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User Manual
1 . Welcome
Combine multiple images into a layered Photoshop-compatible file Adjust layer size, position, blending mode and opacity Use the built-in layer masks and masking tools to blend multiple layers together Layered files are easily opened in Photoshop if needed Super fast launch and file-opening speed
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Once images are brought into Perfect Layers, they are merged as separate layers where photographers can easily reorder and position each layer as well as change blending modes and opacity. In addition, photographers can selectively blend, or mask layers together using the MaskingBrush and MaskingBug developed originally for PhotoTools and FocalPoint. Perfect Layers saves its work as native layered Photoshop files so users can open them directly with Photoshop for additional editing if desired. Looking for Information? If you're unable to find what you're looking for in this help system, try these alternative resources, or contact our customer support department.
Most popular pages Welcome User Interface Creating a New File Additional Resources Using this Help System System Requirements Supported File Types Installation What is Perfect Layers Contacting onOne Software
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Perfect Layers User Guide
Welcome . 2
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Additional Resources Contacting onOne Software
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Perfect Layers User Guide
3 . Welcome
Knowledge Base
Search the Knowledge Base for common bugs, tips & tricks, and compatibility issues with other software.
Video Tutorials
Check the online video tutorials.
Technical Support
Contact technical support by filing out a request form.
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Perfect Layers User Guide
Welcome . 4
See also
Using this Help System Additional Resources
2011 onOne Software, Inc. All rights reserved. onOne Software is a registered trademark of onOne Software, Inc. The onOne Software logo are trademarks of onOne Software, Inc. Adobe, Photoshop, Photoshop Elements, Photoshop Lightroom, Flash and Acrobat are trademarks of Adobe Systems, Incorporated. Mac OSX, the Mac logo are trademarks of Apple, Inc., registered in the U.S. and other countries. Microsoft, Windows, Windows XP, Windows Vista, Windows 7 and .NET are registered trademarks of Microsoft Corporation. All other trademarks are the property of their respective owners.
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Perfect Layers User Guide
Installation . 6
System Requirements
Macintosh
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Mac OS X 10.5 or 10.6 (current maintenance releases) Intel Core 2 Processor or higher 4GB RAM or higher 100 MB of hard disk space OpenGL 2 compatible video card with 256MB dedicated VRAM or higher at 1200x800 or higher display Internet connection for activation, updates and tutorial movies Administrator privileges for installation Optional integration with Adobe Photoshop Lightroom 2 or 3 Optional integration with Apple Aperture 2.1 or 3
Windows
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Windows XP, Vista or Windows 7 (current maintenance releases) Intel Core 2 Processor or higher 4GB RAM or higher 100 MB of hard disk space OpenGL 2 compatible video card with 256MB dedicated VRAM or higher at 1200x800 or higher display Internet connection for activation, updates and tutorial movies Administrator privileges for installation Optional integration with Adobe Photoshop Lightroom 2 or 3 Microsoft .NET 2.0 framework or higher
About Windows Video Cards If you are using Perfect Layers from a Windows based computer, it is important that you have the latest drivers for your video card installed to get the best performance. Check with your video card manufactures website for the latest drivers. Be sure your video card is OpenGL 2 compliant and has 256MB or more of dedicated VRAM. Many integrated video cards on low-end laptops may not meet these requirements.
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Perfect Layers User Guide
7 . Installation
Installation
To install Perfect Layers, double click the installer icon and allow the installer to guide you. IMPORTANT: YOU MUST CLOSE LIGHTROOM AND APERTURE BEFORE INSTALLING. Mac OS X
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The application and all other required files and documentation are installed in the Perfect Layers folder in the user's Applications directory. The default installation installs all necessary files into all supported versions of Photoshop Lightroom found during the installation process. If a previous versions of Perfect Layers is found, it will be replaced. Support files and frameworks are installed into /Library/Application Support/
The application and all other required files and documentation are installed in the Perfect Layers directory in the onOne Software folder in Program Files. The default installation installs all necessary files into all supported versions of Photoshop Lightroom found during the installation process. If a previous versions of Perfect Layers is found, it will be replaced. Support files and frameworks are installed into \ProgramData\onOne Software\
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Windows XP
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The application and all other required files and documentation are installed in the Perfect Layers directory in the onOne Software folder in Program Files. The default installation installs all necessary files into all supported versions of Photoshop Lightroom found during the installation process. If a previous versions of Perfect Layers is found, it will be replaced. Support files and frameworks are installed into \Documents and Settings\All Users\Application Data\onOne Software\
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System Requirements Uninstalling License and Registration
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Perfect Layers User Guide
Installation . 8
Uninstalling
To uninstall Perfect Layers follow these instructions. Windows XP 1. 2. 3. 4. Go to the Start Menu Select Control Panels Then select the Add or Remove Programs control panel. In the list that comes up select Perfect Layers and then click on the Remove button.
Windows Vista and Windows 7 1. 2. 3. 4. Go to the Window Icon Menu Select Control Panels Under Programs select Uninstall a program. In the list that comes up select Perfect Layers and then click on the Uninstall button.
