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VO LUME I
G REEK AN D
VO LUME I . Gree k a nd Roma n
WmLLur Sn En w o o n Fo x P h D , Pi r n ce t o n Uni versity .
VO LUME I I . Teuto n ic
m x . 0m m , Ph D .
, Um v e rsi t y o f Co p e nha g en .
H OLMB RG Ph D U w ity f Fx l d H l i g f
.
,
UNO E . .
, n e rs o n an , e sn o rs.
V OLUME V S em i tic
THO MP S O N M A
.
R Gu nm an
. .
, . .
, F RG S .
, Ox o rd f .
VOLUME V I I n dia n , I r a n i a n
.
A BE RR AL K x
IED E E rn D C Edm b urg h Un ive rsxty L
ALBER T C
. .
,
J . ARN OY , P h D Um ve rsxty o f Lo uv a m .
, .
ut o n n ec t x
OR
or c
t u b L
.
D oc
,
GE GE Fo um r. e F hI
r e e t t res, re n c nst xt ut e o f Omen t a l
A h l gy C i
rc aeo o . a ro .
E h P
.
d
.
, , .
(Ja p a nese xc a n g e f
ro esso r at , 1 9 1 3—1 9 1 5 )
VO LUME Di Ocea n ic
R OLA B
.
ND o nn e r: D D( ON Pb D , . H a rv a r d Unive rsit y .
EY ty f N b EX ND E , n versx o e rask a .
E GE , . . on on.
t h e fi n g e rs o f w h o se littl e h a n d m ay s ti ll b e se e n o n t h e
dra p e ry o f it s m o t h e r s b o s o m T h e g o dde ss is l o o k
’
.
in g s t rai gh t b e fo re h e r n o t ho w e v e r wit h h e r vi s i o n
, , ,
c o n c e n t rat e d o n a de fi n it e O bj e c t b ut rat h e r ab s t ra c t
,
e dl a s if s e re n e ly ro ud o f h e r m o t h e r ho o d S h e
y, p .
se e m s t o r e p r e s e n t h e r e t h at s e c ial de v e l o m e n t O f
p p
t h e e a rt h go dde ss w h o ty p i fi e d t h e k i n dly f o st e r i n g ,
c a re o f t h e s o il ,
a n d r e m i n ds o n e O f c e rtai n Asiati c
fo un d o n t h e G re e k m ai n la nd a n d n o w in t h e Ro yal
-
O n ta ri o Mus e um o f Arc ha e o l o gy T o ro n t o (p b ot a ,
g r ap b ) . Se e pp . 1 96 ff .
T HE MYT HO LO G Y
O F AL L RAC E S
I N THI R TEEN V OL UM ES
LO U I S H E R B E RT G RA Y ,
A . M .
, PH D . .
,
E D IT O R
G EO RG E FO O T MO O RE A M
, . .
, D D
. .
, LL D
. .
, CONS UL TI G ED IT R
N O
G REEK AN D RO MAN
BY
V
W I L L I A M S H E RW O O D F O X ,
A . M .
,
PH D . .
V O L U ME I
BO S T O N
MA RS HA L L JO N ES C O MPA N Y
M D C C CC X VI
AS I OB
'‘
LDNOX ‘
AND
I ATI ONS
.
I T L DEN FOUND
B 1938 L
C O P Y R I G HT ,
1 9 16
BY MA R S HA LL JO N E S CO MP A N Y
En t d
e re at S t ti
a
’
o n e rs H a ll ,
Lo n d on
Pr inte d J un e ,
19 16
P R IN TE D IN T HE TA T S
S E OF A ME R I CA BY THE UN IV E R S ITY PRES S
CA MB R I G D E, MAS S A CH US ETTS
BO UND BY T HE BO S TO N I I G
BOO K B ND N CO MP A NY
TO T HE MEMO RY
OF
H A RRY L A N G F O R D W I L S O N
S C H O LA R T EA C H E R F RI EN D
C O N S ULT IN G E D I T O R S P R E FA C E
’
HA R A R U I R IT
V D N VE S Y
M h a rc19 6 2 0, 1 .
E D IT O R S P R E FA C E
’
’
p a st b u t i n the livi ng p resent
,
O f ma n s thou ght
—
Of hi s ,
a very rea l p h a se —
p erh a p s the most i m p orta nt p ri mitive
phase O f th at ete rna l qu est O f Truth wh ich ever d rives u s
—
read it ; i ndeed i t will lie better never to h ave rea d it for rea d ,
sometimes we sh al l fi n d them a nd c ru el ; b ut i t i s th e un
, ,
wi l l se e u ncleannes s i n th em .
lli ytho l o gy of All Ra ces a nd thi s the reason for its bei ng
, .
f a cts—
a s p resented ch ie fl y by travelle rs miss iona ries a nd , ,
xiv E D I TO R S ’
P RE FA CE
p erch ance
,
be d i s a p p ointe d when we fi n d t h at th e vau nted
wisdom O f E gy p tia ns a n d O f D ru id s wa s not so very p rofou nd ;
bu t if we mu st p art with some fa lse though p rett y ideas , , ,
the mselves s uffi ci ent wa rrant t h at t h e volu mes will poss ess
d i stinct s cientific va lue Th e a mple b ibliogra p h ies a nd ref
.
b e given .
“
dela lder ( No rs e I ntellectu a l Life i n th e Vi kin g P eriod an d
the E a rly Mid dle Teutoni c Mythology i s almos t
wholl y th at O f the Old I cel andic S aga s a nd withou t a knowl ,
’
edge O i i t Wagner s N i b el un g en r i n g for exam p le i s qu ite u nin , ,
xvi E D IT O R S ’
P RE FA CE
wh ich the G ree k o r the Teutonic seems well nig h d isti nctly -
mode m .
1— 1
E D I TO R S ’
P RE FA CE xv i i
j e c t exi st we m
,
ay point ou t a new featu re the rendering for ,
d raws it s sou rces not only from the a ncient Avesta b u t a lso ,
th e P ersian p oet Fi rd au si ,
.
E ngl ish work exi sts wh ich considers th is subj ect a s a whole .
volc anoes ; whi le a mong the Ma l ays we find a cu riou s b lend ing
of aborigin al b eliefs a n d O f Hi ndu a nd Mu h a mmad an influ ences
a nd elements .
q u i a,
n s the P l ai ns I ndi a ns the P a cifi c Coast tribes a nd the I n
, ,
com p leteness .
an d N o tio n s .
L OUI S H . G RAY .
Ap ril I O, 19 16 .
x xii AUT H O R S ’
P RE FA CE
d ra mati sts ha s been ado p ted a s the sta n dard a nd na mes h ave ,
, ,
freel y consu lted and drawn u pon a s occa sion requ i red T O .
formality .
W SHERWOO D FOX . .
Ap i l 2 1 19 16
r , .
PA G E
C O N S U LT I N G ED I T O R S P R E F A C E vii
’
ED I T O R S P R E F A C E
’
A U TH O R S P R E FA C E
’
I N T R O D U CT I O N T o T H E G R E E K MY TH S
S o u r c e s f o r t h e G re e k Myt hs
S o u r c e s fo r t he Ro m a n Myt hs
PA R T I .MY T H S O F TH E B E G I N N I N G
T H E HE R OE S
, ,
AN D
A FT E R W O RL D
C HA P T E R I MY T H S O F TH E B E G I N N I N G
. .
T h e C r e ati o n o f t he W o r l d
T h e Ré g i m e O f Ou r a n o s
T h e Ré g i m e o f K r o n o s
Y Est a b lish m e n t O f t h e Ré i m e O f Z eus
g ; t he T i t a ns
> ! T y p h o n (o r T y p h o e us ) ; the G i a n t s
T h e C r e ati o n O f Man
P r o m e t h e us .
P a n do r a
Or i g i n s o f C e rt ai n An i m al s a n d P l a n t s
Be g i n n i n g s o f C ivili z ati o n
T h e Ag e s O f t he W o r l d
T h e G r e at Fl o o d
C HA P T E R I I MY TH S O F T H E P E L O P O N N E S O S
.
I Ar k a di a :
P e l a sg o s
Ly k a o n
K alli st o
Ar k a s , Al c o s , Au g e
T h e P l a g ue at T eu th i s
x xv i CO N TE N T S
PA G E
II La k o n i a Me s se n e
an d
Le l ex a n d his D e sc e n da n t s
Hy a k in t h o s
T he Fa m ily o f P e r i e re s
T y n da re o s He l e n K a st o r
, , an d Po ly de u k e s
I da s a n d Ma rp e ss a
III Arg o s
I n a c h o s, IO
T he Fa m il i e s Of D a
s an d Aig y p t o s
na o
P r o it o s a n d h is D a u g h t e rs
Ak r isio s D a n a é an d Pe rseus
'
, ,
IV C o r i n th
T h e D ivi ne P a t ro ns O f C o r i n t h
S isy p h o s
G l au ko s
Be ll e ro p h o n
C HA P T E R I I I MY TH S O F TH E
. N O R TH E R N MA I N L A N D .
I Bo io t ia a n d Eub o ia
T h e Fi r st Inh ab ita n t s of Bo io t ia
A m p h i o n a n d Z e t ho s
K a dm o s
T h e D a u g h t e r s o f K a dm o s
Sem el e .
In o
Au t o n o e
Ag av e
T h e S o rro w s Of t he Ho u se o f La b da k o s; Oidip o us
T h e S o n s o f Oidip o us, a n d t he Sev e n a g ai n st T h e b e s
T h e Ep ig o n o i
Al k m a io n
I I Ai t o l i a
T he F o un di n g Of Ai t o l i a
Me le a g ro s a n d Atal a n t e
C HA P T E R IV MYTH S O F C R E T E AN D AT T I K E
.
I C re t e
E uro p e
Myt h s o f Mi n o s a n d h is So n s; Mi n o s
CO N TE N T S
An dro g e o s
G l au ko s
Ka t r e us
D e u k al i o n
T h e C h a r a cte r an d Ach i e v e m ents Of Mi n o s
D a ida lo s
I I At t i k e :
K e k ro p s
Er ic h t ho n io s
Bo u t e s an d E r echtheus
T h e S o n s o f P a n di o n ; T h e W a r w i t h Mi no s
T h e D a u g h t e rs of Ke k ro p s
T h e D a ug h t e rs of P a n di o n
T h e D a u g h t e rs Of E r echtheus
K re o usa
P r o k r is
Ore it h y ia
C HA P T E R V . HE R A K L E S
T h e Bi r t h of He r a k l e s
C h il dh o o d an d Yo u t h of He r a k l e s
E a r ly Ma nho o d o f He r a k l e s
T h e Ma dn e ss o f He r a k l e s
T h e T w e lv e L ab o u r s o f He r a k l e s
Fi r s t Lab o u r
S e c o n d L ab o u r
T h i r d Lab o u r
F o u r t h Lab o u r
Fi f t h Lab o ur
S ixt h Lab o u r
S e v e n t h Lab o u r .
E i g h t h L ab o u
N i n t h Lab o u r
T e n t h L ab o u r
E l e v e n t h Lab o u r
T w e l ft h L ab o u r
T h e Lat e r Adv e n tu r es o f He r a k l e s
In Eub o ia
xxv i i i CO N TE N T S
I n Ly di a
At T ro y
In t he Pe l o p o n n e so s
I n Ai t o l i a an d t he Mo un tai n s .
T h e D e sc e n da n t s of He r a k l e s
C HA P T E R VI T H E S E U S
.
Bi r t h an d C h il dh o o d
T h e Lab o u r s o f T h e se us
Fi rst Lab o u r
S e c o n d Lab o u r
T h i rd Lab o u r
F o u r t h Lab o u r
Fi f t h Lab o u r
S ixt h Lab o u r
T h e se u s i n At h e n s
T h e se u s i n C r e t e
T h e se u s a n d t h e Bull O f Ma r a th o n
T h e se u s a s K i n g a n d S ta t e sm a n
T h e Lat e r Adv e n t ure s o f T h e s e us
T h e Am a z o n s .
T h e s e us a n d Hi p p o lyt o s
F r i e n dsh i p wi t h P e irit ho o s
D e at h o f T h e se u s
C HA P T E R VI I . T H E VO Y A G E OF T HE ARGO
T h e D e sc e n da n t s Of Aio lo s:
S a l m o n e us, P e l i a s
Adm e t o s a n d Al k e st is
At h a m a s P h r ixo s a n d He ll e
, ,
T h e Re t u rn of I a so n
T h e Vo ya g e o f t he Arg o
T h e D e at h o f Pel i a s
I a so n a n d Me de i a i n Co r i n t h
Me de i a in At h e ns
C HA PT E R VI I I . T HE TA L E or T R OY
T h e Ho u se o f D a rda n o s
T h e Ho use of T a n t a lo s
xxx CO N TE N T S
He r a Wi fe O f Z e us
as t he .
T h e F u n c ti o n s o f He r a
He r a i n Ar t
C HA P T E R I I T H E G R E AT E R G O D S
.
-
A TH E N E
T h e Or i g i n a n d t he N a m e O f Athen e .
At hen e in Ho m e r
T h e Bi r t h o f At h e ne
T h e F unc ti o ns o f At h e ne .
At h e ne in Art
C HA P T E R I I I T H E G R E A T E R G o D s LE T O A P O LL O
.
—
, ,
T E MI S,
HE KA T E
Le t o
T h e Bi r t h o f Ap o ll o a n d Ar t e m i s
Le t o a n d Tit yo s; Le t o a n d N i o b e
Ap o ll o :
T h e Or i g i n a n d the N a m e O f Ap o ll o
Ap o ll o in Ho m e r
Ap o ll o in D e lp h o i
T h e F unc ti o ns o f Ap o ll o
Ap o ll o i n Art
A r t e m i s:
T h e Or i g i n a n d t h e N a m e o f Ar t e m i s
Ar t e m i s in Ho m e r
T h e F u n c ti o n s O f Ar te m i s
Ar t e m i s i n Ar t
II e k a t e
C HA PT E R IV . G R E AT E R G O D s A R E S
T HE —
T h e Or i g i n a n d t he N a m e o f Ar e s
A re s i n Ho m e r
Ar e s o u t s i de o f Ho m e r
Are s in Art
C HA PT E R V . G R E AT E R GO D S
THE -
HE RM E S
T h e Or i g i n a n d t h e N a m e o f He r m e s
He r m e s in Ho m e r
Myt h s o f t he Bi r t h a n d Bo y h o o d o f He r m es
He rm e s Arg eip h o n te s
'
CO N TE N T S x xx i
T he F unc ti o ns O f He r m es
He r m es in Ar t
C HA P T E R VI T H E G R E AT E R G O D S
.
-
A P H R O D I T E AN D
"
ER O S
Ap h ro di t e
T h e Or i g i n a n d t he N a m e o f Ap h ro di t e
Ap h ro di te I n Ho m e r
Bi r t h a n d Fa m ily Re l ati o n shi p .
Ap h ro di t e a s t he G o dde ss o f Lo v e
I n the P l a nt W o r l d
Am o n g Me n
Ap h r o di te i n Art
E ro s .
C HA P T E R VI I T H E G R E AT E R G O D s — HE P HA I ST O S A N D
.
HE ST I A
He p h ai st o s
T h e Or i g i n a n d the N a m e o f He p h ai sto s
Hep h ai st o s in Ho m e r
T h e C h a r a c t e r a n d F unc ti o ns O f He p h ai sto s
He p h ai st o s i n Ar t
He sti a
T h e Or i g i n a n d t h e N a m e o f He st i a
T h e G e n e al o g y a n d F unc ti o ns O f He s ti a
C HA P T E R VI I I T H E G R E AT E R G o D s PO S E I D O N AN D
.
—
AM P H I T R I T E
Po s e i do n
T h e Or i g i n a n d t h e N a m e o f P o se i do n
P o s e i do n i n Ho m e r
T h e F a m ily Re l ati o n shi p s o f P o se i do n
T h e F unc ti o ns o f P o se i do n
P o se i do n in Art
Am p h it r it e
C HA P T E R I X T H E G R E AT E R G O D S
.
-
D I ON Y S O S
T h e Or i g i n a n d t h e N a m e O f D i o n y so s
D i o n y so s i n Ho m e r
T h e Bi r t h Of D i o n y so s
xii
xx CO N TE N T S
T he F unct i o ns a n d the C u l t O f D i o n ys o s
D i o n y so s i n Art .
Myths o f Al ex a n de r t h e G re at
C HA P T E R X T H E G R E AT E R G O D S
. D E ME T E R K O R E
-
, ,
HA D E S .
D e m e t e r a n d Ko re (P e rse p h o n e )
T h e O r i g i n a n d t he N a m e o f D e m e t e r
D e m e t e r in Ho m e r
D e m e t e r a s t h e G o dde ss o f t h e S o il
D e m e t e r a n d Ko r e (P e r se p h o n e )
D e m e t e r a n d T r i p to l e m o s
T h e N at u re o f P e r se p h o ne
T h e My s t e r i es O f E l e u si s
D e m e t e r a n d Ko r e i n Art
Ii a do s:
Ha des in Art
C HA P T E R X I T H E L E S S E R G O D s OP T H E C I R C L E O F
.
—
Z E U S O F L I G HT A ND O F HE AT
, ,
Of t he C i rc l e o f Z e us
E u ry n o m e
“
C h a r i t e s ( G r a ces
T he m i s
Ho r a i ( Ho u r s
Mn e m o s yn e ; T he Mu se s
G a n y m e de s
He b e
Of t he G re at e r Lu m i n a r i e s
He l i o s ( S un
“
P h aet h o n
Se l e n e
Of P h a se s O f Li g h t
EO S
He l e n and t h e D io sk o uro i
O f S i n g l e S ta rs and C o n st e ll at i o n s
Ast r a io s P ho sp ho ro s Eo sp h o ro s
, ,
If e sp e ro s
P l e i a de s a n d Hya de s
CO N TE N T S
Or i o n
Ur sa Maj o r o r G r e a t Be a r ; Bo o te s
,
Of Mi dsu m m e r He a t :
Ar ist a io s S i r i us Ak tai o n
, ,
.
Li n o s
Li ty e rse s
C HA P T E R X II T H E L E S S E R G o D s OF W AT E R W I N D
.
—
, ,
AND W I L D
Of t he Wat e r
Ok e a n o s a n d the Ok e an ide s
Riv e r s
S p r i n g s (N y m p hs )
T he Se a
T ri t o n
N e reus
P r o t e us
G l au ko s
In o (Le u k o t he a )
S e ir e n e s (S i re n s)
S k yll a an d C h a ryb di s
Of Wi n ds a n d S t o rm s :
Bo re a s E u ro s N o t o s
, , ,
an d Z e p h y ro s
AiO lO S
Ha rp i e s
T yp ho n an d t he Ky k l o p e s
Of t h e Wil d
P a n , S ile n o i, an d S a t y r o i (S aty rs)
Ma e n a ds a n d Ba cch a n t e s
D r ya ds a n d Ha m a drya ds
K e n t a uro i (C e n ta u r s)
C HA P T E R X I I I T H E LE SS E R G O D s
. OF TH E —
EA R TH
I G ai a (G e )
I I Rh e a K yb e l e (G r e at Mo t h e r)
-
Mi sc e ll a n e o us
'
1 3
x xx i v CO N T E N T S
PA G E
C HA P T E R X IV T H E LE S S E R G o D s — A S K L E P I O S
.
,
AB
S T RA C T D I V I N I T I E S
I Ask l e p i o s
T h e Or i g i n a n d t h e N a m e O f Ask l e p i o s .
Myt h s o f As k l e p i o s
Ask l e p i o s i n Ar t
I I Ab st r a ct D ivi n iti e s
III T h e E l e m e n t O f C h a n c e
T y c he
Mo i r a Mo i r ai An a n k e Adr a st e ia
, , ,
N e m e si s
PA R T I I I . T HEMY T H O L O G Y O F A N C I E N T ITA L Y
In t ro duc ti o n
I E t r u sc a n Myt h o l o g y
II N ativ e I tal i c G o ds:
(a ) N a tu r e G o ds : Of t h e S k y At m o s p her e
-
, , an d
Time
I up p it e r
Mat e r Mat u t a
(b ) N at u re G o ds : Of Hu m a n
-
Li fe, E a rth , Ag r i
cu l t u re a n d He r di ng
,
G e n i u s; I un o
C e r es
T e ll u s Mat e r
Li b e r
S at u rnu s
C o n su s a n d Op s
Ma rs .
F a unus
S flv a n us
D ia n a
Ve nu s
Fl o r a
F o rtu n a
(c) N at u re G o ds : Of t h e Wat e r
N e p t un us .
CO N TE N T S x xxv
PA G E
()
d N at u r e -G o ds : Of Fi re ,
Of t he Un de rwo rl d
,
o f D i se a se
Vu l c a nu s
Ve di o vi s
Fe b ri s
(e ) G o ds o f Hu m a n So c i e ty
I a nus
Ve sta
D i P e n at e s; La re s
Mi n e r v a
(f) Ab st r a c t G o ds
(g) Mo m e n ta ry a n d D e p a r t m en tal G o ds
G o ds o f F o r e i g n O r i g i n
Ap o ll o
Ae scu l a p i us
Me r c u r i us
C a st o r a n d P o ll ux
He r cu l e s
D is P at e r
Ma g n a Mat e r
Myt hs o f t h e E a r ly D ay s Of Ro m e
T h e Ae n e i d o f V e rg il
E v en t s su b se q u e n t t o t h o se o f t h e Ae n eid
A PP E N D I X
N OT E S
B I B L I O G RA P H Y
x x xv i i i I LLUS T RA T I O N S
He r a k l e s a n d t h e Hy dr a
He r a k l e s a n d N e r e u s
.
2 He r a k l e s a n d t h e C re ta n Bu l l
.
3 He r a k l e s a n d Ap o ll o
.
Am a z o n s in Battl e
T h e se u s a n d Am p h i t r it e Co l o u red
La p i t h s an d C e n ta u r s Co l o u red
T h e Arg o n a u t s Co l o u re d
Me de i a at C o r i n t h
1 . Pri a m b e fo re Ach ill es
2 .P e l e us a n d T h e ti s
T h e S a c r i fi c e o f I p h ig e n e ia 12 0
Ach ill e s an d T he r si t e s 12 8
T h e D e at h O f Aig ist h o s C o l o u re d 1 32
C h a ro n 14 2
I xi o n o n t h e W h e e l 146
Ze u s . 1 52
Z e u s a n d the Ko ure t e s 1 58
He r a 1 64
At h e n e 1 70
T h e Ap o ll o Be lv e de r e 176
Ar t e m i s 18 2
An Atti c He k a t a io n 18 8
He r m e s a n d t h e Infa n t D i o n y s o s 1 94
E ro s 2 00
T h e Re t u r n O f He p h ai s t o s to Oly m p o s C o l o u re d 2 06
P o s e i do n 2 12
T h e E n t h ro n e d D i o n y so s 2 18
I D io n y so s In t he Shi p 2 24
2 . K a st o r an d P o ly de u k e s at Ho m e
3 My s ti c Ri t e a t E l e us i s
.
My sti c Ri te a t E l e u si s
1 He l i o s
. .
2 T h e Ho r ai
.
G a n y m e de s a n d t h e E a g l e
I LLUS T RA T I O N S x xx i x
A
F CI N G
T h e D e a th Ak tai o n
of C o l o u re d
Li n o s S la i n by He r a k l e s Co l o u re d
Ody sse u s ant he S i re n s
d
Or e it h y ia a n d Bo r e a s C o l o u re d
A Ma e n a d C o l o u red
Hy p n o s
Ni ke Co l o u r e d
G e n i us a n d La r es
1 . Are t ho u sa
2 . I a nus Bi fro n s
Ma g n a Mat e r
Ro m u l us a n d Re m u s
I LLUS T RAT I O N S IN T HE TE X T
F I G UR E PA G E
1 Po se i do n
2 C re ati o n of P a n do r a
3A T h e E r y m a n t h i a n Bo a r a t My k en ai
3B T h e Fli g ht O f E u ry s t heu s
4 T he se u s a n d t he Mi n o ta u r
5 T h e D e at h o f P e nthe sil e a
6 T h e D e at h o f Ai a s (Aj ax )
7 Ap o ll o an d T it y o s
8 T r i p to l e m o s
9 Mn e m o sy ne a n d K all i o p e
10 S aty r s a t P l ay
11 Ma rr i a g e o f I un o a n d He r cu l es
I N T RO D UC T I O N TO T H E G REEK MY T H S
Why the s imple p res ent w a s exclu ded from t h e tempora l refer
enc e of th e myth s will b e C lear a fter we h ave exami ned th e
n atu re O f th eir s ubj ect matter - .
Z E US AN D T Y P H ON
Z e us is a p p ro a c hi n g sw i ftly f ro m t h e l e ft a n d w ith
rai s e d ri gh t h a n d is ab o ut t o h ur l a t h un de rb o lt at a
m o n s t e r w ith a b e a rde d h um a n h e a d a n d a w i n g e d
t r un k t e rm i n ati n g i n t w o l o n g s e rp e n t li k e c o il s -
.
T h e c re at ure p ro bably T y p h o n l o o k s at t h e K i n g O f
, ,
ab o ut 6 50 B c in Mun i c h (Furt w an g le r Re ic h h o ld
. .
,
-
,
G i hisch V s n m a l r i N O
r ec e a e S e e p p x ii 8 9
e e
,
. .
,
—
.
MED O US A B E H EA D E D
T he un i q ue fe at ure o f t h i s va se - p ai n ti n g is t h at it
re re s e n t s t h e t h re e G o rg o n s a ft e r t h e fl i ht o f Pe rse us
p g
wit h Me do usa s h e a d T he t w o i m m o rtal s i st e rs a re
’
.
t h e i r s p re a d wi n gs b e n t k n e e s a n d s w i n g i n g ha n ds
, ,
h s O f t h e l at e s ixt h c e n t ury B c n At h e n s C a ta l
p o i ( g.u .
,
o e
a
’
es va s
se
p i ts d
e n m usé tai l d At b ie naS upp l
on ae m t
’
’
rz es, en
p a r G eo
r
g es N i ol P lat
c e X I
)
e, S ee
p 34 . . .
THE NEW YORK
PUBLIC LI B RARY
O
AS T R L E N OX
F O U N D A TI O N S
.
T I LD E N
'
I N T RO D UCT I O N TO T HE G RE E K MY T H S xl i i i
th e p roph esying were fa cts a n d none cou ld p rove th at a n y
,
2 . The Or ig i n o M
It is no more pos s ib le to detai l
f yth .
p ersonalities .
l i ke.
’
S k iro n s mu rder of travellers seem to b elong to th is cl as s of
l egen ds Aki n to th em a re thos e wh i c h h ave O bviou sly grown
.
Me n sai d t h at in t h i s h o u r o f E n g l a n d s n eed
’
E a c h ti n y fl a k e tu rn e d t o a b at tl e sh i p
”
-
.
3 S a n c ti o n
. and f Myth
P e r siste n ce Were we able to
o .
—
a r m s a n d b o dy a n d t he s o ft t e xt ure o f h is dra p e ry
,
c o m bi n e t o g iv e t h e g o d a de c i de dly e ffe m i n at e a p p e a r
a nc e A Ma e n a d is e xt e n di n g a t ray o f via n ds t o wa r d
.
h im f ro m t he r i ght a n d a n E ro s fl i e s do w n f ro m t h e
,
l e ft t o c ro w n h im with a w re at h o f l e av e s At t h e .
a se c o n d Ma e n a d a re ba re ly vi s ibl e F ro m a re d
,
.
C i i l d At b en es,
’
a t a lo ue des da m usée
( g v a se s
po n ts n a t on a
2 1 5 ff .
THE NEW YORK
PUBLI C LI B RARY
A S TO R L EN OX
A TI ON S
.
TI L D E N F O UN D
I N T RO D UCT I O N TO T HE G RE E K MYT H S xl v n
“
Th e s p i rit of th e trite excus e of th e o r tho dox My gra n d
,
f —
‘
.
g .
,
“
O bs cu re truth of the statement t h at Th e god h imself [ i c . .
a ny G reek god ] wh en conceived was not the real ity but o nly
, ,
” 4
a symbol to h elp towa rd conceiving t h e real ity .
