR TRIGRAM
L';:;TTERS REPRESENTED: A, J, S
NATURAL FHENOJ'.1ENA: HEAVEN
PLANET: SUN
DIRECTION:· NORTHWEST, UP
·;IEATHER:- CLE AR SKY, BRI GHT, COLD, ICE, I CI CLES, HAIL SOUND: ONE BEAT, ONE NOTE, ONE SOUND
nUSICAL KEY:· A
COLOURS:· ',mITE, DARK RED, DARK COLOURS I ORANGE, LIGHT YELLo;'l,
BLUE, BLACK SHAPE:· aounn, SHORT PRINCIFAL:: AIR ELENENT: NETAL
l:IET At: GOLD, BRaN ZE STImOLIC ·.~EAPON: -,'I AND I ROD
STONES:· OPAL, RUBY, JADE, PEARL::>, HARD I-RECIOUS STONES FLANT: TREES, FRUIT-BEARING TREES
YEARS OF THE: DOG, PIG, TIGER
SEASONS:· LATE FALL EARLY ':lINTER
MONTHS: SEPTEMBER (LAST HALF), OCTOBER, SOMETIMES APRIL - MAY DAY: SUNDAY
GOVERNMENT OF HOURS: 1900 - 2300 C7P.M.-llP.M.)
FAMILY MEMBER: FATHER
PERSON: RULER, OLDER r·lAN, GREAT lllAN, FAMOUS r,;AN, fRINGE, ALCHEl:IST P ARTS OF THE BODY:· HEAD, BONES, LUNGS
CHARACTERISTICS: STRONG, CLEAR, BRAVE, ACTIVE, SOLID, DECISIVE, MOVl NG I VITAL, pm'l.ERFUL
ABSTRACT CON CEPTS:- CREATIVE, r'lOVEl.tENT
MYSTICAL MESSAGE:- USE THIS 'rn~E TO DEVELOP YOUR HINER SELF THROUGH OBSERVATION AND CONTEI,!FLATION ·.HTHOUT TAKH!G PHYSICAL ACTION. SEEK OUT AND CONSULT .IITH 1'H0Si::
JIIORE KNm!LEDGZABLE THAN YOURSELF AIm THE STRENG I'H OF THE DRAGON SH ALL BE YOURS.
F LACE: eAF IT AL, LARGE .3T ATE, HIGHLANDS, r·1EADO·,I, 1· LAIN, L Ai :DS CAL SiJ
• AREAS
TYPE OF BUILDING: fUBLIC BUILDING, TALL BUILDING, HOTEL t·'iATERIAL THINGS: UNBREAKABLE NATERIALS, ICE, IHRROR
ACKNO';lLEDGENENT:- NO
THE YEARS OF THE DOG, FIG &. TIGER ARE GErJERALLY GOCD FOR m;.l U:'JDERT AKlrJGS AND FRESH 3TARTS, THEY OFFER THE FROHISE OF GRC·.1TII &; RE'il ARD •
,
17
I.
KEY NUMBERS: 2, 7 LETTERS REFRESENTED: B, iC, T H ATURAL PHEiJCMENA: tAKE, GLOUn
xrstr csr, r.mSSAGE: DO NOT BE MISLEAD BY THE CONFLEXITY OF THE SITUATION, BUT SEEK OUT ITS SOURCE AND HEART. AVOID EXTREMES AND RETURN TO THE BASICS.
PLACE: DRY HIGHLAND, ROCKY PLACES, KITCHEN
TYPE OF BUILDING: El-tPTY BUILDING, BUILDING l,'HTHOUT ;nrmO';IS,
.. SAFE BUILDING, TREASURY, BAHK, PRISON
MATERIAL THINGS:' BOOKS, DOCUMENTS, ',IEAF-ONS, LETTERS, MAIL, ELECTRI CITY, RECORDS, FIREFLACE, KITCHEN ';1 ARES I STOVE
ACKN OI'lLEDGEMENT ~ YES
THE YEAR OF THE HORSE IS THE YEAR OF UNSEEN SPIRITUAL (-ROGRESS; DESPITE THE FACT THAT ALL SEEMS UNEVENTFUL, BE ASSURRED THAT UNSEEN SPIRITUAL FORCES ARE AT ";IORK. IN THIS YEAR YOU I·lUST FORGIVE & FORGET. FREPARE YOURSELF FOR THE YEARS AHEAD.