Mac OS X 1. You will need to manually delete the Perfect Layers folder from the Applications folder.
See also
System Requirements Installation License and Registration
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Perfect Layers User Guide
9 . Installation
See also
System Requirements Installation Uninstalling
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Perfect Layers User Guide
Getting Started . 10
Getting Started
This getting started section will give you the basics of using Perfect Layers. If you have never used Perfect Layers before, this is a good place to start. You might also try watching the getting started video tutorial. For detailed information on steps and controls mentioned in the getting started section, see the "Using Perfect Layers" section instead.
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Perfect Layers User Guide
11 . Getting Started
Combine multiple images into a layered Photoshop-compatible file Adjust layer size, position, blending mode and opacity Use the built-in layer masks and masking tools to blend multiple layers together Layered files are easily opened in Photoshop if needed Super fast launch and file-opening speed
The impact Perfect Layers is going to have on photographers using Lightroom Once images are brought into Perfect Layers, they are merged as separate layers where photographers can makes it a game changer! This is the easily reorder and position each layer as well as change blending modes and opacity. In addition, must-have plug-in for Lightroom. photographers can selectively blend, or mask layers together using the MaskingBrush and MaskingBug developed originally for PhotoTools and FocalPoint. Perfect Layers saves its work as native layered -Scott Kelby Photoshop files so users can open them directly with Photoshop for additional editing if desired.
Why Did We Create Perfect Layers We hear from customers and photographers evaluating our products that they are relying more and more on applications like Lightroom and Aperture for the majority of their work with digital images. Perfect Layers is a response to the desire of photographers adopting these applications to easily combine multiple images to create composites in a straightforward way. This is exciting for photographers who do not own Photoshop as it provides them with new creative options in terms of combining multiple images. Perfect Layers and Photoshop Perfect Layers is not Photoshop and it is not intended to be. Perfect Layers gives you a streamlined and efficient way to create layered files either by importing multiple images together or by taking a single image and duplicating the original layer. Perfect Layers gives you the ability to get a live preview of the different blending modes (Photoshop does not) which is very useful once you start playing with it. Perfect Layers will also give you some basic, easy to use masking tools but does not have all of the masking tools you might find in Photoshop or other products like Mask Pro. Inspired by and Designed with Scott Kelby Here at onOne, we don't think we have all the answers. That's why we worked closely with best-selling author, trainer and Photoshop Guru, Scott Kelby to design the perfect product to complement Lightroom and Aperture. Our goal with Perfect Layers is to deliver the layered file functionality photographers want in Lightroom and in Aperture at a very affordable and reasonable price.
See also
User Interface Supported File Types Open and Saving Files Lightroom and Aperture
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Perfect Layers User Guide
Getting Started . 12
User Interface Click on any tool or control in the window below to learn its function
Navigating the Preview
Perfect Layers provides a number of easy ways to navigate and view your image in the Preview window. Hand Tool The Hand tool is used to drag the image within the Preview window, whenever the image size is larger than the viewable area. To pan (scroll) in the Preview screen:
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Select the Hand tool and drag the image until you locate the area you wish to view. With any other tool selected press Spacebar while you drag the image in the window.
Tip: Hold down the spacebar temporarily to activate the Hand tool no matter what tool is currently selected Tip: Double-click the Hand tool in the Toolbar to set the image to a magnification that fits completely in the current window size.
Zoom Tool The Zoom tool changes the magnification of the image in the Preview screen up to 1600%. With the Zoom tool selected:
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Click in the Preview window to zoom in and center the image at the location clicked. Click and drag in the Preview screen to draw a rectangular marqueethe screen fills with the area within the marquee when you release the mouse. Double-click in the Preview screen to set the Preview screen to 100% magnification. Hold the Option key (Mac) or Alt key (Win) and click to zoom out.
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Tip: Double-click the Zoom tool in the Toolbar to set the image to 1:1 or 100% magnification, showing every pixel. This is best when adjusting textures and for examining small details.
The Navigator pane gives you a complete birds-eye view of your image. The red region of interest indicator marks the area of your image that is visible in the preview pane. You can pan your image by clicking and dragging inside the red region of interest indicator. At the top of the Navigator pane are several Zoom presets. To activate a Zoom preset simply click on it. When you toggle to Loupe mode you see a magnified section of the preview under the cursor. This allows you to judge the quality of your results while maintaining a complete view of your image.
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Perfect Layers User Guide
Getting Started . 14
Importing Files
Perfect Layers can import many file types as new layers into the open image including Photoshop (.PSD), Tiff (.TIF), Jpeg (.JPG) and RAW files from most digital cameras in either 8 or 16 bit RGB color modes. (See this article for a full list of supported RAW files) Selecting multiple files from the Open dialog or from inside of Lightroom will merge all of the selected files into a new, untitled layered Photoshop file.
Exporting Files
Perfect Layers can also export flattened versions of the open Photoshop image as either TIF or JPG from the File > Export menu.