'
1— 4
I I N T RO D UCT I O N TO T HE G REE K MYT H S
i ntellectu a l a n d p hys ic al religiou s a nd secu la r Th e detail s
,
.
1 . PLO UT O N
Plo ut o n (Ha
wit h a l o fty h l t b os o n h is he a d is s e at e d o n a
des ,
) a a
,
t h ro n e g ra s p i n g a s c e p t re in h is l e ft ha n d a n d l e tti n g his ri g ht re st
, ,
o n o n e o f t h e h e a ds o f K e r b e ro s O n e it he r si de o f h im a re K a s t o r .
a n d Po ly de uk e s e a c h S ta n di n g b e s i de h is ho rs e
, F ro m a c o n v e x sa r .
PP ~ 14 2— 4 3, 2
33 lf
A P O LL O A N D MA RS Y AS 2 .
o r a p a n t h e r an d b o un d wit h h is ba c k t o a ba re t re e is Ma rs a s b e a r
, y , ,
a b ra n c h o n t h e t re e K n e e l i n g at t he fe e t o f Ap o ll o t h e b o y O l ym p o s
.
o do e s n o t fi g ure i n t h e m yt h a s n a rr at e d i n t h e t e xt s ee m s to b e
( w h )
p l e a di n
g wit h t h e
g o d t o S p a re t h e S aty r s li fe F ro m a c ut c a rn e l ia n
’
.
in N a p l e s (A Furt w ii n g le r An t ib e G em m en i Plat e X L I I Fi g
.
,
/
,
.
Se e p . 18 1 .
3 A L E X AN DE R . HE A D OF
A dia de m k no tt e d b e h i n d t he h e a d c a n b e s e e n bi n di n g t h e t hi c k
, ,
o f L sim a c ho s
y 33 5 2 80 B C
(P G a,
rdi n e r T
—h e T
y es f G r eeh Coi n s
p o . . .
, ,
Plat e X I I N O Se e p p 2 2 3 2 4
,
. .
—
.
4 . PE R S E P H O N E
T he he ad f t he go dde ss s e e m s t o b e b o un d b y a t h i n ba n d O f
o
o n t h e se a , b ut al s o t hat she is t h e m i st re ss o f it F ro m a c o i n o f .
S y ra c us e 8
, 3 5
—
2 8 0 B C
(P G a rdi n e r, The
Dp f es o
. G r e e h Coi ns Plat e
.
,
.
X I, N o . Se e p p 2 2 7 ff . .
E US A N D D I O N E 5 . Z
Z e us is he re de p i c t e d wit h t he e a rt h go dde ss D i o n e h is wi fe at ,
D o do n a i n Ep e iro s t he s it e O f h is o ra c ula r o a k
,
F ro m a c o i n o f .
X I I, N O . Se e p . 1 56 .
6 . PA N
Pa n , in t h e g ui s e f a yo un g h un t e r, is se at e d o n a ro c k y l e dg e o f
o
VI I I, No . See p p . 2 6 7— 6 8 .
THE NEW YORK
PUBLI C LI BRARY
A S TOR L E N O X
TI L D E N F O U N D A TI O N S
,
I N T RO D UCT I O N T O T HE G REE K MYT H S li
negative term . Th e a p p ended list is given merely b y way of
suggestion .
(2 ) M y th s of r a ci a l s toc ks .
(4) P o p u l ar a n d O ffi ci al m y th s .
(1) M y th s of th e gods .
(2 ) N atu re myths - .
(5) A l legoric al m y th s .
(6 ) M y th s of th e hereafter .
8 Myth a n d Ethi cs
. .E ver s ince th e G ree k myth s began to
b e stu died c ritic all y th e con duct of thei r personages h a s been
a s erious eth ical p rob l em P ra ctica lly every evil deed forb idden
.
in g a ge n e ro us b urde n o f fl o w e rs in a fo l d o f h is g a r
m ent . F ro m a re li e f o n t he T o w e r o f An dro n i k o s
S O c all e d T o w e r o f t he W i n ds n At h e n s B
( -
) i ( run n
t ur , NO . Se e p . 2 66 .
THE NEW YORK
PUBLIC LI B RARY
ASTO R LE N o x
TI L D E N F OU N D AT I O N S
,
I N T RO D UCT I O N TO T HE G REE K MYT H S lv
not i n th e connotation wh ic h im p l ies a consciou s cutting away
from the p as t Ch a nges th ere were i n th e myth s of cou rse bu t
.
, ,
of ce rtai n s i ns they were relentles s Over a gai nst the frequ ent .
s ignifica nce .
9 M
.
y th a n d A r t — T h roug h out t h e ages t h ere h as been a
.
p e a re d
9
With his s u p erior gifts h e fu sed th is p oetr y and a
.
a rts .
I
. The n atu ral method Followers of t h is system wou l d
.
2
. Th e p h ilological method Th e lea ding ex p onent of th i s
.
“ ”
to accou nt for m y th s a s th e seq uel a e of dis eas e of langu a ge ;
lvii i I N T RO D UCT I O N TO T HE G REE K MY T H S
i n other words a s confu sions res u lting from a misu nderstan d
,
p erverted h istory .
I p r a t e o f a n c i e n t p o e t s m o n s t r o us li e s
’
N e e r s e e n o r n o w o r t h e n by hu m a n e y e s ,
’
s ings Ovid .
1°
His only fa ith i n the legends w a s th at wh ic h h e
h a d i n a ny oth er work of a rt .
“
th e i nvestigato r when a n a p p a rentl y irrationa l a nd a nom a l ou s
,
method mu st b e h istoric al .
a n d not a finished p ro du ct .
P oetr y : Homer a nd t h e
,
called Ho m er i c Hym n s to t h e
S O-
S I LEN O I AN D MA E N A D S
T wo d b e a rde d S ile n o i wit h ho rs e s tail s a r e
n u e an d
’
e a c h c a r ryi n g a Ma e n a d o n t he i r sh o ul de rs O n e .
Ma e n a d h o l ds in he r la p t he faw n w h i c h is t o b e t o rn
a s un de r in t he r it ual w h il e t he o t he r is b e ati n g a p ai r
,
o f rattl e s T h e h e a ds o f b o t h w o m e n a re b o un d wit h
.
g a r la n ds o f ivy l e av e s
- w h i c
,
h t o ge t h e r wit h t h e l o n g
,
s i n uo us s t e m divi di n g t h e t w o g ro up s o f fi g ure s a re ,
a m o n g t he e m bl e m s o f D i o nys o s F ro m a bla c k .
fi g ure d a mp ho o f ab o ut 4 7 5 B c fo un d at G e la
ra . .
,
( M on um t i Aen t i chi
n xvii
,
P l at
, e XX X V II
) 8
. 66 p
p .
2 6 7—
7 0 .
b”
PUBLI C LI Q U AA
L E N OX
T HJHH‘ F O UN D AT K MHS
I N T RO D UCT I O N TO T HE G RE E K MYT H S lxi
PA RT I
MY T H S OF T HE B E G I N N I N G T H E H E RO E S
, ,
A N D T H E A F T E RW O RL D
I T m a y b e t h o u h a s t fo llo w d
’
T h ro u g h t h e i sl a n ds s o m e divi n e b a rd
,
By age ta ugh t m a n y th i n g s ,
Ag e a n d t h e Mu se s ;
An d h e a r d h im de li g h ti n g
T h e c h i e fs a n d p e o p l e
I n t h e b a n q u e t a n d l e a r n d h is so n g s
’
, ,
Of G o ds a n d He ro e s ,
Of w a r a n d a r t s ,
An d p eo p l e d c i ti es ,
I n l a n d o r b u i lt
,
By t h e g r e y se a . If so t h e n h a il !
,
I h o n o u r a n d we l c o m e t h e e .
HE R A
no bl e fe at ure s , at ro n l y b e a ri n g o f t h e he a d
a n d t he m ,
a re c o n vi n c i n g p ro o fs t h at t h i s is a p o r t rait o f t h e
u e e n o f O l y m p o s a n d t he divi n e p at ro n e ss o f w e d
q
l o c k T he r e do e s n o t e x i st i n s c ul p t ure o r in p ai n ti n g
.
a re ve lati o n o f h e r ch a ra c t e r s up e r i o r t o t h i s F ro m .
a n o ri g i n al m a rbl e
p r o bably O f t h e late fi ft h c e n t ury
,
B c
. .
,
in t he Uff i z i Fl o re n c e (Brun n Bruc k m a n n
,
-
,
D e n hm a le r g r iechischer d i b er
r om sc S culp t ur , NO
'' '
an .
See p p . 16
3 ff .
THE NEW YORK
PUB LI C LI B RARY
AST O R L E N o x AN D
TI LD EN F O UN D A TI O N S
,
G R E E K AN D R O M AN
MY T HO L O G Y
C H A P T ER I
MY T H S O F T H E BE G I N N I N G
I _
‘
S
4 G REE K AND RO MA N MYT H O LOG Y
mont h s s easons a nd yea rs ; wh ile the u nforeseen and calami
, ,
The C ea ti o n of the Wo r ld
r —
Among t h e Gree ks t h ere wa s
.
fra n kly cou nted a s forgeries but n eve rth eless were believed
, , ,
“
h overing over a vast d a rknes s withou t form a n d void .
MY T H S OF T HE B EG I NN I N G 5
F i rs t t h ere w a s Ch aos ,
t he va st i m m e a su r abl e aby ss ,
Outr a g e o us a s a se a da r k wa st e fu l il d ” 1
, , ,
w .
“ ”
Ch aos b roug h t into b eing E rebos ( Lower D a rkness ) a nd
Nyx a n d th es e i n t h eir tu rn begat Ait h e r ( Heavenly Light )
,
“ ”
“
a nd Hemera ( E arth ly Light i e ”
Mother E a rth
,
.
“
were the Kyklopes the powers of t h e a ir ,
— B rontes ( T h u n
d er S teropes Arges
— ea ch of w h om h a d one huge eye i n th e mi ddle of h i s
fore h ead I n a dditio n to thes e monsters were t h e gi ants
.
c a me to a n end .
bold ness Kronos ass u med the kings h i p over t h e god s whos e ,
R
'
An d flyi n g v a u l te d e i the r ho st wi t h fi re
, ,
” 4
.
— T h e sway of Zeu s wa s
Typ hon (o r T yp h oe us); the G i a n ts .
G O D S AN D G I A N TS
1 . i s e s f ro m t h e e a rth a s if t o i m p l o re Po s e i do n
Ge r
t o s ta hi s h a n d a s h e t h r us t s h is t r i de n t i n t o t h e b re a s t
y
o f h e r so n Po l yb o t e s
,
.
2 . In t h e c e n t re o f t h e p i c t ure Ap o ll o g ra s p i n g his ,
un s t rung b o w in his l e ft h a n d w it h h is r i gh t h a n d
,
dr iv e s his s w o rd at E p h ialt e s w ho de fe n ds h i m se l f
,
wit h a S p e a r At t he l e ft t h e a rm e d Ar e s is p re ss i n g
.
,
a sp e a r h e a d i n t o t h e b re a st o f t he fal li n g Mi m o n
-
,
w h il e at t he r i g ht He r a e n de av o ur s t o t r an sfix Pho it o s ,
w ho ,
t ho ugh t o tt e r i n g ba c k w a rd b o l dly c o n ti n ue s
,
fi g hfi n g .
3 . In t g
the o u e rro u
p at t h e r i gh t At h e n e is de
p ic t e d t ryi n g t o t urn En k e la do s t o s t o n e by ho l di n g b e
fo r e him t h e g org on eion o f h e r a e g i s w h i l e at t he s a m e
,
g ro up Art e m i s a p p e a r s i n t h e a c t o f b urn i n g G al o n
,
wit h bla z i n g t o rc he s a n d in t he c e n t re Z e us m a r k e d
, , ,
c o m bat t h e o n e h urli n g a t h un de rb o lt a n d t h e o t h e r
,
S e e p p 8— 9 . .
MY T H S OF T HE B EG I N N I N G 9
, ,
“
P r o m ethe us P rometh eu s is
. t h e type of th e h igh est
perfection of mora l a nd i ntellectu a l natu re impelled by t h e ,
”
p u rest a nd t h e tru est motives to the best, a nd noblest ends .
“
was bot h les s t h an god an d more th an god b ei ng wi se and ,
kind .
”6
His figu re was clea r where it rep resented t h e moral
asp irations of t h e Hellenes ob s cu re wh ere it tou c h ed t h ei r
,
c h ild ren were sometimes cou nted Deu kalion Ch im a ire us Ait , ,
n a io s Io a nd Thebe
, ,
I n m any of the myth s P rometh eu s a nd
.
b ut a s h e was ess enti ally a nob ler type t h a n Zeu s h ims elf ,
7
m an kind hid den i n a hollow stal k I n some myth s it is s ai d .
as the a rtist From clay h e fas h ioned both men and be a sts
.
FI G . 2 . CR E ATI ON OF P A N D O RA
In t
t h e c e n re o f t he u td P d pp er b d th
t d t ifli y l ik an e n ew ly -cre a e an o ra s an s s e a
fi gu fw
re o l y T h
oo d or c a i o er r igh t pp
d Ath (w h h l d w t h t w d a e ar n or er en e o o sa re a o ar
H m
.
h ) P
er id Z u
o se d I i w h il t h
o n, e l ft
s, a nh w th m d A r s, e o er e a re s o n e ar e re s, er es,
d H f S ty
,
an Th l w
e ra . b d p e to mi d
er an F m re d fig u d
re se n s a co c a n ce o a rs . ro a re -
re
k t f u d t Alt m i
ra er o n d aw i t h B it i h Mu um [ HS xi P l t X I)
e ra an no n e r s se , a e .
T hi s stat ue o f At he n e , t he ai de n p ro t e c t re s s o f
m
At he ns is o n e o f a n um b e r o f c o p i e s o f t h e fa m o us
,
h e a d is a h e l m e t o n t h e t o p o f w h i c h sit s a S p h i n x ,
a n d o v e r h e r s ho ul de r s a n d b re a s t h a n gs t he a e g i s .
He r fa c e is s t ro n g dign ifi e d j ust a n d un e m o ti o n al
, , ,
w hi c h t he n o bl e s t m yt hs h av e att r ib ut e d t o he r .
ec c e
a seal .
come the myrrh tree wit h its sweet aroma Th e grieving S isters
- .
, ,
a lt h ough its tra ns ition from age to age i s fa r from clea r From .
MY T H S O F T HE P E L O P ON N E S O S
I ARKAD I A
.
( or Kyllene or Deianei ,
ra ) by whom he begat a so n
,
L y k a o n .
HE L E N AN D PA R I S
Ap hro dit e s t s he r r i gh t h an d a n d a rm a c ro ss t he
re
i rre so l ut e m a n n e r a n d l o o k s e a r ne s tly i n to he r fa c e a s
,
O p p o s it e t o t he m s ta n ds E ro s w ho se e m s t o b e ,
e n de av o ur i n g t o p e r s ua de Al e xa n dro s P a ri s
( ) to co m e
un a r om sc .
Se e p . 125 .
A S K L E P I OS
S i nc e t he yt h s fail e d t o e n do w As k l e p i o s w it h
m
di s ti n c tiv e p hys i c al t rait s a rti s ts i m p re ss e d by t he
, ,
l i k e n e d h im t o t he s ubli m e fi gure O f Z e us a n d c e r ,
t a i n ly t h i s r e p r e s e ntati o n o f him c a n n o t b ut re m i n d
ro m i s e a gr a c i o us w e l c o m e t o t h o s e w h o s e e k his
p
a id . F ro m a m a rbl e re li e f p e rh a p s C o p i e d fr o m t h e
,
di sc o v e re d at Ep idauro s a n d n o w i n At h e n s (Brun n
Br uc k m a nn D en hm l r g r b is b r a d r om iscb er S ulp
‘ '
a e z ec c e n c
,
t ur , No . Se e p p . 2 79 ff .
THE A
PUB LI C Ll BRARY
AS T O R LENOX
F O U N D AT I O N S
,
T I L-
DEN
MYT H S OF T HE P E L O P O N N E S O S 2 1
“
The resembl ance between th e G reek word Ari/c o s wolf , ,
“
another ch ild a d aughter n amed Kalli sto ( F
,
who was
sometimes spoken of s imp ly a s a nym p h a c ircu msta nce w h ic h ,
“
w a s a comp anion of Art emis the hu ntress goddess ch aste an d
,
-
”
fai r who exacted O f h er followers a pu rity equ al to her own
, .
of Ok e an o s .
over into Kallisto Kallisto then bot h maiden and bea r was
.
, , ,
h e beca me the fat h er of th ree sons who h ad many des cend ants ,
of Apollo h is grave was for long yea rs vis ible to p ass ers b y -
,
is I da s a n d b e fo re him s ta n ds Ma rp e ss a a fi g ure re
, ,
l t e wit h fe m i n i ne g ra c e s w h o c as t s a l o o k O f ui t
p e , q e
s ub m i ss i o n up o n he r l o v e r Bala nc i n g I da s in t he
.
y o un g m an m a k i ng r e a dy t o p la ce a n a rro w o n t he
,
St ri n g ; a n d b es i de h im is h is h unt re ss s i s t e r Art e m i s—
, ,
c a rryi ng a q uiv e r an d w e a ri ng a fa w n s k i n o n he r -
s h o ul de rs T he m a n s t ri di n g b etw e e n t h e t w o g ro up s
.
as i f t o a t t h e m m us t b e E v e n o s Ma r ess a s fat he r
’
p r , p , ,
a n d n o t Z e us F ro m a r e d fi gure d va s e a p p a re n tly
.
-
,
o f t h e s c h o o l o f D o ur i s ab o ut 5 0 0 o un d at
( f
G i rg e n ti a n d n o w i n Mun i c h (Furt w éin g l e r Re i ch
,
-
h o l d G r iechis he Va se m ler ei N o
,
c n a Se e p p 2 7
, . .
28 .
MYT H S OF T HE P E LO P O N N E S O S 25
l eas e only to meet with refus al Not long afte r w ard however
,
.
, ,
C it y fi rst n a med .
“ ”
p ieces of a horse and th e oa th s were bou nd
, a s magi c terms ,
S o m e r a di a n t g o d t h at will de sp i s e m e q u i t e ,
W h e n sh e h a d sp o k e n I da s wit h o n e c ry
,
He l d h e r a n d t h e r e w a s sil e n c e ; w h il e t he g o d
,
I n a n g e r di sa p p e a r e d T h e n sl o wly t h e y
.
,
He l o o k i n g do w n wa r d a n d S h e g a z i n g up
, ,
Into t he e v e n i ng g re e n wa n de r e d a w ay 4
.
”
III . A RG OS
stu dy of its com p os ition ma kes it poss ible to state with some
degree of assu rance th e sou rces of it s s u n dry elements Natu r .
fraught with i nterest for the stu dent of com p a rative religion
a nd custom .
I n a chos I o ,
Th e fi rst figu re i n th e pu rely Argive p a rt of
.
—
a n d l o o k s a p p e ali n g l at h e r g ua rdia n A r o s s ta n ds
y .
g
wit h o n e fo o t o n a S t o n e a n d re st s his r i gh t h a n d o n a
c ra g in t h e ba c k g ro un d a s h e g a z e s s t r ai g ht in f ro n t
,
t h e p ai n t e r ha s e n ti re l y fo rgo tt e n o r i gn o re d t h e o ri g
i n al re li g i o us m e a n i n g o f t he m yt h F ro m a Po m p e ia n
.
Ma l r ei d s Alt er t ums N O
e e ,
. S e e pp 2 8 30
.
—
.
MYT H S OF T HE P E LO P O N N E S O S 29
“
fou rth generation was Argos P a no p tes ( All a monster
whos e body w a s covered with eyes He S lew th e bu ll wh ich .
-
,
On t h e b an ks of t h e Nile sh e bore a so n Ep a p h o s
to t h e god but t h e p resence of th e b ab e w a s offens ive to th e
,
w a s s acred i n th e cu lt of Hera
’
Th e tale of 10 s wa nderings is
.
PE R SE US
r i gh t h a n d h e h o l ds t h e b a r e o r S i c k l e s w o rd t h e g i ft
p
-
, ,
o f He r m e s ,
o n h is s ho ul de r s h a n g s t h e p o uc h w h ic h
ma ler ei, N o . Se e p p 32 ff
. .
MYT H S OF T HE P E LO P O N N E S O S 33
Ak r isi os D a n a e
, ,
and P e r se us .
— Ak r isio s who continu ed to
,
IV
. C ORINT H
The D i i f
v ne P h T h e grea t p atron deity of
a tr o n s o C i or n t .
—
Cori nth was Poseidon who gave p ros p e rity to h er mariners and
tra ders Y et h e di d not h a ve th i s h igh p l ace from the begi nning
.
,
EN DY M I O N
sh o ul de r r e s t s t h e S e a r wit h w h i ch h e de fe n ds h is
p
fl o c k s ag ai n s t t he wil d b e a st s J ust ab o v e h im h is .
do g ti e d by a l e a s h is l o o k i ng up w a rd a n d bayi n g
, , ,
p e r h a p s at t he Mo o n h is m a s t e r s l o v e r F ro m a ’
, .
m a r bl e re l ie f in t he C a p it o li n e Mus e um Ro m e Br un n
( ,
e er r e e e c
,
t ur , No . Se e p . 24 5 .
PE R S E U S AN D A N D R O ME D A
T hi s l i e f s e e m s t o re p re s e n t a m o m e n t j ust a ft e r
re
t he de at h o f t he m o n s t e r Pe rs e us w e a r i n g t h e wi n ge d
.
,
h e r de sc e n d fro m t h e ro c k s t o w h i c h sh e has b e e n
b o un d w h il e he ho l ds his l e ft ha n d b e h i n d his ba c k a s
,
i f t o h i de t h e G o rg o n s h e a d o n e g la nc e at w h i c h
’
w o ul d t urn An dro m e da i n t o s t o n e T h e se a m o n st e r s .
-
’
a s t he sy m b o l o f t h e e n ti re b o dy is l i n g at t h e fo o t
y ,
o f t h e ro c k s F ro m a m a rbl e re l i e f in t he C a p it o
.
r ec r om sc
g . .
—
34 35 '
MYT H S OF T HE P E LO P O N N E S O S 37
” “ ”
of men i n so real a sense th at h e was even as wi se as a god .
by some wit h h aving estab lis hed the Ist h mi an games i n honou r
of Me lik e rt e s h i s nep hew whos e d rowned body h a d been
, ,
p hos ,
was withhold ing from th e dead the lib ations customarily
o ff ere d to t h em an d th u s finally forced Hades to release h er
,
top ,
the weig h t wou ld drive h im b ac k so once a ga in to th e ,
Gl a uk o s
. G lau kos of Po t n ia i a town of southern Bo io t ia
, ,
MY T H S OF T H E N O RT H E RN MA I N L A N D
I . BOI OT IA AN D BUBOIA
w h i c h t h ey h av e n o t m e re ly i n di c ate d by t he de p i c ti o n
O f ro c k s a n d c r a gs , b ut al so p e rs o n ifi e d i n t h e s m all
h um a n fi g ure in t h e r i g ht fo re g ro un d . Am p h i o n
i(de n tifi e d b y his lyre ) is s t r ivi n g wit h all his s t re ngt h
t o s ub due a p o w e r f ul b ull so t h at h is b ro t he r Z e t ho s
c a n p a ss a ro p e atta c he d t o t he S t rugg li n g c re at ur e s
,
’
h o rn s a ro un d t h e b o dy o f D i rk e
,
. T he i r m o t he r ,
Anti o p e a c o m p la c e n t s p e c tat o r s ta n ds la n c e in h a n d
, ,
i n t he r i g ht ba c k gro un d F ro m a G re c o Ro m a n
.
-
m a rbl e g ro up by Ap o ll o n i o s a n d T a urisk o s (e n d o f
ec an r om sc
g r .
56 6 PR 4 3— 4 4
THL I URK
PUBLlC Ll S RARY
A S TO R L E N O X
T I L D E N F O UN D A I I O N 8
,
'
44 G RE E K AN D RO MAN MYT H O LOG Y
a nd bu ilt the walls of t h e city Amp h ion c h arming t h e stones
,
fo r h e r so ns de at h wep t o ut l i fe a n d b r e a th
’
Agave a n d Au tono e
'
.
,
“ ”
a so n Aktaion ( Gleaming One ) who u nder th e training of ,
assu me h is i nherited rights D rea dful cal amities awa ited him
.
Me n o ik e us w h o b roug h t h im a so n t h u s foiling t h e fi rs t a l
, ,
’
t e r n a t iv e of P e lo p s s cu rse I n order to avert t h e s econ d t h e
.
”
The ch ild who was called Oidip o us S wollen Foot ) from
,
T he a rti s t b e e n t rue t o t he T he ba n m yt h in
h as
m a k i n g t he ro c k y sum m it o f K it ha iro n t he t h e at r e o f
t h i s trage dy Pe n t he us n ude a n d de fe n c e l e ss is b e i n g
.
, ,
b e at e n t o t he g ro un d by t he o n s la ught o f t hre e wi l d
v o ta ri e s o f D i o n ys o s e vi de n tly t he survivi n g da ug ht e rs
,
o f K a dm o s— Agav e I n o a n d Aut o n o é
, ,
T h e fi e rc e s t.
m o t h e r b ut t he o t he r t w o c a n n o t b e de fi n it e l y dis
,
t in g uish e d b y n a m e In t h e Up p e r c o rn e rs o f t he
.
bac k gro un d a re t w o Ma e n a ds b ra n di sh i n g w h i p s a n d
t o rc h e s F r o m a w all p ai n ti ng i n t he Ho us e O f t he
.
-
? ”
a t the l as t th ree foo ted - After ma ny h a d p eris hed i n thei r
u nfortu n ate attem p ts to solve the riddle Kreon p roclaimed t h a t ,
“
r eplied : The c reatu re i s m an for in i nfancy h e c rawls on all
,
My ch il dre n o n t h i s da y y e ce a se t o h av e
,
A f at h e r Al l m y day s a r e s p e n t a n d g o ne
.
,
An d ye n o m o r e sh all l e a d yo u r w re t ch e d l i fe ,
C a r i n g fo r m e Ha r d w a s i t t h at I k n o w
.
, ,
My c h il dre n ! Y e t o n e w o r d is st ro ng t o l o o se ,
Al t h o u g h al o n e t he b u r de n o f t h e se t o il s
, ,
Fo r l o ve in l a rg e r S t o r e y e c o u l d n o t h av e
F ro m a n y t h a n f ro m h im w ho sta n de t h he re ,
Of wh o m b e re av e d y e n o w sh all liv e yo u r li fe
” 4
.
but when th is too became affl icted with cal amities it s c iti
, , ,
p h a siz e d by the cyp res s grove wh ich i n a ntiqu ity su rrou nded
” 5
t h e tem p le .
but for h is teme rity Zeu s stru c k h im down wit h a thu nderbolt .
p a rtly of t h e cu rs e of Pelops .
54 G RE E K AND RO MAN MY TH O LOG Y
Ad rastos too felt t h e s ame bu rden of d uty to h is dead t h a t
, ,
p yre h is wife Evadne t h rew hers elf i nto the fl ames and wa s
,
“
Ep ig o n o i or Later Born
,
a nd th e oracle of Apollo fo retold
-
,
T HE D E P A R T UR E OF AM P H I ARAOS
t h e c h a r i o t a n d t h e h o rs e s t h e k i n s fo l k a n d fr i e n ds
o f t he s e e r a re gat h e r e d t o b id him fa r e w e ll . By t h e
o ut si de c o l um n o f t h e
p ala c e f a ca de t o t h e l e ft s ta n ds
E r i p hyl e h o l di n g t he fatal n e c k la c e . T h e b o y s e at e d
o n t h e s h o ul de rs o f t he w o m a n i n f ro n t o f h e r a n d
t h e o t he r b o c l o s e t o Am hia ra o s a re p ro bably Al k
y p
m ai o n a n d Am p h ilo c h o s w ho lat e r av e n ge d t he i r
,
fat h e r s un ti m e ly de at h F r o m a C o r i n t h ia n hr a t r o f
’
. e
ab o ut 6 00 B c in Be r l i n (Furt w ii n g le r Re ic hho ld
. .
,
-
,
A ST O R L E N o x AN D
T I L D E N F O U N D AT I O N S
.