19
, 'J'
, ,
'.
I
KEY Nur,lBERS: ll, 3, 22"L LETTERS REPRESENTED; 0, M, V NATURAL FHENOMENA: THUNDER PLANET:' r·1ERCURY,,)
DIRE CTJ ON : EAST
!:lEATHER:' THUI1rDER:, THUNDERSTORMS,
SOUND: LOUD '
MUSICAL KEY: C
MAJOR
THUNDERSHO',IERS,
,
-j
COLOURS: GREEN, DARK &. LIGHT,YELLO\tI, ','IHITE, FINK,
MYSTICAL r,lESSAGE: DO NOT BE UPSET ABOUT ',THAT APFEARS TO BE A
MAJOR SET. BACK. FOR IF YOU DO NOT LO~E SIGHT ";'t :t~ OF YOUR OBJECTIVE AND RETAIN SELF CONTROL, THE ~';'~f:;" OBSTACLE SHALL PASS AND YOU SHALL REGAIN ' .. lHAT
'.rUSE, SAD, HARMLESS, BUSY, DEPRESSED, DISTURBING ABSTRACT CONCEPTS: ABYSMAL, THE PERILOUS PIT
MYSTICAL MESSAGE: ALL MAY SEEM HOPELESS BECAUSE YOU HAVE BECOr.IE ACCUSTOMED TO THE INCORRECT ',UY OF gANDLING THE SITUATION. YOU MUST UNDERSTAND THAT YOU CANNOT SOLVE PROBLEMS ALL AT ONCE, BUT BY DEGREES, THROUGH CREATIVE SOLUTIONS.
PLACE: RIVER, LAKE, STREAM, SPRING, LO:I &. :'IET PLACE, S·;/AI'IP, POND, POOL
TYPE OF BUILDING: CAFETERIA, BAR, RESTAURANT, COFFEE SHOP MATERIAL THINGS:- HARDWOOD, FLEXIBLE MATERIALS, POISON, MEDICINES, LIQUID CONTAINERS,ro'l, WHEEL, BOAT, SHIP ACKNO'.'n.EDGEMENT; NO
,
THE YEAR OF THE RAT IS THE YEAR OF RESPONSIBILITY & DUTY.
22
--
--
A.
l{EN
KEY NUMBERS~ 7, a
LETTERS REPRESENTED:' G, P, Y NATURAL PHENOMENA: MOUNTAINS PLANET: SATURN
DIRECTION: NORTHEAST, LEFT
';IEATHER:- CLOUDY, MISTY, VOLCANIC ERUPTIONS SOUND: GONG
r,rusICAL KEY: B
COLOURS: DARK YELLOW, LIGHT BLUE, BLACK, GREEN, PINK SHAPE: ROUND OR SQUARE; EMPTY INSIDE BUT COVERED PRINCIPAL:' AIR
ABSTRACT CONCEPT: KEEPING STILL, STOPPING, ARRESTING MOVEr·tENT MYST.ICAL ~JiESSAGE: CHOOSE YOUR 'fIORDS CAREFULLY, SPEAK. Jii.EANINGFULLY ONLY. \fHEN YOU HAVE SOMETHING TO SAY. SEE
SITUATIONS AS THEY REALLY ARE; NOT AS YOU WOULD LIKE TO SEE THEM, THUS AVOIDING EMBARASSMENT.
PLACE: SMALL ROADS, NARRU:l PASSAGES, HIGH PLATEAU, HIGHLAND, CEl4ET ARY, MOUNTAINOU S AREAS, l-lOUNTAIN FORESTS
TYPE OF BUILDING: TEr<IPLES, CHURCHES, SYNAGOGUES, HAUNTED &.
OFFICE BUILDINGS, ','IAREHOUSES, FINANCIAL BUILDING MATERIAL THINGS:- EARTH, STONE, CLAY
ACKNm'lLEDGEMENT: NO
THE YEARS OF THE BUFFALO & ox ARE THE YEARS OF FAITH, INNER DEVELOPMENT & SPIRITU AL GRO\1TH.
