Contents

1. Introduction----------------------3
Main features--------------------------------3
Printing conventions in this manual------------3
Important things to learn----------------4
Front and rear panel-----------------------------4
The modes of the AX1500G--------------------7
Effect channels of the AX1500G---------------7

2. Playing the AX1500G----------8

Example connections----------------------8
Play mode----------------------------------8
Adjusting the master level------------------------8
Selecting a program---------------------------8
Switching between effect channels-------------9
Bypass and mute----------------------------------9
Auto tuner---------------------------------------------9
Metronome-----------------------------------------9
Expression pedal---------------------------------10
Individual mode------------------------10
Phrase Trainer mode------------------11
3. Editing--------------------------12
Editing effects---------------------------12
Setting the noise
reduction and program levels-------13
Modifying program names-----------13
Writing programs-----------------------13
4. Appendices----------------------14
Adjusting the expression pedal)----14
Restoring the user
programs to the factory settings-----14
Troubleshooting------------------------15
Main specifications--------------------15
Effect parameters----------------------16
DRIVE-AMP effects block----------------------16
CABINET effect block---------------------------17
MODULATION effect block--------------------18
PEDAL effect block------------------------------20
AMBIENCE effect block-------------------------22
Preset Program List--------------------23

E 2
 Precautions
Location
Using the unit in the following locations can result in a malfunction.
• In direct sunlight
• Locations of extreme temperature or humidity
• Excessively dusty or dirty locations
• Locations of excessive vibration
• Close to magnetic fields
Power supply
Please connect the designated AC adaptor to an AC outlet of the correct voltage. Do not connect it to an AC
outlet of voltage other than that for which your unit is intended.
Interference with other electrical devices
This product contains a microcomputer. Radios and televisions placed nearby may experience reception
interference. Operate this unit at a suitable distance from radios and televisions.
Handling
To avoid breakage, do not apply excessive force to the switches or controls.
Care
If the exterior becomes dirty, wipe it with a clean, dry cloth. Do not use liquid cleaners such as benzene or
thinner, or cleaning compounds or flammable polishes.
Keep this manual
After reading this manual, please keep it for later reference.
Keeping foreign matter out of your equipment
Never set any container with liquid in it near this equipment. If liquid gets into the equipment, it could cause a
breakdown, fire, or electrical shock.
Be careful not to let metal objects get into the equipment. If something does slip into the equipment, unplug
the AC adaptor from the wall outlet. Then contact your nearest Korg dealer or the store where the equipment
was purchased.

THE FCC REGULATION WARNING (for U.S.A.)

This equipment has been tested and found to comply with the limits for a Class B digital device, pursuant to
Part 15 of the FCC Rules. These limits are designed to provide reasonable protection against harmful interfer-
ence in a residential installation. This equipment generates, uses, and can radiate radio frequency energy and,
if not installed and used in accordance with the instructions, may cause harmful interference to radio commu-
nications. However, there is no guarantee that interference will not occur in a particular installation. If this
equipment does cause harmful interference to radio or television reception, which can be determined by
turning the equipment off and on, the user is encouraged to try to correct the interference by one or more of
the following measures:
• Reorient or relocate the receiving antenna.
• Increase the separation between the equipment and receiver.
• Connect the equipment into an outlet on a circuit different from that to which the receiver is connected.
• Consult the dealer or an experienced radio / TV technician for help.
Unauthorized changes or modification to this system can void the user’s authority to operate this equipment.

CE mark for European Harmonized Standards

CE mark which is attached to our company’s products of AC mains operated apparatus until December 31,
1996 means it conforms to EMC Directive (89 / 336 / EEC) and CE mark Directive (93 / 68 / EEC). And, CE mark
which is attached after January 1, 1997 means it conforms to EMC Directive (89 / 336 / EEC), CE mark Directive
(93 / 68 / EEC) and Low Voltage Directive (73 / 23 / EEC).
Also, CE mark which is attached to our company’s products of Battery operated apparatus means it conforms
to EMC Directive (89 / 336 / EEC) and CE mark Directive (93 / 68 / EEC).

2
 1. Introduction
Thank you for purchasing the ToneWorks AX1500G Modeling Signal Processor.
In order to enjoy your AX1500G to the fullest, please read this manual carefully, to ensure maximum
performance. Please keep this manual for future reference.

Main features
• Korg’s modeling technology provides detailed and powerful modeling sounds.

1. Introduction
• 56 types of modeling effect variations are built-in, and a maximum of eight types of effect can be
used simultaneously.

• 48 preset programs (3 x 16 banks) and 48 rewritable user programs (3 x 16 banks) are built-in.

• You can switch between effect channels (A, B) to change the combination of the drive amp effect
and the cabinet effect without switching programs.

• Use the effect block select knobs to instantly switch the effects for each of the five effect blocks
(DRIVE-AMP, CABINET, MODULATION, PEDAL, AMBIENCE).

• You can use the expression pedal to control eleven types of pedal effects in realtime.

• In individual mode you can use foot switches to turn each effect on/off independently.

• The Sample & Play function lets you record a phrase that you play (for a maximum of 8
seconds), and then operate the pedal to play back the phrase.

• The built-in Phrase Trainer function lets you record sound from an audio device or a guitar
performance (maximum 16 seconds), and play it back at a slower speed without changing the
pitch.

• A metronome is built in for practicing convenience.

• Built in tuner mute function for on stage tuning.

• An AUX IN jack is provided so that you can play along with a connected audio device.

• Use the auto chromatic tuner to tune your instrument when the AX1500G is bypassed or muted.

• The LCD (liquid crystal display) features an intuitive visual interface.

• The LCD is backlit for easy visibility even in dark locations.

What is ?
ure and Electronic circuit Modeling System) is KORG's proprietary
technology which precisely reproduces the complex character and nature of both acoustic and electric instruments as well as electronic circuits in real world env
variety of sound generation characteristics including instrument bodies, speakers & cabinets, acoustic fields, microphones, vacuum tubes, transistors, etc.

Printing conventions in this manual

The logo indicates operating cautions, and indicates useful advice.

LCD screens printed in this manual are only for purposes of illustration, and may not match the
actual display on your AX1500G.
 Important things to learn
Front and rear panel
Front panel

1 Effect select knobs

These knobs select the effect model used in each effect block.

2 Effect block select switches

(DRIVE-AMP, CABINET, MODULATION, PEDAL, AMBIENCE)
Press these switches to turn each effect block on/off or to edit it. The switch LED will be
lit (on), dark (off), or blinking (edit).

3 Value LEDs
These LEDs will light to indicate the value knobs that can be used for the selected effect
model. From the left, they correspond to value knobs 1—5.

4 Value knobs
When editing, rotate these knobs to modify the value of the parameter assigned to each
knob. From the left, these are value knobs 1—5.
When not editing, these knobs control the parameters of the effect that is assigned to the
DRIVE-AMP effect by the selected program. (Refer to p.12, “Quick editing for the
DRIVE-AMP effect block.”)

5 Effect channel switch, channel LED

This changes the effect channel of the currently selected program. The LEDs located
above the switch will light correspondingly (channel A is green, channel B is red).

6 Program switches, program LEDs

These switches select programs. The program LEDs (1, 2, 3) located above the switches
will light correspondingly. In Individual mode, these switches turn each effect on/off
individually.

7 Bank switch
Each time this switch is pressed, the bank number will increase by one. The bank
number will decrease by one if you simultaneously press the bank switch and program
switch 3.

8 Expression pedal
This pedal controls the effect that is selected from the PEDAL effect block.

4
LCD and control panel

1. Introduction
1 Name display
This shows the program name, effect
name, or parameter name, as appropri-
ate for each operation.
2 Edit icon
This will light if the selected program has been edited. It will blink if the program is
currently being edited.
3 Phrase trainer icon
This will blink when you are in Phrase Trainer mode.
4 Metronome icon
This will light when the metronome is on. It will blink while the metronome tempo or
level is being adjusted.
5 MASTER/VALUE display
This shows the master level and parameter values. When the parameter value matches
the value that is written in the program, the ORIG (original icon) will light.

6 NR-PRG LEVEL switch

Use this switch to adjust the amount of noise reduction or the level of each program.
7 RENAME switch
Use this switch to change the name of a program.
8 Metronome LED
This LED will blink in time with the metronome tempo.
9 WRITE switch
Use this switch to save an edited program.
0 EXIT switch
From any function, you can press this to return to Play mode.

A Cursor switches ( , )
Use these switches to select the parameter that you wish to edit, or when modifying the
name of a program.

B MASTER/VALUE switches (▲, ▼)

Use these switches to change the master level or the value of a parameter.
C Pedal LED
This indicates the on/off status and type of the pedal effect, and the recording status
when the Sample & Play function is used.

