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  • Left or Right / Fixed Devices / Week II

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    Julian K.
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    Interactive and motion graphics: orientation between real and virtual worlds. Week 2: interactive Typography Think about how to solve the issue of having to use three languages by adding time and interaction. How can you tell apart the different languages by a time-based or interactive distinction? - Who uses it and what does she / he need? - how does it communicate?

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    Interactive and motion graphics: orientation between real and virtual worlds. Week 2: interactive Typography Think about how to solve the issue of having to use three languages by adding time and interaction. How can you tell apart the different languages by a time-based or interactive distinction? - Who uses it and what does she / he need? - how does it communicate?

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    Attribution Non-Commercial (BY-NC)
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    1K vizualizări33 pagini

    Left or Right / Fixed Devices / Week II

    Încărcat de

    Julian K.
    Interactive and motion graphics: orientation between real and virtual worlds. Week 2: interactive Typography Think about how to solve the issue of having to use three languages by adding time and interaction. How can you tell apart the different languages by a time-based or interactive distinction? - Who uses it and what does she / he need? - how does it communicate?

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    Attribution Non-Commercial (BY-NC)
    Descărcați ca PDF, TXT sau citiți online pe Scribd
    Indicator pentru conținut neadecvat
    din 33

    Left or right?

    Design for spatial orientation


    Interactive & motion graphics: Orientation between real and virtual worlds

    11.10: introduction mobile devices & future scenarios 18.10: fixed devices & contextual information 25.10: agent devices & smart objects finding,recording,visualizing,learning

    Real World

    Fixed Devices & Contextual Information


    Kiosk Apps 2D Display Maps Binocular Apps AR Contextual Info Layers Projection Apps Basic projection Mapping (2D-3D) Contextual Info Augmentation

    Guckkastenbhne

    Filippo Brunelleschi, Santa Maria del Fiore

    Camera Obscura

    Albrecht Drer

    Leon Battista Alberti, Anemometer

    Compass

    Christopher Columbs Map

    Mariner's astrolabe

    Jakobsstab

    Paul Czanne

    Camera Obscura

    Eadward Muybridge / The Horse in Motion / 1877

    Eadward Muybridge / Zoopraxiscope / 1878

    Guckkastenbhne

    Morton Heilig / Sensorama / 1962

    James Cameron / Avatar / 2009

    ar binoculars

    Meso / BMW Focus on Joy / 2009

    Art+Com / Boulevard der Stars / 2010

    Markus Kison / Touched Echo / 2007-2009

    Ruedi Baur / Cinmathque Franaise / 2004

    Ruedi Baur / Cinmathque Franaise / 2004

    Steven Spielberg / Minority Report / 2002

    Nikon Text / D700 Launch Korea / 2010

    On - and Offline Advertising & Art

    Touchscreen vending machine / Tokyo / 2011

    Nordkapp / City orientation / 2011

    Week II: Interactive Typography


    Take your typographic design and expand it dynamically and interactively! Think about how to solve the issue of having to use three languages by adding time and interaction. How can you tell apart the different languages by a time-based or interactive distinction? What you ask: - Who uses it & what does she/he need? - which functionalities does it have? - How does it communicate? - Who uses it & what does she/he need? What you do: 1. design the concept 2. prove the concept through testing & documenting on spot 3. refine the concept 4. prove again though testing & documenting on spot What you need: - Paper, Cardboard, Scissors, Print-outs, Stencils etc. - Photo-camera (Video) - Projections, Light Research: Oskar Fischinger, Muriel Cooper, Paul Jeffrey Sharits (http://www.ubu.com/film/sharits.html ), Jenny Holzer, Gary Hill, David Small (MIT / Small Design Firm), Alex Gopher und Matthias Zentner, Saul bass (Motion Picture Sequences)

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