23
" ~,
KEY NUMBERS: ~, 2, II LETTERS REPRESENTED: H, Q, Z NATURAL PHENOMENA: EARTH PLANET: URANUS
DIRECTION: SOUTHWEST, DO\iN ','lEATHER: CLOUDY I DARK, MISTY" SOUND: SILENCE'
PARTS OF THE BODY: BELLY, STOMACH, SPLEEN, FLESH AN ThiALS : cos, MARE, DRAGON, SNAKE
FOODS:' BEEF, DEER, PHEASANT, LIVER, KIDNEYS, ROOTS, POTATOES, BREAD, CEREALS, B~lBOO SHOOTS, r.ruSHROOl4.S, CONFECTIONS T ASTE ~ S',tEET
CHARACTERISTICS: DEVOTED, LOYAL, FLEXIBLE, SOFT, tUTERNAL, PATIENT, MODERATE, CALM, ','lEAK, EMPTY, PASSIVE, C 0'.-1 ARDLY I SICKLY, DEATHLIKE
ABSTRACT CONCEPT: RECEPTIVE
MYSTICAL MESSAGE: THE LOVING SERVICE OF THE EARTH MOTHER SHALL
BE 'ilITH YOU, IF YOU PLAN EACH ACTION TO AVOID ~ ~t~~ ERRORS BEFORE THEY TAKE PLACE. LET YOUR TASK
11" :U~ BE A LABOUR OF LOVE AND SUCCESS SHALL FOLLO~:l.
PLACE: FIELD, ~'lIDE OPEN SPACES, RURAL, COUNTRYSIDE, VILLAGES,
SMALL TffiiNS, SHADE, STORAGE PLACES, BASID,mNT, HO~m
TYPE OF BUILDING: SMALL HOUSES, F~rnOUSES, LOd HOUSE, CLAY HOUSE,
EARTH STEPS LEADING TO A HOUSE, SECURE HOUSE MATERIAL THINGS: CLOTH, COTTON, SILK, GRAIN, CLAY, FLOOR, AXE ACKN01'lLEDGEMENT :. YES
THE YEARS OF THE GOAT &: SHEEP ARE THE YEARS OF R~APING ':1H AT
YOU HAVE SEI.'IN IN THE fAST YEARS.
q
THE EX.ACT LU NARY Klili.S FROM 1864 TO 2043 ( i)
Sign Period Element
Rat (iii) February 8, 1864 to January 27, 11:\65 Wood (+ )
Ox January 28, 1865 to February 14, 1866 11lood ( -)
Tiger. February 15, 1866 to February 4, 1867 Fire I+ )
Rabbit (ii) February 5, 1867 to January 24, 1868 Fire ( -)
Dragon January 25, 1868 to February 12, 1869 Earth ( +)
Snake February 13, 1869 to February 1, 1870 Earth ( -)
Horse February 2, 1870 to January 20, 1871 Metal (+ )
Sheep January 21, 1871 to February 8, 1872 Me~al (-)
Monkey February 9, 1872 to January 29, 1873 \'later. (+ )
Rooster January 30, 1873 to February 16, 1874 \'1ater ( -)
Dog February 17, 1874 to February 5, 1875 Wood (+ )
Boar February 6, 1875 to January 26, 1876 Wood· ( -)
Rat January 27, 1876 to January 15, 1877 Fire (+ )
Ox January 16, 1877 to February 2, 18"8 Fire ( -)
Tiger Februar.y 3, 1878 to January 22, 1879 Earth (+ )
Rabbit (i1 ) January 23, 1879 to February 10, 1880 EartH ( -)
Dragon February 11, 1880 to January 30, 1881 Metal (+ )
Snake January 31, 1881 to February 17, 1882 Metal (- )
Horse February 18, 1882 to Februany 6, 1883 Ttleter (+)
Sheep February 7, 1883 to January 27, 1884 ;iater (-)
Monkey January 28, 1884 to February 15, 1885 'dood (+ )
Roosten February 16, 1885 to February 4, 1886 \'lood (-)
Dog February 5, 1886 to January. 24, 1887 Fire (+ )
Boar January 25, 1887 to February 12, 1888 Fire (-)
Rat February 13, 1888 to February 1, 1889 Earth (+ )
Ox February 2, 1889 to February 19, 1890 Earth (- )
Tiger February 20, 1890 to February 8, 1891 f/ieta1 (+ )
Rabbit (ii) February 9, 1891 to January 28, 1$92 Metal ( -)
Dragon January 29, 1892 to February 16, 1893 Water (+ )
Snake February 17, 1893 to February 5, 1894 'l'later ( -)
Horse February 6, 1894 to January 26, 1895 \'lood (+ )
Sheep January 27, 1895 to February 14, 1896 Wood ( -)