D Bank number display

This shows the bank number of the selected program. When a user program is selected, a
decimal point “.” located at the lower right of the bank number will light.
Rear panel

1 INPUT jack
Connect your guitar to this jack.

2 AUX IN jack (stereo mini 1/8th inch connector)

Connect the output (AUX OUT: analog) of your audio device to this jack.

3 OUTPUT jacks (L/MONO, R)

Connect these jacks to your guitar amp or mixer etc. For mono connections, use the L/MONO
jack.

4 : PHONE jack (stereo mini)

Connect a set of headphones to this jack.

5 DC 9V
Connect the included AC adapter ( ) here.
When the adapter is connected, the power will automatically be turned on.

6 Cable hook
Fasten the cable of the AC adapter around this hook. When taking the
cable off the hook, avoid pulling the cable with excessive force.
 The modes of the AX1500G
The AX1500G has three modes: Play mode, Individual mode, and Phrase Trainer mode.

Play mode is the mode in which you can select a program and play it. When the power is first
turned on, you will always be in this mode. You can select from a total of 96 programs that use
high-quality effect models: 48 preset programs, and 48 user programs that allow you to freely edit
the settings to create your own sounds. In addition, you can switch between effect channels A and
B within each program.
With the factory settings, the user programs contain the same data as the preset programs.

Individual mode the mode in which you can use the foot switches (the program switches and

1. Introduction
expression pedal switch) to individually turn each effect block on/off as you play. In this mode
you can switch between effect channels A and B, but cannot switch between programs.
Use Play mode to select programs.

In Phrase Trainer mode, a phrase from an audio device (ie., CD or DAT) connected to the AUX IN
jack or a guitar connected to the INPUT jack can be recorded and looped (played back repeatedly).
You can practice by playing along with the repeating loop. As you can fix the pitch and slow down
the playback speed, the phrase trainer mode is convenient for learning or practicing difficult
phrases.

When you enter this mode, the MODULATION, PEDAL, and AMBIENCE effect blocks will automatically be
turned off. In this mode it is not possible to switch programs or effect channels.

Hold down
Individual mode
Play mode
á Select programs (48 preset, 48 user) the
á Select effect channnel bank
á Use the program switches to turn each effect block on/off
á Edit the program switch for one
á Select effect channnel á Edit the program
second

Press the
Hold down program switches bank switch*
1 and 2 together for one second
Press either program
switches 1 and 2 simultaneously*

Phrase Trainer mode * When you press the EXIT switch

Record and play back a phrase from guitar or CD etc. you will always return to Play mode.

In Play mode and Individual mode, you can use the effect select knobs etc. to edit the effects,
adjust the noise reduction and program level, and modify the program name etc.

Effect channels of the AX1500G

The AX1500G provides an effect channel switch that lets you switch between two effect channels
(A and B) within each program.
Each channel consists of a drive amp effect and a cabinet effect (see the diagram below).

Channel A
CABINET
DRIVE-AMP
A A
MODULATION
INPUT PEDAL AMBIENCE
OUTPUT
B B
CABINET
DRIVE-AMP

Channel B

This allows you to switch between rhythm and lead sounds within a single program as if you
were changing the channel of a guitar amp, or to differentiate between sounds intended for direct
output to a mixer using the cabinet effect or for output to your guitar amp.
 2. Playing the AX1500G
2. Playing the AX1500G
Example connections
The power must be off when you make connections.
Unintentional operation may damage your speakers, or
cause malfunctions.
1. Connect your cables from the OUTPUT jacks of the
AX1500G to your guitar amp or mixer etc.
If you are using a mono connection, connect the L/
MONO jack. In order to take full advantage of the
AX1500G’s sound, we recommend that you use
stereo connections.
2. If you wish to use headphones, plug them into the
PHONE jack.
The output from the OUTPUT jacks will be turned off
when headphones are plugged in.
3. Connect your guitar to the INPUT jack.
4. If you wish to use the AUX IN jack, connect an
external audio device to it. Use the controls of the
connected device to adjust the volume.
5. Connect the included AC adapter to the DC 9V jack,
and plug the AC adapter into an AC outlet. When
you plug it in, the power will come on automati-
cally, and the name display will indicate the
program name.
Wrap the AC adapter cable around the cable hook. When
removing the cable from the hook, be careful not to pull
the cable with excessive force.
6. When you have finished making connections, turn
on the power of your guitar amp or mixer etc. Play
your guitar, and check whether connections have
been made correctly. Adjust the master level of the
AX1500G and the gain or fader controls of your
guitar amp or mixer to set an appropriate volume
level.
Audio device
Headphones
Stereo-mini
Guitar
Guitar amp etc.
Mono phone
plug AUX IN
Stereo-mini
mono
OUTPUT INPUT
Included AC adapter DC9V
8
Play mode
When you turn on the power, the AX1500G will
always enter Play mode, and will be set to the
program and master level setting that were last
selected when the power was turned off.
Adjusting the master level
The MASTER/VALUE display will show the master
level immediately after the power is turned on, a
program is selected, and after the EXIT switch is
pressed.
When the master level is shown, you can use the
MASTER/VALUE switches (▲, ▼) to adjust the master
level.
Selecting a program
You can select from 48 preset programs and 48 user
programs.
User and preset programs are each organized into 16
banks, with three programs in each bank. The cur-
rently selected bank is shown by the bank User
number display, and the program is program
shown by the program LEDs. To switch
between user and preset programs,
simultaneously press MASTER/VALUE Preset
switch (▲) and cursor switch (®). When program
a user program is selected, a decimal
point “.” located at the lower right of the
bank number display will light.
To select a program in the same bank
Press a program switch 1—3 to select the desired
program. The program LED of the selected program
will light, and the name display will indicate the
program name.
To select a program from a different bank
Press the bank switch to select the desired bank. (The
bank number display will blink.) The banks will cycle
in the order 0, 1, 2, ...9, A, b, C, d, E, F, 0, 1, 2...
• Each time you press the bank switch, the bank
number display will increase by one.
• Each time you simultaneously press the bank
switch and program switch 3, the bank number
display will decrease by one.
When the desired bank number appears, press
program switch 1,2 or 3 to select the desired program.
(The bank number display will change from blinking
to lit.)
Checking the effect blocks used by a program
Not every program uses all of the effect blocks. When
you select a program, the LED of each effect block that
are used will light. The LEDs of effect blocks that are
unused will be dark.
Switching between effect channels
Each time you press the effect channel switch, effect
channels A and B will alternate. When channel A is
selected, the channel LED is lit green, and when
channel B is selected, the LED is lit red.
Effect channel hold
When you switch programs, this setting lets you
specify whether the channel memorized in the
program will be selected (OFF) or whether the status
prior to switching programs will be maintained (On).
The factory setting is OFF.
1. Press and hold the EXIT switch, and press the
effect channel switch so that the name display
indicates “CH HOLD” and the MASTER/VALUE
display indicates “OFF” or “On”.
2. Continue holding the EXIT switch, and press the
effect channel switch to change the setting between
On and OFF.
3. Release the EXIT switch to return to Play mode.
Bypass and mute
Bypass
If you press and hold the program switch for 0.5
seconds, all effects will be bypassed. At this time, the
program LED will blink, and the name display will
indicate “BYPASS” for one second.
To defeat bypass, press the program switch whose LED
is blinking, or press any other program switch.
You can turn this on/off by simultaneously pressing
MASTER/VALUE switch (▼) and cursor switch ( ). You
can also turn it off by pressing the EXIT switch.
Mute
If you press and hold the program switch for 1.5
seconds or longer, the input sound (ie., guitar) from
the INPUT will be muted. At this time, the program
LED will blink more rapidly, and the name display will
indicate “MUTE” for one second.
To defeat mute, press the program switch whose LED
is blinking, or press any other program switch.
This can be turned on by simultaneously holding
MASTER/VALUE switch (▼) and cursor switch ( ) for
one second, and off again by repeating this operation.
It can also be turned off by pressing the EXIT switch.
Auto tuner
When the AX1500G is in bypass or mute, the tuner will
operate automatically. If you mute the AX1500G you
will be able to tune your instrument without produc-
ing sound. This is used for on stage tuning.
1. Tune your guitar so that the desired
Example
note name appears in the bank display
number display. The decimal point
“.” at the lower right of the bank
number display will light to indicate
a sharp .
2. Fine-tune your guitar so that only the center of the
five value LED’s is lit (or so that only the center of
the name display is shown).
Tuning discrepancy shown by the value LEDÕs
and the name display
Value LEDÕs Name display
Pitch is flat
Pitch is sharp
Correct tuning
Changing the calibration setting
If necessary, you can adjust the calibration in the range
of 438—445 Hz. (440 Hz is “standard”)
2. Playing the AX1500G
When the tuner is operating, use the MASTER/VALUE
switches (▲, ▼) to adjust the setting. The calibration
setting will appear in the MASTER/VALUE display.
When the power is turned off, the calibration setting you
modify will be lost, and will automatically return to 440 Hz
the next time the power is turned on.
Metronome
1. When you simultaneously press the RENAME and
EXIT switches, the metronome will start and the
metronome icon will blink.
2. Use value knob 4 to adjust the tempo (range 40—
208: shown in the MASTER/VALUE display). At
this time, the metronome LED will blink in time
with the tempo.
3. Use value knob 5 to adjust the volume of the
metronome (range 0—10: shown in the MASTER/
VALUE display).
4. While the metronome is operating,
simultaneously press the RENAME and EXIT
switches to stop the metronome.
Tempo Level On, Off
If you switch programs or edit while the metronome is
operating, it will no longer be possible to adjust the
tempo or level. To re-adjust the tempo or level, you
must first stop the metronome, and then start it
once again.
 As an alternative to using value knobs 4 and 5, you can
use the cursor switches ( , ) to switch parameters,
and use the MASTER/VALUE switches (▲, ▼) to
adjust the parameter values.
While the metronome is operating, pressing the EXIT
switch will stop the metronome and return to Play
mode.
When the AX1500G is bypassed or muted, it will not be
possible to adjust the tempo or level.
Expression pedal
You can use the expression pedal for realtime control
of eleven types of effects in the pedal effect block.
If the program uses an effect in the pedal effect block,
the LED of pedal effect block will light.
The pedal LED will light yellow for VOLUME effect,
green for a VOX WAH--RING MOD modulation-type
effect, or red for a HOLD DELAY--SAMPLE&PLAY
ambience-type effect.
For the HOLD DELAY, TAP TEMPO DELAY, and
SAMPLE & PLAY pedal effects, the operation is
different than for other effects (refer to p.21).
Using the expression pedal as you play
1. In Play mode, select a program that uses
the expression pedal.
2. Make sure that the pedal LED is lit. If it is not lit,
press the expression pedal firmly once to make
the pedal LED light (the pedal will be turned on).
3. Operate the expression pedal while playing your
guitar. As you raise and lower the pedal, the
output sound will change correspondingly.
If Volume is selected in the PEDAL effect block, it will not
be possible to turn the expression pedal on/off. It will
remain on (pedal LED lit yellow).
The on/off status of the expression pedal is not
memorized by each program.
Do not apply excessive force to the expression pedal.
Before operating the expression pedal, verify the amount
of force that is required to make the pedal LED light and
to apply the effect.
Individual mode
In this mode you can press the program switches and
expression pedal switch to turn modulation, pedal,
and ambience effect blocks on/off individually.
As in Play mode, you can switch the effect channel,
and use operations such as metronome, editing,
and program write.
In this mode it is not possible to switch programs or to
select bypass or mute.
Entering Individual mode
In Play mode press and hold the Bank switch for one
second, and you will enter Individual mode. The name
display will indicate “-INDIV-,” and the bank number
display will indicate “ .”
When you enter Individual mode, the program LED’s
will indicate the on/off status of each effect block
(synchronized with the effect block LED’s).
MODULATION corresponds to program switch (LED)
1, AMBIENCE to 2, PEDAL to 3.
Each time you press a program switch, it will turn on/
off. For the pedal effect, pressing the expression pedal
firmly will turn it on/off (the switch is located under
the pedal). However for some pedal effects such as
SAMPLE & PLAY, the expression pedal is used in a
special way, and cannot be turned off once the pedal
has been turned on.
For some effects, it is not possible to simultaneously use
the MODULATION and PEDAL effect blocks, or the
PEDAL and AMBIENCE effect blocks. If you attempt to
simultaneously turn on both of these effect blocks, the
effect block that was turned on first will automatically be
turned off.
Indication of currently used effect blocks
Exiting Individual mode
To return to Play mode, press either the bank switch or
the EXIT switch.
 If the "AUX" input jack is used, the sound from the INPUT jack
Phrase Trainer mode will be muted until recording ends.
You can record a phrase from an audio device (ie., CD
or DAT) connected to the AUX IN jack or from a guitar
connected to the INPUT jack, and loop it (i.e., play it
back repeatedly). Then you can practice a phrase on
your guitar while listening to the repeating phrase.
Since you can slow down the playback speed without
affecting the pitch, this is a convenient way to learn or
practice phrases from recordings that are difficult to
play. In Phrase Trainer mode, the effect expression
pedal will automatically control the volume of the
guitar.
When you enter this mode, the MODULATION, PEDAL,
and AMBIENCE effect blocks will automatically be turned
off. (When you exit Phrase Trainer mode, the previous
settings will be restored.)