See also
What is Perfect Layers User Interface Open and Saving Files Lightroom and Aperture
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Perfect Layers User Guide
15 . Getting Started
Opening Files
You may open an existing PSD file in several ways. 1. 2. 3. Open the file from the File > Open menu Open a single PSD file from the Lightroom conduit, if the user preference is set to open the original. Dragging a single PSD file onto the Perfect Layers icon
When opening an existing PSD file if there are unsupported layer types (if the file has been edited in Photoshop, layers like text layers, adjustment layers, etc.) the user will be presented with an error dialog.
Attempting to open files from the application icon or from the Lightroom or Aperture conduits when another image is open will prompt you to either create a new image or merge the new files as layers into the open image.
Saving Files
1. 2. 3. You may save the open PSD file using the save option. If you have created a new PSD, you will be prompted to select the name and location of the file (save as). You may save a PSD copy of the image using the Save As command. This allows you to select the name and location. Using the save as command effectively closes the original image and opens the saved as image. You may create new flattened child images in the TIF or JPG format from the Export command in the file menu.
Saving a PSD file maintain all the layers that are present in Perfect Layers as well as their masks. The masks are stored as layer masks so they are adjustable in Photoshop.
See also
What is Perfect Layers User Interface Supported File Types Lightroom and Aperture
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Perfect Layers User Guide
Getting Started . 16
Lightroom Integration
You may access Perfect Layers from inside of Lightroom from the Plug-in Extras sub-menu, in the File menu.
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If you have selected a single PSD file, the file will be opened (see preferences) If you have selected a single non-PSD file (raw, tif, jpg) a new layered PSD file will be created. The resulting file will be saved and stacked with the selected image in Lightroom. If you have multiple images, a new layered PSD file will be created, each image creating a new layer. The resulting file will be saved and stacked with the first image in your selection in Lightroom. If Perfect Layers already has an image open and you send it files from Lightroom you have the option of creating a new file, or merging the files into new layers into the open image. The color space, bit depth and resolution of the images sent to Perfect Layers from Lightroom are controlled in the preferences. When you send files to Perfect Layers from Lightroom the New and Save As options are disabled. Editing a layered PSD created with Perfect Layers in Lightroom in the develop module will flatten the layers.
Aperture Integration
You may access Perfect Layers from inside of Aperture from the Edit with Plug-in sub-menu, in the Photos menu.
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If you have selected a single PSD file, the file will be opened. If you have selected a single non-PSD file (raw, tif, jpg) a new layered PSD file will be created. The resulting file will be saved and stacked with the selected image in Aperture. If you have multiple images, a new layered PSD file will be created, each image creating a new layer. The resulting file will be saved and stacked with the first image in your selection in Aperture. If Perfect Layers already has an image open and you send it files from Aperture you have the option of creating a new file, or merging the files into new layers into the open image. The color space, bit depth and resolution of the images sent to Perfect Layers from Aperture is controlled in the Preferences dialog in Aperture. It is essential that the preferences are set to export PSD, not TIF for the Aperture integration to function properly. When you send files to Perfect Layers from Aperture the New and Save As options are disabled. Editing a layered PSD created with Perfect Layers in Aperture in the Adjustment module will flatten the layers.
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Perfect Layers User Guide
17 . Getting Started
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Open the Preferences dialog, from the iPhoto menu Click on the Advanced tab From the Edit Photos: pop-up select the In Application... option (note if you have ever selected another external editor, it may be listed here instead.) From the Choose dialog that appears, navigate the the Perfect Layers folder, inside the Applications folder and select Perfect Layers In the RAW Photos: option, uncheck the Use RAW when using external editor option, and check the Save edits as 16-bit TIFF files option
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What is Perfect Layers User Interface Supported File Types Open and Saving Files
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Perfect Layers User Guide
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Create a new, empty PSD from the File > New menu. The New Image dialog is presented, see the image to the right. From the New Image dialog the user has the following options. 1. Name: Presets the name of the image. 2. 3. Preset: Lists a range of preset image dimensions. Width: Sets the width. There is a unit pop-up that includes inches, cm and pixels. Changing the units changes all of the unit pop-ups in the dialog to match. Height: The same as the width, just for setting the height. Exchange width and height toggle: Pressing this button will swap the current width and height. Resolution. Sets the resolution of the image. There is a unit pop-up that includes inches, cm and pixels. Changing the units changes all of the unit pop-ups in the dialog to match. Color Space: Sets the color space (icc profile) of the image. The default is set based on the user preferences. Only RGB color space profiles are listed based on those available on the users system. Bit Depth: Sets the bit depth of the image, either 8 or 16 bit.