D I
56 G RE E K AND RO MA N MYT H O LO G Y
dero n s career a nd killi ng h is hosts took posses s ion of t h ei r
, , ,
sons ,
P leuron and K a ly do n who gave thei r n ames to t h e two ,
’
c h ief cities of Aitol ia a nd thei r ch ild ren and their ch ildren s
,
Arkad ia .
sented the Ko ure t e s o r old Ait o lia n s toc k living i n P leu ron
, ,
“
Now wa s t h e di n of foemen about t h eir gates qu ic kly
risen an d a nois e of b atteri ng of towers ; a nd th e elders of th e
,
afte r .
MY T H S O F C RET E AN D AT T I K E
I . C RET E
E
.
,
EUR O P E AN D T H E B ULL
T h e p a i n t e r h a s a s it w e re p h o t o g r a p he d E uro p e
a n d h e r c o m a n i o ns c a r e ss i n g t h e b ull at t h e m o m e n t
p
j us t b e fo re t he c re at ure l e a p e d i n t o t he se a T h e.
w o ul d l e a d o n e t o e x p e c t T h e ro un d c o l um n in t he
.
c e n t re is a a re n tly s a c r e d in c h a ra c t e r w h il e t h e
pp ,
sq ua re p i lla r an d t he wat e r a r at t h e r i gh t m a a rk
-
j y m
a fo un tai n at w h i c h t he m ai de n s h av e b e e n drawi n g
wat e r A n a rro w s t r i p o f p al e bl ue al o n g t he l o w e r
.
e dge o f t h e
p i c t ure s m b o li z e s t h e p ro xi m ity o f t h e
y
se a
. F ro m a Po m p e ia n wall p ai n ti n g (He rm a n n
-
No . See p 6 0. .
M YT HS OF C RET E AN D ATT I K E 61
a n d Ph ai dra .
Myth) of Mi n o: a n d his S am ; Mi n or
~
W h en Asterios died
.
,
u ral love for the bu ll and d rove h er to consummate her des ire
,
”
will restore t h y child to t h ee alive After Po lyido s t h e seer .
He divi ded th e Creta n b u rgh ers i nto two main class es farmers ,
vi ci nity .
“
h i m P au s a ni a s s ays th at they a re somewh at u ncouth to t h e
” 2
eye bu t there is a tou ch of th e d ivine in them for a ll t h at
, .
66 G REEK AN D ROMAN M YTHO LOGY
II ATT I KE
.
of s tories to a ccou nt for ritu als w h ose mea nings h a d been lost
i n a d ar k p ast ; b ut it is d iffi cu lt to c ite wit h certai nty even a
few insta nces of th es e for there is a great gulf a s yet only p re
, ,
K e k r op s
. Th e ea rly genealogies were even to the ancients , ,
a weird tangle ,
contai ni ng a s they d i d many ac knowledged
double a p peara nces not a few du mmy personages an d p atent
, ,
G e, e m er gi ng g ro un d e n t rus t s t h e i n fa nt
f ro m t he ,
Eric ht ho n io s t o Ath e n e t h i s b e i n g a m yt ho l o g i c al
,
w ay o f s ayi n g t h at At h e n e h e rs e l f is a n e a rt h g o dde ss .
sc e n e b e fo r e h im is He p h ai sto s O n b o t h s i de s o f t his
,
a re t he E ro t e s v s re s i de d o v e r
“
g ro u
p ( L o e w h o
p
t he un i o n o f t h e o d a n d go dde ss F ro m a r e d fi ure d -
g .
g
st a m n os o f ab o ut 5 0 0 B c i n Mun i c h (Furt w éi n g le r
. .
,
p 67
. .
68 G REE K AND ROMAN M YT HO LO G Y
.
,
n ia n s,
es s a y ing to follow th e divine exam p le established a ,
ma rried l ife the love of Tereus cooled a n d a p ass ion for his
wife s s ister Ph ilomel e mastered h i m He tol d h is s ister in
’
, ,
.
-
when h e res u med h i s real form sh e bec a me ash amed and fled
away to Crete There sh e wished to follow Artemis i n the
.
h u nt but the god des s would h ave none O f her i n her ch aste
,
Eo s, s udde n ly a pp ro a ch i n g K e p h alo s f ro m b e h i n d ,
h as lai d he r l e ft ar m a c ro ss his sh o ul de rs an d w it h
,
h e r ri g ht h a n d ha s gra s p e d h im fi r m ly b y t he w r i s t ,
—
.
, ,
“
P oseidon sh e gave b irth to a so n Eum o lp o s ( S weet
whom sh e cast i nto th e se a i n fe a r O f her father ; b ut P oseidon
rescu ed h i m a nd h a d h i m c ared for i n Ait h iO p ia u ntil h e h a d
attained manhood For a foul c rime against hosp ital ity
.
the i nfl uence O f t h e Delph i c ora cle p erh aps not l ater t h an 700
,
The Bir th f
o H
W h en Pers eu s d ied h e left b e h ind
e ra /
cle f .
,
He ra k l e s is l e a n i n g fo rw a r d, his k n e e s
al m o s t t o uc h
in g t h e g ro un d an d is t h ro w i n g t h e w e i g ht o f his b o dy
,
o n t h e li o n s h e a d a n d s h o ul de rs ; at t h e s a m e ti m e wit h
’
h is ri g ht h a n d he s e i z e s t he b e a s t by a h i n d q ua rt e r a n d
p o w e r f ully dr aw s it t o wa rd h i m s e l f w h il e h is l e ft a rm
, ,
p a ss i n g u n de r t h e l i o n s t h ro at is c h o k i n g h im t o de at h
’
, .
T h e he r o s q uiv e r a n d sh e at h e d s w o r d a re S us p e n de d in
’
t h e bac k g ro un d At he n e p a rtl y a rm e d s ta n ds at t h e
.
, ,
, , Se e p p 8 0 8 1
. .
— .
HERA K LE S 77
kena i Ele k t ryo n bou n d o n exa cting vengea nce for the out
.
,
p hi t r yo n p rob,
ably wholly by a ccident stru c k h i m a n d,
killed
h im . With th e stai n O f family b lood u pon h im Amph itryon ,
t oo k to T h ebes th e booty O f T a p h o s .
o f Agamemnon i n th e I l i a al
2
.
“
Y e a eve n Zeu s wa s blinded upon a time h e w h o t h ey sa y ,
’ ‘
a nd to Kronos so n Zeu s sh e sp a ke : F ather Zeus of th e b righ t
l ightning a word will I spea k to t h ee for t h y h eed T O day i s
,
.
-
” ’
beloved so n i n c ruel trava il at Eu rystheu s hest Wh en a t .
a s h is wife who i n the cou rse O f time bore h i m t h ree ch ild ren
, .
The M H H h ’
a dn e ss of er a k l es —
era kles .su cces ses e ated t he
wou nd the beast Going to Nemea Hera kles fou nd its trail
.
, ,
shield .
He ra k l e s , w e a ri n g t he p ro t e c ti n g l i o n s k i n in his-
,
l e ft h an d g ra s p s o n e o f t he hydra s m a ny h e a ds an d is
’
ab o ut t o c ut it o ff w it h t he s w o rd h e l d i n his r ight
ha n d . O n t he o p p o sit e s i de o f t he m o n s t e r t he he l
m e t e d I o l ao s is i m itati n g his m a s t e r s m a n n e r o f atta c k
’
.
W it h it s fr e e h e a ds t he hy dr a is biti n g fi e rc e ly at it s
a ss aila n t s Be h i n d He ra k l e s sta nd At he n e i de n tifi e d
.
,
b y t he b r a n c h o f o liv e i n h e r h a n d a n d He rm e s
,
T he .
i de n tity o f t he t h re e w o m e n n e xt Io la o s is un k n o w n .
Plat e IX) . Se e p 8 1
. .
84 G REEK AND ROMAN MYTHO LOGY
ity wa s soon put to t h e test for w h en h is own so n rep roved
,
Her a kles a nd gave h im some b razen cymb als by the clash ing
of w h ich h e compelled the b irds to ta ke to t h e a i r ; a nd a s t h ey
ci rcled above h is h ead h e s h ot them down one by one with
,
Ten th La b o ur
. Nea r th e d ista nt river of Ok e a n o s was a n
is land called Er yt h e ia where l ived G e ryo n e us so n of C h ry
, ,
dere d away from th e mai n herd and were lost i n t h e wild l a nds
88 G REE K AND ROMAN M YTHO LO G Y
theus b ut a s they were too d ivi ne for morta l keep ing they were
, ,
, ,
P LAT E X X I I I
r . HE RAK L Es AND N E R Eus
fr o n t o f h is b o dy ; ab o v e h is sh o ul de rs c a n b e s e e n t he r im o f a q uiv e r
a n d t h e e n d o f a n un st r un b ow H e s ta n ds wit h his f e e t w i de a a rt
g p .
so as t o b r a c e h i m s e l f a g ai n s t t h e s t rugg l e s o f N e re us w h o m h e h o l ds ,
ti g htly in h is a r m s T he se a g o d is s ho w n wit h h um a n he ad a n d
.
-
s h o ul de rs w h il e h is b o dy w h i c h h e la s h e s wi l dly ab o ut in h is e n
, ,
de a vo urs t o e sc a p e is th at o f a fi sh At t h e l e ft o f t h e p i c t ure
,
.
c ap e et a s s t rav e ll i n g h a t dr aw s n e a r t o t h e c o m bat
) and
, p ( )
o T h e , .
t w o fr igh t e n e d w o m e n o n e it h e r s i de m ay b e N e re i ds F ro m a bla c k .
2 . HER A K LE S
T H E C RE T AN BUL L AN D
He ra k l e s a s i n e w y a n d b e a rdl e ss yo ung m an is r un n i n g b e s i de t he
, ,
b ull a n d e n de av o ur i n g t o re ta rd it s s p e e d by p ulli n g ba c k o n it s r ig ht
h o rn . In h is r i ght ha n d h e is s wi n g i n g h is k n o tt e d c l ub p re p a rat o ry
t o de ali n g t h e c r e at ure a he av y bl o w He is lig h tl y c la d fo r h is st re n .
uo us ta s k w e a r i n g o n ly a s h o rt sl e e v e l e ss cb it on
, O n h is he a d is a
, .
e c ul ia r c a p wit h a c o n i c al c ro w n a n d a p ro j e c ti n g p e a k s uc h a s is
p , ,
o ft e n w o r n b
y H e r m e s a n d Pe rs e us A t h is l e ft s i de a pp e a rs t h e h ilt .
3 . HE RA K L Es AN D AP O LL O
He ra k l e s v e ry e a s il y i de n tifi e d by h is c l ub l i o n s k i n (t h e
c an be ,
-
l e gs o f w h i ch a re k n o tte d a c r o ss h is c he s t ) a n d t he q uiv e r o ut o f , ,
w h i c h fi ve sh a ft s a re p ro t rudi n g I n h is l e ft ha n d he g ra s p s o n e o f
.
t he l e gs o f t h e D e l p h i c t r i p o d w h i c h h e is t ryi n g t o w re st f ro m Ap o l l o ,
t h e pat h o f He ra k l e s a n d wit h h e r fa c e t o wa r d h im s ta n ds At h e n e ,
T h e w o m e n w ho w it n e ss t he c o n t e st c a n n o t b e i de n ti fi e d F ro m a .
( M o um
n t i I ri hi xvii Plat e XX I I I
en a c
) , S ee
p p ,8 9 9 0 . .
—
.
H E RAK LES 89
spou se ,
h e learned th at Euryt o s lord of the Eub o ia n city of ,
wearing the lion s s kin and wielding t h e h uge club Yet Hera
’
.
” 5
a n d to th e twelve sovereign gods I n the s p ace w h ic h h e
.
ensu e d I p h ikle s and the men of Tegea were killed but i n s p ite ,
T o t he l e ft o f t h e c e nt re o f t he p i c t ure a n Am a z o n ,
w e a r i n g a t urba n li k e h e l m e t a n d m o un t e d o n a ho rs e
-
,
w h o m o n e o f h is fe ll o w s battl e s wit h a n o t he r Am a z o n
atta c k i n g w it h a n axe Bo t h o f t he wa rr i o r w o m e n
.
-
a re c la d in ti g ht fit t in g g a rm e n ts c o ns p i c uo us by
-
re a so n o f t h e i r u lia r c h e ue re d a n d z i g z a g p at t hrn s
p e c
q .
A S TO R L E N O X A N D
T I L D E N F O U N DAT I O N S
,
L
H ERAK LES 93
I n Aito l i a a n d the Mo n t i n s
u a —
Hera kles c rossed th e Gu lf
.
time .
king of the Dori ans who wa s being beleagu ered by the Lapi
,
a p l ace well ada p ted for a n ambu scade w h ic h the vota ries of
A p ollo h ad to p as s on thei r sout h wa rd j ou rney to D e lp ho i ,
molested .
At last the moment a rrived for Hera kles to pu nis h the faith
less nes s of Eur yt o s Goi ng aga ins t Oic h al ia h e slew the king
.
,
T HES EU S
T H E S EU S AN D AM P H I T R I T E
T h e se us , a s l e n de r yo ut h w it h l o n g fai r hai r s ta n ds
,
o n t h e up t ur n e d h a n ds o f T rit o n b e fo r e Am h it r it e e n
p ,
t hr o n e d i n h e r p ala c e i n t h e de p t hs o f t he se a W it h .
h e r r i gh t h a n d t h e Q ue e n o f t h e W at e rs e xt e n ds a
gre e ti n g t o t he l ad wh il e i n he r l e ft she ho l ds agai n s t
,
h e r b re a s t t h e c ro wn wh i c h sh e wil l p la c e o n h is h e a d
a s a s i g n t h at h e is t h e so n o f Po s e i do n .Be t we e n h e r
a n d T h e s e us s ta n ds t h e n o bl e a n d un us ual l h um a n
y
fi gure o f At h e n e F ro m a re d fi g ure d hylz x b y Eup h ro
’
.
-
Se e p . 10 1 .
T HES EUS 97
S eco n d La b o u r —
At t h e Isthmu s of Cori nth lived S inis a
.
,
O p p ortu nity of doi ng his greatest deed for Ath ens for th e time ,
t he fa c e At t h e l e ft a L a p ith a n d a C e n ta ur a re
.
with t h e n e c k o f a b ro k e n j ar F ro m a re d—figure d
.
1 04 — 0 5 .
T HES EUS 10 1
ri ng to Mi nos .
’
b u ried h i s father s remai ns a nd p ai d h is vows to Apollo .
FI G .
4 . TH E S E US AN D T H E MI N OTA UR
Th e se us thl ti y u g m w it h hi l ft h d i t h Mi t u by h
, an a e c o n an , s e an se z e s e no a r a o rn ,
w h il w it h hi
e ig h t h d h i s r b ut t t h u t t t h m t w it h
an e h t w d
s a o o r s a e ons er a s or s or .
C mpo th i m
a re f k ill i g w it h t h t m t i
s an n e r o d i t h t t Th t w p t t
n a en o ne n e ex . e o s e c a o rs
of th t uggl m y b Mi
e s r e d Ai d
a F m
e d fig u d k t
no s an f t h fi fth r a ne . ro a re -
re r a er o e
t in ue d u nchec ked
,
its ravages among bot h men a nd c rops ,
.
Fr i en dship w i th P e i r i tho b s P e ir it ho o s h a d h ea rd of t h e
’
—
.
wa s p resent at th e wedding of P e ir it ho o s to D e i da m e ia i n th e
T H E S E US 10 5
fi c ie n t to en ab le h im to loos e P e ir it h o Os .
with h er h is own moth er Ait h r a wh ile to inc reas e his troub les
, , , ,
T H E V O Y AG E O F T H E ARG O
T he i n te rp re tati o n o f t h i s sc e n e is by n o m e a n s
c e rtai n. I t has b e e n e x p lai n e d a s de p i c ti n g a ba n d o f
At h e n ia n wa rri o rs ab o ut t o g iv e battl e t o t he Pe rs ia ns
i n t he p re s e nc e o f t h e g o ds a n d hero e s o f o ld .
G e n e rally h o w e v e r it is t h o ug ht t o re p re s e nt a g ro up
, ,
e p i s o de
. I f t h i s i n t e rp re tati o n is c o rre c t o n e c a n ,
e a s il e r c e iv e t h e a p ro p r iat e a e a ra nc e o f At h e n e
y p p pp ,
t h e divi n e p at ro n e ss o f t h e Arg o o f He ra k l e s w it h
, ,
c l ub a n d li o n s k i n a n d o f o n e o f t h e D io sk o uro i w ith
-
, ,
t h e e n d o f t h e fi ft h c e n t ury B C in t h e L o uv r e (F urt
. .
,
so n,
to s h a re th e d a ngers of th e a dventu re with h im .
“
h ere b u t we may sa y th at all of t h em were real h eroes th e
, ,
”
c rown of men l i ke gods i n figh t ma ny of whom we h ave met
, ,
”
with e ddies to th e isl a nd of Kyz ik o s t h e l an d of the D o lio n e s
, , .
fe l l before the bow of Hera kles After p roceed ing only a s hor t
.
h ero wan dere d bac k and fort h t h rou g h t h e fores t s earc h ing fo r
th e l ad b eing away so long th at h is friends o n t h e Argo forgot
,
h im a n d p ut to se a wit h ou t h im .
,
P L A T E XX V I I I
ME D E I A A T C O R I N T H
o w e st p a n e l B e g i n n i n g at t h e
l e ft t h e s c ul pt o r
(L ) .
h a s de p i c t e d s e rially t h e la s t s c e n e s in Me de ia s li fe at ’
C o ri nth . I n t h e fi rs t sh e di s m i ss e s he r t w o c h il dr e n
,
r i n c e ss w ra p p e d in t h e b urn i n g ro b e an d wit h he r
p ,
hai r a fla m e is w r it h i n g in ag o ny w h il e Kr e o n he r
, , ,
t o fi n d t he i r m o t h e r .I n t h e la st s c e n e Me de ia is
st e pp i n g i n t o t h e c h a r i o t draw n by wi n ge d dra go n s
, ,
O p p o rt un e ly s e n t t o he r by he r g r a n dsi re He li o s , .
D e n hm a l e r g i h
r ecischer un d r om sci he r Sculp t ur , N o .
Se e p . 1 15 .
1 12 G REEK AND ROMAN M YTHO LOGY
stood th e city a nd p al ace of Aie t e s while on th e ot h er w as t h e
,
Hera and Athene begu iled A p h rod ite to instil a p assion for
I a so n i n the heart of Nl e de ia one of the d aughters of Aie t e s
,
.
withou t her ass istance h e would h ave been hel p les s before
the tas k wh ich Aie t e s demanded th at h e accom p lis h a s th e
price of the fleece th is requ i rement b eing to ploug h a fiel d
,
yarns of s a ilors who i n very early times p enetrated the stra nge
,
PR I AM B E F O RE ACH I LL E S
l e ft ha d a p i e c e o f m e at w h il e w it h his ri ght ha n d he
n
r ai s e s a da gg e r o r a k n i fe t o h is li p s He s e e m s t o b e .
e n c e o f Pr ia m w ho s ta n ds b e fo re h im at t h e h e a d o f
,
a g ro up o f slav e s b e a ri n g a va ri e ty o f g i ft s T he .
b o dy o f He k t o r li e s li m p ly at full l e n gt h b e n e at h t h e
c o uc h I n t h e ba c k g ro un d c a n b e s e e n Ac h ill e s
’
.
so m e
g a rm e n ts F ro m a re d fig ure d skyp hos app a re n tl y
.
-
,
Se e p . 1
3 0 .
PELEUS AN D T H ET I s
T h e ti s t o e sc a p e f ro m t h e e m b ra c e s o f Pe l e us In t h e .
bac k g o un d t h e go dde ss a p p e a r s in h um an s ha p e w h il e
r
,
he r a ssum p ti o n o f t he f o r m o f a do l p h i n is s ugge st e d
by t he do l p hi n w hi ch she h o l ds in h e r r i ght h a n d T he .
li fi sh b e tw e e n he r a n d Pe l e us t he fla m e o n t he alta r
o n-
, ,
a n d t h e se r e n t ab o ve it s i m ila r ly su g e s t o t h e r o f h e r
p g
'
t h s fi ft h c e n t ury B C
(
o
) wit h a w h it e g ro un d fo un d at
. .
,
p . 12 2 .
C H AP T E R V I I I
T H E T AL E O F T RO Y
kee p h is word .
Th y estes .
at t he r i gh t o f t h e s c e n e T he m ai de n rai s e s h e r
.
h a n ds t o wa rd h e r fat he r Aga m e m n o n t h e v e il e d p e r
, ,
so n a e t o t h e l e ft in a la s t a pp e al fo r he l p B e tw e e n
g ,
.
h e r an d t he alta r t o w e rs t h e fo re b o di n g fi g ur e o f Ka l
c h a s c la d i n h is c e re m o n ial ro b e s a n d m e ditativ e ly
,
h o l di n g t h e s a c r i fi c ial k n i fe i n his r ai s e d r i gh t ha n d .
Hi gh in a ba c k g ro un d o f c l o ud a n ym p h is l e a di n g a
de e r t o Art e m i s w h o s e i m a g e fla n k e d b y h un ti n g
, ,
do g s sta n ds o n t he c o l um n b e s i de Aga m e m n o n
, .
m ann D ,
hm l
en a er d Ma ler i d s Alt er t ums N o
er e e , .
S e e pp . 1 2 5- 2 6 .
T HE T A L E OF T RO Y 12 1
sons ,
Peleu s a n d Tel amon a n d by a second a nother so n , , ,
to th e wors h ip of th e gods a nd so de a r wa s h e to t h em o n th at
,
th e father of T e uk r o s .
“ ”
b y a fals e etymology with not a nd
’
( ct
x e ik o s
, ,
h e j oine d th e h os t at Au lis .
12 4 G RE EK AN D ROMAN MYTHO LOG Y
a dmitted h is p retence but though h e consented to thei r re
,
to use a much les s di rect method F irs t of all h e b rou ght abou t .
be s a i d of h er :
h s t ro n g m e n s e y e s; sh e sn a r e t h t al l
’
She sn a r e t
C i ti e s; a n d fi r e f ro m o ut h e r e at e t h up
Ho u se s Such m a g i c h at h sh e , a s a c up
.
Of de at h
” 3
.
P a ris a s a rb iter .
An d t h i s P a r i s j u dg e d b e n e at h t he t re e s
T h re e C ro w n s o f Li fe t h re e div e r se G o dde s se s
, .
T h e g i f t o f P all a s w a s o f W a r t o l e a d ,
His E a st in c o n q ue r i n g b a ttl e s a n d m a k e bl e e d ,
T h e h e a r t h s o f He lla s He r a h e l d a T h ro n e
.
I f m aj e sti e s h e c r av e d t o re i g n al o n e
F ro m Ph ryg i a t o t he la st r e al m o f t h e W e st .
An d C y p r i s i f h e de e m e d h e r l o v e l i e st
, ,
P LA T E X XX I
HE K T O R T A K I N G L E AV E OF AN D R O M ACH E
O w i ng to it s la c k o f fe e li n g
t h i s sc e n e is a n i ma de
q u at e ill us t rati o n o f t h e fa m o us e p i s o de i n t h e s ixt h
He k t o r a n d An dro m a c h e Be hi n d t he fo r m e r his
.
dr iv e r K e b rio n e s is m o un t e d o n o n e o f t h e t w o c h a r i o t
h o r s e s w h il e b e hi n d t he latt e r s ta n d Pa r i s a n d He l e n
, .
T he fi g ure s a p p ro a c h i n g f ro m t h e s i de s a re n o t n a m e d .
F ro m a Ch a lk idia n é r t r o f ab o ut 5 50 B C in
a e . .
,
m a le r ei , No . Se e p . 120 .
T HE TA LE OF T RO Y 12 5
Beyo n d all h e av e n m a de dr e a m s ab o u t m y f a c e
,
An d fo r h e r g r a c e g av e m e [ i e He l e n ] An d 10 !
. . .
, h e r g r a ce
W a s j udg e d t he f ai re s t a n d sh e s t o o d ab o v e
,
T h o se twai n
” 4
.
, , ,
Ares u ntil thei r d ivine b lood flowed from gapi ng wou nds ,
though Glau kos gave gold armou r for b ronze for friends h ip s ,
’
sent a n emb assy to Ach illes bea ring a confes s ion of wrong a nd
p romises of amends B ut neither confessions nor p romises
.
T he m o st i s fe at ure s o f t h i s rat he r de
c o n sp c uo u
Ac h ill e s ta un t e d by T h e rs it e s fo r b e i n g t o uc he d w ith
,
b e h e a de d his a n n o ye r w ho s e m utilat e d b o dy is s e e n
,
l yi n g in t he l o w e r fo re gro un d T he e l de r ly Pho in ix
.
,
r l e x e d at t h e o c c ur re n c e s ta n ds n e a r Ac h ill e s in
p pe ,
t h e fa a de A b o v e t h e i r h e a ds h a n g va r i o us a cc o ut re
c .
m e n t s o f w a r a n d b e fo re t h e m o n t h e g ro un d n e a r
,
T h e rs it e s b o dy a r e se v e ral o v e rt urn e d u t e n si l s e m
’
b l e m at ic o f a sc e n e o f vi o l e n c e F ro m a la rge So ut h
.
I O
p .
3 .
T HE TA LE OF T RO Y 12 9
Books XI I I XVI I I
—
Wh en Agamemnon wa s on the p oi nt
.
—
“
before t h e G reeks s aying : I will now stay my anger I t
,
.
, , , ,
1 30 G REEK AND ROMAN MYT HO LOGY
ste p p ed forth from the c ity gates face to face wit h the v ic
t o r io us Ach i l les S truc k su ddenly with fea r h owever th e
.
, ,
T he p e rs o n age s o f t h i s t ra g i c ep i s o de i dentifi e d
a re
b y t h e n a m e s i n sc r ib e d b e s i de t h e m O re s t e s t h e
.
,
y o un g m a n i n t h e c e n t re t h rus t s h is s w o rd i n t o t he
,
o n t h e o pp o s it e s i de o f t h e va s e e n de av o urs t o w r e s t
)
fro m T alt hyb io s a do ubl e axe w it h wh i ch t o de fe n d
-
he r p a ra m o ur . T h e t e rr i fi e d m ai de n is C h rys o t he m i s ,
a si s t e r o f O r e s t e s w h o is b ut littl e k n o w n in le ge n d
, .
e a rl fi th c e n t ury i n V i e nn a rt w an le r
( y f ( F u g
Re ic hh o ld, G r iechische Va se n m a ler ei, N o . Se e
A 1
35
T HE TA LE O F T ROY 1 33
” 11
d ay mig h t raise agai n h is fal len land Toget h er the G reeks
.
.
, ,
“
The N o sto i ( Re tur n s
”
I n a ddition to Homer s Odys ’
p eninsu la
. After a delay c au sed by t h e de a th of t h e p ilot th ey
se t forth again bu t ere t h ey coul d rou nd th e p oi nt of th e
,
In t he h o ll o w Lo t o s l a n d t o l iv e a n d li e re c l i ne d
-
t h e h ill s l i k e g o ds to g e t h e r c a r e l e ss o f m a n k i n d 1“
”
On , ,
O D Y S S EUS S L A Y I N G THE S uI T O Rs
T he g ro up s o n e it he r s i de o f t he c e nt ral o rn a m e nt
c o n s tit ut e a si n g l e s c e n e . O dyss e us sta n di n g w it h
,
draw n b o w i n f ro n t o f t w o f r i gh t e n e d m ai d s e rva n t s -
,
e sc a e by c li m bi n g o v e r a c o uc h o n w h i c h a c o m
p
p a n i o n is f r a n ti c al l y de f e n di n g h i m s e l f a g ai ns t t h e
m i ss il e s by m e a ns o f a g a rm e n t h ung o v e r his a r m ; a
t h i rd s uit o r c ro uc hi ng o n t he fl o o r ho l ds a tabl e b e
, ,
fo re him a s t h o u h it w e re a s h i e l d F ro m a r e d
g .
m a ler ei , No Se e p
. . 1
39 .
T HE TA LE OF T ROY 1 37
,
’
I t h a k e and h a d bidden h im send h is mother s many wooers to
,
a s afe convoy to I t h a k e .