Monkey February 15, 1896 to February 3, 1897 Fire (+ )
Rooster. February 3, 1897 to January 22, 1898 Fire (- )
Dog January 23, 1898 to February 9, 1899 Earth (+ )
Boar February 10, 1$99 to January 30, 1900
Earth ( -) Metal (+) Metal (-) ~;later (+) ~'later (-) ~'lood t+) ~'lood ( -) Fire (+) Fire (-) Earth (+) Earth (-) Metal (+) Metal (-)
Itlater. (+) i'later (-) 'Ilood (+) Wood (-) FiT'e (+) Fire (-) Earth (+) February 1, 1919 to Fehruary '19, 1920 Earth (-) F~bruary 20, 1920 to February 7, 1921 Metal (+) February 8, 1921 to January 27, 1922 Metal (-) January 28, 1922 to Februany 15, 1923 'llater (+) February 16, 1923 to February 4, 1924 Water (-)
February 5, 1924 to January 24. 1925 Wood (+) January 25, 1925 to Februazry 12, 1926 Wood (-) February 13, 1926 to Februar.y 1, 1927 Fire (+)
Februany 2, 1927 to January 22, 1928 Fire (-)
January 23, 1928 to February 9, 1929 Earth (+)
February 10, 1929 to January 29, 1930 Earth (-) Januany 30, 1930 to Febnuany 16, 1931 Metal (+) February 17, 1931 to February' 5, 1932 Metal (-) February 6, 1932 to Januany 25, 1933 ~later (+) January 26, 1933 to February 13, 1934 \'later (-)
Dog February 14, 1934 to February 3, 1935 Wood (+)
(i) As translated & calculated from the Chinese Ten Thousand Years (perpetual) Lunar Calendar (ii)Also known 8S the year of the
~' " .,.
Rat Ox Tiger ~ Rabbit (ii) Dragon Snake Horse Sheep Monkey Rooster Dog Boan
~
January 31, 1900 to February IS,w1901
February 19, 1901 to February 7, 1902 February 8, 1902 to,January 28, 190)
:o!i
January 29, 1903 to February 15, 1904
February 16, 1904 to Februar-y 3, 1905 F ... ruary 4, 1905 to January 24, 1906 January 25, 1906 to February 12, i907 February 13, 1907 to February 1, 1908 Febr.uary 2, 1908 to January 21, 1909 January 22, 1909 to February' 9, 1910 February 10; 1910 to January 29, 1911 January 30, 1911 to Febr.uary 17, 1912
f
~ t
F~bruary lS" 1912 to February 5, 1913
February 6, 191J to January 25, 1914
Rat Ox
Tiger ~anuary 26, 1914 to February 13, 1915 Rabbit (ii) February 14, 1915 to February 2, 1916
Rat January 24, 1936 to February la, 1937 Fire (+)
Ox February 11, 1937 to January 30, 1938 Fire ( -)
Tigen January 31, 1938 to February 18, 1939 Earth (+)
Rabbit (i1 ) FebruEilry 19, 1939 t9 February 7, 1940 Earth (- )
Dragon February 8, 1940 to January 26, 1941 Metal (+)
Snake January 27, 1941 to February 14, 1942 Metal ( -)
Horse February 15, 1942 to February 4, 1943 Water (+ )
Sheep February 5, 1943 to January 24, 1944 "i/ater ( -)
f'.10nkey January 25, 1944 to February 12, 1945 ::lood (+ )
Rooster February 13, 1945 to FebruGlry 1, 1946 ~/ood ( -)
Dog February 2, 1946 to January 21, 1947 Fire (+ )
Boar January 22, 1947 to February 9, 1948 Fire ( -)
Rat February 10, 1948 to January 28, 1949 Earth (+ )
Ox January 29, 1949 to February 16, 1950 Earth ( -l
Tiger February 17, 1950 to Februany 5, 1951 Metal (+ )
Rabbit (ii) February 6, 1951 to January 26, 1952 Metal ( -)
Dragon January 27, 1952 to February 13, 1953 ','/ater (+)