In this mode it is not possible to use Bypass or Mute, or

to switch programs or effect channels.

1. Enter Phrase Trainer mode

From Play mode, simultaneously press and hold
program switches 1 and 2 for one second. The
MASTER/VALUE display will indicate the selected
recording mode, and the Phrase Trainer icon will blink.

2. Select the recording mode

Use the cursor switches ( , ) to select the input jack,
and use the MASTER/VALUE switches (▲, ▼) to
select the recording time.
Input jack “AUX” AUX IN jack
“GTR” INPUT jack
Recording time “SHT” maximum 8 seconds (high
quality)
“LNG” maximum 16 seconds (extended time)
The phrase will be recorded and played back monau-
rally.

3. Begin recording
Start the audio device that is connected to the
AX1500G, and press the bank switch (REC) at the
point where you wish to begin recording. The name
display will indicate “REC” and the number of
seconds of recording.
Once you record a phrase, it is not possible to change the
recording mode. If you wish to change the recording
mode, you must return to Play mode, and once again
enter Phrase Trainer mode.

4. Stop recording
At the point where you wish to stop recording, press
program switch 1 ( ) or the bank switch (REC).
Recording will end, and the name display will indicate
“PLAY.” The recorded phrase will automatically begin
playing repeatedly as a loop. Recording will also end
automatically if you continue recording for the
maximum time length of the selected recording mode.
Depending on the volume of the connected audio device,
the sound may be distorted. If this occurs, adjust the
volume on the audio device.
To re-do the recording program switches 1 and 2 simultaneously, or press the
Press program switch 1 ( ) to stop EXIT switch.
playback. Then continue with step “3. Begin
recording” and step “4. Stop recording.” When you exit Phrase Trainer mode or turn off
the power, the recorded phrase will be erased.
To erase the recorded phrase
The phrase will be erased when you press the
EXIT switch to return to Play mode. You can
also record a new phrase to overwrite the
previously-recorded phrase.

5. Stop
When you press program switch 1 ( ),
playback will stop. Press program switch 1
( ) once again, and playback will resume
from where you stopped.
• If effect channel switch ( ) is pressed
while stopped, you will return to the
beginning of the recorded phrase.
• By pressing the cursor switches, you can
playback in reverse ( ) or forward ( ) as long
as you hold down the switch.

6. Playback

2. Playing the AX1500G

During recording or while stopped, press
program switch 1 ( ) to playback the
recorded phrase as a repeating loop.
By pressing program switch 2 (SPEED) or the
MAS- TER/VALUE switches (▲, ▼), you can
slow down the playback speed without affecting
the pitch.
• Each time you press program switch 2
(SPEED), the playback speed will cycle
through settings of 100%, 75%, 50%, 25%...
• By pressing the MASTER/VALUE switches
(▲, ▼), the speed can be adjusted in 5%
steps; 100%, 95%, 90%, ... 25%.
During playback, you can press cursor switch
( ) to playback at double speed as long as you
continue pressing the switch.
If you press cursor switch ( ), the recording will
play back in reverse as long as you continue
pressing the switch.
If you press effect channel switch ( ), the
recording will rewind as long as you continue
pressing the switch.

7. Hold
By pressing program switch 3 (HOLD), you can
hold the sound that was playing at the moment
the switch was pressed. When you press the
switch once again, hold will be turned off. By
pressing a cursor switch while the sound is
being held, you can playback backward ( ) or
forward ( ) as long as you continue holding the
switch. If you press effect channel switch ( ),
you will go back one second, cancel Hold, and
begin playback.

