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NGOs • NPOs • Foundations
NGOs • NPOs • Foundations
World peace -
Humaneity Magazine | March 2010
44
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by Jonathan How
In this picture: Café Diplo founder Jonathan How (extreme left)
with volunteer performers at the “Haiti Haiti” charity concert.
A
s a teenager, I was not the on it. However, I applied instead to study
studious type, preferring accountancy in Australia after deciding that
to have fun making friends getting a music degree was not a pragmatic
and getting involved in non- enough career move.
academic activities like
soccer games and sing-along
sessions. I was also happier appreciating Social awakening
Picasso and his Cubist works, than learning
about Adam Smith and his Invisible Hand. Later Soon after leaving Singapore for my overseas
on in life, when it dawned on me that I should studies, I developed an interest in world affairs
be more serious about my future, I considered and social issues; leaving my comfort zone
going to music college, since I loved playing made me long for home and country, and I grew
the piano and had received substantial training increasingly concerned about issues affecting
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NGOs • NPOs • Foundations hm
both, whether domestic or foreign ones. The practitioners that serves great coffee and food
interest persisted throughout my varsity years at the same time.
and beyond. After working for a year in the
private sector, I felt compelled to return to The SAC gradually earned a reputation as a
university to work towards another degree in place for local and locally-based talents to
the hope of doing something meaningful with it gather, network and showcase their music
in the global arena. and artworks. It became known as one of the
few local venues that host open mikes, which
I returned to Australia for a year of post- are public singing platforms, usually held in
graduate studies in international relations. cafés and pubs. Such performing avenues
After graduating with a master’s degree, I are informal, and often spontaneous, and are
landed a job in Singapore’s civil service and popular in countries like the US and the UK, but
worked there for a number of years before a less so in Asian countries like Singapore.
latent entrepreneurial streak in me emerged. I
decided to leave the service and head back to
the private sector. Not long after that, I came up From arts entrepreneur to
with plans to create an indie establishment for
artists and arts lovers alike, and started to lay
social entrepreneur
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