Books XI I I XX IV —
—
Th e next d ay a magic s h ip of t h e
.
Odys seu s led a gai nst h im h e killed his father in the confl ict
, ,
T H E AF T E RW O R L D
b elief a s to wh at th e sou l rea lly was they fra nkly a rgu ed from ,
h eaven Yet all its thoughts a n d des ires were fa int a nd futile
.
,
p al e fl o c k s f all en a s l e av es ,
T h i s de s i g n is sk e t c h e d w it h
y ll a rs e
o wi sh li n e s
co e
o f gla z e o n a w h it ba c k g ro un d C h a ro n a tall a n d
e .
,
r at h e r un gai n ly b e a r de d m an o f a n o t un k i n dly c o un t e
n a n c e sta n ds at t h e s t e rn o f h is b o at a n d l o o k s s t rai g ht
,
b e fo re him at a ti ny w i n ge d s o ul de sc e n di n g t o wa rd
him fro m t he r i g ht He is c la d in a s ho rt b e lt e d
.
,
c hi t o wit ho ut s l e e v e s a n d h a s h is p et a sos h a n gi n g by
n ,
a c o rd at t h e ba c k o f h is he a d He l e a n s w it h h is
.
l e ft ha n d o n a l o g p o l e t he l o w e r e n d o f w h i c h re s t s
n
,
in t he wat e r wh il e wit h h is ri g ht h a n d h e s t e a di e s
,
h i m se l f o n t h e up c urvi n g s t e r n o f h is b o at b e h i n d
-
,
w h i c h a c l um p o f r e e ds is gro wi ng F r o m a w h it e .
S e e p p 8 9 90
.
—
.
1 44 G REE K AN D ROMAN MYTHO LO G Y
virtu e of h i s being the wisest in deed a nd i n cou nsel among
mortals was given the p rinci p a l p lace among th e j u dges a n d
, ,
i n Ha des .
tol d Odys seu s one by one th e sorry tales of thei r last d ays
, , ,
glory of N e o p t o le m o s among
the living ; Aias still b roodi ng ,
6
T it yo s S isyp h o s Ixion a nd , , ,
T h i d ig d p i t
s es n u u u l v i t
e
away
c s an
down th e strea
n
m of
s a
O ke ar an
o f t h t y t h t t ll
e s or f t h d t h f Ai
a e s o e ea o a s,
th e so n o f T l m Ai
e a b di g von .a nos From th e account of th i s
a s, ro o n o er .
h i d f t b y Od y
s e ea u i th t t f vis it of Odys seu s to Ha des a s
sse s n e co n e s or
th e ar m f A h ill
s o h c tidi vi t e s, as r e n a n o ,
k ill h im l f seAt h . w pp b f
ene it sta nd s i n th e Odyssey itself
no a e a rs e o re
,
h im and p i t ut t
o n s h im vul b l
o o a n e ra e
more n b e learned of t h e pre
p t i w hi h t p lu g
s o n c h i o w d F m n e
c a s s or . ro
an i i d d ig
n c se es Et u n bon
va iling G reek conceptio n of
an r sc a n ro n z e
mi f t h th i d
r ro r o e tu y B r w i thce n r C .
, no n e
t h e s tate of t h e d ead t h a n from
.
Mu um f F i A t B t
se o ne r s, os on .
t he w he e l ,
a ft e r t he m a n n e r o f a rc h ai c a rt de n o t e
r a i d r e v o l uti o n T h e fl o w e r b e s i de I xi o n s r i ght fo o t
’
p .
s e rv e s o n ly t o fi ll up t h e s p a c e b e t w e e n t h e s p o k e s .
F ro m a n E t r us c an b ro n z e m i rr o r o f t he fo urt h o r t h i rd
c e n t ury B C in t he Briti sh Mus e um (A B C o o k
. .
,
. .
,
Ze us i Plat e X V II ) Se e p 1 44
, ,
. . .
14 8 G REEK AND ROMAN M YTHO LOGY
of the fai r h ai r where l ife is easies t for men N O s now i s
,
.
THE G REE K G O D S
1 52 G REEK AND ROMAN M YTHO LO G Y
l i neaments a s it were of a grea t com p os ite Zeu s who wou l d b e
, ,
The Or ig i n a l S ig n ifi c a n ce o f Z e us —
Zeu s wa s t h e great
.
so- c alle d I ndo —Eu ropea n race nor does th e p re domi nati ng im
,
, ,
r , , ,
“
( Fath er Zeu s we c a n read ily perceive a p a rallel to th e
Lati n I up p it e r (D ie sp it e r ) a n d i n the I ndi a n Rig Ved a th e
,
”
p h ras e dya n p ita r Fath er S k y ) occu rs i n severa l pa s
s ages I n most i ns ta nces th e non celesti a l fu nction s of Ze u s
.
-
o f h is h e a d is sup p o rt e d by r at h e r t h a n s u p o rt s a
, , p ,
sc e pt re T h e t re at m e n t o f t h e fa c e b e a rd a n d h ai r
.
, ,
is si m ila r t o t h at o f t h e Z e us o f O t r i c o l i. T h e sli gh t
fo rwa rd t h rus t o f t h e he a d a n d t he m uch l e ss fo rm al
,
g ra s p o f t h e sc e p t re t o ge t he r w it h c e rtai n o t h e r fe at
,
ur e s di ff e re n tiat e t h i s ty p e fro m t h at o f t h e O l ym p ia n
,
Z e us o f Ph e idias F ro m a Ro m a n b ro n z e c o p y o f a
.
se um o f Art , N e w Y o rk hot o r a h
(p g p ) .
T HE G REAT ER GOD S — Z EUS 1 53
p ale w it h fear .
Un l ike the other gods h e obs erved a s tri ct neu tral ity i n
,
7
s uspicion .
“ ”
a warning th at a so n of Meti s ( Constructive T h ough t )
woul d be more powerfu l th a n h is fath er Zeu s h e swallowed ,
two aspects of the ea rth god dess T h e c h ief nym p h s with whom .
“ ”
d ram ati c poets th e u n qu a l ified u s e of Oeo s god i nvariably ’
, ,
“ ”
refers to Zeu s who was th e Fa th er of god s a n d men chiefly
, ,
p ower h e lessened
,
the popu lation of t h e ea rt h by ma king men
s laughter one a noth er i n th e great Wa r of Troy On th e oth er .
T he c h i e f s i gn ifi c a n c e o f th i s sc e n e in lo w r e li e f is
t hat it is t h e e a rl i e st c e rtai n r e p re se n tati o n o f Z e us ,
a n d sc a rc e l l e ss i m p o rta n t is t he t ra ns p a re n t E up h r a
y
t e a n styl e o f it s c o m p o siti o n an d e x e c uti o n Fla n k e d .
n ia n e p i c h e r o G il g a m e sh ,
a s de p i c t e d o n t h e se al
T h i s c o n c e p ti o n o f Z e us a s a m a n in t h e p r i m e o f
li fe rat h e r t h a n as a n i n fa n t is t rue t o a n a n c i e n t
C re ta n m yt h r e c e n tly re c o v e re d T he wi n g e d fi g ure s
.
,
e a c h b e ati n g a ai r o f t m a n a a re e vi de n tl K o ure t e s
p y p , y .
c av e o f Z e us o n Mo unt I da in C re t e A B C ook
( . .
,
Ze us i Plat e XXX V) S e e p p 1 54 55
, , . .
— .
1 60 G REEK AND ROMAN MYTHO LOGY
Kyklopes were th e wea p on s wit h wh ich h e overt h rew t h e
,
“ ”
wa s sometimes qu alified by e p ith ets li ke Wa r Lord a n d -
“ ”
B ea rer of V i ctory yet h e wa s seldom known p u rely a s a
,
resu lts of c a p rice alt h ough th eir su dden nes s might often lea d
,
. .
“
Y et des p ite all this sh e i s th e noblest of th e god desses
, , ,
“ ”
i n a great luxu riou s calm a nd sh e i s too a h elpful goddes s
, , ,
T hi s stat ue s q ue a n d m aj e s ti c fi gure re p re se n t s He r a
as t h e u e e n o f t h e i m m o rtal s O n h e r h e a d sh e w e a r s
q .
a c h a st e ly o rn a m e n t e d go l de n dia de m fro m b e n e at h
,
vi s ibl e t h ro ug h it a n d o v e r t h i s ha n gs a c l o a k o f s o m e
,
h e r e x p o se d l e ft sh e h o l ds up r i gh t a l o n g s c e p t re s t udde d
wit h go l d fro m t o p t o b o tt o m F ro m a hylix wit h a
.
’
reflect thei r moth er s c are for women i n ch ildb ed .
regarded a s a ra i n b i rd wa s s acred to h er a nd P o ly k le it o s
-
, ,
go ddess a n d never wo ke
,
.
T H E G REAT E R G O D S — AT H EN E
“ ”
from ct Hsj vi o v ( withou t moth er s mil k ) a nd i nterp rets i t either
’
-
’
“
n atu ral affinit y for O dysseu s a nd on th e p rinci p le th at God
,
” 2
j oiced . I n a v a ri a nt form of th is m y th B rontes one of th e ,
AT H E N E
fro m a p ai r o f fl ut e s lyi n g o n t he g ro un d b e f o re h im .
T he go dde ss a s e l f p o ss e ss e d a n d t ho ro ugh ly m ai de n l y
,
-
i s ab o ut t o t ur n away t o t h e l e ft a s t ho ug h i n s ti n c tiv e ly
awa re o f h e r n ativ e s up e ri o rity t o t h e h al f b e sti al-
c re at ur e n e a r h e r . T h e C o r i n t h ia n h e l m e t t h e c r e st
,
o f w h i c h is l o s t h ére s e rv e s o n ly a s a m e a n s o f i de n
,
t ifi c a t io n
. T h i s stat ue is a p p a re n tl y a re p l i c a o f t he
fi rst c e n t ury B C o r A D o f a b ro n z e o ri gi n al by
. . . .
n o w i n F ra n k fo rt
(7 H A I x ii P ,
lat e II
).
172 G RE E K AND ROMAN MYTHO LOGY
a nd for t h ei r control devis ed t h e b it a n d b ridle wh ile from ,
wh e re fi r st fro m t h e e a r t h
Th e g re y—g l e a m i n g fru i t o f t he m ai de n
At h e n a h a d b i r t h
” 3
.
p a rticul a r
.
T H E G REAT E R G O D S — L ET O , AP O L L O ,
ART E M I S ,
H EK AT E
LE T O
FIG .
7 . AP OLLO AN D T I TYOS
Ap o ll o , h
s ow n t y ut h w it h l g h i i t id i g f w d w it h
a s an e ff e m in a e o on a r, s s r n or ar a
d ub l
o i hi ig h t h d T h b k w d l k t h b t k
e a xe n s r an . d th
e w i gi g
ac ar oo , e en n e e s, a n e s n n
ar m f T it y
s o t g th i d i t t h g i t g t f
os o e er n d p id fl igh t F m
ca e e d an
’
s re a e ar an ra . ro a re
f g u d Atti
i re mp h f th N l
c a ty p f u d t G l (M um ti A ti hi xviii
or a o e o an e o n a e a on en n c , ,
P l t X)a e .
’
A p ollo s i nitia l fu nction i s by no mea n s certa i n nor h a s a ny ,
T H E AP O L L O BEL V E D ER E
T he p o s iti o n o f t he
g s
o d, ta n di n g as h e is wit h his
fe e t w e ll a p a rt an d e xt e n di n g o n e h a n d fo rwa rd w h il e
t h e o t h e r dro p s al m o s t t o h is s i de s ugg e s t s t h at h e h a s
,
j us t s ho t a n a r ro w fr o m his b o w an d wit h h is e ye is
fo l l o wi n g it s di sta n t fli g ht .T h i s i n t e rp re tati o n is
c e rtai n ly in ha r m o ny w it h o t h e r re p re s e n tati o n s o f
h im alt h o ug h h e re he s e e m s t o b e p layi n g t h e r ble o f
,
a rc he r b e fo re a t h ro n g o f a dm i re rs rath e r t ha n t o b e
e ng a g e d in t he s e r i o us b us i n e ss o f h itti n g a l ivi n g
c h a ra c t e ri sti cs h av e b e e n i de al i z e d a w ay F ro m a
.
m a rbl e (a c o p y o f a He ll e n i sti c b ro n z e ) in t he Be lv e
de re o f t he V ati c a n (Br un n Br uc k m a n n D en hm aler
-
,
p i an s a nd confers o n P a n da ro s and T e uk ro s s ki l l i n th e u se of
th e bow bu t thou gh h e wield s th e bow a nd occasionally takes
, ,
Creta n p rovenance 3
.
a nd may h ave a ri sen from Oriental i nflu ences ; and from thi s
5
,
and the twig of lau rel i n th e h ai r are a lmost consta nt attrib utes ,
si ngly or j o i ntly .
ART E MI S
”
Members ) i s thou ght to d escribe he r a s t h e demon of a d is
ease p erh ap s of le p rosy wh ich s lowly devou rs th e memb ers of
, ,
No i n sc ri pti o n is n e e de d t o m a rk t hi s s tat ue a s t h at
L a dy o f t h e Be a st s O n he r h e ad r e s t s a n
”
o f t he .
e lab o r at e c r o w n o n t h e t o o f w h i c h is a e r fo r at e d
p p
b o rde r o f a n i m al fi gure s w h il e t he ba n d p a ss i n g o b
,
l iq ue ly o v e r h e r b re a st is o rn a m e nt e d wit h a s o m e
w hat s i m ila r de s i gn in re li e f As t h e go dde ss ste p s
.
B r un n Br uc k m a n n er g r ie hi scher un l r bm
( D h l
'
a
’
-
,
en m c a
ischer Sc ulp t ur , N o .
1 84 G REE K AND ROMAN MYT HO LO G Y
a lmost certai n i dentity wit h Kallisto Atal ante t h e mou ntai n , ,
p oi nt.
water go ddess being i nvo ked for instance i n th e sea rch for
-
, , ,
HE KAT E
” “
designating h er a s t h e Fa r Sh ooter or a s th e one who comes
-
from a fa r .
He k at e . W it h t h e i r ba c k s t o t h i s a s at t he t hre e
o i n t s o f a n e uil at e r al t r ia ng l e s ta n d t h r e e si m ila r
p q
fi g ure s sti ffl y a rc h it e c t ural i n c ha ra c t e r o f He k at e
, ,
li ghtly a n d g ra c e fully h a n d i n h a n d F ro m a s m al l
.
i n t he c o ll e c ti o n o f He i n ri c h G r a f L e m b e rg o f Aus t r ia
Hun ga ry (7 H AI x iii Plat e I V)
, .
C H APT ER I V
T H E G REAT E R G O D S ARES
HE Or ig i n A
T
an d the N ame f
obs cu re i s the origi n
o r e s . SO
of Ares th at we a re sc arcely i n a p osition even to entert a i n
a s u sp icion a s to wheth er h e c ame from with i n or from without
H ella s Ce rtai nly h is cu lt wa s most deeply rooted i n Bo io t ia
.
“ ”
to th e imagin ation to connect it with ap a a cu rse By '
,
.
e x ce l l e n ce .
”
“
i n love not qu ite legitimate th e nymp h Mai a bore Hermes
,
He t r i e d t he c h o rds an d m a de div e r s i o n m e e t
,
P r e l u di ng w i th the p l e c t ru m a n d t he r e we n t
,
Up fro m b eneath h is h a n d a tu m u l t s w e e t
Of m i g hty s o un ds a s fr o m his li p s he sent
,
A s t r ai n o f un p r e m e di t a te d w it
J o yo us a n d wil d a n d w a n t o n such yo u m ay
He a r a m o ng re v e ll e r s o n a h o li day ” 2
.
“
An o x-st e al e r sh o u l d b e b o t h t all a n d s t ro n g ,
An d I a m b u t a li ttl e n e wb o r n t h i n g ,
W h o y e t a t l e a st c a n t h i n k o f n o t h i n g wro n g
, ,
My b u si n e ss is t o suc k a n d s l e e p a n d fl i n g
, ,
T h e c r a dl e Cl o thes ab o u t m e all da y l o n g
-
,
Or h al f a sl e e p h e a r m y s w e e t m o t h e r si n g
, , ,
An d t o b e wa sh e d i n wat e r c l e a n a n d wa rm ,
An d hushe d a n d k i sse d a n d k e p t s e cu re f ro m h a rm .
a mu sed at Hermes tra ns p a rent l ies d ismi ssed them both with
’
“ ”
th e a dvi ce to com p ose th e affai r by arb itration D e p a rting .
“
He rm es wi t h G o ds a n d m en e v e n fro m t h at da y
Mi n g l e d a n d w ro u g h t t h e l att e r m uch a nno y
, ,
An d littl e p ro fit g o i n g f a r a st r ay ,
T h ro u g h t h e dun n i g h t
” 4
.
d isch a rge of t h ese du ties h e fi rst of a ll bec ame con nected wit h
necroma ncy or conj u ri ng of the dea d a n d l ater i n consequence
, , ,
T h i s fa m o us s tat ue a p p a re n tly re fe rs t o t h e T h e ba n
l e ge n d w hi c h re lat e s t hat D io n yso s j ust a fte r h is bi rt h
,
f ro m t h e t h i gh o f Z e us a n d p r i o r t o h is s o j o urn wit h
t h e n y m p h s o f Mo un t N s a w as ut i n t he s a fe
y , p
k e e p i n g o f He rm e s . Praxit e l e s h a s s e i z e d o n t h i s
b r i e f p e ri o d a s t he s up re m e m o m e n t in t he c a re e r o f
He rm e s fo r r e v e ali n g h im a s t he i de al p ro te c t o r o f
b o y s an d yo ut hs In l o o k i n g up o n t h i s h igh l y s p i rit
.
ua l iz e d c re ati o n o n e fo rge t s t h at t h i s g o d w a s t h e
divi n e p r i n c e o f k n av e s a n d lia rs . F ro m t he o ri gi n al
m a rbl e o f Prax it e l e s (fo urt h c e n t ury di sc o v e re d
i n t h e He ra io n at O l ym p ia (Brun n Bruc k m a n n D en h
-
,
r om sc .
C H AP T E R V I
T H E G REAT E R G O D S — AP H RO D I T E
AN D E RO S
APHROD I T E
HE Or igi n a n d the N a m e of Ap hr o dite I t i s a lmost im
.
, ,
by th e h a nd of D iomedes .
3
new generations of p l ants .
se e a ny good i n women ,
vowed h imself to lifelong celib acy .
ra ised a p rayer
O Ap h ro dit e k i n d a n d f ai r
“
, ,
T h at w h at t h o u w il t c a ns t g iv e ,
Oh li st e n t o a sc u l p t o r s p r ay er
’
, ,
An d b id m y i m a g e liv e !
Fo r m e t h e iv o ry a n d g o l d
T h a t c l o t h e h e r c e da r f r a m e
Are b e a u ti ful i n de e d b u t co l d ;
, ,
Oh t o uch t h e m wi t h t h y fl a m e !
” 4
,
n amed .
E R OS
He is i g i n g fo rw a rd l ightly p o i s e d o n t h e
sp r n ,
t o e s o f h is r i g ht fo o t T h e l e ft a rm is e xt e n de d fo r
.
wa rd a n d h o l ds t h e so c k e t o f a t o rc h ; t he ri ght is
l o w e r e d a n d he l d o bl i q ue l y fro m t h e b o dy wit h fi n ge r s
e xt e n de d . He is n ude a n d wi n ge d t he fe at he rs o f ,
t h e w i n gs b e i n g i n di c at e d o n t he fro n t s i de by i n c i s e d
t uft w h i c h is gat he re d ab o ut t he c e n t re o f t he h e a d
a n d b rai de d .
T h i s fa m o us s tat ue is o n e o f t he fi n e st r e p re
se n t a t io n s o f E r o s k n o w n T h e a rti s t h as a dm i rably
.
succ e e de d in c o n v e i ng t h e l i g ht n e ss a n d g ra c e a ss o
y
c iat e d in o ur m i n ds wit h t h e c o n c e pti o n o f E ro s .
in g h a p p y fa c e
, (M i”
ss G M A R i c.h t er . G .re k ,
e ,
Et usca
r n nd a Rom a n Br on z s in t he Met r opolit e an
Mus um of A t p p 8 5
e r ,
. F ro m a He ll e n i s ti c
b ro n e in t h e Me t ro p o lita n Mus e um o f Art N e w
z
,
Y o rk hot o r a h
(p g p ) . Se e p p . 2 0 3— 04 .
T HE G REAT E R G OD S —
A PHROD I T E 201
wh ich t h e l iones s tore and left smeared with b lood Reach ing .
p ont ,
l ived a b eau tifu l maiden c alled H ero who u sed to tend ,
a n d head cloth -
a nd with one h a nd eithe r ou tstretch ed or
,
294 G REEK AN D ROMAN MYTHO LOGY
old G ree k fol k tale possess i ng a religiou s s ignific ance its ex
-
,
T H E G REAT E R G O D S H EP H AI S T O S
AN D H E S T I A
HE PHAI ST OS
HE Or ig in H
T
an d the N ame W h ateve r m ay
i
f
o e p h a st o s .
“
h e s ays wa rni ngly to Hera he [ i e Ze u s ] c au ght me by th e
,
. .
2 06 G REE K AND ROMAN MYT HO LOG Y
foot a nd hu rled me from th e he avenly th reshold ; al l d a y I
flew a nd at th e set of sun I fell i n Lemnos a nd little life wa s i n
, ,
” 1
me T here did th e S i nti a n fol k tend me for m y fa ll
. Th e .
p orte d ,
cou l d e nter a nd de p a rt fro m th e h all of Zeu s Th rough .
t ha r os. T he s ho rt a n d m e rry p ro c e ss i o n is l e d b y a
S atyr wit h a ho rs e s tail a n d p o i nte d e a rs w h o a s h e
’
o e s al o n s e e m s t o b e da n c i n g t o t h e a cc o m a n i m e n t
g g p
o f his o w n ly r e .F ro m a re d fig ure d hr a t er o f ab o ut
-
the s ixth centu ry grossly c a ric atu red h i s lamenes s bu t oth ers ,
HE ST IA
tion Th ere her i nviol ate p u rit y i s enh a nce d by contras t with
.
res s of the conti nu ity of the family life ; bu t wh ile Hera s too d
for th e government of th e hou sehold Hesti a t y pified rather
,
a nd all litu rgi ca l a cts i n both p ub l i c and p rivate life were p ref
a ced by a S p eci al recognition of her wh ile th ere a re some rea
,
T H E G RE AT E R G O D S — P O S EI D O N
AN D AMP H I T RI T E
POS E I D ON
HE Or ig in an d the N a m ef o I
P o se i do n
f we consu lt only
.
” ”
a n d I r vo s o r 17
a 09
19 12a name of Crete ma kes the su ggestion
, ,
T his c o n c e p ti o n o f Po s e i do n is i n fi n it e ly n o bl e r
t h a n t hat a p p e a r i n g o n p 6 alt ho ugh t he t w o p o r
.
,
t rait s e n do w h im w it h t he s a m e att r ib ut e s He re t he
.
o d s e e m s t o h av e j us t e m e rg e d fr o m his h o m e b e n e at h
g
t h e wav e s a n d n o w
, ,
sta n di n g as o n a n e m i n e n c e a n d
surv eyi n g h is va s t do m ai n s is ab o ut t o c r o ut t o t h e
, y
e l e m e nt s t o o b e y h is w ill . F ro m a lat e He ll e n i sti c
m a r bl e (s e c o n d o r fi rs t c e n t ury fo un d in Me l o s
a n d n o w i n At h e n s B r un n Br uc k m a n n
( D en hm a ler
’
-
,
g i h
r ecischer un d r om ischer Scul t ur , N o
p .
5
T HE G REAT E R GOD S P O S E IDON 2 13
3
h imself .
of though t .
P o se ido n i n Ar t
. Art received its model of Posei don from
Homer From th e b est period onwa rd h e a p pears a s a well
.
i s often diffi cu lt .
AMP HI T RI T E
g o r ic a l figu re wh
,
ile i n th e Od yss ey sh e h a s become i nvested
’
Th e route of Dionysos s a p proa ch to G reece p res ents more
difficu lties th an the qu estion of h i s nativity Few believe t h at .
him i ntimately with the ea rth god des s of th e region who s eem s ,
E le ut h e r a i .
p h a i stos i,
n wh i ch sh e p l aced th e ashes of Ach illes .
l a n d to b e a r .
a n d ka n t ha r os s de p i c t e d as a bib l
t hyr sos , ) i u o us
h is r i g h t is a tymp a n on s up p o rt e d in a n o bli q ue p o si
ti o n a n d at h is l e ft a p a n t h e r h i gh ly s ugg e stiv e o f t he
, ,
p ai n ti n g is r e m a r k abl e fo r it s bl e n di n g o f s o ft fl e sh
ti n ts dai n t y bl ue s o f t h e dra p e ry an d t he de l ic at e
, ,
w h it e o f t he t h ro n e ag ai n st a n un re li e v e d bac k gro un d
,
o f r i c h re d . F ro m a wall p ai n ti n g i n t he C a sa de l
-
, ,
” 9
mingl e the mu s i c of th e fl ute a nd to b ring su rcease to ca re
i s tra ns pa re nt th roug h t h e text of a ny of the works of t h e great
d ra ma tists .
were made s p eci a l occ a sions for mu sica l p erforma nces b ut only ,
d ate.
self.
th e gods .
P L AT E X L I X
D I O N Y S OS I N THE SH I P
t w o s t o ut vi n e s tal k s c la m b e r up t h e
- m a s t at t he ,
p e a k o f w h i c h t h ey s e n d o ut s p re a di n g b r a nc h e s la de n
wit h gra p e s a n d l e av e s T he do l p h i n s i n di c at e t h at
.
t h e sh i p is afl o at i n t he se a b ut t h e p ai n t e r g iv e s n o
,
h i n t w he th e r t h e y r e p re s e nt t h e t ra n s fo rm e d p i r at e s
o f t he lit e r a ry m t h F r o m a bla c k fi ure d
b l l by -
y .
g i s:
m a ler e i , N o . Se e p . 2 19 .
KA S TO R AN D PO L Y D EU K ES AT HOM E
fa m ily o f T y n da re o s e x c e p ti n g He l e n i n t h e i r S p a rta n
, ,
ho m e ; p ro c e e di n g fro m r i ght t o l e ft t h e y a re T yn
da re o s h i m s e l f a b o y s lav e K a s t o r L e da a n d Po ly
, , , ,
de uk e s . T h e w h o l e s c e n e is e l o q ue n t o f a do m e sti c
h a rm o n y w h i c h i n c l ude s e v e n t h e a n i m al s o f t h e
h o us e ho l d . F r o m a bla c k fig ure d a mp hor a b y Exe k ia s
-
( latt er
p a rt o f t he s ixt h c e n t ur
y i n t he V a t
No . Se e p p . 24 ff .
C H AP T E R X
T H E G REAT E R G O D S —
D EMET E R,
K O RE, H AD E S
D E ME T E R AN D K ORE (P E RS E P HON E )
th e O l ym p ia ns nor h a s S h e a ny p a rt to p la y i n th e actio n of
,
“
details . Demeter d ivi ne one of god des ses mi ngling i n love
, ,
ness .
”
Homer a dds t h at w h en Ze u s lea rned of t h e d eed of
I a sion h e smote h im dea d with a thu nderbolt T h i s myt h
,
.
,
j e c t s of h er ca re Al l operations on th e fa rm al l pa rts of t h e
.
,
FI G . 8 . TRI PTOL E MO S
T ri pt olem o s is se tti g f t h
n or on b g t
h is m issio n t o r in t h e c e re a l fr ui s a n d t he k n o w l
edg g t
e o f a r ic ul ure t o m a n k in d v ll d y p
I n t h e e rsio n fo o w e b t he a in t e r t he c a r is n o t
.
d yd g
r aw n b r a o n s, b ut flie s t ro u h gh p
s a c e o n w in e w ee s P e r a s t h e w e e w a s
gd h l . h p h l
g lly
o r i in a t he sun s isk
’
d F ro m a re d-fig ure d lekythos o f t h e fi f ce n ur B C , fo un a t
. th t y . . d
G e a (Mo n um e n ti An tichi, x ii, P a e X X)
l v l t I .
of th e la n d T ri p to l emos Eum o lp o s D io k l e s a n d K e le o s s h e
, , , , ,
MYS T I C RI T E S AT E LEU SI S
T he p ro p e r o rde r a n alys i s o f t h i s s c e n e p ro c e e ds
o f
fro m l e ft t o r i g ht F i rst o n e O b s e rv e s a gn a rl e d a n d
.
