Duke Ellington: An American Legacy

Where would music be had it not been for the men that stepped
before him.
The Motzarts and Beethovens, who wrote the music that today is known as
the
classics. These men were naturals in their own right, but these people
wrote
their music in the 17th and 18th century. Many people don't realize
all of the
changes that music had to go through between that period of music and
the
present day. One such musician stands alone at the top as one of the
movers and
innovators of the 20th century. He is Duke Ellington. Along with his
band, he
alone influenced millions of people both around the world and at home.
He gave
American music its own sound for the first time. Winton Marsalis said
it best
when he said "His music sounds like America." (Hajdu,72). These days
you can
find his name on over 1500 CS's(Illistated Encyclopedia of Jazz,254).
Duke's
legacy will live on for generations to come.

Duke Ellington was born Edward Kennedy Ellington, April 29, 1899
in
Washington D.C(The New Grove Dictionary of Jazz,330). His father at
the time
was employed as a butler yet always wanted the best for Duke. At the
young age
of seven Ellington took up the piano, because his father had always
wanted him
to become an artist(330). But how was Duke to become an artist in a
time when
blacks weren't given the same rights as everyone else. They went to
separate
schools. They were forced to the back of the bus and to use separate
bathrooms.
If Duke were to become some one he had much to come over.

One thing that we do know is that Duke was always looking for
attention
and dignity. There are even stories of how he would announce from the
top of
the stairs in the morning that he was coming down and demand that his
parents
applaud(Collier,9). Also when his cousins would come over he would
stand on the
front porch as they arrived and make them curtsy in front of him(9).
Of course
they didn't like that but they played along(10). From the beginning
Duke
Ellington wanted to be remembered by generations to come, That would be
difficult being the son of a butler and black(The New Grove Dictionary
of
Jazz,330); in a time when Negroes had many obstacles including the
racism that
plagued the United States.

About ten years after he started to play piano, he made his

professional
debut. It was nothing glitzy just a pub in uptown(330). Back in
Ellington's
time black performers had to enter through back doors. He was on his
way, or
was he? In 1923 he experienced failure due to financial
instability(330). Most
people would have given up by now but not the Duke. He kept on looking
for work.
His relentless perseverance payed off. In 1924 Elmer Snowden asked
Duke
Ellington to join his band and he accepted without
question(Collier,45). So
Duke moved north to New York and joined the Washingtonians(46). Elmer
Snowden
was so impressed by his natural ability, that in 1927 he handed his
band over to
Ellington(Collier,72). It was the turning point in Ellingtons life.
He was now
the leader of a headlining bank at the Cotton Club. "The Cotton Club--
smack dab
in the middle of Harlem-but Black people couldn't go there. It was for
whites
only," says Joe Louis(Gales,1995). Imagine the prestige of being a
Black in the
midst of White people. Ellington was finally rubbing shoulders the
upper class.
However he was not allowed to share his talent with his own kind. His
inspiration for all his wonderful compositions never were heard by
them. It's
like writing a love song for someone and not being allowed to share it.
His
feelings and ideas were never expressed to the people that meant the
most to him,
his people(Johnson,59). At the time his legacy was only known by the
whites who
went to see him perform. It wasn't until later when Blacks began to
hear the
Duke's music for the first time.

Being headlined wasn't the only fame that the band brought Duke
Ellington. In 1930 he took the group to Hollywood to appear in the
movie, Check
and Double Check(The New Grove Dictionary of Jazz,330). Ellington was
becoming
a household name. The attention and dignity that he had always strived
for as a
kid had finally come.
 Ellington was not going to let opportunity get away from him.
During
the time from 1933 to 1939 he went on a huge world tour that spanned
the globe.
His tours took him from Japan, to Europe, to Africa, and
Austria(330)(The New
Grove Encyclopedia of Music and Musicians,658). Often times, Ellington
supported his dreams out of his own pocket or from royalties collected
from his
ever growing and equally popular songbook(Duke is Still Tops...,1).
Duke
Ellington showed Black Americans today that you could be someone, if
you wanted
it badly enough. He was willing to put himself on the line in order to
gain
respect in a time when blacks received little respect in America.
DeSable
probably put it best when he said, "yet the man who was sent to the
Colored
People's Waiting Room at the same time was the toast of
Paris!"(Hajdu,72).
America was truly disregarding one of the greatest Americans there ever
will be.
His legacy is part of the America that we want people around the world
to see,
the Cinderella story, from relative obscurity to fame.