Exiting Phrase Trainer mode

To return to Play mode, you can either press
 3. Editing
3. Editing
In Play mode and Individual mode, you can edit each
effect, set noise reduction and program levels, and
modify the program name.
During editing, the edit icon in the display will blink.
The parameter
assigned to the knob
you moved
Edit icon Value of the parameter
In Phrase Trainer mode, it is possible to edit the
DRIVE- AMP and CABINET effect blocks, but it is not
possible to perform editing operations that use the name
display, MASTER/VALUE display, the cursor switches or
the MASTER/VALUE switches. In addition, it is not
possible to switch programs or effect channels.
Editing effects
Rotate the effect select knob of the effect block that you
wish to edit, or press the corresponding effect block
select switch. The effect block LED will begin blinking,
indicating that it has been selected for editing.
Each program has two channels of settings (A and B)
for the drive amp and cabinet effects. Press the effect
channel switch to select the channel you wish to edit.
Use the effect select knob, effect block select switch,
and value knobs to edit the settings.
If you wish to save the edited effect, perform the
“Program write” operation. If you fail to do this, the effect
program will revert to its original settings when you turn
off the power or select a different program.
Editing example
As an example, we will explain how to select TUBE
OD as the drive amp effect for channel B.
1. Press the effect channel switch to select channel
B (the channel LED will light red).
2. If the name display indicated “TUBE OD” when
you pressed the effect block select switch(DRIVE-
AMP), simply continue. If not, turn the DRIVE-
AMP effect select knob to the TUBE OD position. If
the effect select knob was already located at TUBE
OD, first select a different effect model, and then
turn the knob back to TUBE OD.
3. The effect block LED will begin blinking, indicating
that it has been selected for editing. (The name
display will indicate the model name as “TUBE
OD.”) If you selected a programmed effect, the
“ORIG” icon will light.
4. The five value LED’s will light, and the correspond-
ing value knobs will be assigned to DRIVE,
LEVEL, TREBLE, MIDDLE, and BASS respec-
tively, and will function as knobs that adjust the
value of each parameter. (Refer to p.16, “Effect
parameters.”)
12
5. Rotate the knobs and the sound will change. The
name display will indicate the name of the
parameter assigned to that knob, and the MAS-
TER/VALUE display will indicate the value. At this
time, the “ORIG” icon will light when the position
of the knob matches the original value — i.e., the
value before you began editing.
Instead of the five value knobs, you can also use the
cursor switches( , ) to select parameters, and use
the MASTER/VALUE switches (▲, ▼) to adjust the
value of the parameter currently shown in the name
display.
If you do not wish to use the DRIVE-AMP effect block,
press the DRIVE-AMP effect block select switch until
the LED goes dark. The DRIVE-AMP effect block is
now bypassed, and the name display will indicate
“-OFF-.”
The cabinet effect can be edited in the same way as the
drive amp effect. Since the modulation, pedal, and
ambience effects do not have separate effect channels,
begin from step 2 of “Editing example.”
For some effects, it is not possible to simultaneously use
the MODULATION and PEDAL effect blocks, or the
PEDAL and AMBIENCE effect blocks. If you attempt to
turn on both effect blocks, the block that had been turned
on first will automatically be turned off.
Quick Editing for the DRIVE-AMP
effect block
In the default state of each mode, the DRIVE-AMP
effect block parameters used by the selected program
are assigned to the value knobs (except when the effect
is off).
When you rotate each value knob, the AX1500G will
enter edit mode (the effect program switch LED and
the edit icon will blink). The name display will show
the parameter name, the MASTER/VALUE display
will show the parameter value, and the sound will
change.
If you wish to change an effect that is in use, use the
effect select knobs to select the desired effect.
It is not possible to edit when other functions are
assigned to the value knobs, when the AX1500G is
bypassed, muted, or recording in Phrase Trainer mode.
Setting the noise reduction and
program levels
1. If you are in Play mode, press the NR-PRG LEVEL
switch.
2. By rotating value knobs 1 or 2, or pressing the NR-
PRG LEVEL switch, you can access the screen
displays for adjusting the noise reduction and
setting the level for each program.
You can also use the MASTER/VALUE switches
to change the character.
If you wish to save the modified program name, you
must perform the “Program write” operation. If you turn
off the
power or select a different program without writing the
program, the program name you edited will revert to its
previous setting.

3. To adjust the amount of noise reduction, use value

knob 1 (range OFF...10: shown in the MASTER/
VALUE display).
4. To adjust the level of each program, use value knob
2 (range 0...10: shown in the MASTER/VALUE
display).
Writing programs
Here’s how to write an edited program.
1. Press the WRITE switch, and the name display will
indicate “✳WRITE✳.” The bank number display
and the program LED will blink.
2. Use the MASTER/VALUE switches (▲,▼) to
select the writing destination bank, and use the
cursor switches ( , ) to select the writing
destination program.

3. Press the WRITE switch once again, and the

display will read “COMPLT” to indicate that the
program has been written. You will then return
to Play mode.
Noise reductionLevel
You can also use value knob 5 or the bank switches to
select the bank, and the program switches to select the
program.

If you decide not to write, press the EXIT switch to

cancel the Write operation.

Select the bank Select the program

Instead of value knobs 1 and 2, you can also use the

cursor switches ( , ) to select a parameter and use
the MASTER/VALUE switches to adjust the value of the
parameter.

Depending on the guitar that you use, raising the noise

reduction setting too high may cause the sound to be cut
off at low levels.

The volume of each program will change depending on

the guitar that you use. Adjust the program level for
your guitar.

If you wish to save the noise reduction and program level

3. Editing

settings that you edited, you must perform the “Program

write” operation. If you turn off the power or select a
different program without writing the program, the
program you modified will revert to its previous settings.
Select the program Select the bank

Modifying program names

If you write an edited program to a different program
Press the RENAME switch and specify the program number, the program that was overwritten will be
name (maximum 7 characters). Use the cursor switches lost.
( , ) to select the character that you wish to change It is not possible to write to a preset program.
(the character will blink). Then use value knob 5 to
select the desired character. The available characters
are shown below.

Available characters
4. Appendices

Select characters

Move between
character positions
 4. Appendices
Adjusting the expression pedal
(Calibration)
If you find the expression pedal difficult to use,
perform this procedure so that the pedal will function
optimally. For example if the effect does not reach
maximum when the pedal is advanced all the way
forward, or does not reach minimum when the pedal is
returned all the way back, use the following procedure
to make the appropriate adjustments.
When making adjustments, use your hand to move the
pedal. Accurate calibration may not be possible if you
use your foot to operate the pedal.
1. Turn on the power while simultaneously holding
down the EXIT switch and the PEDAL effect block
select switch.The name display will show “PEDAL”
for approximately one second, and will then
indicate “MIN.”
If you make a mistake during the calibration procedure,
the LCD will indicate “ERROR,” and you will return to the
screen before the adjustment (the “MIN” display). If the
“ERROR” display appears for repeated attempts, a
malfunction may have occurred. In this case, please
contact your dealer.
Restoring the user programs to
the factory settings (Reload)
1. Turn on the power while simultaneously holding
down the EXIT switch and the bank switch. The
name display will indicate “RELOAD?”
If you press the EXIT switch, the reload operation will not
occur; the power-on display will appear, and you will
enter Play mode.
2. Press the WRITE switch. The name display will
change to “RELOAD,” and the reload operation
will begin. When the reload operation is completed,
the display will indicate “COMPLT” for approxi-
mately one second. Then the power-on display will
appear, and you will enter Play mode.

Never turn off the power during the reload operation.

WARNING: When you perform the reload operation, all

user programs will be rewritten. Master level, metronome,
and input level settings will also be initialized.

Turn on the power while simultaneously holding down

2. Slowly return the pedal to the full back position.

When it stops, release your hand and press the
WRITE switch. The name display will change
from “MIN” to “MAX.”
If you decide to halt the adjustment procedure, press
the EXIT switch. The power-on display will appear, and
you will enter Play mode.

3. Slowly advance the pedal. When it stops,

release your hand and press the WRITE switch.

2. Press slowly 3. Press slowly

The LCD display will indicate “COMPLT” for approxi-

mately one second. Then the power-on display will
appear, and you will enter Play mode.
After the adjustment procedure has been completed,
verify the operation of the pedal.
Select an effect that will make it easy to verify the
adjustment. For example, set the pedal effect block to
the VOLUME effect, set the value to 0, and check the
MIN level when the pedal is returned all the way back.

14
Troubleshooting Main specifications
If you suspect a malfunction, please check the • Number of effects:
following points first. If this does not resolve the 56 types (maximum number of
problem, contact a nearby dealer. effects usable simultaneously: 8)

1. Power does not turn on • Number of programs:

• Is the AC adapter plugged into an AC outlet? 96 (48 preset, 48 user)
(☞p.8)
• Inputs:
• Is the included AC adapter connected? (☞p.6, 8) Guitar input (mono phone jack)
AUX IN (stereo mini jack)
2. No sound
•Are your guitar, amp, and headphones connected • Outputs:
to the correct jack? (☞p.6, 8) Output x 2 (mono phone jack)
Headphones (stereo mini jack)
• Is the power of your amp turned on, and is it set
accordingly? • Tuner section
Detection range:
• Is one of your cables broken? 27.5 Hz — 2,093 Hz (A0—C7)
• Is the master level of the AX1500G set to “0” or to a Calibration:
low value? (☞p.8) A=438—445 Hz

• Is the program level of the AX1500G set to “0” or • Metronome section

to a low value? (☞p.13) Tempo:
bpm= 40—208
• Is the LEVEL of the DRIVE-AMP effect set to “0”
or to a low value? (☞p.12) • Power supply:
DC9V (included AC adapter )
• Is the volume of your guitar turned down?
• Dimensions:
• Is the AX1500G muted?
420 (W) x 187.7 (D) x 65.4 (H) mm
• If VOLUME is selected for the PEDAL effect, has 16.5 (W) x 7.4 (D) x 2.6 (H) inches
the pedal been returned to the full back position?
• Weight:
3. Effects are not applied 2.4kg (5.3 lbs)
• Is the AX1500G bypassed? (☞p.9)
• Included items:
• Are the effects used by the program turned on? Owner’s manual, AC adapter
(☞p.4, 8)
* Specifications and appearance are subject to change
4. Metronome does not function with out notice for improvement.
• Are you in Play mode or in Individual mode?
The metronome will not function in Phrase Trainer
mode.