,
e n c e s away f ro m t h e s a n c t ua ry N e xt t he r e is a n
.
,
alta r f ro m w h i c h ri s e s a fl a m e s urro un de d b y a c i rc l e
o f f ruit s. T h e fi rs t t w o h um a n fi g ure s a re t h e yo ut h
f ul Ia k c ho s a n d D e m e t e r t h e latt e r s e at e d o n a f aw n
,
sk i n sp re a d o v e r t h e so c all e d m s ti c c h e s t
-
y ab o ut ,
w h i ch a s e rp e n t h a s w o un d it s c o il s T he he a dl e ss .
fe m al e fi gure n e xt i n o rde r is K o re i n t he r ol o f ,
e
divi n e hi e ro p h a n t w ho wit h l o w e re d to rc he s is c l e a n s
,
in g t h e s o il j us t as D e m e t e r p ur i fi e s t h e ai r with a
fl a m e h e l d al o ft O n t h e t h ro n e o f e x p iati o n s it s t he
.
h i e ro p h a n t b o w s o v e r a l o w alta r o n w h i c h t h e fl e s h
o f t h e r a m is b e i n g b ur n e d a n d wit h his r i gh t h a n d
,
o u r s wat e r o n t h e fi re O n t h e o o s it e s i de sta n ds
p .
pp
D i o ny so s gra s p i n g a t o rc h a n d at t he s a m e ti m e p o ur
,
in g a li q ui d p ro bably w i n e f ro m a ka t ha r os up o n
, ,
n
t h e fl a m e o f t h e alta r Be h i n d t h e g o d is a fe m al e
.
F ro m a re li e f o n a m a rbl e s a rc o p hag us fo un d at T o r re
N uo va (RMi t t xxv Plat e I )
.
, S e e p p 2 31 32
. .
— .
2 32 G RE E K A N D ROMAN M YTHO LO G Y
neighbou r doing th e s a me th ing a s h imself a nd p resumably ,
i n fact When th e sec ret rites were over the festival ter
.
,
th at they strengthe ned the fi ner feel ings a nd rel ied les s u pon
wanton extrav a g a nce of action ; a nd many a d es p ondent m a n
bec a me filled with a s avi ng h ope at t h e t h ough t t h at h e t o o , ,
a sceptre .
HAD E S
”
n ame wh ich to the G ree k s ignified th e u nseen betrayed at
, ,
a re by no mea ns certai n .
consequ ence the wors hip of Hades dwi n dled away and th e
,
doub le of Hades .
a s the lord of th e dep arted but if so h e cou ld sca rcely h ave been
, ,
a n d divi ne .
T HE L ES S ER G O D S —
OF T HE C I RC L E O F
Z EU S , O F L I G HT , AN D O F H E AT
OF T HE C I RC LE OF Z E US
URYN OME W e h ave a lrea dy met wit h Eu rynome t h e
E
—
,
.
Ch a r i tes —
Eu rynome i s best known t h rou g h
the Ch a rites th e lovely d au gh ters w h o b lessed h er ma rriage
,
HEL I OS
by fo ur wi n ge d ho rse s o ut o f t h e e a st e r n se a a n d t he
, ,
fi g ur e d k a t o f t h e fi rst p a rt o f t he fi ft h c e n t ury
r er
B C
. . in t h e Br iti sh Muse um (Fun w ii n g le r Re ic hh o ld
,
-
,
T H E HO R A I
T h e Ho ra i (t h u s n am ed b
y t h e a rti st
) a r e h e re
r e p re s e n t e d in t h e i r o r i g i n al C h a ra c t e r a s divi n iti e s o f
s e e m s t o b e a fi g b r a n c h ; t h e s e c o n d b e a rs t w o
-
b ra n c h e s t h e la rge r o f wh i c h is la de n w it h p o m e
,
ra n at e s ; a n d t h e t h i rd ho l ds a l uc k e d fr uit o n t he
g p
t ip o f h e r ha n d . F ro m a re d fig ure d hylix o f t he
-
were d ivo rced from n atu ral obj ects as su ch a nd stoo d for those ,
song of Horace :
N o w C yt h e re a l e a ds t h e da nce , t h e b r i g ht m o o n o v e r h e a d ;
“
T h e G r a c e s a n d t h e N y m p hs , t o g e t h e r k n i t ,
Wi t h r hyt h m i c fe e t t h e m e a do w b e at , wh il e Vu l c a n , fi e ry r e d,
He at s t h e C y c l o p i a n fo rg e i n Ae t n a s p it
’ ” 1
.
sio d ,
were Eu nomi a Di ke a nd Ei rene
2 38 G REE K AND ROMAN M YT HO LOG Y
“
Th a llo Au xo a nd K arpo ( F ru it
bu t we c annot b e su re t h at these a re t h e o ff i ci a l n ames .
“
th at t h ey were the menta l tension th at relieves i tself i n
”
p ro p hecy a nd song t h e stres s to wh ic h Ten nyson a lludes
,
3
w h en h e s ays th a t
Fo r t h e un q u i e t he a r t a n d b r ai n
A use i n m e a su red l a n g u a g e l i e s.
p erson a l ities took p lace onl y late a n d not a l ways a long logic a l
lines T h e ni ne were formally divi de d a s s hown i n th e a p
.
,
K ll i p aSw t V i d )
o e H i Ep i ee - o ce W iti g t b l t
”
e ro c c r n - a e
E s
Po Kl i e o Hi t i l Epi S ll w iti g t b l t
s o r ca c c ro or r n - a e
i ( H v ly At m i l Ep ic G l b
“
Ou ra n a ea en s ro n o ca o e
E t ( L v li ra o
“
o L v ly i
e n e ss Zit h o e- r c er
L RI
T p i h er ( D l ig h t i t h
s c o re
Ch
“
l ly ie
Ly
n e
Y C
D ) an ce
” o ra r c re
E ut p ( D l ig h t )er e F l ut m u i
e
”
F l ut e sc e
M lp m e o ene T g dy T gi m k ra e ra c as
Lu u i t B uty C m dy C mi m k
D RAMA Th l i a e a x
R l ig i u
r an
h y
ea o e o c as
P lym i ( M y H ym
o n a
“
dp t m m
an
m
N d fi it
ns tt
e
an
ib ut
o s
an o i
ns
e
o e n e a r e
He b e I n origi n Hebe
. seem s to h ave b een
more th a n th e mere pe rsonification of th e c h a rms of you th or
T HE LE S S E R GOD S —
LUM INA RI E S 41
OF T HE G RE AT E R LUMI N ARI E S
G AN Y M E D ES AN D T H E EAGLE
T h o ug h c o py is b ut a n i n a de q uat e re n de r i n g
t he
o f t h e o ri gi n al it s e rv e s t o s h o w t he o ri g i n al ity a n d
,
o w e r o f t h e c o m p o s iti o n w h i c h al m o s t t ra n s c e n ds
p ,
t h e b o un ds o f s c ul p t ure i n it s a dditi o n o f s ur ro un d
i n gs a n d a cc e ss i o n s t o e n h a n c e t he e ff e c t A h i gh .
t re e t run k fo r m s t h e ba c k g ro un d a n d supp o rt fo r t h e
-
fe e t o f t h e b o y do n o t t o uc h t h e g r o un d a n d t h e ,
w o n de r ful up wa rd s w e e p o f t he w ho l e c o m p o s iti o n is
e n h a n c e d by t h e c o n t ra s t w it h t h e do w h o S it s o n
g ,
t h e g ro un d an d l o o k s up wa rd a ft e r his m a s t e r T he .
o ut s re a d w i n gs o f t h e e a g l e fo r m a b ro a d s um m it t o
p
t h e g ro up fr o m w h i c h it g r aduall y n a r ro w s do w n t o
t h e fe e t o f G a ny m e de a n d t h us t he e ff e c t is furt he r
,
m e a n i n g in t he t re at m e nt o f L e o c h a re s ; t h e e a g l e is
m e r e ly t h e m e ss e n g e r o f Z e us ; a n d w e c an se e in his
ri a w i li ny m e n ti o n s
”
g p o f t he b o
y t h e c re h c h P
(E . A G .a rdn e r A H,
a n db ooh o
f G r eek S cul t ur e
p ,
p . F ro m a Ro m a n m a r bl e c o
py n o w in t h e,
-
, g
ische r Sculp t ur , N o . Se e p . 2 4 0.
2 44 G RE E K AN D ROMAN MYTHO LOGY
of EO S a nd K e p h a lo s w h om A p h rodite s eized a n d se t to
gu a rd h er tem p l e b y night wh ile elsewh ere h e i s th e so n of
,
a nd thei r tears bec ame bea d s of a mber (or rub ies ) wh ile th e ,
S e len e . S elene
—
wa s too tra ns p a rently a de fi
nite materia l bo dy to become i nvested with the ma ny a n d
varied tra its wh ich go to ma ke up a gre at personality S h e .
OF PHAS E S OF LI G HT
cons i dered the equ al of the great lu mina ries t h i s being clear ,
Ach illes and by them Odys seu s hol d s h i s cou rse for S cheri a
, .
p laces among the sta rs One a ncient author however moth ered
.
, ,
T HE D E A T H OF AK T A I O N
se l f t o dr aw h e r b o w as sh e p la c e s a n a rro w o n t h e
s t ri n g Be fo re he r Ak tai o n is falli n g t o t he g ro un d
.
o v e r o w e re d b h is fo ur m a dde n e d do gs w h i c h l e a
p y , p
up o n him a n d te a r his fl e s h F ro m a re d fig ure d
.
-
hr a t r o f t h e fi ft h c e nt ury B C (F urt w a
e . . ln g le r Re ic hho ld
-
,
, ,
t h e Hya des rel ations to ferti lity oth ers d iscovered a con nexion
’
,
Or i o n
. I n treating of Orion one mu st b ear i n min d th at
t h e n a me stan d s both for a constellation a n d for a myth ica l
p erson age,
a nd although th e frequ ent confu sion of th e two
m a kes it im p os sib le to s ay with certai nty w h ic h wa s th e
o ri gi n a l i t c a n sca rcely b e doub ted th at some of th e sagas of
,
( i
. e . Ju ne ) marks,
th e end of th e r a iny se aso n a nd u shers i n
t h e h eat of su mmer whi le th e P leia des a nd Hy a des at th e time
,
h e h ad h u nted i n l ife .
“ ”
i s sti l l p o p u l arl y recorded i n the ex p ress ion do g d a ys -
.
Li n o s
. T h e stor y of Linos a ff ord s a n excellent i l l u stration
of the ma nner i n wh ich a m y th a nd a pe rsona l ity could be
evolved from religiou s rites The name seems to h ave been
.
“ '
myth gratu itou sly a dded oth ers of a n a l lied natu re c re diting ,
L I N OS S L A I N BY HER A K LES
L i n o s , t h e k n e e li n gfi gure h as b e e n k n o c k e d do wn
,
p a rtl y s e e n lyi n g o n t h e fl o o r i n t h e ba c k g ro un d a n d , ,
a s h e att e m p t s t o de fe n d h i m s e l f w it h h is ly r e is i n,
dang e r o f b e i n g s t ruc k a g ai n by a n o th e r p i e c e o f t he
c h ai r b r a n di she d i n t he h a n d o f h is p up il T h e .
t e rro r s t ri c k e n o t he rs m a n i f es ti ng a de s i re t o he l p
-
,
th e i r m a s t e r s ta n d he l p l e ss ly l o o k i ng o n High
,
.
2 52— 53 .
2 59 G REE K AN D ROMAN MYTHO LOGY
al l being h u ma n and d ivi ne a nd th e sou rce of all mu ndane
, ,
who dwelt
By de e p w e ll s a n d wat e r flo o ds -
,
S t r e a m s o f a n c i e n t h ill s a n d w h e r e
,
All t h e w a n g re e n p l a c e s b e a r
Bl o sso m s c l e avi n g t o t h e so d
” 2
.
longed to the la rger waters ; the Oread s or mou ntai n spi rits ;
,
-
“ ”
nym p h smitten wa s a p p lied to person s wrought u p to pro
-
p h e t ic ec st a sy .
t h e ir a ssa il a n t O ff .
,
“
N ere us . Ner e u s th e Ancien t of t h e S ea
,
portrayed ,
a nd T hetis .
P L AT E LV
t he m a s t . I n f ro n t o f h im is a Si re n p e rc he d o n a
b ra n c h a n d s i n g i n g t o t he a c c o m p a n i m e n t o f a tym
p a non w h i c h sh e is b e ati n g w,
h il e b e h i n d h im is a h
o t h e r S i re n s i m ila r ly s e at e d ho l di n g a hit h z it he r
, , ( ara
)
i n h e r l e ft ha n d an d a p l kt r on (p i c k ) in he r ri g ht
e .
T h e fo ur c o m p a n i o n s o f O dys se us a re w o r k i n g dis
t rac t e dly at t h e i r o a r s as t h e g a z e s e llb o un d at t he
y p
all uri n g c re at ure s ab o ve t he m F ro m a de s i g n do n e
.
,
in wh it e a n d t h re e c o l o ur s o n a Luc an ia n k r a t r o f
,
e
h o l d G r iechisch Va sen ma l r ei N o
,
e e , . Se e p p .
2 62- 63.
T HE LE S S ER GOD S —
OF WAT ER 26 1
l ated to the more wi dely known legend of the search for the
Fou ntai n of You th .
up o n l a n d .
e ra l l y re p resent th em a s th ree
; bu t i n the s p h ere of popu la r
religion thei r number i s u nlimited by rea son of thei r ve r y
n a tu re a nd an y n a mes th at a tt a ch to them a re i nva riab ly su g
,
OF W I N D S AN D STORMS
“
c a lled th e winds a great troub le to mortals One w h o is well
.
“
a cqu a inted with modern G reece writes : I n t h e wi nter t h e
wi nd s blow from every poi nt of t h e comp as s a n d c a nnot b e
” 7
relied upon from one d ay to t h e next w h i le i n s trong c o n
,
“
s p i rit of midwi nter ca lm whence we still spea k of h alcyon ,
”
(ki ngfis h er ) d ays .
B o r e a s E u
,
r os N o to s a n d Z ep hy os
,
r — Th e most im p orta nt
, .
b rowed man equ ipped with wings o n both s hou lders a nd feet
, ,
“
h e i s th e wi n d th a n w h om there i s no greater ru ler of th e
” 8
Adri atic . Along with Eu ros h e h i ndered Odys seu s s dep a rt ’
2 66 G REE K AN D ROMAN M YTHO LOGY
S torm Foot -
a n d Ok y e t e
p S wift accu rate
registe r s of thei r natu re T o a ccou nt for su c h m a rvellou s
.
O R EI T H Y I A AN D BO RE A S
Bo re a s , w e ll C ha ra c te ri z e d a s a t hi c k se t a n d-
b r i s tly h ai re d m an o f c rue l c o un t e n a n c e h a s g ra s p e d
-
,
fe e t is o n t h e p o i nt o f fl yi n g aw ay w it h he r t hro ugh
,
t h e a ir . A si s t e r o f t h e m ai de n Pa n dro s o s is h a s t e n
, ,
in g away in fe a r wh il e He rse a n o t h e r s i s t e r r un s
, , ,
G r ie chische Va sen m a l er ei , N O . S e e pp .
7 3 74 ,
2 65 .
2 68 G REE K AND ROMAN MYTHO LOGY
la y s amid th e leaves of flowery S p ri ng c a n excel h i m i n song .
great hosts .
B C
. .
I n t he fi rst th e h um a n element p redominates a ll of th e ,
FIG . 10 . SAT Y R S A T P L AY
I n t he tc e n re o f t h e h l d i g thy ( itu l w d ) d l k
l o w e r b an d is a Ma e n a d o n a r sor r a an an oo
i g t
n a a f f u S ty
g upro o tw oh m id i g t h b k f t h t h
r a rs, w it i g
o of w o ,
r n on e ac so e o e rs, a r e a n
t t h t h b l l b ut t b t h w by t h ld S ty t t h xt m l ft f t h p i t u
o ca c e a a o o e ro n e o a r a e e re e e o e c re .
B tw
e th
een ld S ty d th M
e o d i b y S t y l ig h tly l i g
a r an h p w hi h
e ae n a sa o a r e an n on a 00 c
h h
e ju t b
as t u dl i g T h upp b d h w p t m im ic d
s een r n n . f m id e er an s o sa an o a n ce o a ens
(] HS xi P l t X I I )
,
a e .
attrib utes All thes e ch a racteri stic s a re gradu ally ta ken over
.
by th e S atyrs .
b easts of the wil d a mong thei r ch ief as soc iates a nd des p ite , ,
p
eo p les th
,
at th e storms of th e l atter p art of th e wi nter releas e
the d aemons wh ich pu t life i nto herb a nd tree ; i n fact th e y ,
n a tu res b rou ght them i nto a n i ntimate alli a nce with D ionysos ,
D r ya d; a n d Ha m a dr ya ds T h e sp i rits w h ic h were t h ou gh t
.
T H E L ES S E R G O D S —
O F T H E EART H
I . G AI A (G E)
with su ch h a p p y fancy ,
T h e e a r t h t h at i s t h e s i st e r o f t h e se a ,
“
T h e e a r t h t h at is t h e da u g h t e r o f t h e s ta r s,
T h e m o t h e r o f t h e m y r i a d r a ce o f m en ,
” 1
’
why shoul d we wonder at th e G reeks imputation of person
?
ality to the variou s featu re s of the materi a l world Thi s mod
ern conce p tion of E arth i e G ai a or Ge i s almost textu a lly
,
. .
, ,
str a igh t from her bosom When she h a d b rough t all thes e
.
A MA E NA D
T hi s vi go ro us ly dra w n fi g ure re p re s e n ts a Ma e n a d
at t he he i g ht o f h e r o rg ia s ti c fre n z y He r s l ightly .
r ai s e d fo o t a n d t h e fl utt e r o f he r g a r m e n t s s h o w t h at
I n e a ch h a n d sh e h o l ds a p a rt o f t he fawn w h i ch i n h e r
m a dn e ss sh e ha s j ust re n t a s un de r a s t h e bl o o d sti ll
,
dr i p p i n g fro m t h e w o un ds t e s ti fi e s F ro m a re d
.
fig ure d I kytb os o f ab o ut
e B C
. f ro m G e la (Mon u
.
,
“ ”
forms Thu s a s P a ndora ( A l l G i v e r ) she became the theme
.
,
-
“ ”
of a s ignific a nt myth a nd a s P a n droso s ( A l l B edewing )
,
-
i ndi ff erently to des ign ate a single d ivi ne being a great ea rth ,
“
sib ly a Creta n form of y e a (yfi)
'
.
r
ea rth wh ile i n oth ers it
, ,
“ ”
i s connected with fiGZV to flow a rel ation wh ich seem s to
, ,
bu t i n th e Hesiodi c th e o ff sp ri ng of Ou ra nos a n d G ai a Be .
”
b lood crieth u nto me from th e grou nd a nd from the s ame ,
ide a of the a p p eal of mu rdered sou l s for vengea nce th e Eri nyes
were born Th e Heb rew a nd t h e G reek d i ff ered however i n
.
, ,
tion men p ai nted them a s re p uls ive cari catu res of women ;
for h a ir t h ey h a d a ta ngle of ser p ents ; in stea d of ru nning they ,
Ag a p e wi t h f a n g e d a sp s t o b i t e m e de a d ,
.
S h e h at h n o f a c e b u t so m e w h e re f ro m h e r c l o a k
,
Bl o w e t h a wi n d o f fi re a n d b l o o dy s m o k e :
T h e wi n d s h e at f a ns i t : i n h e r a r m s Ah se e !
’
,
My m o t h e r de a d g re y s t o ne t o c a s t o n m e
, ,
An d c r ush
” 3
.
“
i ng rea li ties they c alled th em i n Athens S e m n a i T h e a i Re
, ,
“
vered G oddes ses a n d at Ko lo n o s th e E u menides Be n e v o
”
, , ,
”
lent Ones bu t i n time they forgot th at these e p ithets were
,
i nferior h elli sh creatu res p opu l arly loc ated i n the u nderworld .
HY P N OS
se e m s o r i gi n ally t o h av e h e l d i n h is e xt e n de d r i g ht
h a n d a ho rn fro m w h i c h t o p o ur sl e e p o n re p o s i n g
m o rtal s ; i n his l e ft h e p ro bably g r a s p e d a p o p py s t e m -
w ith w h i c h he c a s t o v e r t he m a s p e ll o f fo rge t f ul n e ss .
m il de st o f all t he g o ds t ho u a r t t hy s e l f s w e e t p e a c e o f
,
m i n d a s o o t h i n g bal m a n al i e n t o c a re a n d b ri ng e s t
, , ,
r e st a n d st re n g th t o m o rtal s w o rn an d w ea ry w it h
t h e t o il s o f li fe
(M t ame
p
or b oses xi 6 2
, 3 . A
Ro m a n m a rbl e c o py o f a b ro n z e o r i g i n al (a p p a re n tly
O f t he fo urt h c e n t ury in t h e Pra do Ma dri d ,
B r un n Bruc k m a n n D b scb er a n d r bm
( n t m éi l r i i
’
- e r er
,
e
g
ire/yer Sculp t ur , N o . Se e p . 2 78 .
2 80 G RE E K AND RO MAN M YT HO LOGY
ever fearfu l lest men too migh t lea rn how to revive th e dead
, , , ,
men wh i l e wit h th at w
, h ic h wa s derived from the right he
b rought th em b ac k to life .
p eti e a d,
au ghter of H elios Mach aon
. t h e hero — h ysicia n wa s
,p ,
t ise d .
2 82 G RE E K AND ROMAN MYTHO LOG Y
II . ABST RACT D I VI N I T I E S
p erson alized natu re —gods although they were deb a rred from
,
“
Of ti m e : Eo s Hemera Nyx Ch ronos
”
, ,
Time ; c f Fat h er
,
.
“
Heb e Gera s ( Old ,
Ka i ros
P s y chologic al
Of sta tes of b o dy: Hygiei a Hy p nos Th an atos Li mos
,
Fam , ,
Laimo s Ma ni a
Of sta te s of m i n d: P hobos Ele o s Aidos
,
Mod
E ros Himeros
, Eu ph rosyne .
” 5
gained is gone . We read i n a fragment of th e Kyp r i a t h a t
Nemesi s wa s a winged goddes s who fl ew over l a nd an d se a
a nd as su med th e forms of m a ny a nimal s i n order to esca p e th e
emb races of Zeu s b u t i n t h e form of a swa n h e overtoo k h er
,
N I KE
w i nge d N i k e ( i c t
“V o ry c la d i n chit on a n d
a n d w e a r i n g a t o n g ue d dia de m
him a t ion,
p o ur s o ut
,
wi n e f r o m a n oin o /a e he l d i n h e r r igh t h a nd i n t o a
c
'
o ,
,
s a uc e r re sti n g in t h e h a n d o f an a rm e d G re e k wa r ri o r .
T HE M YT H O L O GY O F AN C I E N T I T ALY
2 88 G REEK AND ROMAN M YT HO LOGY
hood s i n definite loca lities added to the i llu sion of thei r per
so n a lit y i n th e p opu l ar mi nd Although from t h e poi nt of view
.
I up p it e r I un o a nd Mi nerva
, ,
.
sun ,
moo n a nd sta rs ; i n th e fifth th e c reatu res of ai r ea rth
, , ,
II . N AT I V E I T ALI C G OD S
th e
D i D i D i i r) ,
I up p iter .
—
I up p it e r (I o v i s,
io v s,
us,
e sp t e
“
origi n of h i s e p ith ets Fu lgu r Fu lmen ( Thu n
a nd doubtles s also of F e r e t r ius wh ile a s the ra in
, , ,
2 “
th e words of Lu cretiu s a t a certa in hou r b ri ngs down t h e
,
”
d a wn th rough th e tracts of a i r a n d diffu ses t h e ligh t of d ay ;
bu t sh e wa s also a d ivi nity of b irth a nd i n t h ese two c a p acities,
V ertu mnu s fel l i n love with P omon a a shy nymp h who with ,
d rew from the soc iet y of men to the reti rement a nd d uties of
h er orc h a rd a n d g a rden a nd a lthou gh i n m a ny d i sgu ises h e
,
G E N I US AN D L AR Es
In t he c e n t re s ta n ds t he G e n i us p re s um ably o f t h e
,
h e a d o f t h e h o us e h o l d i n h um a n fo r m w h i l e b e l o w h e
, ,
a p pe a rs in t h e gui s e o f a se rp e n t a p p ro a c h i n g a n alta r
t o de v o ur t h e O ffe r i n gs p la c e d t h e re o n I n his r i gh t
.
ha n d t h e G e n i us h o l ds a s a c r ifi c ial s a uc e r an d in h is
l e ft a b o x o f i nc e ns e an d o n e ith e r s i de o f him da n c e
,
t w o L a re s e a c h ho l di n g a r hyt on r i n k i n g h o rn
, (d ) an d
-
pp 99
—
.
2 92 G RE E K AND ROMAN M YTHO LO G Y
Mater I n certai n rites she wa s held to b e a d ivinity of th e
.
G ai a (G e ) .
“
S a tur n us From th e a ncient p romi nenc e of S atu rnu s ( t h e
.
—
”
Sower ; cf se r e r e ) or i n E nglis h S atu rn I taly wa s often
.
, , , ,
“
co n de r e to , a p u rely Italic god wa s t h e s afe ga rner ,
wa s certai nly th e g o d of w a r a n d i n th e Ro m a n ve r si o ns of
,
h is s ister .
d ivi nities of ch ild b i rth a rou ses the su s p icion th at her fu nction
-
,
w a s th a t of A p h rodite .
Fl o r a —
F l ora wa s a n a ncient god des s of s p ri ngtime a nd
flowe rs giving be a u t y a nd fragr a nce to the blos som sweet
, ,
AR ET H O US A
T he h e a d o f Are t ho us a m ay b e di s ti n g ui s he d fr o m
t hat o f Pe r s e h o n e
p ( se e Plat e I V, F i g in t h at it
.
la c k s t he di a de m o f stal k s a n d e a rs o f g rai n T he .
do l p h i n s i n di c at e t h at t he n y m p h dw e ll s by t h e se a .
I AN US BI F R O N S
T hi s c o i n typ e de l i n e at e s t h e Ro m a n c o n c e p ti o n o f
t h e t w o fa c e d g o d o f e n t ra n c e s
- E a c h fa c e is t hat o f
.
in g wit h t h e i de a re c o r de d in O vi d t h at I a n us w as t h e
o l de s t o f t h e g o ds . F ro m a Ro m a n b ro n z e c o i n o f
t h e fo urt h c e n t ury B C G F H ill H st or ica l Rom a n
.
(. . .
,
i
Coin s Plat e I Fi g I )
, ,
. .Se e p 2 9 7 . .
2 96 G REEK AN D ROMAN MYT HO LOGY
evi dence of th e ten a ciou s power of n atu re religio n ove r -
t he
(d ) N a tur e Go ds: Of Fi r e ,
-
f
o the Un der w o r ld ,
and o f Dise a se
(e ) Go ds f Hum a n
o S o c ie ty
Ca rdo or Ca rdea
,
a nd gave her the wh ite thorn
with which to b a nis h evi l from doorwa y s .
p eriod ,
stood a n image of th e g o d with two faces one of wh ich ,
2 98 G RE EK AN D ROMAN M YT HO LO G Y
w a s tu rned towa rd th e east a nd the other towa rd t h e west .
p a te r ,
i n a ncient ceremoni al formu l a e attests h i s great age .
Vesta —
By reaso n of h er fixed ch a racter Vesta h ad no
lace i n form al myth S h e was t h e n um en of th e h earth firs t
p .