Snake February 14, 1953 to February 2, 1954 i~ater ( -)
Horse February 3, 1954 to January 2), 1955 ','lood (+ )
Sheep January 24, 1955 to February 11, 1956 'llood ( -l
r-1.onkey February 12, 1956 to January )0, 1957 Fire (+ )
Rooster J anuar-y 31, 1957 to February 17, 1958 Fire ( -)
Dog February 18, 1958 to February 7, 1959 Earth (+ )
Boar February 8t 1959 to January 27, 1960 Eerth ( -)
Rat January 28, 1960 to FebruB.ry 14, 1961 Metal (+)
Ox February 15, 1961 to February 4, 1962 Metal (-)
Tiger Februery 5, 1962 to January 24, 1963 ·./ater (+ )
Rabbit ( ii) January 25, 1963 to Februery 12, 1964 "rlater ( -)
Dr-agon February 13, 1964 to February 1, 1965 ','lood l+ )
Snake FebruB.ry 2, 1965 to January 20, 1966 ':lood ( -)
Horse January 21, 1966 to February '8, 1967 Fire (+ )
Sheep February 9, 1967 to January 29, 1968 Fire ( -)
Monkey January 30, 1968 to February 16, 1969 Earth (+ )
Rooster February 17, 1969 to February 5, 1970 EoS',rth ( -)
Dog February 6, 1970 to January 26,1971 Metal (+ )
Boar January 27, 1971 to January 15, 1972 Metal ( -)
.-~--
(iii) 1864 - First year of the 76th Cycle of Sixty
( iv) 1924 - First year of the 77th Cycle of Sixty Rat
Ox
Tiger. Rabbit (ii)
Dragon Snake
Horse
Sheep
Dog
Boer
Ox
Dragon Snake
Horsa
Sheep
1.1onkey
Roaster Dog
Boan
Rat Ox
Tigel! Rabbitt (ii)
Dragon
Snake
Horse
Sheep
Monkey
Rooster Dog
Boar
February' 19, 1996 to February 6, 1997 February· 7, 1997 to January 30, 1998 Janua~J 31, 1998 to February 15, 1999 Februany 16, 1999 to Febr.uary 4, 2000 February 5., 2000 to January 23, 2001 Januany 24, 2001 to Februar.y 11, 2002 February 1~, 2002 to January 31, 2003 February 1, 2003 to January 21, 2004 January.' 22, 2004 to February 9, 2005 February 10, 2005 to January 29, 2006 January 30, 2006 to February 17, 2007 February 18, 2007 to Febnuary 5, 2008
r,iater (+) Water (-) Wood (+) ~#ood (-) Fire (+) Fire (-) Earth (+) Earth (-1 Metal (+) Metal (-) Water (+) Wate~ (-)
Wood' (+) \'lood (-) Fire (+) Fine {-} Eardl (+) Earth {-} Metal (+) Met-al (-) \<later (+) \'Iater (-) Wood (+) ttood (-)
Fire (+) Fire (-) Ear.th (+) Eart.h (-) Metal (+) l>'leta'l (-) ~'laten (+) Water (-)
Wood (+)
~lood (-) Fire (+) Fire (-)
" ,
January 16, l~72 0 February '2; 1973
February 3, 1973 to January 22, 1974 ~ January 23, ·'1974 to February 10, 1975 February 11, 1975 to January 30, 1976 January 31, 1976 to February 17, 1977 February 1~, ~977 to February 9, 1978
~
February 7, 1978 to Januany 27, 1979
January 28, 1979 to February lS,1980 Monkey' ,~'" February;' 16,1980 to' Febr.uery 4, 1981 Febnuary 5, 1981 to Januany 24, 1982 iiitl" January' 25, 1982 to February· 12, 1983 ~~ February 13, 1983 to February 1, 1984
Rat (v)/i,' February 2, 1984 to February 19, 1985 February 20, 1985 to Februany 8, 1986
Tiger FebruarY,9, 1986 to January 28, 1987
Rabbit· (ii) January 29, 1987 to Febr.uary. 16, 1988 February 17, 1988 ~o Februar.y 5, 1989 February 6, 1989 to Janusl""J 26, 1990 Januany 27,.1990 to Februany 14, 1991 Febnuary 15, 1991 to Febnuary ), 1992 Februar.y 4, 1992 tra Januany 22, 199) January 23, ,1993 to Februany 9, 1994 Februany 10,. 1994 to January 30, 1995 Januar.y 31, 1995 to February 18, 1996