• Is the metronome output level set to “0”? (☞p.9)

5. Pedal does not function

• Have you selected a program that uses an effect in
the PEDAL effect block? (☞p.8)

• Is the pedal LED lit? (☞p.10)

• Try adjusting (calibrating) the expression pedal.

(☞p.14)

6. Cannot write (the name display indicates

4. Appendices

“ER- ROR”)
• Reload the preset programs. (☞p.14)
Effect parameters
DRIVE-AMP effects block
These effect models consist of effects plus a three-band equalizer.

DRIVE-AMP Knob 1 Knob 2 Knob 3 Knob 4 Knob 5

DRIVE LEVEL TREBLE MIDDLE BASS
ACOUSTIC 1...10 0...10 0...10 0...10 0...10
CLASSIC COMP OFF...10 0...10 0...10 0...10 0...10
TUBE OD 1...10 0...10 0...10 0...10 0...10
CLASSIC DIST 1...10 0...10 0...10 0...10 0...10
FAT DIST 1...10 0...10 0...10 0...10 0...10
METAL DIST 1...10 0...10 0...10 0...10 0...10
SEATTLE 1...10 0...10 0...10 0...10 0...10
BIG FUZZ 1...10 0...10 0...10 0...10 0...10
TOP BOOST 1...10 0...10 0...10 0...10 0...10
US HI-GAIN 1...10 0...10 0...10 0...10 0...10
BRIT STACK 1...10 0...10 0...10 0...10 0...10

Acoustic simulator
Overdrive, Distortion, Fuzz, Amp
This is an effect model that converts the sound of an electric
guitar to that of an acoustic guitar. The effect model offers a wide variety of classic sounds.

TUBE OD “TUBE OD”

ACOUSTIC “ACOUSTIC”
This model simulates the overdriven sound of a popular tube
A more realistic simulation of an acoustic guitar will be
overdrive pedal from the 70’s that responds well to the
produced if you use the neck pickup.
nuances of your picking.
A compressor with adjustable sensitivity is built-in.
CLASSIC DIST “CL DIST”
If the sound distorts, slightly decrease the LEVEL, This model simulates a poular distortion pedal from the 70’s.
TREBLE, MIDDLE, and BASS.
FAT DIST “FATDIST”
Knob 1 DRIVE Adjusts compressor sensitivity. This model simulates a popular fat sounding disortion pedal
Knob 2 LEVEL Adjusts output level. from the 80’s.
Knob 3 TREBLE Adjusts treble (high-frequency range).
METAL DIST “MTLDIST”
Knob 4 MIDDLE Adjusts mid (mid-frequency range). This model simulates the metallic distortion of the 90’s.
Knob 5 BASS Adjusts bass (low-frequency range).
SEATTLE “SEATTLE”
This model is ideal for grunge rock sounds.
Compressor BIG FUZZ “BIGFUZZ”
A compressor boosts quiet sounds and decreases loud sounds to The most popular fuzz of the 60’s.
even out differences in volume, in order to make the dynamics
more consistent. TOP BOOST “TOP BST”
This model simulates the sound of an AC30 overdriven by a
CLASSIC COMP “CL COMP” popular 80’s OD pedal.
This compressor makes your playing dynamics more
US HI-GAIN “US HI-G”
consistent, and produces a smooth sustain. If you turn the
This model simulates the distortion typical of a high-gain amp
DRIVE “OFF,” the compressor will be defeated, and you can
made in the USA.
use this as a tone controller.
BRIT STACK “BRTSTK”
If the sound distorts, slightly decrease the LEVEL, This model simulates the distortion typical of a British amp
TREBLE, MIDDLE, and BASS. stack.
Knob 1 DRIVE Adjusts sensitivity. Knob 1 DRIVE Adjusts amount of distortion.
Knob 2 LEVEL Adjusts output level. Knob 2 LEVEL Adjusts output level.
Knob 3 TREBLE Adjusts treble (high-frequency range). Knob 3 TREBLE Adjusts treble (high-frequency range).
Knob 4 MIDDLE Adjusts mid (mid-frequency range). Knob 4 MIDDLE Adjusts mid (mid-frequency range).
Knob 5 BASS Adjusts bass (low-frequency range). Knob 5 BASS Adjusts bass (low-frequency range).
CABINET effect block
The shape of the cabinet and the type and number of speakers
are very important elements in determining the tonal character
of a guitar amp.
The CABINET effect block provides models that faithfully
simulate the cabinet and speaker characteristics of a variety of
guitar amps, from vintage to modern.
Although these models are especially effective when you are
plugged in to a mixer etc. via a direct line connection, they are
also effective when you are using a guitar amp.

CABINET Knob 1 Knob 2 Knob 3 Knob 4 Knob 5

AIR LEVEL PRESENCE
1x8 TWEED AP, 0.3. 9.7, Ln 1...10 0...10
1x12 TWEED AP, 0.3. 9.7, Ln 1...10 0...10
1x12 BLACK PANEL AP, 0.3. 9.7, Ln 1...10 0...10
1x12 AC15 AP, 0.3. 9.7, Ln 1...10 0...10
2x12 BLACK PANEL AP, 0.3. 9.7, Ln 1...10 0...10
2x12 AC30 AP, 0.3. 9.7, Ln 1...10 0...10
2x12 CLASS A AP, 0.3. 9.7, Ln 1...10 0...10
4x10 TWEED AP, 0.3. 9.7, Ln 1...10 0...10
4x12 CLASSIC AP, 0.3. 9.7, Ln 1...10 0...10
4x12 VINTAGE AP, 0.3. 9.7, Ln 1...10 0...10
4x12 MODERN AP, 0.3. 9.7, Ln 1...10 0...10

1x8 TWEED “1–8 TWD” Knob 1 AIR This simulates the resonance of the
This model simulates an open back cabinet with one 8-inch
cabinet, and the comb filtering effect
speaker.
produced by interference between the
1x12 TWEED “1-12 TWD”
speakers.
This model simulates an open back cabinet with one 12-inch
Decreasing this value will produce a
speaker typically used for blues.
sound that is more suitable for connection
1x12 BLACK PANEL “1-12 BLK”
to a guitar amp. Increasing this value will
This model simulates an American open back cabinet with one
produce a sound that is more suitable for
12-inch speaker and a bright tonal character.
direct-line connection.
1x12 AC15 “1-12AC15”
Knob 2 LEVEL Adjusts output level.
This model simulates a Vox open back cabinet with one 12-inch
Knob 3 PRESENCE Adjusts tone of the high-frequency range.
“Blue” speaker.
2x12 BLACK PANEL “2-12 BLK” If the sound distorts, slightly lower the LEVEL and
This model simulates an American open back cabinet with two PRESENCE.
12-inch speakers.
2x12 AC30 “2-12AC30”
This model simulates a Vox open back cabinet with two 12-
inch “Blue” speakers.
2x12 CLASS A “2-12 CLA”
This model simulates a modern open back cabinet with two 12-
inch speakers.
4x10 TWEED “4-10 TWD”
This simulates an open back cabinet with four 10-inch
speakers.
4x12 CLASSIC “4-12 CLS”
This simulates a closed back cabinet with four 25W 12-inch
speakers.
4x12 VINTAGE “4-12 VIN”
This simulates a closed back cabinet with four 30W 12-inch
4. Appendices

speakers.
4x12 MODERN “4-12 MDN”
This simulates a closed back cabinet with four 75W 12-inch
speakers.
MODULATION effect block
MODULATION Knob 1 Knob 2 Knob 3 Knob 4 Knob 5
TIME FEEDBACK SPEED/PITCH DEPTH/FINE MIX/POLARITY
CLASSIC CHORUS — — 0.1...10[Hz] 0...10 1, 2
STEREO CHORUS 1...10 — 0.1...10[Hz] 0...10 —
CLASSIC FLANGER 1...10 0...10 0.1...10[Hz] 0...10 —
MOD DELAY 0.5...900[ms] 0...10 0.1...10[Hz] 0...10 0...10
BLACK PHASER — 0...10 0.1...10[Hz] — —
ORANGE PHASER — 0...10 0.1...10[Hz] — —
TEXTREM — — 1...10[Hz] 0...10 —
PITCH SHIFTER 0...900[ms] 0...10 –24...24[x100 CENT] –15...15[CENT] 0...10
FILTRON 1...10 0...10 — 0...10 up, dn
AUTO WAH 1...10 — — 0...10 up, dn
OCTAVE — — — 0...10 0...10