Duke will probably be remembered most for the over 3000 songs
that he
composed during his lifetime. The most amazing part about Ellington
was the
most creative while he was on the road and busy.(The New Grove
Dictionary of
Jazz,330) It was during this time when he wrote his most famous piece,
"Mood
Indigo" which brought him world wide fame. When asked what inspired
him to
write, Ellington replied, "My men and my race are the inspiration of my
work. I
try to catch the character and mood and feeling of my people" (Johnson
58).
Duke wrote from the heart. Unlike now adays when writers write for
money,
Duke's music was at the next level of musicianship. One of feel and
love for
what he was doing.

The other aspect about Duke that makes his writings so great was
his
wide range of styles that he could write in. During his lifetime,
Ellington
was able to sign his name to a Broadway musical, "Beggers Holiday", a
ballet,
"The River", and a full length movie score, Anatomy of a
Murder.(Hajdu,73).
Some of his more interesting music came from the period when he wrote
in a
classical style. What makes his music so interesting is how it sounds
so much
like Beethoven yet, there is an underlying jazz feel to the music.
This is
something that is very unique to his writing. What is even more
amazing is
knowing that Duke basically taught harmony to himself and that his vast
knowledge of arranging music came from experimenting with his band(The
New Grove
Dictionary of Jazz,331). Just as a chemist learns and creates in a lab,
Ellington used his band to learn and create. Duke was no match for
Father Time
though. As death crept up on Duke Ellington, he began writing
liturgical music.
His most famous piece was, "In the Beginning God," which was written for
orchestra chorus and soloist. Again he was still able to keep an
underlying
jazz feel.

People began to take note of one the greatest composers that

ever lived.
Duke once used the phrase "beyond category" to describe singer Ella
Fitzgerald
(Johnson,58). Who would ever think that people would ever think of
Duke in that
category as well. One of New York University's Music Department
Chairmen Percy
Granger ranked Ellington as on the three greatest composers in the
history of
music, sharing honors with J. S. Bach and Frederick Delius. (58) What
makes
Ellingtons accomplishments even more significant is that despite being
the first
Negro to gain such a distinction, he was the first and only American to
do so.
More and more people began to give Duke the respect that he always
strived for.

In the very beginning, Duke wanted to be respected but now awards and
other
recognitions filled his life. Finally, in 1967 he received Honorary
Doctorates
from both Harvard and Yale and later became the only jazz musician to
receive an
honorary degree from Columbus University(The Illustrated Encyclopedia of
Jazz,244). Greatness in his own country was now upon him. Later in
1969, Nixon
awarded him the Presidential Medal of Freedom, the highest civilian
medal of
honor(244). The American government wasn't the only government to
honor this
truly great man. Duke was so revered after a trip to Togo that the
government
issued a stamp in his honor. (The New Grove Encyclopedia of Music and
Musicians,658) Above all, his greatest distinction had to have been,
being the
first jazz musician to be named to the Royal Academy of Music in
Sweden(658).
With all of Ellington's awards, Honorary Doctorates, and honors, he
still
remained humble. When asked about not winning American's top prize for
composers, Duke replied, "fate is just being kind to me. It doesn't
want me to
become famous to young." (Johnson 59)

His music will surely live on for generation to come but more
importantly will the man behind the music be remembered? In a day and
age when
people are on the go, will they listen to his music done by another
artist and
not realize that the artist they are listening to is not the author?13
Saying
Tony Bennett wrote Satin Doll is like saying Disney wrote the
Nutcracker. Duke
Ellington had to go through a lot just to be heard when America was
keeping
their African American artists under a cover. Not only should
Ellington be
remembered as a great composer, but he should be remembered as a
leading figure
of Civil Rights like Martin Luther King Jr. who always saw the glass
half full
instead of half empty. In his autobiography he writes,"Gray skies are
just
clouds passing over." (Gayles, 1995). That sums up the man.
Optimistic and
always striving to accomplish more.

Works Cited

Camus, Albert. Gales Quotaions. Who said What. December 1995. Detroit:
Gale
Research Inc. 1995. CD-ROM.

Collier, James Lincoln. Duke Ellington. New York:MacMillan. 1991.

"Duk is Still Tops. Ellington's Relevance goes Beyond Music." Chicago

Tribune,
13 December 1995, Tempo, p.1.

"Ellington, Duke." The Illustrated Encyclopedia of Jazz. 1978 ed.

"Ellington, Duke." The New Grove Dictionary of Jazz. 1988 ed.

"Ellington, Duke." The New Grove Encyclopedia of Music and Musicians.

1980
ed.

Hajdu, David. "Sofisticated Gentleman" Entertainment Weekly. 31 May

1996.
p.72-73.
Johnson, Robert. "On his 96th Birthday, Duke Ellington Proclaimed
'BEYOND
CATAGORY' by Critics of his Great Music." Jet. 15 May 1995.
p.58-61.