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Merge one or more images together using the Add Layer from File command Merge one or more images together using the Lightroom or Aperture conduits Dragging one or more images onto the Perfect Layers icon
See also
Adjusting Canvas Size Adding Layers from Files Working with Layers Masking Layers Examples Preferences Menus Keyboard Shortcuts
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Perfect Layers User Guide
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Layer image data outside of the canvas area is to be maintained. The Canvas Size Dialog is divided into two sections, Current Size and New Size. 1. The top section, current size displays the current canvas size in whatever unit is set in the unit pop-ups in the New Size section. 1. The current size fields are non-editable. Below the current size is the new size section. It displays the current width and height and are editable. 1. There are unit pop-ups with options for pixels, inches and cm. 2. 3. Under the new width and height is a similar field for viewing and adjusting the resolution. The canvas size dialog does not interpolate (resize all the layers at the same time). This is the same as the image size dialog box in Photoshop when the resize image option is disabled. There is a lock proportions toggle that locks the width and height proportions together. Adjusting the width will change the height proportionally. This option is on by default. At the top of the new size section is a pop-ip called set to: The values in the pop-up are current layer or all layers. 1. When a user selects the current layer option, the width and height are set to the size of the currently selected layer(s). 2. If the user selects all layers, the width and height are set to the union of all the layers, making all of the pixels on all layers visible in the canvas. If the user selects on of the layer size options and then manually overrides them, the pop-up changes to custom.
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Creating a New File
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Perfect Layers User Guide
Home > Using Perfect Layers > Adding Layers from Files
Attempting to open or merge files from the application icon or from the Lightroom or Aperture conduits will prompt the user to either merge the files into the existing image or create a new one.
See also
Creating a New File Adjusting Canvas Size Working with Layers Masking Layers Examples Preferences Menus Keyboard Shortcuts
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Perfect Layers User Guide
Home > Using Perfect Layers > Working with Layers > The Layers Pane
Lighten Takes the lighter pixel of two layers. Useful for ghosting an image lighter. (applied at 50% opacity)
Darken Takes the darker pixel of two layers. Useful for ghosting and image darker. (applied at 50% opacity)
Screen Combines the brightness of two layers. It is a great way to lighten an image naturally, like increasing the exposure.
Multiply Subtracts the brightness of two layers. It is a great way to darken an image naturally, like decreasing the exposure.
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Perfect Layers User Guide
Overlay Combines both screen and multiply. The light areas are screened, and thus become lighter. The dark areas are multiplied and thus get darker. This increases the contrast overall.
Softlight Similar to overlay but more subtle. Softlight adds a touch of contrast. It is also a good blending mode for combining a texture over your image.
Hardlight Hardlight is similar to overlay but increases the contrast more and may clip the highlights and shadows more. Use this for extreme contrast.
Color Color applies the hue value of the upper layer pixel to the lower layer without changing the brightness. Its perfect for shifting color, converting to black and white or colorizing effects like sepia.
Changing Opacity The opacity slider controls how opaque, or how strong the selected layer is. The default is 100%. At lower settings the layer will blend with the layer (s) under it. Altering the blending mode and opacity of a layer can create a wide range of color and tone effects. Creating Color Fill Layers Color Fill Layers are new layers filled with a solid color. They are useful for altering the color and tone of the image. To create a Color Fill Layer press the Fill button. You can learn more about using Color Fill Layers here.
See also
Transforming Layers Trimming Layers Using Color Fill Layers
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Perfect Layers User Guide
Home > Using Perfect Layers > Working with Layers > Transforming Layers
Transforming Layers
A layer may be moved, sized or rotated using the Transform Tool. The Transform Tool is the first tool, at the top of the tool well. When the Transform Tool is selected, transform handles will appear on the edges of the selected layer. You use these transform handles to manipulate the image. You can only transform one layer at a time. Moving a Layer To move a layer simply click and drag inside of the transform box. You can also use the keyboard arrow keys to nudge a layer one pixel in any direction. Resizing a Layer To resize a layer, click and drag on any of the transform handles. Clicking on a corner handle allows you to adjust two sides at the same time. Clicking on a side handle allows you to adjust that side. If you hold the shift key down while adjusting the size, the proportions of the layer are maintained. If you hold down the option (Mac OS X) or alt (Windows) key while resizing your image will resize from the center rather than from the edge. You can hold down both the shift and option or alt at the same time to resize, proportionally from the center. Rotating a Layer To rotate a layer, move the Transform Tool near but just outside of a corner transform handle. Notice that the tool cursor changes to a rotate cursor. Now click and drag to rotate the layer. Flipping a Layer You can flip a layer either horizontally or vertically by dragging a side resize handle all the way across the image. Note, you can not use the shift keyboard shortcut if you wish to flip the layer. When you have completed your transforms you need to commit the changes. You can do this by pressing the Apply button that appears in the Transform Tool dialog or by pressing the enter key. You can cancel a transform by pressing the Cancel button in the Transform Tool dialog or by pressing the escape key.