,
( ) Mo m e n ta r y
g an d D ep a r tm e n ta l Go ds
, ,
“
O f thes e d ivinities s u ch as Mes so r ( Harves te r
,
Convecto r
a nd S a rit o r s p i ri tu alize h u ma n
a cts wh ile othe rs s p i ritu al ize certai n p roces ses of natu re wh ich
,
MA G NA MA T ER
T h e i m a ge o f Kyb e l e , o r, as know n t o t he Ro m a n s ,
Ma gn a Mat e r ,
is s e at e d o n
a t h ro n e p la c e d i n a c r a
c ro w n o n t h e ba c k o f w h i c h a n e n d f he r b im t
'
,
o a z on
ha s b e e n so c a ught up as t o ha n g b e h i n d h e r l i k e a
v e il In h e r lap she ho l ds a tymp n on o n e dge T h i s
. a .
F r m a b ro n z e f t h e s e c o n d c e n t ury A D fo un d in
o o . .
,
N e w Y o rk hot o r a h
(p g p ) . Se e p p . 2 73 ff .
, 0
3 3 4
-
0 .
THE NEW YORK
PUBLI C LIB RARY
AS TO R L E N O X
,
T I L D E N F O UN D AT IO N S
FO REI G N G OD S 3 1
0
whe n the Roman s a cce p ted it a p p a rently from Tu scu lum the y , ,
30 2 G RE E K AN D ROMAN MYT HO LOGY
myth it i s recorded th at t h e y
su ddenly ap p eared at th e b at
tles of La ke Re g illus P yd na , ,
a nd Veron a j u st i n time to
b ri ng V icto ry to th e Roma n
c au se After th e b attle of .
or th e Tem p le of Castor .
H E R UL E
.
.
C S
At h i s very a ncient a lta r th e
Z u td l t l ik t h b
,
d w t h t w Ar a Ma xi m o near th e Foru m
e s, se a e on an a a r- e ro n e e
tw ee n Iu d H noul an e rc e s, ra s e o ,
d iv i iti t w d
n es o th t h u
ar t i Bo a r ium or the cattle—ma rket
o n e a no e r, s sa n c
fy i g t h i u i
n e rF m t h d ig i i d
n on ro e es n n c se
, ,
Et u
.
on th b k f
e ac O b an mi h e wa s worsh ipped a s a god
r sc an ro n z e r ro r
f t h f u th tu y w i th M t B C
O e o r
Mu um f A t N w Y k
ce n r
powerfu. .
l to
,
a i
no
d commerce n
a nde e
ro p lit
o an se o r ,
e or .
ch a stened p oeti cal s kill produ ced the gre atest of all Roma n
,
Troj a n Aenea s .
of Ca rth age .
r ia g e
, Aenea s fou nde d i n Latiu m a new c ity w h ich h e c alled
La v in ium after h i s wi fe a nd w h e n h e d ied a short time later
, ,
RO M ULUS AN D RE M US
Re m us i n t h e wil d la n ds n e a r t h e T ib e t ; it m ay h av e
o ri g i n all r e fe r re d ho w e v e r t o o t h e r l e ge n da ry c h a r
y , ,
a c t e rs w h o w e re s ai d t o h av e b e e n s i m ila r ly re a re d .
F ro m a b ro n z e i n t h e C o n s e rvato ry Muse um Ro m e ,
B run n Bruc k m a n n r ie b s b
'
D al r
( h m u n d r om
'‘
— e c
,
en
g z c er
iscb er S culp t ur , N O . Se e p 30 7. .
312 G REEK AND ROMAN MYT HO LO G Y
p ro p o r ti o n o f S lav o n i c a n d o f He ll e n i c bl o o d in t h e v e i ns o f t he m o d
”
e rn G r e e k s is n o t a m att e r O f su p r e m e i m p o r ta n c e .
On ly in a f e w l o c al iti e s n o tab ly in C r e t e do e s a n y fo r m o f t h e
, ,
n a m e o f Z e u s su r viv e b u t t h e g o d still l iv e s u n de r t h e ti tl e O b s
,
e
a ti tl e so c o n v e n i e n tly e q u iv o c al t h at t h e C h r i sti a n c a n
use i t wi t h o u t h e r e sy a n d a t t h e sa m e ti m e sq ua r e p e r fe c tly w it h t he
a n c i e n t p a g a n b e l i e f Fo r i n sta n c e t h e m o de rn G r e e k say s flp éx
.
, , et
“
o r 6 6 63 p ixu v p o ( G o d is t h r o wi n g wat e r
“
a 6 6; ( G o d
6 ,
6 et e
j u st a s t h e a n c i e n t sai d Z u ,s b ( Ze u s
e
“
et W h e n i t t hu n de rs ,
t h e m o de r n e x c lai m s B dh y o t he ’
é h a d
‘
, p v iiv o ro r ot n ra 6 6 8
a n r o 7 0 60
h o o fs o f G o d s h o r se a re
’
a n e x p r e ssi o n w h i ch i n sta n tly
c all s t o m i n d t h e s t o r y o f P e g a s o s i n t h e stabl e s o f Oly m p o s o r h a r
n e sse d t o t h e r o lli n g c a r o f Z e u s T h e li g h t n i ng is G o d s p e cu li a r
’
.
r e r o g ativ e a n d a t ti m e s is e v en e m p l o y e d a s a n i n st r u m e n t O f
p
v e n g e a n c e o n o ffen di n g m o r tal s o r de vi l s a s o n t he T i ta n s a n d S a l
m o n e us o f o ld .
P o se i do n su r viv e s in func ti o n a n d a tt r ib u t e o n ly , th o u g h h e c a n
b e i de n tifi e d a s t h e divi n i ty wit h t h e t r i de n t all u de d t o in a st o ry o f
Za k yn t ho s w h i c h M r .L aw o n b o rro w s fro m Be rn h a r d S c h m i dt
s 2
.
A k i n g w ho w a s t h e st ro n g es t m a n o f h is ti m e m a de w a r o n a
n e i g h b o u r His st r e n g t h l ay i n th re e h ai r s o n h is b re a st He w a s
. .
o n t h e p o i n t o f c ru sh i n g his fo e s w he n h is wi fe w a s b r i b e d t o c ut O ff
t h e h ai r s, a n d h e wi t h t h i r t e e n c o m p a n i o n s w a s ta k e n p r i so n e r .
But t h e h ai rs b e g a n t o g ro w a g ai n , a n d so h is e n e m i e s t h r e w h im a n d
h is c o m p a n i o n s i n t o a p it T h e o t h e rs w e re k ill e d by t h e f all , b ut
.
h e b e i n g t h ro w n in l a st , fe ll u p o n t h e m a n d w a s unhu r t Ov e r t he .
it h i s e n e m i e s t h e n r ai se d a m o un d H e fo un d h o w e v e r in the p it
p .
a de a d b i rd, a n d h avi n g f a st e n e d it s wi n g s t o h is h a n ds fle w up a n d
c a rr i e d away m o u n d a n d all wi t h him T h e n h e so a r e d h i g h in t he .
t o h is h a n ds, a n d h e fe ll i nt o t h e se a T h e n fr o m o ut t h e se a c a m e
‘
.
t h e g o d t h e r e o f (6 (l a th e r/ a s r fis OdA a oro a s) a n d st r u c k h im w i t h a t h r e e
r
his da u g h t e r, a n d t h e p r i n c e ss by way o f r e wa r d t o o k h im fo r h e r
hu sb a n d a n d t h e sp e ll w a s b ro k e n ”
T h i s st o ry c o nt ai n s c l e a r
.
re m i n i sc e n c e s o f N i so s a n d I k a ro s a s we ll a s o f t he a n c i e n t o d
g
o f t h e se a .
T o t h e G re e k o f to day t h e Ar c h a n g e l Mi c h a e l is a s He r m e s t o t h e
p re -
C h r i sti a n G r e e k , b e i n g t h e p sy c ho p o m p , t h e divi n e e sco r t o f
so ul s t o t h e a f t e r w o r l d, w h i ch is still
p o p u l a r ly l o c at e d i n t h e h e a r t
o f e a rth . I n t h e Ma i n a , a t t h e so ut h e rn e xt r e m i ty o f t h e P e l o p o n n e s e ,
t h e b e li e f p re va il s t h at , wi t h dr aw n sw o r d in h a n d, Mi c h a e l k e e p s
A PP E ND IX 31 3
se n t ry o n t he m o u t hs O f t he g re at c av e r n o f T a in a ro s w h i c h is still ,
t h e b e s t k n o w n a p p ro a c h t o t h e u n de rw o r l d .
T h e c h a r a c t e r a n d f un c ti o n s o f D i o n y so s a re t r a n sfe r re d t o S ai n t
D i o n y si o s in a l e g e n d t o l d in m a n y p la c e s O n c e U p o n a ti m e
.
S a i n t D i o n y si o s w a s o n h is way t o N ax o s : a n d a s h e w e n t h e e sp i e d a
sm all p la n t w h i c h e x c it e d h is w o n de r He d ug i t up a n d b e c a use t he
.
,
sun w a s h o t so u g h t w h e r e wi t h t o sh e lt e r i t As h e l o o k e d ab o ut h e
.
,
sa w t h e b o ne o f a bi r d s l e g a n d i n t h i s h e p ut t h e p la n t t o k e e
p it
’
sa f e . T o h is surp r i se t h e p la n t b e g a n t o g ro w a n d h e so ug h t a g ai n ,
a l a rg e r c o v e r i n g fo r i t T h i s ti m e h e fo un d t he le g b o n e O f a li o n
.
-
,
a n d a s h e c o ul d n o t de ta c h t h e p l a n t f ro m t h e b i r d s l e g h e
p ut b o t h
’
t o g e t h e r in t h at o f t h e l i o n Y e t a g ai n i t g r e w a n d t h i s ti m e h e fo un d
.
t h e l e g b o n e o f a n a ss a n d p ut p la n t a n d all i n t o t h at
-
An d so h e .
c a m e t o N ax o s . An d w h e n h e c a m e t o p la n t t he vi n e fo r t h e —
p l a n t w a s i n f a c t t h e fi r st vi n e h e c o u l d n o t se v e r i t f ro m t h e b o n e s
t h at sh e lt e re d i t b u t p la n t e d t h e m all t o g e t h e r T h e n t he vi n e g re w
,
.
a n d b o re g r a p e s a n d m e n m a de wi n e a n d dr a n k t h e re o f An d fi rst .
w hen t h e y dr a n k t h e y sa n g li k e b i r ds a n d w h e n t h e y dr a n k m o re ,
t h e y g re w st ro n g a s li o n s a n d a f t e r wa r ds fo o li sh a s a sse s A si m ila r ” 3
.
,
p po u l a r i d e n ti fi c ati o n O f t h i s b e n e fi c e n t sa i n t wi t h D i o n y so s is al so
t o b e i n fe r r e d f ro m t h e f a c t t h a t t h e ro a d w h i c h sk i r t s t h e so u t h si de
O f t he At h e n i a n Ac r o p o li s a n d t h e a n c i e n t t h e at re o f D i o n y so s is at
p r e s e n t k n o w n a s t h e st r e e t o f S ai n t D i o n y si o s .
i s D e m e t e r w h o liv e s o n in t h r e e fo r m s
,
I n o n e o f t h e se sh e r e tai n s
.
h e r a g r a r i a n r e l ati o n s b ut h a s c h a n g e d h e r se x a n d ta k e n o n t h e
,
n a m e o f S ai n t D e m e t r i o s w h e r e a s at E l e usi s sh e h a s w e ll m ai n tai n e d
,
h e r o ld c h a r a c t e r un de r t h e n a m e o f S ai n t D e m e t r a T h e r e is a .
p po u la r m yt h c o n c e r n i n g t h e sa i n t w h i c h ,
i n sp i t e o f it s m a n y c o n
,
c e n t o f t h e sa d wa n de r i n g s O f D e m e t e r in h e r se a r c h fo r t h e l o st
P e r se p h o n e Al o n g wi t h Ap h ro dit e a n d P y r r h a D e m e t e r c o n tr ib u t e s
. ,
t r ai t s t o t h e m o de r n G o dde ss o f t h e S e a a n d E a r t h T h i s h yb r i d .
divi n i ty t h e st o ry r un s dr o w n e d all m a n k i n d by se n di n g a fl o o d up o n
, ,
t h e e a r t h a s a p un i sh m e n t O f hu m a n sin b u t o n t h e su b si de n c e O f ,
t h e wat e r s sh e c r e at e d a n e w r a c e by so wi n g st o n e s .
I n Ai t o li a t h e l a n d o f Atala n t e t h e hu n t r e ss Ar t e m i s sur v i v e s a s
, ,
p a y al a ti tl e w h i c h se e m s t o b e m o r e t h a n a
-
“
15 Ku a K a A w ( L d K o
I n so m e l o c al i ti e s ,
h o w e v e r A r,
t e m i s li k e D
,
e m e t e r h a s go n e o ve r
t o ,
t he O ppo s
i t e se x a n d i s n o w k n o w n a s S ai n t A r t e m id o ro s w ho i n his , ,
a
c p c a i ty a s sp e c i al p at r o n o f w e a k l i n g c h i l d re n i s p la i n ly t h e di r e c t
,
s uc c e s so r o f t h e a n c i e n t ”
A p eu s r a éo p é p s
t r t r c o .
A t E l e u si s Ap h ro dit e () m p h 7 h a s b e co m e t h e b e a u t i ful
314 G RE E K AND ROMAN M YT HO LOGY
da ug h t e r o f S ai n t D e m e t r a , alt h o u g h sh e i s al so a ss o c i a t e d wi th
D a p h n i a n d t h e h e i g h t s o f C o r i n t h , a t b o t h o f w h i c h p l a c e s sh e h a d
sh r i n e s in a n c i e n t ti m e s, wh il e t he p e o p l e o f Za k y n t h o s s till k n o w
h e r a s t h e m o t he r o f E ro s T h e c h a st e At h en e , o n t h e
o t h e r h a n d, sur viv es o n ly i n t h e re c o ll ec ti o n t h at t he P a r t h e n o n w a s
a t o n e ti m e c o n v e r t e d i n t o a c hu rch o f t h e Bl e s se d V i rg i n .
Al t h o ug h t h e N e r e i ds w e r e t o t he a n c i e n t G re e k s a l e ss e r o rde r o f
d ivi n i ti e s,
t h e y a r e p e r h a p s t h e c h i e f e st i n t h e i ll —co - o r di n at e d
p an
t h e o n o f t h e m o de rn T h e i r c o ll e c tiv e n a m e, N ep al ées, a p p e a r s in
'
n um e ro u s dial e c ti c fo r m s, a n d t h i s t e r m , li k e t he a nc i e n t de si g n a
t h e i r w o rst c ru e l 4 I n s o m e di st r i c t s t h e y h av e b o r ro w ed fro m t he
.
”
a re liab l e t o f all u n de r t h e i r sp e ll s a n d li k e T h e ti s a n d h e r k i n dr e d
,
fo l k o f t he se a t h e y h av e t h e p o w e r O f t r a nsfo r m i ng t h e m se lv e s at
p l e a su r e T h e N e re i ds o f t h e sp r i n g s s o m e ti m e s st e al ch il dr e n a s
.
t h e n y m p hs o f o l d c a r r i e d O ff Hyla s a n d wh e n t h e y p a ss o v e r the
,
t o t h e liv e s o f t he c o m m o n p e o p l e th at they a re b e li e v e d t o c o n so rt
wi t h m e n a n d t o b e a r t h e m c h il dre n .
T h e g r i m g re y fe r ry m a n C h a ro n is n o w k n o w n a s C h a ro s o r l e ss , ,
fre q ue n tly Ch a ro n da s b u t in t h e p ro c e ss o f c e n tu r i e s h e h a s b e e n
, ,
al m o st u tt e r ly de s p o il e d o f h is c r a f t a n d o a r a n d a s t he g o d o f de at h
, , ,
p e r so n b u t a p la c e w h i t h e r C h a ro s re c e iv e s t h e s o u l s o f t h e de
,
a m e re ly n o m i n al f e m al e co u n t e r p a r t a n d a t h r e e h e a de d sn a k e
,
-
,
al t h o ug h a c co r di n g t o a Ma c e do n i a n st o ry his a n i m al c o m p a n i o n
,
is a t h r e e h e a de d do g w h i c h c a n b e n o n e o t h e r t h a n t he he ll h o un d
-
,
-
K e r b e ro s T h e re e xi st o n ly sp o r a di c t r a c e s o f t h e o l d c u st o m o f
.
p la c i n g a c o i n in t h e m o u t h o f a c o r p se a s p a s sa g e m o n e y due t o
-
C h a ro n T h e p ro m i n e n t p la c e o c c u p i e d by C h a ro s in t h e t h o u g h t
.
o f t h e m o de r n G r e e k su g g e st s t h a t his p r o t o ty p e w a s a m u c h m o r e
i m p o r ta n t p e r so n a g e in t h e p o p u la r m yt h o l o g y o f t he a nc i e nt t h a n
t h e l i t e r at ure w o u l d l e a d o n e t o b e li e v e a n d i t m a y b e t h a t a m o n g
,
t h e r a n k a n d fi le o f t h e p e o p l e C h a r o n r at h e r t h a n Ha de s w a s the
, ,
Lo rd o f t h e D e a d .
T h e m o st m o n st ro us o f t h e m yt h i c al c r e at u re s l ivi n g in t h e
i m a g i n a ti o n o f t h e m o de rn He ll e n e s a re t h e K a lli k a n t z a ro i wh o se ,
n a m e l i k e t h at o f t h e N e re i ds a p p e a r s in m a n y di al ec ti c fo r m s a n d
, , ,
3 6
1 G REE K AND RO MAN MYTHO LOGY
m a i n s, fi r st a p p e a re d a s l o n g a g o a s 1 8 92 , it i s still t h e b e st c o m p il a
ti o n o f t he m o de r n survival s o f a n y a n c i e n t I tali a n r e li g i o n It m u st ,
.
h o w e v e r, b e u se d wi t h g r e at c a u ti o n I n t he fi r st p la c e , i t t re at s
.
m e r e ly o f o n e sm al l di st r i c t in t h e n o r t h o f I taly , t h e T usc a n RO
m a g n a , o r Ro m a g n o l a , w h o se i n h ab ita n t s S p e a k a r u de fo r m o f t h e
Bo l o g n e se di al e c t , so t h at o n e m u st r e f r ai n f ro m a p p lyi n g t h e a u
t h o r s r e m a r k s a n d de du c ti o ns t o t h e w h o l e I tali a n p e o p l e o f t o day
’
.
I n t h e n e xt p la c e , Le l a n d w a s n o t a sch o la r in t h e b e st se n se , fo r h is
k n o wl e dg e o f t h e a n c i e n t r e l i g i o n a n d m yt h o l o g y w a s o n ly su p e r fi c ial ,
a n d h is j u dg e m e n t s a r e , c o n se q u e n tly , v e r y f a r f ro m sa fe . His b o o k
i s w r i tt e n t h ro ug h o ut in a j o u r n ali sti c styl e , i n ti m at e a n d sp i r i t e d,
b u t c a r e l e ss a n d un c r i ti c al N e v e r t h e l e ss, Le l a n d m u st b e g iv e n
.
c re di t fo r h avi n g b e e n a n e n t hu si a sti c a n d e n t e rp r i si n g i n v e st i g at o r,
a n d f o r h avi n g sh o w n a r e m a r k abl e f a cu lty i n wi n n i n g t he co n fi
de n c e o f t h e si m p l e b u t su sp i c i o us fo l k o f t h e Ro m a g n o l a a n d in
i n du c i n g t h e m t o yi e l d t o h im t he sec re t s o f la ve cchi a re lig i o n e ,
w h e n c e sc h o la r s sh o u l d b e g r at e fu l t o h im fo r bl a z i ng a t r ail fo r t he m
t h ro u g h a w il de r n e ss h i t h e r t o al m o s t un k n o w n I t is t o b e h o p e d, a s
.
P r o fe sso r W Wa rde F o wl e r s ay s , t h at t h e p i o n e e r w o r k o f Le la n d
.
T h e r e li g i o n s o f t h e E t ru sc a n s a n d t h e Ro m a n s a p p e a r to day
m e r e ly a s disj ecta m e m b r a , a n d e v e n w h e n t he divi n i ti e s c a n b e re c o g
n iz e d, t h e y h av e l o st t h e sh a r p de fi n iti o n o f c h a r a c t e r a n d fu n c ti o n
w h i c h di sti n g u i sh e d t h e m o f o ld b e c a u se o f t he u tt e r di sa p p e a r a n c e
,
o f so m e t r a it s a n d t h ro ug h t h e o b sc u r ati o n o f o t h e r s . An e x p la n a
ti o n m a y b e re a dily se e n i f o n e re fl e c t s t h at t h i s vecchia r el i gi o n e , o r
“
o ld r e li g i o n , is re ally m u c h l e ss a re li g i o n t h a n a s y st e m o f m a g i c ,
”
a str eg er ia , a s i n de e d it is f r a n k ly c all e d by t h e p e o p l e wh o m i t se r v e s,
t h e t e n de n c y o f m a g i c b e i n g t o n a r r o w do w n t h e fun c ti o n s o f divi n i
ti e s a s f a r a s p o ssi bl e .
I n n a m e I up p it e r is de a d, b u t h is p r e r o g a tiv e o f co n t ro l o v e r t h e
p h e n o m e n a o f li g h t n i n g , t hu n de r , a n d h ail is still h e l d by t h e g re a t
f o lle tto T i n i a , w h o c a n n o t w e ll b e o t h e r t h a n T i n a (o r
T i n i a ) , t h e h e a d o f t h e E t r usc a n p a n t h e o n , a n d t h e p e o p l e dr e a d t h i s
S p i r i t s p o w e r o f de st r uc ti o n o n h o m e a n d fi e l d a n d fl o c k a s t h e i r
’
p r i m i tiv e a n c e st o r s fe a re d I up p it e r a n d T i n a T e r m i n u s, t h e g o d o f
.
b o un da r i e s, b o r n o f a n e p i t h e t o f I up p it e r, su rviv e s u n de r t h e n a m e
A P P E N D IX 31 7
o f S e n ti e r o ,
t he sp i r i t o f t h e b o u n da ry st o n e a n d t h o s e w ho wa n t o n ly
-
,
o f t h e S e n ti e r i .
I n J a n o wi t h h is t w o h e a ds o n e h um a n a n d t h e o t h e r a n i m al w e
, ,
m a y e a sily r e c o g n i z e t he a n c i e n t I a nu s b if o n s o f t h e F o r um a n d t he r
c o i n s a n d J a n o s f un c ti o n o f p r e si di n g o v e r c h a n c e is si m p ly a n at u
’
r a l de v e l o p m e n t o f I a n us s o v e r si g h t o f i n c i p i e n t u n de r ta k i n g s
’
.
Ma so a v e r y g r e a t f o lle tto w ho p ro t e c t s t he c o p s m a y de iv e
“
,
”
r ,
r
h is n a m e a n d o ffi c e f r o m t h o se o f t h e p r i m i tiv e Ma r s w h o is b e li e v e d ,
by m a n y t o h av e b e e n a de i ty o f t h e fi e l ds a n d m a r c h la n ds b e fo re
w a r b e c a m e h is sp e c i al sp h e r e o f O p e r ati o n s .
T h e r e c a n b e n o do u b t t h at Fa n i o is t h e su c c e ss o r o f Fa u n u s in
t he latt e r s r 6le o f t h e p r a c ti c al j o k e r o f t h e w o o dla n d sp it e s Fa n i o
’
r .
su dde n ly c o m e s o n p e a sa n t s in t h e t h i c k e t s f r i g h t e n i n g t h e m o ut ,
o f t h e i r wit s a n d l a u g h i n g at t h e c o n st e rn ati o n h e h a s c a u se d w h il e ,
a t w e ddi n g s h e o ft e n a n ti c i p at e s t he b i de g ro o m in h is e m b r a c e s r ,
a n d w h e n t h e y o un g hu sb a n d b u r st s i n t o a r a g e h e i n t e r ru p t s h im ,
w it h a l a u g h sayi n g :
,
W ho am I? if yo u w o u ld k no w ,
I m
’
t he s p tir i Fa n io l
W h a t in g v m bl i
l ife o n ce a e e ss,
Pl m
e a se s mu h th i ;
e as c as s
A d I th i k t h t t h k
n n du a an s a re e
U t m f h l p i g y u!
” 6
n o e or e n o
i s g o o d n at u r e d b u t v e ry se n sitiv e t o o ff e n c e He is t h e S p e c i al b o g e y
-
,
.
o f t h e ch a r c o al b u r n e r s w h o s e p i l e s o f w o o d h e sc att e r s w h e n m o v e d
-
,
by c a p r i c e so t o do .
T h e La ssi o r La ss i e a s sp i r i t s o f a n c e st o r s w ho a re h e a r d o r se e n
, ,
b e in o r i g i n t h e La r e s (t h e La sa o f t h e Arval Br e t h r e n ) T h e y a re .
r e g a r de d a s b o t h m al e a n d f e m al e La r u n da t h e m yt h i c al m o t h e r
.
,
o f t he L a r es Co m p it a l e s i s n o w La r o n da t h e S p i r it o f t h e b a r r a c k s
, , ,
w h o m a n i fe st s a sp e c i al fo n dn e ss fo r so l di e rs .
in T a g o a n d Be rg o ia T a g o w h o r e m ai n s a sp i r i to b a m b i n o a n d is
.
,
in v o k e d t o b r i n g h e al i n g t o a ff l i c t e d c h il dre n is sa i d t o e m e rg e f ro m ,
th e g r o u n d at ti m e s a n d p r e d i c t t h e f ut ur e B e r g o ia re tai n B ego s . s e
’
p o w e r o v e r t h e t hun de r a n d t h e li g h t n i n g b u t se e m s t o h av e l o st h e r ,
g
i f t o f a ug u r y alt h
,
o u g h t h i s di m i n uti o n o f h e r p o w e r is o ff se t by
h e r ab i lity t o a ssu m e hu m a n fo r m a n d t hu s m i n g l e wi t h m e n a n d
wo m en .
31 8 G REE K AND RO MAN MYTHO LOGY
Of t he de iti e s w h i c h t o t he a nc i e n t Ro m a ns we r e f r a n k ly G r e e k
a f e w a re s till fo un d in fo rm s n o t di ffi cu lt t o r eco g n i z e Ap lu (c f . .
t h e m o st b e a u ti fu l o f all t he m al e sp i r i t s He is al so a sp i r i t o f m u si c ,
.
a n d w he n a n y o n e wo u l d b e co m e a g o o d hun t e r, o r g o o d m us i c i a n ,
o r a l e a rne d m a n n u uo m o do tto e di ta l e n to h e sh o u l d r ep e a t
t h i s:
‘
Ap l u Ap lu Ap lu!
, ,
T h o u w ho a r t so g d oo and w ise ,
So l e a rn e d an dt l t d
a en e ,
Ap lu Ap lu Ap lu!
, ,
T h o u w ho a rt so g d
oo
An d t h ro ug h a ll t he w o rl d r en o w n e d;
An d sp o k e n o f by a ll,
Ap lu Ap lu Ap lu!
, ,
Ev en a s p i it h ul d b g
r s o e e n e ro us,
G ra n t i g u f tu
n s dt or n e an l
a en t .
Ap lu Ap lu Ap l u!
, ,
I (t h e re fo re ) p y t h giv
ra ee e me
F o rtun e an d
7
de c e iv e r o f i nn o cent m ai e s , b ut
d n i s al so
—
an d p i a ily
r m r -
the
f r i e n d o f t h i e v e s, t r a de r s , a n d m essen g e rs; in f a c t , h e is h i m s e l f a
sp i r i to m essa g i e r o w h o c a n fl i t w it h ne w s f ro m p la ce t o p l a ce in t he
m a y b e in o r i g i n a fo r m o f Ap o ll o .
T h e sp i r i t o f t h e vi n e s i s n o l o n g e r Lib e r , b ut Fa flo n (E t rusc a n
Fuflun s, Fuflun u) , w h o i s p ro b ab ly t h e e q u ival e n t o f D i o n y s o s .