February 6, 2008 to January 25, 2009 Januar.y 26, 2009 to February 13, 2010 February 14, 2010 to Februar.y 2, 201r February), 2011 to Januany 22, 2012 Januar.y· 23, 2012 to Februar.y 10, 2013 February 11, 2013 to .1 anuary 31, 2014 February 1, 2014 to February 19, 2015 Februar.y 20, 2015 to February 7, 2016 Febnuar.y 8, 2016 ta January 27, 2017 January 28, 2017 to Februar.y 15, 2018 February 16, 2018 ta Febnuany 4, 2019 February 5, 2019 to Januany 24, 2020
Jclnuary 25, 2020 to Februarry 12, 2021 February 13, 2021 to Febnuany 1, 2022 Febnuany. 2, 2022 to January 22, 2023 January 23, 2023 to Februany 9, 2024 Februar.y 10, 2024 to Januany 29, 2025 Januar.y 30, 2025 to February 16, 2026 Februany 17, 2026 ~o Februany 5, 2027 Februany 6, 2027 to January 25, 2028 Januar.y 26, 2028 to February I), 2029 Februar.y 14, 2029 to February' 3,2030 February 4, 2030 to January 23, 20)1 Januar.y 24, 2031 to Februany 10, 2032
Februar.y 11, 2032 to January 30, 2033 January 31, 2033 to Februany 18, 2034 Febnuany 19, 2034 to Februery 7, 2035 February 8, 2035 to Januery 26, 20)6 Januany 27, 2036 to Februany 14, 2037 February 15, 2037 to Februar.y 4, 2038 Februany 5, 20)8 to Januany 24, 2039 Januany 25, 2039 to Februany 12, 2040
Earth t+) Earth (-) Metal (+) fileta1 (-) Water (+) ::Ieter (-) "'ood (+) Wood (-) Fire (+) Fire (-) Earth (+) Earth (-)
Metal (+) Metal (-) \"le.ter (+) \'later (-) \tood (+) vlood (-) Fire (+) Fire (-) Earth (+) E9rtrh (-) Metal (+) Metal (-)
Water (+) Tflater (-)
Rat
Ox
Tiger. Rabbit (ii) Dragon Snake
Horse Sheep Monkey Rooster. Dog
Boar.
Rat
Ox
Tiger Rabbit (ii) Dragon Snake Horse Sheep Monkey Rooster Dog
Boan
Rat
Ox
Tiger Rabbit (ii) Dragon' Snake
Horse Sheep Monkey Rooster Dog
Boan- (vi)
(+ ) ( -)
Wood v/aod
Fire (+) Fire (-) Earth (+) Earth (-)
Februany 13, 2040 to February 1, 2041 rlleta1 (+) February 2, 2041 to January 21,2042 Metal (-) Januany 22, 2042 to February 9, 2043 ~ater (+) February 10, 2043 to January 28, 204l~ ','later (-)
(vi) 2043 - Last (60th) year of the 78th Cycle of Sixty 29
Aetra, Rita. Things Chinese. New Youk: Dolphin Books, 1980. AysC'ough, Florence. A Chinese Mirror. Boston: Houghtron
Mi"f.fl' 1 in , 1925.
Blei"btreu, Jolin. The Parable of the Beast. Ne .... r Yank: Mactmfllan Company, 1968.
Boyd, Andrew. Chinese Architectur.e and Town Plc-nning 1500 B.C. - 1911 A.D. Chicago: University of Chicago Press, 1962.
Burkhandt, V.R. Chinese Ctteeds and Custroms. 3 vols. Hong Kong,n.d.
Capra, F~itrjof. The Taa oj\' Physics. New York: Bantam Books ,
1977.
DeBany, ;'lm. TheO"done, ed;. Sourc:es of Chinese Tradition. 3 vols.
New York: Columbia University Pr.ess, 1970.
De Iso-I, P aula". ChinesE!' Hor.os copes. London: Pan Books, 1969.
Edkins, Joseph. CHinese Buddhism. London", 1893. Repnfrrn , New Yo~k: Paragon, 1968.
Eitel, Etmes"tt. Feng Shut: ott the Rudiments of Natiuna l, Science in China. Hong Kong, 1873.