See also
The Layers Pane Trimming Layers Using Color Fill Layers
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Perfect Layers User Guide
Home > Using Perfect Layers > Working with Layers > Trimming Layers
Trimming Layers
The trim tool is used to trim, or crop a layer. It removes any pixels outside of a crop-style box for the current layer. To trim a layer, select the Trim Tool from the tool well. It looks like a pair of scissors. Then drag a box over the area you wish to keep on the selected layer. The area outside of the trim box appears darkened for guidance. You can resize and move the trim box. When you are satisfied with your settings, press the Apply button in the Trim Tool dialog. Moving the Trim Box To move the Trim Box simply click and drag inside of the box. You can also nudge the box using the arrow keys on your keyboard. Resizing a Trim Box To resize the Trim Box, click and drag on any of the resize handles. Clicking on a corner handle allows you to adjust two sides at the same time. Clicking on a side handle allows you to adjust that side. If you hold the shift key down while adjusting the size, the proportions of the box are maintained. You can not rotate a Trim Box When you have completed your adjustments you need to commit the changes. You can do this by pressing the Apply button that appears in the Trim Tool dialog or by pressing the enter key. You can cancel a transform by pressing the Cancel button in the Trim Tool dialog or by pressing the escape key.
See also
The Layers Pane Transforming Layers Using Color Fill Layers
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Perfect Layers User Guide
Home > Using Perfect Layers > Working with Layers > Using Color Fill Layers
Create a burn or dodge layer to selectively lighten or darken the image Convert the image to black and white Tint the image any color Add a vignette Simulate photographic filters like warming and cooling Create darkroom looks like sepia toner Before After
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Creating Color Fill Layer To create a Color Fill Layer, press the Fill button the Layers Pane or use the New Color Fill Layer command from the Layers menu. The Color Fill Layer dialog to the right will appear. With this dialog you can select a preset or manually adjust the color, blending mode and opacity of the Color Fill Layer. 1. Preset: This pop-up list contains presets for many common filter effects. Select a preset from the menu to preview it on your image. Fill Color: This is a color well that displays the current color. The user may press the color well to open a color picker dialog. Selecting new colors in the color well will be previewed in realtime on the image. Blending Mode: This option sets the blending mode for the layer. You can always change this later from the Layers pane. Opacity: This slider sets the opacity for the layer. You can think of this as a strength slider for the effect. You can always change this later from the Layers pane.
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Editing a Color Fill Layer You can edit an exiting Color Fill Layer by using the Edit Color Fill Layer option from the Layers menu. It will reopen the Color Fill Layer dialog where you can adjust the settings. Color Fill Layers work just like a regular layer. You can move, resize, rotate, delete and duplicate them. Masking a Color Fill Layer You can mask, or selectively apply a Color Fill Layer using any of the masking tools in Perfect Layers, just like any other layer. To learn how to mask a layer, see the Masking Layers section.
See also
The Layers Pane Transforming Layers Trimming Layers
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Perfect Layers User Guide
Masking Layers
Masking allows you to selectively blend layers together. It is the real heart of using Perfect Layers. Masking allows you to do the following and much more:
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Change heads from one image to another Replace the sky by merging exposures or image together Add a vignette Burn or Dodge to lighten or darken selective areas Combine a motor drive sequence Create a montage
You can think of masking as painting with black paint on white paper. A white mask reveals all of the layer that the mask is attached to. An all white mask is considered blank or empty and shows all of the selected layer. As you use the masking tools you are adding black paint (Paint-Out mode). Where you paint with black you are hiding the current layer, allowing the layer(s) under it to show through. Think of it like cutting a hole in the mask. If you make a mistake you can switch your paint color to white (Paint-In mode) and paint the layer back in like an eraser. When you paint you have more than just white or black, but any shade of gray in between depending on the opacity of the brush. Shades of gray partially hide the layer, blending the layers together. Each layer in Perfect Mask has a mask automatically added to it. This allows you blend each layer differently. Masking in Perfect Layers is done in a non-destructive, re-editable way that is compatible with Photoshop. The masking done in Perfect Layers are stored as layer masks which can be viewed and edited later in Perfect Layers and Photoshop. There are several global masking options that can be accessed from either the Masking Pane or the Masking Menu. They affect the entire mask on the selected layer. Reset Mask Reseting a mask returns it to all white. The entire layer is visible. Invert Mask Invert swaps the white for black and black for white. What was hidden is not revealed and vice-versa. Inverting a mask can be very useful. It allows you to paint a layer in, rather than out, which is handy if you only want to work with a small area. Copy and Paste Mask Perfect Layers allows you to copy the mask from one layer to another. This is handy if you have painted a complex mask on one layer for an adjustment and you wish to use the same mask on another layer for a different adjustment. To copy or paste a mask use the Copy Mask and Paste Mask commands from the Masking menu. It is important that the source and target layers are the same size or you may get odd results.
See also
Creating a New File Adjusting Canvas Size Adding Layers from Files Working with Layers Examples Preferences Menus Keyboard Shortcuts
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Perfect Layers User Guide
Home > Using Perfect Layers > Masking Layers > Using the MaskingBrush
First you can use the Undo command from the edit menu. This will undo the last segment of the brush stroke you have created. You can undo an entire stroke by using the Undo Stroke command from the edit menu. You can toggle the paint mode to Erase and brush over your mistake.