At t h e vi n ta g e h e o f t e n sc att e rs t h e g at h e re d g r a p es , a n d i f t he
vi n ta g e rs b e c o m e a n g ry a t h is p r a n k s , he u tt e r ly de st ro y s t he fru i t ;
b u t i f t h e y ta k e h is m i sch i e f g o o d- n at u redly , he p u t s the g r a p es
b a c k in t h e b a sk e t s Le la n d t hus r e n de r s i nto E ng li sh a p r ay e r
.
o ff e r e d t o Fa flo n fo r a g o o d vi n ta g e
Fa flo n , Fa flo n , Fa flo n !
Oh , l i sten
p y to m y ra er .
I h v a t y vi t g
e a sc a n n a e,
My v i th i y ne s b ; s e a r a re a re
Oh l i t,
t my p y !
s en o ra er
A d p ut i
n th u t d , s n ce o c an s o
A b tt vi t g t h
e er ! n a e e re
2
3 0 G REEK AND ROMAN M YTHO LOGY
t he a n c i e n t li t e r at u re I n de e d i t m a y w e ll b e th a t m a ny o r e v e n
.
, ,
t h e r e li g i o u s f a nc y o f t h e c o m m o n p eo p l e o f a nc i e n t Ro m e a n d
I taly .
32 4 G RE E K AND ROMAN MYTHO LOG Y
4 M. il t o n, P d i s e L o s t , vi
a ra2 1 1 —
14 . .
P e f a c e t o t h e P r o m e the us Un b o un d
5 .r .
6 P r o m e the us Un b o un d, Ac t I
.
.
7 A. B . C o o k ( Z
. e u s, i 3 5 3
2 0 ) r e g a r d s P r o m e th.e u s a s essent i ally
—
a g o d o f fi re .
8 I t is m o r e in a c c o r d wi t h P a n do r a s o r i g i n a s a fo r m o f t h e E a r t h
’
.
E u r i p i de s, I p h i ge n e i a i n Ta u r i s ll 4 1 4
—
1 5 (t r a n sl at e d by G ilb e rt
9 .
,
.
t r ra y , N e w Yo r k ,
10 S t r i c tly , Aa o i m e a ns t he su bj ec t s o f a p r i n c e
. .
C H A PT ER I I
1 . G ru p p e p p 9 1 8 2 0 su g g e st s t h at t h i s m yt h is b a s e d o n t h e
,
.
—
,
b e l i e f t h a t a m a n w ho h a d O ff e re d a h um a n sa c r ifi c e a n d m a de h i m se l f
o n e wi t h t h e g o d by p a r ta k i n g o f hu m a n fl e sh w a s h i m se l f a w o l f ,
i e h e w a s b a n i sh e d fr o m t h e so c i e ty o f m e n a n d b e c a m e a wa n de r e r
. .
f e r e d by A B C o o k (Z e us i 70— 8 1 ) i s t o o e l ab o r a t e a n d de tail e d t o
. .
,
.
b e e v e n su m m a r i z e d h e r e .
T i s c a n n o t b e t h e fl o w e r w h ic h w e k n o w a s t h e h ya c i n t h
3 h: .
4 S t e p h en Ph illi p s
. in P o e m s Lo n do n a n d N e w Yo r k
, , ,
1 8 98 , pp . 2 6— 2 9 .
5 . F r i e dla n de r ,
Ar g .
, pp .
5 ff ; G r u p p e , p p
. . 168 ff .
6 .S e e i nf r a , p 1 93 . .
7 T h e n a m e o f t h e K im m e r ia n (i e C r i m e a n ) Bo sp o r o s w a s S im
. . .
il a r l y e x p lai n e d As f a r a s t h e T h r a c i a n st r ai t i s c o n c e r n e d t he de r i
.
“
( Li g h t a ti tl e o f He k at e .
8 A H S ay c e (The Re l i g i o n s of An c i e n t Egyp t a n d Ba b yl o n i a ,
. . .
I n t h e T e l l e l-Am a rn a l e tt e r s t h i s i s K h i k up ta kh .
S G u p p , p p 8 3 3 ; F r i e l n e r , p p 1 5 1 6 , 2 5 30
d a d If w e
— — —
9 . e e r e 1 2 . . .
t h e se va se s, a s D r F r a z e r su g g e st s [ i e o n P a u sa n i a s X x xxi
. w e re . . . .
a t fi rst p l a c e d o n t h e g r av e s o f t h e u n m a r r i e d wi t h t h e k i n dly i n t e n t o f
h e l p i n g t h e de so la t e un m a rr i e d g h o st t o a c co m p li sh h is w e ddi ng i n t he
w o r l d b e l o w But o n c e t h e c u st o m fix e d, i t m i g h t e a sily b e i n t e rp re t e d
.
a s t h e sy m b o l o f a n un de r w o r l d
p un i sh m e n t (Ha r r i so n , P ro leg o
”
m en a, p .
N OT E S 3 5
0
(
10 S e e F r i e dla n de r , p p 36 — 37
. . .
11 I n o t h e r v e r si o n s t h e w e a p o n e m p l o y e d by P e rse us w a s a st o n e ,
.
o r a s w o r d ,
o r h is sc i m i ta r (si c k l e -
sw o r d) .
12 T h e st o ry o f P e r se us in it s b e a r i n g s o n p r i m i tiv e fo l k - tal e a n d
.
3 v o l s ,
L o n.d o n ,
1 8 94 9 6
—
.
A La n g , Lo n do n ,
.
t h at t h e n a m e a n d p e r so n o f S isy p h o s a re de r iv e d f ro m T iSup (o r
T ish ub , T e sh ub ) , t h e p r i n c i p al m al e de i ty o f t h e Hi tti t e s so o ft e n
de p i c t e d o n t h e i r m o n um e n t s .
1 5 Fo r a si m il a r st o r y se e t h at o f Ky k n o s a n d T e n n e s in P a usa n i a s,
.
X xiv
. .
On e is p ro b ab ly n e a r e r
16 . t he t ru t h i n c o n n e c ti n g i t wi t h i n n/ 6s
(c f m r yvvut ) , st ro n g
’ ”
. .
C H A PT ER III
1 . C h r i st o p h e r Ma r l o w e D i do , Ac t II .
Fo r a di sc ussi o n o f t h e p r o bl e m s i n v o lv e d co n sul t T G T uc k e r ,
2 . . .
G o m m e , T h e Le g e n d o f C a dm u s, e t c ; a n d T h e T o p o g r a p h y o f
“ ” “
.
Bo e o ti a , etc .
3 Fo r
. t y o f Ak tai o n se e i nf a p 2 52 ; o f I n o p 2 6 2 ; o f
t he s o r r ,
.
,
.
S e m e l e a n d D i o n y so s p 2 1 7 ,
. .
4 S o
.
p h o k l e s Oi di p o us K o l o n e us
,
11 1 6 1 1 ff (t r a n slat e d by E H ,
. . . .
P l um p t r e Bo st o n , ,
5 A lli
. n so n G r ee k La n ds a n d Le tte r s p
, 332 ,
. .
H m I l i a d i x 57 3 9 9
—
7 o
. e r , ,
. .
C H A PT ER IV
1 I n C re ta n m yt h t h e sun w a s c o n c e iv e d a s a b u ll On t h e o t h e r
.
.
p ro b ab l e t h at t h e d a n c e r i m i tati n g t h e sun m a s
q u e r a de d in t h e L a by
r in t h a s a b ull (A B C o o k , Z e us, i 4 90
”
.
. .
2 P a usa n i a s, II iv 5 (t r a n slat e d by J G F r a z e r)
.
. .
. . .
M i ss Ha r r i so n ( M t h a n d Mo n , p p xxxiii xx x v ) a dva n c e s t h e
3 .
y , . . .
ch a r a c t e r b e i n g i n t e n de d a s a n e x p l a n ati o n o f t h e r it ual o f t h e Ar e
,
r
h
p or
i a ( o r H e r se p h o r ia ) T h e f at e o f t h e d i so b e di e n t si st e r s is a de ta i l
.
32 6 G RE E K AND ROMAN M YT HO LO G Y
a dde d fo r t h e p u rp o se o f fr i g h t e n i n g o ffi c i ati n g m ai de n s i n t o st r i c t
o b se r va n c e o f t h e r u l e s g o v e r n i n g t h e r it u al .
4 . A n o t h e r e ty m o l o g y de r iv e s t he w o r d f r o m dp c
i w i ra
'
mo s
, h ill of
c u r se s cf p p 1 89
’
1 02 . .
,
.
5 I xxx 3
. . . .
C H A PT E R V
1 . Fo r t he de v e l o p m e n t o f He r a k l e s as a m yt h o l o g i c al ch a r a cte r
se e e sp e c i ally F r i e dl a n de r, He r a k les .
2 . xix .
90
—
1 33 .
T h d e o f t he lab o u r s w h i c h w e sh all fo ll o w is t h a t g iv e n by
3 . e o r r
Ap o llo do ro s .
F o r di sc u ssi o n s o f t h e i de n ti ty a n d c h a r a c t e r o f t h e Am a z o ns se e
4 .
5 . P i n da r , Olym p i a n Odes, xi ( x ) 44 ff . . .
C H A PT E R V I I
1 . Ap o ll o n i o s o f Rh o de s, A r
g o n a ut i k a , i . 1 1 3 14 —
.
2 . ib i 544 4 5
. .
—
.
3 . ib ii 7 9
—
. 8 0 . .
T h w i t e r i s t e m p t e d, in a g r e e m en t w i t h A B C o o k (Z e us, i
4 . e r . . .
7 3
2 t o se e i n t h e p e rso n o f T al o s a r efe r e n ce t o the c i r e p e r due
m e t h o d o f h o ll o w - c a sti n g in b r o n z e .
C H A PT ER V III
1 . A B C o o k (Z e us,
. . i . 1 —
4 4 19 is s t ro n g ly i n c li n e d t o b e li e v e t h a t
)
b o t h t h i s g o l de n l a m b a n d t h e g o l de n r a m o f P h r ixo s a r e ep i p h a n i e s
o f Ze u s .
2 . T h e m o st a c c e ssi bl e c o ll e c ti o n o f t h e f r a g m e n t s an d a n c i e n t sum
m a r i e s o f t h e C y c li c E p i c s i s t o b e fo u n d in t h e S c r i p to r um Cl a ssi co r um
Bib l io theca Ox o n ien sis H o m e r i Op e r a v (Ox fo r d , T h e fr a g ,
.
,
m e n t o f t h e K yp r i a j us t q uo t e d a p p e a rs o n p 1 1 8 . .
3 . E u r i p i de s T j
ro a n W o m en ll 8 92 9 3 (t r a ns l a te d by G ilb e r t
, ,
.
—
Mu r r ay N e w Yo r k , ,
4 . ib 11 9 2 4— 33. . .
6 . i .
52 (t r a n sl a t e d by A . La n g , W . Le a f, and E . Mye rs ,
Lo n do n ,
7 . vi 48 6 8 9 (t r a n sl at e d by La n g Le a f a n d Mye rs)
.
—
, , .
8 . xi x 6 7 70 (t r a n sl at e d by La n g Le a f a n d Mye rs)
.
—
, , .
9 . S e e Ox fo r d t e xt o f Ho m e r v p p 1 2 5 2 7 ,
. .
—
.
32 8 G REE K AND ROMAN MYTHO LOGY
I G r up p e , p 1 102
. . .
2 S e e A B C o o k , Z e us, i 1 8
. .
—
. . .
3 I
. n ti m e t h i s p r o c e ss o f g e n e r ali z i n g t he p e r so n al ch a r a c t e r i sti c s
o f t h e g o ds p r a c ti c ally n e u t r ali z e d all o t h e r p r o c e sse s o f t h e i r de v e l
Op m en t .
4 He r a w e r in t h i s sp h e re w a s do u b tl e ss de r iv e d fro m h e r u n i o n
’
. s po
wi t h Z e us ,
w h il e t h at o f P o se i do n c a m e f ro m h is t r a diti o n al a sso c i ati o n
wi t h t h e se a .
5 T
. h e u n q u alifi e d u se o f t h e e p it h e t O> bu s in Ho m e r i n va r i ab ly
’
\ 7r t o
de si g n at e s Z e us .
27 ( Mi g n e P a tr o l o g i a Gr a e ca vi
, ,
.
7 Mo st o f t h e se m yt h i c al m a r r i a g e s c a n p r o b ab ly b e e x p l ai n e d a s
.
h usb a n d o f t h e O ld g o dde ss i m m e di at e ly g av e t he fo r m e r a s ta n di n g
wit h t h e l o c al w o r sh i p p e r .
9 On ly in t h i s se n se c a n h e b e re g a r de d a s t he C r e at o r ; in t h e
.
Or p h i c p h il o so p h y h e w a s l i fe it se l f .
10 T h i s sc h o o l w o ul d se e t h e sa m e e a r t h g o dde ss in t he o r i g i n al o f
.
t h e E l e usi n i a n D e m e t e r Fo r a di sc u ssi o n o f t h e p ro b l e m se e Fa r n e ll
.
,
11 A B Co o k
. . W h o w a s t h e Wi fe o f Z e u s ? in CR xx 36 5 7 8
.
,
”
.
—
,
4 16
C H A PT E R II
w h i c h se t fo r t h o n e o r o t h e r o f t h e se c h a r a c t e r i sti c s o f At hene .
2 Ho m e i c Hy m n to Athe n e xxvi ii 9 1 6
. r ,
.
—
.
3 .E ur i p i de s Tr oj a n W o m e n 11 8 0 1
,
—0 2
(t r a n sl at e d by G il b e r t ,
.
Murr ay ) .
C H A PT E R III
1 . Ho m e r i c Hym n s ,
i ii .
Cf m sBea B
“
b e co m e tt e n
'
2 . . at, to ro ,
t o ro t .
3 S e e S wi n dl e r, C r e ta n Ele m e n ts, e t c
. .
4 T h ro ug h it s f a m o us e n i g m ati c re fe re n c e
. to w o o de n wall s w h i ch
,
T h e m i st o k l e s i n t e r p re t e d t o m e a n sh i p s, t h e o r a c l e fo r e t o l d t h e suc
c e ssf ul de fe n c e o f G r e e c e a ai n st t h e P e rsia n s
g .
NOT E S 32 9
5 T h e stat e m e n t t h a t Ap o ll o
.
is t h e so la r w o rd o f Z e us c o n c e i v e d
a s t h e e t e r n al a n d i n fi n i t e
g o d a n d t h ro ug h h im t h e re v e al e r o f t h e a r
(S c h ure , Le Mi r a c l e h e ll é n i q ue L Ap o llo n de
”
c h e t yp e s o f t h i n s
“ ’
g .
p , . .
—
34 4 4 5 i g n o re s t h e p ro g re ssiv e de v e l o p m e n t o f A o ll o f ro m a p
s im p le to a
l e x p e rso ali tyco mp n .
6 Oc c a si o n ally Ar t e m i s w a s a g o dde ss o f c o u n e l t h a t is t o sa s
y
.
, ,
o f h e alt h o f m i n d a n e xt e n si o n o f h e r f un c ti o n a s t h e dd h alt h
,
g o e ss o f e
o f b o dy .
7 He k a t e s a sso c i ati o n wi t h so c e ry is a m p l e e x p la n a ti o n o f t h e
’
.
r
C H A PT E R I V
IT h e sa m e k i n d o f m a g i c al i m p r i so n m e n t se e m s
.
h e re t o b e in
vo lv e d a s t h a t t o w h i c h t h e g e n i e w a s subj e c t e d in t he st o r y o f Ala d
din a n d t h e W o n de r f ul La m p .
C H A PT ER V
1 T h i s w a s p re s e n t e d by P r o fe sso r A L F r o t h i n g h a m in a p a p e r
. . .
r e a d b e fo r e t h e Ar c h a e o l o g i c al I n sti t ut e o f Am e r i c a a t i t s a n n ual m e e t
in g h e l d a t H av e rfo rd C o ll e g e , D e c 1 9 1 4 S O f a r a s t h e p re se n t w r it e r
. .
k n o w s, t h e p a p e r is n o t y e t in p r i n t .
S h e ll e y s t r a n slati o n o f t h e Ho m e r ic Hy m n to He r m es, ix
’
2 . .
3 ib xlv
. . .
4 ib x c vi i
. . .
5 T h e u n i o n o f He r m e s wi t h b o t h He r se a n d P a n dro so s in Atti c
.
l e g e n d p r o b ab ly si g n ifi e s t h at at l e a st in At h e n s h e h a d a c o n n e xi o n
wit h c e r tai n p h a se s o f t h e w e a t h e r , b u t suc h a n a sso c i ati o n do e s n o t
se em to h av e b ee n g e n e r al .
C H A PT ER V I
Si nce
t he m a nu sc r i p t h a s l e f t t h e a ut h o r s h a n ds h e h a s c o m e t o ’
1 .
t h e c o n c l u si o n t h a t Fa r n e ll is r i g h t in re g a r di n g t h e n a m e a s w h o lly
fo re i g n I n t h e fo r t h c o m i n g v o l um e o f t h e Tra sa ct io s a d P o ce ed
. n n n r
li m i n a ry stat e m e n t o f w h a t h e b e l i e v s t o b e t h e c o r r e c t de r i vat i o n
e ,
a n d l at e r h e h o p e s t o p ubli sh a n a r ti c l e sup p o r ti g t h e e ty m o l o g y in n
de tail .
T h e a fli n it y is due t o Ap h ro di t e s p r i m itiv e co n n e x i o n w i t h v e g e
’
2 .
t a t io n .
3 T h
. e m att e r- o f—f a c t m i n d c an e a sily de t e c t an o v e la p p i n g
r of t he
330 G RE E K AN D ROMAN M YT HO LO G Y
fun c ti o n s o f Ap h ro di t e o n t h o se o f o t her divi n i ti e s o f fe r tili ty Y e t .
t h i s n e e d di st u r b n o o n e fo r t h e G r e e k g o ds we r e n o t m e c h a n i c al
,
c r e a ti o n s T o i n si st u p o n a p r e c i se di ff e r e n ti ati o n a m o n g t h e G re e k
.
divi n i ti e s is t o m i ss t h e G r e e k s r e l i g i o us p o i n t o f vi e w a n d t o b e
’
i n se n si ti v e t o t h e m yt h m a k i ng sp i r i t -
.
4 .A L a n
.
g Th e N e w P yg m a li o n
,
.
5 .I n p h i l o so p h i c al c i r c l e s t h e e p i t h e t s Ou r a n i a a n d P a n de m o s w e r e
t h o ug h t t o si g n i fy t h e r e l ati o n s o f Ap h ro di t e t o p u re c e l e sti al l o v e a n d
de g r a di n g se n su ali ty r e sp e c tiv e ly ; a n d c o m m o n k n o wl e dg e o f t h e
li c e n ti o u s ch a r a c t e r o f c e r tai n r it e s o f the g o ddess g av e co l o u r t o th i s
i n t e r p re tati o n o f t he s e co n d e p i t h e t .
C HA PT E R V I I
1 . i 59 1 ff
I li a d, . .
2 . Mu rr ay Fo ur , S ta ges o f Gr Rel
. .
, p . 66 .
3 . xxiv .
4 . v 2 1 ff
. .
C H A PT ER V III
B C w a s re g a r de d a s a de m o n st r ati o n o f P o s e i do n s p o w e r
’
. . .
3 If t h e n a m e o f P o se i do n s so n Bo io t o s m e a ns a n yt h i n g a t all in
’
.
t h i s c o n n e xi o n , i t i m p li es th at P o s e i do n w a s i n the fo rm o f a b u ll
w h e n h e b e g a t t h i s so n .
C H A PT ER IX
1I l i a d, v i 1 30 ff (t r a n sl at e d by La n g , Le a f, a n d My e r s )
. . . .
2 S e e i nf r a , p 2 2 1
. . .
4 . vi i .
5 I t is still a m o o t p o i n t w h e t h e r t h e a p p e a r a n ce o f the sh i p in t h i s
.
m yt h o f D i o n y so s re fl e c t s t h e i n fl u e n ce o f c e r tai n Or i e nt al v e g e ta t i o n
r i t e s in w h i c h a sh i p w a s a
p ro m i n e nt fe at u r e .
6 S e e i nf r a , p 2 2 4
. . .
7 T h e use o f t h e p h alli c e m bl e m in t h e r i t e s o f D e m e t e r t o a ro u se
.
fe r tili ty in t h e e a r t h w a s o n e o f a n u m b e r o f f a c t o rs in b r i n g i n g ab o u t
a n a sso c i a ti o n o f D e m e t e r a n d D i o n y so s .
8 T o r e g a r d D i o n y so s un q ua l ifi e dly a s a r ai n —g o d is t o e xa g g e r a te
.
t h e i n fl ue n c e o f O si r i s o n h is de v e l o m e n t
p .
9 E
. u r i p i de s,
Ba cc h a i ,
ll 379 8 1
—
. .
332 G RE E K AND ROMAN M YT HO LOG Y
4 . a T hi s
sso c i ati o n o f P r o t e u s wi t h E g y p t i s se c o n da r y ; h is n a t iv e
h ab itat se e m s t o h av e b e e n C h al k i s .
H e r Odysse y x i i 39 54
—
5 o m
.
, ,
. .
6 Theo g o n y l 8 7 1
.
,
. .
A E Zi m m e rn Th e Gree k Co m m o n w ea l th Ox fo r d 1 9 1 1 p 35
7 . . .
, , , ,
. .
8 Odes I i i i 1 4
.
,
. . .
A B C o o k (Z e us i 30 2 ff ) h o l ds t h e o n e e y e d K y k l o p es t o b e -
9 . . .
,
. .
m o n st ro u s i n c a rn ati o n s o f t h e di sk o f t he sun .
10 H o m er i.c H y m n s xix 6 —2 1
,
. .
C H A P T ER X III
I . C h a r l e s L O D o n n e ll Ode f o r P a n a m a D a y
.
’
,
.
2 iv 10 ; se e al so v s 1 1
. . . .
C H A PT E R X IV
1 . xxvi 4 5 (t r a n s l at e d by F r a ze r I st
II . .
-
,
2 . t h i s r i t e se e L D eu b n e r D e i n cub a ti o n e Le i p z i g 1900 a n d
On .
, , , ,
t e rs o f N yx .
4 S
. O U se n e r Go tter n a m en p 37 1 A B C o o k (Z e us i
, ho w , . . . .
,
.
, , ,
“
t h e g r e e n w o o d (cf véu g l a de
”
os véuew to .
, , ,
5 S
. w i n b u r ne A t a l a n ta i n Ca lydo n ,
.
PART III
1 . l o n g b e en t h e p r a c ti ce t o a s su m e t h a t v i r t u ally all It ali c
It h a s
m yt h s w e r e c o r r up ti o n s o r a da p tati o n s o f G r ee k m yt h s N o w h o w .
,
e v e r t h e r e is a g r o wi n g t e n denc y t o a cc o un t fo r t h e m a s i n de e n de nt
, p
p ro du c t s o f I tali a n re l i g i o u s e x p e r i ence S e e es p ec i ally E tto r e P a i s .
An ci e n t Le ge n ds, etc .
2 D e Re r um N a tur a ,
. v .6 55 56 —
.
3 K i n g , D evel of Rel
. . .
, p 1 30 . .
APP E N D I X
1 .
p . 27 .
4 ih pp
. 1 2 —
3 33 . . .
7 ib p p 37— 38 .
2 Law so n , p
. .
75 .
5 1b p p 7 7 78
.
—
. . . 8 . ib p 69
. . .
3 i b p 43
. . . . 6 Le l a n d, p 10 1
. . .
9 ib p 6 1 . .
336 G RE E K AND RO MAN MYTHO LOGY
Re v ue a rc h éo l o g i q u e .
Re v ue de s é t u de s a n c i e n n e s .
Re v u e d h ist o ir e e t de li tt é r at u r e r e li g i e u se
’
.
Re v u e de l h ist o ir e de s r e l i g i o ns
’
.
Rh e i n i sc h e s Mu se u m f ii r P h il o l o g i e .
Mit t h e il un g e n de s k ai s e r li c h de ut sc h e n a rc h a o lo g isch e n
I n sti t u t s: rOm isc h e Ab t h e ilun g .
S o c r at e s Z e i t sc h r i f t f u
,
r G y m n a sia lw e se n .
S t u di st o r i c i p e r l a n t ic hit é c l a ss i c a
’
.
Wi e n e r S t u di e n .
II . G E N E RAL W ORK S
D AR E M B E R G a n d SAG LI O , D i cti o n n a i re des a n ti q ui tés gr ecq ues et r o m a i n es
d a p r és les textes e t l es m o n um en ts P a r i s, 1 8 92 ff
’
. .
- -
,
schaf t S t uttg a r t 1 90 1 ff
.
,
.
. .
, ,
Mytho lo gi e Le i p z i g 1 8 8 4 ff .
,
.
S t r a ssb u rg 1 90 1 ,
.
r a p hy Mythol o gy a n d G eo g r a p hy
, Lo n do n 1 8 99 , .
,
.
I II . S P E C I AL W ORK S
a Gree k
ALL E N T W ,
“
T h e D a t e o f He si o d
.
”
in ] H S xxxv 8 5 ff
.
, ,
. .
AL P E Rs J Hercules i n b ivi o G Ot t in g e n 1 9 1 2
,
.
,
.
,
2 6 1— 67
Ur sp r un g un d E n twi c k e l un g de r k r e ti sc h e n Z e usre l ig io n ,
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—
AN C E Y G ,
.
, Q ue sti o n s m yt h i q ue s, in RA xxi . 2 09 —
82
AND RE S F D i e E n g e l un d D a m o n l e h r e de r g r ie c h isc he n Ap o lo ge te n
,
.
,
D a m o n o lo gie Br e sl a u, 1 9 1 3
'
BA K E R , E K . .
,
S to r i es f
o Old G r e ece a nd Ro m e . N ew Yo r k 1 9 1 3 ,
.
b urg , 1 8 96 (Ost e rp ro g r a m m de s G y m n a si e n ) .
3 v o l s Mu n i c h a n d Le i p z i g 1 8 8 5 8 8
—
. .
,
BA UR P V C Ce n t a urs i n An ci e n t Ar t the
,
. . .
, ,
Ar cha ic P e r io d Be r li n .
,
1 9 12 .
N e w Yo r k 1 9 1 2 ,
.
A e Ro m e lxvii ) P a r i s 1 8 94
’
f r a n ga ises d t he n es e t d ,
.
,
.
BE R G E R D e b e ll i da e m o n ib us q ui i n ca r m i n ib us Gra e c o r um e t Ro m a
,
.
,
n o r um i n ven i un tur Le i p z i g 1 8 94 .
,
Ro sc h e r s Le i p z i g 1 904
’
.
,
BE TH E E Ho m e r D i chtun g un d S a ge i (I lia s) Le i p z i g 1 9 14
,
.
, , ,
.
,
.
C a m b r i dg e 1 9 1 1 ,
.
BLU M G ,
“
MEIAIX I OE in MB xv n 31 3 2 0
.
, ,
.
—
BO D R E R O , E .
,
I G i a r di n i di Ado n ide . Ro m e ,
19 1 3 .
BO E TT I C H E R ,
K ,
B a um k u l t u s de r He ll e n en u n d Ro m e r
.
. Be r l i n , 1 8 56 .
BO E T Z K E S ,
R ,
D a s K e r y k e i o n M un s t e r, 19 13
.
.
BO U C H E LE C L-E R Q A H isto i r e de l a
,
.
,
divi n a ti o n da n s l
’
a n t i q ui tE .
4 vo l s .
P a r i s 1 8 79 8 2 ,
—
.
338 G RE E K AND ROMAN MYT HO LOGY
BO U C H E LE C L E R Q , A , L Astr o l o g ie gr ec q ue P a r i s,
’
-
. . 1 8 99 .
Le co n s d histo i re g r e c q ue P a r i s, 1 9 1 3
’
. .
BR EA L , l\4 .
,
Méla n ges de m ytho l o g i e et de l i n g uisti q ue . P a ri s, 1 8 77 .
BR I N T O N , D G . .
,
Reli gi o n s of P r i m i tive P eo p les . N ew Yo r k 1 8 99 , .
BR O W N , R .
,
S e m iti c I nfluen ce i n Helle n i c Mytholo gy . Lo n do n 1 8 98 , .
g u n tur (S u pp l e m e n t t o Ro sc h e
’
r s Le i p z i g , 1 8 93 .
Hall e ,
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.