E1iede, Mincrea·. The Sacned and the Profane. Translated by ';li"lIard R. T:r.ssk. New York: Haneouctr, Brace, 1959.
Eliot, Charles ",'I. tnrans , Saared :'1ritings, Volume One: Confucian.
2 vols. New York: P.F. Collier. & Son Corp., Har.var.d University Classics, 1910.
Feng", Yu-lan. A Shont" Hfst-ory of CH.i:nese Philosophy. Translated & edited by Derek Bodde. New Yank: Ma~mfl~an Company, 1948. ___ ". Tne Spini"t" of Chinese Philosophy. Tr.anslated by E.R.
Hughes. Boston: Beacon Press, 1967.
Feuchtwang", Stephan D.R. An Anthropologtcal Analysis of Chinese Geomaney. V1ent~ane, Laos, 1974.
Gnaham, Davfd C. Folk Religion fn Southwest" CIUna. ':lashfngton, D. C.": Smi tH:sonfan lnsti tution" Press, 1961.
Hall, Manly P. The Noble Elglitfold Path". Los Angeles: The Philosophi"cal Reseaneh Soc1:ety, Inc., 1964.
Hawkes, Davld. A Little Pnimer of Tu Fu. New Yotrk: Oxford Universitry Press, 1967.
Hit.cHfng, Fr-ancd's , Eaz,'''t"h· Mag~c'. New Yonk: \Ulliam Morrow, 1977. Hughes, E.R. Chinese Philosophy in Cl<!1ssi"ca1 Times. London:
J.M. Dentr & Sons Ltd., 1942.
Huon de Kermadec, Jean-Michel. The Way to Chinese Astrology:
The Foun Pi'llan-s of Desti"ny. London: Unwin Paperbacks, 1983.
I Ching, or Book of Changes, The. 2 vols. Tr.anslated by Richard ','filhelm, rendered" inta Engliistt by" Catty F. Baynes. Princeton, N. J.: Princeton Uni"versity Press, 1950.
Jwing-Ming, Yang. Introduction to Ancient', Chinese ~"{eapons.
Bur.bank: Und.que Publications, 1985.
Keswi.:ck, t-l.aggie. The Chinese Gar.den. New York: Rizzolf, 1978. Lau, D. C. trans. Canfu cius: The Anale ets (Lun ru) , t·liddlesex:
Nicmpef, Ljj. Old TaI;es of Cliirra. Hong Kong: The Commercfai Press Ltd., 1982.
Reischauel1', Edwi"n-. O. East Asia:' The Great Tradition. Bost:on:
Houghton Mifflin, 1960.
Reps, Paul. eump. Zen Flesh, Zen Bones. New Yottk: Anchor Books, 1930.
Rossbach, Sanarr. Feng ShuD: The ChDrrese Art of Placement.
New Ya~k: E. P. Dutton Ine-., 1983.
San, J.H. Anci'ent Chilla's Inventj:ons. Hong Kong: The Commen~;al Press Ltd., 199~.
Sasa, Michael. Taoism and the Rite af Cosmic Renewal.
Pullman: Washington' Staii:e. University Press, 1972.
S:t.ckman.,. Launance. The Ant" and Architectur.e ot Clifna. New YOlrk:
The Viking' Pness, 1978.
50'0"', Cliee. The Tao ot Long Life: The' Chinese Art:, of Ch tang Mi'ng. vle1Iingbonouglt:- Aquanian Press, 1979.
___ " The TaOIst; Artt o£ Feng' Shou., \'le11ingbor.ough: Aquanan.
Press, 1978.
SulI:i:van, loUicl'iaeI. The Art:s of Ch:iina. Los Angeles: UCLA Press, 1979.
Ti'ng, Leung. Skf1ls of the Vagabond's. Hong Kong: Intn'l
Wing TSun Assoe., 1983.
Wa:Ley, Arthult'. The Analects. New Y:otrk: MBcmrllan Co"' 1938. _____ " The Book of Songs. New Yonk: Gr.ova Press,1978.
_____ • Trans1aUi'ons £r.om tHe Chinese. New Yank: A.A.Knopf, 1941 • ......--."..~. The Way and Its Powelr'. New Y,onk: Macmillan Co., 1958. Ward, Mangarete. Gong Hee Fot Choy. Berkeley: CelestiBl Arts,