Chorus, Flanger MOD DELAY “MOD DLY”

Chorus and flanger are effects that delay the sound slightly to This effect modulates the delay time to produce chorus and
modulate the pitch, and combine the modulated sound with the flanger-like effects. Adding a small amount of depth with
original to produce a sensation of modulated spaciousness. longer delay settings gives you a very effective modulated
echo sound.
CLASSIC CHORUS “CL CHOR”
This simulates the very first vintage chorus unit. For the best Knob 1 TIME Adjusts delay time.
results, use it in stereo . Knob 2 FEEDBACK Adjusts feedback.
Knob 3 SPEED Adjusts speed. Knob 3 SPEED Adjusts speed.
Knob 4 DEPTH Adjusts depth. Knob 4 DEPTH Adjusts depth.
Knob 5 MIX 1: Use for mono output. Knob 5 MIX Adjust the mix amount of effect sound.
2: Use for stereo output.
Phaser
STEREO CHORUS “ST CHOR” This effect cyclically modifies the phase shift of the sound, and
This simulates a vintage stereo chorus unit that inverts the mixes the phase-shifted sound with the original sound to
phase of the effect sound between left and right channels to produce modulation. The phased sound will become milder as
make the sound more spacious. Adjusting the three knobs can the number of stages is increased.
produce a wide variety of results.
BLACK PHASER “BL PHAS”
Knob 1 TIME Adjusts delay time. This is a popular four-stage vintage phaser.
Knob 2 ——— ————
ORANGE PHASER “OR PHAS”
Knob 3 SPEED Adjusts speed.
This is a ten-stage vintage phaser that produces a milder
Knob 4 DEPTH Adjusts depth. If this knob is placed in the effect.
“10” position, the TIME knob will have no
Knob 2 FEEDBACK Adjusts the degree of character.
effect.
Knob 3 SPEED Adjusts the speed of modulation.

CLASSIC FLANGER “CL FLAN”

This is a vintage flanger with rich tone. The settings can also be Tremolo
adjusted to produce chorus or vibrato-like effects. This modulates the volume to add depth to the sound.
Knob 1 TIME Adjusts the delay time. This controls the TEXTREM “TEXTREM”
bandwidth over which the effect is This effect model simulates the tremolo built into a guitar
applied. As this setting approaches 0, amp.
modulation will occur at a higher pitch. Knob 3 SPEED Adjusts speed.
Knob 2 FEEDBACK Adjusts the strength of the tonal Knob 4 DEPTH Adjusts depth.
character.
To produce a jet airplane-like sound,
increase to desired level.
Knob 3 SPEED Adjusts speed.
Knob 4 DEPTH Adjusts depth. If this knob is placed in the
“10” position, the TIME knob will have no
effect.
Pitch shifter
This effect modifies the pitch.

PITCH SHIFTER “PITCH”

This pitch shifter can be adjusted over a +/- 2 octave range.
Knob 1 TIME Adjusts delay time.
Knob 2 FEEDBACK Adjusts amount of feedback
(delay repeats).
Knob 3 PITCH Adjusts amount of pitch change.
Knob 4 FINE Fine adjustment for the amount of pitch
change.
Knob 5 MIX Adjusts the mix amount of effect sound.

Auto wah
This is an auto-wah filter that automatically opens and closes
according to the attack with which you play your guitar. The
effect will vary depending on the guitars volume setting.

FILTRON “FILTRON”
This is a low-pass filter type auto-wah.
Knob 1 TIME Adjusts the speed at which the wah will
rise in response to your picking.
Knob 2 FEEDBACK Adjusts the peak of the wah
sound. Knob 3 ——— ————
Knob 4 DEPTH Adjusts the sensitivity with which the wah
will respond to your picking.
Knob 5 POLARITY Specifies the direction in which the wah
will operate.

AUTO WAH “AUTOWAH”

This is a band-pass filter type auto-wah that is equivalent to a
pedal wah. It is placed before the DRIVE-AMP effect block.
Knob 1 TIME Adjusts the speed at which the wah will
rise in response to your picking.
Knob 2 ——— ————
Knob 3 ——— ————
Knob 4 DEPTH Adjusts the sensitivity with which the wah
will respond to your picking.
Knob 5 POLARITY Specifies the direction in which the wah
will operate.

Octave
This generates a pitch one octave lower than the original sound,
and mixes it with the original sound to add a sense of depth and
low end.

This effect may not operate correctly if two or more

strings are played simultaneously, or when low-pitched
strings are played.

OCTAVE “OCTAVE”
Knob 4 DEPTH Adjusts the amount of the ultra-low pitch
(one octave below).
Knob 5 MIX Adjusts the amount of the original sound.
4. Appendices
PEDAL effect block
These effect models let you use the expression pedal to control
the effect in realtime. They include a volume pedal, modulation-
type effects such as VOX WAH—RING MOD, and ambience-
type effects such as HOLD DELAY—SAMPLE&PLAY.

VOX WAH—RING MOD cannot be used simultaneously

with the MODULATION effect block. Nor is it possible to
use HOLD DELAY—SAMPLE&PLAY simultaneously with
the AMBIENCE effect block.

PEDAL Knob 1 Knob 2 Knob 3 Knob 4 Knob 5

FEEDBACK/ BOTTOM/SPEED/ LEVEL/MIX/
TOP/TIME CENTER/REVERSE PITCH/TONE DEPTH/FINE POLARITY
VOLUME — — — — 0...10
VOX WAH — — — — —
TRAVELER — 0...10 — — 0...10
TALK A, E, I, O, U A, E, I, O, U A, E, I, O, U — —
CHORUS/FLANGER 1...10 0...10 0.1...10 0...10 —
U-VIBE — — — 0...10 1, 2
PITCH BEND 0...900[ms] 0...10 –24...24[x100 CENT] –15...15[CENT] 0...10
RING MOD — — 1...10 — —
HOLD DELAY 0[ms]...3[SEC] 0...10 1...10 — 0...10
TAP DELAY 0[ms]...3[SEC] 0...10 1...10 — 0...10
SAMPLE&PLAY 0.5...8[SEC] OFF, 1, 2...8, LP1, LP2 — — 0...10