Below are details on how to control the MaskingBrush. This is the Masking Pane. It contains the controls for the MaskingBrush as well as several global masking options. Paint Mode The paint mode toggle controls the shade of gray you paint with. When set to Paint-Out, you are painting with black paint and you will hide areas of the layer you paint. If you make a mistake you can toggle to the Erase option. Painting in Erase mode, paints with white paint and removes brushing to reveal the current layer. There is a third mode, which behaves similarly to Erase called Paint-In. Paint-In mode can be used to override a MaskingBug mask, while Erase mode only removes brush strokes. You can toggle the paint mode with the x keyboard shortcut. Invert Mask Invert swaps the white for black and black for white. What was hidden is not revealed and vice-versa. Inverting a mask can be very useful. It allows you to paint a layer in, rather than out, which is handy if you only want to work with a small area. You can invert the mask with the command (Mac OS X) or control (Windows) i keyboard shortcut. Reset Mask Reseting a mask returns it to all white. The entire layer is visible.
Brush Size You can control the size of the brush using the Brush Size Slider. The brush has range from 1 to 2500 pixels. You use a small brush at high magnification for precise work and and a large brush at fit to screen for general work. To the right you can see examples of brush strokes are varying sizes. You can control the size of the brush several ways:
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Use the Brush Size Slider Use the left and right bracket keys ( [ ] ) Use your mouse scrollwheel (if your preferences are set to this) Use your Wacom pressure sensitive tablet
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Perfect Layers User Guide
Brush Feather You can control the amount of feathering or hardness of the brush using the Feather Slider. The feather has range from 1 to 100 percent. You use a small feather at high magnification for precise, hard-edged work and and a large, soft-edged brush at fit to screen for general work. You can visually see your feather by watching the outer concentric circle of the brush tool. To the right you can see examples of different feather options. You can control the size of the brush several ways:
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Use the Feather Slider Use the shift + left and right bracket keys ( [ ] )
Brush Opacity You can control the opacity, or strength of the brush with the Opacity Slider. Think of the opacity as the shade of gray you are painting with. The opacity has a range from 1 to 100 percent. You use a high opacity to paint quickly and hide large areas. You use a lower opacity for blending areas together or for subtle work. To the right you can see examples of different opacity options. You can control the size of the brush several ways:
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Use the Opacity Slider Use the option (Mac OSX) or alt (Windows) + 0-9 keys Use your Wacom pressure sensitive tablet
MaskingBug The MaskingBug pop-up is used to add, remove and control the shape of the MaskingBug on the selected layer. See the MaskingBug section for more details. Show Mask The Show Mask pop-up is used to view the mask while working on it. There are several mask preview modes. See the Viewing the Mask section for more details. Wacom Controls Perfect Layers supports pressure sensitive Wacom tablets. You can use a tablet like a standard mouse for general control. When you use the MaskingBrush you can also enable special pressure sensitive controls for the brush size, brush opacity or both at the same time. The harder you press the greater the size or opacity will get. You can set the maximum value you want using the Brush Size and Opacity sliders. To the right you can see examples of how pressure sensitivity can be used to control the MaskingBrush.
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Perfect Layers User Guide
Home > Using Perfect Layers > Masking Layers > Using the MaskingBug
Feather You can control the amount of feathering or hardness of the edge of the MaskingBug using the Feather Slider. The feather has range from 1 to 100 percent. You use a small feather to create a hard edge, a soft feather for a larger, softer transition. To the right you can see examples of different feather options. You can control the feather using:
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Use the Feather Slider Changing the angle of the right antenna
Hard Feather 0% Opacity You can control the opacity, or strength of the MaskingBug with the Opacity Slider. The opacity has a range from 1 to 100 percent. You use a high opacity to completly hide the area under the MaskingBug. You use a lower opacity for blending areas together or for subtle work. To the right you can see examples of different opacity options. You can control the opacity several ways:
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Use the Opacity Slider Changing the length of the left antenna
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Perfect Layers User Guide
MaskingBug The MaskingBug pop-up is used to add, remove and control the shape of the MaskingBug on the selected layer. The options are round, rectangular and none.
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Use the round MaskingBug to create vignettes or soft, round masks Use the rectangular MaskingBug to swap skies, add gradient filters, etc. Use the none option to remove an existing MaskingBug from a layer. Round MaskingBug Rectangular MaskingBug
Show Mask The Show Mask pop-up is used to view the mask while working on it. There are several mask preview modes. See the Viewing the Mask section for more details.
Start by moving the MaskingBug. Click and drag inside the center square or circle. Now change the size and angle by clicking and dragging on the the legs. The legs are the shorter limbs with closed terminals. As you pull the legs the bug gets larger. As you twist the legs the MaskingBug rotates. Now adjust the feather by changing the angle of the right antenna. The antennas are the longer limbs with the open terminals. The right antenna length changes the opacity of the current layer. You won't see any change when the grayscale mask preview in on. The left antenna length controls the opacity of the MaskingBug. Finally tilt the MaskingBug by holding down the option (Mac OSX) or alt (Windows) key and click and drag in the body. This will tilt the plan of the bug in 3D. You can use this to change the feather or shape of the MaskingBug. To reset the angle, hold the option or alt key and double-click in the body. You can adjust the MaskingBug while the MaskingBug tool is selected. When you change layers or switch to another tool the mask created by the MaskingBug is rendered. If you want to use the MaskingBug again on the same layer the old MaskingBug will be replaced and you simply start again.