,
re .
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1 8 98 .
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,
Be m er k un ge n z u de n a lten k l e i n a sia tische n S p ra chen un d
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C E RQ UA N D , J . F .
,
Etudes de m ytho l o g ie gr ecq ue : Ulysse et Ci r ce; Les
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,
The Her o i c Age . C a m b r i dg e , 1 9 12 .
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, .
déve l o p p e m e n ts . P a r i s, 1 8 31 .
. .
1875 .
C OO K , A B , . . Z e us i ,
. C a m b r i dg e , 1 9 14 .
COO K, S A ,
“
. . T h e E v o l u ti o n o f P r i m i tiv e T h o u g ht , in Essa ys a n d
S t udi es p re sen te d t o W i l l i a m Ridg ew a y, p p 37 5 ff C a m b r i dg e , . .
19 13 .
The Fo un da ti o n s o f Relig i o n . Lo n do n , 1 9 14 .
CO R B E L L I N I , C A T ER I NA , a rg ivi n e ll a Bo io t ia e l in t re cc io G l i E ro i
“ ’
de l c i c l o t ro ia n o c o l t e b a n o i n S I FC x ix 337 49
” —
,
.
“
G li E ro i de l c i c l o e r a c l e o n e l c atal o g o o m e r i co de ll e n avi in ,
S I F C xix 350 59 .
—
CO R N F O R D F M “
He r m e s P a n Lo g o s in CQ i ii 2 8 1 8 4
,
. .
, , , , .
—
Fr o m Rel ig i o n to P hi lo so p hy Lo n do n 1 9 1 2 .
, .
34 0 G RE E K AN D ROMAN M YT HO LO G Y
E N G E L MAN N , R .
,
Bi lde r - Atl a s z um Ho m e r . Le i p z i g , 1 8 89 .
E V E L Y N -W H I T E , H G . .
,
“
T he Myt h o f t h e N o st o i ,
”
i n CR xxiv . 2 0 1—0 5
“
He sio de a in CQ v n 2 1 7 if ,
. .
“
E vi de n c e o f G r e e k Re li g i o n in t h e T e x t a n d In t e r p r e tati o n
o f Atti c T r a g e dy in CQ iv 1 7 8 90 ,
.
—
G reece a n d Ba b yl o n E di n b u r g h 1 9 1 1 .
,
.
F I S K E J Myths a n d Myth Ma k e rs Bo st o n 1 8 96
,
.
,
-
.
,
.
F O S T E R B O T h e D u r ati o n o f t h e T ro j a n W a r i n A] P xxxv
,
“
. .
, , .
30 8
—
2 94
“
F ox W S
,
T h e J o h n s Ho p k i ns T ab e ll a e D e fi xio n um
. .
, , in A] P
Su p p l e m e n t xxxiii p a r t 1 ,
P ar t i ii . The D yi n g Go d Lo n do n , 19 1 1 . .
P a rt vi . The S c a p e g o a t Lo n do n , 1 9 1 3 . .
f Gr eece t r a n sl at e d wi t h a m m on
’
P a usa n i as s D esc r ip ti o n o , co
ta r y by J G F r a z e r 2 md . . . ed . c o r re c e d t . 6 vo ls . Lo n do n , 19 13 .
F R I E D L AND ER ,
P .
,
Ar g o l i ca . Be r li n , 1 90 5
“
K r i ti sc h e Un t e r such un g e n z ur G e sc h i c h t e de r He l de n sa g e
(1 ) Arg o n a u t e n ; (2 ) D e r K r i e g um T h e b e n ; (3) l a Ma s axio m s
”
,
i n RM lxix 2 99— 34 1 .
FRI E S C, ,
.
“
Ba byl o n i sc h e un d g r i e ch i sche Myt h o l o g i e ,
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6 8 9 if .
FRI E S C,
D i e g r ie c hisc he G o tte r un d Il e r o e n
.
, vo m a st r a l m t ho l o
y g isc he n
S ta n dp un k t a us b e t r a c hte t Be r l i n , 1 9 1 1 . .
F R O TH I N G H AM ,
A L . .
,
“
Me dusa Ap o ll o , ,
an d t he G re a t Mo t h e r ,
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—
l\ Ie dusa , t h e Ve g e tati o n G o rg o n e i o n ,
/
in Aj A xix . 1 3— 2 3
FU RT W AN G L E R , A , . C h a ro n ,
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. .
G A R D N ER , E , Re lig i o n . and Ar t i n An c ie n t G r ee ce . Lo n do n an d N ew
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,
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19 1 1 .
M
G E L DA R T , E . .
,
Fo l k l o r e f Mo de r n
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.
,
La Fo r m a ti o n des lé g e n des . P a r i s, 1 9 10 .
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51 su iv r e da n s l e t u de de s r i t e s e t de s m yt h e s,
in Re vue de l U e B e lles, xvi
’
n i v er s i t de r u x
50 5 2 3 (19 10
—
.
G E R HA R D , E , G i
r e c h i sc h e M y t h.o l o g i e B e li n , 1 8 54 55
r —
. .
G E RL AND , G .
,
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’
. re lig i e ux en .
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. . t he T h e o ri e s of M .
B e r a r d,
”
i n ABS A xvi ii 1 8 9 2 10 (19 1 1
—
.
T h e Le g e n d o f C a dm u s a n d t h e Lo g o g r a p h i, i n ] HS xxxi i i
“
.
53 7 4 ,
-
2 2 3 45 ( 1 9 1 3)
-
G o w , A S F , E l p i s a n d P a n do r a in He si o d s W o r k s a n d D ay s, in
“ ’
. . .
C a m b r i dg e ,
19 13 .
G RU PP E , 0 D i e r i e c hi sc he K ul te un d Mythe n L ei p z ig , 1887
, g . .
v o n Mu ll e r , V Ba n d, 2 Ab t e il un g ) 2 vo l s Mun i c h , 1 906
. . . . .
34 2 G RE E K AN D ROMAN M Y THO LO G Y
G RU PP E O , D ie m ytho l o gische Li
,
.
te r a tur , a us de n J ah re n 1 8 98 — 1 90 5
f u Al m i h f Su p p l Le i p z i g ,
'
h b i h t u w t
(j a r es e r c t r t e r s sse n sc a . .
1 90 8 .
“
D ie e h e rn e S c h w e ll e un d de r t h o r i k isc h e Ste i n , in AR xv .
359 79
-
( 19 1 2 )
G U E RB E R, G .
,
The Myths of Gr ee ce a n d Ro m e Lo n do n 1907 .
, .
Am st e r da m 1 9 1 2 ,
H AB E R T O L,
a R e l i g i o n d.
e l a
,
G r E ce a n ti q ue P a r i s 1 9 10 .
,
.
HA H N J G V O N
,
.
S a g e n w is s e
.
n sc h af tl i c h e S t u di en
,
J ena 1 876 .
,
.
H A LL I DA Y W R Gr e e k D i vi n a t i o n L o n d o n 1 1
9 3 .
.
,
.
,
.
,
H A RRI S J R,
Th e C u l.
t of t h e H ea v en
.
l
,
y T w i n s C a m b r i dg e 1 906 .
, ,
Bo a n e r g es C a m b r i dg e 1 9 1 3 .
,
.
”
T h e D i o scu r i in By z a n ti um a n d t he N e i g h b o u r h o o d in
“
,
C a m b r i dg e , 1 9 1 3 .
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. .
,
-
Ta les . Lo n do n , 1 900 .
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,
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.
,
un d Mytho lo g ie de r Gr ieche n .
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.
,
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,
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344 G RE E K AND RO MAN M YT HO LOG Y
LAN G , A Custo m a n d Myth N e w Yo r k 1 9 10
.
,
.
,
.
The W o r ld of Ho m e r Lo n do n 1 9 10 .
,
.
“
Myt h o l o g y ,
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) xi x .
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1 —
32 (190 7 )
LA W S O N , J . C , Mo de r n Gree k F o lk l o re a n d An c ie n t Greek Reli gi o n
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Tr o y, A S tudy i n Ho m er i c Geo gr a p hy Lo n do n 1 9 1 2 .
, .
P a r i s, 17 8 7 .
. .
Le i p z i g a n d Be r li n , 1 9 1 1 .
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. . .
LO I S Y A D i o n y so s iv
”
et Or p h é e , i n RHLR . 1 30— 54
Cyb el e et Atti s ,
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LO W Y ,
E .
,
“
Z ur Ait hio p is,
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,
Me m n o n ,
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Mc D A N I E L W ,
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—
MA L T E N ,
L , K yr e n e , S a ge n g eschi chtl i che un d histo r ische
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”
,
in ] xxv n . 2 32 —6 4
Ely sio n un d Ra da m a n t h y s,
] xxvi i i 35 51 ”
in BAI .
—
D a s P fe r d im T o t e n g la u b e n in ] BAI xxix 1 7 9 2 55 ,
.
—
gen, 19 1 3
MA UR Y A ,
.
,
Histo i r e des re li g i o n s de l a Gr éce a n ti q ue .
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MA Y E R M Die Gi ga n te n un d Ti ta n e n i n der a n ti ke n
,
.
, S a g e un d K un st .
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r un g : D es S o n n e n g o ttes E r de nf a h r t Mun i c h , 19 10 . .
MI C H E L C Le C ul t e d Esc ula p e da n s l a r e li g i o n de la G r e c e a n
’
.
,
c ienn e i n RHLR i 44 ff
,
. .
MO MM S E N A Feste de r S ta dt Athe n i m Al te r t um Le i p z i g 1 8 98
,
.
,
.
, .
m o di e E r la n g e n 1 90 7
.
,
“
l\/IU E L D E R D D a s K y k lo p e n g e dic h t de r Ody sse e
,
.
, in H xxxviii , .
1
4 4
—
55 (190 3)
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. .
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. D .
,
Mytho lo gie de r g r i ec hisc he n S ta m m e . 2 vo ls .
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gen , 1 8 57
—
61 .
MU LL E R ,
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,
P r o le g o m e n a z u ei n er w isse n sc ha tli che n f Mytho l og ie .
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.
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I ll ustr a ti o n e n i n ihr e r k un sthisto
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,
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. .
,
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The Rise f
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,
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,
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,
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4 3 48
2 —
N O C E RA V ,
.
,
I S i m b o li m i to l o g i c i n egl i ste m m i e d e m b l e m i g r ec i e ro
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34 6 G RE E K AND ROMAN M YTHO LO G Y
OH N E F A L S C H-RI C HT E R , M .
,
K yp r os, the Bible and Ho m e r . 2 vo l s .
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’ ‘
. . . Mun i c h ,
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—
.
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,
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. .
,
h a u se n 1 9 1 1 ,
.
P H I L P O T Mrs JH
,
. . .
,
The S a cred Tr ee, or The Tree i n Rel i gi o n an d Myth .
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,
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,
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,
“
Myt hic a ,
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36 xxxvi .
32 0 —
28
in RM 1x 58 4— 93
“
Z ur Ha de sm y t ho lo g ie , .
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“ ”
sur in
REA xi ii 7 5 7 8 .
—
RAMO RI N O , F . Mila n 1 9 1 1
,
IlI i to l o gi a cl a ss ca i i l l ustr a ta .
,
.
, ,
. . .
,
“
L Or ig in e de de u x l ég e n de s h o m é r i q ue s i n RHR lxi x
’ ” —
,
. 12 33
RE I NAC H , S .
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.
59
—8 1
Cultes ,
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,
.
Le a ifi c e de s cr T y n da re , i n RHR lxvii i 1 33 4 5 .
—
Orp he us P a r i s .
,
19 14 .
34 8 G RE E K AN D ROMAN M YT HO LO G Y
S E I F F E R T, O .
,
D ie To te n schl a n ge au f l a k o n isc hen Relief s . Br e s l a u
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g
.
S EY M U R, T D . .
,
Lif e i n the Ho m e r i c Ag e . N ew Yo r k ,
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. an d h e r S o n Fa n ,
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R —
.
SI E C K E, E . Mythus S a ge Ma r che n
, , ,
i n ihr e n Bez i e hun gen z ur Geg e n
w a rt . Le i p z i g 1 906 ,
.
S M I TH , S C K . . .
,
The El e m e n ts o f Gr ee k W o rship . Lo n do n , 19 1 5 .
S O MM ER , L .
,
D a s Ha a r i n Rel i g i o n un d Ab er gl a ub e n der G r i eche n .
Mti n st e r ,
19 1 2
S O UR D I L L E , C , .
“
Un e T h éo r i e r é c e n t e sur l a fo r m ati o n du m yt he
in REA xiv 2 6 7 ff
’
d Ep a p h o s,
’
. .
.
,
. 191 1 .
.
,
. 19 1 2
SWA I N , J . S S e e D UR KH E I M , EM I LE
. .
Bry n Maw r P a 1 9 1 3 ,
.
,
S Y B E L L V O N D i e Mytho l o gi e de r I li as Ma r b u rg 1 8 77
,
.
,
.
,
.
T OP F E E R J Attisc he Ge n e a lo gi e Be r li n 1 8 8 9
,
.
,
.
,
11 S a c r ifi c io di Po li sse n a in AtR xv 11 1 9 38
“
T OS I T
”
—
,
.
, , .
P a r i s 1 909 ,
.
US E N E R H K Go tter n a m en Bo n n 1 8 96
,
. .
,
.
, .
Die S i n tfluthsa ge n . Bo n n , 1 8 99 .
Myt h o l o g i e in AR V ii 6 ff
“
,
”
. .
V I G N I O LI T Myth a n d S ci e n ce Lo n do n
,
.
,
.
,
1882 .
V O L L G RA F F W
“
D i o n y so s El e ut h e re us
,
.
, ,
i n A M x x xn 56 7 7 5
—
”
.
Te uk r os un d Te uk r e r . Ro tt e r da m , 19 1 3 .
“
WA R D W ,
H , T h e G re e k a n d t h e Hi tti t e G o ds, in Essa ys p rese n ted
. .
to C A Br i ggs N e w Yo r k 1 9 1 1
. . .
,
.
WA S ER O ,
.
,
Ub e r die i usse re E r sc h e i n u n g de r S e e l e in de n Vo rst e l
L
'
l un g e n de r Vol k e r , z um al de r al t e n G r i e c h e n ,
”
in AR xvi 336 —8 3 .
B I B LI OG RA P HY 34 9
WA S ER ,
O .
,
T h e se u s un d P r o k ro ust e s, in AA xxix . 2
3 3
— 8
Agyp tisc h
’
WEBER , \V .
,
-
g r i ec h isc he Cot te r i n Il e l le n ism us . G ro n i n g e n ,
19 1 2 .
W E I C K ER , G .
,
D e r S e el e n vo g e l i n de r a lte n Li te r a tur un d K un st . Le i p z i g ,
1 90 2 .
W E L C K ER F G ,
. .
,
G r i e c hische G o tte r le hr e 3 v o l s G o tti n g e
.
1 8 57 6 3 . n ,
—
W E LL MA N N M ,
.
,
“
Be i t r a g z ur G e sc h i c h t e de r a tti s he n Ko n ig sl ist e c
,
in H (
554 6 3 1 9 10 ) xlv .
—
.
W I D E , S , La k o n ische K ulte Le i p z i g , 1 8 93
. . .
Ar ti c l e o n G re e k Re l i g i o n , in G e rc k e a n d N o r de n s Ei n
” ’
Ap o ll o , T w o l e c t ur e s de l iv e re d b e fo r e t h e Un iv e rsi ty o f Ox fo rd .
Ox fo r d, 1 90 8
VU N DT , W
V Ma rc h e n S a g e un d Le g e n de
.
,
“
, a ls E n twi c k l un g sfo r m e n
de s Myt hu s in AR xi 2 00 2 3
”
—
,
.
Le i p z i g , 1 909
VOl k e r p sycho l o g i e . .
“
W U N S C H , R , G r i e c h i sc h e un d rOm isc he Re l i g i o n
. 1 90 6— 1 9 10 , in
A xiv 5 1 7 60 2
R —
.
(b ) Ro m a n
AG AHD R ,
M T e r e n t n Va r ro n is a n t iq uit a t um r e ru m div in a r um
.
,
.
AL B E R T M Le Cul te de Ca sto r e t P o ll ux e n I ta l ie P a r i s 1 8 8 3
,
.
,
.
,
.
AU S T E Di e Re li g i o n de r Ro m e r Mun st e r 1 8 99
,
.
,
.
,
.
a n d I n scr i p ti o n s C h i c a g o 1 90 7 .
,
.
BI ND E R J D ie P l e b s Le i p z i g 1 909
,
.
,
.
,
.
BO I S S I E R G La Re l ig i o n r o m a i n e 2 v o l s P a r i s 1 90 6
,
.
,
. .
,
.
C A R T ER J B D e de o r um Ro m a n o r um co g n o m i n ib us q ua estio n e s se le c
,
. .
,
ta e Hall e 1 8 98
.
,
Ep i the ta de o r um q ua e a p ud p o e ta s La t i n os l eg un t ur (S up p l e
m e n t t o Ro sc h e r s Le i p z i g 1 90 2
’
.
,
T h e C o g n o m i n a o f t h e G o dde ss F o r t un a
“ H
in Tr a n sa ct io n s
‘ ’
,
68
350 G RE E K AN D ROMAN M Y THO LO G Y
CA R T E R , J . B .
,
The Re li g i o n f
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19 1 1 .
74 8 8
—
C ata n i a , 1 9 1 1
’
CI AC E RI , E .
,
Cul ti e m i ti ne ll a sto r i a de ll a n t cai S i ci l i a . .
Su ll a p r e t e sa i g i ne e t ese u lt o
“
or cr de l c di Ve n e re e r e c in a , in
A
SS C v 1 6 4 80
—
.
Buch de r Ae n e i s,
“
CO R S S E N , P .
,
D ie S ibyll e im sechs t e n in S, n ew
i
se r e s, i . 1 16
—
C UM O N T ,
F .
,
Les Re l ig i o n s o r i e n ta les da n s le p a g a n ism e r oma in . P a r i s,
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La The o l o g ie l i
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1 903 .
D EU B N ER , L .
,
Lu p e rc al i a ,
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—
“
Z ur E n twi c k l un g sg esch i c h t e de r a lt rOm isc h e n Re l i g i o n , in
N] xiv .
32 1 —
35
“
D OMA S Z E W S K I , A V O N , Eig e n sc h a ft sg o t t e r de r a lt ro m isc h e m Re
.
Ab ha n dlun ge n z ur i
r o m sche n Rel i g i o n . Le i p z i g , 1 909 .
D OU G LA S , E . M .
,
“
I n
n o S o sp i ta of La n uv ium ,
”
in ] RS ii i . 6 1 72 —
F O R NA RI F La v a t io Mat r i s D eu m i n BAAR 11 8 7
,
.
, ,
.
—
89
F O W LE R W W The Ro m a n Festiva ls of the P e r i o d of
,
. .
,
the Rep ub lic .
Lo n do n , 1 8 99 .
“
T he Oa k a n d t h e T hun de r G o d, -
”
i n AR x vi . 1 —
3 7 20
Ro m a n I dea s of D e i ty N e w Yo r k , 1 9 1 4 . .
Ro m a n Lif e a n d Ma n n e r s un de r the Ea r ly Em p i r e (E n g li sh
t r a n sl ati o n o f t he 7 t h e d o f t h e fo re g o i n g by L A Ma g n u s) . . . .
3 v o l s L o n
. do n a n d N e w Y o r k 1 90 8 —
09 ,
.
G A LI ET I A,
“
S ul se r p e n t e g e n i o di G i u n o n e S o sp i ta
.
,
i n BAAR i i i ,
.
10— 1 1
G ER C K E , A , . F e ti sc h i sm u s im al t e n Ro m , in D R c l x 78 . 2 68 —
C L O V ER ,
T . R .
,
Co nfl i ct of Re l ig i o n s i n the Ea r ly Ro m a n E m p ir e .
Lo n do n , 1 909 .
352 G RE E K AN D ROMAN M YT HO LO G Y
S O L TA U , W .
,
D ie E n t st e hu n g de r Ro m ul usl e g e n de , in AR xi i .
—
100 25
T O U TA I N , P a r i s,
’
J . F .
,
Les Cul tes p a t e n s da n s l e m p i r e r om a n i .
1 90 7 .
US E N E R H , ,
. I tal i sc he Myt h e n ,
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V ACCA I , G .
,
Le Feste di Ro m a . T u ri n , 1 90 2 .
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.
,
.
,
W 1D E S Ar ti c l e o n Ro m a n Re li g i o n in G e r c k e a n d N o r de n s
“ ” ’
,
.
, ,
19 10 .
S t u di e s Hu m a n i sti c S e r i e s iv p a r t
,
N e w Yo r k 1 9 10 , ,
.
Be r li n 1 8 8 8 ,
.
g esc hi c h te Mu n i c h , 1 904 . .
Z E LLE R ,
E .
,
Reli gi o n un d P hil osop hie b e i den Ro m e r n . Be r l i n ,
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IV . ART I C LE S ON G RE E K AN D ROMAN RE LI G I ON IN
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—
BE TH E , E .
,
Ag ra ulids, i . 2 2 5 -2 6 .
“
Am p h i a r a u s, ”
i .
393 9 4
—
.
C e c ro p s i i i
”
,
. 2 70 .
D a n a i ds, iv
'
—
. 2
39 9 3 .
BE V AN , E R . .
,
D e ifi c a t io n (G re e k an d Ro m a n ) , iv . 2 —
5 5 33 .
BL A K I S T O N ,
“
H E D . . .
, G r a ia i,
”
vi 38 4 8 5
.
—
.
BL O O M F I E L D , M .
,
“
C e rb eru s ,
”
iii .
31 6 —
18 .
BO S A N Q U E T , Mi ta u r vi i i 6 74 7 6
R C . .
,
no ,
”
.
—
.
BUR N S I F ,
C h a r i t e s i i i 37 2 7 3
.
, ,
”
.
-
.
Co sm o g o n y a n d Co s m o l o g y (G re e k ) ,
iv 14 5 51
.
—
.
Co sm o g o n y a n d Co s m o l o g y iv 1 75 7 6
.
—
.
Fa i t h (G re e k ) v 694 9 5 ,
.
—
.
Fa i t h v 6 97 . .
Ho l i n e ss vi 7 4 1 43 .
—
.
C AM P B ELL L “
Go d , vi 2 79 8 2
.
, .
—
.
B I BLI OG RA P HY 353
C A R T ER , J B, . .
“
An c e st o r VVo r ship -
an d Cu l t o f t h e D e a d (Ro m a n ) ,
i 4 6 1— 6 6
. .
Ar val Bro t h e r s 11 .
7
—
11 .
Lo v e (Ro m a n ) , vii i . 1 7 8— 80 .
C UR T I S , C D I n i ti ati o n “
.
v u 32 7 2 8.
, .
—
.
D E U B N ER L C h a r m s a n d Am u l e t s (G r e e k ) i i i 4 33 39
,
.
, , .
—
.
“
Fl e e c e (G re e k a n d vi 5 1 52 .
—
.
D UFF J W ,
“
Co m m un i o n wi t h D e ity (G re e k a n d Ro m a n )
. .
,
,
6 —
7 3 71
FA I R BAN K S A Am a z o n s i 370 7 1 ,
.
, ,
.
—
.
FA R N E LL L R G r e e k Re li g i o n vi 392 4 2 5
“
,
. .
, ,
”
.
—
.
F O W LE R W W ,
“
Fo r tu n e . vi 9 8 104 .
, .
—
.
G ARD N E R E A C e n ta u r i i i 306
,
.
,
”
. .
G A R D N ER P I m a g e s a n d I do l s (G re e k a n d Ro m a n ) v n 133 38
,
.
, ,
.
—
.
G RA Y L H , I n c ub ati o n vi i 2 06—0 7
. .
, ,
. .
HA LL F W
, Ab o de o f t h e Bl e st i i 696 9 8
. .
, ,
”
.
—
.
HA RR I S O N J E “
G o rg o n
, vi 330 32 . .
, ,
”
.
—
.
“
H a r p i e s v i 5 1 7 19 ,
.
—
.
I n i ti ati o n V ll 32 2 2 3 .
—
.
K o ur e t e s a n d K o r y b a n t e s vii 7 58 6 0 ,
”
.
—
.
Mo u n tai n Mo t h e r v i ii 8 6 8 6 9 -
,
—
.
HE R B I G G
“
,
E t rusc a n Re li g i o n
.
,
v 532 40 ,
.
—
.
HO G A R TH D G
“
Ae g e a n Re li g i o n i 1 4 1 4 8
,
. .
, ,
”
.
—
.
HO P K I N S E W Hy p e b o re a n s vii 58 59 ” —
,
. .
,
r ,
. .
K R O LL W ,
“
Mo m e n ta ry G o ds vii i 7 7 7 79
.
, ,
”
.
—
.
LA TT E K a n d P E A RS O N A G
,
. Lo v e (G r e e k ) vi ii 1 6 8 7 3 ,
.
, ,
.
—
.
MA I R A W He si o d vi 6 6 8 7 1
. .
, ,
”
.
—
.
Li fe a n d D e at h (G re e k a n d Ro m a n ) vi ii 2 5 31 ,
.
—
.
P E A RS O N A C Ac h e l o u s i 7 3 ”
.
,
. . .
, ,
“
Ac h ill e s i 7 3 7 4 ” —
. .
,
D e m o n s a n d S p i i t s (G r e e k ) iv 590 94 r ,
.
—
.
He ro e s a n d He ro G o ds (G re e k a n d Ro m a n ) V i 6 52 56 —
. .
—
.
Hum a n S a c r ifi c e vi 8 4 7 49 .
—
.
Mo t h e r o f t h e G o ds (G re e k a n d Ro m a n ) vi ii 8 4 7 5 1 , .
—
.
RE I D J S D e m o n s a n d S p i ri t s iv 6 2 0 2 2
'
“ —
. .
,
.
,
Li g h t a n d D a r k n e ss (G e e k a n d vii i 56 60 r .
—
.
RO S E H J F e stiv al s a n d Fa st s v 8 57 6 3
“ -
. .
,
. .
,
”
S AY C E A H C h a o s ii i 36 3 64 —
. .
,
. .
, ,
354 G RE E K AN D ROMAN M YT HO LOG Y
S C O TT , W .
, G i a n t s (G r e e k an d Ro m a n ) ,
S H O RE Y , P , Ho p e (G re e k a n d Ro m a n ) ,
“
.
S H O W E RMAN , G , Atti s, i i 2 1 7 1 8
“ ” —
. . .
“
C yb e l e ,
iv 37 7 7 8 .
—
.
SI KE S E E He a r t h a n d He a r t h G o ds (G r e e k ) vi 56 2 63
“ - —
.
,
. . .
, ,
S M I TH K F
,
“
Ag e s o f t h e W o r l d (G re e k a n d Ro m a n ) i 192 — 2 00
. .
, , . .
He c at e s S u p p e r s v i 565 6 7
“ ” ’
—
. .
,
Ma g i c (G r e e k a n d vi ii 2 69 8 9 .
—
.
“
ST O C K ST G F at e (G r e e k a n d
. .
,
v 7 8 6 90 .
—
.
Fo r tun e vi 93 9 6 .
—
.
I n c a rn a ti o n (G r e e k a n d Ro m a n ) V l l 1 92 9 3 ,
.
—
.
“
T H R AM E R E He al t h a n d G o ds o f He ali n g
,
.
,
vi 540 53 .
-
.
“
He al t h a n d G o ds o f He al i n g vi 553 56 .
—
.
“
He a r t h a n d He a r t h G o ds vi 563 6 5 -
.
—
.
“
W O O D H O US E W J Ap h ro di si a i 604 0 5
,
.
,
”
.
—
.
“
Ap o ll o n i a i 60 8 0 9 ,
—
.
C i m m e r i a n s ii i 6 55 57 ,
.
—
.
”
K e re s, Vll . 687 88—
.
W O O D S F H D e l u g e iv 54 5 57
,
. .
,
.
—
.
W UN S C H R C h a rm s a n d Am u l e t s (Ro m a n ) ii i
,
.
, ,
.
4 6 1—6
5 .
“
C ro ss Ro a ds i v 335 36 -
.
—
.
Hu m a n S a c r ifi c e (Ro m a n ) vi 8 58 6 2 , .
—
.