Volume
This is a volume pedal.
Chorus/Flanger
This is a chorus/flanger effect that uses the pedal to control the
VOLUME “VOLUME” mix amount of the effect.
Knob 5 LEVEL Adjust the minimum level for when the
If you use this effect in a program where the
pedal is in the full back position. MODULA- TION effect block is on, the MODULATION
effect block
will automatically be turned off.
Pedal wah, Traveler, Talking pedal
These are wah (filter) effects that use the pedal to control the CHORUS/FLANGER “CH/FLAN”
frequency response. Knob 1 TIME Adjusts delay time.
Knob 2 FEEDBACK Adjusts amount of feedback
If you use this effect in a program where the MODULA-
TION effect block is turned on, the MODULATION effect (delay repeats).
block will automatically be turned off. Knob 3 SPEED Adjusts pitch modulation speed.
Knob 4 DEPTH Adjusts pitch modulation depth.
VOX WAH “WAH”
This simulates a vintage wah pedal. There are no adjustable
parameters. It is placed ahead of the DRIVE-AMP effect block. U-Vibe
This simulates a vintage vibrato/rotary speaker simulator.
TRAVELER “TRAVEL”
This is a low-pass filter type wah modeled after a vintage Korg If you use this effect in a program where the
effect pedal. MODULA- TION effect block is on, the MODULATION
Knob 1 ——— ———— effect block will automatically be turned off.
Knob 2 FEEDBACK Adjusts the peak amount of the U-VIBE “U-VIBE”
filter. Knob 3 ——— ———— Knob 4 DEPTH Adjusts depth of the effect.
Knob 4 ——— ———— Knob 5 MODE 0: Mixes the original sound with the ef-
Knob 5 LEVEL Adjusts the output level. fected sound (Chorus mode)
1: Output only the effect sound
TALK “TALK” (Vibrato mode)
This adds vocal type effects to your guitar.
Knob 1 TOP Select the vowel sound produced when
the pedal is fully forward.
Knob 2 CENTER Select the vowel sound produced when
the pedal is in the halfway position.
Knob 3 BOTTOM Select the vowel sound produced when
the pedal is fully backward.
* Vowel sounds — A, E, I, O, U
Pitch bend
Sample and play
This is a Pitch shifter that uses the pedal to control the pitch.
If you use this effect in a program where the
MODULA- TION effect block is on, the MODULATION
effect block will automatically be turned off.
PITCH BEND “P BEND”
Knob 1 TIME Adjusts the delay time.
Knob 2 FEEDBACK Adjusts the amount of feedback
(delay repeats).
Knob 3 PITCH Adjusts the amount of pitch change.
Knob 4 FINE Make fine adjustments to the amount of
pitch change.
Knob 5 MIX Adjusts the mix amount of the effect. With
a setting of 10, only the effect sound will
be heard in the output.
Ring modulator
This effect multiplies the original sound with a sine wave to
produce bell-like effects. The cleanest results will be produced if
you use the neck pickup of your guitar, turn down the tone, and
pluck the string near the twelfth fret.
If you use this effect in a program where the
MODULA- TION effect block is on, the MODULATION
effect block will automatically be turned off.
RING MOD “RINGMOD”
This is a ring modulator that lets you use the pedal to control
the frequency.
Knob 3 PITCH Adjusts the tone when the pedal is
advanced.
Delay
These effects mix a time-delayed sound with the original sound
to add depth and spaciousness to the sound.
If you use this effect in a program where the
AMBIENCE effect block is on, the AMBIENCE effect
block will automatically be turned off.
HOLD DELAY “HOLDDLY”
This will normally function as a delay, but when the pedal is
advanced all the way forward to press the switch, the pedal
LED will blink and the sound will be held (the delay sound
will continue to be heard). Since you can use the pedal to
control the input level to the delay, you can easily produce
special effects such as sound-on-sound. In Individual mode,
you can also hold by pressing program switch 2.
TAP DELAY “TAP DLY”
When you advance the pedal forward and press the switch
twice, the tap tempo delay function will apply a delay at the
corresponding tempo. The pedal LED will temporarily go dark
the instant that the switch is pressed. The depth to which the
pedal is pressed will control the input level to the delay. In
Individual mode, you can also press program switch 2 twice to
specify the tempo.
Knob 1 TIME Adjusts the delay time.
Knob 2 FEEDBACK Adjusts the feedback amount
(delay repeats).
Knob 3 TONE Adjusts the tone of the effect sound.
Knob 4 ——— ————
Knob 5 MIX Adjusts the mix amount of the effect
sound.
If you use this effect in a program where the
AMBIENCE effect block is on, the AMBIENCE effect
block will
automatically be turned off.
SAMPLE&PLAY “S+PLAY”
This allows approximately 8 seconds of recording. By using the
reverse setting, you can produce special “scratch” effects.
1. Press the expression pedal all the way forward to enter
record-ready mode. The pedal LED will blink. In
Individual mode, press program switch 2 to enter
record-ready mode.
2. Play a phrase etc. on your guitar. Recording will begin
automatically at the moment you start playing and the
pedal LED will begin blinking faster.
3. When the recording time specified by TIME has elapsed,
recording will end and the pedal LED will not be lit.
Also, you can stop recording before the specified
recording time has elapsed by pressing the pedal all the
way forward (i.e., pressing the pedal switch).
To re-do the recording, repeat the procedure from step 1.
During recording, you can also return the pedal and then
press it again to stop recording and begin playback.
4. Operate the expression pedal. When you advance the
pedal, the recorded phrase will playback. If you have set
REVERSE to A-1...A-4 or b-1...b-4, returning the pedal
will cause the sound to playback in reverse at the
specified speed.
If you set REVERSE to OFF, the sound will only
playback forward.
With a setting of LP1 or LP2, advancing the pedal
forward will playback the sound as a repeating loop.
When you return the pedal back and then advance the
pedal again, playback will begin from the beginning.
Recording will not begin unless you play your guitar
louder than the threshold.
The recording sound will be erased when you enter
Phrase Trainer mode or when you turn off the power.
Knob 1 TIME Specifies the sample time (recording time).
Knob 2 REVERSE OFF: When you press the pedal, the
sound will playback to the end and
then stop.
LP1: Press the pedal forward to
playback as a loop, and return the pedal
backward to stop.
LP2: Press the pedal forward to
playback as a loop, and return the pedal
backward to playback to the end and
then stop.
A-1...A-4: Press the pedal forward to playback,
and return the pedal backward
to playback in reverse.
b-1...b-4: Press the pedal forward to playback
4. Appendices
from the beginning, and return the
pedal backward to playback in
reverse from the end.
Knob 3 ——— ————
Knob 4 ——— ————
Knob 5 MIX Adjusts the output level of the sampled
sound.
AMBIENCE effect block
These are reverberation-type effect models such as delay, reverb,
and echo.

AMBIENCE Knob 1 Knob 2 Knob 3 Knob 4 Knob 5

TIME FEEDBACK TONE ECHO MIX/REVERB
ECHO PLUS 60[mS]...3[SEC] 0...10 1...10 — 0...10
MULTI HEAD ECHO 180[mS]...3[SEC] 0...10 1...10 1, 2, 3, 4, 5 0...10
STEREO DELAY 0[mS]...3[SEC] 0...10 1...10 — 0...10
PING PONG DELAY 0[mS]...3[SEC] 0...10 1...10 — 0...10
ROOM 1...10 — 1...10 — 0...10
HALL 1...10 — 1...10 — 0...10
PLATE 1...10 — 1...10 — 0...10
SPRING 1...10 — 1...10 — 0...10
ECHO+ROOM 0[mS]...2[SEC] 0...10 1...10 0...10 0...10
ECHO+HALL 0[mS]...2[SEC] 0...10 1...10 0...10 0...10
ECHO+PLATE 0[mS]...2[SEC] 0...10 1...10 0...10 0...10

Tape echo simulator Knob 4 ——— ————

This effect model simulates the characteristic tape echo effect Knob 5 MIX Adjusts the mix amount of the delay.
produced by recording sound on analog magnetic tape and
playing it back from a playback head located at a slight distance
from the recording head.

ECHO PLUS “ECHO+”

This simulates a tape echo. Pitch discrepancies produced by
unevenness in the rotational speed, and the distortion and loss
of audio quality due to the magnetic tape are also simulated.
Knob 1 TIME Adjusts the delay time.
Knob 2 FEEDBACK Adjusts the feedback amount (delay
repeats). Knob 3 TONE Adjusts the tonal quality of the echo.
Knob 4 ——— ————
Knob 5 MIX Adjusts the mix amount of the echo.

MULTI HEAD ECHO “MH ECHO”

This simulates a tape echo with four playback heads. The
distortion and loss of audio quality due to the magnetic tape
are also simulated.
Knob 1 TIME Adjusts the delay time.
Knob 2 FEEDBACK Adjusts the feedback amount (delay
repeats). Knob 3 TONE Adjusts the tonal quality of the echo.
Knob 4 ECHO 1: Conventional echo.
2: The delayed sound produces
a rhythm of “ta-ta-ta (rest).”
3: The delayed sound produces
a rhythm of “ta (rest) ta-ta.”
4: The delayed sound produces
a rhythm of “ta-ta (rest) ta.”
5: The delayed sound produces a
rhythm of “ta-ta-ta-ta.”
Knob 5 MIX Adjusts the mix amount of the echo.

Delay
STEREO DELAY “ST DLY”
A stereo delay with a time difference between the left and right
channels adds a spacious feeling.
PING-PONG DELAY “PP DLY”
This is a stereo delay where the sound bounces between the
left and right channels.
Knob 1 TIME Adjusts the delay time.
Knob 2 FEEDBACK Adjusts the feedback amount (delay
repeats). Knob 3 TONE Adjusts the tonal quality of the
delay.
Reverb
This effect model simulates the reverberation of
a room or concert hall, or the reverberation
produced by a plate or spring reverb device.

ROOM “ROOM”
This simulates the reverb of small
studio-sized rooms to medium-sized
rooms such as a garage.
HALL “HALL”
This simulates the reverberation of medium-sized
halls to large halls.
PLATE “PLATE”
This simulates a plate reverb device.
SPRING “SPRING”
This effect model simulates the spring reverb
devices built into guitar amps etc.
Knob 1 TIME Adjusts the
length of reverb. Knob 2 ———
————
Knob 3 TONE Adjusts the
tone of the reverb. Knob 4 ———
————
Knob 5 MIX Adjusts the mix amount of the reverb.