You can add to a MaskingBug with the MaskingBrush when the paint mode is set to Paint-Out. You can subtract from a MaskingBug with the MaskingBrush when the paint mode is set to Paint-In. If you make a mistake with the MaskingBrush, you can remove it without affecting the MaskingBug using the Erase mode.
There are several options for viewing the MaskingBug, located in the Masking Menu. They are:
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MaskingBug Tool Opacity: Not to be confused with the opacity of the mask. This option controls how visible the MaskingBug tool outline appears on screen. If the MaskingBug is interfering with the view of the image you can turn it down to make it more subtle. This control has no effect on how the image itself appears. MaskingBug Grid: This allows you to turn the grid that appears under the MaskingBug on or off. Normally it is set to Auto, where the grid will appear while you are adjusting the MaskingBug only.
See also
Using the MaskingBrush Viewing the Mask
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Home > Using Perfect Layers > Masking Layers > Viewing the Mask
Overlay The masked area appears as 50% red. This is similar to the Quick Mask view in Photoshop
Grayscale The masked area appears as black, the unmasked areas appear as white. This is the same as viewing a layer mask in Photoshop.
See also
Using the MaskingBrush Using the MaskingBug
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Home > Using Perfect Layers > Examples > Enhancing with Blending Modes
2. Now duplicate the image layer by pressing the Copy button in the Layers Pane. Next change the blending mode of the duplicated layer to Multiply. This will darken the image. You can use the Opacity slider to control the amount of darkening.
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3. Finally duplicate the copied layer and change the blending mode to Overlay. This will increase the contrast. Again use the Opacity slider to control the amount of contrast boost.
See also
Replacing a Sky Swapping Heads
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Home > Using Perfect Layers > Examples > Replacing a Sky
Replacing a Sky
This tutorial will cover how to replace a sky by blending two exposures of the same scene.
1. Start by selecting two images of the same scene, one exposed for the sky, one exposed for the foreground. They should be shot from a tripod or as close in registration as possible.
2. Now open the images together into Perfect Layers. You can do this from the File > Open menu or by using the Perfect Layers plugins from Lightroom or Aperture. This will create a new file with each image on a new layer. Adjust the the layer order so the darker, exposed for the sky image is on top.
3. Select the MaskingBug tool and click over the foreground. This will add a new MaskingBug mask to the image.
4. Use the legs to turn the MaskingBug horizontal and stretch the MaskingBug so that the foreground is covered by the grid, but not the sky. You may adjust the right antenna angle to adjust the hardness of the layer blending.
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Home > Using Perfect Layers > Examples > Swapping Heads
Swapping Heads
This example will show you how to swap heads between two portrait images. 1. Start by selecting the two images. The first is the base image which contains the head you would like to replace. The second should contain the head you will use as the replacement. It is best that the images are from the same setting and conditions to appear natural. 2. Now open the images together into Perfect Layers. You can do this from the File > Open menu or by using the Perfect Layers plug-ins from Lightroom or Aperture. This will create a new file with each image on a new layer. Adjust the the layer order so the new, replacement head is located under the base image. You may need to reduce the opacity of one layer so you can see both heads at the same time. Then you can use the Transform tool to align and size the heads as needs so they match. 3. Next make sure you have the upper layer selected in the Layers Pane. Then select the MaskingBrush Tool. In the Masking Pane insure that the mode is set to Paint-Out, the feather should be a mid setting around 30-40, and the opacity should be set to 100%. Now paint on the layer, over the head to replace. As you do so the layer underneath, which contains the new head will start to appear. Carefully brush away the head to be replaced. Start with the center of the face and work at replacing only the area that is needed for a natural blend. If you make a mistake while brushing you can toggle the brush mode to Erase and paint over your mistakes.
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See also
Enhancing with Blending Modes Replacing a Sky
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Preferences
The preferences dialog for Perfect Layers contains general application settings that are used by Perfect Layers. The Perfect Layers preferences are accessed from the Perfect Layers menu on Mac or the Edit menu on Windows. The preferences contain the following controls:
General Settings
1. Working Color Space: When a file is opened in standalone mode and has no color profile associated with it, this is the assumed color profile for the image. Images that come from other hosts or have tagged or embedded profiles will use the associated profile instead. Scrolling Controls: Let's you select how the mouse scrollwheel or scrolling gesture works. The options are: 1. Adjust Zoom: Adjusts the zoom of the preview window. Scrolling up increases the zoom, scrolling down decreases the zoom. It is important that the zooming is comfortable, not too fast or slow or jerky. 2. Pan Image: Pans the image, like using the pan tool or navigator. It is important that the panning is comfortable, not too fast or slow or jerky. Adjust Tool Size: Adjusts the size of the current tool if relevant, such as a brush tool.
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Preview Background Color: You may select the color of the background behind the preview image. The default color is black. There should be options for black, white, light gray, dark gray and custom... The custom option a color picker where you can select your own background color.
