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Documente Profesional
Documente Cultură
DOI 10.1007/s10790-006-9007-y
ROBIN TAPLEY
Department of Philosophy, History & Politics, Thompson Rivers University, 900 McGill
Road, Box 3010, Kamloops, BC, Canada V2C 5N3; e-mail: rtapley@tru.ca
1. Harvey’s Arguments
When the person with a sense of humor laughs in the face of his
own failure, he is showing that his perspective transcends the
particular situation he’s in, and that he does not have an egocen-
tric, overly precious view of his own endeavours. This is not to say
that he lacks self-esteem – quite the contrary. It is because he feels
good about himself at a fundamental level that this or that setback
is not threatening to him. The person without self-esteem, on the
other hand, who is unsure of his own worth, tends to invest his
whole sense of himself in each of his projects. Whether he fails or
succeeds, he is not likely to see things in an objective way; because
his ego rides on each of the goals he sets for himself, any failure
will constitute personal defeat and any success personal triumph.
He simply cannot afford to laugh at himself, whatever happens. So
having a sense of humor about oneself is psychologically healthy.3
Harvey sets out to examine ‘‘the value and uses of humor.’’4 What she finds
is that what we might have thought formed the solid foundation of the
desirability of humor is a morally corrupt crumbling hull. Harvey uses John
Morreall’s work to give voice to the virtues of humor. Morreall’s claim is
that, among other things humor gives a person a certain perspective on his
self, his accomplishments, failures, and life. This perspective allows for a
balanced outlook which in turn allows for a healthy, but not overblown ego,
a happy outlook, and a general sense of well being. Morreall does not say
that a sense of humor alone does this, but that having a certain lightness of
attitude and willingness to see the humor in a situation can greatly relieve us
of stress and anxiety that might otherwise leave us facing day to day routines
with a sombre and cheerless disposition.
Harvey has at least two criticisms of Morreall’s recounting of the value of
humor. The first is that since humor is a social act usually involving three
parties, Morreall’s individual-based approach is inappropriate. Morreall
talks about having a sense of humor instead of acts of humor or humorous
events, or joking as an activity. For Harvey this means that Morreall is
missing the whole point of humor, the whole function and significance of
THE VALUE OF HUMOR 423
[I]t is not a random matter who tends to initiate humor or who can
typically rely on secondary agent endorsement. ... In mixed groups
where some people are highly vulnerable in various ways and
others are extremely secure, it is not an accident that humor tends
to be initiated by the secure. It is also not an accident that the
readiness of others to become secondary agents increases in propor-
tion to the security and power of the joke’s initiator. When
Caligula tells a joke, people laugh.5
Harvey paints a nasty picture for humor focussed on the social evils of
humor, with no thought to how, or even if, humor might be employed in
socially neutral or positive ways.
Harvey’s second criticism is that Morreall’s account applies only to
privileged individuals in society. Anyone experiencing poverty or
oppression, for example, may be justifiably sombre and cheerless but
according to Harvey’s take on Morreall this lack of a sense of humor is
424 ROBIN TAPLEY
somehow a failing. At one point Morreall claims that being able to laugh
at our failures and being humble in the face of our successes is psycho-
logically healthy. Harvey takes offense to this and takes Morreall to task
over the callousness of this statement when millions of people have no
power whatsoever over their failures or their successes. In the case of
oppression or poverty the power differential is so great that the only value
humor can really have, according to Harvey is as a weapon against the
oppressor.6 The victims of tyranny might mimic or make jokes about the
tyrant in order to relieve stress or to bond together in their fight or
struggle. Here powerless individuals use humor against unjustly powerful
individuals, and according to Harvey, this is morally acceptable.
Harvey goes on at length about put-down humor, but in the main her
argument is really about the use of power. Her ethic of humor is
straightforward. Humor is a weapon. It is a weapon of power, used to
maintain or gain power. If we have a social advantage over someone and
we make a put-down joke about the person, we are according to Harvey,
trying to either attack her power-status to lessen her, or justify some lesser
status, or perhaps delight in some reduced status.7 If the butt of our joke
is standing right there, she is in the position of having to laugh along or
otherwise take it, or be a poor sport. She is doubly wounded. We have
abused our power over her and have wronged her. If however the butt of
our jokes is a dictatorial boss, our jokes are acceptable. By cutting her
down we are not then abusing our power over her since we do not have
any, and consequently we do nothing wrong. The key element here is that
she is dictatorial, and her power over us must be unjust. If she were a
good boss, we would not be morally able to make jokes according to
Harvey. How we go about deciding when someone has ‘‘morally justifi-
able constructed power’’ is a bit of a mystery.8
It should be obvious that Harvey’s real concern is with power and people
who abuse what power they might have to gain more at the expense of
people who are power deprived. In this case, humor is just the vehicle for
wielding power. Other common vehicles of power are money, jobs, and
sex. It is not always the case that humor by itself is as destructive or
damaging as Harvey suggests. People with power use humor as a means
to exert power over others.