ECHO+ROOM “ECHO RM”

This is a dual effect model that lets you
simultaneously use both a room reverb and a
stereo delay.
ECHO+HALL “ECHO HL”
This is a dual effect model that lets you
simultaneously use both a hall reverb and a
stereo delay.
ECHO+PLATE “ECHO PL”
This is a dual effect model that lets you
simultaneously use both a plate reverb and a
stereo delay.
Knob 1 TIME Adjusts the delay time.
Knob 2 FEEDBACK Adjusts the feedback
amount (delay repeats). Knob 3 TONE
Adjusts the tone of the
delay sound.
Knob 4 ECHO Adjusts the mix amount of the delay
sound.
Knob 5 REVERB Adjusts the mix amount of the reverb.
 Preset Program List
When an effect block that was off is turned on, the effect model printed in a slanted typeface will be selected.
A cabinet model appropriate for each program is selected in the CABINET effect block. If you will be using a direct output connection
to a mixer etc., you should turn on the CABINET effect block.

BANK# PROGRAM A (DRIVE-AMP • CABINET) B (DRIVE-AMP • CABINET) MODULATION PEDAL AMBIENCE

0 1 ONE CLASSIC COMP • 2x12 BLACK PANEL METAL DIST • 4x12 VINTAGE STEREO CHORUS VOLUME HALL
2 FRUITLP TUBE OD • 1x12 AC15 BRIT STACK • 4x12 CLASSIC MOD DELAY SAMPLE&PLAY SPRING
3 VULGAR BRIT STACK • 4x12 VINTAGE BRIT STACK • 4x12 VINTAGE PITCH SHIFTER VOLUME HALL
1 1 ACUSTIX ACOUSTIC • 4x12 CLASSIC TUBE OD • 4x10 TWEED CLASSIC CHORUS VOLUME PING PONG DELEY
2 LOVEGUN BRIT STACK • 4x12 VINTAGE BRIT STACK • 4x12 VINTAGE CLASSIC CHORUS PITCH BEND HALL
3 GRUNGY BIG FUZZ • 4x12 MODERN BIG FUZZ • 4x12 MODERN CLASSIC FLANGER VOLUME SPRING
2 1 SUMMER CLASSIC COMP • 1x12 BLACK TUBE OD • 4x12 MODERN STEREO CHORUS TAP TEMPO DELAY STEREO
PANEL DELEY
2 “STP” US HI-GAIN • 4x12 VINTAGE US HI-GAIN • 4x12 VINTAGE MOD DELAY VOLUME ROOM
3 GRINDER BRIT STACK • 4x12 MODERN BRIT STACK • 4x12 MODERN PITCH SHIFTER VOLUME HALL
3 1 MARATHN CLASSIC COMP • 4x12 MODERN ACOUSTIC • 4x12 VINTAGE STEREO CHORUS CHORUS/FLANGER ECHO+PLATE
2 STONE BRIT STACK • 1x12 BLACK BRIT STACK • 4x12 CLASSIC MOD DELAY VOLUME PLATE
PANEL
3 ✳ZEP✳ ACOUSTIC • 4x12 VINTAGE METAL DIST • 4x12 VINTAGE STEREO CHORUS VOLUME ECHO PLUS

4 1 ROOSTER CLASSIC COMP • 4x12 CLASSIC SEATTLE • 4x12 MODERN AUTO WAH VOX WAH ECHO PLUS
2 BEETLE TOP BOOST • 1x12 AC15 TUBE OD • 4x12 VINTAGE BLACK PHASER VOLUME ROOM
3 BECKOLA CLASSIC DIST • 1x12 BLACK PANEL FAT DIST • 4x12 CLASSIC CLASSIC CHORUS TALK MULTI HEAD ECHO
5 1 L-A CLASSIC COMP • 1x12 BLACK TUBE OD • 1x12 AC15 MOD DELAY VOLUME SPRING
PANEL
2 LODRIVE FAT DIST • 4x12 VINTAGE FAT DIST • 4x12 MODERN ORANGE PHASER VOLUME STEREO DELEY
3 AXPRNCE TOP BOOST • 2x12 AC30 BIG FUZZ • 2x12 AC30 AUTO WAH VOLUME PLATE
6 1 PET-CLN ACOUSTIC • 1x12 BLACK CLASSIC COMP • 1x12 BLACK PANEL STEREO CHORUS VOLUME ECHO+PLATE
PANEL
2 BLUES CLASSIC COMP • 4x10 TWEED TOP BOOST • 1x8 TWEED STEREO CHORUS VOLUME ROOM
3 IMAGES CLASSIC COMP • 4x10 TWEED METAL DIST • 4x12 CLASSIC AUTO WAH VOX WAH PLATE
7 1 LP NECK CLASSIC COMP • 2x12 AC30 US HI-GAIN • 2x12 AC30 CLASSIC CHORUS VOLUME PING PONG DELEY
2 TRIPPIN CLASSIC COMP • 4x10 TWEED TUBE OD • 4x10 TWEED ORANGE PHASER VOLUME ECHO PLUS
3 RHYTHM CLASSIC COMP • 1x12 TWEED METAL DIST • 4x12 MODERN BLACK PHASER TAP TEMPO DELAY ECHO PLUS
8 1 FATSRAT TUBE OD • 2x12 BLACK BRIT STACK • 4x12 CLASSIC MOD DELAY VOLUME ROOM
PANEL
2 HIDDEN CLASSIC COMP • 4x12 CLASSIC DIST • 2x12 AC30 FILTRON TRAVELER PING PONG DELEY
MODERN
3 OCTAMAN TOP BOOST • 4x12 VINTAGE SEATTLE • 4x12 VINTAGE OCTAVE VOLUME ECHO+PLATE
9 1 INDABOX BIG FUZZ • 1x8 TWEED FAT DIST • 1x8 TWEED MOD DELAY TALK ROOM
2 U-VIBE CLASSIC COMP • 4x12 FAT DIST • 4x12 VINTAGE ORANGE PHASER U-VIBE PLATE
VINTAGE
2 BARITON CLASSIC COMP • 2x12 CLASS A TUBE OD • 4x12 CLASSIC TEXTREM VOLUME ECHO+PLATE
3 CHORUS CLASSIC COMP • 2x12 BLACK PANEL FAT DIST • 4x12 CLASSIC CLASSIC CHORUS VOLUME PLATE
B 1 S+P LP CLASSIC COMP • 4x10 TWEED US HI-GAIN • 4x12 CLASSIC CLASSIC FLANGER SAMPLE&PLAY ECHO+HALL
2 S+P SLW TOP BOOST • 2x12 AC30 BRIT STACK • 4x12 CLASSIC MOD DELAY SAMPLE&PLAY PLATE
3 S+P FST TUBE OD • 4x12 MODERN US HI-GAIN • 2x12 BLACK PANEL STEREO CHORUS SAMPLE&PLAY MULTI HEAD ECHO
C 1 HOLDDLY CLASSIC COMP • 4x12 VINTAGE US HI-GAIN • 4x12 MODERN STEREO CHORUS HOLD DELAY STEREO DELEY
2 TAP DLY TUBE OD • 1x12 BLACK PANEL CLASSIC DIST • 4x12 CLASSIC CLASSIC CHORUS TAP TEMPO DELAY PLATE
3 3-HEAD- TOP BOOST • 1x8 TWEED BIG FUZZ • 2x12 BLACK PANEL ORANGE PHASER VOLUME MULTI HEAD ECHO

D 1 TWEED TUBE OD • 2x12 BLACK PANEL CLASSIC DIST • 1x12 TWEED MOD DELAY VOLUME ECHO+HALL
2 60’SVOX TOP BOOST • 2x12 AC30 TOP BOOST • 2x12 AC30 TEXTREM VOLUME ROOM
3 BRITISH BRIT STACK • 4x12 VINTAGE BRIT STACK • 4x12 VINTAGE AUTO WAH VOX WAH ECHO+PLATE
E 1 CREED ACOUSTIC • 1x8 TWEED CLASSIC DIST • 4x12 CLASSIC STEREO CHORUS VOLUME PLATE
4. Appendices

2 STK-LN BRIT STACK • 4x12 CLASSIC BRIT STACK • 4x12 VINTAGE BLACK PHASER VOLUME SPRING
3 PP-DLY TOP BOOST • 2x12 AC30 US HI-GAIN • 4x12 MODERN CLASSIC CHORUS CHORUS/FLANGER PING PONG DELEY
F 1 CLN-LN CLASSIC COMP • 2x12 CLASS A TOP BOOST • 2x12 AC30 MOD DELAY VOLUME HALL
2 “VH” BRIT STACK • 4x12 CLASSIC BRIT STACK • 4x12 VINTAGE CLASSIC FLANGER CHORUS/FLANGER MULTI HEAD ECHO
3 7-STGTR US HI-GAIN • 4x12 MODERN US HI-GAIN • 4x12 MODERN STEREO CHORUS VOLUME ECHO+HALL
e in the country in which it is intended that this product should be used. If you have purchased this product via the internet, through mail order, and/
d invalidate the manufacturer’s or distributor’s warranty.
urer’s or distributor’s warranty.

E
KORG INC. 2
4015-2 Yanokuchi, Inagi-city, Tokyo 206-0812 Japan

 2001 KORG INC.