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See also
Creating a New File Adjusting Canvas Size Adding Layers from Files Working with Layers Masking Layers Examples Menus Keyboard Shortcuts
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Menus
Perfect Layers Menu (Mac OS X Only) About Perfect Layers: Opens the about box, displays your version number and activation code Preferences: Opens the preferences dialog Quit Perfect Layers: Quits Perfect Layers
File Menu New: Opens the create new file dialog for creating a new PSD file Open: Opens the open dialog for locating and opening an existing PSD file Add Layer(s) from File: Opens the open dialog for location files to merge into the current open PSD file Open Recent: Displays a list of recently opened files Close: Closes the current file. You will have the opportunity to save or not Save: Saves the current file Save As: Opens the Save As dialog where you can select the filename and location to save to Revert to Saved: Reopens the file without your changes Export: Opens the Export dialog where you can choose the filename, location and file type to export
Edit Menu Undo: Undoes the last action Redo: Redoes the last undone action Undo Stroke: If the last action was a brush stroke, this will undo the entire brush stroke rather than the last brush segment Redo Stroke: If your last action was to undo a brush stroke, this will redo the entire brush segment Cut: Cuts text from text field Copy: Copies text from a text field Paste: Pastes text from the clipboard into a text field Adjust Canvas Size: Opens the canvas size dialog where you can adjust the canvas size
Layer Menu Duplicate: Duplicates or copies the current layer Delete: Deletes the current layer Merge Layers: Merges the selected layers into a single layer Merge All: Merges all layers into a single layer New Color Fill Layer: Adds a new color fill layer Edit Color Fill Layer: Opens the color fill layer dialog where you can set the properties of the selected color fill layer
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Masking Menu Show Mask: Shows options for showing the mask See the viewing the mask section Invert Mask: Inverts the mask. Visible areas become hidden and hidden areas become visible Reset Mask: Resets the mask to plain white Copy Mask: Copies the mask from the current layer Paste Mask: Pastes the mask in the clipboard to the mask on the current layer MaskingBug Tool Opacity: Sets the opacity of the MaskingBug tool cursor MaskingBug Grid: Toggles the view mode of the MaskingBug grid
View Menu Zoom In: Adjusts the preview zoom in one increment, makes the preview image larger Zoom Out: Adjusts the preview zoom out one increment, makes the preview image smaller Fit to Screen: Sets the zoom to fit the entire image on screen Fill with Layer: Sets the zoom to fit the current layer Actual Pixels: Sets the zoom to 100% or actual pixels Window Menu Navigator: Opens and closes the Navigator pane Layers: Opens and closes the Layers pane Masking: Opens and closes the Masking pane Welcome Dialog: Opens the Welcome dialog Document Name: Displays the name of the open image
Help Menu Perfect Layers Help: Opens the Perfect Layers user guide Check for Updates: Checks for updates with with the onOne update server Activate/Deactivate: Activates for deactivates the software Registration: Opens the default web browser and goes to the registration page at the onOne website Show Keyboard Shortcuts: Opens the keyboard shortcut dialog
See also
Creating a New File Adjusting Canvas Size Adding Layers from Files Working with Layers Masking Layers Examples Preferences Keyboard Shortcuts
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Perfect Layers User Guide
Keyboard Shortcuts
Action New File Open Open as Layer Save Save As Export Preferences Undo Undo Stroke Redo Redo Stroke Cut Copy Paste Switch to Panel Delete Layer Select Pan Tool Select Zoom Tool Select Trim Tool Select Move Tool Select MaskingBrush Select MaskingBug Zoom-In Zoom-Out 1:1 Fit to Screen Fit to Layer Brush Size Brush Feather Mac cmd n cmd o cmd shift o cmd s cmd shift s cmd shift e cmd , cmd z cmd opt z cmd shift z cmd shift opt z cmd x cmd c cmd v cmd 1,2,etc. del h z t v b m cmd + or cmd = cmd cmd opt 0 cmd 0 cmd shift 0 larger ] smaller [ softer shift ] harder shift [ opt 1 (10%) opt 2 (20%) opt 0 (100%) etc 1 (10%) 2 (20%) 0 (100%) etc cmd m cmd opt m cmd i cmd j cmd e cmd shift e shift drag on corner opt drag on corner Win ctl n ctl o ctl shift o ctl s ctl shift s ctl shift e ? ctl z ctl alt z ctl shift z ctl shift alt z ctl x ctl c ctl v ctl 1,2,etc del h z t v b m ctl + or ctl = ctl ctl alt 0 ctl 0 ctl shift 0 larger ] smaller [ softer shift ] harder shift [ opt 1 (10%) opt 2 (20%) opt 0 (100%) etc 1 (10%) 2 (20%) 0 (100%) etc ctl m ctl alt m ctl i ctl j ctl e ctl shift e shift drag on corner alt drag on corner
Brush Opacity
Layer Opacity
Show Mask Toggle Mask View Invert Mask Duplicate Layer Merge Layer Merge Visible Constrain Prop Grow from center
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