By claiming, as Harvey does in her first objection to the desirability of
humor, that humor is solely a social act, Harvey misses as much of the
THE VALUE OF HUMOR 425
The second objection made by Harvey to humor being a good is that humor
is the luxury of privileged individuals. She cites Morreall as crediting humor
as a way to cut fat cats down to size in a good natured way, and bolster
defeated people, cajoling them to try again. Harvey reminds us of the mil-
lions of people still struggling around the world under poverty and
oppression. She says:
Even in adversity there is humor. Perhaps it does not occur at the moment
the adversity is suffered, but there is humor. It seems that we cannot do
without it. The humor may not be the same as the fat-cat humor, but it is
humor nonetheless and it has a value.
Morreall counts humor as a sort of freedom of the mind. People who
are oppressed by poverty, tyranny, or captivity may have such freedom of
mind as their only liberty. Humor may be their only refuge. Morreall
quotes Viktor Frankl as follows:
To the extent that we can achieve this distance from the practical
side of any situation, we are free from being dominated by that
situation. In some cases, such as during wartime, humor can be-
come almost a prerequisite of survival. Viktor Frankl, who survived
Auschwitz and Dachau and later came to incorporate humor into
his psychotherapeutic techniques, said of the concentration camps:
‘‘unexpectedly most of us were overcome by a grim sense of humor.
We knew we had nothing to lose except our ridiculously naked
THE VALUE OF HUMOR 429
lives. ...Humor was another of the soul’s weapons in the fight for
self preservation.... Humor more than anything else in the human
make-up can afford an aloofness and ability to rise above any
situation, if only for a few seconds.’’17
4. Ethics of Humor
No one would deny that humor could be used badly, with negative
intentions. Humor can be manipulative, hurtful, or degrading. As well,
people in a position of power have leverage when it comes to using social
weapons, humor included. While an abuse of power is a good starting
place for any ethic, unfortunately Harvey’s ethic never gets off the
ground. While admittedly an ethic of humor was never her main objec-
tive, she clearly believes that the problem with put-down humor is moral:
She does not seem to allow for joking among peers, or for non-power driven
joking between non-peers. Power always wins out over what might have
been a well-intended jest. Harvey claims: ‘‘A significant difference in power
brings with it the inherent danger of abusing the greater power with
impunity, perhaps even without conscious awareness.’’19 She adds: ‘‘Not all
subjects of jokes are victims. Joking between peers, even mutual teasing,
may involve no genuine victim. No serious prudential constraints prevent
their ‘‘fighting back.’’20 However, she also says: ‘‘But intimacy of affection
is no guarantee of genuine peer status. In many families, for example,
children and teens are prudentially constrained in their response to put-
down jokes from parents.’’21 Indeed throughout her whole article she uses
the family to demonstrate power differentials. There is no innocent joke.
Among peers there may be hidden restraints to fighting back, thereby
430 ROBIN TAPLEY
But there can be fair-play joking, and joking is not inherently morally
flawed. Joking, like many other social practices and constructs can be
used or practised for good or bad. Harvey only becomes locked into the
inherently flawed view because she becomes locked into the no fair-play
view of joking. If we reject her idea that there is no fair-play joking then
we do not have to accept her idea that joking is inherently morally flawed.
People can tell jokes for many purposes. One of which might be to hurt
the feelings of people. But jokes can also be used for many other positive
purposes, not the least of which is simply to entertain. Like other
powerful motivators, humor can be used to manipulate people, or it can
be innocently enjoyed. While Harvey is not wrong to include humor in
this group of social puppet strings, she is wrong to think it the puppet
master.
Notes
1. Jean Harvey, ‘‘Humor as Social Act: Ethical Issues,’’ Journal of Value Inquiry,
Vol 29, No. 1 (1995).
2. John Morreall, Taking Laughter Seriously, (Albany: State University of New York
Press, 1983) p. 128.
3. Ibid. p. 106.
4. op. cit., p. 19.
5. Ibid. pp. 20–21.
6. Ibid. p. 24.
7. Ibid. p. 25.
8. Ibid. p. 27.
9. See: Robert C. Roberts ‘‘Humor and the Virtues,’’ Inquiry: An Interdisciplinary
Journal of Philosophy and The Social Sciences 31, June 1988.
10. op. cit., pp. 104–105.
11. Ibid. p 107.
12. Ibid. p. 115.
13. Ibid. p. 115–116.
14. op. cit., p. 23.
15. D. Ieuan. Lloyd, ‘‘What’s In a Laugh? Humour and Its Educational Significance’’
Journal of Philosophy of Education, Vol 19, No. 1 (1985) p. 78.
16. Ibid. p. 78.
17. op. cit., p. 104.
18. op. cit., p. 28.
19. Ibid. p. 26.
20. Ibid.
21. Ibid.
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